Adult Fiction

Rachel Lacey‘s READ BETWEEN THE LINES, pitched as an #OwnVoices sapphic retelling of You’ve Got Mail, featuring a bisexual bookstore owner and a property developing corporate executive with more than one secret, to Lauren Plude at Montlake, in an exclusive submission, in a two-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).

Katharine Schellman‘s LAST CALL AT THE NIGHTINGALE, an #OwnVoices queer murder mystery set in 1920s New York, where a seamstress escapes drudgery at a speakeasy, but when she discovers a body behind the club, she finds herself caught between the dangers of New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable—including her own, to Nettie Finn at Minotaur, in a two-book deal, for publication in summer 2022, by Whitney Ross at Irene Goodman Agency (NA).

2020 National Book Foundation 5 under 35 honoree and author of BESTIARY K-Ming Chang‘s RESIDENT ALIENS, a short story collection that evokes the splendor and peculiar nature of families, the grotesque and wondrous parts of the body, and the wild and poignant battles of queer love, to Nicole Counts at One World, by Julia Kardon at HG Literary.

Ally Wilkes‘s ALL THE WHITE SPACES, set in the Heroic Age of Antarctic exploration, in which a trans man narrates the fate of an expedition as something unnamed and terrible picks off his shipmates one by one, against the backdrop of the pitch-black polar night, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Oliver Munson at A.M. Heath (NA).

Helena Greer‘s MY FIRST NOELLE, pitched as a queer and Jewish Hallmark-style holiday rom-com about a free-spirited bisexual artist who’s forced to return home when she inherits her family’s Christmas tree farm, and has an unexpected romance with the farm’s grumpy butch manager, to Amy Pierpont and Sam Brody at Forever, in a two-book deal, for publication in winter 2022, by Rebecca Podos at Rees Literary Agency (world).

Winner of the 60th Gunzo New Writer’s Award for Excellence in 2017 Li Kotomi‘s SOLO DANCE, depicting the painful coming-of-age of a gay woman in Taiwan and the salaryman’s world in Japan; an account of a person’s search for hope after trauma and depression, to Judith Uyterlinde at World Editions (Netherlands), in a nice deal, in a pre-empt, for publication in fall 2022, by Li Kangqin at New River Literary (world English).

Three-time Pushcart prize winner and Stegner fellow Lydia Conklin’s RAINBOW RAINBOW, a collection of stories exploring the complex inner lives of queer, trans, and nonbinary characters, pitched as appealing to fans of Garth Greenwell, Jenny Zhang, and Katherine Dunn, to Leigh Newman at Catapult, for publication in June 2022, by Samantha Shea at Georges Borchardt.

Center for Fiction First Novel Prize nominee Celia Laskey’s THE BRIDESMAID, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex; and UNDER THE RAINBOW, her debut novel, to Cicely Aspinall at HQ, at auction, in a two-book deal, by Jennifer Helinek at Trident Media Group, on behalf of Alexa Stark.

Children’s Fiction

Hazel Newlevant‘s QUEER AND HOW WE GOT HERE, in which the author blends their personal story of coming out with explorations of important moments from queer history to draw a parallel between the growth of a community and the growth of the author’s personal identity, to Andrea Colvin at Little, Brown Children’s, in an exclusive submission, for publication in early 2024, by Tanya McKinnon at McKinnon Literary (world).

Will Taylor‘s THE LANGUAGE OF SEABIRDS, in which a 12-year-old boy confined to two weeks at a beach house with his freshly divorced father meets a local boy and his world is flipped as he struggles find some way to share the truths flooding his heart—things he’s never spoken to anyone, not even himself, to David Levithan at Scholastic, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world).

Detroit-based illustrator and designer Oli Franey’s MONSTER CRUSH, pitched as BEETLE AND THE HOLLOWBONES meets Teen Wolf, in which a 16-year-old closes herself off from the world after her parents split, until she meets a girl; as the two of them fight off school bullies, the girl accidentally reveals her ability to transform into a monstrous beast, and reveals the world of monsters, to Brett Israel at Dark Horse, for publication in 2023, by Claire Draper at The Bent Agency (world English).

Young Adult Fiction

Epic Reads founder Margot Wood‘s FRESH, a queer coming-of-age story that follows a freshman at Emerson College as she navigates the highs and lows of her first year away from home, to Maggie Lehrman at Abrams Children’s, at auction, for publication in fall 2021, by Joanna Volpe at New Leaf Literary & Media (world English).

Author of THE DEAD AND THE DARK Courtney Gould’s ECHO SUNSET, following two sisters who, after their mother dies, learn about her mysterious ties to an isolated Arizona town; when they decide to investigate, nothing and no one is who they seem, including the daughter of the town’s enigmatic leader, to Jennie Conway at Wednesday Books, for publication in 2022, by Claire Friedman and Jessica Mileo at Inkwell Management (NA).

Illustrator and comic artist on Tapas The Kao’s MAGICAL BOY, in which a trans man just trying to get through high school as his true self has his life turned upside down when he discovers that he is descended from a long line of magical girls tasked with defending humanity from a dark, ancient evil; with a sassy feline sidekick and loyal group of friends by his side, he must take on his destiny, save the world, and become the first magical boy, to Michael Moccio at Scholastic, for publication in fall 2021, by Liz Parker at Verve Talent & Literary (world).

