Happy Asian American Pacific Islander Heritage month! May is a fabulous month to celebrate all these books and authors, so if there are any missing from your bookshelf, please use the links below to rectify that! (They are indeed affiliate links, so a percentage of your purchase goes to supporting LGBTQReads.) See a fave of yours that is or isn’t mentioned here? Please recommend it in the comments! (As always, this does not include posts fully covered in last year’s post, so to see those, click here.)
Michael Mahana’s personal disclosure to his parents leads to the uncovering of another family secret-about his uncle, Sam, who had fought in the Vietnam War.
Now, armed with his uncle’s diary, Michael goes searching for the truth about his uncle, about the secret the Mahana family has kept hidden for over thirty years, and what happened to Sam.
A powerful love story set in the war-torn jungles of Vietnam and in present-day New Zealand and North America, Witi Ihimaera’s powerful new novel courageously confronts Maori attitudes to sexuality and masculinity and contains some of Ihimaera’s most passionate writing to date.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
I Have Loved Me a Man takes readers inside the social revolution that has moved New Zealand from the 1960s to the present day through the story of the queer Maori performance artist, Mika. Adopted into a white family, Mika learnt Maori culture from the back of a cereal box. He discovered disco in the 1970s, worked with Carmen, Dalvanius Prime, and others to develop outrageous stage shows, and came out on screen with Harvey Keitel, playing a takatapui role in the film The Piano.
Mika has never been in the closet: his life has been an ongoing production of both the fabulous and the revolutionary. This highly visual book interweaves research with images hand-picked from Mika’s extensive archive to reveal the life and times of a queer brown boy from Aotearoa who took on the big white world.
When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
How else do we return to ourselves but to fold The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.
The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
Sometimes bitter rivalries can brew something sweet
Theo Mori wants to escape. Leaving Vermont for college means getting away from working at his parents’ Asian American café and dealing with their archrivals’ hopeless son Gabi who’s lost the soccer team more games than Theo can count.
Gabi Moreno is miserably stuck in the closet. Forced to play soccer to hide his love for dance and iced out by Theo, the only openly gay guy at school, Gabi’s only reprieve is his parents’ Puerto Rican bakery and his plans to take over after graduation.
But the town’s new fusion café changes everything. Between the Mori’s struggling shop and the Moreno’s plan to sell their bakery in the face of the competition, both boys find their dreams in jeopardy. Then Theo has an idea—sell photo-worthy food covertly at school to offset their losses. When he sprains his wrist and Gabi gets roped in to help, they realize they need to work together to save their parents’ shops but will the new feelings rising between them be enough to send their future plans up in smoke?
This collection of short stories explores connections between extremes of heat and cold. Sometimes this is spatial or geographical; sometimes it is metaphorical. Sometimes it involves juxtapositions of time; sometimes heat appears where only ice is expected.
In the stories, a woman is caught between traditional Fijian ways and the brutality of the military dictatorship; a glaciology researcher falls into a crevasse and confronts the unexpected; two women lose children in freak shooting accidents; a young child in a Barbie Doll sweatshop dreams of a different life; secondary school girls struggle with secrets about an addicted janitor; and two women take a deathly trip through a glacier melt stream. These are some of the unpredictable stories in this collection that follow themes of ice and glaciers in the heat of the South Pacific and take us into unusual lives and explorations.
“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.
Alex and Molly don’t belong on the same planet, let alone the same college campus. But when Alex, fresh off a bad (but hopefully not permanent) breakup, discovers Molly’s hidden crush as their paths cross the night before classes start, they realize they might have a common interest after all. Because maybe if Alex volunteers to help Molly learn how to get her dream girl to fall for her, she can prove to her ex that she’s not a selfish flirt. That she’s ready for an actual commitment. And while Alex is the last person Molly would ever think she could trust, she can’t deny Alex knows what she’s doing with girls, unlike her.
As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling…for each other.
Echidna is a dangerous animal; she pokes holes in men just to
remind them what kind of monster she is wakes up every single
morning and chooses violence cos what choice does she really have?
essa may ranapiri’s second poetry collection follows the story of Echidna, their own interpretation of the Greek Mother of Monsters, as she tries to figure out life and identity living in a colonised world. Alongside this Māui and Prometheus get into a very hot relationship.
Echidna contends with three strands of tradition; Greek mythology, Christianity and Māori esoteric knowledge, and through weaving them together attempts to create a queerer whole. It is a book that is in conversation with the work of many others; from Milton and R.S. Thomas to jayy dodd and Joshua Whitehead to Hinemoana Baker and Keri Hulme. Situating and building its own world out of a community of queer and Māori/Pasifika writing, it carefully places itself in a whakapapa of takatāpui story-telling.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
Interim is a short collection of poems written by Des Spicer-Orak, a queer mixed Palauan poet from the Pacific Northwest. Interim signifies the experiences between life and death. Exploring the intersections of identity, Interim captures the weight of culture, religion, climate crises, rejection, and connection. This book highlights the duality that exists in all things, and intentionally emphasizes the connection between grief and growth. Through the lens of various relationships, Interim tells a story of hurt and healing. At the heart of these poems is the fight for existence, reclamation, and resistance.
Syyed is pining for his ex, who left home to—save the world? He doesn’t know much more, except to wish he’d gone along when Farouk asked. But Sy is shy and timid, from a controlling Indian Muslim family, and wants most to make a life and home with people he loves. Then he meets Reggie, an heiress—is she magical or just rich?—who, in exchange for his kindness, offers to grant Sy three wishes, the first of which is a million dollars, naturally!
But soon reality bites hard: His father realizes Sy is gay and kicks him out. Homeless and alone, he’s off with Reggie and his last two wishes, chasing Farouk to lands he never dreamed to visit to find his missing love for one last, desperate chance at rebuilding his life. And he’ll find out, maybe, that there is a loophole to everything, including wishes.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
Startling stories that center the bodies, memories, myths, and relationships of Asian American women, from the National Book Award “5 Under 35” honoree and author of Bestiary
In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughter “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm-chaser. In “Xífù,” a mother-in-law tortures a wife in increasingly unsuccessful attempts to rid the house of her. In “Mariela,” two girls explore one another’s bodies for the first time in the belly of a plastic shark while in “Virginia Slims,” a woman from a cigarette ad comes to life. And in “Resident Aliens,” a former slaughterhouse serves as a residence to a series of widows, each harboring her own calamitous secrets.
