Avery Hart lives for the thrill and speed of her dirt bike, the pounding thump of her drum kit, and the springy high of her trampoline. But after she’s diagnosed with hypermobile Ehlers-Danlos syndrome, a disease that affects her joints, doing what she loves puts Avery at risk for major injury—like the dirt-bike wipeout that dislocated her shoulder and resulted in surgery. Now Avery splits her time between endless physical therapy and worrying that her fun and independence are over for good.
Sarah Bell is familiar with worry. Ever since her aunt died three months ago, Sarah has been having intense panic attacks. No matter what she tries, she can’t seem to get a grip on her fear. Drawing in her journal helps, but she’s starting to wonder if she’ll be scared forever.
Just as both girls are reaching peak fear about what their futures hold, their present takes a terrifying turn when their school is seemingly attacked by gunmen. Though they later learn it was an active shooter drill, the traumatic experience bonds the girls together in a friendship that will change the way they view their perceived weaknesses—and help them find strength, and more, in each other.
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
Fifteen-year-old Mack is a hopeless romantic – he blames the films he’s grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend – it feels like love.
But when Mack’s dad gets a job on a film in Scotland, Mack has to move, and soon hediscovers how painful love can be. It’s horrible being so far away from Karim, but the worst part is that Karim doesn’t make the effort to visit. Love shouldn’t be only on the weekends.
Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim – and when will his old life and new life collide?
Arlee Gold is anxious about spending the summer at the college prep Camp Rockaway—the same camp her mother attended years ago, which her mother insists will help give Arlee a “fresh start” and will “change her life.” Little does Arlee know that, once she steps foot on the manicured grounds, this will prove to be true in horrifying ways.
Even though the girls in her cabin are awesome—and she’s developing a major crush on the girl who sleeps in the bunk above her—the other campers seem to be wary of Arlee, unwilling to talk to her or be near her, which only ramps up her paranoia. When she’s tapped to join a strange secret society, Arlee thinks this will be her shot at fitting in…until her new “sisters” ask her to do the unthinkable, putting her life, and the life of her new crush, in perilous danger.
Milo Connolly has managed to survive the first three years of high school without any major disasters, so by his calculations, he’s well past due for some sort of Epic Teenage Catastrophe. Even so, all he wants his senior year is to keep his head down and fly under the radar like the quiet, well-behaved, churchgoing boy that everyone thinks he is.
Everything is going exactly as planned until the dreamy and charismatic Marcos Price saunters back into his life after a three-year absence and turns his world upside-down. Suddenly Milo is forced to confront the long-buried feelings that he’s kept hidden not only from himself but also from his deeply religious parents and community.
To make matters worse, strange things have been happening around his sleepy Florida town ever since Marcos’s return—sinkholes, blackouts, hailstorms. Mother Nature seems out of control, and the closer Milo and Marcos get, the more disasters seem to befall them.
In fact, as more and more bizarre occurrences pile up, Milo and Marcos find themselves faced with the unthinkable: Is there a larger, unseen force at play, trying to keep them apart? And if so, is their love worth risking the end of the world?
After thwarting the man behind the gruesome ironborn murders—and breaking several fae laws to do so—all Arlo wants is a quiet summer. As the deity of luck’s Hollow Star, capable of bringing about endless possibilities, this shouldn’t be too much to ask, right?
But someone is still trying to summon the mythical Seven Deadly Sins. All signs point to immortal meddling, and if this is the gods’ attempt at returning to the Mortal Realm, it’s Arlo they’re going to use to do it.
When Queen Riadne offers to host Arlo at the Seelie Summer palace, she jumps at the chance. She’ll get to see more of Vehan and Aurelian and perhaps even work out her complicated feelings for the gorgeous ex-Fury, Nausicaä. But no one trusts the infamous Queen of Light, even as Arlo wonders if she’s just been greatly misunderstood.
With the Summer Solstice quickly approaching, everyone expects Riadne to finally challenge the High King for his crown. And as Arlo struggles to get control of her powers and take charge of her destiny, she’ll soon be faced with a choice that won’t only change the fate of the Mortal Realm forever but could condemn it to a cruelty the likes of which the Courts have never known.
Two years ago, Miss Viola Carroll seized the chance to live as her true self—at the cost of cutting nearly all ties to her past. Presumed to have died at the battle of Waterloo, she instead has taken a position as a lady’s companion. Yet when she discovers her childhood companion, the Duke of Gracewood, blames himself for her death, she realizes that history cannot be so neatly set aside. She barely recognizes the darkly brooding man Gracewood has become . . . but beneath his guilt and shame, she sees the ghost of her old friend.
Only now an incendiary attraction burns between them . . .
Justin de Vere, Duke of Gracewood, lost everything when his best friend died: his health, his faith, and his joy in the world. But when family machinations bring Viola Carroll back into his life, he begins believing that his heart is far from dead. He is desperate to prove himself capable of providing Viola with the life she deserves, but after losing so much of himself to grief, he fears he has nothing left to give.
If they are to embrace a future together, Gracewood must move past his grief. But if there is one truth Viola knows, it is the precariousness of desire. Can they both put aside their fear and heartache and nurture a new love from the ashes of their old friendship?
Solo Dance by Li Kotomi, trans. by Arthur Reiji Morris
This novel was originally published in Japanese.
Cho Norie, twenty-seven and originally from Taiwan, is working an office job in Tokyo. While her colleagues worry about the economy, life-insurance policies, marriage, and children, she is forced to keep her unconventional life hidden―including her sexuality and the violent attack that prompted her move to Japan. There is also her unusual fascination with death: she knows from personal experience how devastating death can be, but for her it is also creative fuel. Solo Dance depicts the painful coming of age of a gay person in Taiwan and corporate Japan. This striking debut is an intimate and powerful account of a search for hope after trauma.
Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father Julian has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives, poised to disrupt the fragile peace they have so carefully cultivated.
Through it all, Julian and Brigid have become unlikely pen-pals and friends, united by the knowledge of what it’s like to love and lose Zoe; they both know that she hasn’t changed. Despite the red flags, Morgan is swiftly drawn into Zoe’s glittering orbit and into a series of harmful missteps, and Brigid may be the only link that can pull them back from the edge.
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
Albert Entwistle is a private man with a quiet, simple life. He lives alone with his cat Gracie. And he’s a postman. At least he was a postman until, three months before his sixty-fifth birthday, he receives a letter from the Royal Mail thanking him for decades of service and stating he is being forced into retirement.
At once, Albert’s sole connection with his world unravels. Every day as a mail carrier, he would make his way through the streets of his small English town, delivering letters and parcels and returning greetings with a quick wave and a “how do?” Without the work that fills his days, what will be the point? He has no friends, family, or hobbies—just a past he never speaks of, and a lost love that fills him with regret.
