Tag Archives: Peachtree Teen

Deal Announcements

April 2023 Deal Announcements

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Adult Fiction

Author of DELILAH GREEN DOESN’T CARE Ashley Herring Blake‘s DREAM ON, RAMONA RILEY, a f/f rom-com about a small-town waitress who’s spent the last decade raising her baby sister and the child star-turned-party girl who’s in town to shoot a movie and save her reputation; their unexpected reunion reignites old dreams and forgotten crushes, to Angela Kim at Berkley, in a three-book deal, for publication in spring 2025, by Rebecca Podos at Rees Literary Agency (world).

Author of YOU’RE A MEAN ONE MATTHEW PRINCE Timothy Janovsky‘s THE MERRIEST MISTERS, in which a married couple accidentally attacks a burglar who turns out to be Santa, forcing them to assume the roles of Santa Claus and the first-ever merriest mister to save Christmas, while also figuring out how to save their marriage, pitched as The Santa Clause meets HUSBAND MATERIAL, to Eileen Rothschild at St. Martin’s, in a two-book deal, for publication in fall 2024, by Samantha Fabien at Root Literary (NA).

Sunday Times-bestselling author of A DOWRY OF BLOOD S.T. Gibson‘s EVOCATION, a contemporary fantasy with fortune-telling and tarot, set in a magic-riddled Boston, following an alcoholic psychic, his sorcerer ex-boyfriend, and the ex’s astrologer wife, to Eleanor Teasdale at Angry Robot, in a four-book deal, for publication in June 2024, by Tara Gilbert while at Jennifer De Chiara Literary Agency for the first two books, and at kt literary for the second two books (world English).

Linda Epstein, Ally Malinenko, and Liz Parker’s‘s THE OTHER MARCH SISTERS, pitched as a queer feminist take on the lives of Jo March’s sisters, set in the world of LITTLE WOMEN, inspired by details from the very real lives of May Alcott Nieriker (Amy), Lizzie Alcott (Beth), and Anna Alcott Pratt (Meg), with each author enabling these women to finally tell their own stories, to Wendy McCurdy at Kensington, for publication in early 2025, by Rena Rossner at Deborah Harris Agency (world).

Lambda Literary Award winner for Transgender Fiction Jeanne Thornton‘s A/S/L, (an internet initialisim for “age, sex, location”), the story of three teenage friends and game developers, connected only by the nascent internet of the 90s, and who now, twenty years later, meet for the first time in person, each at a critical turning point, in a novel about how we communicate, how we game, and how our transness is lived and seen, to Mark Doten at Soho Press, for publication in 2024, by Jin Auh at The Wylie Agency (NA).

Poet and Lambda Literary Award finalist Ben Ladouceur‘s I REMEMBER LIGHTS, a debut novel following an unnamed narrator as he explores his burgeoning sexuality during the pomp and folly of Expo ’67 in Montreal, and framed by depictions of the raids on queer spaces in that city during the late 1970s, to Hazel Millar and Jay Millar at Book*hug, for publication in spring 2025, by Marilyn Biderman at Transatlantic Literary Agency (NA).

LATimes Book Award finalist and author of EXALTED Anna Dorn‘s PERFUME & PAIN, pitched as a nod to 1950s lesbian pulp fiction, about a controversial L.A. author’s attempt to revive her career post-cancellation and escape the historic trappings of sapphic melodrama in favor of true love, to Olivia Taylor Smith at Simon & Schuster, in an exclusive submission, by Sarah Phair at Sanford J. Greenburger Associates (world English).

YA author Daniel Aleman‘s adult debut SORRY TO DISAPPOINT, a suspenseful dark comedy about a struggling gay writer who wakes up to find his date from the night before dead—and must enlist the help of his literary agent to get rid of the body and spin the entire misadventure into his next big book, to Rachael Kelly at Grand Central, at auction, for publication in fall 2024, by Pete Knapp at Park & Fine Literary and Media (NA).

Emma Sterner-Radley‘s SNOWBLOODED, a swashbuckling queer historical fantasy in which two rival state-sanctioned assassins must cooperate to bring down their city’s elusive seller of illegal magic tonics, to Amy Borsuk at Solaris, in a nice deal, for publication in summer 2024, by Anna Carmichael at Abner Stein on behalf of Saint Gibson (world, excl. NA).

Annabel Paulsen and Lydia Wang’s HOPELESSLY DEVOTED, a lesbian romcom in which two contestants on a popular dating show fall for each other instead of the leading man, to Jess Verdi at Alcove Press, for publication in spring 2024, by Kristy Hunter at The Knight Agency (world).

Author of INSIDE OUT Lor Gislason and Shelley Lavigne’s THE FLESH OF THE SEA, pitched as Our Flag Means Death meets Lovecraft Country, in which a man sets off to explore the high seas after being rejected by the royal society, where he encounters bizarre wildlife and eldritch monsters while grappling with his sexuality and desire to prove himself to the scientific community, to Andrew Robert at DarkLit, in a nice deal, in an exclusive submission, for publication in fall 2023.

Author of STARS COLLIDE Rachel Lacey’s COVER STORY, a sapphic bodyguard romance featuring an A-list actress in need of extra protection who hires a female bodyguard to pose as her girlfriend in order to keep the real story under wraps, again to Lauren Plude at Montlake, by Sarah Younger at Nancy Yost Literary Agency (world).

Children’s and Middle Grade Fiction

RuPaul’s Drag Race alum Kim Chi and author of K-POP CONFIDENTIAL Stephan Lee‘s THE LIBRARY IS OPEN, about a queer Korean-American’s plight to save his beloved local library after learning it is set to be demolished to make room for a swanky new mall, to Susan Van Metre at Candlewick, in a six-figure deal, at auction, in a two-book deal, for publication in 2025, by David Purse at Inked Entertainment (world English).

Esme Symes-Smith‘s next two novels in the Sir Callie series that expand on Callie’s world and the dangers within, to Liesa Abrams at Labyrinth Road, in a two-book deal, by Megan Manzano at D4EO Literary Agency.

Brigitta Blair‘s CRAMMING, a semi-autobiographical debut graphic novel about the pressures a girl and her friends face in eighth grade, including scoliosis bracing, school, sports, gender exploration, and the gift of learning to be at peace in your body, pitched for readers of SWIM TEAM and THE TRYOUT, to Jessica Anderson at Christy Ottaviano Books, for publication in winter 2027, by Chelsea Eberly at Greenhouse Literary Agency (NA).
Taylor Tracy‘s MURRAY OUT OF WATER, a novel-in-verse about a 12-year-old whose Jersey Shore home is destroyed by a hurricane; displaced to upstate New York and separated from her beloved ocean, she meets a boy who introduces her to the magical world of roller skating and drag shows and with his friendship, she is finally able to open up about questions she’s been having about her identity, her super-conservative family, and a secret magic that she and he share, to Alyssa Miele at Quill Tree, in a very nice deal, in a pre-empt, in a two-book deal, for publication in summer 2024, by Jordan Hamessley at New Leaf Literary & Media (world English).

Young Adult Fiction

Hayley Dennings‘s BITTERSWEET POISON, set during the most morally disruptive period in U.S. history, when Black bodies are experimented on and turned into bloodthirsty reapers and the saint empire is tasked with protecting human life, in which a saint heiress must kill her childhood best friend-turned-enemy and reaper but when a saint member is murdered and reapers murmur about a cure, the two girls are forced into an alliance and must keep their confusing feelings in check, to Wendy McClure at Sourcebooks Fire, in a pre-empt, in a two-book deal, for publication in fall 2024, by Emily Forney at BookEnds (NA).