With each tale, K-Ming Chang gives us her own take on a surrealism that mixes myth and migration, corporeality and ghostliness, queerness and the quotidian. Stunningly told in her feminist fabulist style, these are uncanny stories peeling back greater questions of power and memory.
Santi has only had his heart broken one time, and it was all his fault. When he accidentally leaked his internet best friend Memo’s song, and it became an overnight hit, Memo disappeared—leaving their song’s cult fame, and Santi, behind.
Three years later, Santi arrives in Los Angeles with a mission: get over the ghost of Memo. Thankfully, his new school and its wildly-talented Sunshower marching band welcome him with open arms. All except for his section leader, the prickly, proud, musical prodigy Suwa. But when Santi realizes Suwa is trans, then Suwa realizes Santi takes his identity in stride, both boys begin to let their guards down. Santi learns Suwa’s surliness masks a painful, still raw history of his own, and as they open up to each other, their friendship quickly takes on the red-hot blush of a mutual crush.
Just as Santi is feeling settled in this new life, with a growing found family and a head-over-heels relationship with Suwa, he begins to put together the pieces of an impossible truth—that he knows both more and less of Suwa’s story than he’s been told. Their fragile fresh start threatens to rip apart at the seams again when Suwa is offered the chance to step into the spotlight he’s owed but has always denied himself. Now, Santi and Suwa must finally reckon with their dreams, their pasts—and their futures, together or apart.
Unwieldy Creatures, a biracial, queer, gender-swapped retelling of Mary Shelley’s classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world’s top embryology labs, who runs away from home to openly be with her girlfriend only to be left on her own; Dr. Frank, a queer biracial Indonesian scientist, who compromises everything she claims to love in the name of science and ambition when she sets out to procreate without sperm or egg; and Dr. Frank’s nonbinary creation who, painstakingly brought into the world, is abandoned due to complications at birth that result from a cruel twist of revenge. Plum struggles to determine the limits of her own ambition when Dr. Frank offers her a chance to assist with her next project. How far will Plum go in the name of scientific advancement and what is she willing to risk?
Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.
But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all.
In this modern reimagining of Anne of Green Gables, Anne is an ABBA-loving singer/actor/writer of disco-operas, queer, Japanese-American who longs to be understood for her artistic genius. Recently relocated to middle-of-nowhere Greenville and starting at a new school, Anne has a tendency to A) fall in love quickly, deeply, and effervescently and B) fly off the handle in the face of jerks. Both personality quirks quickly come into play when the soccer team boos the premiere of her disco performance, which—in a roundabout way—introduces her to her new BFF, Berry, and she soon after meets the girl of her dreams, Gilly.
Falling quickly into that age-old trap of ignoring the best friend for the new crush, Anne soon becomes embroiled in a series of dramatic and unfortunate events, and quickly finds herself wrapped up in a love triangle she never expected. Is she MTB with Gilly? Or is Berry her true soul mate? Only time (or 304 pages) will tell.
Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends–one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West.Aria expects boredom, but what she finds is Steph Nichols, her grandmother’s gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable–for Aria, her family, and the working-class queer community Steph introduces her to. It’s the kind of summer that changes a life forever.
Thirteen-year-old Nikhil Shah is the beloved voice actor for Raj Reddy on the hit animated series Raj Reddy in Outer Space. But being a star on TV doesn’t mean you have everything figured out behind the scenes. . . .
When his mom temporarily moves them to the small town in Ohio where she grew up to take care of Nikhil’s sick grandfather, Nikhil feels as out of orbit as his character.
Nikhil’s fame lands him the lead in the school musical, but he’s terrified that everyone will realize he’s a fraud once they find out he has stage fright. And when a group of conservative parents start to protest, making it clear they’re not happy with an openly gay TV star being in the starring role, Nikhil feels like his life would be easier if only he could be Raj Reddy full-time.
Then Nikhil wakes up one morning and hears a crack in his voice, which means his job playing Raj will have to come to an end. Life on earth is way more complicated than life on television. And some mysteries—like new friendships or a sick grandparent or finding the courage to speak out about what’s right—don’t wrap up neatly between commercial breaks.
Eliot is grieving Babung, her paternal grandmother who just passed away, and she feels like she’s the only one. She’s less than excited to move to her new house, which smells like lemons and deception, and is searching for a sign, any sign, that ghosts are real. Because if ghosts are real, it means she can find a way back to Babung.
When Eliot chases the promise of paranormal activity to the presumably haunted Honeyfield Hall, she finds her proof of spirits. But these ghosts are losing their memory, stuck between this world and the next, waiting to cross over. With the help of Hazel, the granddaughter of Honeyfield’s owner (and Eliot’s new crush), she attempts to uncover the mystery behind Honeyfield Hall and the ghosts residing within.
And as Eliot fits the pieces together, she may just be able to help the spirits remember their pasts, and hold on to her grandmother’s memory.
The only thing more annoying than a ghost flash mob is a rogue vampire attack…
Supernatural investigator Mina Summers is only one undercover mission away from the promotion she’s worked for her entire career. Her assignment is simple: figure out why several unregistered vampires are going rogue—including one that ruined her best suit—and attacking humans. Her investigation leads her to Thinner, a new celebrity-endorsed weight loss company that’s shrouded in mystery and promises seemingly impossible results.
Mina’s convinced she’ll finish her mission in time for dinner, but when she face-plants into Carma Nicks, Thinner’s smart and sexy vice president, Mina’s suddenly out of her depth. Surely her heart is only racing due to adrenaline, right? Falling for—and sleeping with—a mark goes 100% against protocol, but Mina’s plans to keep her distance are as flimsy as the agency-issued ghost that resides in her apartment.
When Thinner’s secrets disrupt the peace between supernaturals and humans—and threaten Carma’s life—Mina’s forced to choose between protecting her dream career or saving the woman she loves.
The Fountains of Silence meets Spinning Silver in this rollicking tale set amid the 1956 Hungarian revolution in post-WWII Communist Budapest from Sydney Taylor Honor winner Katherine Locke.
In the middle of Budapest, there is a river. Csilla knows the river is magic. During WWII, the river kept her family safe when they needed it most–safe from the Holocaust. But that was before the Communists seized power. Before her parents were murdered by the Soviet police. Before Csilla knew things about her father’s legacy that she wishes she could forget.