And so, rather than continue his lonely existence, Albert forms a brave plan to start truly living. It’s finally time to be honest about who he is. To seek the happiness he’s always denied himself. And to find the courage to look for George, the man that, many years ago, he loved and lost—but has never forgotten. As he does, something extraordinary happens. Albert finds unlikely allies, new friends, and proves it’s never too late to live, to hope, and to love.
Natasha has everything under control, at least that’s what her clients think. As a therapist, she has all the answers but when it comes to her personal life, she seriously needs to start taking her own advice.
Still living with her ex-girlfriend, Natasha’s messy love life is made up of dates and one-night stands. After all, why would you commit to one person, when there is an endless stream of people waiting for you to swipe right? Besides, people always leave.
But when Margot arrives on the scene, everything changes. Flailing between mending long broken relationships and starting new ones, Natasha’s walking the line between self-actualisation and self-destruction… With denial no longer an option, it is time for Natasha to take control of her own happiness.
Crimes of Passion by Jack Harbon, Narrated by Kevin Free and Ron Butler (26th)
Emery Thompson hates Calvin Chamberlain. From the way he acts like he’s better than everyone to the way he moves through the world thinking his podcast is the cream of the crop, every little thing about the man gets to him. Even that dashing, oh-so-confident smile. He’d rather be caught dead than be around the man any longer than necessary—or admit that last part out loud.
Calvin Chamberlain hates admitting defeat. It’s hard enough losing sponsors for his historical crime podcast while obnoxious pop-culture ones like Emery’s only gain more, so it’s a particularly cruel twist of fate when a late fan’s request for a collaboration with Emery lands in his lap. He’s in no position to turn down the plea, and with no way out, Calvin reluctantly agrees.
But keeping things purely professional turns out to be a challenge when these two make it to the studio. Their chemistry crackles through their microphones, and soon, their numbers begin to skyrocket. Can these two make a killing off what they once thought was a death sentence—and more importantly, will Calvin and Emery give into the heat of passion?
Three teenagers—Natalia, Jax, and Rashad—are magically transported from their modern lives to the legendary Stonewall Inn in the summer of 1969. Escorted by Natalia’s eccentric abuela (and her pet cockatiel, Rocky), the friends experience the police raid firsthand and are thrown into the infamous riots that made the struggle for LGBTQ rights front-page news.
A quiet revolution has been underway in recent years, with study after study revealing substantial same-sex sexual behavior in animals. Join celebrated author Eliot Schrefer on an exploration of queer behavior in the animal world—from albatrosses to bonobos to clownfish to doodlebugs.
In sharp and witty prose—aided by humorous comics from artist Jules Zuckerberg—Schrefer uses science, history, anthropology, and sociology to illustrate the diversity of sexual behavior in the animal world. Interviews with researchers in the field offer additional insights for readers and aspiring scientists.
Queer behavior in animals is as diverse and complex—and as natural—as it is in our own species. It doesn’t set us apart from animals—it bonds us even closer to our animal selves.
Welcome to England, where the Protectorate enforces the Public Good. Here, there are rules for everything – what to eat, what to wear, what to do, what to say, what to read, what to think, who to obey, who to hate, who to love. Your safety is assured, so long as you follow the rules.
Gabriel is a natural born rule-breaker. And his biggest crime of all? Being gay.
Gabriel knows his sexuality must be kept secret from all but his closest friends, not only to protect himself, but to protect his boyfriend. Because Eric isn’t just the boy who has stolen Gabriel’s heart. He’s the son of the chief inspector at Degenerate Investigations - the man who poses the single biggest threat to Gabriel’s life.
And the Protectorate are experts at exposing secrets.
“It’s not every day you get to put the fear of Medusa into a god.”
Emma Stone, medusa, is the groundskeeper for Olson College of Extensive Education, a place where everyone is welcome, from the mythical to the magical. When her selkie best friend loses her skin in Fresher’s week, the race is on to find it before someone uses it against her.
The search brings Emma face to face with her oldest enemy – and forces her to confront the worst nightmares of her past.
Sky Baker may be openly gay, but in his small, insular town, making sure he was invisible has always been easier than being himself. Determined not to let anything ruin his senior year, Sky decides to make a splash at his high school’s annual beach bum party by asking his crush, Ali, to prom—and he has thirty days to do it.
What better way to start living loud and proud than by pulling off the gayest promposal Rock Ledge, Michigan, has ever seen?
Then, Sky’s plans are leaked by an anonymous hacker in a deeply homophobic e-blast that quickly goes viral. He’s fully prepared to drop out and skip town altogether—until his classmates give him a reason to fight back by turning his thirty-day promposal countdown into a school-wide hunt to expose the e-blast perpetrator.
But what happens at the end of the thirty days? Will Sky get to keep his hard-won visibility? Or will his small-town blues stop him from being his true self?
When Otto and Xavier Shin declare their love, an aunt gifts them a trip on a sleeper train to mark their new commitment—and to get them out of her house. Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people onboard, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together.
Lark spent the first twenty-four years, nine months, and three days of his life training for a righteous quest: to rid the world of monsters. Alongside his partner Kane, he wore the cage and endured the scourge in order to develop his innate magic. He never thought that when Kane left, he’d next see him in the company of FBI agents and a SWAT team. He never dreamed that the leader of the Fellowship of the Anointed would be brought up on charges of abuse and assault.
He never expected the government would tell him that the monsters aren’t real–that there is no magic, and all the pain was for nothing.
Lark isn’t ready to give up. He is determined to fulfill his quest, to defeat the monsters he was promised. Along the way he will grapple with the past, confront love, and discover his long-buried truth.
JD Scott conjures up unruly personae that are propelled by queer fantasies, youthful regrets, incantations, and apocryphal parables. Mask for Mask is a kaleidoscopic poetry collection, one that is both formally innovative and an imaginative descent into LGBTQ+ undergrounds and underworlds.
Seventeen-year-old Pakistani immigrant Zara Hossain has been leading a fairly typical life in Corpus Christi, Texas, since her family moved there for her father to work as a pediatrician. While dealing with the Islamophobia that she faces at school, Zara has to lay low, trying not to stir up any trouble and jeopardize their family’s dependent visa status while they await their green card approval, which has been in process for almost nine years.
But one day her tormentor, star football player Tyler Benson, takes things too far, leaving a threatening note in her locker, and gets suspended. As an act of revenge against her for speaking out, Tyler and his friends vandalize Zara’s house with racist graffiti, leading to a violent crime that puts Zara’s entire future at risk. Now she must pay the ultimate price and choose between fighting to stay in the only place she’s ever called home or losing the life she loves and everyone in it.
Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real and imagined queer and trans communities.
In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and healthcare practice, sex worker activism, and much more. Accompanying the narratives are Rose’s startling and sinuous images that brings these leaders’ words to visual life.
