It’s Pride, Baby!by Allen R. Wells (text) and Dia Valle (illustration)
Lift your soul to the sky. Like summer sunbeams― Don’t live behind clouds. You shine!
It’s Black Gay Pride Day in Washington, DC, and two gay parents are getting their child ready for a day at the National Mall. From cheerful neighbors to colorful outfits to fireworks, the vast LGBTQIA+ community is represented here in body, spirit, and pride flags galore!
Allen R. Wells’s poetic text perfectly captures the expansiveness of a parent’s love, while Dia Valle’s joyful art bursts off the page. Here are words that children in every family—no matter its color, size, or shape—need to hear.
As a cupid, Jude thinks they understand love a little bit more than the average human. It makes sense — Jude’s been studying love their whole teen life. And, yes, there have been some bumps in the road, and they’re currently on probation for doing something that they absolutely, definitely shouldn’t have done… but they’re ready to prove they can make matches without ever getting involved.
Only… Jude’s next assignment isn’t about setting up two adults. No, this time Jude has to go to high school, with kids their own age. And the assignment is a tough one: two best friends who are meant to be more than just best friends… but who aren’t currently speaking to each other after a huge falling out.
Jude thinks they’ve got this one all under control, and that they won’t get involved whatsoever.
Which proves that maybe Jude hasn’t learned the first lesson of humans and love … It’s complicated.
It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here.
Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games.
“Let’s get them together,” she says.
It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead.
“It’ll be easy” she says.
There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other.
But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be?
Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage.
Beth’s not mature enough for this…
Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé.
That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.
It doesn’t come out until the last day of the month, but I can’t wait until then to shout about Sorry, Bro by Taleen Voskuni, a bisexual f/f romance steeped in Armenian culture and crackling with chemistry. I loved witty Nar and passionate Erebuni, and, as a non-Armenian, learning lots, too. Hope you love it as much as I did!
When Nar’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or wealthy engineer who catches her eye—it’s Erebuni, a woman as equally immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on Nar’s double life, though—the closing event banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave, determined to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
Seventeen-year-old gaymer Noah Mitchell only has one friend left: the wonderful, funny, strictly online-only MagePants69. After years playing RPGs together, they know everything about each other, except anything that would give away their real life identities. And Noah is certain that if they could just meet in person, they would be soulmates. Noah would do anything to make this happen―including finally leaving his gaming chair to join a community theater show that he’s only mostly sure MagePants69 is performing in. Noah has never done anything like theater―he can’t sing, he can’t dance, and he’s never willingly watched a musical―but he’ll have to go all in to have a chance at love.
With Noah’s mum performing in the lead role, and former friends waiting in the wings to sabotage his reputation, his plan to make MagePants69 fall in love with him might be a little more difficult than originally anticipated.
And the longer Noah waits to come clean, the more tangled his web of lies becomes. By opening night, he will have to decide if telling the truth is worth closing the curtain on his one shot at true love.
This is the first US publication of the UK novella.
Absence makes the heart grow fonder… right?
Everyone knows that Nick and Charlie love their nearly inseparable life together. But soon Nick will be leaving for university, and Charlie, a year younger, will be left behind. Everyone’s asking if they’re staying together, which is a stupid question… or at least that’s what Nick and Charlie assume at first.
As the time to say goodbye gets inevitably closer, both Nick and Charlie start to question whether their love is strong enough to survive being apart. Charlie is sure he’s holding Nick back… and Nick can’t tell what Charlie’s thinking.
Things spiral from there.
Everyone knows that first loves rarely last forever. What will it take for Nick and Charlie to defy the odds?
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?
Edward Dinnissen, Crown Prince of Canada, loves getting the royal treatment at his exclusive Manhattan private school and living in a fancy mansion on Park Avenue. But despite living a royal life of luxury, Edward is unsure how to tell his parents, his expectant country, and his adoring fans that he’s gay.
Billy Boone couldn’t be happier: he loves small-town life and his family’s Montana ranch, and his boyfriend is the cutest guy at Little Timber High. But this out-and-proud cowboy is finally admitting to himself that he feels destined for more . . .
When Edward and Billy meet by chance in New York City and discover that they are long-lost twins, their lives are forever changed. Will the twin princes—“twinces”— be able to take on high school, coming out, and coronations together? Or will this royal reunion quickly become a royal disaster?
She wants a big Sweet Sixteen like her best friend, Naomi.
She wants the super-cute new girl Siobhan to like her back.
She wants a break from worrying—about money, snide remarks from white classmates, pitying looks from church ladies . . . all of it.
Then inspiration strikes: It’s too late for a Sweet Sixteen, but what if she had a coming-out party? A singing, dancing, rainbow-cake-eating celebration of queerness on her own terms.
The idea lights a fire beneath her, and soon Mahalia is scrimping and saving, taking on extra hours at her afterschool job, trying on dresses, and awkwardly flirting with Siobhan, all in preparation for the coming out of her dreams. But it’s not long before she’s buried in a mountain of bills, unfinished schoolwork, and enough drama to make her English lit teacher blush. With all the responsibility on her shoulders, will Mahalia’s party be over before it’s even begun?
A novel about finding yourself, falling in love, and celebrating what makes you you.
As a waterweaver, Nehal can move and shape any water to her will, but she’s limited by her lack of formal education. She desires nothing more than to attend the newly opened Weaving Academy, take complete control of her powers, and pursue a glorious future on the battlefield with the first all-female military regiment. But her family cannot afford to let her go—crushed under her father’s gambling debt, Nehal is forcibly married into a wealthy merchant family. Her new spouse, Nico, is indifferent and distant and in love with another woman, a bookseller named Giorgina.
Giorgina has her own secret, however: she is an earthweaver with dangerously uncontrollable powers. She has no money and no prospects. Her only solace comes from her activities with the Daughters of Izdihar, a radical women’s rights group at the forefront of a movement with a simple goal: to attain recognition for women to have a say in their own lives. They live very different lives and come from very different means, yet Nehal and Giorgina have more in common than they think. The cause—and Nico—brings them into each other’s orbit, drawn in by the group’s enigmatic leader, Malak Mamdouh, and the urge to do what is right.
But their problems may seem small in the broader context of their world, as tensions are rising with a neighboring nation that desires an end to weaving and weavers. As Nehal and Giorgina fight for their rights, the threat of war looms in the background, and the two women find themselves struggling to earn—and keep—a lasting freedom.
