Today’s post is sponsored in honor of the paperback release of His Hideous Heart: 13 of Edgar Allan Poe’s Most Unsettling Tales Reimagined, ed. by Dahlia Adler (Bookshop | Amazon | IndieBound). Thirteen authors take on The Tell-Tale Heart, The Cask of Amontillado, The Raven, and more, including queer spins on Ligeia, The Purloined Letter, Annabel Lee, Hop-Frog, The Pit and the Pendulum, and The Murders at the Rue Morgue, in a collection the New York TimesBook Review says “brims over with fierce delight and uncanny invention.”
The worry kept growing day by day, until… one morning Small Knight woke up to see a huge inky black monster in their room.
When Small Knight feels pressure from their parents to be a perfect princess, an anxiety monster shows up. No one else can see the monster, so Small Knight and their best friend Tiny Bear, decide that it is up to them to save themselves. They set off on a magical quest, only to discover that the answer was inside themselves all along. Turning to face the Anxiety Monster, they learn how to keep it under control.
Obie knew his transition would have ripple effects. He has to leave his swim coach, his pool, and his best friends. But it’s time for Obie to find where he truly belongs.
As Obie dives into a new team, though, things are strange. Obie always felt at home in the water, but now he can’t get his old coach out of his head. Even worse are the bullies that wait in the locker room and on the pool deck. Luckily, Obie has family behind him. And maybe some new friends too, including Charlie, his first crush. Obie is ready to prove he can be one of the fastest boys in the water—to his coach, his critics, and his biggest competition: himself.
She can pry into folks’ memories with just a touch of their belongings. It’s something she’s always kept hidden — especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy’s job and Mama’s blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie’s gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants to ignore it. Except her new friend Fox — scratch that, her only friend, Fox — is desperate to go ghost hunting deep in the forest. And when Tennie frees even more of the spirits, trouble is exactly what she gets… and it hits close to home. The ghosts will be heard, and now Tennie must choose between keeping secrets or naming an ugly truth that could tear her family apart.
Magic and mayhem abound in this spooky story about family legacies, first friendships, and how facing the ghosts inside can sometimes mean stirring up a little bit of ruckus.
The blood
Feeds the hunger
That threatens everything
It starts when Claudia offers her a yellow rose.
Immy has been in love before – many times, across many lifetimes. But never as deeply, as intensely as this.
Claudia has never been in love this before either. But then, this is her first time with a vampire.
The forbidden thirst for blood runs deep in Immy. And within her mind clamour the voices, of all the others she has been, their desires, and their wrongs.
A unique verse novel by the award-winning author of The Deepest Breath and The Space Between.
It’s the summer before college and four best friends—Amelia, Chase, Cleo, and Logan—are on the first leg of their road trip inspired by the unique tarot deck that Amelia inherited from her grandmother. However, their trip full of visiting occult shops, bonding, and sightseeing quickly takes a major detour when they discover that their tarot deck is more valuable—and coveted—than they could’ve ever imagined. Suddenly pursued by collectors who are after the legendary “lost” work of an infamous cult-following artist, the four friends will discover the fortunes that await those who unearth the deck’s four missing cards.
As the reader, you’ll get to make actual choices to further the friends’ road trip adventure in this first-of-its-kind interactive novel. Will you help the main characters, Amelia and Chase, learn and grow? How will you navigate Amelia’s steamy budding romances and overcome the challenges facing Chase and Logan’s queer-teen relationship? Will you uncover the mysteries of the tarot deck? The choices are yours to make!
Major Detours is more than the branching-path books from your childhood. Instead, this fresh format bridges the gap between nostalgic choose-your-own-adventure and the modern style of digital interactive fiction, with choices that always lead you forward in the story and feature four diverse, queer characters navigating relationships and self-discovery. In Major Detours, the reader can interactively engage in two queer romances (from 2 alternating POVs), between the challenges facing a teen cis-male monogomous long-term relationship and a budding discovery of pansexual and nonbinary identities.
Two intrepid girls hunt for a legendary treasure on the deadly high seas in this YA remix of the classic adventure novel Treasure Island.
1826. The sun is setting on the golden age of piracy, and the legendary Dragon Fleet, the scourge of the South China Sea, is no more. Its ruthless leader, a woman known only as the Head of the Dragon, is now only a story, like the ones Xiang has grown up with all her life. She desperately wants to prove her worth, especially to her mother, a shrewd businesswoman who never seems to have enough time for Xiang. Her father is also only a story, dead at sea before Xiang was born. Her single memento of him is a pendant she always wears, a simple but plain piece of gold jewelry.
But the pendant’s true nature is revealed when a mysterious girl named Anh steals it, only to return it to Xiang in exchange for her help in decoding the tiny map scroll hidden inside. The revelation that Xiang’s father sailed with the Dragon Fleet and tucked away this secret changes everything. Rumor has it that the legendary Head of the Dragon had one last treasure—the plunder of a thousand ports—that for decades has only been a myth, a fool’s journey.
Xiang is convinced this map could lead to the fabled treasure. Captivated with the thrill of adventure, she joins Anh and her motley crew off in pursuit of the island. But the girls soon find that the sea—and especially those who sail it—are far more dangerous than the legends led them to believe.
Aspiring actor August Greene just landed a coveted spot at the prestigious School of Performing Arts in New York. There’s only one problem: His conservative parents won’t accept that he’s transgender. And to stay with his aunt in the city, August must promise them he won’t transition.
August is convinced he can play the part his parents want while acting cool and confident in the company of his talented new friends.
But who is August when the lights go down? And where will he turn when the roles start hitting a little too close to home?
Privately, she’s a supernatural skeptic. But publicly, she’s keeping her doubts to herself—because she’s the voice of Attachments, her brand-new paranormal investigation podcast, and she needs her ghost-loving listeners to tune in.
That’s what brings her to Arrington Estate. Thirty years ago, teenager Atheleen Bell drowned in Arrington’s lake, and legend says her spirit haunts the estate. Dare’s more interested in the suspicious circumstances surrounding her death—circumstances that she believes point to a living culprit, not the supernatural. Still, she’s vowed to keep an open mind as she investigates, even if she’s pretty sure what she’ll find.
