Tag Archives: Inkyard Press

June 2022 Deal Announcements

Adult Fiction and Poetry

Author of the forthcoming THE ROMANCE RECIPE and HOT COPY Ruby Barrett‘s THE LEARNING CURVE, where a bi, down-on-his-luck ex-firefighter joins a cross-disciplinary academic study teaching millennials how to make friends as adults, but an unexpected flirtation with an earnest people-pleasing female participant jeopardizes the study and their hearts, to Stephanie Doig at Carina Adores, for publication in winter 2024, by Kiana Nguyen at Donald Maass Literary Agency (world).

D’VAUGHN AND KRIS PLAN A WEDDING author Chencia C. Higgins’s untitled novel, set in a woman-owned, queer-friendly adult entertainment club, in which a teddy bear stud music producer breaks her own rules and romances her BFF, the club’s highest earning dancer and a devoted single mom, pitched as BROWN SUGAR meets P-Valley, to Kerri Buckley at Carina Adores, in a two-book deal, for publication in summer 2023, by Keisha Mennefee at Honey Magnolia Media (world).

Sim Kern’s THE FREE PEOPLE’S VILLAGE, following a queer punk band in Houston swept up in an anti-capitalist revolution, in an alternate timeline where President Al Gore declared a War on Climate Change, transforming U.S. cities into solarpunk paradises—but only for wealthy white neighborhoods, to Irene Vazquez at Levine Querido, by Rebecca Podos at Rees Literary Agency (world).

Author-illustrator of the LA Times Book Award finalist HONOR GIRL Maggie Thrash’s adult debut RAINBOW BLACK, part murder mystery, part gay international fugitive love story, part meditation on queerness and identity, set against the ’90s Satanic Panic and spanning 20 years in the life of a young woman pulled into its undertow, to Noah Eaker at Harper Perennial, for publication in spring 2024, by Stephen Barr at Writers House (NA).

Eugenio Volpe’s I, CARAVAGGIO, pitched as a postmodern retelling of the bisexual, street-fighting godfather of modern painting, to Christoph Paul at Clash, in a nice deal, in an exclusive submission, for publication in July 2023 (world English).

Writer, performance artist, and community healer Kai Cheng Thom’s LOVE LETTERS TO LOST SOULS, a collection of prose poems promising to uplift queer and marginalized people, show grace to those seemingly beyond saving, and affirm the imperfect yet sacred humanity in us all, to Katy Nishimoto at Dial Press, in a pre-empt, by Leonicka Valcius and Marilyn Biderman at Transatlantic Literary Agency (world, excl. Canada). Rights also to David Ross at Penguin Canada.

Audiobook narrator Travis Baldree’s LEGENDS & LATTES, in which an orc mercenary hopes to make a new start in life, opening the first coffee shop in Thune, to Lindsey Hall at Tor, in a good deal, in a two-book deal, for publication in fall 2022, by Jon Mitchell at Pan Macmillan.

I’M SO NOT OVER YOU author Kosoko Jackson’s WRANGLED AND ENTANGLED, a gay rom-com set on a family ranch in Montana, where a city boy licking his wounds post-breakup finds himself falling for the cowboy who never wanted his family legacy reduced to a tourist attraction in the first place, to Kristine Swartz and Mary Baker at Berkley, for publication in spring 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Rachel Runya Katz’s THANK YOU FOR SHARING, pitched for readers of Casey McQuiston, following two biracial former Jewish sleepaway camp crushes (and rivals) as they’re forced put aside their baggage to save their careers and work together 14 years later, only to realize that they can’t ignore their shared history or their growing feelings for each other, to Vicki Lame at Griffin, in a two-book deal, for publication in fall 2023, by Jessica Mileo at Inkwell Management (NA).

Lebanon Valley College Director of Creative Writing Holly M. Wendt’s HEADING NORTH, pitched for fans of THE ART OF FIELDING and the BEARTOWN series, tracking a season in which a gay Russian ice hockey player must rebuild his life in the NHL after tragedy and his general manager wrestles for team control while her marriage deteriorates, in a novel about grief and social change on the global stage of professional sport, to Jeffrey Condran at Braddock Avenue Books, in a nice deal, for publication in November 2023 (NA).

Meredith Mooring’s REDSIGHT, a debut science fantasy with positive bisexual and disability representation that follows a blind priestess who powers warships for the galactic military by manipulating spacetime; when the captain of her ship is murdered by a pirate with a dark past, the priestess must choose between a painful life of service or a chance at freedom with the galaxy’s most wanted criminal, to Amy Borsuk at Rebellion, in a nice deal, for publication in spring 2024, by Ernie Chiara at Fuse Literary (world).

A.K. Mulford’s THE FIVE CROWNS OF OKRITH series, a queer fantasy romance series, the first of which is popular on TikTok, to David Pomerico at Voyager, in a major deal, for seven figures, in a five-book deal, for publication in October 2022, by Jessica Watterson at Sandra Dijkstra Literary Agency (world English).

Sheila Connolly’s BLACK SAILS TO SUNWARD, the first in series in which a woman joins the Martian Imperial Navy to save her family’s waning fortunes but somehow ends up sucked into piracy with her ex-girlfriend instead, to Cate Pearce at Hansen, with Elizabeth Jeannel editing, in a nice deal, in a three-book deal, for publication in July 2023.

Melissa Karibian’s A CHORUS OF ASHES AND SHADOWS, the sequel to A SONG OF SILVER AND GOLD, to Elizabeth Jeannel at Hansen, for publication in June 2023.

