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Cover Reveal

Exclusive Cover Reveal: We Mostly Come Out at Night ed. by Rob Costello

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Today on the site, I’m delighted to be revealing the cover of We Mostly Came Out at Night, a YA anthology edited by Rob Costello and releasing from Running Press Books on May 21, 2024 that’s the perfect intro to spooky season! Here’s the gist:

An empowering cross-genre YA anthology that explores what it means to be a monster, exclusively highlighting trans and queer authors who offer new tales and perspectives on classic monster stories and tropes. 

Be not afraid! These monsters, creatures, and beasties are not what they appear. We Mostly Come Out at Night is a YA anthology that reclaims the monstrous for the LGBTQA+ community while exploring how there is freedom and power in embracing the things that make you stand out. Each story centers on both original and familiar monsters and creatures—including Mothman, Carabosse, a girl with thirteen shadows, a living house, werebeasts, gorgons, sirens, angels, and many others—and their stories of love, self-acceptance, resilience, and empowerment. This collection is a bold, transformative celebration of queerness and the creatures that (mostly) go bump in the night.

Contributors include editor Rob Costello, Kalynn Bayron, David Bowles, Shae Carys, Rob Costello, H.E. Edgmon, Michael Thomas Ford, Val Howlett, Brittany Johnson, Naomi Kanakia, Claire Kann, Jonathan Lenore Kastin, Sarah Maxfield, Sam J. Miller, Alexandra Villasante, and Merc Fenn Wolfmoor.

And here’s the creeptastic cover, designed by Frances Soo Ping Chow and illustrated by James Fenner!

Buy it: Amazon | B&N

Rob Costello (he/him) writes contemporary and speculative fiction with a queer bent for and about young people. He’s the author of the forthcoming short story collection The Dancing Bears: Queer Fables for the End Times (Lethe Press, 2024). His stories have appeared in The Dark, The NoSleep Podcast, The Magazine of Fantasy & Science Fiction, Hunger Mountain, Stone Canoe, Narrative, and Rural Voices: 15 Authors Challenge Assumptions About Small-Town America (Candlewick, 2020). An alumnus of the Millay Colony of the Arts, Rob holds an MFA in writing from the Vermont College of Fine Arts and has served on the faculty of the Highlights Foundation since 2014. He lives in upstate New York with his husband and their four-legged overlords.

Deal Announcements

Deal Announcements: November 2022

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Adult Fiction

Autostraddle contributor Shelly Jay Shore‘s BODIES IN WATER, pitched as One Last Stop meets Six Feet Under, about a clairvoyant trans man drawn back to his messy Jewish family and their imploding funeral home business after a lifetime of trying to outrun both, who must confront the ghosts of his disappointed grandfather and the gone-too-soon husband of his charming new crush in order to move forward in life and love, to Jesse Shuman at Bantam Dell, in a pre-empt, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (NA).

Philip William Stover‘s THE PROBLEM WITH PERFECT, in which the executive producer of a hit LGBTQ lifestyle show finds that the handsome host goes AWOL right before the all-important live Pride broadcast and the only option is to track down the host’s estranged identical twin brother and teach him to play the part; transforming this human sasquatch into a star is no easy task, but when romance blossoms behind the scenes, perfection is about to get real, to Keshini Naidoo at Hera, for publication in summer 2023, by Alyssa Eisner Henkin at Birch Path Literary (world English).

Former bookseller and LGTBQ+ activist Alana S. Portero’s BAD HABIT, a coming-of-age novel about the journey a trans woman takes to discover herself against a world that has no space for her, with the backdrop of a working-class family in the Madrid of the ’80s and the ’90s, to Juan Mila at Harper Via, in a good deal, in a pre-empt, by Maria Cardona at Aevitas Creative Management UK (world English).

Editor-in-Chief of Electric Literature, MacDowell Fellow, and cohost of the Food 4 Thot podcast Denne Michele Norris’s WHEN THE HARVEST COMES, about a young Black gay man reckoning with the death of his reverend father, who never accepted him, exploring the effect of this loss on his marriage and how it forces him to confront his deepest desires around gender, family, and sex; pitched for readers of SHUGGIE BAIN, to Noa Shapiro at Random House, in a pre-empt, by Robert Guinsler at Sterling Lord Literistic (world).