But Arrington is full of surprises. Good ones like Quinn, the cute daughter of the house’s new owner. And baffling ones like the threatening messages left scrawled in paint on Quinn’s walls, the ghastly face that appears behind Dare’s own in the mirror, and the unnatural current that nearly drowns their friend Holly in the lake. As Dare is drawn deeper into the mysteries of Arrington, she’ll have to rethink the boundaries of what is possible. Because if something is lurking in the lake…it might not be willing to let her go.
It’s the night of senior prom, and eighteen-year-old Julia has made a pact with her friends. (Yes, that kind of pact.) They have secured a secluded cabin in the woods, one night without parental supervision, and plenty of condoms. But as soon as they leave the dance, the pact begins to unravel. Alex’s grandmother is undergoing emergency surgery, and he and his date rush to the hospital. Zoe’s trying to figure out how she feels about getting off the waitlist at Yale―and how to tell her girlfriend. Madison’s chronic illness flares, holding her back once again from being a normal teenager. And Julia’s fantasy-themed role play gets her locked in a closet. Alternating between each character’s perspective and their ridiculous group chat, The Night When No One Had Sex finds a group of friends navigating the tenuous transition into adulthood and embracing the uncertainty of life after high school.
In just over a year’s time, Ryia Cautella has already earned herself a reputation as the quickest, deadliest blade in the dockside city of Carrowwick—not to mention the sharpest tongue. But Ryia Cautella is not her real name.
For the past six years, a deadly secret has kept her in hiding, running from town to town, doing whatever it takes to stay one step ahead of the formidable Guildmaster—the sovereign ruler of the five kingdoms of Thamorr. No matter how far or fast she travels, his servants never fail to track her down…but even the most powerful men can be defeated.
Ryia’s path now leads directly into the heart of the Guildmaster’s stronghold, and against every instinct she has, it’s not a path she can walk alone. Forced to team up with a crew of assorted miscreants, smugglers, and thieves, Ryia must plan her next moves very carefully. If she succeeds, her freedom is won once and for all…but unfortunately for Ryia, her new allies are nearly as selfish as she is, and they all have plans of their own.
One October morning, Laina gets the news that her brother was shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it.
As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence. A professor follows a missing friend’s trail of bread crumbs to a mysterious secret society. And a young boy with unique abilities seeks refuge in a pro-monster organization with secrets of its own. Meanwhile, more people start disappearing, suicides and hate crimes increase, and protests erupt globally, both for and against the monsters.
At the center is a mystery no one thinks to ask: Why now? What has frightened the monsters out of the dark?
Erin and her brother Alex were the last children abducted by ‘the Father’, a serial killer who only ever took pairs of siblings. She escaped, but her brother was never seen again. Traumatised, Erin couldn’t remember anything about her ordeal, and the Father was never caught.
Eighteen years later, Erin has done her best to put the past behind her. But then she meets Harriet. Harriet’s young cousins were the Father’s first victims and, haunted by their deaths, she is writing a book about the disappearances and is desperate for an interview. At first, Erin wants nothing to do with her. But then she starts receiving sinister gifts, her house is broken into, and she can’t shake the feeling that she’s being watched. After all these years, Erin believed that the Father was gone, but now she begins to wonder if he was only waiting…
Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star.
Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off.
As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.
Venita Blackburn’s characters bully and suffer, spit and tease, mope and blame. They’re hyperaware of their bodies and fiercely observant, fending off the failures and advances of adults with indifferent ease. In “Biology Class,” they torment a teacher to the point of near insanity, while in “Bear Bear Harvest™,” they prepare to sell their excess fat and skin for food processing. Stark and sharp, hilarious and ominous, these pieces are scabbed, bruised, and prone to scarring.
Many of the stories, set in Southern California, follow a teenage girl in the aftermath of her beloved father’s death and capture her sister’s and mother’s encounters with men of all ages, as well as the girl’s budding attraction to her best friend, Esperanza. In and out of school, participating in wrestling and softball, attending church with her hysterically complicated family, and dominating boys in arm wrestling, she grapples with her burgeoning queerness and her emerging body, becoming wary of clarity rather than hoping for it.
Danica Waterhouse is a fully modern witch―daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family “feedback,” Danica made a pact with her cousin: they’ll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica’s mother weaves floral crowns for anyone who crosses her path.
Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy’s bakery, has family trouble of his own. After a tragic loss, all he’s got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can’t seem to shake the romantic curse that’s left him past thirty and still a virgin. He’s decided he’s doomed to be forever alone.
Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she’s the one. To her, he’s a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever?
“Map A Course, Arrive Safe Home. That’s The Measure Of Your Achievement.” A pilot wants nothing more than to fly. Or so he thought, until he crosses paths with a mysterious thief whose tricks draw him into unchartered territory and new adventure. In a life where the truth changes as quickly as clouds in the sky, the pilot must decide for himself what freedom really means. Award-winning cartoonist A.C. Esguerra presents an unforgettable love letter to flight, the quest for freedom and the greatest adventure of all – love.
Maya has died and been resurrected into countless cyborg bodies through the years of a long, dangerous career with the infamous Dirty Dozen, the most storied crew of criminals in the galaxy, at least before their untimely and gruesome demise.
Decades later, she and her diverse team of broken, diminished outlaws must get back together to solve the mystery of their last, disastrous mission and to rescue a missing and much-changed comrade . . . but they’re not the only ones in pursuit of the secret at the heart of the planet Dimmuborgir.
The highly evolved AI of the galaxy have their own agenda and will do whatever it takes to keep humanity from ever regaining control. As Maya and her comrades spiral closer to uncovering the AIs’ vast conspiracy, this band of violent women—half-clone and half-machine—must battle their own traumas and a universe of sapient ageships who want them dead, in order to settle their affairs once and for all.
In a letter to her six-year-old daughter, Julietta Singh writes toward a tender vision of the world, offering children’s radical embrace of possibility as a model for how we might live. In order to survive looming political and ecological disasters, Singh urges, we must break from the conventions we have inherited and begin to orient ourselves toward more equitable and revolutionary paths.