Now Csilla keeps her head down, planning her escape from this country that has never loved her the way she loves it. But her carefully laid plans fall to pieces when her parents are unexpectedly, publicly exonerated. As the protests in other countries spur talk of a larger revolution in Hungary, Csilla must decide if she believes in the promise and magic of her deeply flawed country enough to risk her life to help save it, or if she should let it burn to the ground.
When Mitya was two years old, he swallowed his grandmother’s sewing needle. For his family, it marks the beginning of the end, the promise of certain death. For Mitya, it is a small, metal treasure that guides him from within. As he grows, his life mirrors the uncertain future of his country, which is attempting to rebuild itself after the collapse of the Soviet Union, torn between its past and the promise of modern freedom. Mitya finds himself facing a different sort of ambiguity: is he a boy, as everyone keeps telling him, or is he not quite a boy, as he often feels?
After suffering horrific abuse from his cousin Vovka who has returned broken from war, Mitya embarks on a journey across underground Moscow to find something better, a place to belong. His experiences are interlaced with a retelling of a foundational Russian fairytale, Koschei the Deathless, offering an element of fantasy to the brutal realities of Mitya’s everyday life.
Two girls.
One wild and reckless day.
Years of a tumultuous history unspooling
like thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more.
Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed.
And the girls will learn that hearts, like flames, aren’t so easily tamed.
Jason Purcell’s debut collection of poems rests at the intersection of queerness and illness, staking a place for the queer body that has been made sick through living in this world. Part poetic experiment and part memoir, Swollening attempts to diagnose what has been undiagnosable, tracing an uneven path from a lifetime of swallowing bad feelings—homophobia in its external and internalized manifestations, heteronormativity, anxiety surrounding desire, aversion to sex—to a body in revolt.
In poems that speak using the grammar and logics of sickness, Purcell offers a dizzying collision of word and image that is the language of pain alongside the banality of living on. Beginning by reading his own life and body closely and slowly zooming out to read illness in the world, Purcell comes to ask: how might a sick, queer body forgive itself for a natural reaction to living in a sick world and go on toward hope? In Swollening, Purcell coughs up his own poetics of illness, his own aesthetics of pain, to form a tender collection that lands straight in the gut.
Arlo Dilly is young, handsome and eager to meet the right girl. He also happens to be DeafBlind, a Jehovah’s Witness, and under the strict guardianship of his controlling uncle. His chances of finding someone to love seem slim to none.
And yet, it happened once before: many years ago, at a boarding school for the Deaf, Arlo met the love of his life—a mysterious girl with onyx eyes and beautifully expressive hands which told him the most amazing stories. But tragedy struck, and their love was lost forever.
Or so Arlo thought.
After years trying to heal his broken heart, Arlo is assigned a college writing assignment which unlocks buried memories of his past. Soon he wonders if the hearing people he was supposed to trust have been lying to him all along, and if his lost love might be found again.
No longer willing to accept what others tell him, Arlo convinces a small band of misfit friends to set off on a journey to learn the truth. After all, who better to bring on this quest than his gay interpreter and wildly inappropriate Belgian best friend? Despite the many forces working against him, Arlo will stop at nothing to find the girl who got away and experience all of life’s joyful possibilities.
Rhea and her twin brother, Lexos, have spent an eternity helping their father rule their small, unstable country, using their control over the seasons, tides, and stars to keep the people in line. For a hundred years, they’ve been each other’s only ally, defending each other and their younger siblings against their father’s increasingly unpredictable anger.
Now, with an independence movement gaining ground and their father’s rule weakening, the twins must take matters into their own hands to keep their family—and their entire world—from crashing down around them. But other nations are jockeying for power, ready to cross and double cross, and if Rhea and Lexos aren’t careful, they’ll end up facing each other across the battlefield.
Abandoned by her parents, bookish and sheltered Georgiana Ellers is spending the summer with her stodgy aunt and uncle at their home in the English countryside. At a particularly dull party, she meets the enigmatic Frances Campbell, a wealthy member of the in-crowd who delights Georgiana with her disregard for so-called “polite society.”
Lonely and vulnerable, Georgiana quickly falls in with Frances and her wealthy, wild, and deeply improper friends, who introduce her to the upper echelons of Regency aristocracy, and a world of drunken debauchery, frivolous spending, and mysterious young men. One, in particular, stands out from the rest: Thomas Hawksley, who has a tendency to cross paths with Georgiana in her most embarrassing moments. Sparks fly, but Thomas seems unimpressed with the company she is keeping. And soon, Georgiana begins to wonder whether she’ll ever feel like she fits in––or if the price of entry into Frances’s gilded world will ultimately be higher than she is willing to pay.
Clementine Waterhouse is a perfectly logical witch. She doesn’t tumble headlong into love. Rather she weighs the pros and cons and decides if a relationship is worth pursuing. At least that’s always been her modus operandi before. Clem prefers being the one in charge, always the first to walk away when the time is right. Attraction has never struck her like lightning.
Until the witch hunter comes to town.
Gavin Rhys hates being a witch hunter, but his family honor is on the line, and he needs to prove he’s nothing like his grandfather, a traitor who let everyone down. But things in St. Claire aren’t what they seem, and Gavin is distracted from the job immediately by a bewitching brunette with a sexy smile and haunting secrets in her eyes.
Can the bossiest witch in town find a happy ending with the last person she should ever love?
Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. And when several months later Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, together with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.
Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.
Alex and Molly don’t belong on the same planet, let alone the same college campus. But when Alex, fresh off a bad (but hopefully not permanent) breakup, discovers Molly’s hidden crush as their paths cross the night before classes start, they realize they might have a common interest after all. Because maybe if Alex volunteers to help Molly learn how to get her dream girl to fall for her, she can prove to her ex that she’s not a selfish flirt. That she’s ready for an actual commitment. And while Alex is the last person Molly would ever think she could trust, she can’t deny Alex knows what she’s doing with girls, unlike her.
As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling…for each other.
