Tag Archives: Juniper Harvey and the Vanishing Kingdom

The Wonder of Kids These Days: a Guest Post by Author Nina Varela

Today on the site we’re talking to Nina Varela, whose name you probably know from the smash hit Crier’s War duology, and who’s now hopping categories to Middle Grade with the Sapphic adventure Juniper Harvey and the Vanishing Kingdom, releasing tomorrow from LBYR! Before we get to her fantastic post on book bannings, resilience, and growing into identity, here’s a little more on the book:

When Juniper Harvey’s family moves to the middle of nowhere in Florida, her entire life is uprooted. As if that’s not bad enough, she keeps having dreams about an ancient-looking temple, a terrifying attack, and a mysterious girl who turns into an ivory statue. One night after a disastrous school dance, Juniper draws a portrait of the girl from her dreams and thinks, I wish you were here. The next morning, she wakes up to find the girl in her room…pointing a sword at her throat!

The unexpected visitor reveals herself as Galatea, a princess from a magical other world. One problem—her crown is missing, and she needs it in order to return home. Now, it’s up to Juniper to help find the crown, all while navigating a helpless crush on her new companion. And things go from bad to worse when a sinister force starts chasing after the crown too.

Packed with adventure and driven by a pitch-perfect voice, this middle grade debut from Nina Varela is about one tween forging new friendships, fighting nightmarish monsters, and importantly, figuring out who she is and who she ultimately wishes to be.

Buy it: Bookshop | Amazon | IndieBound

Now here’s the post!

In Juniper Harvey and the Vanishing Kingdom, 11-year-old “June” Harvey has a lot on her plate: she’s starting sixth grade at a new school in a new town, hundreds of miles away from her best
(and kind of only) friend and everything else she’s ever known. And that’s before the magical princess from another dimension crash-lands in her bedroom. And that’s before June starts wondering if maybe there’s a reason said princess makes her face go red, and not just out of annoyance.

June is a kid. She’s in her first year of middle school. She’s experiencing basically her first crush—definitely the first crush she’s been aware of while it’s happening. And the focus of that crush is another girl. Despite the rest of the plot—which involves gods, flying nightmare monsters, and islands that float in the sky—this was maybe the most difficult part of the story for me to write. You wouldn’t think so, considering I certainly know what it’s like to experience a middle school crush, and also what it’s like to experience a gay crush. But when I was June’s age, I had no idea I was queer. I knew of queerness—I knew gay people existed, and as I learned more about queerness and homophobia I became a staunch “ally”—but it didn’t seem like something that could apply to me. I’m not even really sure why. Plenty of people know they’re gay from a very young age, whether or not they possess the vocabulary to describe it. But at some point I had assumed my sexuality was the default, that I was straight, and it wasn’t until years later that I began to question that assumption. To be clear, as an adolescent, I did experience nonplatonic feelings for other girls; I liked girls, I wanted girls, I just didn’t make the connection that it was something intrinsic to who I was, something real and important enough to shape my worldview, the way I move through the world, the way I interact with myself and others, the way I live my life. I knew adults could be gay, yet somehow it didn’t occur to me that gay adults surely grew from gay children. That the confusingly intense feelings I had for other girls were not an improbable series of flukes, but something that mattered, that would continue to matter.

My experience, my timeline, is not unique. Again, some people know they’re gay from the onset, but I’ve had countless conversations with other queer people who didn’t realize they were gay until young adulthood or later—even if, in retrospect, we were having a lot of gay teenage feelings. So much of this comes down to socialization, the social hierarchies that play out beneath the surface of every interaction. Generally, we are taught to believe our gender and
sexuality align with whatever the default is. If you’re a girl, then you like boys, and only boys.

I am about to turn twenty-eight. In 2006, when I was in sixth grade, calling things “gay” as an insult was extremely normal and common and happened in my vicinity roughly 500 times per day. To my knowledge, there were no “out” queer kids in my middle or high school, though there were rumors. (Plenty of my classmates have come out in the years since. Love this journey for us.) The idea of self-identifying as queer, as a kid, let alone knowing multiple other queer kids, is wild to me, unthinkable. But for Gen Z, that’s increasingly something close to the norm. My youngest sibling just turned fifteen. Many of their friends are proudly, loudly queer and have been for years. “My friend who’s a trans lesbian,” they tell me. “My nonbinary friend, my friend who’s bi and ace.” Internet access means information access. Kids these days tend to learn about
queerness—broadly, and in specific terms—so much earlier than just one generation before. They tend to start questioning their own assumptions about themselves—the world’s insistence that they conform to a default—so much earlier. That’s pretty freaking cool. It doesn’t matter whether or not a certain label sticks; whether some kid calling themself a lesbian is an “experiment” or a phase. That’s what being young is for. Being a kid is about learning, growing, discovering who you are. Straight kids have crushes, have first relationships. The gay kids of my generation often didn’t—or had “straight” relationships because that’s what was expected. But
the fact is that gay kids should be allowed the same grace, the same space to be messy and fluid and changeable. And it’s hard to do that if you don’t know that queer is something you have the
option to be—that it’s something a kid can be, and it rocks.