The Breaks celebrates queer family-making, communal living, and Brown girlhood, complicating the stark binaries that shape contemporary US discourse. With nuance and generosity, Singh reveals the connections among the crises humanity faces—climate catastrophe, extractive capitalism, and the violent legacies of racism, patriarchy, and colonialism—inviting us to move through the breaks toward a tenable future.
Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.
In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.
Ava Simon designs storage boxes for STÄDA, a slick Brooklyn-based furniture company. She’s hard-working, obsessive, and heartbroken from a tragedy that killed her girlfriend and upended her life. It’s been years since she’s let anyone in.
But when Ava’s new boss—the young and magnetic Mat Putnam—offers Ava a ride home one afternoon, an unlikely relationship blossoms. Ava remembers how rewarding it can be to open up—and, despite her instincts, she becomes enamored. But Mat isn’t who he claims to be, and the romance takes a sharp turn.
With every trip he makes to the dentist, Wade’s pain only gets worse. His smile has faded. He’s clenching his jaw and grinding his teeth more, not because of bad oral hygiene or any mishaps in orthodontics. Wade’s teeth don’t need straightening out, but the rest of his life could use that kind of adjustment. Wade has fallen in love with handsome Dr. Emmett, and their office visits in the afternoon have become decidedly more personal than professional. And poor Wade is sure his girlfriend Jessa would punch him in the mouth if she found out.
After all, Jessa did just abandon her church and her family to be with him. And she did just have Wade’s baby. So their relationship has already caused enough gossip in the small Georgia town of Waverly.
When Wade tries to end the affair, the breakup takes a brutal turn, leaving Wade in a state of panic. His life is under threat. His secrets could be exposed, and his family may fall apart before he realizes what kind of person he wants to be.
Bolla by Pajtim Statovsi, trans. by David Hackston (July 6th)
April 1995. Arsim is a twenty-four-year-old, recently married student at the University of Pristina, in Kosovo, keeping his head down to gain a university degree in a time and place deeply hostile to Albanians. In a café he meets a young man named Miloš, a Serb. Before the day is out, everything has changed for both of them, and within a week two milestones erupt in Arsim’s married life: his wife announces her first pregnancy and he begins a life in secret.
After these fevered beginnings, Arsim and Miloš’s unlikely affair is derailed by the outbreak of war, which sends Arsim’s fledgling family abroad and timid Miloš spiraling down a dark path, as depicted through chaotic journal entries. Years later, deported back to Pristina after a spell in prison and now alone and hopeless, Arsim finds himself in a broken reality that makes him completely question his past. What happened to him, to them, exactly? How much can you endure, and forgive?
Entwined with their story is a re-created legend of a demonic serpent, Bolla; it’s an unearthly tale that gives Arsim and Miloš a language through which to reflect on what they once had. With luminous prose and a delicate eye, Pajtim Statovci delivers a relentless novel of desire, destruction, intimacy, and the different fronts of war.
Milo Lionetti is not a gamer. Not even close. But when a stupid bet costs him his brother’s prized cards, he’ll do anything to replace them before anyone notices they’re gone. To do that, he’ll need a little help from the best gamer he knows…who also happens to hate him.
Jasper Quigley is known for moonlighting on a popular gaming blog, but he’s eager to stop playing the sidekick. The last thing he wants is to help out Milo and dredge up feelings he’d rather forget. But helping Milo comes with some perks, including getting his help running a cosplay event at the local children’s hospital. All that forced proximity was not supposed to come with kissing, and definitely not falling in love…
Violetta Benedetti knows how to hide things. She spent years concealing herself behind the persona her father expected of her. Now she hides in the dark corners of Vermagna’s underworld, lying low to keep her father from using her magic in his unending quest for power.
But her biggest secret is her love for her best friend, who only knew her as Mercurio Benedetti, not the woman she is today. Now he’s dead, and she’ll never be able to tell him the truth.
Tibario Gianbellicci was dead. And then…he wasn’t. Reborn as an immortal, he has powers he never imagined. Powers his crime boss mother wants to tap into to destroy their longtime rivals: House Benedetti.
But Tibario is hiding something, too: his best friend is a Benedetti—and the love of his life. With a second chance at life, he’ll have to risk revealing his heart.
It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered.
But the answer to that question depends on who you ask, and how.
They’re going to need to ask it a lot.
Becky Chambers’s new series asks: in a world where people have what they want, does having more matter?
Sebastien has heard only stories about his father, a mysterious sailor who abandoned his pregnant mother thirty years ago. But when his mother dies after a lifetime of struggle, he becomes obsessed with finding an explanation—perhaps even revenge.
The father he’s never met is Kostas, the commanding officer of a luxury liner sailing the Mediterranean. Posing as a member of the ship’s crew, Sebastien stalks his unwitting father in search of answers to why he disappeared so many years ago.
After a public assault triggers outrage among the ship’s crew, Sebastien finds himself entangled in a revolt against the oppressive ruling class of officers. As the clash escalates between the powerful and the powerless, Sebastien uncovers something his father has hidden deep within the belly of the ship—a disturbing secret that will force him to confront everything he’s always wondered and feared about his own identity.
In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness…
In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.
When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother’s identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.
After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother’s abandoned greatness.
Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?
Gala writes letters to B—- that she light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.
Tiny McAllister never thought she’d get married. Not because she didn’t want to, but because she didn’t think girls from Connecticut married other girls. Yet here she is with Caroline, the love of her life, at their destination wedding on the Bermuda coast. In attendance―their respective families and a few choice friends. The conflict-phobic Tiny hopes for a beautiful weekend with her bride-to-be. But as the weekend unfolds, it starts to feel like there’s a skeleton in every closet of the resort.
From Tiny’s family members, who find the world is changing at an uncomfortable speed, to Caroline’s parents, who are engaged in conspiratorial whispers, to their friends, who packed secrets of their own―nobody seems entirely forthcoming. Not to mention the conspicuous no-show and a tempting visit from the past. What the celebration really needs now is a monsoon to help stir up all the long-held secrets, simmering discontent, and hidden agendas.
