Sam is very in touch with their own queer identity. They’re nonbinary, and their best friend, TJ, is nonbinary as well. Sam’s family is very cool with it… as long as Sam remembers that nonbinary kids are also required to clean their rooms, do their homework, and try not to antagonize their teachers too much.
The teacher-respect thing is hard when it comes to Sam’s history class, because their teacher seems to believe that only Dead Straight Cis White Men are responsible for history. When Sam’s home borough of Staten Island opens up a contest for a new statue, Sam finds the perfect non-DSCWM subject: photographer Alice Austen, whose house has been turned into a museum, and who lived with a female partner for decades.
Soon, Sam’s project isn’t just about winning the contest. It’s about discovering a rich queer history that Sam’s a part of — a queer history that no longer needs to be quiet, as long as there are kids like Sam and TJ to stand up for it.
Amos Abernathy lives for history. Literally. He’s been a historical reenactor nearly all his life. But when a cute new volunteer arrives at his Living History Park, Amos finds himself wondering if there’s something missing from history: someone like the two of them.
Amos is sure there must have been LGBTQ+ people in nineteenth-century Illinois. His search turns up Albert D. J. Cashier, a Civil War soldier who might have identified as a trans man if he’d lived today. Soon Amos starts confiding in his newfound friend by writing letters in his journal—and hatches a plan to share Albert’s story with his divided twenty-first century town. It may be an uphill battle, but it’s one that Amos is ready to fight.
Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose.
The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she’s only got a future on the squad and with her friends if she helps them take Jack down.
Just one problem: Amber and Jack are falling for each other, and if Amber can’t stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.
Emmett Maguire has big dreams. He wants to be country music’s biggest gay superstar—a far reach when you’re 17 and living in suburban Illinois. Thankfully, his parents are letting him do the next best thing for the summer: stay with his aunt in Jackson Hollow, Tennessee, and perform at Wanda World—the amusement park owned by his idol, country music legend Wanda Jean Stubbs.
Luke Barnes, a 17-year-old Jackson Hollow resident, has no interest in country music. As the grandson of Verna Rose, the disgraced country singer who had a famous falling out with Wanda Jean, the world of country music has only brought his family pain. But as medical bills pile up at home, he’s forced to accept a job in the last place he’d ever want to work: a restaurant at Wanda World.
With Emmett focused on his career, and Luke blossoming in the kitchen, neither boy is expecting to find romance. But sparks fly when they meet and soon the two are inseparable. However, when a long-lost secret about Luke’s grandma and superstar Wanda Jean comes to light, it threatens to unravel everything. Unless the boys can uncover the truth of what really happened, their dreams could be over before they start, leaving their new relationship to go down in history as just another Sad Country Love Song.
To conclude the trio of anthologies that started with critically acclaimed All Out and Out Now, Out There features seventeen original short stories set in the future from fantastic queer YA authors.
Explore new and familiar worlds where the human consciousness can be uploaded into a body on Mars…an alien helps a girl decide if she should tell her best friend how she feels…two teens get stuck in a time loop at a space station…people are forced to travel to the past or the future to escape the dying planet…only a nonbinary person can translate the binary code of a machine that predicts the future…everyone in the world vanishes except for two teen girls who are in love.
This essential and beautifully written collection immerses and surprises with each turn of the page.
In River City, where magic used to thrive and is now fading, the witches who once ruled the city along with their powerful King have become all but obsolete. The city’s crumbling government is now controlled primarily by the new university and teaching hospital, which has grown to take over half of the city.
Moving between the decaying Old City and the ruthless New, four young queer people struggle with the daily hazards of life―work, school, dodging ruthless cops and unscrupulous scientists―not realizing that they have been selected to play in an age-old drama that revives the flow of magic through their world. When a mysterious death rocks their fragile peace, the four are brought into each other’s orbits as they uncover a deeper magical conspiracy.
Lewis has a few things to say to his younger teen self. He knows she hates her body. He knows she’s confused about who to snog. He knows she’s really a he and will ultimately realize this… but she’s going to go through a whole lot of mess (some of it funny, some of it not funny at all) to get to that point. Lewis is trying to tell her this… but she’s refusing to listen.