An unflinching shapeshifter, Beast at Every Threshold dances between familial hauntings and cultural histories, intimate hungers and broader griefs. Memories become malleable, pop culture provides a backdrop to glittery queer love, and folklore speaks back as a radical tool of survival. With unapologetic precision, Natalie Wee unravels constructs of “otherness” and names language our most familiar weapon, illuminating the intersections of queerness, diaspora, and loss with obsessive, inexhaustible ferocity—and in resurrecting the self rendered a site of violence, makes visible the “Beast at Every Threshold.”
Beguiling and deeply imagined, Wee’s poems explore thresholds of marginality, queerness, immigration, nationhood, and reinvention of the self through myth.
In 1966, Sissily travels across Kansas with an older man, the father of one of her schoolfriends. On their way to California to begin a life together, he insists on stopping at his family ranch to see his mother. This family reunion is a painful reminder for Sissily about the truth about her own heritage, but she also sees a woman who, decades later, is still scarred by the great depression.
In 1947, Nella’s family relocates to Kansas from Milwaukee, and during the summer before her senior year, begins an interracial relationship with a white man called Lucky. They can only meet in secret, or as Lucky is in a wheelchair sometimes Nella pretends to be his nurse. When three white men stumble upon “Nurse Nella” one catastrophic afternoon, the violence of a racist society forces Nella to face the reality of their situation.
In 1933, at the height of the dust bowl and brutal jackrabbit roundups, surrounded by violence and starvation, Greta finds love with another farm woman. Their clandestine encounters will be unsustainable for obvious reasons but will have consequences for generations. A novel told in three parts, New to Liberty showcases the growth and strength of three unforgettable women as they evolve in a society that refuses to. In lustrous prose, DeMisty Bellinger brings the quiet, but treacherous landscape to life, offering a snapshot of mid-century America and keeping readers guessing until the end as to how these three women are connected.
How else do we return to ourselves but to fold The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.
The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
Sam Brandt is a long-term denizen of Connecticut’s renowned Leverett School. As an English teacher he has dedicated his life to providing his students with the same challenges, encouragement, and sense of possibility that helped him and his friends become themselves here half a lifetime ago.
Then Leverett’s headmaster asks Sam to help investigate a charge brought by one of his classmates that he was abused by a teacher. Sam is flooded with memories, above all of his overwhelming love for his friend Eddie and the support of his most inspiring mentor, Theodore Gibson.
Sam’s search for the truth becomes a quest to get at the heart of Leverett, then and now. The school has changed enormously over the years, but at its core lie assumptions about privilege and responsibility untested for more than a century. And Sam’s assumptions about his own life are shaken, too, as he struggles to understand what really happened all those years ago.
Sequel to Victories Greater Than Death, this is the second book in the Unstoppable series
They’ll do anything to be the people they were meant to be — even journey into the heart of evil.
Rachael Townsend is the first artist ever to leave Earth and journey out into the galaxy — but after an encounter with an alien artifact, she can’t make art at all. Elza Monteiro is determined to be the first human to venture inside the Palace of Scented Tears and compete for the chance to become a princess — except that inside the palace, she finds the last person she ever wanted to see again. Tina Mains is studying at the Royal Space Academy with her friends, but she’s not the badass space hero everyone was expecting. Soon Rachael is journeying into a dark void, Elza is on a deadly spy mission, and Tina is facing an impossible choice that could change all her friends lives forever.
Parker Ferris needed a roommate, but for the crabby ball of snark she is, maybe upbeat Instagram lifestyle influencer Cassie Peterson wasn’t the best choice.
Not like she had a choice: with her business rival Gary Founders crushing her coffee supply business, and her family still needing money, she’s eager to save rent. But it’s only delaying the inevitable.
When a contentious roommate agreement becomes an alliance to keep Parker’s business alive, the attraction between them is nothing but a spark to Parker, a bit of fun to pass the nights with. Cassie, on the other hand, doesn’t know how to feel anything in half measures when it comes to the girl she’s crushed on for months—which is even more of a problem when her fans don’t know she’s gay.
Stopping Gary Founders’ company seems like an impossible task. But confronting feelings both of them have spent a lifetime hiding from might be even more of a challenge.
Annabelle Blake fully expects this school year to be the same as every other: same teachers, same classmates, same, same, same. So she’s elated to discover there’s a new kid in town. To Annabelle, Bailey is a breath of fresh air. She loves hearing about their life in Seattle, meeting their loquacious (and kinda corny) parents, and hanging out at their massive house. And it doesn’t hurt that Bailey has a cute smile, nice hands (how can someone even have nice hands?) and smells really good.
Suddenly sixth grade is anything but the same. And when her irascible father shares that he and Bailey have something big–and surprising–in common, Annabelle begins to see herself, and her family, in a whole new light. At the same time she starts to realize that her community, which she always thought of as home, might not be as welcoming as she had thought. Together Annabelle, Bailey, and their families discover how these categories that seem to mean so much—boy, girl, gay, straight, fruit, vegetable—aren’t so clear-cut after all.
High school junior Blaine Bowers has it all—the perfect boyfriend, a pretty sweet gig as a muralist for local Windy City businesses, a loving family, and awesome, talented friends. And he is absolutely, 100% positive that aforementioned perfect boyfriend—senior student council president and Mr. Popular of Wicker West High School, Joey—is going to invite Blaine to spend spring break with his family in beautiful, sunny Cabo San Lucas.
Except Joey breaks up with him instead. In public. On their one-year anniversary.
Because, according to Joey, Blaine is too goofy, too flighty, too…unserious. And if Joey wants to go far in life, he needs to start dating more serious guys. Guys like Zach Chesterton.
Determined to prove that Blaine can be what Joey wants, Blaine decides to enter the running to become his successor (and beat out Joey’s new boyfriend, Zach) as senior student council president.
But is he willing to sacrifice everything he loves about himself to do it?
Frances was not looking for a relationship when she met Elaine in a bar. She was, in fact, looking to drown her sorrows in a pint or twelve and nurse a broken heart, shattered by the gorgeous, electric Adrienne. But somehow (it involved a steady stream of beer and weed, as things often did with Frances) Elaine ended up in Frances’s bed and never left. Now, faced with mounting pressure from her drug dealer, Dom (and his goon, Betty), Frances comes up with a terrible idea: She asks Elaine to move in with her for real. Unfortunately, this seemingly romantic overture makes Elaine even more sex-crazed and maniacal with love. Frances fears she may never escape the relationship, so, given no choice, she makes the obvious decision: She will sedate Elaine.
