In this modern graphic novel retelling of Anne of Green Gables from graphic novelist Kathleen Gros, foster kid Anne Shirley finally lands in a loving home and befriends a girl who she may have more-than-friends feelings for.
Anne Shirley has been in foster care her whole life. So when the Cuthberts take her in, she hopes it’s for good. They seem to be hitting it off, but how will they react to the trouble that Anne can sometimes find herself in . . . like accidentally dyeing her hair green or taking a dangerous dare that leaves her in a cast?
Then Anne meets Diana Barry, a girl who lives in her apartment building, the Avon-Lea. The two become fast friends, as Anne finds she can share anything with Diana. As time goes on, though, Anne starts to develop more-than-friends feelings for Diana.
A new foster home, a new school, and a first-time crush—it’s a lot all at once. But if anyone can handle life’s twists and turns, it’s the irrepressible Anne Shirley.
It’s been a wild year for Sideways Pike. After forming a coven with the three most popular girls in school and developing a huge crush on a mysterious stranger named Madeline, Sideways’ Halloween was ruined by finding out that Madeline wasn’t trying to make out with her, but to steal Sideways’ specter, the force that gives witches the ability to cast magic spells. From Madeline’s perspective, it’s not her fault: after a doomed relationship with one of the creepy near-identical Chantry Boys turned into a witch hunt, they took her specter, so, really, she’s only borrowing Sideways’ until she can recover her own and punish the Chantrys.
The specter-less Sideways is in a horrid, distracted mood, unable to do magic and with part of her consciousness tied to Madeline’s, on the lam as she uses Sideways’ specter to hunt Chantrys. The other Scapegracers are much jollier, heading into the winter holidays having set up shop as curse crafters for girls in their school who’ve been done wrong by guys. When Sideways—through Madeline—gets a flash of how to track down both her foes at once, she asks the Scapegracers to help entrap them, only to be told her plan is unsafe and unwise. So if she’s going to find Madeline, her only ally is Mr. Scratch, the inky book demon currently inhabiting her as life support until she gets her spectre back.
Sideways is used to being an outcast loner, and is desperate to do magic again, so she’s not going to let little barriers like facing an betraying crush and a family of six demented witch hunters practically alone stop her. But she and her trusty stolen bike are in for a bumpy ride…
This is the third book in the Singing Hills Cycle.
Wandering cleric Chih of the Singing Hills travels to the riverlands to record tales of the notorious near-immortal martial artists who haunt the region. On the road to Betony Docks, they fall in with a pair of young women far from home, and an older couple who are more than they seem. As Chih runs headlong into an ancient feud, they find themselves far more entangled in the history of the riverlands than they ever expected to be.
Accompanied by Almost Brilliant, a talking bird with an indelible memory, Chih confronts old legends and new dangers alike as they learn that every story―beautiful, ugly, kind, or cruel―bears more than one face.
Six magicians were presented with the opportunity of a lifetime.
Five are now members of the Society.
Two paths lay before them.
All must pick a side.
Alliances will be tested, hearts will be broken, and The Society of Alexandrians will be revealed for what it is: a secret society with raw, world-changing power, headed by a man whose plans to change life as we know it are already under way.
Chen Tien-Hong, the only and desperately yearned for son of a traditional Taiwanese family with seven daughters, runs away from the oppression of his village to Berlin in the hope of finding acceptance as a young gay man.
The novel begins a decade later, when Chen has just been released from prison for killing his boyfriend. He is about to return to his family’s village, a poor and desolate place. With his parents gone, his sisters married, mad, or dead, there is nothing left for him there. As the story unfurls, we learn what tore this family apart and, more importantly, the truth behind the murder of Chen’s boyfriend.
Jeanna Kadlec was a devout Evangelical and the wife of a pastor’s son before she came to the double realization that she was queer and that she had to leave the church in order to survive. This is a memoir of growing up Evangelical–of indoctrination, family, and working poor middle America–and a sharp critique of how the tenets of conservative Christianity have built our power structures and political systems, in addition to how they’ve shaped our culture and our daily interactions with each other.
From writing about Lilith and celebrity purity rings, to coming out and discovering F/F fanfiction, finding community outside of Christianity in the face of millennial loneliness, to interrogating the liberal and academic stigma against faith, this memoir traces the damage Evangelicalism, with its demands for unquestioning obedience, has caused in individuals, communities, and our country, past to present–and also imagines how could we radically leave it behind: new methods of building community, finding meaning, and reintegrating concepts of fellowship and love into our everyday discourse.
