July 2020 Book Deal Announcements

Adult

Ashley Herring Blake‘s DELILAH GREEN DOESN’T CARE, an #ownvoices queer romantic comedy, about a woman who begrudgingly returns to her hometown for her estranged stepsister’s wedding; when she crosses paths with a former mean girl from her childhood, old wounds and old feelings reignite, to Angela Kim at Berkley, in a pre-empt, in a two-book deal, for publication in spring 2022, by Rebecca Podos at Rees Literary Agency (world).

Brooklyn College MFA and NYU Law School graduate Jane Pek‘s THE VERIFIERS, which examines how today’s technology shapes our choices, introducing an overly imaginative reader of mystery novels who lands her dream job at an “online-dating detective agency,” then finds herself solving a real-life murder with sinister societal implications, while keeping the fact that she dates girls from her matchmaking mother, to Anna Kaufman at Vintage, in an exclusive submission, for publication in 2022, by Julie Barer at The Book Group (NA).

Jen Hinst-White‘s JOBS FOR GIRLS WITH ARTISTIC FLAIR, a LGBTQ coming-of-age story pitched as THE CACTUS meets PIZZA GIRL, about a young woman in 1980s Long Island who chases her dream of becoming a tattooist despite her social anxiety, an unreliable family, and an industry hostile to women artists, to Jeramie Orton at Pamela Dorman Books, in a pre-empt, for publication in summer 2022, by Chad Luibl at Janklow & Nesbit (world).

C.L. Clark‘s THE UNBROKEN, a North Africa-inspired queer epic fantasy following a soldier accused of murder who is saved from execution when a dethroned princess decides to take her on as a spy, while grappling with a crumbling empire and their unexpected bond, to Brit Hvide at Orbit, in an exclusive submission, in a three-book deal, by Mary C. Moore at Kimberley Cameron & Associates (world).

Oregon Literary Arts Fellow and Mills MFA graduate Emme Lund‘s THE BOY WITH A BIRD IN HIS CHEST, pitched as the desperate longing of THE PERKS OF BEING A WALLFLOWER meets queer coming-of-age about the secrets we carry, the ways we try to stay safe, and growing up having to hide what makes you lovable to the world and to yourself, to Melanie Iglesias Perez at Atria, at auction, for publication in spring 2022, by Cassie Mannes Murray at Howland Literary (world).

Actor Paul Mendez‘s RAINBOW MILK, a coming-of-age story that follows a nineteen-year-old Jamaican-British man, who goes from isolated fast food server in the Black Country to sex worker and burgeoning artist in London as he grapples with his racial and sexual identities against the backdrop of his Jehovah’s Witness upbringing and the legacy of the Windrush generation, to Margo Shickmanter at Doubleday, for publication in summer 2021, by Helena Doree at Little Brown UK (NA).

Author of LOVE ON THE HUDSON KD Fisher’s THE SECRET INGREDIENT, in which two very different female chefs in small-town Maine find a way into each other’s hearts and families, to Kerri Buckley at Carina Press Adores, for publication in November 2020, by Claire Draper at The Bent Agency (world).

Children’s/YA

Author of ONLY MOSTLY DEVASTATED Sophie Gonzales and author of THE LOVE INTEREST Cale Dietrich‘s OFF THE RECORD, following two boys in America’s biggest boy band who fall for each other while on their first sold-out European tour, and are forced to keep their relationship a secret by their record label, but slowly realize those in charge have no intention of letting them announce their relationship to the world—ever, to Sylvan Creekmore at Wednesday Books, in an exclusive submission, for publication in fall 2021, by Moe Ferrara at BookEnds (world).

Author of DEPOSING NATHAN Zack Smedley‘s TONIGHT WE RULE THE WORLD, a coming-of-age novel about a boy whose senior year is upended when school officials learn he was sexually assaulted by another student; exploring identity, sexuality, and self-worth and following the implosion among the boy’s school, peers, parents, and girlfriend, to Lauren Knowles at Page Street, in a nice deal, for publication in fall 2021, by Allison Remcheck at Stimola Literary Studio (world).