In Welcome to St. Hell, author-illustrator Lewis Hancox takes readers on the hilarious, heartbreaking, and healing path he took to make it past trauma, confusion, hurt, and dubious fashion choices in order to become the man he was meant to be. It’s a remarkable, groundbreaking graphic memoir from an unmistakably bold new voice in comics.
Flight 133 disappeared over the ocean. No wreckage. No distress signal. Just gone.
Suddenly, everyone on the news and social media is talking about whether the pilot intentionally crashed it—everyone but me. Because I know her. The pilot was my mom, and there’s no way she would hurt anyone. No one else knows that before she left, she wrote me a note. Trust me, it said.
Now it feels like someone split my world—and me—in two, and the only person who believes me is Landon. I want to trust him, to let him see who I really am, but I can’t. I have my secrets, the same way Mom has hers. All I know is falling for him will only make things more complicated.
Just as I start to open up, the answer to what really happened to Flight 133 could rip my world apart all over again—for good this time.
Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with.
But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all.
Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own.
Sav Bergman has a lot on her plate. She’s just getting her life together after having a baby, falling into a postpartum depression after having that baby, and then getting dramatically dumped by her girlfriend, while in the psych ward, following that postpartum depression. Now that she’s back at school, it’s time to dive back into Speech and Debate, a kind of competitive acting Sav takes more seriously than just about anything besides her daughter. And let’s not forget Malcolm: best friend, bandmate, and father of her baby, who she has…very complicated feelings for.
So what she really didn’t need was for Malcom to break the news that he’s now dating the very same girl who broke Sav’s heart in the hospital three months ago. Sav spills that little fact to her new Speech partner–who’s unapologetically straightforward, argumentative, and gay, and so far hasn’t liked a single play Sav’s suggested–who immediately has an idea: Sav should write her own play explaining what the hell happened over the past year, and they’ll re-enact that for a panel of judges expecting some nice Vonnegut. But what starts out as a play about flaky girlfriends, disloyal boyfriends, and Sav’s role as the innocent victim starts to unravel the more she writes. And as the competition draws closer, Sav is forced to question everything she’d assumed about the people she thought she knew and the future she’d always imagined.
Right before Jade is about to leave for a summer art intensive, her best friend, Phoebe, attempts suicide. How is Jade supposed to focus on herself right now?
But at the Art Farm, Jade has artistic opportunities she’s been waiting for her whole life. And as she gets to know her classmates, she begins to fall for whimsical, upbeat, comfortable-in-her-own-skin Mary. Jade pours herself into making ceramic monsters that vent her stress and insecurities, but when she puts her creatures in the kiln, something unreal happens: they come to life. And they’re taking a stand: if Jade won’t confront her problems, her problems are going to confront her, including the scariest of them all—if Jade grows, prospers, and even falls in love this summer, is she leaving Phoebe behind?
Welcome to Happily Ever Island, the most pixie-dusted vacation a Disney fan could ever imagine.
Head-in-the-clouds romantic Madison and driven pragmatist Lanie are unlikely best friends, but the two would do anything for each other. So when Madison’s life starts to fall apart, Lanie agrees to join Madison for the test run of Disney’s newest resort experience during their first college spring break: Happily Ever Island—an immersive vacation destination, where guests can become their favorite Disney character for a week. Madison decides to go as the iconic princess herself, Cinderella, with Lanie as bow-wielding Merida. It’s not Lanie’s idea of fun, but she knows Madison needs her, and besides, she could use the break from her strenuous courseload anyway. Plus, maybe she’ll get to shoot things.
But once on the island, Lanie and Madison begin to drift apart. Madison finds herself either missing out or messing up all the enchanting moments she has dreamt her whole life about, and is forever running into their annoyingly perfect (and distractingly cute) vacation’s coordinator, Val. Meanwhile, Lanie unexpectedly finds herself swept up in the magic of it all. She strikes up a secret romance with Prince Charming—but there’s no telling whether he’s just playing a part.