Author of the forthcoming SAINT JUNIPER’S FOLLY Alex Crespo‘s THE WATCHER, a queer paranormal mystery, pitched as SAWKILL GIRLS by way of Twin Peaks, in which four teens track down a local cryptid that’s feeding off secrets before their own hidden truths are exposed to their coastal Oregon town, to Ashley Hearn at Peachtree Teen, for publication in spring 2025, by Mary C. Moore at Kimberley Cameron & Associates (world).

Eisner Award-winning graphic novelist Emil Ferris‘s graphic novel RECORDS OF THE DAMNED, set in mid-60s Chicago, a prequel to MY FAVORITE THING IS MONSTERS, following its monster-loving protagonist’s queer coming-of-age and burgeoning friendship with her haunted neighbor; and A. ROSENBLOOM AND THE MARIONETTE MURDERS, a standalone noir revolving around a string of grisly murders, to Lisa Lucas and Zach Phillips at Pantheon, at auction, in a two-book deal, by Markus Hoffmann at Regal Hoffmann & Associates (world English).

National Book Award-winning author Kacen Callender‘s INFINITY ALCHEMIST, featuring a cast of trans and queer characters of color in a polyamorous triad, following a boy who illegally practices alchemy and is blackmailed into helping a college apprentice find the legendary Book of Source, said to make its reader all-powerful, pitting the two against dangerous rivals willing to kill for it, to Ali Fisher at Tor Teen, in a major deal, at auction, in a two-book deal, for publication in winter 2024, by Beth Phelan at Gallt and Zacker Literary Agency (world English).

Michelle Kulwicki‘s AT THE END OF THE RIVER STYX, in which two boys—one who cheated death and one who is cursed to spend 500 years ferrying souls across the river Styx—aim to discover if their love is worth dying for as they find their lives intertwining in dreams at the edge of death’s domain; part queer romance, part meditation on grief and sacrifice, forcing readers to examine the complexities of their own relationships and what they’d be willing to give up for those they hold dear, to Tamara Grasty at Page Street Kids, in a nice deal, by Lauren Bittrich at Lucinda Literary (world).

THE GHOSTS OF ROSE HILL author R.M. Romero‘s DEATH’S COUNTRY, pitched as a queer Orpheus and Eurydice retelling in verse with a polyamorous triad, following two Miami teens who travel to the underworld to retrieve their girlfriend’s soul, so they can reunite it with her body before it’s too late, to Ashley Hearn at Peachtree Teen, for publication in summer 2024, by Rena Rossner at Deborah Harris Agency (world).

Vichet Chum’s KWEEN, about a queer Cambodian American teen’s journey to find her voice and step into her legacy, to Jennifer Ung at Quill Tree, for publication in fall 2023 (world).

Non-Fiction

Speaker, activist, and TikTok expert Ben Greene‘s MY CHILD IS TRANS, NOW WHAT?, a roadmap for transgender people, their families, and allies to support transgender people as they navigate their journeys, to Suzanne Staszak-Silva at Rowman & Littlefield, by Jessica Faust at BookEnds (world English).

Actor (Search Party, The Horror of Dolores Roach, Spoiler Alert) Jeffery Self‘s SELF-SABOTAGE, a collection of personal essays exploring everything from the author’s Southern upbringing to sex work to the glitz and glamour of being bipolar, to Rakesh Satyal at Harper One, by Alex Kane at William Morris Endeavor (NA).

Frances Cannon‘s FLING DICTION, poems about the vulnerability of desire that explore different styles of relationships, including queer love, polyamory, familial drama, dog and human companionship, and longing in isolation, through characters who find and lose each other in rural and urban settings and have their experiences intensified by the sensuality and ferocity of nature, to Dede Cummings at Green Writers Press, with Maria Tane editing, in an exclusive submission, for publication in spring 2024 (US).

Author of the forthcoming THE MALE GAZED Manuel Betancourt‘s HELLO STRANGER, combining cultural criticism and memoir to question prescribed notions of monogamy and coupledom, with a fresh consideration of modern queer dating, from ephemeral connections made through cruising and hookup apps to long-term polyamorous relationships, again to Alicia Kroell at Catapult, by Michael Bourret at Dystel, Goderich & Bourret (NA).

Brittney Griner‘s memoir, recounting her detention, trial, and imprisonment in Russia, as well as the efforts in public and behind the scenes to bring her home, also documenting how the global #WeAreBG movement began as well as the issue of pay equity for women athletes in the United States—the very inequity that led Griner to play basketball in Russia, to Jordan Pavlin at Knopf, for publication in spring 2024, by Kim Witherspoon at Inkwell Management, with Jon Liebman at Brillstein Entertainment and Lindsay Kagawa Colas at Wasserman (world). Random House Children’s will publish a YA edition at a later date.

Hosts of the podcast GAYISH Kyle Getz and Mike Johnson‘s YOU’RE PROBABLY GAYISH, taking a look at gay stereotypes and why none of us are “gay enough,” but rather comfortably “gayish,” to Alex DiFrancesco at Jessica Kingsley, for publication in February 2025 (world).

Cover Reveal, Excerpt

Exclusive Cover+Excerpt Reveal: Wren Martin Ruins It All by Amanda DeWitt

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Today on the site, we’re revealing the cover of yet another ace offering by Amanda DeWitt! Wren Martin Ruins it All releases November 7, 2023 from Peachtree Teen, and here’s the story:

From the author of Aces Wild comes a hilarious and compassionate romantic comedy for fans of Casey McQuiston and Netflix’s Love Is Blind!

Now that Wren Martin is student council president (on a technicality, but hey, it counts) he’s going to fix Rapture High. His first order of business: abolish the school’s annual Valentine’s Day dance, a drain on the school’s resources and general social nightmare—especially when you’re asexual.

His greatest opponent: Leo Reyes, vice president and all-around annoyingly perfect student, who has a solution to Wren’s budget problem—a sponsorship from Buddy, the anonymous “not a dating” app sweeping the nation. Now instead of a danceless senior year, Wren is in charge of the biggest dance Rapture High has ever seen. He’s even secretly signed up for the app. For research, of course.

But when Wren develops capital F-Feelings for his anonymous match, things spiral out of control. Wren decided a long time ago that dating while asexual wasn’t worth the hassle. With the big night rapidly approaching, he isn’t sure what will kill him first: the dance, his relationship drama, or the growing realization that Leo’s perfect life might not be so perfect aftfter all.

In an unforgettably quippy and endearingly chaotic voice, Wren Martin explores the complexities of falling in love while asexual.

And here’s the gorgeous cover, designed by Lily Steele and illustrated by Ella!

Buy it: Bookshop | Amazon

But wait, there’s more! Behold an exclusive excerpt from Wren Martin Ruins it All!

1: 

THE DANCE

There’s something about decision-making and running full tilt down an empty hallway that doesn’t pair well. I have approximately five seconds to get to the student council room. I can make it in four if I don’t slow down. If I’m lucky, the new faculty advisor won’t be there to see my dramatic entrance. If I’m not—well, I’ll worry about that later.

It’s this overconfident mindset that leads me to believe I can yank open the door and enter the classroom at the same time. Which might have worked. If the door hadn’t been locked. 