Gabe Cole Novoa’s THE WICKED BARGAIN, the #OwnVoices YA fantasy follows a trans masculine Latinx teen pirate hiding magical abilities who, after a deal with the devil comes to a violent end, is rescued by the Caribbean’s sole remaining pirate crew, but with the Spanish armada hunting the last of the pirates down, the magic they’ve been keeping secret may be their only redemption—or it could mean certain death, to Jenna Lettice at Random House Children’s, for publication in fall 2022, by Louise Fury at The Bent Agency (world).

Mariama Lockington’s FOREVER IS NOW, a novel-in-verse about an agoraphobic teenager who must find a way to boldly step outside herself for the sake of her relationships and community, to Joy Peskin at Farrar, Straus Children’s, in a two-book deal, by Jane Dystel at Dystel, Goderich & Bourret (world).

Author of WHITE ROSE Kip Wilson’s THE MOST DAZZLING GIRL IN BERLIN, a historical novel-in-verse about an orphan who finds family, love, and her voice in a queer nightclub during the last days of the Weimar Republic in Berlin, 1932, to Margaret Raymo at Versify, for publication in spring 2022, by Roseanne Wells at Jennifer De Chiara Literary Agency (NA).

Illustrators of the forthcoming WEIRDO Jessica Wibowo and Jacinta Wibowo‘s LUNAR BOY, in which a boy from the moon deals with culture shock, familial struggles, and first crushes when his mother suddenly marries and moves them to Earth, to Carolina Ortiz at Harper Alley, in a pre-empt, in a two-book deal, for publication in 2023, by Britt Siess at Martin Literary Management (world English).

Betsy Cornwell‘s READER, I MURDERED HIM, a tale of female agency, queer romance, and revenge in which a girl becomes a teenage vigilante who roams Victorian England using her privilege and power to protect other young women from abusive Gothic heroes, to Lynne Polvino at Clarion, in an exclusive submission, for publication in fall 2021, by Sara Crowe at Pippin Properties (NA).

Non-Fiction

Winner of two gold medals and the World Cup Briana Scurry and Wayne Coffey, with a foreword by Robin Roberts‘s MY GREATEST SAVE, a memoir of Scurry’s role as the fierce goalkeeper for the 1999ers, the legendary U.S. Women’s national team, where she broke barriers as the first Black female player, the first to come out openly as gay, and one of the first to advocate for equal pay, until a career-ending concussion sent her into years of despair and she had to make the greatest save of all, to Jamison Stoltz at Abrams Press, by Susan Canavan at Waxman Literary Agency (world).

Lambda Literary nonfiction fellow Nikkya Hargrove‘s MAMA: A BLACK, QUEER WOMAN’S JOURNEY TO MOTHERHOOD, describing how growing up visiting her mother in prison affected her own choices in life and how, when her mother died of heart disease at the age of 42 after a lifelong battle with crack cocaine, she adopted her baby brother, determined to create the kind of family she never had; about motherhood and identity, as told by a Black gay woman married to a Sri Lankan American woman parenting twin girls and raising their adopted son together, to Amy Gash at Algonquin, at auction, for publication in fall 2022, by Stacey Glick at Dystel, Goderich & Bourret (world).

Authors of THE GAY AGENDA and owners of the Ash + Chess stationery store Ashley Molesso and Chessie Needham’s THE QUEER TAROT and THE GAY AGENDA AGENDA, an illustrated guidebook and deck that seeks to serve as an outlet for members of the LGBTQ+ community who want to connect with the tarot in a more personalized way, celebrating their identities, including non-binary, trans, lesbian, gay, bisexual, asexual, pansexual, and more, with all races and cultures, abilities, and body types represented and celebrated; also, an agenda highlighting the most important historical moments, figures, and places in the gay community, to Shannon Connors Fabricant at Running Press, at auction, in a two-book deal, by Meg Thompson at Thompson Literary Agency (world).