Shy foster kid Jonas and self-assured vlogger Shani met online, and so far, that’s where their relationship has stayed, sharing memes and baring their souls from behind their screens. Shani is eager to finally meet up, but Jonas isn’t so sure–he’s not confident Shani will like the real him . . . if he’s even sure who that is.
Jonas knows he’s trapped himself in a lie with Shani–and wants to dig himself out. But Shani, who’s been burned before, may not give him a chance: she talks her best friend Ash into playing spy and finding out the truth. When Ash falls for Jonas, too, he keeps that news from Shani, and soon they’re all keeping secrets. Will it matter that their hearts are in the right place? Coming clean will require them to figure out who they really are, which is no easy task when all the pieces of your identity go beyond easy boxes and labels.
Even though she won’t deny her love for pretty (and pricey) things, Nineve Blackmoore is almost painfully down-to-earth and sensible by Blackmoore standards. But after a year of nursing a broken heart inflicted by the fiancée who all but ditched her at the altar, the powerful witch is sick of feeling low and is ready to try something drastically different: a dating app.
At her best friend’s urging, Nina goes on a date with Morty Gutierrez, the nonbinary, offbeat soul of spontaneity and co-owner of the Shamrock Cauldron. Their date goes about as well as can be expected of most online dates—awkward and terrible. To make matters worse, once Morty discovers Nina’s last name, he’s far from a fan; it turns out that the Blackmoores have been bullishly trying to buy the Shamrock out from under Morty and his family.
But when Morty begins developing magical powers—something that usually only happens to committed romantic partners once they officially join a founding family—at the same time that Nina’s own magic surges beyond her control, Nina must manage Morty’s rude awakening to the hidden magical world, uncover its cause, and face the intensity of their own burgeoning connection. But what happens when that connection is tied to Nina’s power surge, a power she’s finding nearly as addictive as Morty’s presence in her life?
Bonnie James has built her life around her passions—cats, coffee, and community. She rejected her family’s narrow visions of success and instead chose the non-lucrative, fur-filled life of a cat café owner. So what if her decision means she works way too much to have time for true love? She has plenty of friends and cats to keep her company.
Wedding planner Taryn Ritter has a knack for making impossible dreams come true. She might not understand the appeal of getting married in a cat café, but if that’s what her clients want, then she’ll make it happen. She’s not about to let the reluctant café owner stand in her way, so she makes Bonnie an offer she can’t refuse—give her the venue for one day and she’ll find a way to get more cats adopted into happy homes.
When Bonnie and Taryn join forces to help a bunch of shelter cats find their forever homes, they just might discover forever for themselves as well.
Seventeen-year-old Theo Wright has it all figured out. His plan (well, more like his dad’s plan) is a foolproof strategy that involves exceling at his magnet school, getting scouted by college recruiters, and going to Duke on athletic scholarship. But for now, all Theo wants is a perfect prom night. After his best friend Jay dares Theo to prompose to his crush at Chloe Campbell’s party, Theo’s ready to throw caution to the wind and take his chances.
But when the promposal goes epically wrong, Theo seeks refuge in an empty bedroom while the party rages on downstairs. Having an existential crisis about who he really is with and without his so-called best friend wasn’t on tonight’s agenda. Though, as the night goes on, Theo finds he’s not as alone as he thinks when, one by one, new classmates join him to avoid who they’re supposed be outside the bedroom door. Among them, a familiar acquaintance, a quiet outsider, an old friend, and a new flame . . .
In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.
Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world. She can’t forget her wife, but with time, she can make a new life for herself and the kid, supported by a community of fellow misfits who defy the Department to lift one another up in solidarity and hope.
A letter has beckoned to Raimundo since he received it decades ago from his youthful passion, handsome Cicero. But having grown up in an impoverished area of Brazil where the demands of manual labor thwarted his becoming literate, Raimundo has long been unable to read. As young men, he and Cicero fell in love, only to have Raimundo’s father brutally beat his son when he discovered their affair. Even after Raimundo succeeds in making a life for himself in the big city, he continues to be haunted by this secret missive full of longing from the distant past. Now, as an elderly man, he at last acquires a true education and the ability to access the letter. Exploring Brazil’s little-known hinterland as well its urban haunts, this is a sweeping novel of repression, violence, and shame, along with their flip side: survival, endurance, and the ultimate triumph of an unforgettable figure on society’s margins. The Words That Remain explores the universal power of the written word and language, and how they affect all our relationships.
In 1986, Tommy Gaye is in love with his best friend, budding teen poet Renaldo Calabasas. But at the height of the AIDS crisis and amidst the homophobia running rampant across America, Tommy can never share his feelings. Then, one terrible night, Renaldo is struck by lightning. And he emerges from the storm a very different boy.
In 2044, Heron High student Pris Devrees jolts awake after having a strange nightmare about a boy named Tommy and a house in the neighborhood the locals affectionally call “The Murder House.” When she ventures to the house to better understand her vivid dreams, she happens upon an old self-help book that she soon realizes is a guide to trans-dimensional travel.
As bodies and minds merge across the astral plane, Pris, Tommy, and their friends race to save Renaldo from a dangerous demon, while uncovering potent realities about love, sexuality, and friendship.
What kinds of relationship can I have as an ace person?
If you are looking for answers to these questions, Cody is here to help. Within these pages lie all the advice you need as a questioning ace teen.
Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody’s personal experience.
Whether you are ace, demi, gray-ace or not sure yet, this book will give you the courage and confidence to embrace your authentic self and live your best ace life.
“You’re just being greedy.”
“Are you sure you’re not gay?”
“Pick a side.”
Being a bisexual man isn’t easy – something Vaneet Mehta knows all too well. After spending more than a decade figuring out his identity, Vaneet’s coming out was met with questioning, ridicule and erasure. This experience inspired Vaneet to create the viral #BisexualMenExist campaign, combatting the hate and scepticism m-spec (multi-gender attracted spectrum) men encounter, and helping others who felt similarly alone and trapped.
This powerful book is an extension of that fight. Navigating a range of topics, including coming out, dating, relationships and health, Vaneet shares his own lived experience as well as personal stories from others in the community to help validate and uplift other bisexual men. Discussing the treatment of m-spec men in LGBTQ+ places, breaking down stereotypes and highlighting the importance of representation and education, this empowering book is a rallying call for m-spec men everywhere.