Rest in peace, Wren Martin. You will be missed.

I collide with the door, my forehead smacking neatly against a solid inch and a half of lacquered wood with a clunk! that reverberates through my entire skull. I stumble backward, clutching my forehead like my hands are the only thing keeping my head from splitting open.

Well, that’s one way to knock.

The door opens. “Oh,” Leo says, peeking through the doorway like he’s expecting a package to be delivered. I can actually feel his eyes skating downward, taking in the entire scene. “Are you okay?”

Of course it’s Leo, six feet and two inches worth of perfect teenage boy. Somehow it’s always Leo when it comes to my humiliations, like fate arranges to put us in the same place at the same time of disaster. I’m not sure if I was cursed at birth to screw up or if Leo was cursed to witness it. Considering I’m the one who physically hit the door, I suspect it might be me. 

I close my eyes and exhale through my nose. “Why was the door locked?” I say in an exemplary display of patience and restraint. 

A pause. “The door was locked?” I hear its futile clicking as Leo tests it. “Oh, I guess it was. Sorry, Wren. Are you sure you’re okay?”

My eyes snap back open and a vein throbs in my forehead. Or maybe that’s just the cranial trauma. 

Okay, before you think badly of me, it’s not just the door. Or that fact that I made a fool of myself. Or that I was running late in the first place, necessitating the fool-making. There’s more at play here that you need to understand. 

Reasons why I hate Leo Reyes:

  1. He’s tall. I don’t trust tall people. Ryan is five eight in her boots, and that’s pushing it. And she’s my best friend. Leo is not my best friend. 
  2. He’s a morning person. A morning person who goes for runs. In the morning. Worse than that, he talks about doing it like it’s normal. 
  3. One year in middle school, his locker was directly above mine. This is unforgivable. 
  4. He’s just . . . too much. Too pretty, too charming, too tall (did I mention that?). Too perfect. Teachers love him, he got elected to student council without even trying, and he’s the MVP coder of the robotics team, which has awards hanging up in the school’s front office. He doesn’t even have to try to be the best person at this school. It’s like looking at a photo that’s been airbrushed to hell and back. People are meant to have flaws. When they don’t, they make your animal brain go feral. 
  5. Once I saw him eat a banana without pulling the strings off. Like—excuse me?
  6. New: he witnessed me run into a locked door.

So you see, nothing about this situation is ideal. 

“I’m fine,” I say, brushing past him and into the classroom with whatever dignity I have left. Once my back is to him, I probe my forehead gently with a wince. Oh, that’s going to bruise.

Excerpt from Wren Martin Ruins It All / Text copyright © 2023 by Amanda DeWitt. Reproduced by permission from Peachtree Publishing Company Inc. All rights reserved.

Amanda DeWitt (she/her) is an author (Aces Wild) and librarian, ensuring that she spends as much time around books as possible. She also enjoys Star Wars, Dungeons & Dragons-ing, and even more writing—just not whatever it is she really should be writing. She graduated from the University of South Florida with a master’s in library and information science. She lives in Clearwater, Florida, with her dogs, cats, and assortment of chickens. Find her on Twitter @AmandaMDeWitt and Instagram @am.dewitt.

Deal Announcements

Deal Announcements: November 2022

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Adult Fiction

Autostraddle contributor Shelly Jay Shore‘s BODIES IN WATER, pitched as One Last Stop meets Six Feet Under, about a clairvoyant trans man drawn back to his messy Jewish family and their imploding funeral home business after a lifetime of trying to outrun both, who must confront the ghosts of his disappointed grandfather and the gone-too-soon husband of his charming new crush in order to move forward in life and love, to Jesse Shuman at Bantam Dell, in a pre-empt, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (NA).

Philip William Stover‘s THE PROBLEM WITH PERFECT, in which the executive producer of a hit LGBTQ lifestyle show finds that the handsome host goes AWOL right before the all-important live Pride broadcast and the only option is to track down the host’s estranged identical twin brother and teach him to play the part; transforming this human sasquatch into a star is no easy task, but when romance blossoms behind the scenes, perfection is about to get real, to Keshini Naidoo at Hera, for publication in summer 2023, by Alyssa Eisner Henkin at Birch Path Literary (world English).

Former bookseller and LGTBQ+ activist Alana S. Portero’s BAD HABIT, a coming-of-age novel about the journey a trans woman takes to discover herself against a world that has no space for her, with the backdrop of a working-class family in the Madrid of the ’80s and the ’90s, to Juan Mila at Harper Via, in a good deal, in a pre-empt, by Maria Cardona at Aevitas Creative Management UK (world English).

Editor-in-Chief of Electric Literature, MacDowell Fellow, and cohost of the Food 4 Thot podcast Denne Michele Norris’s WHEN THE HARVEST COMES, about a young Black gay man reckoning with the death of his reverend father, who never accepted him, exploring the effect of this loss on his marriage and how it forces him to confront his deepest desires around gender, family, and sex; pitched for readers of SHUGGIE BAIN, to Noa Shapiro at Random House, in a pre-empt, by Robert Guinsler at Sterling Lord Literistic (world).

SOME GIRLS DO author Jennifer Dugan‘s LOVE AT FIRST SET, a queer rom-com about a gym employee who accidentally ruins her bosses’ daughter’s wedding, then even more accidentally falls for the runaway bride, to Sylvan Creekmore at Avon, in a good deal, at auction, in a two-book deal, for publication in May 2023, by Sara Crowe at Pippin Properties (world English).

Center for Fiction Emerging Writer Fellow and Publishing Coordinator at Scribner/Marysue Rucci Books Jiaming Tang‘s CINEMA LOVE, about gay men in rural China, the women who marry them, and the secret theater where their husbands cruised for love; spanning three timelines—from contemporary New York to late 80s Chinatown to post-socialist China—and examining the legacies of caregiving and assimilation in Chinese America, to Pilar Garcia-Brown at Dutton, at auction, by Kent Wolf at Neon Literary (NA).

Host and founder of the storytelling night Generation Women and author of IT HAD TO BE YOU and ISLAND TIME Georgia Clark‘s MOST WONDERFUL, a queer holiday rom-com about three adult siblings, each dealing with their own personal and romantic struggles, who reunite at their larger-than-life mother’s Catskills manor for Christmas, to Emma Caruso and Katy Nishimoto at Dial Press, in a two-book deal, by Allison Hunter at Trellis Literary Management (world English).

NYU MFA graduate Jessie Ren Marshall‘s WOMEN! IN! PERIL!, a story collection with queer and speculative elements that features a diverse cast of women, including a former ballerina with memory loss, an Asian sex-bot trying to outlast her return policy, and a pioneer traveling on a spaceship to populate a new colony; and ALOHALAND, a novel set on Hawai’i Island, following two half-sisters—one a resort’s “Aloha Ambassador” forced to cater to the guests’ every whim, the other a reality TV star—who grapple with questions of home and belonging as they face a megastorm fueled by global warming, to Grace McNamee at Bloomsbury, in a pre-empt, in a two-book deal, for publication in winter 2024, by Michelle Brower and Natalie Edwards at Trellis Literary Management (NA).

Screenwriter Emma R. Alban’s MISCHIEF & MATCHMAKING, a queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other, pitched as a lesbian Bridgerton/Parent Trap, the first book in a duology, to Sylvan Creekmore at Avon, in a good deal, in a pre-empt, in a two-book deal, for publication in winter 2024, by Stacy Testa at Writers House (world).