Children’s Fiction

Chinese Canadian writer, musician, and filmmaker, and author of THIS CITY IS A MINEFIELD Aaron Chan’s THE BROKEN HEART, a picture book pitched with identity-inspired LGBTQ2S+ themes, the story of a young girl who likes to fix things, and who sets out to help her brother mend his heart after his relationship with his boyfriend has ended, illustrated by Josiane Vlitos, to Lauri Hornik at Rocky Pond Books, for publication in spring 2024, by Emmy Nordstrom Higdon at Westwood Creative Artists (world).

Young Adult Fiction

Author of IF YOU CHANGE YOUR MIND Robby Weber’s WHAT IS THIS FEELING?, a rom-com in which a high school theater star just wants to win a scavenger hunt and meet his Broadway idol on the drama club trip to New York City, but when he finds himself stuck sharing a room with his polar opposite, the snarky loner from the tech department, the last thing he expects is to form a friendship—and maybe more, to Connolly Bottum while at Inkyard Press, in a very nice deal, in a two-book deal, for publication in summer 2024, by Kristy Hunter at The Knight Agency (world English).

Kamilah Cole’s SO LET THEM BURN, pitched as “Jamaican Joan of Arc” and inspired by Zendaya’s 2018 Met Gala look, following a 17-year-old girl who once wielded the magic of the gods to save her island from dragon-riding colonizers and must now save her sister from the same enemy—even if it means bargaining with a long-forgotten god and ending the world, to Alexandra Hightower at Little, Brown Children’s, in a six-figure deal, in a pre-empt, in a two-book deal, for publication in winter 2024, by Emily Forney at BookEnds (world).

Debut author Carolyn Hill’s MASK OF CELIBACY, a 1990s-set novel featuring two heteroromantic ace characters, to Rebecca Sands at Wattpad, for publication in summer 2024 (world).

Author of YOU’RE NEXT Kylie Schachte’s HEARTS OF GOLD, a queer action-adventure pitched as Our Flag Means Death meets modern-day Indiana Jones, in which the daughter of an archeologist must team up with her archnemesis to uncover the truth about a legendary gang of female pirates—and find their long-lost treasure, to Samantha Gentry at Little, Brown Children’s, for publication in fall 2023, by Margaret Sutherland Brown at Folio Literary Management (world).

Nonfiction

Cohost of the Queer Kids Stuff YouTube series and TED speaker Lindz Amer‘s HOORAY FOR HE, SHE, ZE, AND THEY!, a celebration of pronouns and gender euphoria, illustrated by Kate Alizadeh, to Celia Lee at Simon & Schuster Children’s, for publication in 2024, by Claire Draper at The Bent Agency for the author, and by Mandy Suhr at Miles Stott Agency for the illustrator (world).

Professor of history at Eastern Michigan University John G. McCurdy‘s THE PARSON IS A BUGGERER: HOMOSEXUALITY AND THE AMERICAN REVOLUTION, the story of the trial of Lieutenant Robert Newburgh, placing LGBTQ+ presence at the founding of the United States, to Laura Davulis at Johns Hopkins University Press, by Christopher Rogers at Dunow, Carlson & Lerner (world).

Artist, publisher, and founder of Hello Mr. magazine Ryan Fitzgibbon’s untitled compendium of queer storytelling, collecting material from the magazine’s archives alongside new material from today’s emerging queer artists and writers, contextualizing the magazine’s lasting impact while celebrating a new generation of LGBTQ+ creators, to Zachary Knoll at Abrams, in an exclusive submission, by Michael Bourret at Dystel, Goderich & Bourret (world).

National Book Critics Circle Award-winning author of GAY BAR Jeremy Atherton Lin’s DEEP HOUSE, a pre- and post-Obergefell love story weaving the author’s decades-long, transnational romance into a larger inquiry into the many ways queer couples lived and loved before gay marriage became legal, to Jean Garnett at Little, Brown, in a good deal, by Laura Macdougall at United Agents (NA).

Backlist Book of the Month:The Witch King by H.E. Edgmon

Super queer found family. Witches and fairies. Trans main character. Badass fantasy. Swoony romance between two guys doing the best friends-to-betrothed-to-enemies dance. Awesome duology opener with a sequel coming on May 31st. Just stop me when you’ve read enough to get the grabbiest of hands for The Witch King by H.E. Edgmon, a rare YA fantasy I absolutely loved that you should check out ASAP so you can jump right into The Fae Keeper!

Wyatt would give anything to forget where he came from—but a kingdom demands its king.

In Asalin, fae rule and witches like Wyatt Croft…don’t. Wyatt’s betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world.

Now a coldly distant Emyr has hunted him down. Despite transgender Wyatt’s newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy, hoping to escape Asalin forever. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist. And as the witches face worsening conditions, he must decide once and for all what’s more important—his people or his freedom.

Buy it: Bookshop | Amazon | IndieBound

The New Love Equation, a Guest Post by Silver in the Mist Author Emily Victoria

In honor of Aromantic Spectrum Awareness Week, I’m thrilled to have Emily Victoria on the site today with a guest post entitled The New Love Equation: Writing Books With a Lot of Love, and Not a Lot of Romance. Emily’s the author of This Golden Flame and the upcoming Silver in the Mist (coming November 1, 2022 from Inkyard Press), both of which are standalone YA fantasies with aroace protags. Before we get to the post, here’s a little more on the upcoming book:

Eight years ago, everything changed for Devlin: Her country was attacked. Her father was killed. And her mother became the Royal Spymistress, retreating into her position away from everyone… even her daughter.