Author of the #murdertrending series and GET EVEN Gretchen McNeil‘s DIG TWO GRAVES, pitched as a YA Strangers on a Train with a queer twist in which a school pariah meets her new best friend at summer camp where they jokingly fantasize about killing each other’s bullies, until those fantasies become disturbing realities and she finds herself blackmailed into committing murder, to Kieran Viola at Disney-Hyperion, in a two-book deal, by Ginger Clark at Curtis Brown (world).

Author of ACE OF SHADES Amanda Foody and author of THE DEVOURING GRAY Christine Lynn Herman‘s ALL OF US VILLAINS, set in a blood-soaked city, where seven families compete every generation in a tournament to the death for control of high magic; one powerful, villainous family has won nearly every tournament, but this year, thanks to a salacious tell-all book, each of the other families has the means to win, to Melissa Frain at Tor Teen, with Ali Fisher editing, in a major deal, at auction, in a two-book deal, for publication in fall 2021 and 2022, by Whitney Ross at Irene Goodman Agency for Foody, and by Kelly Sonnack at Andrea Brown Literary Agency for Herman (world English).

Naz Kutub‘s THE LOOPHOLE, pitched as a speculative SIMON VS. THE HOMO SAPIENS AGENDA with a focus on identity, found family, and friendship, following a queer Indian Muslim boy traveling the world for a second chance at love after a possibly magical heiress grants him three wishes, to Claire Stetzer at Bloomsbury Children’s, in a very nice deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Natalie Lakosil at Bradford Literary Agency (world).

Cayla Keenan’s RAVENSONG, the first in a contemporary fantasy duology with Northeastern Gothic vibes, in which a 17-year-old girl is one third of a war goddess triad, sworn to slay demons with her sisters and guard the gate to hell in their coastal town, yet is stuck in high school, counting down the days until her 18th birthday, when her powers fully unlock—until she meets a girl with secrets of her own who’ll force her to choose between duty and love, to Amanda Ramirez at Simon & Schuster Children’s, in a pre-empt, in a two-book deal, for publication in spring 2023, by Patrice Caldwell at New Leaf Literary & Media (NA).

Dahlia Adler ed.’s AT THE STROKE OF MIDNIGHT, a collection of classic fairy tales reimagined by authors Melissa Albert, Tracy Deonn, Hafsah Faizal, Brigid Kemmerer, Stacey Lee, Darcie Little Badger, Malinda Lo, Alex London, Anna-Marie McLemore, Rebecca Podos, Rory Power, Meredith Russo, Justin Reynolds, and Randy Ribay, to Sarah Barley at Flatiron Books, for publication in fall 2022, by Patricia Nelson at Marsal Lyon Literary Agency (world).

Andrea Mosqueda’s debut JUST YOUR LOCAL BISEXUAL DISASTER, following a self-described romantic disaster, a bisexual Chicana living in the Rio Grande Valley, as she tries to figure out whom she wants to ask to be her escort at her little sister’s upcoming quinceanera: her charming ex-boyfriend twice over, her first crush and gorgeous best friend, or the mysterious new girl with the romantic baggage?, to Kat Brzozowski at Feiwel and Friends, for publication in 2022, by Lauren Macleod at The Strothman Agency (world English).

Saundra Mitchell’s OUT THERE, the future-set third and final anthology in a series that began with the historical ALL OUT and contemporary OUT NOW; its contributors include Kayla Ancrum, Kalynn Bayron, Z Brewer, Mason Deaver, Alechia Dow, ZR Ellor, Leah Johnson, Naomi Kanakia, Claire Kann, Alex London, Jim McCarthy, Abdi Nazemian, Emma K. Ohland, AJ Sass, Nita Tyndall, and two slots to be filled through an open call, to Natashya Wilson at Inkyard Press, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Non-Fiction

Sunday Times Young Writer of the Year finalist for his poetry collection TONGUES OF FIRE Sean Hewitt‘s ALL DOWN DARKNESS WIDE, an excavation of the year following his partner’s suicide attempt, a confrontation with the specters of shame, and a love letter to queer literature that illuminates a path ahead, to Caroline Sydney at Penguin Press, in a pre-empt, by Adam Eaglin at The Cheney Agency on behalf of Matthew Marland at Rogers, Coleridge & White (NA).

Cultural historian, performer, Leverhulme Early Career Fellow in English at the University of Cambridge, and BBC New Generation Thinker Diarmuid Hester’s NOTHING EVER JUST DISAPPEARS: A NEW HISTORY OF QUEER CULTURE THROUGH ITS SPACES, a history of queer identity from the late 1800s to the present, following seven artists and writers whose lives and work are inextricable from a sense of place, including E.M. Forster, Josephine Baker, Claude Cahun, James Baldwin, and Derek Jarman; interweaving their stories with the author’s own experiences as a queer person, arguing for the centrality of place in the formation of identity, culture, and politics, while showing all that is lost when queer spaces are forgotten, to Maria Bedford at Allen Lane, at auction, for publication in November 2022, by Matthew Marland at Rogers, Coleridge & White (world English).

Sibling duo, journalist, and archivist Alison Nastasi and PJ Nastasi’s QUEER ICONS AND THEIR CATS, a celebration of LGBTQ+ icons past and present, and their furry feline friends, to Bridget Watson Payne at Chronicle, with Natalie Butterfield editing, for publication in May 2021 (world).