The moral panic around queerness specifically in relation to children has been simmering since the 90s and in recent years has begun boiling over into full-blown cultural hysteria. Lawmakers introduced more than 300 new anti-LGBT bills in 2022 alone, many of which targeted LGBT youth. There’s an ongoing crusade against the imaginary problem of children attending drag shows, as if the mere existence of gay and trans people can somehow harm or groom children.

Just this past week, the New York Times published a wildly transphobic piece of faux-concerned hand-wringing about the concept that a kid might come out as trans to friends and trusted teachers but not parents, to which children of queerphobic parents everywhere responded: Yeah. And?

In March 2022, Florida—where Juniper Harvey is set—passed the so-called “Don’t Say Gay” law, which says public school teachers may not instruct on sexual orientation or gender identity in kindergarten through third grade. A year later, there’s a new Florida state law that requires all books in classroom libraries to be approved or vetted by a media specialist or librarian trained by the state. In September 2022, PEN America reported that during the previous school year, more books had been banned than in any previous year. Of the books, “41% had LGBTQ themes or main characters, while 40% featured characters of color.”

Kids deserve better. Queer kids exist, have always existed, will always exist. They deserve to know they’re not alone, that they’re not broken; there’s nothing wrong with them; they deserve love and joy and companionship of all kinds same as anyone else. Kids these days may be more aware of their own potential for queerness than I was at that age, but that doesn’t mean they’re safer or happier, that they’re living in a kinder world. I hope books like Juniper Harvey, books about queer kids dreaming big despite-despite-despite, can give them some seed of warmth and hope—but books can only do that if they actually make it to the kids’ hands.

For more information about censorship and how to fight the book bans sweeping the US, kindly look here, here, and here to start. Thank you.

Most Anticipated Middle Grade Fiction: January-June 2023

This post contains titles published by HarperCollins. Please note that the HarperCollins Union has been on strike since 11/10/22 to get a fair contract for their workers, and this site very much supports that effort. Visit the HarperCollins Union linktree to learn how you can support their fight for a fair contract: linktr.ee/hcpunion.

Cameron Battle and the Escape Trials by Jamar J. Perry (January 31st)

This is the sequel to Cameron Battle and the Hidden Kingdoms

After his first adventure as the Descendant, Cameron can’t sit through seventh grade classes. Especially when his mother is still trapped in Chidani and his father is still missing. But he encounters a particularly nasty bully in his new school, and it doesn’t take long for Cameron and his trusty friends Zion and Aliyah to realize that the troubles of Chidani won’t stay away for long.

With the Book to guide them, Cameron and his crew end up transported to Chidani sooner than anticipated–and the gods and goddesses they encounter don’t intend to make Cameron’s journey easy. Can he finally outwit and outlast the villainous god set on destroying their worlds?

Buy it: Bookshop | Amazon | IndieBound

Continue reading Most Anticipated Middle Grade Fiction: January-June 2023

Fave Five: Books with Queer Twelve-Year-Old MCs

Alan Cole is Not a Coward by Eric Bell

Hurricane Child and King and the Dragonflies by Kacen Callender

Ivy Aberdeen’s Letter to the World and Hazel Bly and the Deep Blue Sea by Ashley Herring Blake

The Best At It by Maulik Pancholy

A High Five for Glenn Burke by Phil Bildner

Bonus: Coming up, The Devouring Wolf by Natalie C. Parker and Juniper Harvey and the Vanishing Kingdom by Nina Varela

 

June 2020 Book Deal Announcements

Adult

Emma Copley Eisenberg‘s debut BERNIE AND LEAH, told from the perspectives of two queer artists who leave Philadelphia for a life-changing ten day road trip, exploring artistic purpose, intimacy, and identity in a time of profound societal change, and FAT SWIM, a collection of stories new and previously published, to Alexis Washam at Hogarth, in a two-book deal, by Jin Auh at The Wylie Agency (NA).

Laura Blackett and Brooklyn College MFA graduate Eve Gleichman’s THE VERY NICE BOX, following a hardworking, heartbroken product engineer who works for a fashionable furniture company where corporate change lands her under the purview of a young, charismatic boss who seems determined to get close to her at all costs, pitched as for fans of ELEANOR OLIPHANT IS COMPLETELY FINE and SEVERANCE, to Pilar Garcia-Brown at Houghton Mifflin Harcourt, at auction, for publication in spring 2021, by Faye Bender at The Book Group (NA).