Discover what it means to be a young transgender or non-binary person in the twenty-first century in this frank and funny guide for 14+ teens, from the author of This Book Is Gay. What’s the T?, Stonewall ambassador, bestselling trans author and former PSHE teacher Juno Dawson defines a myriad of labels and identities and offers uncensored advice on coming out, sex and relationships with her trademark humour and lightness of touch. Juno has also invited her trans and non-binary friends to make contributions, ensuring this inclusive book reflects as many experiences as possible, and features the likes of Travis Alabanza and Jay Hulme.
The companion title to the groundbreaking This Book Is Gay, What’s the T? tackles the complex realities of growing up trans with honesty and humour, and is joyfully illustrated by gender non-conforming artist Soofiya.
This is the final book in the Battalion of the Dead trilogy
Robespierre is dead. The Reign of Terror is over.
As Royalist strength grows, the Duc de L’Aubespine plots a coup that will consign the revolution to history. With Olympe in his clutches, he believes nothing can stop him. But he’s reckoned without the intrepid Battalion of the Dead!
Reunited in Paris, Ada is poised for action – but if she plays her hand too soon, everything she’s sacrificed to gain his trust will be lost. Meanwhile, an unlikely alliance with an old enemy might be Camille’s only option to save Olympe and stop the duc in his tracks.
Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they’ve never met in real life and Ada lives an ocean away. But Elsie has decided it’s now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.
In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn’t nearly as alone as she thought. But now she has a choice to make…
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
The Kingdom of Sand features a nameless narrator who has survived the death of his friends to AIDS and the loss of his parents to old age and tragedy. Now he must witness the slow demise of a friend just a shade older than he is. Semi-anonymous sexual encounters, gallows humor, and classic films are his tools for staving off the dying of the light. In prose that’s in turn mordantly funny and hauntingly elegiac, Andrew Holleran takes the reader from a video porn shop off Route 301 to the memory of parties in Washington, DC, filled with handsome young men, to the lonely facades of rural Florida.
Robin and Ellie have been best friends since childhood. When Robin came out, Ellie was there for her. When Ellie’s father died, Robin had her back. But when Ellie asks Robin to be her maid of honor, she is reluctant. A queer academic, Robin is dubious of the elaborate wedding rituals now sweeping the nation, which go far beyond champagne toasts and a bouquet toss. But loyalty wins out, and Robin accepts.
Yet, as the wedding weekend approaches, a series of ominous occurrences lead Robin to second-guess her decision. It seems that everyone in the bridal party is out to get her. Perhaps even Ellie herself.
In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
New York, 1924. Vivian Kelly’s days are filled with drudgery, from the tenement lodging she shares with her sister to the dress shop where she sews for hours every day.
But at night, she escapes to The Nightingale, an underground dance hall where illegal liquor flows and the band plays the Charleston with reckless excitement. With a bartender willing to slip her a free glass of champagne and friends who know the owner, Vivian can lose herself in the music. No one asks where she came from or how much money she has. No one bats an eye if she flirts with men or women as long as she can keep up on the dance floor. At The Nightingale, Vivian forgets the dangers of Prohibition-era New York and finds a place that feels like home.
But then she discovers a body behind the club, and those dangers come knocking.
Caught in a police raid at the Nightingale, Vivian discovers that the dead man wasn’t the nameless bootlegger he first appeared. With too many people assuming she knows more about the crime than she does, Vivian finds herself caught between the dangers of the New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable…including Vivian’s own.
First published after the author’s death in 2008, this provocative novel charts the late-in-life sexual awakening of a retired army officer who embarks on a dangerous affair with a male servant.
Captain Ni’mat, a reservist from the Egyptian army defeated by the Israelis in 1967, finds himself aging and idle, spending his days at a luxurious private club in Cairo with former comrades. One night, Captain Ni’mat has an exquisite, chilling dream: he sees pure beauty in the form of his Nubian valet. Awakened by these searing images,
he slips into the cabin where the young man sleeps. The vision of his naked body so deeply disturbs Captain Ni’mat that his monotonous existence is suddenly turned upside down.
Unbeknownst to his wife, he comes to know physical love with his valet. In a country where religious fundamentalism grows increasingly prevalent every day, this forbidden passion will lead him to the height of happiness, at least for a time.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny as it follows characters—mostly queer, mostly women—on the precipice of change. Echoes of timeless myth and folklore reverberate through urgent narratives of discovery, appetite, and coming-of-age in a time of crisis.