Thirty, flirty, and asexual Joy is secretly in love with her best friend Malcolm, but she’s never been brave enough to say so. When he unexpectedly announces that he’s met the love of his life—and no, it’s not Joy—she’s heartbroken. Malcolm invites her on a weekend getaway, and Joy decides it’s her last chance to show him exactly what he’s overlooking. But maybe Joy is the one missing something…or someone…and his name is Fox.
Fox sees a kindred spirit in Joy—and decides to help her. He proposes they pretend to fall for each other on the weekend trip to make Malcolm jealous. But spending time with Fox shows Joy what it’s like to not be the third wheel, and there’s no mistaking the way he makes her feel. Could Fox be the romantic partner she’s always deserved?
Lia Harris is tired of being the odd one out. She’s never quite fit in with her uptight family, and now that her roommates have all found love, she’s starting to feel like a third wheel in her own apartment. Fed up with her mother’s constant meddling in her love life, Lia drops hints about a girlfriend she doesn’t have. But with her brother’s London nuptials approaching, she needs to find a date to save face. Lia turns to her best friend, Rosie, for help, and Rosie delivers–with the fun, gorgeous Grace Poston.
Grace loves to have a good time, hiding her insecurities behind a sunny smile. Her recent move to London has provided her with a much-needed fresh start. Grace isn’t looking for love, and she hates weddings, having weathered more than her fair share of heartache. Friendships are different, though, so for Rosie’s sake, she reluctantly agrees to pose as Lia’s adoring girlfriend for the wedding festivities.
Both Grace and Lia are prepared for an awkward weekend, complete with prying family members and a guest room with only one bed. As it turns out, they get along well–spectacularly, in fact. Before they know it, the chemistry they’re faking feels all too real. But is their wedding weekend a fleeting performance or the rehearsal for a love that’s meant to last?
Festivals like Mardi Gras and Fiesta have come to be annual events in which entire cities participate, and LGBTQ people are a visible part of these celebrations. In other words, the party is on, the party is queer, and everyone is invited. In Queer Carnival, Amy Stone takes us inside these colorful, eye-catching, and often raucous events, highlighting their importance to queer life in America’s urban South and Southwest.
Drawing on five years of research, and over a hundred days at LGBTQ events in cities such as San Antonio, Santa Fe, Baton Rouge, and Mobile, Stone gives readers a front-row seat to festivals, carnivals, and Mardi Gras celebrations, vividly bringing these queer cultural spaces and the people that create and participate in them to life. Stone shows how these events serve a larger fundamental purpose, helping LGBTQ people to cultivate a sense of belonging in cities that may be otherwise hostile.
Queer Carnival provides an important new perspective on queer life in the South and Southwest, showing us the ways that LGBTQ communities not only survive, but thrive, even in the most unexpected places.
Amelia Martini’s favorite things are traveling, animals, and peanut butter. When she left her job to explore the world with her wife, she didn’t expect Tammy’s plans to include leaving her. Now, Amelia is starting over again and facing middle age alone. It’s a struggle, but she doesn’t want to be bitter forever.
Thirty-something Kirby Dupree loves life. Not always easy when you’ve lost as much as she has and carry as much sadness as she does. But she made a promise to always look for beauty, so she does her best…even when she has to squint to see it.
When Kirby’s job as an interior painter brings her into Amelia’s life, they don’t exactly hit it off. Amelia finds Kirby irritatingly cheerful, and Kirby thinks Amelia’s far too serious. Forced to work together, they start to see beyond their first impressions and prove opposites really do attract. But are they brave enough to go after the love they really want?
In Jonathan Van Ness’ New York Times bestselling memoir Over the Top, he showed readers how the incredibly difficult moments from his life (surviving sexual abuse and addiction, being diagnosed with HIV) have existed alongside great joy and positivity (landing a breakout role on Netflix’s Queer Eye, becoming an amateur figure skater and professional standup comedian, doting on his cats). If Jonathan has learned anything from these experiences, it’s that in order to thrive, he had to push past the shame and fear of being his true self. To embark on that journey, he had to get comfortable with being uncomfortable.
In this candid and curious essay collection, Jonathan takes a thoughtful, in-depth look at timely topics through the lens of his own personal experience—instances that have required him to learn, grow, and back handspring layout to a better understanding of the world around him. He dives deeply and widely—from a poignant reflection on grief and embracing body neutrality to an examination of the HIV safety net and white privilege—to share the ways in which he has learned to embrace change. These stories speak to doing the work to challenge internalized beliefs, finding compassion and confidence, and learning more about what makes us all so messy and gorgeous.
Balancing the dark and the light, the serious and the signature humor that is Jonathan Van Ness, these essays will encourage readers to examine their individual assumptions and expand their horizons. Ultimately, it is about giving ourselves the permission to be the flawed and fabulous humans we are, and loving our stories.
The once-grand, now dilapidated old house they live in has become a refuge for their found family. From Morgan’s partner Araminta, an artist with excellent dress sense, to Theo, a ten-year-old with an excess of energy, to quiet telekinesthetic pensioner Denny, all of them consider this haunted house their home. In a world that wasn’t built for their queer, neurodivergent selves, they’ve made it into a place they belong.
Together they welcome not just the ghosts of the house’s former inhabitants, but any who need somewhere to belong. Both the living and the dead can find themselves in need of a sanctuary.
When a collection of ghosts trapped in old bottles are delivered to their door, something from the past is unleashed. A man who once collected ghosts – a man who should have died centuries before – suddenly has the house under his control. Morgan must trust their own abilities, and their hard-won sense of self, to save their home, their family, and the woman they love.
Violets by Kyung-Sook Shin, trans. by Anton Hur (12th)
We join San in 1970s rural South Korea, a young girl ostracised from her community. She meets a girl called Namae, and they become friends until one afternoon changes everything. Following a moment of physical intimacy in a minari field, Namae violently rejects San, setting her on a troubling path of quashed desire and isolation.
We next meet San, aged twenty-two, as she starts a job in a flower shop. There, we are introduced to a colourful cast of characters, including the shop’s mute owner, the other florist Su-ae, and the customers that include a sexually aggressive businessman and a photographer, who San develops an obsession for. Throughout, San’s moment with Namae lingers in the back of her mind.
A Beauty. A Beast. A Curse. This is not the story you know.