Our Work Is Everywhere is a graphic nonfiction book that underscores the brilliance and passion of queer and trans resistance.
Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
“History” sounds really official. Like it’s all fact. Like it’s definitely what happened.
But that’s not necessarily true. History was crafted by the people who recorded it. And sometimes, those historians were biased against, didn’t see, or couldn’t even imagine anyone different from themselves.
That means that history has often left out the stories of LGBTQIA+ people: men who loved men, women who loved women, people who loved without regard to gender, and people who lived outside gender boundaries. Historians have even censored the lives and loves of some of the world’s most famous people, from William Shakespeare and Pharaoh Hatshepsut to Cary Grant and Eleanor Roosevelt.
Join author Lee Wind for this fascinating journey through primary sources―poetry, memoir, news clippings, and images of ancient artwork―to explore the hidden (and often surprising) Queer lives and loves of two dozen historical figures.
Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.
You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after.
Utter nonsense.
Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world.
Nonsense again.
Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
Tina never worries about being “ordinary”—she doesn’t have to, since she’s known practically forever that she’s not just Tina Mains, average teenager and beloved daughter. She’s also the keeper of an interplanetary rescue beacon, and one day soon, it’s going to activate, and then her dreams of saving all the worlds and adventuring among the stars will finally be possible. Tina’s legacy, after all, is intergalactic—she is the hidden clone of a famed alien hero, left on Earth disguised as a human to give the universe another chance to defeat a terrible evil.
But when the beacon activates, it turns out that Tina’s destiny isn’t quite what she expected. Things are far more dangerous than she ever assumed–and everyone in the galaxy is expecting her to actually be the brilliant tactician and legendary savior Captain Thaoh Argentian, but Tina….is just Tina. And the Royal Fleet is losing the war, badly–the starship that found her is on the run and they barely manage to escape Earth with the planet still intact.
Luckily, Tina is surrounded by a crew she can trust, and her best friend Rachel, and she is still determined to save all the worlds. But first she’ll have to save herself.
After years of trying to break into New York City’s literary scene, Madeline Slaughter is emotionally and physically exhausted. When a friend offers her a safe haven as the live-in companion to reclusive, bestselling novelist Victor Hallowell she jumps at the chance to escape the city.
Madeline expects to find rest and quiet in the forests of Upstate New York. Instead, she finds Victor, handsome and intensely passionate, and Audrey Coffin, Victor’s mysterious and beautiful neighbor.
When Victor offers her a kiss and the promise of more Madeline allows herself to become entangled even as Audrey is also claiming her heart. The only problem is that Audrey and Victor are ex-lovers with plenty of baggage between them. As Madeline finds herself opening up and falling in love with both she starts to wonder, can there be a future for all three?
When twin heirs are born in Tourin, their fates are decided at a young age. While Izaveta remained at court to learn the skills she’d need as the future queen, Asya was taken away to train with her aunt, the mysterious Firebird, who ensured magic remained balanced in the realm.
But before Asya’s training is completed, the ancient power blooms inside her, which can mean only one thing: the queen is dead, and a new ruler must be crowned.
As the princesses come to understand everything their roles entail, they’ll discover who they can trust, who they can love—and who killed their mother.
Derek is LitenVärld’s most loyal employee. He lives and breathes the job, from the moment he wakes up in a converted shipping container at the edge of the parking lot to the second he clocks out of work 18 hours later. But after taking his first ever sick day, his manager calls that loyalty into question. An excellent employee like Derek, an employee made to work at LitenVärld, shouldn’t need time off.
To test his commitment to the job, Derek is assigned to a special inventory shift, hunting through the store to find defective products. Toy chests with pincers and eye stalks, ambulatory sleeper sofas, killer mutant toilets, that kind of thing. Helping him is the inventory team—four strangers who look and sound almost exactly like him. Are five Dereks better than one?
Piper Kitts is spending the summer living with her grandmother, training at the barn of a former Olympic horseback rider, and trying to get over her ex-girlfriend. Much to Piper’s dismay, her grandmother is making her face her fear of driving head-on by taking lessons from a girl in town.
Kat Pearson has always suspected that she likes girls but fears her North Carolina town is too small to color outside the lines. But when Piper’s grandmother hires Kat to give her driving lessons, everything changes.
Piper’s not sure if she’s ready to let go of her ex. Kat’s navigating uncharted territory with her new crush. With the summer running out, will they be able to unlock a future together?
It’s the summer before middle school and eleven-year-old Bug’s best friend Moira has decided the two of them need to use the next few months to prepare. For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn’t particularly want to spend more time trying to understand how to be a girl. Besides, there’s something more important to worry about: A ghost is haunting Bug’s eerie old house in rural Vermont…and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they’re trying to say, an altogether different truth comes to light—Bug is transgender.
Prince Tal has long awaited his coming-of-age tour. After spending most of his life cloistered behind palace walls as he learns to keep his forbidden magic secret, he can finally see his family’s kingdom for the first time. His first taste of adventure comes just two days into the journey, when their crew discovers a mysterious prisoner on a burning derelict vessel.
Tasked with watching over the prisoner, Tal is surprised to feel an intense connection with the roguish Athlen. So when Athlen leaps overboard and disappears, Tal feels responsible and heartbroken, knowing Athlen could not have survived in the open ocean.
That is, until Tal runs into Athlen days later on dry land, very much alive, and as charming—and secretive—as ever. But before they can pursue anything further, Tal is kidnapped by pirates and held ransom in a plot to reveal his rumored powers and instigate a war. Tal must escape if he hopes to save his family and the kingdom. And Athlen might just be his only hope…
With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop.
At the Five-Hop One-Stop, long-haul spacers can stretch their legs (if they have legs, that is), and get fuel, transit permits, and assorted supplies. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.
When a freak technological failure halts all traffic to and from Gora, three strangers—all different species with different aims—are thrown together at the Five-Hop. Grounded, with nothing to do but wait, the trio—an exiled artist with an appointment to keep, a cargo runner at a personal crossroads, and a mysterious individual doing her best to help those on the fringes—are compelled to confront where they’ve been, where they might go, and what they are, or could be, to each other.
After an embarrassing loss to her ex-girlfriend in their first basketball game of the season, seventeen-year-old Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, Irene Abraham, head cheerleader for the Fighting Reindeer.
Irene is as mean as she is beautiful, so Scottie makes a point to keep her distance. When the accident sends Irene’s car to the shop for weeks’ worth of repairs and the girls are forced to carpool, their rocky start only gets bumpier.
But when an opportunity arises for Scottie to get back at her toxic ex—and climb her school’s social ladder—she bribes Irene into an elaborate fake- dating scheme that threatens to reveal some very real feelings.