Trapped between a homicidal brother and a homophobic podcaster eager to reveal her lesbian romance novels, a seventy-year-old grandmother seeks help in Clear, Alaska.
Suffocating in a loveless marriage and lonely existence, Taylor MacKenzie lives only through her writing, using the pen name Brooke Skipstone, her best friend in college and lover before her death in 1974.
Afraid of being murdered before anyone in her family or community knows her life story, Taylor writes an autobiography about her time with Brooke and shares it with those closest to her, hoping for understanding and acceptance.
Accused of promoting the queering and debasement of America by a local podcaster, Taylor embroils the conservative community in controversy but fights back with the help of a new, surprising friend.
Can she endure the attacks from haters and gaslighters? Can she champion the queering she represents?
Penny and Tate have always clashed. Unfortunately, their mothers are lifelong best friends, so the girls’ bickering has carried them through playdates, tragedy, and more than one rom-com marathon with the Moms. When Penny’s mother decides to become a living donor to Tate’s mom, ending her wait for a liver transplant, things go from clashing to cataclysmic. Because in order to help their families recover physically, emotionally, and financially, the Moms combine their households the summer before senior year.
So Penny and Tate make a pact: They’ll play nice. Be the drama-free daughters their mothers need through this scary and hopeful time. There’s only one little hitch in their plan: Penny and Tate keep almost kissing.
It’s just this confusing thing that keeps happening. You know, from time to time. For basically their entire teenaged existence.
They’ve never talked about it. They’ve always ignored it in the aftermath. But now they’re living across the hall from each other. And some things—like their kisses—can’t be almosts forever.
Fifteen-year-old Kermit Sanders knows grief and its all-encompassing shadows. After losing his beloved older sister in a tragic car accident, nothing quite punctures through the feelings of loss. Everywhere Kermit goes, he is reminded of her.
But then Kermit finds a mysterious invitation in his locker, signed anonymously with “-1.” He has no idea what he’s in for, but he shows up to find out. Dubbed the “Minus-One Club,” a group of his schoolmates has banded together as a form of moral support. The members have just one thing in common—they have all suffered the tragic loss of someone they loved.
The usual dividing lines between high school classes and cliques don’t apply inside the Minus-One Club, and Kermit’s secret crush, the handsome and happy-go-lucky Matt (and only out gay student at school), is also a part of the group. Slowly, Matt’s positive headstrong approach to life helps relieve Kermit of his constant despair.
But as Kermit grows closer to Matt, the light of his new life begins to show the cracks beneath the surface. When Matt puts himself in danger by avoiding his feelings, Kermit must find the strength to not only lift himself back up but to help the rest of the group from falling apart.
“The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.”
Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.
In This Unlikely Soil, prize-winning writer Andrea Routley delivers stories of queer women navigating love and life against the lush, isolated backdrop of Canada’s West Coast.
A dog that bites, a bear suffering from a hemorrhoid, an aggressive willow tree, berried-up Dungeness crabs and erotic mussels… The dense West-Coast landscape of This Unlikely Soil echoes the fraught search for connection of the rural-dwelling queer characters in this quintet of novellas. Finalist for the Malahat Review Novella Prize, this sophomore collection from Lambda Literary Award-finalist Andrea Routley explores the queer state of wandering, violence, and loss with surprising humour and compassion.
Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.
Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.
No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t fact the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.
Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her.
But Tinsley has an agenda, too.
Everyone loved Nova. And sometimes, love is exactly what gets you killed.
When Nar’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or wealthy engineer who catches her eye—it’s Erebuni, a woman as equally immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on Nar’s double life, though—the closing event banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave, determined to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
This is the sequel to Cameron Battle and the Hidden Kingdoms
After his first adventure as the Descendant, Cameron can’t sit through seventh grade classes. Especially when his mother is still trapped in Chidani and his father is still missing. But he encounters a particularly nasty bully in his new school, and it doesn’t take long for Cameron and his trusty friends Zion and Aliyah to realize that the troubles of Chidani won’t stay away for long.
With the Book to guide them, Cameron and his crew end up transported to Chidani sooner than anticipated–and the gods and goddesses they encounter don’t intend to make Cameron’s journey easy. Can he finally outwit and outlast the villainous god set on destroying their worlds?
Acclaimed novelist and scholar Daniel Black has spent a career writing into the unspoken, fleshing out, through storytelling, pain that can’t be described.
Now, in his debut essay collection, Black gives voice to the experiences of those who often find themselves on the margins. Tackling topics ranging from police brutality to the AIDS crisis to the role of HBCUs to queer representation in the Black church, Black on Black celebrates the resilience, fortitude and survival of Black people in a land where their body is always on display.
As Daniel Black reminds us, while hope may be slow in coming, it always arrives, and when it does, it delivers beyond the imagination. Propulsive, intimate and achingly relevant, Black on Black is cultural criticism at its openhearted best.
Sixteen-year-old Baylee has never been kissed, but she wants to do way more than that. She’s had a huge crush on her gorgeous best friend and neighbor, Freddie, for years, but since she doesn’t look like the type he normally dates, the judgmental voice in her head tells her he’ll never see her as more than a friend.
Then Baylee meets Alex online and she starts to fall for this sweet, funny barista who likes her just as she is. But when Freddie makes a move on Baylee and a virus shuts the world down, Baylee will find herself torn as everything starts happening at once and she navigates the messy waters of love and desire. It helps that she’s observed her friends’ relationship drama, so she knows exactly what mistakes not to make . . . right?
Business consultant Rose Josten might not have officially reached “pug lady” middle age, but she’s already got the pugs—along with their little Gucci coats and trash-lovin’ appetites. Still, life is good, with her work, her sisters, and a secret hobby creating incredibly tactile (if surprisingly sexy) mindfulness videos. So why does it feel like it’s not quite enough? Which is exactly when Ash Stewart enters camera left, and Rose’s world suddenly goes full technicolor . . .
Ash never looks at anyone. Not since her ex ripped her heart from her chest in Spielberg-esque style, crushing Ash’s reputation, dreams, and career in one brutal blow. But Rose is altogether different. She’s curvy, beautiful, and just so damn put together. And her business expertise might be Ash’s best bet for getting her last film—and her last chance—financed. Now if they can just keep their attraction under wraps, Ash’s lost dream could finally come true. But are they creating the perfect pitch . . . or setting the stage for disaster?