Joining the spy ranks herself, Dev sees her mother only when receiving assignments. She wants more, but she understands the peril their country, Aris, is in. The malevolent magic force of The Mists is swallowing Aris’s edges, their country is vulnerable to another attack from their wealthier neighbor, and the magic casters who protect them from both are burning out.

Dev has known strength and survival her whole life, but with a dangerous new assignment of infiltrating the royal court of their neighbor country Cerena to steal the magic they need, she learns that not all that glitters is weak. And not all stories are true.

Preorder: Bookshop | Amazon | B&N | IndieBound

And here’s the post!

It will surprise no one when I say that young adult books as a whole are full of romance. This makes sense. After all, the teen years are a time of exploring new romantic relationships and feelings. However, for me, an aroace teen who wasn’t really interested in any of that who became an aroace writer who still wasn’t interested in any of that, all of the emphasis on romance made it seem as if my stories would never find a place on that young adult shelf at the bookstore.

Reading about couples like Bella and Edward, Tris and Four, or Katniss and Peeta instilled in me the early lesson that no matter how much action, magic, or space exploration were in between the covers of a book, a central romance was still an absolute must for a young adult story.

So, I decided that I too would write a romance. I had written other things I hadn’t ever experienced or even seen, like dragons, or magic, or people getting all stabby with knives, so why not romance too? I managed to sign with my agent with a book that had a central romance. Although it didn’t sell, we even had positive feedback from some editors.

And yet something wasn’t right.

When I dreamed of being a published author, a large part of that was being able to write the stories that I needed when I was young, in order to understand myself and my place in the world. And what was worse, by writing a book with a central romance, I felt like I was playing into the larger societal narrative that romantic relationships were always stronger, more heartfelt, and more important than any other relationships, whether that be platonic or even familial.

Unfortunately, I think this idea does hold true for society. I can’t count how many times I’ve come across an amazing friendship depicted in a book, movie, or TV show that was well-written, complex, and full of feeling, only for someone to come along and say it would be better if the two characters were just making out. Different in an equally good way, sure, but better?

Now, don’t get me wrong. Books with romance are important. This is especially true now that we’re finally seeing shelf space for more diverse romances, including queer romances. It is so vital for queer teens to see their own relationships and identities portrayed in books (and all media), and I hope that we see more and more of these. Even I, an aroace individual, enjoy a good romance. But I also know that family relationships and friendships define the teen years too.

So, when the book that originally went out on submission failed to sell, I made a decision: I wasn’t going to force my characters into a romance. I wanted my stories to highlight friendship and family as the primary relational forces. For the first time in my life, I wrote a character just like me, Karis, who was determined to find the brother she had lost. I paired her with my cinnamon roll automaton, Alix, in my debut novel, This Golden Flame. And though there is a romance between two of the secondary characters in Flame, the relationship between Alix and Karis is a friendship; one that has its complexities, its ups and downs, and one that goes horribly wrong and has to be worked at to be fixed.

(And since I’ve had messages from aro folks who were originally concerned Karis would be forced into a relationship or that her male best friend Dane would try to impose romantic feelings on her, let me assure you: Karis is 100% romance-free in the book)

In my next book, Silver in the Mist, there is no romance whatsoever. Only a spy, who has to decide if she’s willing to risk her whole world for a friend who begins to mean everything to her.

These are the stories I needed when I was a teen. Stories that showed that the family relationships and friendships that were core to my life were just as valid as any romantic relationship. That as first a teen girl and then as a woman, I could be complete without a romantic partner. And I’m so grateful to this industry that has allowed me to write that.

My books don’t have romance. But they have so much love.

And I hope you feel that from them too.

***

Emily Victoria is a Canadian prairie girl who writes young adult science fiction and fantasy. When not word-smithing, she likes walking her over-excitable dog, drinking far too much tea, and crocheting things she no longer has the space to store. Her librarian degree has allowed her to work at a library and take home far too many books.

Exclusive Cover Reveal: The City Beautiful by Aden Polydoros

Once you see the cover, it’ll become quickly clear why it feels so extra special to be able to introduce to you The City Beautiful by Aden Polydoros, a queer, Jewish historical YA thriller that I haven’t been able to stop thinking about in weeks. It releases from Inkyard Press on September 7th, and I could not encourage you more strongly to use the preorder links below! Here’s the story:

Death lurks around every corner in this unforgettable Jewish historical fantasy about a city, a boy, and the shadows of the past that bind them both together.  

Chicago, 1893. For Alter Rosen, this is the land of opportunity, and he dreams of the day he’ll have enough money to bring his mother and sisters to America, freeing them from the oppression they face in his native Romania.

But when Alter’s best friend, Yakov, becomes the latest victim in a long line of murdered Jewish boys, his dream begins to slip away. While the rest of the city is busy celebrating the World’s Fair, Alter is now living a nightmare: possessed by Yakov’s dybbuk, he is plunged into a world of corruption and deceit, and thrown back into the arms of a dangerous boy from his past. A boy who means more to Alter than anyone knows.

Now, with only days to spare until the dybbuk takes over Alter’s body completely, the two boys must race to track down the killer—before the killer claims them next.

And here’s the magnificently Gothic cover designed by Mary Luna with art direction by Erin Craig!

Yes, that is my blurb on there! “The City Beautiful is the haunting, queer Jewish historical thriller of my darkest dreams.” Extremely accurate!