Reese Hogan‘s audiobook MY HEART IS HUMAN, a near-future SF thriller set in a world that has shut down tech to avoid an AI uprising, about a young transgender dad who, during the chaos of a robbery, activates an old bionic that uploads itself into his head, and he and the bionic must navigate the blurred lines between human and machine while uncovering the true reasons for the tech shut down, to Brian Sweany at Recorded Books, by Katie Shea Boutillier at Donald Maass Literary Agency, on behalf of Cameron McClure (world English).

Author of EMPANADA: A LESBIAN STORY IN PROBADITAS Anel Flores’s CURTAINS OF TEARS, which follows the story of a woman who escapes her small border town and arrives at the door of her gay tios on a quest to queer traditions, turn trauma into triumph, and find home, to Lisa Pegram at Jaded Ibis Press, for publication in January 2024 (world English).

Brooklyn MFA graduate and former Truman Capote fellow Zachary Solomon‘s ZELNIK, about a queer Jewish architecture student who flees his antisemitic homeland for a new life in a utopian city in the west, where, to his horror, he uncovers the same machinery of human oppression hidden beneath a veneer of civilization, an allegory for the Jewish emigre experience and a dark exploration of the interconnections between art, artifice, and the fascist urge, to Christine Neulieb at Lanternfish Press, for publication in spring of 2024, by Reeves Hamilton at Vertical Ink Agency (world English).

Ollie Hicks and Emma Oosterhous‘s second and third books in the queer, magical-girl sports romance GRAND SLAM ROMANCE series, following former rivals to lovers as they face a new league of challengers and challenges, to Charlotte Greenbaum at Abrams ComicArts, with Mariko Tamaki editing, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in 2024, by Britt Siess at Britt Siess Creative Management (world).

Children’s Fiction

TEAM TRASH AND THE TIME BOT cocreator Kate Wheeler’s graphic novel GOAT MAGIC, pitched for fans of Wolfwalkers and MOONCAKES, about two girls on an adventure—one a reluctant goatherd, the other a goat who happens to be an enchanted princess—and how their friendship blossoms into something more as they confront treachery against the throne, to Grace Scheipeter at Oni Press, in a nice deal, for publication in spring 2025, by Jennifer Mattson at Andrea Brown Literary Agency (NA).

Young Adult Fiction

Author of the anthology VAMPIRES NEVER GET OLD Zoraida Cordova and Natalie C. Parker, eds.’s MERMAIDS NEVER DROWN, stories by the editors and Darcie Little Badger, Kalynn Bayron, Preeti Chhibber, Rebecca Coffindaffer, Julie C. Dao, Maggie Tokuda-Hall, Adriana Herrera, June Hur, Katherine Locke, Kerri Maniscalco, Julie Murphy, Gretchen Schreiber, and Julian Winters; and FAERIES NEVER LIE, including stories by the editors and Nafiza Azad, Holly Black, Dhonielle Clayton, Christine Day, Chloe Gong, Tessa Gratton, Ryan La Sala, Kwame Mbalia, L.L. McKinney, Anna-Marie McLemore, Kaitlyn Sage Patterson, Linda Raquel Nieves Perez, and Rory Power, to Foyinsi Adegbonmire and Liz Szabla at Feiwel and Friends, for publication in fall 2023 and fall 2024, respectively, by Suzie Townsend at New Leaf Literary & Media for Cordova and Lara Perkins at Andrea Brown Literary Agency for Parker (world).

Kara A. Kennedy’s debut I WILL NEVER LEAVE YOU, a YA speculative thriller pitched as Kara Thomas meets THE HAUNTING OF BLY MANOR, about a girl being haunted by the ghost of her toxic ex-girlfriend, who gives her a chilling ultimatum—help her possess another girl or go down for her murder, to Hannah Hill at Delacorte, for publication in fall 2024, by Chloe Seager at Madeleine Milburn Literary Agency (NA).

Robin Talley‘s EVERYTHING GLITTERED, a sapphic thriller set at an elite boarding school in Washington, DC circa 1927, in which three young women become involved in the investigation of the murder of their controversial young headmistress, to Erika Turner at Little, Brown Children’s, for publication in summer 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

Author of DANCING BEARS Rob Costello, ed.’s QUEER BEASTIES, an anthology that celebrates the monster as a positive and empowering metaphor for the otherness of being queer, with contributions from Costello, Kalynn Bayron, David Bowles, H.E. Edgmon, Michael Thomas Ford, Naomi Kanakia, Claire Kann, Sam J. Miller, and Alexandra Villasante, among others, to Britny Brooks-Perilli at Running Press Kids, for publication in May 2024, by Marie Lamba at Jennifer De Chiara Literary Agency (world English).

Erin Cotter’s debut BY ANY OTHER NAME, a historical romp set in Elizabethan England, pitched as THE GENTLEMEN’S GUIDE TO VICE AND VIRTUE meets THE BOY IN THE RED DRESS, in which a young Shakespearean actor must partner with a dashing lord to solve the murder of his playwright friend, while trying to keep their budding romance a secret from the royal family, to Nicole Ellul at Simon & Schuster Children’s, in a nice deal, for publication in fall 2023, by Hilary Harwell at kt literary (world).

Author of GEARBREAKERS and GODSLAYERS Zoe Hana Mikuta‘s OFF WITH THEIR HEADS, where blood and betrayal meet in this sapphic, Korean-inspired book pitched as a re-imagining of Alice in Wonderland in which two girls’ (horrible, cruel, and precariously balanced on that line between love and murder) twisted past comes to light as they’re once again thrust into each other’s lives and beckoned back to the dark, monster-filled forest where it all began: Wonderland, to Rebecca Kuss at Disney-Hyperion, in a significant deal, in a pre-empt, for publication in spring 2024, by Laura Rennert at Andrea Brown Literary Agency (world English).

Author of the forthcoming THE VERMILION EMPORIUM Jamie Pacton‘s THE ABSINTHE UNDERGROUND, a sapphic friends-to-lovers romantasy, pitched as JONATHAN STRANGE & MR NORRELL meets Holly Black, in which an artist and her best friend are pulled into the glittering world of an underground nightclub, where a green fairy enlists them to steal from a magician’s house, to Ashley Hearn at Peachtree Teen, in an exclusive submission, for publication in spring 2024, by Kate Schafer Testerman at kt literary (world).

Non-Fiction

Peloton instructor and Dancing with the Stars finalist Cody Rigsby‘s XOXO, CODY: AN OPINIONATED HOMOSEXUAL’S GUIDE TO SELF-LOVE, RELATIONSHIPS, AND TACTFUL PETTINESS, chronicling the author’s journey growing up gay and poor in the South with an addict mom to somehow going from broke dancer to fitness icon, with stories about learning how to handle the scary sh*t, interspersed with Q&As and his rankings on everything from fashion faux pas to celebrity breakups, to Sara Weiss at Ballantine, at auction, by David Doerrer at A3 Artists Agency.

Authors of THE GAY AGENDA and QUEER TAROT and owners of the Ash + Chess stationery store Ashley Molesso and Chess Needham’s THE BIG BOOK OF QUEER STICKERS, a compendium of their most recognizable art pieces in decal format, such as “Trans People Belong Here,” “Make America Gay Again,” “Every Body is a Good Body,” along with never-before-seen new queer art, to Shannon Connors Fabricant at Running Press, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).