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In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. (Exception made for books posted without a cover last year or whose pub dates significantly changed since last posting.) For even more bi goodness, make sure to check earlier Bi Visibility Day posts!
Eighth-graders Evelyn and Allie are in trouble. Evelyn’s constant need for perfection has blown some fuses among her robotics teammates, and she’s worried nobody’s taking the upcoming competition seriously. Allie is new to school, and she’s had a history of short-circuiting on teachers and other kids.
So when Allie is assigned to the robotics team as a last resort, all Evelyn can see is just another wrench in the works! But as Allie confronts a past stricken with grief and learns to open up, the gears click into place as she discovers that Evelyn’s teammates have a lot to offer—if only Evelyn allowed them to participate in a role that plays to their strengths.
Can Evelyn learn to let go and listen to what Allie has to say? Or will their spot in the competition go up in smoke along with their school’s robotics program and Allie’s only chance at redemption?
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
When Harleen Quinzel scores an internship in a psych lab at Gotham University, she’s more than ecstatic; she’s desperate to make a Big Scientific Discovery that will land her a full-ride college scholarship and get her away from her abusive father. But when Harleen witnesses the way women are treated across STEM departments–and experiences harassment herself–she decides that revenge and justice are more important than her own dreams.
Harleen finds her place in an intoxicating vigilante girl gang called the Reckoning, who creates chaos to inspire change. And when Harleen falls for another girl in the gang, it finally seems like she’s found her true passions. But what starts off as pranks and mischief quickly turns deadly as one of the gang members is found murdered–and a terrifying conspiracy is uncovered that puts the life Harleen has worked so hard for at stake. Will she choose her future–or will she choose revenge?
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
I Know What You Did Last Summer meets The Haunting of Hill House in this atmospheric, eerie teen thriller following an estranged group of friends being haunted by their friend who died last summer.
Emily Joiner was once part of an inseparable group—she was a sister, a best friend, a lover, and a rival. Summers without Emily were unthinkable. Until the fire burned the lake house to ashes with her inside.
A year later, it’s in Emily’s honor that Chelsea and her four friends decide to return. The house awaits them, meticulously rebuilt. Only, Chelsea is haunted by ghostly visions. Loner Ryan stirs up old hurts and forces golden boy Chase to play peacemaker. Which has perfect hostess Kennedy on edge as eerie events culminate in a stunning accusation: Emily’s death wasn’t an accident. And all the clues needed to find the person responsible are right here.
As old betrayals rise to the surface, Chelsea and her friends have one night to unravel a mystery spanning three summers before a killer among them exacts their revenge.
Flight 133 disappeared over the ocean. No wreckage. No distress signal. Just gone.
Suddenly, everyone on the news and social media is talking about whether the pilot intentionally crashed it—everyone but me. Because I know her. The pilot was my mom, and there’s no way she would hurt anyone. No one else knows that before she left, she wrote me a note. Trust me, it said.
Now it feels like someone split my world—and me—in two, and the only person who believes me is Landon. I want to trust him, to let him see who I really am, but I can’t. I have my secrets, the same way Mom has hers. All I know is falling for him will only make things more complicated.
Just as I start to open up, the answer to what really happened to Flight 133 could rip my world apart all over again—for good this time.
TRAGIC by Dana Mele (Text) and Valentina Pinti (Illustrations)
In a contemporary re-telling of Shakespeare’s Hamlet, TRAGIC follows the 17 year-old Harper Hayes as she unravels the mystery and grief surrounding her father’s death.
After her father Hamilton Hayes dies a mysterious and tragic death, Harper Hayes is convinced that he was murdered and her first suspect is her uncle Clayton, who has been sleeping with her mother, Greta. With the help of her ex-girlfriend Talia and her best friend (sometimes with benefits) Holden, Harper is determined to find her father’s killer. But when Caius, Talia’s father and Hamilton’s business partner, is found dead, Harper realizes the answer to Hamilton’s murder is more complicated than she had initially realized. And when Harper starts seeing his ghost in the form of a teenage Hamlet everywhere and slipping into hallucinations of his murder that end with blood on her hands, one thing becomes clear—in order to uncover the truth about what happened to her father, Harper has to confront her own demons and ones that haunt the Hayes family.
Holly Liddell has been stuck with crimped hair since 1987 when she agreed to let her boyfriend, Elton, turn her into a vampire. But when he ditches her at a gas station a few decades into their eternity together, she realizes that being young forever actually means working graveyard shifts at Taco Bell, sleeping in seedy motels, and being supernaturally compelled to follow your ex from town to town—at least until Holly meets Elton’s other exes.
It seems that Holly isn’t the only girl Elton seduced into this wretched existence. He turned Ida in 1921, then Rose in 1954, and he abandoned them both before Holly was even born. Now Rose and Ida want to kill him before he can trick another girl into eternal adolescence, and they’ll need Holly’s help to do it. And once Holly starts falling for Elton’s vulnerable new conquest, Parker, she’ll do anything to save her.
To kill Elton for good, Holly and her friends will have to dig up their pasts, rob a bank, and reconcile with the people they’ve hurt in their search for eternal love. And to win the girl, Holly will have to convince Parker that she’s more than just Elton’s crazy ex—even though she is trying to kill him.
Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
(This is the UK edition. It will be published in the US on May 23, 2023 and can be preordered via Bookshop.)
Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they’ve never met in real life and Ada lives an ocean away. But Elsie has decided it’s now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.
In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn’t nearly as alone as she thought. But now she has a choice to make…
When her siblings start to go missing, a girl must confront the dark thing that lives in the forest – and the growing darkness in herself – in this debut YA contemporary fantasy for fans of Wilder Girls.
Derry and her eight siblings live in an isolated house by the lake, separated from the rest of the world by an eerie and menacing forest. Frank, the man who raised them after their families abandoned them, says it’s for their own good. After all, the world isn’t safe for people with magic. And Derry feels safe – most of the time.
Until the night her eldest sister disappears. Jane and Derry swore to each other that they’d never go into the forest, not after their last trip ended in blood, but Derry is sure she saw Jane walk into the trees. When another sibling goes missing and Frank’s true colors start to show, feeling safe is no longer an option. Derry will risk anything to protect the family she has left. Even if that means returning to the forest that has started calling to Derry in her missing siblings’ voices.