Neil Cochrane’s I WILL GO TO THE BANK BY THE WOOD, centering queer and trans characters; pitched as a loose retelling of Beauty and the Beast, to Laura Stanfill at Forest Avenue Press, in a nice deal, for publication in spring 2022 (world).

*Ruoxi Chen has acquired Nghi Vo’s THE CHOSEN AND THE BEAUTIFUL, a magical reimagining of THE GREAT GATSBY told through the eyes of a queer, Asian-American Jordan Baker as the American immigrant narrative that GATSBY always should have been. The two-book deal, for North American rights, was brokered by Diana Fox at Fox Literary.

Winner of Publishing Triangle’s Edmund White Award for Debut Fiction Joe Okonkwo’s KISS THE SCARS ON THE BACK OF MY NECK, a debut short story collection populated by complicated characters, male and female, who find themselves at the intersection of Black and gay identities, illustrating the challenges they face, and the price they pay, to live authentic lives, to Michael Nava at Amble, in an exclusive submission, for publication in spring 2021, by Malaga Baldi at Malaga Baldi (world English).

Next Generation Indie Book Award-winning journalist and editor Artem Mozgovoy’s SPRING IN SIBERIA, pitched as similar to AMERICANAH, WHAT BELONGS TO YOU, and ON EARTH WE’RE BRIEFLY GORGEOUS, in which a gay Russian journalist struggles to escape Putin’s post-communist order to persecute gay people—only to end up facing the great American wall, to Kate Gale at Red Hen Press, by Mark Gottlieb at Trident Media Group (world).

Northwestern MFA graduate Allison Epstein‘s A TIP FOR THE HANGMAN, about the life and death of Christopher Marlowe, in which the young poet is approached by the Queen’s spymaster with an offer that will catapult him to both glory and doom, pitched as Shakespeare in Love meets Sarah Waters, to Carolyn Williams at Doubleday, in a very nice deal, for publication in spring 2021, by Bridget Smith at JABberwocky Literary Agency (NA).

Children’s/Middle Grade

Nina Varela’s JUNIPER HARVEY AND THE VANISHING KINGDOM, a contemporary fantasy about a 12-year-girl whose magical artistic abilities set off a chase through parallel worlds, all while juggling new friendships and her first queer crush, to Alexandra Hightower at Little, Brown Children’s, in a good deal, at auction, in a two-book deal, for publication in summer 2022, by Patrice Caldwell at Howard Morhaim Literary Agency (NA).

Graphic Novel

Katie Fricas’s CHECKED OUT, in which a queer cartoonist and library worker launches forth into a search for love on Craigslist, artistic validation in New York City, and the perfect book, to Tracy Hurren at Drawn & Quarterly, by Mackenzie Brady Watson at Stuart Krichevsky Agency (world English).

Young Adult

Claire Winn’s CITY OF SHATTERED LIGHT, a high-stakes adventure pitched as a queer, female-led Guardians of the Galaxy meets Escape from New York, in which an heiress flees her controlling father to prevent her sister’s mind from being wiped, but must ally with a gunslinging smuggler to outwit a monstrous AI and save the heiress’s sister and their city, to Mari Kesselring and Kelsy Thompson at Flux, in a nice deal, for publication in fall 2021, by Cortney Radocaj at Belcastro Agency (world).

Debut novelist Jennifer Nissley‘s THE MYTHIC KODA ROSE, pitched for fans of Nina LaCour and Jandy Nelson, featuring a queer teen exploring the enigmatic legacy left behind by her rock star father and suddenly navigating an emotionally charged bond with his mercurial ex-girlfriend, to Liesa Abrams at Simon & Schuster Children’s, for publication in summer 2021, by Danielle Burby at Nelson Literary Agency (NA).

Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan‘s SOME GIRLS DO, about an openly gay track star who falls for a closeted, bisexual local beauty queen with a penchant for fixing up old cars, to Stephanie Pitts at Putnam Children’s, in an exclusive submission, for publication in summer 2021, by Brooks Sherman at Janklow & Nesbit (world English).

Brian Zepka’s THE TEMPERATURE OF ME AND YOU, a humorous love story with a sci-fi bent, about a 16-year-old hopeless romantic and the undeniably cute boy who walks into the Dairy Queen where the hero works and changes everything, showing how first love is truly out of this world, to Brittany Rubiano at Disney, with Augusta Harris editing, for publication in 2021, by Liz Parker at Verve Talent & Literary (world).

Phil Stamper’s THE VALEDICTORIANS, the first entry in a rom-com duology following four queer teens during an unforgettable summer; as senior year approaches—with the real world looming just beyond—these lifelong friends try to stay close when their futures seem to be forcing them apart, to Mary Kate Castellani at Bloomsbury Children’s, in a two-book deal, for publication in winter 2022, by Brent Taylor at TriadaUS Literary Agency (world English).

*(c) Tor.com Publishing