Join author Heather Rose Jones on a new and magical journey into the heart of a familiar fairytale. Meet Alys, eldest daughter of a merchant, a merchant who foolishly plucks a rose from a briar as he flees from the home of a terrifying fay Beast and his seemingly icy sister. Now Alys must pay the price to save his life and allow the Beast, the once handsome Philippe, to pay court to her.
But Alys has never fallen in love with anyone; how can she love a Beast? The fairy Peronelle, waiting in the woods to see the culmination of her curse, is sure that she will fail. Yet, if she does, Philippe’s sister Grace and her beloved Eglantine, trapped in an enchanted briar in the garden, will pay a terrible price. Unless Alys can find another way…
Parapsychologist Dr. Nigel Taylor doesn’t work with psychic mediums. Until, that is, a round of budget cuts threatens his job and an eccentric old woman offers him a great deal of grant money. The only catch: he must investigate a haunted house with a man she believes to have a true gift.
Oscar Fox, founder of the ghost-hunting team OutFoxing the Paranormal, has spent his life ignoring the same sort of hallucinations that sent his grandmother to an insane asylum. When he agrees to work with the prestigious—and sexy—Dr. Taylor, he knows he’ll have to keep his visions under wraps, so his team can get a desperately needed pay day.
Soon after Nigel, Oscar, and the OtP team arrive at the house, the questions begin to pile up. Why is there a blood stain in the upstairs hallway? What tragedy took place in the basement? And who is the spirit lurking in the closet of a child’s bedroom?
One thing is certain: if Oscar can’t accept the truth about his psychic abilities, and Nigel can’t face the demons of his past, they’ll join the forgotten souls of the house…forever.
A vibrant ode to the culture and achievements of the LGBTQ+ community, The Meaning of Pride, written by Rosiee Thor and illustrated by Sam Kirk, celebrates the beauty, significance, and many dimensions of the concept of Pride as celebrated by millions of people around the world!
Of course, no one in Merritt believes him. Not even after he stumbled into the busy town center, bleeding, battered, and bruised, for everyone to see. He’d been drinking, they said. He was hanging out where he wasn’t supposed to, they said. It must’ve been a bear, or a badger, or a gator—definitely no monster.
Virgil doesn’t think it was any of those things. He’s positive it was a monster. But being the new kid in a town where everybody knows everybody is hard enough as it is without being the kid who’s afraid of monsters, so he tries to keep a low profile.
Except he knows the monster is still out there. And if he isn’t careful, Virgil’s afraid it’ll come back to finish him off, or worse—that he’ll become one himself.
There are no tides more treacherous than those of the heart. —Teek saying
The great city of Tova is shattered. The sun is held within the smothering grip of the Crow God’s eclipse, but a comet that marks the death of a ruler and heralds the rise of a new order is imminent.
The Meridian: a land where magic has been codified and the worship of gods suppressed. How do you live when legends come to life, and the faith you had is rewarded?
As sea captain Xiala is swept up in the chaos and currents of change, she finds an unexpected ally in the former Priest of Knives. For the Clan Matriarchs of Tova, tense alliances form as far-flung enemies gather and the war in the heavens is reflected upon the earth.
And for Serapio and Naranpa, both now living avatars, the struggle for free will and personhood in the face of destiny rages. How will Serapio stay human when he is steeped in prophecy and surrounded by those who desire only his power? Is there a future for Naranpa in a transformed Tova without her total destruction?
Welcome back to the fantasy series of the decade in Fevered Star—book two of Between Earth and Sky.
The way she looks changes depending on what is behind her. A girl of glass. A girl who is a window. If she stands in front of floral wallpaper she is full of roses.
For Pie’s entire life it’s been Pie and her mother. Just the two of them, traveling across America. They have slept in trains, in mattress stores, and on the bare ground. They have probably slept in your house.
But Pie is lonely. And now, at seventeen, her mother’s given her a gift. The choice of the next city they will go to. And Pie knows exactly where she wants to go. Pittsburgh—where she fell in love with a girl who she plans to find once again. And this time she will reveal herself.
Twin brothers Jordie and Joey have never met their parents. Maybe it’s because they aren’t from this planet?
When another kid at school tried to force Jordie to show him the “crop circles” on his back that prove he’s an alien, it was Joey who took the kid to the ground. And when the twins got kicked out of their foster home because Joey kissed the other boy who lived there, it was Jordie who told him everything would be okay. And as long as Jordie and Joey are together, it will be. But when the principal calls their current foster mother about a fight at school, the boys know she’ll be done with them. And, from spying in their file, they also know they’re going to be separated.
Determined to face the world side by side rather than without one another, Jordie and Joey set off to find their birth parents. From Arizona to Roswell to Area 51 in the Nevada desert, the twins begin a search for where they truly belong. But Jordie’s about to discover that family isn’t always about the ones who bring you into the world, but the ones who help you survive it.
Six years ago, three Long Island teenagers were murdered—their drowned bodies discovered with sand dollars placed over their eyes. The mystery of the drowning summer was never solved, but as far as the town’s concerned, Evelyn Mackenzie’s father did it. His charges were dropped only because Evelyn summoned a ghost to clear his name. She swore never to call a spirit again. She lied.
For generations, the family of Mina Zanetti, a former friend of Evelyn, has worked as mediums, using the ocean’s power to guide the dead to their final resting place. But as sea levels rise, the ghosts grow more dangerous and Mina has been shut out of the family business. When Evelyn performs another summoning that goes horribly wrong, the two girls must navigate their growing attraction to each other while solving the mystery of who was really behind the drowning summer…before the line between life and death dissolves for good.
She left all she knew to find who she could be . . .
She grows up in the wild wood, in a cave with her mother, but visions of a faraway lake drift to her on the spring breeze, scented with promise. And when she hears a traveler speak of Artos, king of Caer Leon, she decides her future lies at his court. So, brimming with magic and eager to test her strength, she breaks her covenant with her mother and sets out on her bony gelding for Caer Leon.
With her stolen hunting spear and mended armour, she is an unlikely hero, not a chosen one, but one who forges her own bright path. Aflame with determination, she begins a journey of magic and mystery, love, lust and fights to death. On her adventures, she will steal the hearts of beautiful women, fight warriors and sorcerers, and make a place to call home.
