Exclusive Cover + Excerpt Reveal: I’m So (Not) Over You by Kosoko Jackson

I am absolutely flailing to get to reveal for you today the cover and a fabulous excerpt for Kosoko Jackson’s upcoming gay rom-com, I’m So (Not) Over You, which releases from Berkley on February 22, 2022! You may already know Kosoko from his gay YA time travel romance, Yesterday is History, but this is his first foray into Adult and I am ridiculously hyped. Check out this fauxmantic second-chance story and you’ll get get the hype too!

It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.

The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.

But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.

And here’s the super shippable cover, illustrated by Adriana Bellet with art direction by Colleen Reinhart!

Buy it: Bookshop | Amazon | IndieBound

But wait, there’s more! Yeah, we’ve got an excerpt, so read on!

***

            “…and that’s when I threw the drink on his face.”

A day and a half later, I’m far away from Hudson on the other side of town, sitting at a table meant for four but housing five people at The Patriot. It’s not often me and my brother Jamal get together; he’s too busy at Harvard triple-majoring in god knows what right now. Something impressive that’ll make him a capitalist shill, I’m sure.

But a monthly dinner has been on the books since he started at the Ivy almost two years ago, and we’ve only done it a half a dozen times. Maybe it’s fate, or that brotherly connection people rave about, after the mess with Hudson, we find a way to make it work.

“I’m sorry, you need to start from the beginning,” Divya says, tilting her drink back, downing the remainder of her Dark and Stormy. “Again.”

I take three swigs of water to fend off a hangover tomorrow, and to buy me some time. As if some god will pity me, and a drunk clown will burst into the bar, distract everyone, and I won’t have to repeat myself again.

But there’s no such luck because I, Kian Andrews, am not that lucky.

“He asked me to pretend to be his boyfriend. Said his parents are coming in from out of town, and he never told them we broke up and…” I take a deep breath and speak on the exhale, “…he needs me to cover for him.”

I repeat it to the table for the fourth time. The table consisting of Jamal, my brother, who brought his best friend Emily with him, plus Divya, who, and I quote, is simply obsessed with Jamal, so of course, she tagged along. And being the secret bleeding-heart Jamal is, Emily’s boyfriend Todd, an entrepreneur trying to start a brewery that specializes in using flowers as the flavor base (aka broke), is here for the free food.

“That’s insane,” Divya mutters.

“He’s bold,” Jamal chimes in.

“Or crazy—wait, we don’t use that word anymore, right?” Todd asks.

“It’s ableist, babe. Well? What did you say?” Emily asks, leaning forward with earnest. She’s an English major. Romantic misfires interest her far more than they should.

“Of course, he said no,” Divya scoffs at Emily, like it was the most ridiculous thing she could have possibly said. “Right?”

“Mhm.”

Which isn’t entirely accurate. Sure, I didn’t actually say the words, but throwing your coffee on a guy is just like saying no, right? Hudson is a smart guy; he got the message. And even if he didn’t, it doesn’t matter. I’ve officially blocked him on all platforms – again.

And I’ve been forbidden from returning to The Watering Hole—worth it.

“As you should have,” Jamal adds. He flags down the bartender from our spot, and through some secret code, orders us more drinks. Unlike me, Jamal has natural charisma. People like him—no—they adore him whenever they first meet. Making friends? Easy. Finding a posse? Easy. I feel, as the older, more awkward brother, I should be teaching him things when, in fact, it’s often the other way around.

“I wouldn’t have gone to see him in the first place,” Todd, Emily’s blonde, muscular Instagram Influencer-esque boyfriend adds while sipping his frothy IPA. “You can’t be friends with your ex.”

“Woah,” Divya chimes in, looking up from her phone. “I’m the president of the ‘I Hate Hudson Club,’ but that? False.”

“Look, I hate siding with a White Man, but I think Todd’s right,” Jamal adds.

Thank you,” Todd chimes in.

“Don’t get too excited, Colonizer,” Jamal replies. “I just don’t think it’s possible. There’s too much baggage there. You two dated for what? Two years?”

“Year and a half,” I correct.

“Three if you include the overly dramatic and excessively long pining period,” Divya adds.

“No one considers that,” I remind her.

“I do and I’m somebody, so it matters,” Divya cheekily winks.

“See? That’s a long time,” Emily adds, chin still in her hand like she’s watching her favorite reboot of Pride and Prejudice.

“Right. And in gay years? That’s what? Two years?” Divya asks.

“Four,” Jamal and I say at the same time.

“I’m just saying; there are roots between you two. And to ask you to pretend to date him? That’s cruel,” Jamal closes.