It’s a good thing Allison Farley isn’t in love with her best friend.
They may both be star students in their costume design program, but when it comes to relationships, Allison and Kate are as different as their fashion senses.
Kate marches through life in combat boots and crop tops, breaking hearts as fast as she steals them and insisting anything more than an emotionless hook-up is a waste of time.
Allison knits her own sweaters, wears socks with tiny strawberries on them, and has spent her first two years of college utterly failing at her goal of getting a girlfriend before graduation.
Until the day it hits her: she’s got a master flirting coach right at her fingertips.
Kate, meanwhile, has vowed herself to a semester of solitude while she tries to figure out why heading home with strangers isn’t as fun as it used to be. Teaching her best friend the art of seduction seems like the perfect distraction from some of the inconvenient truths she’d rather not face.
Like maybe she doesn’t hate relationships.
Maybe she’s just afraid of them—too afraid to reach out and grab one when it’s staring her in the face.
So it’s a good thing Kate Davidson isn’t in love with her best friend either.
It’s a good thing Kate and Allison are just taking part in some purely platonic flirting lessons and are absolutely, totally, definitely not falling in love.
Holly Liddell has been stuck with crimped hair since 1987 when she agreed to let her boyfriend, Elton, turn her into a vampire. But when he ditches her at a gas station a few decades into their eternity together, she realizes that being young forever actually means working graveyard shifts at Taco Bell, sleeping in seedy motels, and being supernaturally compelled to follow your ex from town to town—at least until Holly meets Elton’s other exes.
It seems that Holly isn’t the only girl Elton seduced into this wretched existence. He turned Ida in 1921, then Rose in 1954, and he abandoned them both before Holly was even born. Now Rose and Ida want to kill him before he can trick another girl into eternal adolescence, and they’ll need Holly’s help to do it. And once Holly starts falling for Elton’s vulnerable new conquest, Parker, she’ll do anything to save her.
To kill Elton for good, Holly and her friends will have to dig up their pasts, rob a bank, and reconcile with the people they’ve hurt in their search for eternal love. And to win the girl, Holly will have to convince Parker that she’s more than just Elton’s crazy ex—even though she is trying to kill him.
When her siblings start to go missing, a girl must confront the dark thing that lives in the forest – and the growing darkness in herself – in this debut YA contemporary fantasy for fans of Wilder Girls.
Derry and her eight siblings live in an isolated house by the lake, separated from the rest of the world by an eerie and menacing forest. Frank, the man who raised them after their families abandoned them, says it’s for their own good. After all, the world isn’t safe for people with magic. And Derry feels safe – most of the time.
Until the night her eldest sister disappears. Jane and Derry swore to each other that they’d never go into the forest, not after their last trip ended in blood, but Derry is sure she saw Jane walk into the trees. When another sibling goes missing and Frank’s true colors start to show, feeling safe is no longer an option. Derry will risk anything to protect the family she has left. Even if that means returning to the forest that has started calling to Derry in her missing siblings’ voices.
As Derry spends more time amidst the trees, her magic grows more powerful…and so does the darkness inside her, the viciousness she wants to pretend doesn’t exist. But saving her siblings from the forest and from Frank might mean embracing the darkness. And that just might be the most dangerous thing of all.
The winter of 1997 is a tragedy waiting to happen. Small-town life isn’t easy for seventeen-year-old, bisexual and closeted Paulina, especially when her best friend Mia becomes pregnant and doesn’t want to tell the baby’s father, Paulina’s other best friend, Tesla. Meanwhile, Paulina’s secret relationship with volleyball star Ani is about to go public. One fateful night, everything changes forever.
In the winter of 2014, Perdita, bi and proud in Chicago, is weeks away from turning seventeen. She loves her two moms, but why won’t they talk about her adoption? When Perdita meets improv performer Fenton, she discovers both a kindred soul and a willing accomplice in her search for the truth. Will Perdita find what she’s looking for?
Two Winters is a contemporary YA retelling of Shakespeare’s The Winter’s Tale about birth, death, Catholic school, improv comedy and the healing nature of time.
At the end of The Midnight Lie, Nirrim offered up her heart to the god of thieves in order to restore her people’s memories of their city’s history. The Half Kith who once lived imprisoned behind the city’s wall now realize that many among them are powerful. Meanwhile, the person Nirrim once loved most, Sid, has returned to her home country of Herran, where she must navigate the politics of being a rogue princess who has finally agreed to do her duty.