As Derry spends more time amidst the trees, her magic grows more powerful…and so does the darkness inside her, the viciousness she wants to pretend doesn’t exist. But saving her siblings from the forest and from Frank might mean embracing the darkness. And that just might be the most dangerous thing of all.
It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarified bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance.
When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now, all must struggle to find new identities in art, in society, and amongst each other. In the process, they must either find their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether.
With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan Ross isn’t headed home for the holidays so much as in strategic retreat. Breathtaking mountain vistas, quirky townsfolk, and charming small businesses aside, her hometown of Fern Falls is built of one heartbreak on top of another . . .
Take her one-time best friend turned crush, Rachel Reed. The memory of their perfect, doomed first kiss is still fresh as new-fallen snow. Way fresher than the freezing mud Morgan ends up sprawled in on her very first day back, only to be hauled out via Rachel’s sexy new lumberjane muscles acquired from running her family tree farm.
When Morgan discovers that the Reeds’ struggling tree farm is the only thing standing between Fern Falls and corporate greed destroying the whole town’s livelihood, she decides she can put heartbreak aside to save the farm by planning her best fundraiser yet. She has all the inspiration for a spectacular event: delicious vanilla lattes, acoustic guitars under majestic pines, a cozy barn surrounded by brilliant stars. But she and Rachel will ABSOLUTELY NOT have a heartwarming holiday happy ending. That would be as unprofessional as it is unlikely. Right?
No dating. That’s longtime divorcée Gina Kersey’s rule, and she’s sticking to it. Comfortably settled in her hometown of Clover Hill, she’d rather play board games than risk getting played herself. For company, she has her beloved if slightly meddlesome Great Aunt… who’s somehow made Gina promise to break her rule. She has to ask someone out. On a date. Maybe she could skip town instead?
Outgoing video game translator Marek Haas flew across the country to pick up the sports car of his teenage dreams—to celebrate getting over a breakup from the absolute worst boyfriend, not because he’s having a midlife crisis at thirty-five. In his automotive fantasies, though, the car didn’t break down in the middle of small-town nowhere.
Marek’s not a damsel in distress, but when Gina comes to his rescue on the side of the road, she can’t believe her luck. He’s handsome, charming, and most importantly, just passing through. Promise, meet loophole! When he turns out to be adorably nerdy as well, they skip drinks at the pub for a fun-filled night in Gina’s bed.
The problem? Marek’s vintage car needs parts the garage doesn’t have, so he’s stuck until they’re found. Meaning every time Gina turns around, her hot one night stand is still in her town, being all cute and friendly and sometimes taking his shirt off. Even worse, he seems to be falling for Clover Hill… and Gina might be falling for him.
Can Gina overcome her fears and take a chance on a geeky sweetheart who makes her weak at the knees, or will their unforgettable one night stand end up as nothing more than a memory?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape — and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semi-documentary movie, which follows the girls’ violent fight club, a real-life feminist re-purposing of the classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes increasingly troubled by how deeply Caroline is manipulating the teens in the name of art. When a girl goes missing, Cass must reckon with her own ambitions and ask herself: in the pursuit of fame, how do you know when you’ve gone too far?
Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm.
But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first.
Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.
When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup―it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom―the hot, older woman Cassie slept with.
Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they’d met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin’s better judgement―how could sleeping with your daughter’s friend be anything but bad?―she and Cassie get along in the day just as well as they did last night.
What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?
For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be broadcasted on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval.
However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the inn’s renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into a little light sabotage, ruffling Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
What’s more important? Knowing the truth or keeping the peace?
The summer of her senior year, seventeen-year-old Avery Anderson finds herself uprooted from her life in DC and moved into the hostile home of her terminally ill grandmother, Mama Letty. The tension between her mom and Mama Letty makes for an unwelcoming arrival and unearths some family drama they refuse to talk about. Everytime Avery tries to look deeper, they turn her away, leaving her desperate to learn the secrets that split her family in two.
Where Mama Letty is cantankerous and closed off, Avery finds friendship in some unexpected places: in Simone, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family— whose mother’s murder remains unsolved.
But as the three girls grow closer—Avery and Simone’s friendship blossoming into something more—the sharp-edged opinions of their small southern town start to hint at something more insidious underneath. Turning to Mama Letty for answers only result in more questions, uncovering decades-old secrets that have been brewing for generations, exposing the towns racist history and threatening to topple the new life Avery’s built in Bardell County, Georgia.
It’s been two years since Maya dumped her cheating ex-boyfriend Jordy, and she still can’t escape him: his sister married the crown prince of a minor European country, and in the lead up to the wedding he captured hearts globally as the eligible younger brother. So, when Maya receives an invitation to be a contestant on Second Chance Romance, a new reality show in which the now-famous Jordy will re-date his ex-girlfriends in an effort to find “the one that got away,” she isn’t interested…that is, until she realizes she can use this opportunity to exact her revenge. If she can make it to the finale, she can reject Jordy and publicly break his heart. As far as Maya’s concerned, it’s payback with interest: just what a guy like Jordy deserves.
But when she gets to the set, she’s confronted with the one person she hasn’t accounted for: Skye, the beautiful, charismatic girl Jordy cheated on Maya with. How is she supposed to live with this girl for six weeks? Sharing bunkbeds, for crying out loud?
Except, of course, there’s more to Skye than she lets most people see. Skye has her own reasons for being careful with her heart, and might be more willing to take Maya’s side than it initially seems. If they can sustain their reluctant alliance—and keep their unexpected chemistry from interfering—they might just have a chance to take Jordy down.
Xavier Reynolds is doing less than stellar. He just got dumped, was passed over for a prestigious fellowship, and to top it all off he’s right back home in Harper’s Cove, Maine (population: 9,000). The last thing he wants to do is to work as a prep chef in the kitchen of the hip new restaurant in town, The Wharf. Especially since the hot, single-father chef who owns it can’t delegate to save his life.
Logan O’Hare doesn’t understand Xavier or why every word out of his mouth is dipped in sarcasm. Unfortunately, he has no choice but to hire him—he needs more help in the kitchen and his tween daughter, Anne, can only mince so many onions. It might be a recipe for disaster, but Logan doesn’t have many options besides Xavier.
Stuck between a stove and a hot place, Logan and Xavier discover an unexpected connection. But when the heat between them threatens to top the Scoville scale, they’ll have to decide if they can make their relationship work or if life has seasoned them too differently.