All Tiny wanted was to get married, but if she can make it through this squall of a wedding, she might just leave with more than a wife.
Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.
A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.
With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.
Noa Birnbaum has just gotten a job as a makeup assistant on a movie, thanks to her roommate. She’s thrilled when she learns that Lilah Silver will be the star—she’s had a crush on the leading lady for a while. But when she meets Lilah at the studio, Noa is unimpressed – Lilah is distant and shallow, and Noa isn’t in any hurry to get to know her.
Lilah Silver is tired of being in B-rate movies and has finally landed a leading role—in a sci-fi creature feature. Worried that no one will take her seriously, she’s hidden herself behind her pageant queen persona. Lilah is awed by Noa’s self-confidence and style, but how can she convince Noa she’s not a snobby scream queen when she can’t find the right words without a script in her hands?
Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets.
Now it’s 1941 and Clem’s favorite haunt, Madame Boulette’s, is crawling with Nazis, while Clem’s people–the outsiders, the artists, and the hustlers who used to call it home–are disappearing. Clem’s first instinct is to go to ground–it’s a frigid Paris winter and she’s too old to put up a fight. But when the cabaret’s prize songbird, Zoe St. Angel, recruits Clem to steal the recipe book of a now-missing famous Parisian perfumer, she can’t say no. Her mark is Oskar Voss, a Francophile Nazi bureaucrat, who wants the book and Clem’s expertise to himself. Hoping to buy the time and trust she needs to pull off her scheme, Clem decides to tell Voss the real story of the life and loves she came to Paris to escape. But Clem doesn’t have much practice telling the truth and it turns out to be more dangerous than she could have imagined.
Dragons were fire and terror to the Western world, but in the East they brought life-giving rain…
Now, no longer hailed as gods and struggling in the overheated pollution of Beijing, only the Eastern dragons survive. As drought plagues the aquatic creatures, a mysterious disease—shaolong, or “burnt lung”—afflicts the city’s human inhabitants.
Jaded college student Xiang Kaifei scours Beijing streets for abandoned dragons, distracting himself from his diagnosis. Elijah Ahmed, a biracial American medical researcher, is drawn to Beijing by the memory of his grandmother and her death by shaolong. Interest in Beijing’s dragons leads Kai and Eli into an unlikely partnership. With the resources of Kai’s dragon rescue and Eli’s immunology research, can the pair find a cure for shaolong and safety for the dragons? Eli and Kai must confront old ghosts and hard truths if there is any hope for themselves or the dragons they love.
Seventeen-year-old Joshua Gaines is the orphaned foster son of a failed doctor on the run from his father’s debt. In 1849, he travels to Independence, Missouri and falls in with the mysterious, four-fingered Renard, and his companion, formerly-enslaved Free Ray. Joshua offers his medical expertise to their party, and together they embark on the fifteen-hundred mile overland journey to Gold Rush California.
Following the hardship, disease, and death on the trail, the company abandons panning the river in favor of robbery and murder. Engulfed by violence, the young doctor-turned-marauder must reckon with his own morality, his growing desire for the men around him, and the brutality that has haunted him all his life.
April French doesn’t do relationships and she never asks for more.
A long-standing regular at kink club Frankie’s, she’s kind of seen it all. As a trans woman, she’s used to being the scenic rest stop for others on their way to a happily-ever-after. She knows how desire works, and she keeps hers carefully boxed up to take out on weekends only.
After all, you can’t be let down if you never ask.
Then Dennis Martin walks into Frankie’s, fresh from Seattle and looking a little lost. April just meant to be friendly, but one flirtatious drink turns into one hot night.
When Dennis asks for her number, she gives it to him.
When he asks for her trust, well…that’s a little harder.
And when the desire she thought she had such a firm grip on comes alive with Dennis, April finds herself wanting passion, purpose and commitment.
But when their relationship moves from complicated to impossible, April will have to decide how much she’s willing to want.
Anima is an extrasensory human tasked with surveilling and protecting Ora’s citizens via a complex living network called the Gleaming. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from harm.
When a mysterious outsider enters the city carrying a cabinet of curiosities from around with the world with a story attached to each item, Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist. But such knowledge leaves Anima with a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?
In just over a year’s time, Ryia Cautella has already earned herself a reputation as the quickest, deadliest blade in the dockside city of Carrowwick—not to mention the sharpest tongue. But Ryia Cautella is not her real name.
For the past six years, a deadly secret has kept her in hiding, running from town to town, doing whatever it takes to stay one step ahead of the formidable Guildmaster—the sovereign ruler of the five kingdoms of Thamorr. No matter how far or fast she travels, his servants never fail to track her down…but even the most powerful men can be defeated.
Ryia’s path now leads directly into the heart of the Guildmaster’s stronghold, and against every instinct she has, it’s not a path she can walk alone. Forced to team up with a crew of assorted miscreants, smugglers, and thieves, Ryia must plan her next moves very carefully. If she succeeds, her freedom is won once and for all…but unfortunately for Ryia, her new allies are nearly as selfish as she is, and they all have plans of their own.
Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star.
Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off.
As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.
Erin and her brother Alex were the last children abducted by ‘the Father’, a serial killer who only ever took pairs of siblings. She escaped, but her brother was never seen again. Traumatised, Erin couldn’t remember anything about her ordeal, and the Father was never caught.
Eighteen years later, Erin has done her best to put the past behind her. But then she meets Harriet. Harriet’s young cousins were the Father’s first victims and, haunted by their deaths, she is writing a book about the disappearances and is desperate for an interview. At first, Erin wants nothing to do with her. But then she starts receiving sinister gifts, her house is broken into, and she can’t shake the feeling that she’s being watched. After all these years, Erin believed that the Father was gone, but now she begins to wonder if he was only waiting…
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.
Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop’s owner to locals and the ferryman to souls who need to cross over.
But Wallace isn’t ready to abandon the life he barely lived. With Hugo’s help he finally starts to learn about all the things he missed in life.
When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.