Broken taillights, faulty dishwashers, you name it. There are very few things I can’t make brand-new again. If it’s broken, malfunctioning, or just in need of a hand, it lands in my lap. That’s how Trey ended up in front of me, an unexpected stranger in my kitchen.
Only, he’s not broken.
Far from it. He’s gentle, creative, compassionate, and bright, all wrapped up in this timid, cagey package of blond curls and shy smiles. He’s been dealt a bad hand, running from someone that hurt him more than just physically, and he needs my help. My protection.
But Trey is different from every other guy.
He makes me feel things I don’t quite comprehend. Things I didn’t know were buried inside. No matter how hard I try to keep them quiet, I can’t ignore the way his attention quickens my heartbeat or how his soft eyes and even softer lips stir up desires I’ve never had before, and now that he’s this close to me, I’m not letting anything or anyone take him away.
Jetta is in the center of a war. With her magical power, she could save everyone, save her country… or she could destroy it all.
Jetta’s home is spiraling into civil war. Le Trépas—the deadly necromancer—has used his blood magic to wrest control of the country, and Jetta has been without treatment for her malheur for weeks. Meanwhile, Jetta’s love interest, brother, and friend are intent on infiltrating the palace to stop the Boy King and find Le Trépas to put an end to the unleashed chaos.
The sweeping conclusion to Heidi Heilig’s ambitious trilogy takes us to new continents, introduces us to new gods, flings us into the middle of palace riots and political intrigue, and asks searching questions about power and corruption. As in the first two books, the story is partly told in ephemera, including original songs, myths, play scripts, and various forms of communication.
That’s a well-established fact among his tight-knit friend group, and they love him anyway.
Jack is an ass.
Jack, who’s always ready with a sly insult, who can’t have a conversation without arguing, and who Oscar may or may not have hooked up with on a strict no-commitment, one-time-only basis. Even if it was extremely hot.
Together, they’re a bickering, combative mess.
When Oscar is fired (answering phones is not for the anxiety-ridden), he somehow ends up working for Jack. Maybe while cleaning out Jack’s grandmother’s house they can stop fighting long enough to turn a one-night stand into a frenemies-with-benefits situation.
The house is an archaeological dig of love and dysfunction, and while Oscar thought he was prepared, he wasn’t. It’s impossible to delve so deeply into someone’s past without coming to understand them at least a little, but Oscar has boundaries for a reason—even if sometimes Jack makes him want to break them all down.
After all, hating Jack is less of a risk than loving him…
Dean Foster knows he’s a trans guy. He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?
A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps―and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER [Queers United to End Erasure and Repression]. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, who publicly supported the quarantine initiative, Rios finds himself with a client suddenly facing the death penalty.
At age nineteen, the queer narrator of Green Glass Ghosts steps off a bus in downtown Vancouver, a city where the faceless condo towers of the wealthy loom over the streets to the east where folks are just trying to get by, against the deceptively beautiful backdrop of snow-capped mountains and sparkling ocean. It’s the year 2000, and the world is still mostly analogue–pagers are the best way to get ahold of someone and resumes are printed out on paper and dropped off in person, and what’s this new fad called webmail?
Our hopeful hero arrives on the West Coast on the cusp of adulthood, fleeing a traumatic childhood in an unsafe family plagued by religious extremism, mental health crises, and abuse in a conservative town not known for accepting difference. They’re eager to build a new life among like-minded folks, and before they know it, they’ve got a job, an apartment, and a relationship, dancing, busking, and making out in bars, parks, art spaces, and apartments across the city. But their search for belonging and stability is buried in drinking, jealousy, and painful memories of the past, distracting the protagonist from their ultimate goal of playing live music and spurring them to an emotional crisis. If they can’t learn to care for themselves, how will they ever find true connection and community?
With haunting illustrations by Gem Hall that conjure the moody, misty urban landscape, Green Glass Ghosts is an evocation of that delicate, aching moment between youth and adulthood when we are trying, and often failing, to become the person we dream ourselves to be.
The sequel to Anna K, set over the course of the next summer, as the characters come to terms with Vronsky’s tragic death
How the mighty have fallen. Anna K, once the golden girl of Greenwich, CT, and New York City, has been brought low by a scandalous sex tape and the tragic death of her first love, Alexia Vronsky. At the beginning of the summer, her father takes her to the other side of the world, to connect with his family in South Korea and hide her away. Is Anna in exile? Or could this be her chance to figure out who she really is?
Back in the U.S., Lolly has forgiven Steven for cheating on her, and their relationship feels stronger than ever. But when Lolly meets a boy at her beloved theater camp, she has to ask herself how well Steven will ever really know her. Meanwhile, in Manhattan, everything between Kimmie and her new boyfriend, Dustin, is easy—except when it comes to finally having sex. And Bea escapes to LA, running away from her grief at her beloved cousin’s death, until a beautiful stranger steals her heart. Is Bea ready to finally forgive Anna, and let herself truly fall in love for the very first time?
Set over the course of one unforgettable summer, Jenny Lee’s Anna K Away is full of the risk, joy, heartbreak, and adventure that mark the three months between the end of one school year and the beginning of the next.
I’m really thrilled to have Katrina Jackson back on the site today for this beautiful essay on finding queer Black love in literature. I asked her to write it after seeing her Twitter threads about it, and I’m so grateful that she did. You can see more about Kat and her books here, but frankly, I’m antsy to get to the post, so, onward!
***
I didn’t start reading romance with any kind of intention until I was an adult, but I have loved love stories my entire life, especially Black love stories. There was something about seeing movies with Ossie Davis and Ruby Dee and realizing that they had spent decades sharing their passion for art and activism with one another, that made my heart swell. It still does. I’ve also always loved queer love stories for as long as I can remember, even when I didn’t understand that I loved queer love stories for the same reasons I loved Black love stories: I was searching for depictions of love that reflected pieces of myself. I was searching for something that felt like a little slice of me on the big and small screens.
The first DVD I bought was The Color Purple. It was one of those old-school DVDs where the movie was split between two discs with those cheap plastic covers. I cherished that DVD, because once it was mine, I could watch that scene of Celie and Shug’s tentative kiss – with the juke joint providing a muffled backdrop – whenever I wanted. And I wanted to watch it over and over and over again. I felt similarly engrossed, years later as I watched the climax of Moonlight. I was a puddle of happy, relieved tears as the tumult of Chiron’s life culminates in this hardened, resilient man sitting across a diner table, staring at his childhood love with softness and warmth in his eyes. These two scenes, among so many others, spoke to that quietest part of my heart and the longing many of us hold to look at someone we love and feel fully and completely seen and loved for all that we are.