In the Herrani court, rumors begin to grow of a new threat rising across the sea, of magic unleashed on the world, and of a cruel, black-haired queen who can push false memories into your mind, so that you believe your dearest friends to be your enemies.
Sid doesn’t know that this queen is Nirrim, who seeks her revenge against a world that has wronged her. Can Sid save Nirrim from herself? Does Nirrim even want to be saved? As blood is shed and war begins, Sid and Nirrim find that it might not matter what they want…for the gods have their own plans.
It’s 1997 and Missy is a cellist in an indie rock and on a tour across America. At twenty-two years old, Missy gets on stage every night and plays the song about her absent mother that made the band famous. As the only girl in the band, she’s determined to party just as hard as everyone else, loving and leaving a guy in every town. But then she meets a tomboy drummer who is hard to forget, and a forgotten flap of cocaine strands her at the border.
Fortysomething Carola is just surfacing from a sex scandal at the yoga center where she has been living when she sees her daughter, Missy, for the first time in ten years–on the cover of a music magazine.
Ruth is eighty-three and planning her return to the Turkish seaside village where she spent her childhood. But when her granddaughter, Missy, winds up crashing at her house, she decides it’s time that the strong and stubborn women in her family find a way to understand one another again.
Meet Margaret. At age twelve, she was head detective of the mystery club Girls Can Solve Anything. Margaret and her three best friends led exciting lives solving crimes, having adventures, and laughing a lot. But now that she’s entered high school, the club has disbanded, and Margaret is unmoored—she doesn’t want to grow up, and she wishes her friends wouldn’t either. Instead, she opts out, developing an eating disorder that quickly takes over her life. When she lands in a treatment center, Margaret finds her path to recovery twisting sideways as she pursues a string of new mysteries involving a ghost, a hidden passage, disturbing desires, and her own vexed relationship with herself.
Margaret and the Mystery of the Missing Body reimagines nineties adolescence—mashing up girl group series, choose-your-own-adventures, and chronicles of anorexia—in a queer and trans coming-of-age tale like no other. An interrogation of girlhood and nostalgia, dysmorphia and dysphoria, this debut novel puzzles through the weird, ever-evasive questions of growing up.
The Actual Star takes readers on a journey over thousands of years and six continents —collapsing three separate timelines into one cave in the Belizean jungle.
An epic saga of three reincarnated souls, this novel demonstrates the entanglements of tradition and progress, sister and stranger, love and hate. The book jumps forward and backward in time among a pair of twins who ruled a Maya kingdom, a young American on a trip of self-discovery, and two dangerous charismatics in a conflict that will determine the fate of the few humans left on Earth after massive climate change.
In each era, age-old questions about existence and belonging and identity converge deep underground. Because only in complete darkness can one truly see the stars.
Graphic designer Michelle Amato, after burning out in her corporate marketing career, has now built a thriving freelance business. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago.
Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him.
Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?
Summer 1960: After years of scraping by, Caleb Murphy has graduated from college and is finally getting to start a new life. Except he suddenly has no way to get from Boston to Los Angeles. Then, to add to his misery, there’s perfect, privileged Peter Cabot offering to drive him. Caleb can’t refuse, even though the idea of spending a week in the car with a man whose luggage probably costs more than everything Caleb owns makes him want to scream.
Peter Cabot would do pretty much anything to skip out on his father’s presidential campaign, including driving across the country with a classmate who can’t stand him. After all, he’s had plenty of practice with people not liking him much—his own family, for example. The farther Peter gets from his family’s expectations, the more he starts to think about what he really wants, and the more certain he becomes that what he wants is more time with prickly, grumpy Caleb Murphy.
As they put more miles between themselves and their pasts, they both start to imagine a future where they can have things they never thought possible.
In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David’s gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.
With a poet’s eulogistic and psychological intensity, Steven Reigns recovers the life and death of this man who also stands in for so many lives destroyed not only by HIV, but a diseased society that used stigma against the most vulnerable. It’s impossible not to make connections between this story and how the twenty-first century pandemic has also been defined by medical misinformation and cultural bias.
Inspired by years of investigative research into the lives of David and those who denounced him, Reigns has stitched together a hauntingly poetic narrative that retraces an American history, questioning the fervor of his accusers, and recuperating a gay life previously shrouded in secrecy and shame.
![The Actual Star: A Novel by [Monica Byrne]](https://i0.wp.com/m.media-amazon.com/images/I/51YhbhZXosS.jpg?w=229&ssl=1)