MENAFTER10 is a geosocial online dating application for gay “urban men looking for urban men.” Among its users is Chauncey Lee, who is always online, always looking. What exactly he’s looking for is a mystery even to him, but he does his best trying to find it by dating in bedrooms across an unnamed city. Brontae Williams is just the opposite. He’s lonely and desperately wants to settle down into a long-term relationship. His biggest problem is that the only thing anyone wants these days is quick and casual sex. LeMilion Meeks, however, is used to the fast life. With his big personality, he might come off as content with snorting coke in club bathrooms, but he’s learning that knowing his HIV status is entirely different than knowing what to do with it.
Lee Mandelo’s debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by hungry ghost.
Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.
As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble, letting in the phantom that hungers to possess him.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka’s ear with her wild talent, Shizuka can almost feel the curse lifting. She’s found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn’t have time for crushes or coffee dates, what with her very soul on the line, but Lan’s kind smile and eyes like stars might just redefine a soul’s worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
Emmy Harlow is a witch but not a very powerful one—in part because she hasn’t been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.
But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She’s determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago.
On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in?
But most concerning of all: Why can’t she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?
The Other Man by Farhad J. Dadyburjor (October 12th)
Heir to his father’s Mumbai business empire, Ved Mehra has money, looks, and status. He is also living as a closeted gay man. Thirty-eight, lonely, still reeling from a breakup, and under pressure from his exasperated mother, Ved agrees to an arranged marriage. He regrettably now faces a doomed future with the perfectly lovely Disha Kapoor.
Then Ved’s world is turned upside down when he meets Carlos Silva, an American on a business trip in India.
As preparations for his wedding get into full swing, Ved finds himself drawn into a relationship he could never have imagined―and ready to take a bold step. Ved is ready to embrace who he is and declare his true feelings regardless of family expectations and staunch traditions. But with his engagement party just days away, and with so much at risk, Ved will have to fight for what he wants―if it’s not too late to get it.
Liselle Belmont is having a dinner party. It seems a strange occasion—her husband, Winn, has lost his bid for the state legislature and they’re having the key supporters over to thank them for their work. Liselle was never sure about Winn becoming a politician, never sure about the limelight, about the life of fundraising and stump speeches. Now that it’s over she is facing new questions: Who are they to each other, after all this? How much of herself has she lost on the way—and was it worth it? Just before the night begins, she hears from an FBI agent, who claims that Winn is corrupt. Is it possible? How will she make it through this dinner party?
Across town, Selena is making her way through the same day, the same way she always does—one foot in front of the other, keeping quiet and focused, trying not to see the terrors all around her. Homelessness, starving children, the very living horrors of history that made America possible: these and other thoughts have made it difficult for her to live a normal life. The only time she was ever really happy was with Liselle back in college. But they’ve lost touch, so much so that when they run into each other at a drugstore just after Obama is elected president, they barely speak. But as the day wears on, Selena’s memories of Liselle begin to shift her path.
Charlotte Hilaire has a love-hate relationship with her work as a museum courier. On the one hand, it takes her around the world. On the other, her plan to become a professor is veering dangerously off track.
Yet once in a while, maybe every third trip or so, the job goes delightfully sideways…
When a blizzard strands Charlotte in Spain for a few extra days and she’s left with glorious free time on her hands, the only question is: Dare she invite her grad school crush for an after-dinner drink on a snowy night?
Accomplished, take-no-prisoners art historian Adrianna Coates has built an enviable career since Charlotte saw her last. She’s brilliant. Sophisticated. Impressive as hell and strikingly beautiful.
Hospitable, too, as she absolutely insists Charlotte spend the night on her pullout sofa as the storm rages on.
One night becomes three and three nights become a hot and adventurous long-distance relationship when Charlotte returns to the States. But when Adrianna plots her next career move just as Charlotte finally opens a door in academia, distance may not be the only thing that keeps them apart.
Red White & Royal Blue meets Jonathan Strange and Mr. Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies.
Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known.
Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it—not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.
Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles—and a secret that more than one person has already died to keep.
Oscar Tamai and Elvio Miranda, the patriarchs of two families of brickmakers, have for years nursed a mutual hatred, but their teenage sons, Pájaro and Ángelito, somehow fell in love. Brickmakers begins as Pájaro and Marciano, Ángelito’s older brother, lie dying in the mud at the base of a Ferris wheel. Inhabiting a dreamlike state between life and death, they recall the events that forced them to pay the price of their fathers’ petty feud.
The Tamai and Miranda families are caught, like the Capulets and the Montagues, in an almost mythic conflict, one that emerges from stubborn pride and intractable machismo. Like her heralded debut, The Wind That Lays Waste, Selva Almada’s fierce and tender second novel is an unforgettable portrayal of characters who initially seem to stand in opposition, but are ultimately revealed to be bound by their similarities.
Love in the Big City is the English-language debut of Sang Young Park, one of Korea’s most exciting young writers. A runaway bestseller, the novel hit the top five lists of all the major bookstores and went into nine printings. Both award-winning for its unique literary voice and perspective, and particularly resonant with young readers, it has been a phenomenon in Korea and is poised to capture a worldwide readership.
Told in four parts that recall the structure of Han Kang’s The Vegetarian, Love in the Big City is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.
A brilliantly written novel filled with powerful sensory descriptions and both humor and emotion, Love in the Big City is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Tao Lin, and Cho Nam-Joo.
Dark Tourist by Hasanthika Sirisena (December 3rd)
(Blogger’s Note: This is an essay collection, not a work of fiction.)
Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth.
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally say goodbye and move on.
Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. Renu sends an innocent Facebook message to the man she almost married, sparking an emotional affair that calls into question everything she thought she knew about herself. Akash slips back into bad habits as he confronts his darkest secrets―including what really happened between him and the first boy who broke his heart. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they’ve since created, between making each other happy and setting themselves free.
By turns irreverent and tender, filled with the beats of ’90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.
Books are Rosie Taft’s life. And ever since she took over her mother’s beloved Manhattan bookstore, they’ve become her home too. The only thing missing is her own real-life romance like the ones she loves to read about, and Rosie has an idea of who she might like to sweep her off her feet. She’s struck up a flirty online friendship with lesbian romance author Brie, and what could be more romantic than falling in love with her favorite author?