I turned to romance books while getting my master’s degree. I was in the depths of one of the worst depressive episodes of my adult life. Every day I received messages from professors and other students, that I did not belong, and I dreamt about abandoning the program and running home to the places and people who loved me. I didn’t leave, but I did start reading romance. Finding love stories that centered people who looked like me made the world feel much less alone and allowed me to start down a years-long road to fully identifying as bisexual, even though I’ve always known that I wasn’t straight. It took a little work to find queer stories with Black people, but once I found one, I found more and more and more.
The point I’m trying to make is that I have looked for Black queer love stories for most of my life and I have found them! They have buoyed me when I was at my lowest, when life seemed bleak and when looking at the news made my entire body hurt so much that I spent days in bed mourning.
So you can imagine how much it hurt when, in the midst of the most recent cluster of stories about American police officers killing Black people like Tony McDade and Breonna Taylor and George Floyd, I saw bookish twitter accounts – some I follow, some I don’t – begin recommending books by Black authors that refused to recognize the full breadth of Black life and humanity. Romance accounts, specifically, were so cavalier in their lists that many recommended books by non-Black authors who wrote Black characters, sometimes problematically, because they didn’t read much romance by Black authors, but refused to cede space to reviewers and readers who did. Across the board, I watched romance outlets, writers, reviewers and readers, recommend books that focused on white characters, books filled with anti-Black stereotypes, and on top of all that many patently ignored queer Black authors and books with queer Black characters.
While I don’t particularly agree with recommending fiction in a moment where people need to confront the depths of their anti-blackness and begin to consider the realities of global white supremacy, watching romance readers who imagined themselves as supportive of diversity, erase (queer) Black people (authors and characters) dug deep in my chest. It sent the message that people like me and the characters I write don’t actually matter, even while people were putting the hashtag in their bios. It was an erasure that struck a painful chord because it reminded me that the people and stories I love – who are the center of my life – are so easily forgotten and ignored.
I love Black people. I love queer Black people and QPOC. They don’t just matter to me, they are precious. I would not be alive today without them. I would not be writing without them. And I would not have the solace of these stories on the days when I still can’t get out of bed because everything hurts. At least with the stories that Black authors have written, my heart doesn’t have to hurt nearly as much, because it is so full of love for queer Black people.
Unfortunately, even when I’m depressed, I have a near obsessive desire to catalog books, so I took to twitter to begin a thread of queer romance written by Black authors. I began with books I love by authors I respect and appreciate and asked for recommendations. What I found in this process was instructive in many ways. I made a few caveats for recommendations that might have seemed random at the time but were not. I asked that the author identify as Black, since I’d seen so many outlets recommending non-Black authors. It mattered to me that if the response to Black murder was to uplift Black authors, that those authors better be Black and stand firm in their blackness. I wanted to focus specifically on adult romance because the YA book community had rallied their recommendations firmly behind Black authors (trans, cis, queer and het). It was exciting to watch and frustrating to compare to the adult romance community.
The other critical requirement was that the books feature Black characters and all the love interests should be Black or other people of color. Again, this was not arbitrary. Romance, like other literary genres, is steeped in white supremacist narratives. It is not just that so many traditionally published romance authors are white, it is that the foundation of the genre is based on whiteness as the norm. The tropes and story structures and even the Happily Ever After (the only requirement of romance literature) have been defined by a white default, even when some of the characters are people of color.
The proliferation of romance stories (traditionally published, indie and self-pub) that peddle in anti-Black, homophobic, transphobic, racist and xenophobic stereotypes is alarming, but not new. What feels new are the ways in which so many of these books are classified as “diverse” and “inclusive” even when they are not. So when I asked that all the recommendations focus on Black and POC characters, it was because I wanted to create a list of queer romances that rejected the white supremacist narrative in romance that centers whiteness, that demands white love interests and requires a translation of queer love between characters of color for white audiences. I wanted to find books by Black authors who, hopefully, wrote for readers of color.
What I found in this process was a mixed bag, as much of life is. On the downside, I found that I spent hours of my day clarifying fairly clear instructions, asking readers to verify that the authors and characters were Black and POC. I found that some people were disinterested in the idea of queer Black people and QPOC loving one another. I found that readers, writers and reviewers – many who jumped at the chance to make recommendation lists themselves – had become comfortable ignoring blackness. They considered it incidental or a box to check on the list of diversity brownie points. They were perfectly fine to tokenize Black authors and characters but were never challenged to consider why.
But the other, far better, thing I discovered was the wealth of queer romance written by Black authors. There was Black Romance and IR, polyamorous, m/m, and even the apparently elusive f/f romance. There were so many bisexual and pansexual characters! I found contemporary and historical and paranormal and urban. Certainly, there is room to grow in many areas, for instance so far there is only one trans Black romance recommendation (noted below) and ace spectrum representation is similarly lacking. In this moment, I choose to celebrate that the few books we have exist, but I hope for more.
There were many highs and lows in this process. I won’t pretend that I didn’t often wish I hadn’t decided to field the barrage of twitter notifications in a moment when I really should have given myself peace and quiet. Self-care is a thing I’m working on, especially now. But for all the new books and authors I and others discovered, I’ve decided that the exercise was worth it.
Below are a sample of books that emerged in the conversation, some I’ve read, some I’ve moved up my TBR and some I’m waiting impatiently to be released. These are books that remind me of the things that were true at the beginning of this all. I love being Black with every cell in my body. This is not incidental to me. And queer Black people are still PRECIOUS and CRUCIAL to my life and well-being.
For even more recommendations put together by Katrina, check out this list on Goodreads! (Blogger’s Note: Please do not add to this list anything that does not fit the above-stated requirements or I may do a murder.)
***
Katrina is a college professor by day who writes romances by weekend when her cats allow. She writes high heat, diverse and mostly queer erotic romances and erotica. She also likes sleep, salt-and-pepper beards, and sunshine.
She’s super active on twitter. Follow her: @katrinajax
*All links are affiliate, bringing a small percentage of each purchase back to the site (Amz = Amazon | Bks = Bookshop)
What he needs is for his favorite author to release another one of her sexy supernatural novels and more people to sign up for the romance book club that he fears is slowly and steadily losing its steam. He also needs for the new employee at his local bookstore to stop making fun of him for reading things meant for “grandmas.”
The very last thing he needs is for that same employee, Rex Bailey, to waltz into his living room and ask to join Meet Cute Club. Despite his immediate thoughts—like laughing in his face and telling him to kick rocks—Jordan decides that if he wants this club to continue thriving, he can’t turn away any new members. Not even ones like Rex, who somehow manage to be both frustratingly obnoxious and breathtakingly handsome.
As Jordan and Rex team up to bring the club back from the ashes, Jordan soon discovers that Rex might not be the arrogant troll he made himself out to be, and that, like with all things in life, maybe he was wrong to judge a book by its cover.
New month = new books! This month’s post is sponsored by Celadon Books in honor of the newly released Good Boy: My Life in Seven Dogsby Jennifer Finney Boylan!