In “The Changeling,” two young cousins wait in dread for a new family member to arrive, convinced that he may be a dangerous supernatural creature. In “Endangered Animals,” Jane prepares to say goodbye to her almost-love while they road-trip across a country irrevocably altered by climate change. In “Take Only What Belongs to You,” a queer woman struggles with the personal history of an author she idolized, while in “Fiddler, Fool, Pair,” an anthropologist is drawn into a magical—and dangerous—gamble. In the title story, partners Agnes and Geb feast peacefully on the mushrooms that sprout from Agnes’s body—until an unwanted male guest disturbs their cloistered home.
God’s Children are Little Broken Things by Arinze Ifeakandu
In nine exhilarating stories of queer love in contemporary Nigeria, God’s Children Are Little Broken Things announces the arrival of a daring new voice in fiction.
A man revisits the university campus where he lost his first love, aware now of what he couldn’t understand then. A young musician rises to fame at the price of pieces of himself, and the man who loves him. Arinze Ifeakandu explores with tenderness and grace the fundamental question of the heart: can deep love and hope be sustained in spite of the dominant expectations of society, and great adversity.
Gina is about to marry her boyfriend. George is about to join a lesbian pop band. Gina and George are the same person. No wonder Georgina is DOUBLE BOOKED.
Georgina has a strict routine:
1) teach piano to bored children
2) schedule dates with long-term boyfriend
3) repeat until dead
Perfect.
But then, one wild night, she auditions for a famous lesbian pop band and realises:
1) she longs to play her own music
2) she wants to be just like them
3) their drummer is really hot…
Realising she might be bisexual, Georgina – and her schedule – are in chaos. Torn between the safety of her old life, and the freedom of a new one, she does what any rational person would do. She splits herself in two. After all, two lives are twice the fun… right?
Rubem of No-Man’s Land was content keeping to his wine, his pets, and his extensive collection of fishnets.
But since a sentient, fuel-producing parasite bonded to his brainstem, every morally-depraved scientist and hardcore rebel for a hundred miles wants to ruthlessly dissect him. The parasite itself is no better, influencing his emotions and sassing him with his own memories as it slowly takes over his body.
The only person offering Rubem help is Tavish K. Findlay, a dashing and manipulative philanthropist whose mother’s fuel company monopolizes their corrupt underwater city with an iron claw. She desperately wants to tear Rubem apart for the parasite before those who oppose her can do the same. Her son is irresistibly charismatic though, and after a lifetime of being kicked out and disavowed, Rubem is desperate to believe in the friendship Tavish offers.
With revolutionary plots and political schemes tangling his every choice, Rubem must soon decide whether or not to trust Tavish in his fight against the parasite’s growing control.
Bonus: Upcoming in 2022 are Hell Followed With Us by Andrew Joseph White, narrated by Shaan Dasani, Graham Halstead, and Avi Roque (June 7), Beating Heart Babyby Lio Min, narrated by Alejandro Ruiz and Jensen Silvio (July 26), The Sunbearer Trials by Aiden Thomas, narrated by André Santana (September 6), and Self-Made Boys by Anna-Marie McLemore, narrated by Avi Roque and Kyla Garcia (September 6)!
Happy Trans Day of Visibility! As usual, we’re celebrating with books by trans and/or nonbinary authors and starring trans and/or nonbinary main characters, so please check ’em out! (Also as usual, this post only includes books that weren’t featured in previous years’ dedicated posts, so you can find even more here and here.)
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This post is generously sponsored by OrangeSky Audio in honor of the newly released A Million Quiet Revolutions by Robin Gow, narrated by Salem Korwin and Kaden Catalina!
Robin Gow’s A Million Quiet Revolutions is a modern love story, told in verse, about two teenaged trans boys who name themselves after two Revolutionary War soldiers. A lyrical, aching young adult romance perfect for fans of The Poet X, Darius the Great is Not Okay, and Aristotle and Dante Discover the Universe.