Contributor to Ploughshares, The Rumpus, and Longreads Edgar Gomez’s HIGH-RISK HOMOSEXUAL, a debut memoir about coming-of-age in a culture that values machismo, following the author from his uncle’s cockfighting ring in Nicaragua to the queer spaces where he discovered the joy of being gay and Latino, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual,” to Sarah Lyn Rogers at Soft Skull, for publication in fall 2021, by Danielle Bukowski at Sterling Lord Literistic (world).

6 New July eBooks for Under $5!

So Forward by Mina V. Esguerra (bi m/f contemporary romance, $1.99)

Things Hoped For by Chencia C. Higgins (f/f contemporary romance, $2.99)

Set the Stage by Daniel De Lorne (m/m contemporary romance, $3.99)

The Care and Feeding of Waspish Widows by Olivia Waite (f/f historical romance, $3.99)

Trouble & Strife by Lara Kinsey (bi m/f historical romance, $3.99)

Hairpin Curves by Elia Winters (Contemporary f/f Romance, $4.99)

Links are Amazon affiliate. Using them helps earn a small percentage of income for the site, so please do!

Home Again: Why I Finally Set a Novel in My Home State, a Guest Post by Tack & Jibe Author Lilah Suzanne

Today on the site, we’re thrilled to welcome author Lilah Suzanne to celebrate the release of their newest, a contemporary f/f Romance called Tack & Jibe that releases from Interlude Press today. Here’s a little more on the book!

Raised on a small island in North Carolina’s Outer Banks, Willa Rogers has a picture-perfect nautical life: hanging out at the beach with her friends, living in a cozy seaside cottage, working at a sailing store, and running a hugely popular sailing Instagram. It’s so convincing that her overzealous online followers register her to compete in the High Seas, a televised national sailing championship.

Too bad Willa doesn’t actually know how to sail.

Desperate to protect her carefully curated life, Willa tracks down four-time High Seas champion Lane Cordova, and begs her for a crash course in sailing before the race begins. But Lane’s mastery of the water is matched only by Willa’s ineptitude—and her growing crush on Lane isn’t helping matters. When the competition threatens to go awry and take her idealized life with it, Willa has to figure out if she can save her reputation from sinking while taking a chance on love.

Buy it: Amazon | B&N | IndieBound | Bookshop

And here’s the post!

The shopping center when you first come into town features a gas station-slash-Italian grocery store, an eyebrow threading studio that is also, somehow, a U-haul rental center, and next to that, a vape store. This a town that was put on the map in the 1800s thanks to a railroad stop and a natural spring that locals claimed had healing powers— a spring that has since dried up and a train depot that is now a brewery. The rows of brick buildings branded with historical marker placards are occupied by shiny new stores: a juice bar, a coffee roaster, an artisanal chocolate cafe, even more breweries. There’s a new library; an expanded town hall; and a newly-opened art center. The art center, with its white-washed facade and picture windows, sits in the center of downtown, around the corner and across the street from a gun store that boasts over 6,000 guns in stock. It’s a complicated place; a town in flux, but from what to what I’m not quite sure. A rural small-town turned suburban enclave for certain, but just as transplants from colder places north of the Mason-Dixon bring more progressive views, an undercurrent of conformity remains.

The suburbs, like much of the South, is not a place to make waves.

It’s fitting, I suppose, that the first story I’ve set in North Carolina is about a character who struggles with the desire to be someone else, somewhere else. Someone who feels as if they must contort and misrepresent themselves in an effort to fit in and who, in a pretty straightforward metaphor for wanting to get the heck out of dodge, dreams of literally sailing away and never coming back. And yet.

And yet, there’s this tug of home. This is the place that’s shaped them. That’s shaped me. Isn’t this odd little town part of who I am? Won’t it always be? Could I really leave, even if I wanted to? Do I want to? Wherever you go there you are… This is the push-pull at the center of Tack & Jibe, a story that asks a lot of questions about authenticity and truth and finding yourself when you aren’t in a place–literally or metaphorically–to explore that fully.