From the bestselling author of She’s Not There: A Life in Two Genders, Good Boy is a memoir that explores seven crucial moments of growth and transformation in Boylan’s life, accompanied by seven unforgettable dogs.
“Boylan’s newest book is a touching look at the different identities she’s inhabited through her many furry friends—whose love has been a constant in a life marked by change.” —O, The Oprah Magazine, “44 LGBTQ Books That Are Changing the Literary Landscape in 2020”
All Amazon, Indiebound, and Bookshop links are affiliate links. Purchasing through these links brings a small percentage of income back to the site, so please do!
The pirate Florian, born Flora, has always done whatever it takes to survive—including sailing under false flag on the Dove as a marauder, thief, and worse. Lady Evelyn Hasegawa, a highborn Imperial daughter, is on board as well—accompanied by her own casket.
But Evelyn’s one-way voyage to an arranged marriage in the Floating Islands is interrupted when the captain and crew show their true colors and enslave their wealthy passengers.
Both Florian and Evelyn have lived their lives by the rules, and whims, of others. But when they fall in love, they decide to take fate into their own hands—no matter the cost.
What he needs is for his favorite author to release another one of her sexy supernatural novels and more people to sign up for the romance book club that he fears is slowly and steadily losing its steam. He also needs for the new employee at his local bookstore to stop making fun of him for reading things meant for “grandmas.”
The very last thing he needs is for that same employee, Rex Bailey, to waltz into his living room and ask to join Meet Cute Club. Despite his immediate thoughts—like laughing in his face and telling him to kick rocks—Jordan decides that if he wants this club to continue thriving, he can’t turn away any new members. Not even ones like Rex, who somehow manage to be both frustratingly obnoxious and breathtakingly handsome.
As Jordan and Rex team up to bring the club back from the ashes, Jordan soon discovers that Rex might not be the arrogant troll he made himself out to be, and that, like with all things in life, maybe he was wrong to judge a book by its cover.
Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.
When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle….
But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.
Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen — almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again — only this time, they’re running back to their mother.
Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease — they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured.
The Art of Drag by Jake Hall, ill. by Sofie Birkin, Helen Li, Jasjyot Singh Hans (5th)
The history of drag has been formed by many intersections: fashion, theatre, sexuality and politics–all coming together to create the show stopping entertainment millions witness today. In this extensive work, Jake Hall delves deep into the ancient beginnings of drag, to present day and beyond. Vibrant illustrations enhance the rich history from Kabuki theatre to Shakespearean, the revolutionary Stonewall riots to the still thriving New York ballroom scene. Nothing will go undocumented in this must-have documentation of all things drag.
“Toward what goal do I aspire, ever, but collision? Always accident, concussion, bodies butting together . . . By collision I also mean metaphor and metonymy: operations of slide and slip and transfuse.”
In his new nonfiction collection, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts twenty-six ecstatic collisions between his mind and the world. A subway passenger’s leather bracelet prompts musings on the German word for stranger; Montaigne leads to the memory of a fourth-grade friend’s stinky feet. Koestenbaum dreams about a hand job from John Ashbery, swims next to Nicole Kidman, reclaims Robert Rauschenberg’s squeegee, and apotheosizes Marguerite Duras as a destroyer of sentences. He directly proposes assignments to readers: “Buy a one-dollar cactus, and start anthropomorphizing it. Call it Sabrina.” “Describe an ungenerous or unkind act you have committed.” “Find in every orgasm an encyclopedic richness . . . Reimagine doing the laundry as having an orgasm, and reinterpret orgasm as not a tiny experience, temporally limited, occurring in a single human body, but as an experience that somehow touches on all of human history.” Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.
Skyler, Ellie, Scarlett and Amelia Grace are forced to spend the summer at the lake house where their moms became best friends.
One can’t wait. One would rather gnaw off her own arm than hang out with a bunch of strangers just so their moms can drink too much wine and sing Journey two o’clock in the morning. Two are sisters. Three are currently feuding with their mothers.
One almost sets her crush on fire with a flaming marshmallow. Two steal the boat for a midnight joyride that goes horribly, awkwardly wrong. All of them are hiding something.
One falls in love with a boy she thought she despised. Two fall in love with each other. None of them are the same at the end of the summer.
A young teenager stays a step ahead of her parents’ sexuality-based restrictions by running away and learns a very different set of rules. A woman grieves the loss of a sister, a “gay divorce,” and the pain of unacknowledged abuse with the help of a lone wallaby on a farm in Washington State. A professor of women’s and gender studies revels in academic and sexual power but risks losing custody of the family dog.
In Corinne Manning’s stunning debut story collection, a cast of queer characters explore the choice of assimilation over rebellion. In this historical moment that’s hyperaware of and desperate to define even the slowest of continental shifts, when commitment succumbs to the logic of capitalism and nobody knows what to call each other or themselves—Gay? Lesbian? Queer? Partners? Dad?—who are we? And if we don’t know who we are, what exactly can we offer each other?
Spanning the years 1992 to 2019, and moving from New York to North Carolina to Seattle, the eleven first-person stories in We Had No Rules feature characters who feel the promise of a radically reimagined world but face complicity instead.
Have you ever met someone and felt like you’ve known them in a thousand different lifetimes?
Lindsay Hall was a high school senior when she and her friend Patty discovered peach schnapps, listened to a past-life hypnosis CD, and got an up-close look at who she once was. And who she used to love. The knowledge of her past life has always haunted Lindsay. As her ex-husband is happy to point out, it’s made her a pretty crappy partner, too. Even her teenage daughter has politely suggested that she “get the eff over it.” Except she didn’t say eff.
Ren Christopher just wants a quick break before she starts a new job in London. She’s just extracted herself from a not-brief-enough, drama-filled relationship. A few weeks relaxing, drinking too much wine, and hanging with her old college friend Patty is just what the doctor ordered. No pressure, no expectations, and absolutely no drama.
Everything is perfect until Lindsay faints at the sight of Ren.
It’s the late 1960s in McKinney, Texas. At the downtown theater and the local drive-in, movies—James Bond, My Fair Lady, Alfie, and Dr. Zhivago—feed the dreams and obsessions of a ten-year-old Clarke who loves Audrey, Elvis, his family, and the handsome boy in the projector booth. Then Clarke loses his beloved mother, and no one will tell him how she died. No one will tell her either. She is floating above the trees and movie screens of McKinney, trapped between life and death, searching for a glimpse of her final moments on this earth. Clarke must find the shattering truth, which haunts this darkly humorous and incredibly moving novel.
Living in a small town where magic is frowned upon, Sam needs his friends James and Delia—and their time together in their school’s magic club—to see him through to graduation.
But as soon as senior year starts, little cracks in their group begin to show. Sam may or may not be in love with James. Delia is growing more frustrated with their amateur magic club. And James reveals that he got mixed up with some sketchy magickers over the summer, putting a target on all their backs.