Sixteen-year-old shy, socially awkward trans teen Bass reluctantly skips school and goes on a boat trip with his adventure-seeking girlfriend, Rosie. When a sudden storm smashes their boat on a rocky shore off a deserted island, Bass and Rosie struggle to make it to safety. Bruised and battling hypothermia, the pair have to seek shelter and work together to survive until they can be rescued. After a horrible night, Rosie, an experienced climber, decides to scale a steep cliff to find help. She falls and injures herself badly. Now Bass has to find the strength and courage to swim around a dangerous headland and make his way back to civilization before it’s too late.
It’s four in the morning, and our narrator is walking home from the club when they realise that it’s February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago.
Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal.
The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
Avery Lindt finally opened her dream restaurant—and there’s no customers. She’s staying optimistic, though: she’s confident she can fake it till she makes it, roll with the punches, and find a way to save her luxury restaurant, Paramour.
But it gets harder when she gets restaurant mogul and star chef Mike Wallace angry, and finds herself on the other end of a campaign to shut down Paramour.
Celebrity chef Holly Mason’s show is in trouble: people are bored with her routine of helping struggling restaurants. Worse, her ex-boyfriend Mike Wallace is making backdoor deals trying to steal the starring role.
Luckily, Holly’s agent Tay has a solution: ditch her show plans for the season, throw their lot in with luxury restaurant Paramour against Mike Wallace’s racketeering operation of a restaurant partnership. The cherry on top? A fake relationship between Holly and Avery to stir up drama.
It would already be a mess if Holly and Avery weren’t already struggling to hold back their attraction for one another. Despite their promise not to date, the lines between acting and reality get awfully blurry sometimes.
On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
For as long as they can remember, Aaron and Oliver have only ever had each other. In a small town with few queer teenagers, let alone young trans men, they’ve shared milestones like coming out as trans, buying the right binders—and falling for each other.
But just as their relationship has started to blossom, Aaron moves away. Feeling adrift, separated from the one person who understands them, they seek solace in digging deep into the annals of America’s past. When they discover the story of two Revolutionary War soldiers who they believe to have been trans man in love, they’re inspired to pay tribute to these soldiers by adopting their names—Aaron and Oliver. As they learn, they delve further into unwritten queer stories, and they discover the transformative power of reclaiming one’s place in history.
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers.
When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn mapsof the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them.
In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape…
As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
The playful and poignant novel Little Blue Encyclopedia (for Vivian) sifts through a queer trans woman’s unrequited love for her straight trans friend who died. A queer love letter steeped in desire, grief, and delight, the story is interspersed with encyclopedia entries about a fictional TV show set on an isolated island.
The experimental form functions at once as a manual for how pop culture can help soothe and mend us and as an exploration of oft-overlooked sources of pleasure, including karaoke, birding, and butt toys. Ultimately, Little Blue Encyclopedia (for Vivian) reveals with glorious detail and emotional nuance the woman the narrator loved, why she loved her, and the depths of what she has lost.
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
In a lush solarpunk future, plants have stripped most of the poison from the air and bounty hunters keep resource hoarders in check. Orfeus only wants to be a travelling singer, famed and adored. She has her share of secrets, but she’s no energy criminal, so why does a bounty hunter want her dead? Not just any bounty hunter but the Wolf, most fearsome of all the Order of the Vengeful Wild. Orfeus will call in every favor she has to find out, seeking answers while clinging to her pride and fending off the hunters of the Wild. But she isn’t the only one at risk: every misstep endangers the enemies she turns into allies, and the allies she brings into danger. There are worse monsters than the Wolf hiding in this new green world.
In this young adult novel by award-winning author Anna-Marie McLemore, two non-binary teens are pulled into a magical world under a lake – but can they keep their worlds above water intact?
Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate.
Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Y: The Last Man meets The Girl With All the Gifts in Gretchen Felker-Martin’s Manhunt, a fast-paced body horror that examines a post-apocalyptic world through the lens of trans women and men trying to survive.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they’ll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren’t safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics―all while outrunning packs of feral men, and their own demons.
Centering transgender women seeking stable, adult lives, A Dream of a Woman finds quiet truths in prairie high-rises and New York warehouses, in freezing Canadian winters and drizzly Oregon days.
In “Hazel and Christopher,” two childhood friends reconnect as adults after one of them has transitioned. In “Perfect Places,” a woman grapples with undesirability as she navigates fetish play with a man. In “Couldn’t Hear You Talk Anymore,” the narrator reflects on her tumultuous life and what might have been as she recalls tender moments with another trans woman.
Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors.
With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.
No job, no money, no love – and to make things worse, 27-year-old Charlie has no choice but to leave New York City and move in with his mom in his isolated and conservative hometown of Sunset Springs.
Home isn’t a comfortable place for Charlie. One of very few Black residents and the only trans person around town that he knows of, this will be Charlie’s first time back in Sunset Springs since he transitioned. He expects confusion and maybe even hostility. He definitely does not expect Jackson Ford.
Jack was the brooding yet beloved football star at their high school, but now, he’s an outsider after coming out as gay. When Charlie and Jackson fall for each other in a swift and surprising romance, Charlie has to decide if he’s willing to exchange his old dreams for a new one.
Sunset Springs is an audio novella about finding courage to allow unexpected change, even at the risk of a broken heart.
Kris Claus has spent her entire life preparing to become the next Santa Claus. After all, she’s Santa’s daughter, so she’s certain to be next in line for the title. She’s gotten the degrees, served as his assistant… nothing can stop her. Well, nothing except her lawyer ex, who is trying to sneak his way into the title by bringing up an archaic gender law that says women can’t be Santa.
Steeped in small-town politics and a rivalry for the ages, Kris won’t stop until she’s gotten what she’s fought for her whole life, but she won’t give up who she really is — a proud woman — to reach her dreams. When a letter from a transgender girl down South reminds her of herself as a child, Kris knows exactly what’s at stake, not just for her own dreams, but for the dreams of girls everywhere.
By National Book Award and the National Book Critics’ Circle Award finalist for An Unnecessary Woman, Rabih Alameddine, comes a transporting new novel about an Arab American trans woman’s journey among Syrian refugees on Lesbos island.
Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp’s children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya’s secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants’ displacement, as well as her own constraints in helping them.
Sequel to Victories Greater Than Death, this is the second book in the Unstoppable series
They’ll do anything to be the people they were meant to be — even journey into the heart of evil.
Rachael Townsend is the first artist ever to leave Earth and journey out into the galaxy — but after an encounter with an alien artifact, she can’t make art at all. Elza Monteiro is determined to be the first human to venture inside the Palace of Scented Tears and compete for the chance to become a princess — except that inside the palace, she finds the last person she ever wanted to see again. Tina Mains is studying at the Royal Space Academy with her friends, but she’s not the badass space hero everyone was expecting. Soon Rachael is journeying into a dark void, Elza is on a deadly spy mission, and Tina is facing an impossible choice that could change all her friends lives forever.
Parapsychologist Dr. Nigel Taylor doesn’t work with psychic mediums. Until, that is, a round of budget cuts threatens his job and an eccentric old woman offers him a great deal of grant money. The only catch: he must investigate a haunted house with a man she believes to have a true gift.
Oscar Fox, founder of the ghost-hunting team OutFoxing the Paranormal, has spent his life ignoring the same sort of hallucinations that sent his grandmother to an insane asylum. When he agrees to work with the prestigious—and sexy—Dr. Taylor, he knows he’ll have to keep his visions under wraps, so his team can get a desperately needed pay day.
Soon after Nigel, Oscar, and the OtP team arrive at the house, the questions begin to pile up. Why is there a blood stain in the upstairs hallway? What tragedy took place in the basement? And who is the spirit lurking in the closet of a child’s bedroom?
One thing is certain: if Oscar can’t accept the truth about his psychic abilities, and Nigel can’t face the demons of his past, they’ll join the forgotten souls of the house…forever.
have never felt like I belonged to my body. Never in the way rhythm belongs to a song or waves belong to an ocean.
It seems like most people figure out where they belong by knowing where they came from. When they look in the mirror, they see their family in their eyes, in their sharp jawlines, in the texture of their hair. When they look at family photos, they see faces of people who look like them. They see faces of people who they’ll look like in the future.
For me, I only have my imagination.
But I’m always trying.
Twelve-year-old Gabriela is trying to find their place in the world. In their body, which feels less and less right with each passing day. As an adoptee, in their all-white family. With their mom, whom they love fiercely and do anything they can to help with her depression. And at school, where they search for friends.