In truth, I didn’t even realize I was writing these themes in Tack & Jibe until I was well into the editorial process. It was one of those oh, that’s what I was working through here, moments. I am several books and short stories in to a writing career and just now am I writing about the state where I’ve spent most of my life. Just now am I really exploring the complicated relationship I have to home and self and identity and loving a place that doesn’t always love me back. Why? Maybe I just needed time. Maybe I needed to write about other things first. Maybe I just didn’t feel like it. Maybe, like Willa and Lane in Tack & Jibe, I needed to know I could leave if I wanted to. And maybe I do, even if it’s only in a story. But maybe I don’t.

This is what I love about North Carolina: The accent, the sweet tea, the barbeque, the mild winters, the pine forests, the mountains, the beaches, the way people smile and say, “hey!” and genuinely welcome you to their home and heart even when they don’t know you all that well, not really. How people surprise you by being open and loving when you’ve come expect the opposite. Here’s what I don’t love: How change is still slow to come and hard-fought, the gut punch of realizing you don’t belong somewhere after all, knowing there are parts of you that you have to hide, knowing you aren’t safe, knowing that if they knew really knew you, they wouldn’t welcome you into their home and heart. Not really.

I don’t have answers to any of the questions or conflicts I ask in the book nor do I in real life. Like the town I currently reside in, perhaps I’m in flux. I’ve left home before and I probably will again. For now I’m here because, well, because I am. I’m happy though, and in the book, Willa ends up happy. But Tack & Jibe is a rare story where I didn’t neatly wrap up all the loose ends, which troubled me at first until I realized there exists the possibility of multiple happily-ever-afters unspooling from the place where the story finishes. For a lot of us, a sense of home and a sense of who we are is complicated. And for me, for Willa, for Lane, for a lot of people, it probably always will be. Ultimately, that’s what the story is really about. Well, that and sailing.

And romance, of course.

It’s complicated.

***

Lilah Suzanne is a queer author of bestselling and award-winning romantic fiction. Their 2018 novel Jilted was named a finalist for a Lambda Literary Award and a Foreword INDIES Award, and won a Bisexual Book Award for romantic fiction. Their critically acclaimed Spotlight series included the Amazon #1 bestseller Broken Records, along with Burning Tracks and Blended Notes. Lilah also authored the romantic comedy Spice, the novellas Pivot & Slip and After the Sunset, and the short story Halfway Home, from the holiday anthology If the Fates Allow. A writer from a young age, Lilah resides in North Carolina and mostly enjoys staying indoors, though sometimes ventures out for concerts, museum visits, and quiet walks in the woods.

Exclusive Cover Reveal: Glitter + Ashes: Queer Tales of a World That Wouldn’t Die

It’s always a good day when it’s a Neon Hemlock cover reveal day! Today’s is for Glitter + Ashes: Queer Tales of a World That Wouldn’t Die, an anthology of post-apocalyptic fiction featuring some major faves from the world of SFF and releasing in September! Here are the details:

Glitter + Ashes: Queer Tales of a World That Wouldn’t Die is an anthology of post-apocalyptic fiction centering queer joy and community in the face of disaster. What does hope look like when everything is lost? Now, more than ever, we need to revel in the bright spots amidst the darkness.

The twenty-three stories (and two poems) contained here, as well as the roleplaying game Dream Askew by Avery Alder, imagine queer community in myriad futures interrupted by collapse. Post-apocalyptic futures glittering and bleak, challenging and eerie.

Glitter + Ashes is here to hold up a torch. Come gather round the fire.

Contributors include: Saida Agostini, Elly Bangs, Phoebe Barton, Christopher Caldwell, C.L. Clark, Josie Columbus, Trip Galey, Blake Jessop, Marianne Kirby, Jordan Kurella, L.D. Lewis, Otter Lieffe, Darcie Little Badger, A.Z. Louise, V. Medina, Michael Andrew Milne, Anthony Moll, Mari Ness, Aun-Juli Riddle, Lauren Ring, Adam Shannon, A.P. Thayer, R.J. Theodore, Izzy Wasserstein, and Brendan Williams-Childs.