When Nareh Bedrossian’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or the wealthy engineer who catch Nar’s eye—it’s Erebuni, a woman as immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on her double life—the Explore Armenia closing banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave and to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
This is the second book in the Pies Before Guys mystery series.
Daisy bakes a little murder into every pie she creates, and she and her dog, Zoe, deliver them to the town’s worst cads. Now, Daisy’s entered a televised, elimination-style competition and has a shot at $100k in prize money—but she still has a murder pie to deliver between filming.
In a completely unexpected turn of events, she discovers that her intended victim is one of the competition judges, and he turns up dead before the pie even arrives. Now, Daisy has to solve the murder—even if it means working a bit of magic—before someone calls foul play and exposes her murderous secret.
How do you face your fears when everything is terrifying?
Fifteen-year-old Brynn can’t stop thinking about death. Her intrusive thoughts and severe anxiety leave her feeling helpless—and hopeless. So after her mom interprets one of Brynn’s blog posts as a suicide note, she takes extreme measures, confiscating Brynn’s phone, blocking her Internet access, and banishing her to stay with her father, who lives “off the grid” on a houseboat in the Florida mangroves. Isolated from her online friends—her only friends—Brynn resigns herself to a summer of mind-numbing boredom and loneliness . . . until Skylar appears.
Skylar is everything Brynn isn’t—sultry, athletic, and confident. Yet Brynn feels at home around this fearless girl who pushes her to try new things and makes her belly flutter with nerves that have nothing to do with anxiety. When Brynn discovers that Skylar is trapped in the bayou and can’t tell her why, she resolves to free her new crush from the dark waters, even if it means confronting all of her worst fears.
A contemporary YA debut from award-winning playwright Gina Femia, Alondra is a coming-of-age story of friendship and romance, about a bisexual teen girl and her friends wrestling their way through the summer–sometimes on the playgrounds of Coney Island, sometimes with their feelings and at home.
Sixteen-year-old Alonda loves professional wrestling. So when she meets a group of teens with aspirations of wrestling fame in her Coney Island neighborhood, she couldn’t be happier. So as the ragtag team works to put on a show to remember, Alonda sheds her old self behind and becomes Alondra―the Fearless One. But with her conflicting feelings for King, the handsome leader of their group, and Lexi, the girl with the beautiful smile, Alonda has to ask herself: can she be as fearless outside of the ring as she is inside it?
For aspiring cinematographer Luna Roth, coming out as bisexual at twenty-four is proving more difficult than she anticipated. Sure, her best friend and fellow queer Romy is thrilled for her—but she has no interest in coming out to her backwards parents, she wouldn’t know how to flirt with a girl if one fell at her feet, and she has no sexual history to build off. Not to mention she really needs to focus her energy on escaping her emotionally-abusive-but-that’s-Hollywood talent manager boss and actually get working under a real director of photography anyway.
When she meets twenty-eight-year-old A-list actress Valeria Sullivan around the office, Luna thinks she’s found her solution. She’ll use Valeria’s interest in her cinematography to get a PA job on the set of Valeria’s directorial debut—and if Valeria is as gay as Luna suspects, and she happens to be Luna’s route to losing her virginity, too . . . well, that’s just an added bonus. Enlisting Romy’s help, Luna starts the juggling act of her life—impress Valeria’s DP to get another job after this one, get as close to Valeria as possible, and help Romy with her own career moves.
But when Valeria begins to reciprocate romantic interest in Luna, the act begins to crumble—straining her relationship with Romy and leaving her job prospects precarious. Now Luna has to figure out if she can she fulfill her dreams as a filmmaker, keep her best friend, and get the girl. . . or if she’s destined to end up on the cutting room floor.
Lydia Jones and her younger sister Penny have had it with boy drama. Last year was marred by relationship disasters for both of them, threatening Lydia’s standing with her school’s theater tech club and Penny’s perfect GPA. Penny has, naturally, diagnosed the problem and prescribed a drastic solution: a summer off from boys.
Lydia and Penny decide to stay with their Aunt Grace and her boyfriend Oscar in Los Angeles while their parents are off on a European cruise. Penny follows her future-business-school dreams with an internship at Oscar’s office, and Lydia gets a part-time job at Grace’s neighborhood coffeeshop, Grounds Control.
Even when they spent hours, days, weeks dissecting their various boy drama, Lydia’s never felt this connected to her sister before, and it makes her wonder what else in her life could be different. She finds herself drawn to a group of friends she meets through her Grounds Control coworker, Margaret, as well as an intriguing customer, Fran, an aspiring filmmaker and—while not the first girl Lydia finds herself attracted to—the first girl who has mutual feelings for her. But she’s not breaking her pledge to Penny, right? That was just about boys. Even though in her heart Lydia knows she’s bending the rules, she hasn’t had a connection with anyone as strong as her connection with Fran, so she thinks it can’t be wrong. And Penny won’t mind as long as she’s happy . . . Right?
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
On the worst day of her life, Madison is dumped by her girlfriend, then fired as said (ex)girlfriend’s campaign manager… plus she accidentally rear-ends the student government advisor—the one person whose good word might help her win a spot at a prestigious youth politics summer camp.
But Madison is nothing if not a girl with a plan, and she isn’t going to let a little thing like heartbreak (or a slightly dented bumper) get in her way. Soon, she has a new junior class president candidate to back—although the two of them might be getting a little too close on the campaign trail. Between navigating her growing crush and corralling a less than enthusiastic election team, Madison has had it with unexpected changes to her carefully laid plans. But when she and a group of queer classmates discover a pattern of harassment within the student government, Madison’s forced to shift gears once again.
After her parents’ divorce, 16 year old Riley Grishin is forced to move from Portland, Oregon all the way to Little Brook, Maine, a small town that serves as the headquarters for Titan Technologies, an international tech laboratory. Having left her friends and father behind, Riley spends most of her days running through the woods with her dog Tigger, and eavesdropping on her classmates—in particular, the gorgeous, but very strange, Aspen Montehugh.
On the night of the homecoming game, Riley wakes up to find her town on fire, terrorized by an unseen monster. With flames spreading rapidly, Riley and Tigger have no choice but to pile into her beat-up pickup truck and flee. Speeding out of town, they come across the only other survivor: Aspen.