SOME GIRLS DO author Jennifer Dugan‘s LOVE AT FIRST SET, a queer rom-com about a gym employee who accidentally ruins her bosses’ daughter’s wedding, then even more accidentally falls for the runaway bride, to Sylvan Creekmore at Avon, in a good deal, at auction, in a two-book deal, for publication in May 2023, by Sara Crowe at Pippin Properties (world English).

Center for Fiction Emerging Writer Fellow and Publishing Coordinator at Scribner/Marysue Rucci Books Jiaming Tang‘s CINEMA LOVE, about gay men in rural China, the women who marry them, and the secret theater where their husbands cruised for love; spanning three timelines—from contemporary New York to late 80s Chinatown to post-socialist China—and examining the legacies of caregiving and assimilation in Chinese America, to Pilar Garcia-Brown at Dutton, at auction, by Kent Wolf at Neon Literary (NA).

Host and founder of the storytelling night Generation Women and author of IT HAD TO BE YOU and ISLAND TIME Georgia Clark‘s MOST WONDERFUL, a queer holiday rom-com about three adult siblings, each dealing with their own personal and romantic struggles, who reunite at their larger-than-life mother’s Catskills manor for Christmas, to Emma Caruso and Katy Nishimoto at Dial Press, in a two-book deal, by Allison Hunter at Trellis Literary Management (world English).

NYU MFA graduate Jessie Ren Marshall‘s WOMEN! IN! PERIL!, a story collection with queer and speculative elements that features a diverse cast of women, including a former ballerina with memory loss, an Asian sex-bot trying to outlast her return policy, and a pioneer traveling on a spaceship to populate a new colony; and ALOHALAND, a novel set on Hawai’i Island, following two half-sisters—one a resort’s “Aloha Ambassador” forced to cater to the guests’ every whim, the other a reality TV star—who grapple with questions of home and belonging as they face a megastorm fueled by global warming, to Grace McNamee at Bloomsbury, in a pre-empt, in a two-book deal, for publication in winter 2024, by Michelle Brower and Natalie Edwards at Trellis Literary Management (NA).

Screenwriter Emma R. Alban’s MISCHIEF & MATCHMAKING, a queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other, pitched as a lesbian Bridgerton/Parent Trap, the first book in a duology, to Sylvan Creekmore at Avon, in a good deal, in a pre-empt, in a two-book deal, for publication in winter 2024, by Stacy Testa at Writers House (world).

Reese Hogan‘s audiobook MY HEART IS HUMAN, a near-future SF thriller set in a world that has shut down tech to avoid an AI uprising, about a young transgender dad who, during the chaos of a robbery, activates an old bionic that uploads itself into his head, and he and the bionic must navigate the blurred lines between human and machine while uncovering the true reasons for the tech shut down, to Brian Sweany at Recorded Books, by Katie Shea Boutillier at Donald Maass Literary Agency, on behalf of Cameron McClure (world English).

Author of EMPANADA: A LESBIAN STORY IN PROBADITAS Anel Flores’s CURTAINS OF TEARS, which follows the story of a woman who escapes her small border town and arrives at the door of her gay tios on a quest to queer traditions, turn trauma into triumph, and find home, to Lisa Pegram at Jaded Ibis Press, for publication in January 2024 (world English).

Brooklyn MFA graduate and former Truman Capote fellow Zachary Solomon‘s ZELNIK, about a queer Jewish architecture student who flees his antisemitic homeland for a new life in a utopian city in the west, where, to his horror, he uncovers the same machinery of human oppression hidden beneath a veneer of civilization, an allegory for the Jewish emigre experience and a dark exploration of the interconnections between art, artifice, and the fascist urge, to Christine Neulieb at Lanternfish Press, for publication in spring of 2024, by Reeves Hamilton at Vertical Ink Agency (world English).

Ollie Hicks and Emma Oosterhous‘s second and third books in the queer, magical-girl sports romance GRAND SLAM ROMANCE series, following former rivals to lovers as they face a new league of challengers and challenges, to Charlotte Greenbaum at Abrams ComicArts, with Mariko Tamaki editing, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in 2024, by Britt Siess at Britt Siess Creative Management (world).