And here’s the lovely cover, illustrated by Hugo-nominated illustrator Grace P. Fong!

Preorder Glitter + Ashes here!

(Psst, wanna see the full flap? We’ve got that too!)

***

 

dave ring is a writer, counselor and dilettante living in Washington, DC.  He is the chair of the OutWrite LGBTQ Book Festival and an active member of the Speculative Wordsmiths.  He is also the publisher and managing editor of Neon Hemlock Press. He has two speculative anthologies under his belt:  Broken Metropolis: Queer Tales of a City That Never Was (Mason Jar Press) and Glitter + Ashes: Queer Tales of a World That Wouldn’t Die (forthcoming from Neon Hemlock Press).  He has also edited the zines V O I D J U N K and A Formal Invitation.

dave was a 2013 Lambda Literary Fellow, a 2018 resident of Futurescapes and Disquiet, and a 2019 resident of Sundress Academy for the Arts.  He has stories featured or forthcoming in more than two dozen publications, including Fireside Fiction, GlitterShip, and A Punk Rock Future.

More info at www.dave-ring.com.  Follow him on Twitter at @slickhop.

Exclusive Cover Reveal: Luckmonkey by Alysia Constantine

Today on the site we’ve got another fabulous cover reveal, this one for Luckmonkey by Alysia Constantine, which releases from Interlude Press on March 9, 2021! Here’s the gist:

By day, Luckmonkey is a struggling punk band playing in record stores and taco joints; by night, its members are anti-capitalist agitators, breaking into homes and businesses, each time stealing one possession and leaving something different in its place. Squatting in an abandoned building without electricity or heat, they scrounge a patched-together life as a raucous, mismatched family of queer, trans and first-gen social activists.

But when one of them steals a wind-up monkey toy and brings it home, things begin to deteriorate into squabbles and bad decisions, until an arrest forces the group to weigh the hard work of political resistance against their individual needs for stability and safety.

Set in the margins of Pittsburgh in the early aughts, Luckmonkey barrels into the defiant lives of social outsiders working to change the world.

Preorder: Interlude | IndieBound | Amazon | Book Depository

And here’s the cover, designed by the magical C.B. Messer!

***

Alysia Constantine is a critically acclaimed and award-winning author whose novels blur the line between reality and fantasy, feature luscious prose and explore complex themes of otherness. Her novels Sweet (Interlude Press, 2016) and Olympia Knife (Interlude Press, 2017) received starred reviews from Publishers Weekly and Foreword Reviews, respectively. She is also the editor of the 2020 Young Adult anthology, Short Stuff (Duet Books). She lives in the Lower Hudson Valley with her wife, two dogs, and a cat and is a former professor at a New York arts college.

https://alysiaconstantine.com Twitter: @ConstantAlysia

Sensitive Subjects, a Guest Post by Rewritten Author JR Gray

Today on the site, we’re welcoming JR Gray, author of the Unscripted series, whose second book, Rewritten, released on June 4th! He’s here to talk about writing mental health into his newest romance, a slow-burn Hollywood-set friends-to-lovers that’s a direct sequel of Unscripted (so read that one first!), but first, a little more on the book!

Movie star 102: The headlines are never what they seem.

Quellcrist wasn’t new to fame or the effect it had on a relationship. He’d been married in the spotlight for as long as he’d been famous. But that was before Hale. He knew it was going to test him but even he hadn’t known the toll that months apart would take on his fledgling relationship.

Long days of shooting, different time zones, calls every day dwindled to days without calls, and rumors were all over the rags. Through it all Quell had to battle his own worst enemy but he didn’t know how to win against something inside him. Depression ate him whole and pain took over.

There was so much more at stake than losing his boyfriend, he was losing his best friend. His lifeline, the love of his life. Was there any way to come back from the damage done?