Her father is a Musik, one of only five musicians in the country licensed to compose and perform original songs. In the kingdom of Aell, where winter is endless and magic is accessible to all, there are strict anti-magic laws ensuring music remains the last untouched art.
Sofi has spent her entire life training to inherit her father’s title. But on the day of the auditions, she is presented with unexpected competition in the form of Lara, a girl who has never before played the lute. Yet somehow, to Sofi’s horror, Lara puts on a performance that thoroughly enchants the judges.
Almost like magic.
The same day Lara wins the title of Musik, Sofi’s father dies, and a grieving Sofi sets out to prove Lara is using illegal magic in her performances. But the more time she spends with Lara, the more Sofi begins to doubt everything she knows about her family, her music, and the girl she thought was her enemy.
As Sofi works to reclaim her rightful place as a Musik, she is forced to face the dark secrets of her past and the magic she was trained to avoid—all while trying not to fall for the girl who stole her future.
Patience, Patches! by Christy Mihaly (text) and Sheryl Murray (illustration) (19th)
Patches the puppy is very good at waiting—or at least that’s what he thinks. But his patience is put to the test when his two moms arrive home with an unexpected bundle. Is it a new toy? No! It’s a new baby. Suddenly, everything Patches wants to do takes a little bit longer. But patience, it turns out, is a lesson worth learning.
Chloe Caldwell’s period has often felt inconvenient or uncomfortable or even painful, but it’s only once she’s in her thirties, as she’s falling in love with Tony, a musician and single dad, that its effects on her mood start to dominate her life. Spurred by the intensity and seriousness of her new relationship, she soon realizes that her outbursts of anxiety and rage match her hormonal cycle.
Compelled to understand the truth of what’s happening to her every month, Chloe documents attitudes toward menstruation among her peers and family, reads Reddit threads about PMS, goes on antidepressants, goes off antidepressants, goes on antidepressants again, attends a conference called Break the Cycle, and learns about premenstrual dysphoric disorder, PMDD, which helps her name what she’s been going through. For Chloe, healing isn’t just about finding the right diagnosis or a single cure. It means reflecting on other underlying patterns in her life: her feelings about her queer identity and writing persona in the context of a heterosexual relationship; how her parents’ divorce contributed to her issues with trust; and what it means to blend a family.
This inspirational history of the international LGBTQ+ movement will teach readers to accept and have pride in themselves and others, whatever their sexuality.
It details the struggles and successes of LGBTQ+ movements around the world, looking at decriminalisation, the Stonewall riots and their legacy, global Pride movements, the HIV/AIDS crisis and equal marriage.
It also includes profiles of significant LGBTQ+ figures from history and messages from young, modern-day members of the LGBTQ+ community, explaining why they have pride in themselves – and why you should, too.
After twelve years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person.
Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more out of love—she begins to question: What if the love of her life isn’t the man she married. What if it’s Jane?
Thirteen-year-old Andi feels stranded after the loss of her mother, the artist, who swept color onto Andi’s blank canvas. When she is accepted to a music camp, Andi finds herself struggling to play her trumpet like used to before her whole world changed. Meanwhile, Zora, a returning camper, is exhausted trying to please her parents, who are determined to make her a flute prodigy even though she secretly has a dancer’s heart.
At Harmony Music Camp, Zora and Andi are the only two Black girls in a sea of mostly white faces. In kayaks and creaky cabins, the two begin to connect, unraveling their loss, insecurities, and hope for the future.
And as they struggle to figure out who they really are, they may just come to realize who they really need: each other. From the author of the critically-acclaimed novel, For Black Girls Like Me, comes a lyrical story about the rush of first love and the power of one life-changing summer.
There are three things you need to know about Preston “PK” Kingsley:
He’s a writer, toiling in obscurity as an editorial assistant at a New York City publishing house.
He is not a cliché. No, really.
He’s been secretly in love with his best friend, Art, since they once drunkenly kissed in college.
When Art moves in with PK following a bad breakup, PK hopes this will be the moment when Art finally sees him as more than a friend. But Art seems to laugh off the very idea of them in a relationship, so PK returns to his writing roots—in fiction, he can say all the things he can’t say out loud.
In his book, PK can be the perfect boyfriend.
Before long, it seems like the whole world has a crush on the fictionalized version of him, including Art, who has no idea that the hot new book everyone’s talking about is PK’s story. But when his brilliant plan to win Art over backfires, PK might lose not just his fantasy book boyfriend, but his best friend.
Sixteen-year-old Arden Grey is struggling. Her mother has left their family, her father and her younger brother won’t talk about it, and a classmate, Tanner, keeps harassing her about her sexuality—which isn’t even public. (She knows she likes girls romantically, but she thinks she might be asexual.) At least she’s got her love of film photography and her best and only friend, Jamie, to help her cope. Then Jamie, who is trans, starts dating Caroline, and suddenly he isn’t so reliable. Arden’s insecurity about their friendship grows. She starts to wonder if she’s jealous or if Jamie’s relationship with Caroline is somehow unhealthy—and it makes her reconsider how much of her relationship with her absent mom wasn’t okay, too.
Cutthroat political consultant Thom Morgan is thriving, working on the governor of California’s presidential campaign. If only he didn’t have to deal with Clay Parker, the infuriatingly smug data analyst who gets under Thom’s skin like it’s his job. In the midst of one of their heated and very public arguments, a journalist snaps a photo, but the image makes it look like they’re kissing. As if that weren’t already worst-nightmare territory, the photo goes viral—and in a bid to secure the liberal vote, the governor asks them to lean into it. Hard.
Thom knows all about damage control—he practically invented it. Ever the professional, he’ll grin and bear this challenge as he does all others. But as the loyal staffers push the boundaries of “giving the people what they want,” the animosity between them blooms into something deeper and far more dangerous: desire. Soon their fake relationship is hurtling toward something very real, which could derail the campaign and cost them both their jobs…and their hearts.
Skylar Gray is adopted, nonverbal, and he feels most comfortable wearing skirts. Life has never been easy, but with a fresh start at a brand-new school, with new parents and in a new state, he just might finally make some friends. Maybe. Honestly it′s hard to focus on anything when gorgeous rocker boy Jacob is around. But it′s hard for Skylar to trust anyone when people have always been quick to ditch him at the first inconvenience; they always seem more than ready to judge him as defective. And the bullies love to confirm it. Skylar has only ever had himself, so why would anything be different this time? Especially for an anxious boy with literally no voice.