Preorder: Bookshop | Amazon | IndieBound | Blackwell’s

(c) Melanie Elise Photography

Aden Polydoros grew up in Illinois and Arizona and has a bachelor’s degree in English from Northern Arizona University. When he isn’t writing, he enjoys going to antique fairs and flea markets. He can be found on Twitter at @adenpolydoros.

September 2020 Deal Announcements

Adult Fiction

Iowa Writers’ Workshop graduate and Caine Prize finalist Arinze Ifeakandu‘s GOD’S CHILDREN ARE LITTLE BROKEN THINGS, a debut story collection set in Nigeria united by the theme of queer male intimacy, to Brigid Hughes at A Public Space Books, by Jin Auh and Austin Mueller at The Wylie Agency (world English).

Author of WILLA & HESPER Amy Feltman‘s ALL THE THINGS WE DON’T TALK ABOUT, a queer family drama, following a diverse cast of characters whose lives are upended by the sudden reappearance of their self-destructive mother; grappling with betrayal and addiction alongside queer love and joy, to Maddie Caldwell at Grand Central, in an exclusive submission, by Stephanie Delman at Sanford J. Greenburger Associates (world English)

Center for Fiction First Novel Prize nominee Celia Laskey‘s THE BRIDESMAID, about two women, one gay and one straight, whose longstanding friendship spirals violently out of control over the course of one’s wedding weekend, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex, to John Glynn at Hanover Square Press, at auction, by Alexa Stark at Trident Media Group (NA).

A BIG SHIP AT THE EDGE OF THE UNIVERSE and ALIEN: THE COLD FORGE author Alex White‘s STAR TREK: REVENANT, a new adventure set during the fourth season of Star Trek: Deep Space Nine, about a terrible secret at the heart of the Trill Symbiosis Commission that forces Jadzia Dax to reckon further with the past lives of the Dax symbiont, particularly her immediate predecessor Curzon and the psychopathic murderer Joran, in the first treatment of Star Trek’s groundbreaking genderfluid Trill species by a nonbinary or genderqueer writer, to Ed Schlesinger at Pocket, by Connor Goldsmith at Fuse Literary (world English).

PEN/Robert W Bingham Finalist and physician-writer Chaya Bhuvaneswar‘s WHITE DANCING ELEPHANTS, debut collection of short stories of the #MeToo and survival of queer women of color, to Blackstone Audio, by Lane Zachary at Aevitas Inc.

Author of THE EARTHQUAKE ROOM Davey Davis’s X, a queer noir set in a near-future New York that follows a down-and-out sadomasochist drawn from their post-breakup desolation into the pursuit of pure pleasure after a chance encounter, to Alicia Kroell at Catapult, by Julia Kardon at HG Literary (world English).

Printz Award-winning author of WE ARE OKAY and the forthcoming WATCH OVER ME Nina LaCour’s YERBA BUENA, following two women on a star-crossed journey toward one another, across the expanse of California—from a drug-soaked town in the redwoods to an elegant Los Angeles restaurant—as one finds refuge in her family’s past and the other struggles against the dark secrets she’d rather leave behind; also, an untitled multigenerational family saga inspired by the author’s grandparents, following their journey from New Orleans to Los Angeles, and what they gained and left behind, to Caroline Bleeke at Flatiron Books, in a major deal, at auction, in a two-book deal, for publication in Winter 2022, by Sara Crowe at Pippin Properties (NA).

Anita Kelly’s debut RECIPES FOR A DELICIOUS DISASTER, a romantic comedy in which the first openly nonbinary contestant on America’s favorite cooking show becomes distracted by their beautiful, clumsy competitor, but when the couple starts exploring their chemistry, they’re tested by heat outside of the kitchen, to Junessa Viloria at Forever, in a three-book deal, by Kim Lionetti at BookEnds.

Alison Cochrun‘s debut THE CHARM OFFENSIVE, a queer rom-com about a reality dating show producer tasked with helping the show’s tech wunderkind star find his true love among 30 women, but when their off-screen chemistry overshadows what happens in front of the cameras, they may have to rewrite happily ever after, pitched in the vein of RED, WHITE & ROYAL BLUE and ONE TO WATCH, to Kaitlin Olson at Atria, in a nice deal, for publication in fall 2021, by Bibi Lewis at Ethan Ellenberg Agency (world).

Columbia MFA graduate Khashayar Joshua Khabushani’s‘s OUR NEW NAMES, about the powerful bonds that make and break an Iranian American family, and the journey a son must make in order to find his place in the world, from San Fernando Valley to Iran and eventually to New York, examining boyhood and brotherhood, violence and tenderness, and queer identity and belonging in America, to Parisa Ebrahimi at Hogarth, at auction, by Bill Clegg at The Clegg Agency (NA).

Children’s/Middle Grade Fiction

Katherine Locke’s WHAT ARE YOUR WORDS?, introducing and celebrating gender-inclusive pronouns as a child explores both their neighborhood and which “words” fit them and their neighbors best today, illustrated by Anne Passchier, to Regan Winter at Little, Brown Children’s, for publication in summer 2021, by Lara Perkins at Andrea Brown Literary Agency for the author, and by Anne Moore Armstrong at The Bright Group for the illustrator (world).

Actor, activist, and author Nico Tortorella‘s picture book OLIVETTE IS YOU, an inclusive message about celebrating different gender identities, to Emily Easton at Crown Children’s, by Sarah Passick at Park & Fine Literary and Media.

Transgender Korean American author, athlete, and activist Schuyler Bailar‘s Middle Grade debut OBIE IS MAN ENOUGH, about a transgender tween who looks to prove he’s one of the fastest boys in the pool as he contends with new teammates, bullies, and his biggest competition: himself, to Phoebe Yeh at Crown Children’s, for publication in fall 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (world English).