A new year will bring a school project, trans and queer friends, and a YouTube channel that helps Gabriela find purpose in their journey.
When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.
Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.
As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.
The jellyfish commonly known as a Portuguese man o’ war is neither Portuguese, nor a jellyfish, nor a man, nor even a singular organism. If you can cope with those facts, you can begin to understand River McIntyre, an elite high school swimmer who’s bad at counting laps.
River McIntyre has lived all their life in the shadow of Sea Planet, a now infamous ocean theme park slowly going out of business in the middle of Ohio. As Sea Planet drifts toward its final end, so does River’s high school career and, worse, their time as a competitive swimmer. Or maybe not. When River makes an impulsive dive into Ocean Planet’s shark tank, they unintentionally set off on a wrenching journey of self-discovery, from internalized homophobia and self-loathing through layers of coming out, gender confirmation surgery, and true love. And at the end of this race? Who knows. After all, counting laps has never been River’s strong suit.
Two weeks after the door to Faery closed once more, Asalin is still in turmoil. Emyr and Wyatt are hunting Derek and Clarke themselves after having abolished the corrupt Guard, and are trying to convince the other kingdoms to follow their lead. But when they uncover the hidden truth about the witches’ real place in fae society, it becomes clear the problems run much deeper than anyone knew. And this may be more than the two of them can fix.
As Wyatt struggles to learn control of his magic and balance his own needs with the needs of a kingdom, he must finally decide on the future he wants—before he loses the future he and Emyr are building…
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
To conclude the trio of anthologies that started with critically acclaimed All Out and Out Now, Out There features seventeen original short stories set in the future from fantastic queer YA authors.
Explore new and familiar worlds where the human consciousness can be uploaded into a body on Mars…an alien helps a girl decide if she should tell her best friend how she feels…two teens get stuck in a time loop at a space station…people are forced to travel to the past or the future to escape the dying planet…only a nonbinary person can translate the binary code of a machine that predicts the future…everyone in the world vanishes except for two teen girls who are in love.
This essential and beautifully written collection immerses and surprises with each turn of the page.
Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with.
But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all.
Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own.
If you’ve been searching for smutty, fearless, gender diverse erotica written by affirming own-voices folks who get it, then this is the book you’ve been looking for Packed with explicit erotic stories from trans and nonbinary gender diverse writers, Heckin’ Lewd celebrates sexual nonconformity, queerness, nontraditional relationship structures, and unrestrained lust, pleasure, and kink.
Santi has only had his heart broken one time, and it was all his fault. When he accidentally leaked his internet best friend Memo’s song, and it became an overnight hit, Memo disappeared—leaving their song’s cult fame, and Santi, behind.
Three years later, Santi arrives in Los Angeles with a mission: get over the ghost of Memo. Thankfully, his new school and its wildly-talented Sunshower marching band welcome him with open arms. All except for his section leader, the prickly, proud, musical prodigy Suwa. But when Santi realizes Suwa is trans, then Suwa realizes Santi takes his identity in stride, both boys begin to let their guards down. Santi learns Suwa’s surliness masks a painful, still raw history of his own, and as they open up to each other, their friendship quickly takes on the red-hot blush of a mutual crush.
Just as Santi is feeling settled in this new life, with a growing found family and a head-over-heels relationship with Suwa, he begins to put together the pieces of an impossible truth—that he knows both more and less of Suwa’s story than he’s been told. Their fragile fresh start threatens to rip apart at the seams again when Suwa is offered the chance to step into the spotlight he’s owed but has always denied himself. Now, Santi and Suwa must finally reckon with their dreams, their pasts—and their futures, together or apart.
Just days before spring break, Neil Kearney is set to fly across the country with his childhood friend (and current friend-with-benefits) Josh, to attend his brother’s wedding―until Josh tells Neil that he’s in love with him and Neil doesn’t return the sentiment.
With Josh still attending the wedding, Neil needs to find a new date to bring along. And, almost against his will, roommate Wyatt is drafted.