Children’s Fiction

TEAM TRASH AND THE TIME BOT cocreator Kate Wheeler’s graphic novel GOAT MAGIC, pitched for fans of Wolfwalkers and MOONCAKES, about two girls on an adventure—one a reluctant goatherd, the other a goat who happens to be an enchanted princess—and how their friendship blossoms into something more as they confront treachery against the throne, to Grace Scheipeter at Oni Press, in a nice deal, for publication in spring 2025, by Jennifer Mattson at Andrea Brown Literary Agency (NA).

Young Adult Fiction

Author of the anthology VAMPIRES NEVER GET OLD Zoraida Cordova and Natalie C. Parker, eds.’s MERMAIDS NEVER DROWN, stories by the editors and Darcie Little Badger, Kalynn Bayron, Preeti Chhibber, Rebecca Coffindaffer, Julie C. Dao, Maggie Tokuda-Hall, Adriana Herrera, June Hur, Katherine Locke, Kerri Maniscalco, Julie Murphy, Gretchen Schreiber, and Julian Winters; and FAERIES NEVER LIE, including stories by the editors and Nafiza Azad, Holly Black, Dhonielle Clayton, Christine Day, Chloe Gong, Tessa Gratton, Ryan La Sala, Kwame Mbalia, L.L. McKinney, Anna-Marie McLemore, Kaitlyn Sage Patterson, Linda Raquel Nieves Perez, and Rory Power, to Foyinsi Adegbonmire and Liz Szabla at Feiwel and Friends, for publication in fall 2023 and fall 2024, respectively, by Suzie Townsend at New Leaf Literary & Media for Cordova and Lara Perkins at Andrea Brown Literary Agency for Parker (world).

Kara A. Kennedy’s debut I WILL NEVER LEAVE YOU, a YA speculative thriller pitched as Kara Thomas meets THE HAUNTING OF BLY MANOR, about a girl being haunted by the ghost of her toxic ex-girlfriend, who gives her a chilling ultimatum—help her possess another girl or go down for her murder, to Hannah Hill at Delacorte, for publication in fall 2024, by Chloe Seager at Madeleine Milburn Literary Agency (NA).

Robin Talley‘s EVERYTHING GLITTERED, a sapphic thriller set at an elite boarding school in Washington, DC circa 1927, in which three young women become involved in the investigation of the murder of their controversial young headmistress, to Erika Turner at Little, Brown Children’s, for publication in summer 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

Author of DANCING BEARS Rob Costello, ed.’s QUEER BEASTIES, an anthology that celebrates the monster as a positive and empowering metaphor for the otherness of being queer, with contributions from Costello, Kalynn Bayron, David Bowles, H.E. Edgmon, Michael Thomas Ford, Naomi Kanakia, Claire Kann, Sam J. Miller, and Alexandra Villasante, among others, to Britny Brooks-Perilli at Running Press Kids, for publication in May 2024, by Marie Lamba at Jennifer De Chiara Literary Agency (world English).

Erin Cotter’s debut BY ANY OTHER NAME, a historical romp set in Elizabethan England, pitched as THE GENTLEMEN’S GUIDE TO VICE AND VIRTUE meets THE BOY IN THE RED DRESS, in which a young Shakespearean actor must partner with a dashing lord to solve the murder of his playwright friend, while trying to keep their budding romance a secret from the royal family, to Nicole Ellul at Simon & Schuster Children’s, in a nice deal, for publication in fall 2023, by Hilary Harwell at kt literary (world).

Author of GEARBREAKERS and GODSLAYERS Zoe Hana Mikuta‘s OFF WITH THEIR HEADS, where blood and betrayal meet in this sapphic, Korean-inspired book pitched as a re-imagining of Alice in Wonderland in which two girls’ (horrible, cruel, and precariously balanced on that line between love and murder) twisted past comes to light as they’re once again thrust into each other’s lives and beckoned back to the dark, monster-filled forest where it all began: Wonderland, to Rebecca Kuss at Disney-Hyperion, in a significant deal, in a pre-empt, for publication in spring 2024, by Laura Rennert at Andrea Brown Literary Agency (world English).