Can they rewrite their ending?

Buy it: Amazon | Indiebound

And here’s the post!

The idea for Unscripted started when I was watching a television show, hoping beyond hope that I wasn’t being queerbaited and that I’d get this amazing love story building. We’ve all been there, shipping something on a favorite show but not expecting to ever get a queer ship. How many times have we all had our hopes up and had the creators ruin it for us. I enjoyed the actors so much I started to watch videos of them and I became obsessed with the idea of two actors falling in love while playing a couple on a television show. This led to me obsessively watching videos on people who played couples in movies or television shows and watching their chemistry. Some went on to be couples and others were just good friends.

But what if I could have both? What if I could write a story where the actors had an intense bromance and then fell in love. As soon as I started crafting the characters I was obsessed. I loved them more than I’ve ever loved any of my other characters. One of the reasons was because I put a lot of my experience with depression into Quell. I felt his pain, and his rejection and his loneliness.

The depression topics in Unscripted were something I’d never done before. I knew it was going to be an intense book. Personal experiences are hard. I had no idea how it would be received, which is always a terrifying moment because I know everyone’s experience with depression is different. I was blown away with the reception and how many people took the time to message me privately to tell me they’d never read a book that showed depression the way they’d experienced it. As soon as I started writing Quell I knew he was special.

I wanted to tell a story that showed how people can realize their sexuality later in life as well as work in one of my favorite tropes: friends to lovers. I wanted to build a safe space in the friendship between Quell and Hale. Something that would help bring Quell out of his loneliness and someone to be there through his dark times. I wanted their relationship to be intense and born out of friendship. I knew it was the only way Quell would open up and feel safe.

This was a massive undertaking. But the book poured out of me and I loved it from the beginning. I knew book two would be even more intense and harder to write because Quell would go darker with his and Hale’s time apart but I knew getting to the HEA would be worth it for these two.

***

Gray is a cynical Chicago native, who drinks coffee all day, barely sleeps, and is a little too fashion obsessed. He writes realistic and damaged characters because everyone deserves a happily ever after.

Under the Gaydar: F/F YA Fantasy

“Under the Gaydar” features books you might not realize have queer content but do! And definitely belong on your radar.

This edition is dedication to F/F YA Fantasy, which has blown alllll the way up in 2020 and is the perfect way to enjoy the queer lit you need in an environment that might not be safe for it. (Or just to find more stuff you never knew was rocking the rainbow – whatever your situation!)

Girl, Serpent, Thorn by Melissa Bashardoust – What luck that maybe my favorite YA standalone fantasy also happens to be a bisexual f/f YA? Based on Persian mythology and exploring monstrousness in the most glorious way, I cannot advocate harder for adding this one to your shelf. (Bookshop)

The Midnight Lie by Marie Rutkoski – In more 2020 glory, my fave YA fantasy author also has a new f/f out this year, and yep, it is freaking excellent. Get to know and love the rakish Sid and morally complex Nirrim in this series opener, and then take a seat six feet away from me and let’s mourn the wait for book 2 together. (Bookshop)

The Never Tilting World by Rin Chupeco – You probably already know this book as Frozen meets Mad Max: Fury Road, but you may not know that one of the two goddesses mentioned in the blurb is super gay and in an f/f romance! Want my specific feelings on this book? Good news: I blurbed it! “Complex, brutal, romantic, and terrifying. With a phenomenal cast of characters who stick to your bones and vivid worldbuilding that shows up in your dreams, this is a book that demands to be experienced.” (Bookshop)

Girls Made of Snow and Glass by Melissa Bashardoust – Yep, more Melissa Bashardoust glory! The romance in this one takes a backseat to the incredibly done stepmother-stepdaughter relationship in this Snow White-inspired fantasy, but it’s still sweet and great and undeniably queer. (Bookshop)