Young Adult Fiction

Philline Harms’s debut NEVER KISS YOUR ROOMMATE, in which a girl arrives at a boarding school, and a mysterious and alluring girl is assigned to be her roommate, but as their relationship goes from cold to red hot, the roommate’s dangerous past resurfaces and tests the strength of their budding romance, to Deanna McFadden at Wattpad, for publication in spring 2021.

NYT-bestselling author of WILDER GIRLS Rory Power‘s THE WORLD ENDS HERE, a speculative thriller following ex-girlfriends raised at a remote, icy research institute, and what happens when they uncover the nightmarish discovery their families are protecting there, to Krista Marino at Delacorte, in a six-figure deal, in a two-book deal, for publication in fall 2021, by Kim Witherspoon and Jessica Mileo at Inkwell Management (NA).

Molly Horan‘s EPICALLY EARNEST, pitched as a queer contemporary wink to Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST, in which a high school senior must decide who she wants to be and where she fits in as graduation approaches, all the while finding the time to fall in love with the girl of her dreams, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, for publication in spring 2022, by Elle Thompson and Uwe Stender at TriadaUS Literary Agency (world).

Author of the forthcoming ALMOST FLYING Jake Maia Arlow’s WINTER BREAK, a contemporary rom-com about two Jewish girls falling in love reluctantly at Christmastime, a hate-to-love romance pitched as “like a Hallmark Christmas movie—if a Hallmark Christmas movie ever starred sexually frustrated lesbian Jews,” to Stephanie Guerdan at Harper Teen, in a good deal, in a pre-empt, in a two-book deal, for publication in fall 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Eric Geron’s debut A TALE OF TWO PRINCES, about a closeted crown prince newly established in Canada and an out-and-proud Montana cowboy who meet by chance and turn out to be long-lost twin brothers, forced to navigate coming out, coronations, and high school together, to Rebecca Kuss at Inkyard Press, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world English).

Maggie Tokuda-Hall‘s untitled sequel to THE MERMAID, THE WITCH, AND THE SEA, in which a number of characters from the first book reunite to destroy the Nipran Empire; with a siren, a dragon, and some familiar mermaids, this motley group may finally have what they need to end imperialism in their world once and for all, to Karen Lotz at Candlewick, in an exclusive submission, by Jennifer Laughran at Andrea Brown Literary Agency (world).

Peyton Thomas‘s debut BOTH SIDES NOW, featuring a trans protagonist taking his competitive high school debate circuit by storm, pitched as for fans of SIMON VS. THE HOMO SAPIENS AGENDA and RED, WHITE & ROYAL BLUE, to Ellen Cormier at Dial, at auction, for publication in fall 2021, by Brooks Sherman at Janklow & Nesbit (US).

Tobias Madden’s ANYTHING BUT FINE, about a teenage ballet dancer who breaks his foot and begins to question everything he once took for granted, including his relationship with the dreamy, perfect-in-every-way, and seemingly straight captain of the rowing team, to Zoe Walton at Penguin Random House Australia, at auction, for publication in 2021, by Claire Friedman at Inkwell Management (Australia and New Zealand).

Faridah Abike-Iyimide‘s ACE OF SPADES, pitched as Gossip Girl meets Get Out, in which a mysterious source spreads rumors about a prestigious private school’s only two Black students, who must fight for their reputations—and for their lives, to Foyinsi Adegbonmire at Feiwel and Friends, in a major deal, in a seven-figure deal, in a pre-empt, in a two-book deal, for publication in summer 2021, by Molly Ker Hawn at The Bent Agency, on behalf of Zoe Plant at The Bent Agency (NA).

Graphic Novels

Cartoonist Alex Combs‘s TRANS HISTORY: A GRAPHIC NOVEL, presenting an introduction to transgender identity and history in the U.S. and beyond, to Andrea Tompa at Candlewick, at auction, for publication in 2023, by Zabe Ellor at Jennifer De Chiara Literary Agency (world English).

Non-Fiction

Professor of Victorian literature at Berkeley and intellectual Grace Lavery’s PLEASE MISS, a speculative memoir of gender transition and recovery from addiction, refracted through pop culture, queer theory, film, TV, literature, and (what feels like) stand-up comedy, pitched as THE ARGONAUTS caught in a hall of mirrors, with a lot more sex and humor, to Claire Potter at Seal Press, in a six-figure deal, at auction, by Alison Lewis at Zoe Pagnamenta Agency.

Podcast host, and creator of the LGBTQ+ blog TheShitneySpears David Olshanetsky’s COMING OUT ALIVE, a guide to coming out of the closet, combining personal anecdotes with how-to guides; queer history lessons you won’t get in school; and conversations with LGBTQ+ celebrities, including international pop music sensation Pabllo Vittar, activist and Broadway trailblazer Peppermint, and writer and performer Stephen Fry about their own journeys, to Sylvan Creekmore at Wednesday Books, in a good deal, for publication in June 2022, by Connor Goldsmith at Fuse Literary (world English).

Supergirl actress, transgender rights activist, and subject of the book BECOMING NICOLE Nicole Maines’s coming-of-age memoir, about learning how to be OK with not always being OK, aiming to correct some of the most insidious messaging absorbed by queer kids and all young women—from the idea that any one thing can (or should) ever really “fix” you to wondering what’s wrong with you when things don’t always feel better—by providing an intimate look at the author’s life and all the lessons she’s learned along the way, to Caitlin McKenna at Dial, in an exclusive submission, by Lauren MacLeod and Wendy Strothman at The Strothman Agency.