At first, Wyatt (correctly) thinks Neil is acting like a jerk. But when they get to LA, Wyatt sees a little more of where it’s coming from. Slowly, Neil and Wyatt begin to understand one another… and maybe, just maybe, fall in love for the first time…
Self-Made Boys by Anna-Marie McLemore (September 6th)
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
As each new decade begins, the Sun’s power must be replenished so that Sol can keep traveling along the sky and keep the evil Obsidian gods at bay. Ten semidioses between the ages of thirteen and eighteen are selected by Sol himself as the most worthy to compete in The Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all—they will be sacrificed to Sol, their body used to fuel the Sun Stones that will protect the people of Reino del Sol for the next ten years.
Teo, a 17-year-old Jade semidiós and the trans son of Quetzal, goddess of birds, has never worried about the Trials…or rather, he’s only worried for others. His best friend Niya—daughter of Tierra, the god of earth—is one of the strongest heroes of their generation and is much too likely to be chosen this year. He also can’t help but worry (reluctantly, and under protest) for Aurelio, a powerful Gold semidiós and Teo’s friend-turned-rival who is a shoo-in for the Trials. Teo wouldn’t mind taking Aurelio down a notch or two, but a one-in-ten chance of death is a bit too close for Teo’s taste.
But then, for the first time in over a century, Sol chooses a semidiós who isn’t a Gold. In fact, he chooses two: Xio, the 13-year-old child of Mala Suerte, god of bad luck, and…Teo. Now they must compete in five mysterious trials, against opponents who are both more powerful and better trained, for fame, glory, and their own survival.
Lark Winters wants to be a writer, and for now that means posting on their social media accounts––anything to build their platform. When former best friend Kasim accidentally posts on Lark’s Twitter a thread declaring his love for a secret, unrequited crush, Lark’s tweets are suddenly the talk of the school—and beyond. To protect Kasim, Lark decides to take the fall, pretending they accidentally posted the thread in reference to another classmate. It seems like a great idea: Lark gets closer to their crush, Kasim keeps his privacy, and Lark’s social media stats explode. But living a lie takes a toll—as does the judgment of thousands of Internet strangers. Lark tries their best to be perfect at all costs, but nothing seems good enough for the anonymous hordes––or for Kasim, who is growing closer to Lark, just like it used to be between them . . .
In the end, Lark must embrace their right to their messy emotions and learn how to be in love.
Uriel the angel and Little Ash (short for Ashmedai) are the only two supernatural creatures in their shtetl (which is so tiny, it doesn’t have a name other than Shtetl). The angel and the demon have been studying together for centuries, but pogroms and the search for a new life have drawn all the young people from their village to America. When one of those young emigrants goes missing, Uriel and Little Ash set off to find her.
Along the way the angel and demon encounter humans in need of their help, including Rose Cohen, whose best friend (and the love of her life) has abandoned her to marry a man, and Malke Shulman, whose father died mysteriously on his way to America.
But there are obstacles ahead of them as difficult as what they’ve left behind. Medical exams (and demons) at Ellis Island. Corrupt officials, cruel mob bosses, murderers, poverty. The streets are far from paved with gold.
Elisheva Cohen has just returned to Brooklyn after almost a decade. The wounds of abandoning the Orthodox community that raised her, then shunned her because of her substance abuse, are still painful. But when she gets an amazing opportunity to study photography with art legend Wyatt Cole, Ely is willing to take the leap.
On her first night back in town, Ely goes out to the infamous queer club Revel for a celebratory night of dancing. Ely is swept off her feet and into bed by a gorgeous man who looks like James Dean, but with a thick Carolina accent. The next morning, Ely wakes up alone and rushes off to attend her first photography class, reminiscing on the best one-night stand of her life. She doesn’t even know his name. That is, until Wyatt Cole shows up for class—and Ely realizes that the man she just spent an intimate and steamy night with is her teacher.
Everyone in the art world is obsessed with Wyatt Cole. He’s immensely talented and his notoriously reclusive personal life makes him all the more compelling. But there’s a reason why his past is hard for him to publicize. After coming out as transgender, Wyatt was dishonorably discharged from the military and disowned by his family. From then on he committed to sobriety and channeled his pain into his flourishing art career. While Ely and Wyatt’s relationship started out on a physical level, their similar struggles spark a much deeper connection. The chemistry is undeniable, but their new relationship as teacher and student means desperately wanting what they can’t have.
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