With so many fault lines threatening to derail his hopes for the year, Sam is forced to face the fact that the very love of magic that brought his group together is now tearing them apart—and there are some problems that no amount of magic can fix.
Nishat doesn’t want to lose her family, but she also doesn’t want to hide who she is, and it only gets harder once a childhood friend walks back into her life. Flávia is beautiful and charismatic, and Nishat falls for her instantly. But when a school competition invites students to create their own businesses, both Flávia and Nishat decide to showcase their talent as henna artists. In a fight to prove who is the best, their lives become more tangled―but Nishat can’t quite get rid of her crush, especially since Flávia seems to like her back.
As the competition heats up, Nishat has a decision to make: stay in the closet for her family, or put aside her differences with Flávia and give their relationship a chance.
More than five years in the making, Mark Gevisser’s The Pink Line: The World’s Queer Frontiers is a globetrotting exploration of how the human rights frontier around sexual orientation and gender identity has come to divide—and describe—the world in an entirely new way over the first two decades of the twenty-first century. No social movement has brought change so quickly and with such dramatically mixed results. While same-sex marriage and gender transition is celebrated in some parts of the world, laws are being strengthened to criminalize homosexuality and gender nonconformity in others. A new Pink Line, Gevisser argues, has been drawn across the world, and he takes readers to its frontiers.
In between sharp analytical chapters about culture wars, folklore, gender ideology, and geopolitics, Gevisser provides sensitive and sometimes startling profiles of the queer folk he’s encountered on the Pink Line’s front lines across nine countries. They include a trans Malawian refugee granted asylum in South Africa and a gay Ugandan refugee stuck in Nairobi; a lesbian couple who started a gay café in Cairo after the Arab Spring, a trans woman fighting for custody of her child in Moscow, and a community of kothis—“women’s hearts in men’s bodies”—who run a temple in an Indian fishing village.
Eye-opening, moving, and crafted with expert research, compelling narrative, and unprecedented scope, The Pink Line is a monumental—and vital—journey through the border posts of the world’s new LGBTQ+ frontiers.
New Year’s Eve, 1929. Millie is the emcee of the Cloak & Dagger, an LGTQ-friendly speakeasy deep in the heart of the French Quarter, full of bootleg booze, cabaret acts, and where the New Orleans elite comes out to play. Her best friend, Marion, is the star of the show–his diehard fans wouldn’t miss a performance from the boy in the red dress. And together they rule the underground scene.
Then a young socialite draped in furs starts asking questions, wielding a photograph of a boy who looks a lot like Marion. When the socialite’s body is found slumped in the back alley, all signs point to Marion as the murderer. Millie is determined to prove her best friend’s innocence, even if that means risking her own life. As she chases clues that lead to cemeteries and dead ends, Millie’s attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who’s offered to help her find the murderer. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks.
Emma Lane’s forced to face her fears when her mother unceremoniously dumps her on the doorstep of Camp Mapplewood, abandoning her for the summer while she heads off on a cruise with her latest husband. It’s the last place Emma wants to be with no shortage of creepy creatures, keen campers, and mandatory activities that she fears will hinder managing her anxiety and depression. When Emma breaks into the tool shed on her first day there, the fall out from her escapades leads her right into the path of her counsellor Vivian Black, and nothing is ever the same.
This is the second book in the Magic in Manhattan seriesNew York, 1925
Psychometric Rory Brodigan’s life hasn’t been the same since the day he met Arthur Kenzie. Arthur’s continued quest to contain supernatural relics that pose a threat to the world has captured Rory’s imagination—and his heart. But Arthur’s upper-class upbringing still leaves Rory worried that he’ll never measure up, especially when Arthur’s aristocratic ex arrives in New York.
For Arthur, there’s only Rory. But keeping the man he’s fallen for safe is another matter altogether. When a group of ruthless paranormals throws the city into chaos, the two men’s strained relationship leaves Rory vulnerable to a monster from Arthur’s past.
With dark forces determined to tear them apart, Rory and Arthur will have to draw on every last bit of magic up their sleeves. And in the end, it’s the connection they’ve formed without magic that will be tested like never before.
Hannah Walsh just wants a normal life. It’s her senior year, so she should be focusing on classes, hanging out with her best friend, and flirting with her new girlfriend, Morgan. But it turns out surviving a murderous Witch Hunter doesn’t exactly qualify as a summer vacation, and now the rest of the Hunters seem more intent on destroying her magic than ever.
When Hannah learns the Hunters have gone nationwide, armed with a serum capable of taking out entire covens at once, she’s desperate to help. Now, with witches across the country losing the most important thing they have—their power—Hannah could be their best shot at finally defeating the Hunters. After all, she’s one of the only witches to escape a Hunter with her magic intact.
Or so everyone believes. Because as good as she is at faking it, doing even the smallest bit of magic leaves her in agony. The only person who can bring her comfort, who can make her power flourish, is Morgan. But Morgan’s magic is on the line, too, and if Hannah can’t figure out how to save her—and the rest of the Witches—she’ll lose everything she’s ever known. And as the Hunters get dangerously close to their final target, will all the Witches in Salem be enough to stop an enemy determined to destroy magic for good?
Everyone knows about the dare: Each week, Bryson Keller must date someone new–the first person to ask him out on Monday morning. Few think Bryson can do it. He may be the king of Fairvale Academy, but he’s never really dated before.
Until a boy asks him out, and everything changes.
Kai Sheridan didn’t expect Bryson to say yes. So when Bryson agrees to secretly go out with him, Kai is thrown for a loop. But as the days go by, he discovers there’s more to Bryson beneath the surface, and dating him begins to feel less like an act and more like the real thing. Kai knows how the story of a gay boy liking someone straight ends. With his heart on the line, he’s awkwardly trying to navigate senior year at school, at home, and in the closet, all while grappling with the fact that this “relationship” will last only five days. After all, Bryson Keller is popular, good-looking, and straight…right?
The team at King’s Row must face the school that defeated them in the fencing state championships last year, but first Nicholas and Seiji must learn to work together as a team…and maybe something more!
FOILED AGAIN?
Just as Nicholas, Seiji and the fencing team at the prodigious Kings Row private school seem to be coming together, a deadly rival from their past stands in their way once more. MacRobertson is the school that knocked Kings Row out of the State Championships last year – but unless Nicholas and Seiji can learn to work together as a team, their school is doomed once again! And maybe those two can learn to be something more than teammates too…
For the first time, best-selling novelist C.S. Pacat (Captive Prince) and popular online sensation Johanna The Mad present the next all-new thrilling chapter in the story of Nicholas Cox’s entry into the world of competitive fencing where scoring points is the name of the game—but finding out who you really are is the only way to truly win!