Author of the forthcoming THE VERMILION EMPORIUM Jamie Pacton‘s THE ABSINTHE UNDERGROUND, a sapphic friends-to-lovers romantasy, pitched as JONATHAN STRANGE & MR NORRELL meets Holly Black, in which an artist and her best friend are pulled into the glittering world of an underground nightclub, where a green fairy enlists them to steal from a magician’s house, to Ashley Hearn at Peachtree Teen, in an exclusive submission, for publication in spring 2024, by Kate Schafer Testerman at kt literary (world).

Non-Fiction

Peloton instructor and Dancing with the Stars finalist Cody Rigsby‘s XOXO, CODY: AN OPINIONATED HOMOSEXUAL’S GUIDE TO SELF-LOVE, RELATIONSHIPS, AND TACTFUL PETTINESS, chronicling the author’s journey growing up gay and poor in the South with an addict mom to somehow going from broke dancer to fitness icon, with stories about learning how to handle the scary sh*t, interspersed with Q&As and his rankings on everything from fashion faux pas to celebrity breakups, to Sara Weiss at Ballantine, at auction, by David Doerrer at A3 Artists Agency.

Authors of THE GAY AGENDA and QUEER TAROT and owners of the Ash + Chess stationery store Ashley Molesso and Chess Needham’s THE BIG BOOK OF QUEER STICKERS, a compendium of their most recognizable art pieces in decal format, such as “Trans People Belong Here,” “Make America Gay Again,” “Every Body is a Good Body,” along with never-before-seen new queer art, to Shannon Connors Fabricant at Running Press, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).

Inside an Anthology

Inside an Anthology: Rural Voices: 15 Authors Challenge Assumptions About Small-Town America

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Welcome to another edition of Inside the Anthology! Today we’re celebrating Rural Voices: 15 Authors Challenge Assumptions About Small-Town America, ed. by Nora Shalaway Carpenter, which, as you may have guessed, contains rural YA fiction, some of which is queer! It releases today from Candlewick, and here’s some more info:

Gracie sees a chance of fitting in at her South Carolina private school, until a “white trash”-themed Halloween party has her steering clear of the rich kids. Samuel’s Tejano family has both stood up to oppression and been a source of it, but now he’s ready to own his true sexual identity. A Puerto Rican teen in Utah discovers that being a rodeo queen means embracing her heritage, not shedding it. . . .

For most of America’s history, rural people and culture have been casually mocked, stereotyped, and, in general, deeply misunderstood. Now an array of short stories, poetry, graphic short stories, and personal essays, along with anecdotes from the authors’ real lives, dives deep into the complexity and diversity of rural America and the people who call it home. Fifteen extraordinary authors – diverse in ethnic background, sexual orientation, geographic location, and socioeconomic status – explore the challenges, beauty, and nuances of growing up in rural America. From a mountain town in New Mexico to the gorges of New York to the arctic tundra of Alaska, you’ll find yourself visiting parts of this country you might not know existed – and meet characters whose lives might be surprisingly similar to your own.

Buy it: Bookshop | Amazon | B&N | IndieBound | Book Depository

And here are the authors of the queer stories, talking about their work!

“The Hole of Dark Kill Hollow” by Rob Costello

Dark speculative fiction with a queer bent is my creative wheelhouse. So, when Nora Shalaway Carpenter gave me free rein to contribute any kind of story I wanted to an anthology that would celebrate the rich diversity of teen life in rural America, I knew my piece had to be creepy. “The Hole of Dark Kill Hollow” is the result.

I came up with the idea shortly after a visit my husband and I paid to the Shawangunk Mountains of upstate New York. I’d never been to that corner of my home state before, and something in the air of those thickly wooded peaks and valleys spoke to me. Something mysterious, magical, and perhaps a little bit sinister. Soon, that something had evoked the image of two best friends—one gay, one not, each with secret hurts and desires—as well as the malevolent presence in the woods that offers much but could take everything away from them both.