Cover Reveal

Exclusive Cover Reveal: The Immeasurable Depth of You by Maria Ingrande Mora

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Today on the site I’m delighted to be revealing another cover for Maria Ingrande Mora, this one for their upcoming bisexual supernatural coming-of-age YA The Immeasurable Depth of You, which releases from Peachtree Teen on March 7, 2023! Here’s the story:

How do you face your fears when everything is terrifying?

Fifteen-year-old Brynn can’t stop thinking about death. Her intrusive thoughts and severe anxiety leave her feeling helpless—and hopeless. So after her mom interprets one of Brynn’s blog posts as a suicide note, she takes extreme measures, confiscating Brynn’s phone, blocking her Internet access, and banishing her to stay with her father, who lives “off the grid” on a houseboat in the Florida mangroves. Isolated from her online friends—her only friends—Brynn resigns herself to a summer of mind-numbing boredom and loneliness . . . until Skylar appears.

Skylar is everything Brynn isn’t—sultry, athletic, and confident. Yet Brynn feels at home around this fearless girl who pushes her to try new things and makes her belly flutter with nerves that have nothing to do with anxiety. When Brynn discovers that Skylar is trapped in the bayou and can’t tell her why, she resolves to free her new crush from the dark waters, even if it means confronting all of her worst fears.

In the devastating but uplifting tradition of Adam Silvera and Nova Ren Suma comes a queer, supernatural coming-of-age story from acclaimed author Maria Ingrande Mora.

And here’s the haunting cover, illustrated by J.A.W. Cooper and designed by Lily Steele!

Alt text: In this muted illustrated cover, a girl  with light brown skin and brown chin-length hair stands in a bra and shorts looking down at the water, beneath which lies a thinner blond white girl in a yellow bikini reaching up to the surface of the water. Pink leaves and the yellow reflections of birds dot the water, and the title reads “The Immeasurable Depth of You.” The author’s name, Maria Ingrande Mora, is printed in all-caps across the bottom in pink.

Here’s a word from the author!

“The Immeasurable Depth of You is about resilience,” shares author Maria Ingrande Mora. “Brynn is forced into a situation that triggers her anxiety at every turn — she doesn’t know how to act around her estranged dad, Florida has truly unreasonable wildlife, and she can’t get online or text for the whole summer. Personally, I’d curl up in a ball and cry for three months. But Brynn has spent her whole life learning to coexist with discomfort. She is so much more resilient than she thinks. I hope readers are inspired by Brynn’s messy courage and the way she feels things with her whole chest. Also there’s a manatee. J.A.W Cooper’s stunning illustration captures the in-between state Brynn exists in during her summer away from home and real life. It was important to me to ground the cover in the setting, in the beautiful eeriness of tropical wetlands. Cooper executed that perfectly, and I couldn’t be more thrilled with how they depicted Brynn and Skylar in the place they find each other.”

Buy it: Amazon | IndieBound

(c) Brittany Echemendia

Maria Ingrande Mora (they/she) is a content strategist and the author of the acclaimed young adult fantasy, Fragile Remedy (Flux, March 2021), a Junior Library Guild Gold Standard Selection. Their love languages are snacks, queer joy, and live music. A graduate of the University of Florida, Maria lives near a wetlands preserve with two cats, two teenagers, and two billion mosquitoes.

Deal Announcements

March 2022 Deal Announcements

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Adult Fiction

Iowa Writer’s Workshop graduate Eliot Duncan’s PONYBOY, about trans masculinity, addiction, sex, family, self-destruction, and the pains—and inevitable joy—of becoming, documenting the narrator’s spiral into and out of his body, and set in Paris, Berlin, and the Midwest, to Mo Crist at Norton, by Ian Bonaparte and PJ Mark at Janklow & Nesbit (NA)

CJ Connor’s BOARD TO DEATH, the first in a queer cozy mystery series featuring a 30-something professor-turned-board game shop proprietor who juggles keeping his father’s Salt Lake City-based board game shop alive, a budding romance with the handsome florist next door, and a murder that threatens the game shop’s livelihood, to Elizabeth Trout at Kensington, in a two-book deal, by Jessica Faust at BookEnds.

Kat Caliteri‘s debut BOYSTOWN HEARTBREAKERS, in which a Chicago hairstylist has only three things to his name: a pair of $1,200 shears, a Boystown studio apartment, and a list of men who’ve broken his heart written on his closet wall; will this friends-to-lovers romance end in a happily ever after?, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in spring 2024.

Recipient of the National Book Foundation’s Medal for Distinguished Contribution to American Letters Edmund White‘s THE HUMBLE LOVER, about a rich older man who falls in love with a young star in the New York City Ballet and becomes something between his patron, friend, and lover, to Daniel Loedel at Bloomsbury, for publication in 2023, by Bill Clegg at The Clegg Agency (world English).

Author of THE GOLDEN SEASON Madeline Kay Sneed’s THE BEST DAY OF OUR LIVES, pitched for fans of Maggie Shipstead’s SEATING ARRANGEMENTS, a layered family drama starring an ensemble cast set at a big, splashy Texas wedding over the course of a weekend, in which a member of the wedding party is forced to reconnect—explosively—with her ex-wife, throwing several other relationships into chaos as a result, to Brittany Lavery at Graydon House, for publication in winter 2024, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world English).

Playwright Jeffrey Richards’s WE ARE ONLY GHOSTS, a psychological novel with LGBTQ+ themes about a Jewish survivor of Auschwitz, who after the war, finds his way to New York City, where two decades later he is confronted by the man who was both his tormentor and his savior, to John Scognamiglio at Kensington, for publication in spring 2024, by Matthew Carnicelli at Carnicelli Literary Management (world).

Carlyn Greenwald‘s SIZZLE REEL, a love triangle rom-com following an aspiring cinematographer and talent manager’s assistant who, after coming out as bi at 23, finds herself attracted to an ambiguously gay A-list actress who takes an interest in her career, complicating her already-complex friendship with her suave, nonbinary lesbian best friend, to Caitlin Landuyt at Vintage, in a pre-empt, in a two-book deal, for publication in spring 2023, by Janine Kamouh at William Morris Endeavor (NA).

University of Memphis professor and author of the story collection QUANTUM CONVENTION Eric Schlich’s ELI HARPO’S ADVENTURE TO THE AFTERLIFE, a coming-of-age story about a boy raised to believe he briefly went to heaven, whose religious doubts and questions about his sexuality start to emerge at the worst possible time—on his family’s road trip to Bible World to see the new attraction based on his near-death experience, to Abby Muller at Algonquin, by Rachel Ludwig at David Black Literary Agency (world).

Lesbian comic artist Ren Strapp’s HOW COULD YOU?, in which a group of college women must navigate platonic and romantic love through heartbreak, matchmaking, and a semester abroad, to Jasmine Amiri at Oni Press, in a nice deal, for publication in 2024, by Stephanie Winter at P.S. Literary Agency (world).

Co-editor of the Cambridge University Press Elements in Crime Narratives Series and Lambda Literary Award Finalist Margot Douaihy’s debut SCORCHED CROSS, the first in a series of hardboiled-inspired queer whodunits following a chain-smoking, heavily tattooed, queer nun, who puts her amateur sleuthing skills to the test after her convent becomes the target of a shocking arson spree, leading her down a twisty path of suspicion and secrets during the end of a sweltering New Orleans summer, to Gillian Flynn Books, in a pre-empt.