Writing professor and former professional dominatrix Chris Belcher’s PRETTY BABY, an examination of gender, power, violence, and intimacy, following the author’s coming-of-age as a queer woman in rural Appalachia, to adulthood in Los Angeles as a female academic and sex worker, to Carolyn Kelly at Avid Reader Press, by Jade Wong-Baxter at Massie & McQuilkin (NA).

Author of the Lambda Literary Award- and Prix JDD France Inter-winning THE FACT OF A BODY: A MURDER AND A MEMOIR Alex Marzano-Lesnevich’s BOTH AND NEITHER, a genre- and gender-bending work of memoir, history, cultural analysis, trans reimaginings, and international road trip about life beyond the binary, to Margo Shickmanter at Doubleday, at auction, by PJ Mark at Janklow & Nesbit.

Longtime birder and social activist Christian Cooper‘s BETTER LIVING THROUGH BIRDING, reflecting on a life lived at the intersections of race and queerness; equal parts memoir, travelogue, and call to action, exploring the lifetime of experience that prepared the author for his now-infamous encounter with racist white aggression in Central Park, on the very day that the police killing of George Floyd in Minneapolis sent the country over the edge, spurring protests in the streets and inspiring calls for change, to Chayenne Skeete at Random House, with Mark Warren editing, at auction, by Gail Ross at Ross Yoon Agency (world).

***

Announcements are cribbed from Publishers Marketplace.

April Book Deal Announcements

Adult

Lecturer in creative writing at San Francisco State University and creator and teacher at The Lab: Writing Classes Matthew Clark Davison‘s DOUBTING THOMAS, chronicling a year in the life of a gay fourth grade teacher at a school serving Portland, Oregon’s progressive Obama-era elite; he is fired, even after being cleared of a false molestation accusation, just before a family tragedy makes him the guardian of his 12-year-old biracial nephew; digging into the disparity between ideals and reality, to Michael Nava at Amble, in a nice deal, in an exclusive submission, for publication in spring 2021 (world English).

Cornell University MFA graduate, poet, professor, and performer Ryka Aoki‘s LIGHT FROM UNCOMMON STARS, about three women trying to escape their pasts—a hell-damned violin legend and teacher, a young transgender runaway and aspiring musician, and a spaceship captain fleeing a faraway war—who find each other, and unexpected magic, in California’s San Gabriel Valley, to Lindsey Hall at Tor, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world English).

Gretchen Felker-Martin‘s MANHUNT, about trans women scavenging for estrogen in a post-apocalyptic world where a viral plague has transformed all cis men into feral monstrosities, fighting tooth and nail against a menace they’ll join if they miss a dose, and on the run from an authoritarian faction of cis women who see them as a dangerous liability, pitched as a trans woman’s response to Y: THE LAST MAN, plus another standalone horror novel, to Kelly Lonesome at Nightfire, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in March 2022, by Connor Goldsmith at Fuse Literary (world).

Freya Marske‘s A MARVELLOUS LIGHT, a historical fantasy pitched as JONATHAN STRANGE AND MR. NORRELL meets WITCHMARK, about a young civil servant named as liaison to the secret magical bureaucracy of Britain who must work with his magician counterpart to unravel a dangerous conspiracy, while struggling with their unexpected attraction and a deadly curse, to Ruoxi Chen at Tor.com, in a three-book deal, for publication in 2021, by Diana Fox at Fox Literary (NA).

Brooklyn-based writer and VONA/Voices and Queer Art Mentorship alumna Emily Hashimoto’s A WORLD BETWEEN, in which a college fling between two women turns into a lifelong connection, to Lauren Hook at Feminist Press, for publication in September 2020, by Robert Guinsler at Sterling Lord Literistic (NA).

Lambda-nominated writer and critic Megan Milks’s MARGARET AND THE MYSTERY OF THE MISSING BODY, a genre-bending queer and trans coming-of-age story that combines a ’90s-era girl group mystery series with a haunted eating disorder treatment center and a surreal mutant body-world, and SLUG AND OTHER STORIES a reissue of their debut collection with new stories, to Lauren Hook at Feminist Press, in a two-book deal, by Rach Crawford at MacKenzie Wolf (world English).

Charlotte Anne Hamilton‘s OF TRUST & HEART, an #OwnVoices f/f 1920s historical in which a lesbian Scottish heiress, who must find a husband soon, falls for a singer at a speakeasy, to Lydia Sharp at Entangled Embrace, for publication in 2021 (world).

Children’s/Middle Grade

Rosiee Thor and Taylor Barton‘s Picture Book THE MEANING OF PRIDE, about the significance, beauty, and universality of the concept of pride, as celebrated by millions of queer people and their allies around the world, illustrated by Sam Kirk, to Erika Turner at Versify, for publication in spring 2022, by Saba Sulaiman at Talcott Notch Literary Services for the author, and by Nicolas Gomez and Michelle Collins at A Non-Agency for the illustrator (world).

Author of SEAFIRE Natalie Parker‘s Middle Grade THE DEVOURING WOLF, in which a young werewolf-to-be struggles to understand why she hasn’t yet transformed as expected, and to get to the bottom of the mystery and become the wolf she was always meant to be, she will have to unearth her community’s deepest secrets and face off against a terrifying creature from legend, to Chris Hernandez at Razorbill, in a very nice deal, in a two-book deal, for publication in fall 2021, by Lara Perkins at Andrea Brown Literary Agency (world English).