Jacob doesn′t give a damn, especially not since he came out over the summer. He expected the hate he got from his father, who mostly acts as if it never happened, but he refuses to let it hold him back. It doesn′t matter, Jacob′s over it. He’s going to paint his nails, dye his hair, and strike a heavy rift on his guitar if he wants to, even if it means being grounded most of senior year. But when the cute nonverbal transfer student, Skylar, wears a skirt to school, prompting a sexist new dress code proposal, Jacob decides it′s time to take a stand, no matter the risk to himself.
Danica Roem made national headlines when–as a transgender former frontwoman for a metal band and a political newcomer–she unseated Virginia’s most notoriously anti-LGBTQ 26-year incumbent Bob Marshall as state delegate. But before Danica made history, she had to change her vision of what was possible in her own life. Doing so was a matter of storytelling: during her campaign, Danica hired an opposition researcher to dredge up every story from her past that her opponent might seize on to paint her negatively.
In wildly entertaining prose, Danica dismantles all the stories her opponents tried to hedge against her, showing how through brutal honesty and loving authenticity, it’s possible to embrace the low points, and even transform them into her greatest strengths. Burn the Page takes readers from Danica’s lonely, closeted, and at times operatically tragic childhood to her position as a rising star in a party she’s helped forever change. Burn the Page is so much more than a stump speech: it’s an extremely inspiring manifesto about how it’s possible to set fire to the stories you don’t want to be in anymore, whether written by you or about you by someone else–and rewrite your own future, whether that’s running for politics, in your work, or your personal life. This book will not just encourage people who think they have to be spotless to run for office, but inspire all of us to own our personal narratives as Danica does.
When Harleen Quinzel scores an internship in a psych lab at Gotham University, she’s more than ecstatic; she’s desperate to make a Big Scientific Discovery that will land her a full-ride college scholarship and get her away from her abusive father. But when Harleen witnesses the way women are treated across STEM departments–and experiences harassment herself–she decides that revenge and justice are more important than her own dreams.
Harleen finds her place in an intoxicating vigilante girl gang called the Reckoning, who creates chaos to inspire change. And when Harleen falls for another girl in the gang, it finally seems like she’s found her true passions. But what starts off as pranks and mischief quickly turns deadly as one of the gang members is found murdered–and a terrifying conspiracy is uncovered that puts the life Harleen has worked so hard for at stake. Will she choose her future–or will she choose revenge?
“I was born on the full moon under an auspicious constellation, the holiest of positions—much good it did me.”
So begins Kaikeyi’s story. The only daughter of the kingdom of Kekaya, she is raised on tales of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the devout and the wise. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.
Desperate for some measure of independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With this power, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen, determined to carve a better world for herself and the women around her.
But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind.
It’s 1974. Title IX has passed two years ago, but Louisa’s high school still refuses to fund an all girls basketball team. After hearing Gloria Steinem speak, Louisa learns an important lesson: “The truth will set you free, but first it will piss you off.” Now what can she do but stand up and fight back?
When Louisa asks her principal to start a girls team, she’s soon viciously targeted by male coaches at her school, lied to by the school board, and dismissed as “out of line” as she fights for a fair chance to be an athlete. No Stopping Us Now is a story about finding one’s own voice through the joys of sports, love, and the power of sisterhood. Based on the author’s true story, it is a compelling examination of the courage it takes to stand up for what’s right.
In celebration of National Poetry Day, check out these Poetry titles that discuss queerness, sexuality, identity, and more. This year’s theme is “Truth,” and given how much of queerness is grappling with that concept, whether for yourself or making other people understand yours or both, you can’t really go wrong here. (For a longer but less detailed list, check out our Poetry page.)
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masqueradegrapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
In her third collection of poetry, Holy Wild, Gwen Benaway explores the complexities of being an Indigenous trans women in expansive lyric poems. She holds up the Indigenous trans body as a site of struggle, liberation, and beauty. A confessional poet, Benaway narrates her sexual and romantic intimacies with partners as well as her work to navigate the daily burden of transphobia and violence. She examines the intersections of Indigenous and trans experience through autobiographical poems and continues to speak to the legacy of abuse, violence, and colonial erasure that defines Canada. Her sparse lines, interwoven with English and Anishinaabemowin (Ojibwe), illustrate the wonder and power of Indigenous trans womanhood in motion. Holy Wild is not an easy book, as Benaway refuses to give any simple answers, but it is a profoundly vibrant and beautiful work filled with a transcendent grace.
Ocean Vuong’s first full-length collection aims straight for the perennial “big”—and very human—subjects of romance, family, memory, grief, war, and melancholia. None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.
Feed is the fourth book in the Teebs tetralogy. It’s an epistolary recipe for the main character, a poem of nourishment, and a jaunty walk through New York’s High Line park, with the lines, stanzas, paragraphs, dialogue, and registers approximating the park’s cultivated gardens of wildness. Among its questions, Feed asks what’s the difference between being alone and being lonely? Can you ever really be friends with an ex? How do you make perfect mac & cheese? Feed is an ode of reconciliation to the wild inconsistencies of a northeast spring, a frustrating season of back-and-forth, of thaw and blizzard, but with a faith that even amidst the mess, it knows where it’s going.
![Little Foxes Took Up Matches by [Katya Kazbek]](https://i0.wp.com/m.media-amazon.com/images/I/41gL-CWM9AL.jpg?w=224&ssl=1)
![Night & Day (Taste of Port Andrea) by [Lily Seabrooke]](https://i0.wp.com/m.media-amazon.com/images/I/51yQY3j0gfL.jpg?w=230&ssl=1)
![With a Twist (A Swizzle Stick Romance Book 3) by [Georgia Beers]](https://i0.wp.com/m.media-amazon.com/images/I/41Raa08XY4L.jpg?w=228&ssl=1)
![The Forgotten Dead (OutFoxing the Paranormal Book 1) by [Jordan L. Hawk]](https://i0.wp.com/m.media-amazon.com/images/I/51qRb+iGjiL.jpg?resize=214%2C321&ssl=1)
![Fevered Star (Between Earth and Sky Book 2) by [Rebecca Roanhorse]](https://i0.wp.com/m.media-amazon.com/images/I/51PiQF0evHL.jpg?w=229&ssl=1)