Artist, filmmaker, and poet Navid Sinaki’s MEDUSA OF THE ROSES, an Iranian noir steeped in Persian and Greek mythology that follows a queer petty thief and morbid romantic in a feverish search for answers and revenge after his boyfriend disappears, to Katie Raissian at Grove/Atlantic, by Mariah Stovall at Trellis Literary Management (NA).

DEPART, DEPART! author Sim Kern’s REAL SUGAR IS HARD TO FIND, a collection of stories exploring intersections of climate change, identity, reproductive justice, queerness, and family trauma, charting a path from climate despair toward resilience and revolutionary optimism, to Justine Norton-Kertson at Android, in a nice deal, for publication in August 2022 (world English).

David R. Slayton’s TO CATCH A GEEK, pitched in the vein of FANGIRL meets RED, WHITE & ROYAL BLUE, in which a man wants to reboot his favorite sci-fi show but the creator’s embittered son stands in his way; when the son plots to use his reboot to show the world who his father really was, he learns that being a geek isn’t a bad thing while he learns that meeting your heroes sometimes is, to Tera Cuskaden at Crazy Maple Studio, for publication in winter 2023, by Lesley Sabga at The Seymour Agency (world).

Poet Natasha Siegel‘s debut SOLOMON’S CROWN, pitched in the vein of Madeline Miller’s THE SONG OF ACHILLES, a queer, alt-history reimagining of two medieval kings, Richard the Lionheart and Philip Augustus, who fall into a forbidden affair and must choose between betraying one another for the sake of their legacies, or following their hearts, to Jesse Shuman at Bantam Dell, in a two-book deal, by Tara Gilbert at Jennifer De Chiara Literary Agency (world English).

Children’s/Middle Grade Fiction

Jazz Taylor‘s STARTING FROM SCRATCH, about a girl whose new stepsister throws off her carefully crafted coping mechanisms, takes over her favorite activities and friends, and moves in with a cat even though she is scared of them—leaving her to figure out how to deal with a copycat sister and a stubbornly affectionate feline in their new blended home, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in spring 2023, by Holly Root at Root Literary (world).

Author-illustrator Elijah Forbes’s debut ANONG AND THE RIBBON SKIRT, a middle-grade graphic novel featuring a Two-Spirit nonbinary child who sets out to create and wear a ribbon skirt—a piece of clothing typically worn by women in the Anishinaabe tradition—at an upcoming powwow, to Cassandra Pelham Fulton at Graphix, for publication in fall 2024, by Nicole Geiger at Full Circle Literary (world).

Elizabeth Lee at Penguin Workshop has bought, in an exclusive submission, Playbook for Imperfect Planets by debut author Erin Becker. This contemporary, dual-POV middle grade novel is an enemies-to-first-crushes story following two 13-year-old girls whose fierce rivalry on the soccer field is complicated by their burgeoning feelings for each other. Publication is scheduled for summer 2024; Joanna Volpe and Abigail Donoghue at New Leaf Literary & Media negotiated the deal for world English rights.

Young Adult Fiction

Justin Arnold’s WICKED LITTLE THINGS, a campy horror in which a recently outed teen discovers he is a witch and returns to his small hometown to solve the murder of his cousin; in order to catch the rabbit-faced killer, he reluctantly joins a coven of fashion-forward mean girls and gets up close and personal with a werewolf, all while learning to embrace his power, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in fall 2022 (world English).

Author of NEVER KISS YOUR ROOMMATE Philline Harms’s LOVE AND OTHER WICKED THINGS, a witchy, sapphic romance set in a small, magical town, to Rebecca Sands at Wattpad, for publication in spring 2023 (world).

Dale Walls’s debut THE QUEER GIRL IS GOING TO BE OKAY, about a tight-knit group of three queer girls navigating love, friendship, and changes during their senior year of high school in Houston, to Meghan Maria McCullough at Levine Querido, in an exclusive submission, for publication in fall 2023, by Garrett Alwert at Emerald City Literary Agency (world).

Alex Crespo’s SAINT JUNIPER’S FOLLY, a queer Gothic mystery pitched as CEMETERY BOYS meets THE DEVOURING GRAY, in which a straight-laced golden boy and a novice witch team up to rescue a Mexican American teen with a cryptic past who has become trapped inside a haunted mansion in Vermont, to Ashley Hearn at Peachtree Teen, in a two-book deal, for publication in summer of 2023, by Mary C. Moore of Kimberley Cameron & Associates (world).

Anna-Marie McLemore and Elliott McLemore‘s VENOM & VOW, a YA fantasy about a transgender prince doubling for his brother, and a bigender boy assassin/lady-in-waiting, who, thanks to their concealed identities, don’t realize they’re simultaneously falling for and trying to destroy each other, to Kat Brzozowski at Feiwel and Friends, for publication in spring 2023, by Taylor Martindale Kean at Full Circle Literary (NA).

Elle Gonzalez Rose‘s debut CAUGHT IN A BAD FAUXMANCE, a queer, Latinx rom-com pitched as TO ALL THE BOYS I’VE LOVED BEFORE meets Schitt’s Creek, in which an aspiring artist’s winter vacation devolves into hijinks after his family’s affluent long-time rivals challenge them to a bet that could cost his family their beloved lake cabin; but when the enemy’s attractive son comes to him in desperate need of a fake boyfriend, he reluctantly agrees to set aside loathing for love to take down the other family once and for all, to Bria Ragin, Nicola Yoon, and David Yoon at Joy Revolution, for publication in fall 2023, by Uwe Stender at TriadaUS Literary Agency (world).

Claire Winn‘s CITY OF VICIOUS NIGHT, the sequel to CITY OF SHATTERED LIGHT, a queer, female-led cyberpunk adventure, in which an heiress-turned-smuggler and a gunslinger are forced to vie for leadership of an underworld faction after a mysterious hacker turns the city against them; meanwhile, a captured crew member must ally with an old enemy to find his way home, to Meg Gaertner at Flux, for publication in spring 2023, by Cortney Radocaj at Belcastro Agency (world).

Stacey Anthony’s MAKEUP, BREAKUP, an LGBTQ+ contemporary romance in which a self-taught, up-and-coming makeup artist competes against rival influencers—one of whom happens to be their ex—in a cosplay competition to win a scholarship to a prestigious special effects school, to Britny Brooks at Running Press Kids, in a nice deal, for publication in the summer of 2023, by Haley Casey at Creative Media Agency (world English).

Musician Jessamyn Violet‘s SECRET RULES TO BEING A ROCKSTAR, a queer debut about a teenage musician who jumps at a chance to play in her favorite rock band on their upcoming world tour, only to realize her heroes have their own agenda and might be leading her down a dark path, to Peter Carlaftes at Three Rooms Press, with Kat Georges editing, in a nice deal, for publication in April 2023, by Devon Halliday at Transatlantic Literary Agency (world English).

Jason June‘s RILEY WEAVER NEEDS A DATE TO THE GAYBUTANTE BALL, in which a gay, femme 16-year-old hopes to enter the Gaybutante Society, a world-renowned organization full of queer tastemakers, and when he’s told by a gay cis classmate that gay guys aren’t attracted to femme gays, he bets he’ll find a boyfriend in time for the Gaybutante Ball, to Megan Ilnitzki at Harper Teen, in a good deal, in a two-book deal, for publication in summer 2023, by Brent Taylor at TriadaUS Literary Agency (world English).