When Riley and Aspen finally reach safety, they realize something far more sinister is afoot. According to the news, all other Titan Tech laboratories on the East Coast have been attacked. And even worse, they’re being followed by an SUV with blacked out windows. With all air travel grounded, Riley has no way to fly back to her dad, so she and Aspen embark on a cross country road trip, all the while pursued by men with guns, mad scientists, and the monstrous truth. Slowly, Riley realizes something’s not quite right with Aspen, which puts her feelings for her—and her own humanity—to the ultimate test.
Ten years ago, the Scar Squad promised each other nothing would tear them apart. They stuck together through thick and thin, late-night surf sessions and after school spodies. Even when Casey Jones Caruso lost her twin brother Sammy to an overdose, and their foursome became a threesome, the squad picked each other up. But when Casey’s feeling for the remaining members—Francesca and Benjamin—develop into romantic attraction, she worries the truth will dissolve them and vows to ignore her heart.
Then Ben kisses Casey at a summer party, and Frankie kisses another girl. Now Casey must confront all the complicated feelings she’s buried—for her friends and for her brother who she’s totally pissed at for dying. Since Sammy’s death, Casey has spilled all the things she can no longer say to him in journals, and now more than ever, she wishes he were here to help her decide whether she should guard her heart or bet it on love, before someone else makes the decision for her.
Savannah “Sav” Henry is almost the person she wants to be, or at least she’s getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.
But when she learns that Izzie, her best friend from childhood, has gotten engaged, Sav faces a crisis of confidence. Things with Izzie haven’t been the same since what happened between Sav and Izzie’s older brother when they were sixteen. Now, with the wedding around the corner, Sav is forced to reckon with trauma she thought she could put behind her.
On top of it all, Sav can’t stop thinking about Wes from her Gender Studies class—sweet, funny Wes, with their long eyelashes and green backpack. There’s something different here—with Wes and with her new friends (who delight in teasing her about this face-burning crush); it feels, terrifyingly, like they might truly see her in a way no one has before.
Natalya Fox has twenty-hours to make the biggest choice of her life: stay home in NYC for the summer with her dad (and finally screw up the courage to talk to the girl she’s been crushing on), or spend it with her basically estranged mom in LA (knowing this is the best chance she has to fix their relationship, if she even wants to.) (Does she want to?)
How’s a girl supposed to choose?
She can’t, and so both summers play out in alternating timelines – one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the girl she’s always wanted. And one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the guy she never saw coming.
It’s a few months before senior year and Claire Kemp, a closeted bisexual, is finally starting to admit she might be falling in love with her best friend, Sophia, who she’s known since they were four.
Trying to pay off the fine from the crash that totals Lars, her beloved car, Claire takes a job at the local nursing home up the street from her house. There she meets Lena, an eighty-eight-year-old lesbian woman who tells her stories about what it was like growing up gay in the 1950s and ’60s.
As Claire spends more time with Lena and grows more confident of her identity, another girl, Pen, comes into the picture, and Claire is caught between two loves–one familiar and well-worn, the other new and untested.
Psychotherapist K. L. Cerra’s‘s SUCH PRETTY FLOWERS, a Southern gothic suspense with horror and queer elements about a woman’s investigation into her brother’s unlikely suicide—his last words being “get it out of me”—and subsequently, her obsession with his fiancee, a magnetic, black-eyed florist with a penchant for carnivorous plants; and a second book about a coven operating under the guise of the wedding industry whose plans to save women from wife- and motherhood have sinister implications, to Jenny Chen at Bantam Dell, in a pre-empt, in a two-book deal, by Chelsey Emmelhainz at Copps Literary Services (world).
Taleen Voskuni‘s SORRY, BRO, a queer rom-com about a twenty-something newly single Armenian woman whose mother insists she find a proper new suitor at a series of local Armenian cultural events—only the woman she meets is the last person her very traditional family had in mind, to Cindy Hwang and Angela Kim at Berkley, in a two-book deal, for publication in 2023, by Katelyn Detweiler at Jill Grinberg Literary Management (NA).
Lena May‘s THE SIGNS WE MISSED, in which a young gay man who emancipated from his mother battles addiction, an eating disorder, and being in love with his best while trying to graduate high school and survive, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in summer 2022.
Lindy Ryan and Toni Miller‘s eds.’s UNDER HER SKIN, a showcase of body horror-inspired poetry from women (cis and trans) and nonbinary femmes in horror, including Bram Stoker Award-winning and nominated poets Lee Murray, Stephanie M. Wytovich, Sara Tantlinger, and Jessica McHugh, with a foreword by Linda D. Addison, to Black Spot, for publication in April 2022 (world English).
Kate Brook’s NOT EXACTLY WHAT I HAD IN MIND, following four 20-somethings—two roommates navigating the awkward aftermath of a one night stand, and a lesbian couple looking to start a family—as their lives collide and all four learn that sometimes you find family, and love, in the place you would least expect, pitched as for readers of Emma Straub or J. Courtney Sullivan, to Lindsey Rose at Dutton, by Rebecca Wearmouth at PFD (NA). Rights to Sarah Hodgson at Corvus, by Philippa Sitters at David Godwin Associates (UK/Commonwealth, excl. Canada); to Suma de Letras (Spain); and to Diana (Germany), at auction, by Rebecca Wearmouth at PFD.
Author of the forthcoming MY MECHANICAL ROMANCE Alexene Farol Follmuth writing as Olivie Blake’s THE ATLAS SIX TRILOGY, pitched as Kingsman/X-Men meets THE SECRET HISTORY with a diverse cast and strong queer representation, following six uniquely talented magicians from around the world who are invited to compete for an elite academic fellowship where elimination holds deadly consequences, the first book of which was previously self-published and popular on TikTok, to Molly McGhee at Tor, in a major deal, in a pre-empt, in a three-book deal, for publication in March 2022, by Amelia Appel at TriadaUS Literary Agency (world).
Winner of the 2018 VQR Emily Clark Balch Prize for Fiction and UT Austin MFA Celia Bell’s THE DISENCHANTMENT, which follows a baroness who falls in love with another woman, and the chaos that ensues when her husband discovers their secret, set against the backdrop of Versailles and Parisian society, to Shelley Wanger at Pantheon, for publication in 2023, by Anna Stein at ICM (NA). Rights to Serpent’s Tail (UK), by Lucy Morris and Sabhbh Curry at Curtis Brown UK.