Jane Breslin works hard to keep her professional and personal lives neatly separated. By day, she works for the family property development business. By night, she puts her steamier side on paper under her pen name: Brie. Jane hasn’t had much luck with her own love life, but her online connection with a loyal reader makes Jane wonder if she could be the one.
When Rosie learns that her bookstore’s lease has been terminated by Jane’s company, romance moves to the back burner. Even though they’re at odds, there’s no denying the sparks that fly every time they’re together. When their online identities are revealed, will Jane be able to write her way to a happy ending, or is Rosie’s heart a closed book?
As executive chef at one of the hottest restaurants in DC, DeShawn Franklin has almost everything he’s ever wanted. He’s well-known, his restaurant is Michelin starred and he can write his own ticket anywhere he wants. Until his grandmother calls him home and drops two bombshells:
1) She has cancer and she’s not seeking treatment.
2) She’s willing half her estate to DeShawn’s ex-husband, Malik.
Make that three bombshells.
3) That whole divorce thing? It didn’t quite go through. DeShawn and Malik are still married.
And when DeShawn’s shady uncle contests Grandma’s will, there’s only one path back to justice: play it like he and Malik have reconciled. They need to act like a married couple just long enough to dispense with the lawsuit.
Once DeShawn is back in Malik’s orbit, it’s not hard to remember why they parted. All the reasons he walked away remain—but so do all the reasons he fell in love in the first place.
When Jenn Berney and her wife decided they wanted to have children, they took the next logical step: they went to a fertility clinic. Intrauterine insemination is a simple medical procedure that has been available since the 1950s, but doctors were baffled by Jenn’s situation. With no man factoring into her relationship, she was disparaged by doctors, given an inaccurate diagnosis, and her medical needs were overlooked.
Berney decided to step outside of the system, and, looking into the history of fertility and her own community, she realized queer women have a long history of being disregarded by a patriarchal medical community, and have worked around it to build families on their own terms. In The Other Mothers, Berney reflects on the odds that were stacked against her because of her sexual orientation and envisions a bright future worth fighting for. Writing with clarity, determination, and hope, Berney gives us a wonderful glimpse of what America can be.
For Veronica Clayton, the sudden death of her mother has turned her naturally bright and happy-go-lucky view of the world bleak. As the Police Protection Officer for the Queen’s children, she has purpose, but for the next six months, the Queen’s family is the focus of a documentary on royal life. The last thing Clay wants is a camera pointed in her face.
Katya Kovach, a refugee to Britain, knows all about death and grief. She saw her family shot in front of her and has never recovered from those dark memories. Now trained at London’s most prestigious childcare school, she’s happy as the nanny to Queen Georgina and Queen Bea’s children.
Clay is usually good-natured, but the rule-oriented Katya is not only a pain, but annoyingly beautiful, and they find themselves facing the awkward reality that everyone else is a couple except them while their every move is being filmed. Loss has defined both their lives, but guarding their hearts may prove to be the biggest heartbreak of all.
It’s a hot summer, and life’s going all right for Jackson and his family on the Mish. It’s almost Christmas, school’s out, and he’s hanging with his mates, teasing the visiting tourists, avoiding the racist boys in town. Just like every year, Jackson’s Aunty and annoying little cousins visit from the city – but this time a mysterious boy with a troubled past comes with them… As their friendship evolves, Jackson must confront the changing shapes of his relationships with his friends, family and community. And he must face his darkest secret – a secret he thought he’d locked away for good.
Lone Stars follows the arc of four generations of a Texan family in a changing America. Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they’re gone? Finding the answers takes Julian back in time to Eisenhower’s immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama’s second term. And in these answers lies a hope: that by uncloseting ourselves–as immigrants, smart women, gay people–we find power in empathy.
Transgressive, foulmouthed, and devastatingly funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting—and often losing—the urge to self-sabotage. His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker’s husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.
Armed with a deadpan wit that finds humor in even the lowest of nadirs, Brontez Purnell—a widely acclaimed underground writer, filmmaker, musician, and performance artist—writes with the peerless zeal, insight, and horniness of a gay punk messiah. From dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama, Purnell indexes desire, desperation, race, and loneliness with a startling blend of levity and vulnerability. Together, the slice-of-life tales that writhe within 100 Boyfriends are a singular and uncompromising vision of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.
While the Iskat Empire has long dominated the system through treaties and political alliances, several planets, including Thea, have begun to chafe under Iskat’s rule. When tragedy befalls Imperial Prince Taam, his Thean widower, Jainan, is rushed into an arranged marriage with Taam’s cousin, the disreputable Kiem, in a bid to keep the rising hostilities between the two worlds under control.
But when it comes to light that Prince Taam’s death may not have been an accident, and that Jainan himself may be a suspect, the unlikely pair must overcome their misgivings and learn to trust one another as they navigate the perils of the Iskat court, try to solve a murder, and prevent an interplanetary war… all while dealing with their growing feelings for each other.
Orphaned and forced to serve her country’s ruling group of scribes, Karis wants nothing more than to find her brother, long ago shipped away. But family bonds don’t matter to the Scriptorium, whose sole focus is unlocking the magic of an ancient automaton army.
In her search for her brother, Karis does the seemingly impossible—she awakens a hidden automaton. Intelligent, with a conscience of his own, Alix has no idea why he was made. Or why his father—their nation’s greatest traitor—once tried to destroy the automatons.
Suddenly, the Scriptorium isn’t just trying to control Karis; it’s hunting her. Together with Alix, Karis must find her brother…and the secret that’s held her country in its power for centuries.
Randa Jarrar is a fearless voice of dissent who has been called “politically incorrect” (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer’s journey across the United States in the 1940s, she sets off from her home in California to her parents’ in Connecticut.
Coloring this road trip are journeys abroad and recollections of a life lived with daring. Reclaiming her autonomy after a life of survival—domestic assault as a child, and later, as a wife; threats and doxxing after her viral tweet about Barbara Bush—Jarrar offers a bold look at domestic violence, single motherhood, and sexuality through the lens of the punished-yet-triumphant body. On the way, she schools a rest-stop racist, destroys Confederate flags in the desert, and visits the Chicago neighborhood where her immigrant parents first lived.