Founder and executive director of inQluded and 2019 SCBWI Emerging Voices winner medina’s THE ONE WHO LOVES YOU THE MOST, which follows a 12-year-old who lives at the intersection of multiple identities as they long to find their place in the world, but a school project, new trans and queer friends, and a YouTube channel helps them find purpose in their journey and find community, to Nick Thomas at Levine Querido, in a pre-empt, for publication in fall of 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (NA and Dutch).

Young Adult

Aden Polydoros‘s YA THE CITY BEAUTIFUL, set against the backdrop of the 1893 Chicago World’s Fair, a queer Jewish Gothic fantasy that follows a young immigrant who is possessed by the dybbuk of his murdered best friend and is thrust into a deadly hunt for a serial killer, to Rebecca Kuss at Inkyard Press, in a nice deal, in a two-book deal, for publication in fall 2021, by Thao Le at Sandra Dijkstra Literary Agency (world English).

Robin Gow‘s YA A MILLION QUIET REVOLUTIONS, a love story in verse between two transgender boys who come out to each other the weekend before their senior year; together, they explore their identities and search history for the often untold stories of queer people like them, to Trisha de Guzman at Farrar, Straus Children’s, in a good deal, at auction, in a two-book deal, for publication in winter 2022, by Jordan Hamessley at New Leaf Literary & Media (NA).

Adrienne Tooley‘s SOFI AND THE BONE SONG, after losing everything to an undeserving rival, a young musician sets out to expose that her rival’s newfound musical abilities stem from an illegal use of magic—but what she discovers will rock everything she knows about her family, music, and the girl she thought was her enemy, to Sarah McCabe at Simon Pulse, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Emery Lee’s MEET CUTE DIARY, about a trans teen who must decide if he’s dedicated to romantic formulas or open to unpredictable love after an internet troll-attack on his trans romance blog compels him and a fan to start fake-dating to salvage the blog’s reputation, to Alexandra Cooper at Quill Tree, for publication in summer 2021, by Beth Phelan at Gallt and Zacker Literary Agency (world English).

Kevin van Whye‘s NATE PLUS ONE, a teenage boy dreads the idea of attending his wealthy aunt’s wedding retreat in South Africa, until his crush, an indie rock musician, volunteers to be his plus-one; an #OwnVoices gay love story pitched as What if It’s Us meets Crazy Rich Asians, to Polo Orozco at Random House Children’s, for publication in spring 2022, by Robert Guinsler at Sterling Lord Literistic (world English).

Cara Davis-Araux, Candice Montgomery, and Adrianne Russell‘s ALL SIGNS POINT TO YES, an anthology of love stories for each of the star signs that will showcase BIPOC characters and celebrate the myriad facets of love, from meet-cutes to the lesser-explored love expressed by aromantic people, to Natashya Wilson at Inkyard Press, for publication in winter 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Hannah Blumenreich‘s FULL-COURT CRUSH, about a basketball player whose team is being shut down, and her bookish girlfriend who is struggling alone with her chronically depressed mother; together, they learn how to navigate the troubles of life and 11th grade, to Kiara Valdez at First Second, in a significant deal, at auction, in a two-book deal, for publication in 2023, by Linda Camacho at Gallt and Zacker Literary Agency (NA).

Aaron Aceves‘s THIS IS WHY THEY HATE US, a debut about a bisexual Latino teen from East L.A. who is determined to get over his crush on his best friend by summer’s end and winds up discovering hilarious, heartfelt truths about friendship, family, and himself, to Jennifer Ung at Simon Pulse, for publication in spring 2022, by Tina Dubois at ICM (NA).

Lambda Literary Award-winning author Rebecca Podos and Stonewall honoree Ashley Herring Blake‘s FOOLS IN LOVE, a YA romance anthology offering up fresh takes on classic romance tropes in multiple genres, featuring Rebecca Barrow, Gloria Chao, Sara Farizan, Claire Kann, Hannah Moskowitz, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, Natasha Ngan, Julian Winters, and more, to Britny Brooks at Running Press Kids, for publication in December 2021, by Eric Smith at P.S. Literary Agency (world).

Author of HAVE A LITTLE FAITH IN ME Sonia Hartl’s THE LOST GIRLS, about a girl who sets out for revenge against the undead ex-boyfriend who turned her into a vampire decades ago, then starts to fall for his mortal girlfriend, to Ashley Hearn at Page Street, for publication in fall 2021, by Rebecca Podos at Rees Literary Agency (world).

Jonny Garza Villa’s FIFTEEN HUNDRED MILES FROM THE SUN, an #OwnVoices debut pitched as SIMON VS. THE HOMO SAPIENS AGENDA meets One Day at a Time, about a Texas high school senior who accidentally comes out to the world on social media and must now juggle the joy of first love and fear of his socially conservative father finding out before he’s ready, to Carmen Johnson at Skyscape, at auction, by Claire Draper at The Bent Agency (world).

Nonfiction

Author of PEN/Diamonstein-Spielvogel Award and Lambda Literary Award-nominated essay collection MINE Sarah Viren‘s AUTOBIOGRAPHY OF SHADOWS, a dual narrative memoir about her coming-of-age and coming out in mid-’90s Florida under the tutelage of a conspiracy theorist high school teacher and her wife’s Title IX investigation as the result of false accusations leveled by a professional rival, as covered in the author’s viral New York Times Magazine essay, to Sally Howe at Scribner, in a pre-empt, by Matt McGowan at Frances Goldin Literary Agency (world English).