Children’s/Middle Grade Fiction
Vicki Johnson‘s picture book MOLLY’S TUXEDO, about a girl who has big plans to wear a dashing tuxedo for her school picture day, but her mom has picked out a dress, so with her friends’ support, the girl proves the way to look your best is to be yourself, illustrated by Gillian Reid, to Charlie Ilgunas at Little Bee Books, for publication in summer 2023, by Zoe Sandler at ICM for the author, and by Christy Tugeau Ewers at The CAT Agency for the illustrator (world).
Aliza Layne‘s BEETLE AND THE CHIMERA CARNIVAL, a sequel to the Stonewall Honor Book BEETLE AND THE HOLLOWBONES, which follows Beetle and her friends as they face new and sinister complications when the dragons set to arrive for a community celebration never appear, illustrated by Aliza Layne, to Julia McCarthy at Atheneum, in a two-book deal, for publication in spring 2024 and fall 2025, by Susan Graham at Einstein Literary Management (world English).
Author-illustrator Kyla Smith‘s FOXES, FIRE, & OTHER MAGIC, in which a curious young fox spirit who stumbled into the human world during the annual Obon festival and became trapped, and a nonbinary noodle maker struggling to keep their parents’ legacy alive, must learn to trust each other to save the udon shop and get the fox spirit home before the spirit gate closes for good, to Emily Settle and Erin Siu at Feiwel and Friends, in a very nice deal, for publication in spring 2024, by Jennifer Azantian at Azantian Literary Agency (world).
Coauthor of RENEGADE RULE Ben Kahn‘s ELLE CAMPBELL SAVES THEIR SATURDAY, in which a nonbinary seventh grader wants to meet their celebrity hero at a local signing, so they and their two best friends will have to stage a daring escape from weekend detention, and avoid bullies and parents as they trek across town to save their Saturday, to Mallory Kass at Scholastic, in an exclusive submission, for publication in 2023, by Moe Ferrara at BookEnds (world).
Dresden Douglas’s GIRLS GIVE ME BUTTERFLIES, a debut middle grade graphic novel pitched as a sapphic Lizzie McGuire, about a young girl who begins to feel flustered and tongue-tied around other girls while struggling to tune out the voice of an excitable little figment who manifests all her innermost thoughts, to Mekisha Telfer at Roaring Brook Press, at auction, for publication in 2023, by Claire Draper at The Bent Agency (world).
Young Adult
Mela Rogers‘s debut LOVE LIGHT, set in a world where a beacon of light connects each person’s heart to their soulmate’s; a girl’s parents are light fanatics, so she is shocked when she falls for a girl who is not her soulmate, and when she meets her actual soulmate, she must choose between her faith and her first love, to Dana Chidiac at Holt Children’s, for publication in winter 2025, by Chelsea Eberly at Greenhouse Literary Agency (world).
HERE FOR IT author R. Eric Thomas‘s debut KINGS OF B’MORE, a celebration of queer Black friendship as two boys plan a day of fun and facing their fears, pitched as inspired by Ferris Bueller’s Day Off, to Joanna Cardenas at Kokila, for publication in summer 2022, by Anna Sproul-Latimer at Neon Literary (world).
Freja Nicole Woolf’s NEVER TRUST A GEMINI, pitched as a LGBTQ+ ANGUS, THONGS AND FULL-FRONTAL SNOGGING, in which a zodiac-obsessed 15-year-old struggling with a desperate crush on her best friend must scramble through a fake boyfriend, a house fire, and an unexpected Christmas romance to find her happy ending, to Denise Johnstone-Burt and Non Pratt at Walker UK, at auction, in a two-book deal, for publication in summer 2023, by Gemma Cooper at The Bent Agency (world).
NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s JUST MAX, in which a stealth transgender college student faces the usual stress of freshman year—making new friends and trying to fit in—all while managing testosterone shots, navigating the perils of communal bathrooms, and falling in love with the handsome soccer player down the hall, to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in winter 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
MAJOR DETOURS author Zachary Sergi‘s SO YOU WANNA BE A POPSTAR?, an interactive novel following five diverse and queer teen solo artists who are forced into a pop group that goes viral overnight, and where the reader chooses the paths forward to guide the characters on their journey to stardom, to Britny Brooks at Running Press Kids, for publication in winter 2023, by Lucy Carson at Friedrich Agency (world).
FULL DISCLOSURE author Camryn Garrett’s FRIDAY I’M IN LOVE, about a queer teen determined to throw a lavish coming out party in place of a sweet sixteen, but when her mother is laid off, she’s forced to balance saving for the party with keeping her household afloat, all the while navigating her growing feelings for a new girl at school, to Katherine Harrison at Knopf Children’s, in a six-figure deal, for publication in spring 2023, by Beth Phelan at Gallt and Zacker Literary Agency (NA). Rights also to Emma Jones at Random House UK Children’s, by Ellen Greenberg, on behalf of Beth Phelan.
K.M. Watts’s BORN ANDROMEDA, a debut in which a moon princess is kidnapped by galactic pirates, and joins the world of piracy in order to get home—if she doesn’t fall for one first, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in fall 2022 (world). Rights: Mary Jo Courchesne at Gryphon Publishing Consulting
Nonfiction
WHAT ARE YOUR WORDS? illustrator Andy Passchier‘s GENDER IDENTITY FOR KIDS, a chapter book guide breaking down what gender is and isn’t, what your feelings around gender might mean, and how to let the world know who you are and help others do the same, to Regan Winter at Little, Brown Children’s, with Andrea Colvin and Aria Balraj editing, for publication in summer 2023, by Alexandra Gehringer at The Bright Group (world).
Chicana writer, activist, poet, essayist, and playwright Cherrie Moraga‘s LOVING IN THE WAR YEARS and THE LAST GENERATION, combined in a single 40th anniversary volume; and WAITING IN THE WINGS: PORTRAIT OF A QUEER MOTHERHOOD, to be published on its 25th anniversary, both with new forewords by the author, to Julie Fain at Haymarket, in a two-book deal, by Stuart Bernstein at Stuart Bernstein Representation.
Olympic champion and elite runner Caster Semenya’s SILENCE ALL THE NOISE, a story of courage, resilience, and hope about her childhood in rural South Africa, her running career, and her experience as an intersex woman in professional sports, to Norton, at auction, with a young readers edition.
![Okay, Cupid by [Mason Deaver]](https://i0.wp.com/m.media-amazon.com/images/I/51GPGfGKQZL.jpg?resize=191%2C287&ssl=1)