Yet, the real trick with the story for me lay not in the concept but in getting the characters right. Above all, I wanted to depict a friendship between two teenage boys whose sexuality is irrelevant to their bond. I love queer romance as much as the next gay guy, but I don’t think we see enough portrayals of purely platonic male love in YA. Jesse, my gay protagonist, has an awful lot of problems in his life—really thorny, wrenching, heavy stuff. But his best friend Tyler is his rock. Over the course of the story, as they draw closer and closer to making a terrible mistake, it becomes clear to them (and to the reader) just how precious their friendship truly is.

Life saving, in fact. Together, I hope these two boys will challenge some of the toxic stereotypes about queerness, masculinity, and love that still poison our culture today.

“A Border Kid Comes of Age” by David Bowles

When writing my award-winning MG novel-in-verse They Call Me Güero, I did a lot of digging into my own childhood, growing up in a small community on the Mexican-US border in deep South Texas. Most of what I pulled into the fictional narrative were happy memories, beloved traditions, humorous incidents that I knew would draw readers into the complex and beautiful lives of border folks.

But I stopped short of one of the darker aspects of my adolescence in this Mexican American enclave called the Rio Grande Valley: the fear I felt when I considered the deep-seated homophobia of so many local men. As I realized I was attracted as much by boys as by girls, panic set in. My youngest uncle had just been run out of town, taking refuge at last in Austin, when he was caught outside one of the Valley’s clandestine gay clubs.

Like other queer Chicanx folks of the 80s, I managed to make a sort of peace with myself and those I cared about. Married an incredible queer woman. Eventually became a teacher and a mentor to students who, in slightly more enlightened times, found themselves in similar straits.

At the intersection of their lives and mine, I have crafted “A Border Kid Comes of Age,” a verse short story about the protagonist of They Call Me Güero, four years after the events of that book. I’ve given him the courage and family support I only wish I had enjoyed.

That’s the joy of being an author. You can craft the world you want to see.

All queer teens deserve a happy ending.

So I wrote him one.

“Best in Show” by Tirzah Price

When Nora approached me with the idea for this anthology, I knew exactly what I wanted to write about, and Molly sprang to life almost immediately. Like many of the contributors, I borrowed heavily from my own life when writing “Best in Show,” but I struggled to put into words my experience of growing up queer and rural, and the complicated feelings that arise in me even now.

Like Molly, I showed pigs in 4-H, lived on a farm, and picked up my first date in a farm truck that was older than us both. Like Molly, I’ve felt torn between the excitement of a new crush and the fear that acting on said crush means being visibly different in my town. I enjoy a certain amount of privilege even today—some people are surprised to find that my spouse is not a man—and as I’ve grown older, I’ve gained more confidence in myself and my relationships. But too often growing up rural and queer oftentimes means making a choice between leaving, or sticking around and finding the courage to challenge perceptions in your community, and face questions, discrimination, and even bigotry as they come up. That’s not always easy, and sometimes it’s downright exhausting. And yet, I’ve never wanted to define my hometown by the worst interactions I’ve had with others over who I love, because it discounts all of the fantastic people I know—and many times, some people I thought for sure would write me off have surprised me with their support and acceptance. Overall, I remain optimistic. Not because I want to present an unrealistic view of rural living, but because I want readers, especially teens, who are queer and live in small towns to feel seen, and to feel as though they don’t have to follow the narrative prescribed to them.

Shae Carys, “Black Nail Polish”

When I started “Black Nail Polish,” I had a rough idea of what the story would be about. It’s a bit autobiographical, although I didn’t find out about my Ehlers-Danlos until I was much older than Maddie and our motivations were a little different. I was miserable in high school until I decided to express myself, to dress like I wanted to, wearing black nail polish and lipstick and fishnets and vinyl. It had the added benefit of people making way for me in the halls who had previously tormented me. I later found out that my popular friends envied me for not caring what others thought. I will admit, it was heady.

Maddie’s embrace of the gothic comes from a place of frustration – it’s less about the desire to stand out, since she’ll never fit in. Dealing with the news of a disability is a multilayered process, much like grief. There is a grief to it, certainly some anger. It was important to me that Maddie wasn’t alone in the process of dealing with it, since it can be one of the loneliest things in the world. I will say that in the original version, Maddie’s crush on her best friend was explicit, but in the end, we decided that it didn’t need to be. The crush is still there; it’s just not the focus of the story. I’m sure Maddie will figure herself out later, just like I did.