Preorder: Bookshop | Amazon | IndieBound

***

Kosoko Jackson is a digital media specialist, focusing on digital storytelling, email, social and SMS marketing, and a freelance political journalist. Occasionally, his personal essays and short stories have been featured on Medium, Thought Catalog, The Advocate, and some literary magazines. When not writing YA novels that champion holistic representation of black queer youth across genres, he can be found obsessing over movies, drinking his (umpteenth) London Fog, or spending far too much time on Twitter.

June 2021 Deal Announcements

Adult Fiction

World Fantasy Award winner Emily Tesh‘s SOME DESPERATE GLORY, her debut novel, pitched as Vorkosigan meets GIDEON THE NINTH set in a world reminiscent of Mass Effect, in which a young soldier trains to avenge the murder of Earth at the hands of an all-powerful, reality-shaping alien weapon, before discovering she might have to take everything into her own hands, to Ruoxi Chen at Tor.com, in a good deal, in an exclusive submission, in a two-book deal, for publication in for hardcover in fall 2022, by Kurestin Armada at Root Literary (NA).

Campiello Prize winner Viola Di Grado‘s BLUE HUNGER, an erotic novel tinged with Gothic horror and urban pop—a story of obsessive love between a young Italian woman who is mourning her twin brother and a young Chinese woman who shows her Shanghai’s illicit and abandoned side, to be translated from the Italian by recent NEA translation fellowship recipient Jamie Richards, to Callie Garnett at Bloomsbury, for publication in 2023, by Sandra Pareja at Massie & McQuilkin (NA).

Author of The Hotel Tito Ivana Bodrozic’s SONS, DAUGHTERS, the story of great complexity that depicts a wrenching love between a transgender man and a woman, a demanding love between a mother and a daughter; with all characters deeply marked and wounded by the patriarchy in each owns way; also a story of breaking through and liberation of the mind, family, society through one’s body, and about the power of narration, to Dan Simon at Seven Stories, for publication in fall 2023, by Diana Matulic at Corto Literary Agency (world English).

Claudia Cravens’s RED, a genre-bending queer feminist Western pitched as True Grit meets Sarah Waters, following a young woman’s transformation from forlorn orphan to successful prostitute to revenge-seeking gunfighter, exploring desire, loyalty, power, and chosen family, to Katy Nishimoto at Dial Press, in a major deal, at auction, by Alexa Stark at Trident Media Group (NA).

Winner of the Betty Berzon Emerging Writer Award and finalist for the Lambda Literary Award for Trans Fiction Imogen Binnie’s NEVADA, previously published in 2013, following a terminally self-aware trans woman living in New York City who, when her life falls apart, embarks on an eventful cross-country road trip, to Jackson Howard at MCD/FSG, for publication in fall 2022, by Julia Masnik at Watkins Loomis (world).

Longlisted for the CBC Short Story Prize Ashton Noone‘s SUBURBAN ANIMALS, an #OwnVoices queer suspense thriller, where a woman on the run from a violent ex finds herself thrust back into a troubling mystery that haunts the town of her youth, to Luisa Cruz Smith at Scarlet, in a nice deal, in an exclusive submission, for publication in spring 2022, by Penelope Burns at Gelfman Schneider/ICM (world).

Coeditor of literary journal The Hunger and author of two poetry books Erin Slaughter’s A MANUAL FOR HOW TO LOVE US, a debut story collection pitched as reminiscent of Alissa Nutting and Samantha Hunt, about the animalistic nature of women’s grief, which queers the domestic and honors the feral and fantastic ways women embrace their wild to claim control, to Emma Kupor at Harper Perennial, for publication in 2022, by Cassie Mannes Murray at Howland Literary (world).

Children’s Fiction

Terry Benton‘s ALEX WISE VS. THE END OF THE WORLD, in which a 12-year-old is reeling from his best friend abandoning him, after he told his friend that he’s gay, and must save his sister and the world when his sister is possessed by the spirit of one of the four horsemen—evil former gods from a parallel world determined to bring forth the apocalypse—all while learning to love himself and accept that he is enough just as he is, to Liesa Abrams at Labyrinth Road, in a significant deal, at auction, in a three-book deal, for publication in fall 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).

Author of QUEER, THERE, AND EVERYWHERE and RAINBOW REVOLUTIONARIES Sarah Prager’s picture book KIND LIKE MARSHA: LEARNING FROM LGBTQ+ LEADERS, introducing young children to important and inspiring historical figures in the queer community, along with empowering them with strong attributes, such as kindness, resilience, thoughtfulness, and more, illustrated by Cheryl “Ras” Thuesday, to Julie Matysik at Running Press Kids, for publication in May 2022, by Carrie Howland at Howland Literary (world).

Veronica Park Anderson’s BLOOD CITY ROLLERS, pitched as a tween Buffy the Vampire Slayer meets Roller Girl, a humorous and queer graphic novel following a talented ice skater recruited into an underground roller derby league as the “human jammer” on an otherwise all-vampire team who are hiding out in an abandoned mall, illustrated by Tatiana Hill, to Liesa Abrams at Labyrinth Road, for publication in summer 2023, by Mandy Hubbard at Emerald City Literary Agency for the author, and by Moe Ferrara at BookEnds for the illustrator (world English).