We Set the Dark on Fire by Tehlor Kay Mejia – As a caveat, this is the first book in a duology, and the second book does have clear queerness in the blurb. But if you’re good to venture in under those conditions, this is a timely enemies-to-lovers story about immigration and revolution in a highly stratified society, (Bookshop)

Exclusive Cover Reveal: Chase: The Boy Who Hid by Z. Jeffries

Lower YA is still a wildly underrepresented subcategory in queer YA, so I’m thrilled to be revealing the cover for a new one entitled Chase: the Boy Who Hid by Z. Jeffries, which is a sci-fi releasing digitally on October 15 and starring a bisexual hero and nonbinary love interest. Here’s a little more on the book:

Don’t hide from your feelings. Hide from the giant robot trying to kill you.

I always knew I’d inherited my grandad’s mind for science and technology, but when he goes missing, I get his spot in a top-secret government game of hide and seek. The military camouflage challenge, DARPA’s game where shapeshifters, mechs, and telepaths hide from a robot seeker, is where Grandad vanished.

To find out what happened to him, I’ll play along- gain the team’s trust, master the tech, and avoid catching feelings for the team navigator. If I can do all that, then maybe I can survive the dangerous game. But if it comes down to winning or finding Grandad, I’ll ditch the game and betray my team in a millisecond. Even if it means I go missing, too.

Book One in the Hide & Seek Series, the action-packed coming of age stories of STEM-minded queer kids getting their hands on the tech of the future.

And here’s the cover, compliments of Mikki Noble of Paracoze Designs!

Preorder here!

***

Z Jeffries (left) can’t wait for you to read his debut YA novel. A son of an English teacher, one of his earliest memories was after a day at kindergarten, sitting in the back of his mom’s classroom and listening to her describe Dr. Jekyll reeling from the violence of Mr. Hyde. Under various names, he’s written, produced, and directed theatre in Chicago and along the east coast, as well as published several adult short stories. His interests include space travel, cheese, and whether cheese will be allowed during space travel. He lives in American suburbia with his wife, daughter, dog, and garden. Visit ZJeffries.com just for the heck of it.

The Joy in Writing Erotic Romance: a Guest Post by Bottle Rocket Author Erin McLellan

Today on the site we’re welcoming Erin McLellan, author of Bottle Rocket, the third book in the So Over the Holidays series, which released on June 15. Bottle Rocket is an erotic contemporary m/f Romance with a bi male MC, and you can read a little more about here before we move on to the guest post!

Freshly single Rosie Holiday is on the hunt for passion and excitement. This leads her to Leo Whittaker—a bad boy who waltzed out of town, and her life, thirteen years ago. Leo isn’t the type to stick around, but Rosie’s not going to let a no-strings opportunity pass her by.

When a business trip sends Leo back to his hometown, the last thing he expects is for his first love to hand him a list of scorching-hot escapades and a deadline. He’s happy to help Rosie discover her bossy side in the bedroom. Or in a fireworks stand. Or at a Fourth of July barbecue.

Their chemistry burns bright and fast, but what tore them apart years ago is still between them. They are polar opposites. A reserved kindergarten teacher and an irreverent artist. A nester and a wanderer. It will take a spark of imagination and a lot of love to keep their second-chance romance from flaming out.

Buy it: Amazon

And here’s the post!

I write queer contemporary romance, all of which is fairly steamy. But of the eight books I’ve written, the only ones that are erotic romances are the So Over the Holidays series, which includes my most recent release, Bottle Rocket.

Erotic romance is romance in which the emotional conflict and plot hinges on the sexual or erotic journey of the main characters. I like to say that in erotic romance if you remove the sex or intimate scenes, the plot no longer makes sense. It’s integral.

Around two years ago, I decided to write something fluffy. All my books up to that point had been fairly angsty. I love those books, but I needed some joyfulness in my life. I know I wasn’t alone in that feeling. Rom-coms and low-angst books are experiencing a bit of a Renaissance right now in adult romance, and I believe this is due to readers wanting happiness in light of some of the heartbreak in our world. But I can only speak for myself. I needed to write something fun. I needed to write something that made me happy.