Linda Cheng’s debut YA, GORGEOUS GRUESOME FACES (and its sequel), a supernatural sapphic YA horror novel pitched as WILDER GIRLS meets LOVEBOAT, TAIPEI set in the glittering, cut-throat world of Asian pop that follows a disgraced teen idol who comes face to face with a former bandmate and the demons of their shared past when the two enter a competition that devolves into a deadly nightmare, to Kate Meltzer at Roaring Brook Press, at auction, for publication in 2023, by John Cusick at Folio Literary Management/Folio (world).

BETWEEN PERFECT AND REAL author Ray Stoeve‘s THE SUMMER LOVE STRATEGY, in which two girls (one cis, one trans) decide to emulate romcoms to help each other find love and end up falling for each other, to Maggie Lehrman at Amulet, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (world English).

Sarah Van Name‘s THESE BODIES BETWEEN US, pitched as The Craft by way of Nina LaCour, following four friends in a North Carolina beach town who spend their summer learning to become invisible until their newfound powers start to spiral out of control, to Hannah Hill at Delacorte, for publication in spring 2024, by Maria Bell at Sterling Lord Literistic (world English).

Xan van Rooyen‘s MY NAME IS MAGIC, set at a Finnish school for the magically gifted, in which a 15-year-old magically challenged nonbinary student must save their disappearing friends, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in September 2022, by Lindsay Leggett at The Rights Factory (world English).

Emmett Nahil and George Williams’s LET ME OUT, a queer horror graphic novel set during the Satanic panic, in which four friends must unravel a conspiracy involving secret government bureaus and strange rituals, while things take a turn for the hellish—literally, to Jasmine Amiri at Oni Press, for publication in 2023, by Tamara Kawar at ICM (world).

Non-Fiction

Dance photographer and journalist duo Yael Malka and Coco Romack‘s QUEER DANCE, a photojournalistic celebration of LGBTQ+ dancers, choreographers, companies, and collectives across the country who are challenging the heteronormative status quo of the dance world, pairing Malka’s images with Romack’s reported essays, to Mirabelle Korn at Chronicle, for publication in spring 2024, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world).

Pop culture writer, video-maker, and queer geek extraordinaire Matt Baume‘s untitled book, which traverses the history of sitcoms from the ’60s to the present to tell the story of how subversive queer comedy transformed the American sitcom—and how our favorite sitcoms transformed America, to Robb Pearlman at Smart Pop, by Lauren Abramo at Dystel, Goderich & Bourret (world).

Filmmaker and cofounder of the Asian American Writers’ Workshop Curtis Chin‘s EVERYTHING I LEARNED, I LEARNED IN A CHINESE RESTAURANT, about coming of age and coming out, tracing the author’s journey through 1980s Detroit, navigating rising xenophobia, the AIDS epidemic, and the Reagan revolution to find his voice as a writer and activist, set against the backdrop of his family’s popular Chinese restaurant, to Vivian Lee at Little, Brown, in a good deal, at auction, by Sonali Chanchani and Erin Harris at Folio Literary Management (NA).

NYT essayist, poet, and the first out active bisexual NFL player R. K. Russell’s THE YARDS BETWEEN US, which traces his experience discovering his sexuality alongside his career in football as it explores the defining people and moments in his life; a fresh look at masculinity, sexuality, race, sports, and how they intersect, to Jennifer Levesque at Andscape, with Kelli Martin editing, at auction, for publication in fall 2022, by Sarah Bowlin at Aevitas Creative Management (world).

Cover Reveal

Exclusive Cover Reveal: Aces Wild: A Heist by Amanda DeWitt

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Today on the site I’m thrilled to reveal the cover of an extremely exciting upcoming YA: the ace heist debut Aces Wild: A Heist by Amanda DeWitt, coming September 6th from Peachtree Teen! Here’s the story:

Six of Crows goes to Las Vegas in debut author Amanda DeWitt’s suspenseful casino heist, starring an entire crew of asexual teens.

Some people join chess club, some people play football. Jack Shannon runs a secret blackjack ring in his private school’s basement. What else is the son of a Las Vegas casino mogul supposed to do?

Everything starts falling apart when Jack’s mom is arrested for their family’s ties to organized crime. His sister Beth thinks this is the Shannon family’s chance to finally go straight, but Jack knows that something’s not right. His mom was sold out, and he knows by who. Peter Carlevaro: rival casino owner and jilted lover. Gross.

Jack hatches a plan to find out what Carlevaro’s holding over his mom’s head, but he can’t do it alone. He recruits his closest friends—the asexual support group he met through fandom forums. Now all he has to do is infiltrate a high-stakes gambling club and dodge dark family secrets, while hopelessly navigating what it means to be in love while asexual. Easy, right?

And here’s the wildly eye-catching cover, designed by Adela Pons with art by Víctor Bregante!

Buy it: Bookshop | Amazon | IndieBound

A word from our author…

“Aces Wild isn’t a book I ever expected to write, and I never would have guessed that it would be my debut! When I first started putting the words on the page, I was intimidated by writing a contemporary story—how do you make real life exciting?! I wanted to write asexual characters, but I didn’t want to write a story about asexuality, and I wasn’t sure if that was allowed. As the pieces of the story came together, I realized how important they were to me, and how important I hoped they could be for readers someday. I would write a story about comedy and larger-than-life adventure and asexuality too, but not as something that the characters struggled with or came to understand, but as something that had brought them together.

I’ll always love this story because it’s fun and as flashy as its beautiful cover (look at that neon!), but also because it’s something I wrote during a very difficult time in my life, and so much of the love and understanding that kept me going then is held in its pages. Deep at its heart, Aces Wild is about understanding yourself in the face of loss and change, and the different types of love that help us along the way, if we allow ourselves to ask for it. It’s also about silly jokes and internet friends and blackjack too, so you could say that it has range. It means so much to me to have it out into the world, I hope readers enjoy it as much as I do!”

***

Amanda DeWitt is an author and librarian, ensuring that she spends as much time around books as possible. She also enjoys Star Wars, Dungeons & Dragon-ing, and even more writing, just not whatever it is she really should be writing. She graduated from the University of South Florida with a Masters in Information and Library Science. She lives in Clearwater, Florida with her dogs, cats, and assortment of chickens. Aces Wild: A Heist is her debut novel.

Deal Announcements

July 2021 Deal Announcements

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Children’s Fiction

Author of I THINK I LOVE YOU Auriane Desombre‘s debut THE SISTER SPLIT, pitched as a reverse Parent Trap, in which a young girl teams up with her future step sister to create a plan full of hijinks that will stop their parents from getting married, so she doesn’t have to move away from the city and leave her best friend – a girl – she’s starting to develop feelings for behind, to Kelsey Horton at Delacorte, in an exclusive submission, for publication in spring 2023, by Penny Moore at Aevitas Creative Management (world).

Alex Kahler writing as K.R. Alexander’s GALLOWGATE, set in a school for banishing wayward ghosts, where a haunted boy finds forbidden magic, otherworldly foes, fierce friends, and queer romance, to David Levithan at Scholastic, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).