Andre Cobb hopes his luck is finally turning around. After being sick for as long as he can remember, he’s finally gotten the liver transplant he desperately needed. Now his life can finally begin. But weeks after the operation, he feels shaky and ill, passes out, and wakes up somewhere totally unexpected…the past.
Somehow, he’s slipped through time to the 1960s version of his neighborhood in Boston. While there he meets Michael, who he is instantly connected to. Michael is everything Andre is not. He’s free-spirited, artistic, and open to all of life’s possibilities.
But just as suddenly as he arrived, Andre slips back to present-day Boston. As he tries to figure out what happened, the family of his donor reaches out to let him know his new liver may have side effects… of the time travel variety. They task their youngest son, Blake, with the job of helping Andre figure out the ins and outs of his new ability.
As Andre trains with Blake, he can’t help but feel attracted to him. Blake understands Andre in a way no one else ever has. But every time Andre journeys to the past, he’s drawn back into to Michael’s world.
Torn between two boys, one in the past and one in the present, Andre has to figure out where he belongs and more importantly who he wants to be before the consequences of jumping in time catch up to him and changes his fate for good.
Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting.
Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey.
Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she’s returned to her mother’s imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria’s royal palace.
Thanh’s new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh’s home. Eldris won’t take no for an answer, on either front. But the fire that burned down one palace is tempting Thanh with the possibility of making her own dangerous decisions.
Can Thanh find the freedom to shape her country’s fate—and her own?
Marty arrives in London with nothing but his oboe and some savings from his summer job, but he’s excited to start his new life–where he’s no longer the closeted, shy kid who slips under the radar and is free to explore his sexuality without his parents’ disapproval.
From the outside, Marty’s life looks like a perfect fantasy: in the span of a few weeks, he’s made new friends, he’s getting closer with his first ever boyfriend, and he’s even traveling around Europe. But Marty knows he can’t keep up the facade. He hasn’t spoken to his parents since he arrived, he’s tearing through his meager savings, his homesickness and anxiety are getting worse and worse, and he hasn’t even come close to landing the job of his dreams. Will Marty be able to find a place that feels like home?
Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors.
The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a Victorian-era sex theater. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.
Natalie Chan gained her corporate citizenship, but barely survived the battle for Tribulation.
Now corporate has big plans for Natalie. Horrible plans.
Locked away in Natalie’s missing memory is salvation for the last of an alien civilization and the humans they tried to exterminate. The corporation wants total control of both—or their deletion.
Anne Bonny had it all—her own ship, a pirate crew, and a fearsome reputation—but a new enemy has her on the run and it’ll take all of Anne’s courage to stay afloat. The night before a major heist, Anne has an unsettling dream, and come morning, the robbery is thwarted by Woodes Roger, a zealot who has sworn to eliminate piracy. With no plan to escape, Anne must persuade her crew to seek the meaning of her dream—or perish. Full of sass, solidarity, and swordplay, Tell No Tales is a graphic novel about belonging, belief, and how far we’re willing to go to protect the ones we love.
William Anson is done with relationships, thanks. He’s starting the second year of his medicine degree single, focused, and ready to mingle with purely platonic intentions.
Meeting Daniel, a barely recovered drug addict ready to start living life on his own terms, might just change that.
There are two problems.
One: William isn’t out.
What’s the point in telling your friends you’re bisexual when you aren’t going to date anyone?
Two: Daniel’s abusive ex-boyfriend still roams the university campus, searching for cracks in Daniel’s recovery.
No matter how quickly William falls for Daniel, their friendship is too important to risk ruining over a crush.
William is fine with being just friends for the rest of forever.
Well, not quite.
Content warning – This book includes references to abortion, PTSD, drug addiction, abusive relationships, and self-harm.
This is the final book in the Magic in Manhattan series
New York, 1925
Arthur Kenzie is on a mission: to destroy the powerful supernatural relic that threatens Manhattan—and all the nonmagical minds in the world. So far his search has been fruitless. All it has done is keep him from the man he loves. But he’ll do anything to keep Rory safe and free, even if that means leaving him behind.
Psychometric Rory Brodigan knows his uncontrolled magic is a liability, but he’s determined to gain power over it. He can take care of himself—and maybe even Arthur, too, if Arthur will let him. An auction at the Paris world’s fair offers the perfect opportunity to destroy the relic, if a group of power-hungry supernaturals don’t destroy Rory and Arthur first.
As the magical world converges on Paris, Arthur and Rory have to decide who they can trust. Guessing wrong could spell destruction for their bond—and for the world as they know it.
Set in the year between the 2015 Supreme Court marriage equality ruling and the 2016 Pulse nightclub massacre, Let’s Get Back to the Party explores the intertwined lives of two gay men named Sebastian Mote and Oscar Burnham: estranged childhood friends who reconnect as adults in Washington, DC.
Thirty-somethings who came of age after the AIDS crisis but before the current era where they might have had the comfort of an out adolescence, the two have grown into very different men. Sebastian, a straitlaced suburban high school teacher mourning the end of a long-term relationship, finds his orderly lifestyle threatened by the appearance of Arthur Ayer, a gay student so comfortable in his own skin that Sebastian finds himself dangerously obsessed with the teenager. Oscar, furious and defiant in the face of what he sees as the death of queer culture, begins a confusing relationship—is it friendship or something more?—with once-eminent novelist Sean Stokes, known for graphic stories of pre-AIDS hedonism. Alternating chapters from Sebastian and Oscar’s points of view, Let’s Get Back to the Party recounts their mirrored struggles with generational envy, cultural identity, the traumas of history, and, ultimately, each other.
11-year-old Stevie is an avid reader and she knows a lot of things about a lot of things. But these are the things she’d like to know the most:
1. The ocean and all the things that live there and why it’s so scary
2. The stars and all the constellations
3. How phones work
4. What happened to Princess Anastasia
5. Knots
Knowing things makes Stevie feel safe, powerful, and in control should anything bad happen. And with the help of her mom, she is finding the tools to manage her anxiety.