Young Adult Fiction

Alyson Derrick and NYT-bestselling coauthor of FIVE FEET APART Rachael Lippincott‘s SHE GETS THE GIRL, a LGBTQ+ romance in which two college freshmen who are total opposites set out to help each other get the girls of their dreams to fall for them, but as they do they both begin to wonder if maybe they’re the ones falling for each other, to Alexa Pastor at Simon & Schuster Children’s, for publication in spring 2022, by Emily van Beek at Folio Literary Management (world).

Author of HOT DOG GIRL Jennifer Dugan’s MELT WITH YOU, a queer rom-com about two girls on a summer road trip in an ice cream truck, to Stephanie Pitts at Putnam Children’s, for publication in summer 2022, by Brooks Sherman, formerly at Janklow & Nesbit. Dugan is now represented by Sara Crowe at Pippin Properties (world English).

Author of A WICKED MAGIC Sasha Laurens’s YOUNGBLOOD, when a teen vampire transfers into an elite vampire boarding school, she is drawn into a dark conspiracy at the heart of Vampirdom, and she suddenly finds herself falling for her roommate, Kat’s childhood friend and the school’s only out student, to Ruta Rimas at Razorbill, in a nice deal, in an exclusive submission, for publication in summer 2022, by Stephanie Kim at New Leaf Literary & Media (world English).

Actress Asha Bromfield‘s SONGS OF IRIE, set in ’70s Jamaica in the midst of devastating political turmoil, following two girls who must navigate their opposing upbringings as they fall in love and choose between the futures decided for them and the futures they desire, to Sara Goodman at Wednesday Books, for publication in spring 2023, by Emily van Beek at Folio Literary Management (NA).

Non-Fiction

Manuel Betancourt’s THE MALE GAZED, a narrative that uses film and television to examine queer men’s complex and often conflicted relationship with masculinity, mingling personal anecdotes with cultural history and gender theory to offer an exploration of desire, intimacy, and homoeroticism, to Alicia Kroell at Catapult, by Michael Bourret at Dystel, Goderich & Bourret (NA).

Former radio host and Daily Show correspondent Frank DeCaro’s DISCO AT 50, a celebration of the musical phenomenon that brought LGBTQ and BIPOC cultures into the pop mainstream in its 1970s heyday and its continued influence on current music, to Ellen Nidy at Rizzoli USA, by Rica Allannic at David Black Literary Agency (world).

BBC journalist William Lee Adams’s WILD DANCES, a memoir of a queer, Vietnamese American boy from Georgia who survives an unconventional childhood to become the world’s most recognized Eurovision blogger, diving into notions of belonging, identity, how our origins and passions shape us, and the powerful joy, and surprising importance, of the song contest itself, to Alessandra Bastagli at Astra House, in a pre-empt, for publication in spring 2023, by Will Lippincott and Max Edwards at Aevitas Creative Management UK (world).

Queer Kid Stuff host, activist, and TED speaker Lindz Amer’s THE RADICAL NOTION OF QUEER JOY: THE IMPORTANCE OF TALKING TO KIDS ABOUT GENDER AND SEXUALITY, a guidebook for progressive adults who want to create queer-positive spaces for today’s kids but don’t know how, to Sylvan Creekmore at St. Martin’s, for publication in fall 2022, by Claire Draper at The Bent Agency (world).

Global trans rights advocate, model, TV host, and producer Geena Rocero‘s OPEN THE LIGHT, about a young femme born in Manila who grew up to become the highest-earning and most successful trans pageant queen in the Philippines and ultimately one of the most visible and prolific trans women of color in the world, and the persistence, grit, and love that paved her road to self-acceptance, to Katy Nishimoto at Dial, at auction, by Jon Michael Darga at Aevitas Creative Management (world).

Author/illustrator of the 2020 YALSA finalist THE GREAT NIJINSKY Lynn Curlee‘s THE OTHER PANDEMIC: AN AIDS MEMOIR, an illustrated account of coming of age during the gay liberation movement in New York City and living through the AIDS pandemic, losing multiple friends and his life partner, to Yolanda Scott at Charlesbridge Teen, for publication in spring 2023, by Liz Nealon at Great Dog Literary (world).

Journalist Andrew Sampson‘s TOMMY SEXTON: COMIC GENIUS, QUEER REVOLUTIONARY, a biography of Newfoundland icon Tommy Sexton, a groundbreaking gay comedian and founding member of CODCO, to Bruce Walsh at House of Anansi, with Michelle MacAleese editing, for publication in fall 2023 (world).