Enter erotic romance from stage left.

The So Over the Holiday series came to be because of that need. The books in the series are queer erotic romances in which the main characters embark on erotic journeys that are joyful, fun, kink positive, and life changing. I started by writing a sex-toy-selling bisexual heroine who is brash, sarcastic, and sex positive and a hero who is sweet in the streets but nasty in the sheets (Sasha and Perry from Stocking Stuffers). Then I wrote a gay lingerie-loving hero who is fabulous but a little lost and a pansexual workaholic who is completely enamored by his partner (Benji and William from Candy Hearts).

Bottle Rocket, my new release, follows Rosie Holiday, a reserved kindergarten teacher, on a summer journey of self-actualization. She’s recently divorced and has realized that so many of her interests and hobbies were dictated by her ex. She has no idea who she really is, and this extends to her sex life. She has been missing out and intends to take life by the horns and fix it. In walks the hero, Leo, who is a bisexual erotic artist and absolute bad boy. Even better, Leo and Rosie had a secret love affair thirteen years before, so this is their second chance to reconnect.

Leo offers to help Rosie work through a checklist of sexcapades. Their sexy times ultimately lead her to the realization that she enjoys being dominant and in control in bed. Leo is more than happy to be bossed around. Rosie’s femdom breakthrough is revealed through joy, humor, heart, and kindness.

When I started writing these erotic romances, it was important to me that I approached them with joy and kindness in my heart. It felt radical to me to write these journeys of sexual self-discovery without angst, not because other authors haven’t done it before—they have—but because I hadn’t.

Growing up, I didn’t have much of a sex education (hello, public school in Oklahoma) and didn’t truly understand sex positivity until I was well into adulthood. I’ve had to educate myself, and I’ve made mistakes. I’ve had to discover sex and kink positivity and grow in that understanding on my own. Being an avid romance reader has certainly helped my on my own journey. To me, Bottle Rocket feels like a culmination of that education and the joy I’ve found in that education. I hope to continue to grow, to write sex positive queer romance, to create characters who are joyful in their sexuality, and to find radical happiness in the fluffiness.

I have loved writing heroines who own how much they enjoy sex and sex toys and kink. I have loved writing heroes who are totally in awe of their partners and always game to get a little dirty. I’ve loved writing holidays full of big found families, lots of tropes, silly puns, corny humor, and repurposed clichés. It was more fun than I’ve ever had writing romance.

Lastly, and on a personal note—I finished writing Bottle Rocket in March of 2020. I discuss this in an Author’s Note at the end of the book. I wrote it while dealing with the same grief, anxiety, fear, illness, and isolation that so many of us have felt in the middle of the Covid-19 pandemic. Being able to write Rosie and Leo as they find joy in their kinkiness, sexuality, and compatibility gave me joy when I needed it the most. I hope it brings you joy as well.

***

Erin McLellan is the author of the Farm College, So Over the Holidays, and Storm Chasers series. She enjoys writing happily ever afters that are earthy, emotional, quirky, humorous, and very sexy. Originally from Oklahoma, she currently lives in Alaska and spends her time dreaming up queer contemporary romances set in the Great Plains. She is a lover of chocolate, college sports, antiquing, Dr Pepper, and binge-worthy TV shows.

Backlist Book of the Month: The Lady’s Guide to Celestial Mechanics by Olivia Waite

Historical f/f Romance (especially Regency) is definitely having a moment, and whether or not it sounds like your jam, I submit The Lady’s Guide to Celestial Mechanics by Olivia Waite as the title that will tell you for sure. It’s smart and sexy, but my favorite thing about it is the way both heroines are passionate about not just each other but their personal skills. It feels groundbreaking and defiant while being beautifully queer, and there’s no better time to pick it up because the second in the series, The Care and Feeding of Waspish Widows, releases later this month!

As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.

Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.

While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

Buy it: Bookshop | Amazon | B&N | IndieBound | iBooks |