In this bewitching first novel, a sensitive teen, newly arrived in Alabama, falls in love, questions his faith, and navigates a strange power. While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by rowdy football players, he learns how to catch a spiraling ball, point a gun, and hide his innermost secrets. When Max meets fishnet-wearing Pan in physics class, they embark on an all-consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of a local church. The boys, however, aren’t sure what is more frightening—embracing their true selves, or masking their true selves. Evoking Dorothy Allison, Lambda Award finalist Genevieve Hudson offers a nuanced portrait of masculinity, immigration, and the adolescent pressures that require total conformity—in short, a twenty-first-century South that would have been unimaginable to the late Harper Lee.
My Maddy by Gayle E. Pitman and Anne Passchier (25th)
My Maddy has hazel eyes which are not brown or green. And my Maddy likes sporks because they are not quite a spoon or a fork.
Some of the best things in the world are not one thing or the other. They are something in between and entirely their own.
Randall Ehrbar, PsyD, offers an insightful note with more information about parents who are members of gender minority communities, including transgender, gender non-binary, or otherwise gender diverse people.
The first book to foreground the voices and experiences of autistic trans people, this collection of interviews explores questions of identity and gender from a neurodiverse perspective and examines how this impacts family, work, healthcare and religion.
Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It’s where he met his best friends. It’s where he takes to the stage in the big musical. And it’s where he fell for Hudson Aaronson-Lim – who’s only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.
This year, though, it’s going to be different. Randy has reinvented himself as ‘Del’ – buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he’s determined to get Hudson to fall for him.
But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn’t know who he truly is?
Intimacy has always eluded twenty-seven-year-old Maggie Krause—despite being brought up by married parents, models of domestic bliss—until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris’s will, five sealed envelopes, each addressed to a mysterious man she’s never heard of.
In an effort to run from her own grief and discover the truth about Iris—who made no secret of her discomfort with her daughter’s sexuality—Maggie embarks on a road trip, determined to hand-deliver the letters and find out what these men meant to her mother. Maggie quickly discovers Iris’s second, hidden life, which shatters everything Maggie thought she knew about her parents’ perfect relationship. What is she supposed to tell her father and brother? And how can she deal with her own relationship when her whole world is in freefall?
Told over the course of a funeral and shiva, and written with enormous wit and warmth, All My Mother’s Lovers is the exciting debut novel from fiction writer and book critic Ilana Masad. A unique meditation on the universality and particularity of family ties and grief, and a tender and biting portrait of sex, gender, and identity, All My Mother’s Lovers challenges us to question the nature of fulfilling relationships.
Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn’t come at a worse time—threatening Emma’s promotion and Jo’s new movie.
As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment”.
With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all…but is acting on the spark between them worth fanning the gossip flames?
Fairest is a memoir about a precocious boy with albinism, a “sun child” from a rural Philippine village, who would grow up to become a woman in America. Coping with the strain of parental neglect and the elusive promise of U.S. citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity. As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.
A follow-up to the critically acclaimed All Out anthology, Out Now features seventeen new short stories from amazing queer YA authors. Vampires crash prom, aliens run from the government, a president’s daughter comes into her own, a true romantic tries to soften the heart of a cynical social media influencer, a selkie and the sea call out to a lost soul. Teapots and barbershops, skateboards and VW vans, Street Fighter and Ares’s sword: Out Now has a story for every reader and surprises with each turn of the page!
Pony just wants to fly under the radar during senior year. Tired from all the attention he got at his old school after coming out as transgender, he’s looking for a fresh start at Hillcrest High. But it’s hard to live your best life when the threat of exposure lurks down every hallway and in every bathroom.
Georgia is beginning to think there’s more to life than cheerleading. She plans on keeping a low profile until graduation…which is why she promised herself that dating was officially a no-go this year.
Then, on the very first day of school, the new guy and the cheerleader lock eyes. How is Pony supposed to stay stealth when he wants to get close to a girl like Georgia? How is Georgia supposed to keep her promise when sparks start flying with a boy like Pony?
Rowan has too many secrets to write down in the pages of a diary. And if he did, he wouldn’t want anyone he knows to discover them. He understands who he is and what he likes, but it’s not safe for others to know. Now, the kids at school say he’s too different to spend time with. He’s not the “right kind” of girl, and he’s not the “right kind” of boy. His mom ignores him. And at night, his dad hurts him in ways he’s not ready to talk about yet.
But Rowan discovers another way to share his secrets: letters. Letters he attaches to balloons and releases into the universe, hoping someone new will read them and understand. But when he befriends a classmate who knows what it’s like to be lonely and scared, even at home, Rowan realizes that there might already be a person he can trust right by his side.
Iris Turner hightailed it out of Salty Cove, Maine, without so much as a backward glance. Which is why finding herself back in her hometown—in her childhood bedroom, no less—has the normally upbeat Iris feeling a bit down and out. Her spirits get a much-needed lift, though, at the sight of the sexy girl next door.
No one knows why Jude Wicks is back in Salty Cove, and that’s just how she likes it. Jude never imagined she’d be once again living in her parents’ house, never mind hauling lobster like a local. But the solitude is just what she needs—until Iris tempts her to open up.
A no-strings summer fling seems like the perfect distraction for both women. Jude rides a motorcycle, kisses hard and gives Iris the perfect distraction from her tangled mess of a life. But come September, Iris is still determined to get out of this zero-stoplight town.
That is, unless Jude can give her a reason to stay…
Alice lives in a world of stifling privilege and luxury – but none of it means anything when your own head plays tricks on your reality. When her troubled friend Bunny goes missing, Alice becomes obsessed with finding her. On the trail of her last movements, Alice discovers a mysterious invitation to ‘Wonderland’: the party to end all parties – three days of hedonistic excess to which only the elite are welcome.
Will she find Bunny there? Or is this really a case of finding herself? Because Alice has secrets of her own, and ruthless socialite queen Paisley Hart is determined to uncover them, whatever it takes.
Alice is all alone, miles from home and without her essential medication. She can trust no-one, least of all herself, and now she has a new enemy who wants her head…
Jake D’Arcy has spent most of his twenty-nine years trying to get his life just right. He’s nearly there: great girlfriend, great friends, stable job. A distant relationship with his boisterous family – which is exactly the way he wants it. So why does everything feel so wrong?
When his popular, irritatingly confident teenage brother Trick comes out as gay to a rapturous response, Jake realises he has questions about his own repressed bisexuality, and that he can’t wait any longer to find his answers.
As Trick begins to struggle with navigating the murky waters of adult relationships, Jake begins a journey that will destroy his relationship with girlfriend Amelia, challenge his closest friendships, and force him to face up to the distance between him and his family – but offers new friends, fewer inhibitions, and a glimpse of the magnificent life he never thought could be his.