Adult Fiction

Hayden Stone’s AN UNEXPECTED KIND OF LOVE, pitched as Notting Hill but queer, in which an uptight bookseller stumbles headlong into a relationship with the actor whose movie is filming in his family’s struggling shop, to Heather Howland at Entangled Embrace, in a two-book deal, for publication in fall 2021 (world).

Booker winner for SHUGGIE BAIN Douglas Stuart’s YOUNG MUNGO, a portrayal of working-class life and a suspenseful story of the dangerous first love of two young men born under different stars—a Protestant and a Catholic—who should be sworn enemies if they’re to be seen as men at all, again to Peter Blackstock at Grove/Atlantic, for publication on April 5, 2022, by Anna Stein at ICM (NA).

Author of SEVEN SUSPECTS and A KIND OF JUSTICE Renee James’s BEATNIKKI’S CAFE, in which a middle-aged transgender business woman tries to keep a low profile, but when a goon assaults her business partner, she reduces him to a bloody mess—and suddenly, she and everyone close to her are targets of a revenge-minded thug who is ruthless, clever, and unbound by any moral code, to Michael Nava at Amble, in a nice deal, for publication in March 2022, by Tina Schwartz at The Purcell Agency (world English).

Bronwyn Fischer’s THE RED FERN POEM, pitched as a queer CONVERSATIONS WITH FRIENDS or a modern THE PRICE OF SALT, following a first-year university student and an older woman whose unexpected interest in her sparks an all-consuming and insidious love affair, exploring youthful self-consciousness, self-delusion, and self-definition, to Abby Muller at Algonquin, for publication in spring 2023, by Sam Hiyate at The Rights Factory (world, excl. Canada and UK).

Lambda Literary Award Finalist, GLAAD Media Award winner, and author of REAL QUEER AMERICA Samantha Allen’s PATRICIA WANTS TO CUDDLE, a contemporary horror comedy novel pitched as queer Grendel for the Instagram era, following a group of contestants on a reality television dating competition as they compete for love, and their lives, while on a remote island that’s home to an elusive and woefully misunderstood creature, to Sareena Kamath at Zando, at auction, by Leila Campoli at Stonesong (world English).

Author of HOW TO LIVE IN DETROIT WITHOUT BEING A JACKASS Aaron Foley’s BOYS COME FIRST, about the lives of 30-something Black gay men navigating love, life, and career in Detroit as they confront their evolving friendship and individual hiccups, including workplace micro-aggressions, bad Tinder dates, situationships and frenemies, while attempting to maintain their Blackness in America’s comeback city and the ever-changing expectations of homosexuality in structures largely architected by white gay men, to Anne Trubek at Belt, in a nice deal, for publication in May 2022 (US).

Young Adult Fiction

AJ Mason’s KLOUD 9, a queer space opera graphic novel about a lonely orphan trying to keep himself afloat with odd jobs, and an extraterrestrial star soldier who, after falling in love, are forced to go on the run and flee the solar system, joined by a motley crew, illustrated by Dominic Bustamante, to Erika Turner at IDW Publishing, in a three-book deal, for publication in 2023, by Britt Siess at Britt Siess Creative Management (world).

Author of THE CAMINO CLUB Kevin Craig’s BOOK OF DREAMS, in which a young man is given a book by a mysterious bookseller and falls into its pages, and must find an escape before he becomes a chapter in its horrific narrative; and WHERE IS ETHAN SINCLAIR, in which two young men try to solve the puzzling disappearance of a friend by studying his blog, only to unravel a mystery that sets them on a path to fight for justice for their missing friend—and hopefully bring him home safe, to Annie Harper at Duet, in a nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2022 (world). Rights: MJ Courchesne at Gryphon Publishing Consulting

Rose Szabo’s WE ALL FALL DOWN, the first book in the River City duology, about a city where magic used to thrive and four queer young people are cast as archetypal figures—the maiden, the hero, the monster, and the witch—in an age-old ritual that will revive the flow of magic, even though none of them quite fit the roles thrust upon them and in the end discover that they can only stay true to themselves, to Trisha de Guzman at Farrar, Straus Children’s, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in spring 2022, by Jennifer Azantian at Azantian Literary Agency (world English).

Author of ENTER TITLE HERE (as Rahul Kanakia) and WE ARE TOTALLY NORMAL Naomi Kanakia’s JUST HAPPY TO BE HERE, about an Indian American trans girl who transfers from her prestigious all-boys’ school to the sister school that she’s always idealized, and has to decide whether she’s content to be treated like a second-class citizen or whether to risk her place by demanding that her school live up to its own principles, to Stephanie Guerdan at Harper Teen, for publication in spring 2023, by Christopher Schelling at Selectric Artists (world).

Amanda DeWitt’s ACES WILD, in which a character pitched as a modern asexual Kaz Brekker assembles a crew of ace teens he met through fandom forums and leads them on a Las Vegas heist to prove his incarcerated mother was set up by a rival casino owner, to Ashley Hearn at Peachtree Teen, in a nice deal, for publication in fall 2022, by Cate Hart at Harvey Klinger (world).

Lambda Literary Award finalist and author of RUNNING WILD Lucy Jane Bledsoe’s NO STOPPING US NOW, pitched as Mrs. America meets A League of Their Own, where a 17-year-old girl whose chance encounter with Gloria Steinem inspires her to fight for her public school to actually follow the new Title IX law, facing a menacing coach and navigating her feelings for a fellow teammate in the process; a story about the joy of sports and the power of sisterhood based on the author’s own activism as a champion athlete in 1970s Portland, Oregon, to Kat Georges at Three Rooms Press, for publication in spring 2022 to coincide with the 50th anniversary of Title IX’s passage, by Reiko Davis at DeFiore and Company (world).

Editor of KINDRED Michael Earp, ed.’s fully illustrated untitled YA queer fairy tales anthology, which interprets original fairy tales with a queered ideology, questioning the heteronormative culture from which these traditional stories come and how that is perpetuated when left unexamined; contributors include Amie Kaufman, Mackenzi Lee, Dean Atta, Will Kostakis, Lily Wilkinson, Sophie Gonzales, Alison Evans, Alexandra Villasante, Abdi Nazemian, Gary Lonesborough, and James Brandon, to Meg Whelan at Affirm Press, by Ben Fowler at Abner Stein, on behalf of Taryn Fagerness Agency and Linda Epstein at Emerald City Literary Agency (world).

Non-Fiction

Journalist, critic, and host of Crooked Media’s podcast Keep It Ira Madison III’s PURE INNOCENT FUN, a collection of essays that explores popular culture of the 1990s and earlier through the author’s perspective and lived experience as a Black, gay TV writer and cultural critic, to Jamia Wilson at Random House, at auction, by Erin Malone at William Morris Endeavor (NA).

National Endowment for the Arts, MacDowell, Yaddo, and Michener Center for Writers fellow Greg Marshall‘s LEG: THE STORY OF A LIMB AND THE BOY WHO GREW FROM IT, a memoir that grapples with family, disability, illness, and coming of age in two closets–as a gay man and as a man living with cerebral palsy–while exploring with trenchant humor what it means to “transform” when there are parts of yourself you cannot change, pitched in the vein of Ryan O’Connell meets David Sedaris, to Zachary Knoll at Simon & Schuster, in a pre-empt, by Hannah Brattesani at Friedrich Agency (NA).

Slate journalist June Thomas’s WHERE ARE ALL THE LESBIANS?, a cultural history, celebration, and critical look at queer women’s communities in the second half of the 20th century, to Seal Press, at auction.