But there’s one something Stevie doesn’t know, one thing she wants to understand above everything else, and one thing she isn’t quite ready to share with her mom: the fizzy feeling she gets in her chest when she looks at her friend, Chloe. What does it mean and why isn’t she ready to talk about it?
In this poetic exploration of identity and anxiety, Stevie must confront her fears to find inner freedom all while discovering it is our connections with others that make us stronger.
For years, Robin Thorpe has kept her head down, staying among her people in the Riverside neighborhood and hiding the magic that would have her imprisoned by the state. But when Grace Hensley comes knocking on Clan Thorpe’s door, Robin’s days of hiding are at an end. As freed witches flood the streets of Kingston, scrambling to reintegrate with a kingdom that destroyed their lives, Robin begins to plot a course that will ensure a freer, juster Aeland. At the same time, she has to face her long-bottled feelings for the childhood love that vanished into an asylum twenty years ago.
Can Robin find happiness among the rising tides of revolution? Can Kingston survive the blizzards that threaten, the desperate monarchy, and the birth throes of democracy? Find out as the Kingston Cycle comes to an end.
With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop.
At the Five-Hop One-Stop, long-haul spacers can stretch their legs (if they have legs, that is), and get fuel, transit permits, and assorted supplies. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.
When a freak technological failure halts all traffic to and from Gora, three strangers—all different species with different aims—are thrown together at the Five-Hop. Grounded, with nothing to do but wait, the trio—an exiled artist with an appointment to keep, a cargo runner at a personal crossroads, and a mysterious individual doing her best to help those on the fringes—are compelled to confront where they’ve been, where they might go, and what they are, or could be, to each other.
The “ironborn” half-fae outcast of her royal fae family.
A tempestuous Fury, exiled to earth from the Immortal Realm and hellbent on revenge.
A dutiful fae prince, determined to earn his place on the throne.
The prince’s brooding guardian, burdened with a terrible secret.
For centuries, the Eight Courts of Folk have lived among us, concealed by magic and bound by law to do no harm to humans. This arrangement has long kept peace in the Courts—until a series of gruesome and ritualistic murders rocks the city of Toronto and threatens to expose faeries to the human world.
Four queer teens, each who hold a key piece of the truth behind these murders, must form a tenuous alliance in their effort to track down the mysterious killer behind these crimes. If they fail, they risk the destruction of the faerie and human worlds alike. If that’s not bad enough, there’s a war brewing between the Mortal and Immortal Realms, and one of these teens is destined to tip the scales. The only question is: which way?
In this wry and hilarious queer romantic comedy, fifteen-year-old Phoebe realizes that falling in love is maybe not just for losers.
Did you know you can marry yourself? How strange / brilliant is that?
Fifteen-year-old Phoebe thinks falling in love is vile and degrading, and vows never to do it. Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.
African American lesbian writers and theorists have made extraordinary contributions to feminist theory, activism, and writing. Mouths of Rain, the companion anthology to Beverly Guy-Sheftall’s classic Words of Fire, traces the long history of intellectual thought produced by Black Lesbian writers, spanning the nineteenth century through the twenty-first century.
Using “Black Lesbian” as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, “coming out,” and the erotic.
With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She’s a straight A, work-through-the-summer certified high achiever. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.
This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.
In New York, she’s able to ignore all the annoying questions about her future plans and falls hard for her creative and beautiful wife, Yuki Yamamoto. But when reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.
World War II is raging, and five teens are looking to make a mark. Daniel and Rebeka seek revenge against the Nazis who slaughtered their family; Simone is determined to fight back against the oppressors who ruined her life and corrupted her girlfriend; Phillip aims to prove that he’s better than his worst mistakes; and Liam is searching for a way to control the portal to the shadow world he’s uncovered, and the monsters that live within it–before the Nazi regime can do the same. When the five meet, and begrudgingly team up, in the forests of Germany, none of them knows what their future might hold.
As they race against time, war, and enemies from both this world and another, Liam, Daniel, Rebeka, Phillip, and Simone know that all they can count on is their own determination and will to survive. With their world turned upside down, and the shadow realm looming ominously large–and threateningly close–the course of history and the very fate of humanity rest in their hands. Still, the most important question remains: Will they be able to save it?
Charlie Matheson has spent his life taking care of things. When his parents died two days before his eighteenth birthday, he took care of his younger brother, even though that meant putting his own dreams on hold. He took care of his father’s hardware store, building it into something known several towns over. He took care of the cat he found in the woods…so now he has a cat.
When a stranger with epic tattoos and a glare to match starts coming into Matheson’s Hardware, buying things seemingly at random and lugging them off in a car so beat-up Charlie feels bad for it, his instinct is to help. When the man comes in for the fifth time in a week, Charlie can’t resist intervening.
Rye Janssen has spent his life breaking things. Promises. His parents’ hearts. Leases. He isn’t used to people wanting to put things back together—not the crumbling house he just inherited, not his future and certainly not him. But the longer he stays in Garnet Run, the more he can see himself belonging there. And the more time he spends with Charlie, the more he can see himself falling asleep in Charlie’s arms…and waking up in them.
Is this what it feels like to have a home—and someone to share it with?
In this delightfully compelling full-color graphic memoir, the author shares her process of undoing the effects of a patriarchal, colonial society on her self-image, her sexuality, and her concept of freedom. Reflecting on the ways in which oppression was the cause for her late bloom into queerness, we are invited to discover people and things in the author’s life that helped shape and inform her LGBTQ identity. And we come to an understanding of her holistic definition of queerness.
Robin Loxleigh and his sister Marianne are the hit of the Season, so attractive and delightful that nobody looks behind their pretty faces.
Until Robin sets his sights on Sir John Hartlebury’s heiress niece. The notoriously graceless baronet isn’t impressed by good looks, or fooled by false charm. He’s sure Robin is a liar—a fortune hunter, a card sharp, and a heartless, greedy fraud—and he’ll protect his niece, whatever it takes.
Then, just when Hart thinks he has Robin at his mercy, things take a sharp left turn. And as the grumpy baronet and the glib fortune hunter start to understand each other, they also find themselves starting to care—more than either of them thought possible.
But Robin’s cheated and lied and let people down for money. Can a professional rogue earn an honest happy ever after?
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