February Book Deal Announcements

Adult Fiction

Assistant Books Editor at O, the Oprah Magazine Michelle Hart‘s WE DO WHAT WE DO IN THE DARK, about a young woman who has an affair with an older, married female professor during college, and how that relationship reshapes the rest of her life; a story of desire, loneliness, and the secrets we keep, even from ourselves, to Laura Perciasepe at Riverhead, in a pre-empt, by Sarah Burnes at The Gernert Company (NA).

New Yorker contributor and University Fellow at the Syracuse MFA program Anthony Veasna So‘s AFTERPARTIES, in which young Cambodian Americans grapple with race, sexuality, and their inherited traumas from the Khmer Rouge genocide, even as they carve out lives in the California Central Valley and Bay Area, and STRAIGHT THRU CAMBOTOWN, about three Cambodian-American cousins who inherit their late aunt’s illegitimate loan sharking business and then become embroiled in a Hollywood conspiracy, to Helen Atsma at Ecco, in a significant deal, at auction, in a two-book deal, for publication in summer 2021, by Rob McQuilkin at Massie & McQuilkin (NA).

Sidney Bell‘s THIS IS NOT THE END, a polyamorous romance in which a deeply reserved songwriter is invited to join his best friend and his wife in bed for a night, and what starts as a fling may just turn into forever, to Stephanie Doig at Carina Press (world).

Author of LILY AND THE OCTOPUS and THE EDITOR Steven Rowley‘s THE GUNCLE, about a reclusive television star who takes his young niece and nephew into his Palm Springs home after a family tragedy, and how his outsized lifestyle and unusual life wisdom bring about a season of healing that redefines their understanding of family and finally leads him back to himself, again to Sally Kim at Putnam, by Rob Weisbach at Rob Weisbach Creative Management (NA).

Children’s

NYT-bestselling author of THREE LITTLE WORDS and THREE MORE WORDS Ashley Rhodes-Courter’s SAM IS OUR SISTER, a picture book based on the experiences of the author’s family that follows three siblings, one of whom is transgender, as they play astronauts, learn about what it means to become your true self, and realize they will always be together, illustrated by MacKenzie Haley, to Wendy McClure at Albert Whitman, for publication in spring 2021, by Jacqueline Flynn at Joelle Delbourgo Associates for the author, and by Samantha Groff at Advocate-Art for the illustrator (world).

Katherine Locke and Nicole Melleby’s THIS IS OUR RAINBOW: 16 STORIES OF HER, HIM, THEM, AND US, a middle grade anthology that collects short stories, poetry, and comics about LGBTQIA+ characters and experiences by contributors Locke, Melleby, Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Mariama Lockington, Marieke Nijkamp, Claribel Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and A.J. Sass, to Marisa DiNovis at Knopf Children’s, for publication in fall 2021, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Stephanie Stein at HarperCollins has bought, at auction, in a two-book deal, middle grade novel THE INSIDERS by Schneider Family Award winner Mark Oshiro (ANGER IS A GIFT). The book features a queer boy who, fleeing from bullies, discovers a magical closet that not only provides him sanctuary, but also unites him with two other kids facing persecution at their own schools across the country, helping them find friendship and strength in one another. Publication is slated for fall 2021; DongWon Song at Howard Morhaim Literary Agency negotiated the deal for North American rights.*

Natashya Wilson at Inkyard Press has acquired THE WITCH KING plus a sequel from debut author H.E. Edgmon. The YA fantasy duology tells the story of witch and angry trans boy Wyatt Croft, who wants nothing to do with his mediocre magic or his betrothal to fae prince Emyr North, but his plans to change his fate are shattered when the kingdom is threatened by a coup and Emyr comes to claim him. Publication of book one is planned for summer 2021; Rena Rossner at the Deborah Harris Agency brokered the deal for North American rights.*

Krista Marino at Delacorte has bought, at auction, Victoria Lee’s (THE FEVER KING and THE ELECTRIC HEIR) A LESSON IN VENGEANCE. Pitched as The Secret History meets Genuine Fraud and The Craft, the YA novel follows Felicity Morrow, a senior returning to school after her girlfriend’s tragic death, only to meet a new student and teenage literary prodigy who transferred to research the school’s bloody history, and recruits Felicity into a murderous experiment of their own. Publication is set for 2021; Holly Root and Taylor Haggerty at Root Literary negotiated the deal for North American rights.*

Maya Marlette at Scholastic has bought Leah Johnson’s (YOU SHOULD SEE ME IN A CROWN) new YA romance, RISE TO THE SUN. Set over the course of four days at a music festival, the novel features strangers Toni and Olivia, who meet and realize that the music is more than just a way out; it’s a way through… if they are brave enough to face it together. Publication is scheduled for summer 2021; Sarah Landis at Sterling Lord Literistic brokered the deal for world rights.*

Sarah Rees Brennan‘s FENCE: STRIKING DISTANCE, based on the comic series created by C.S. Pacat and Johanna The Mad, following the rise of a sixteen-year-old outsider in the world of competitive fencing as he joins the team at an elite boys school and experiences intense rivalries, lifelong friendships, and romance between teammates, to Mary-Kate Gaudet at Little, Brown Children’s, for publication in fall 2020, by Suzie Townsend at New Leaf Literary & Media (world).

A.M. Strickland‘s IN THE RAVENOUS DARK, a LGBTQIA+ dark fantasy featuring a teen blood-magic user bound to an undead guardian, to John Morgan at Imprint, for publication in summer 2021, by Hannah Bowman at Liza Dawson Associates (world).

Graphic Novels

Jonah Newman’s OUT OF LEFT FIELD, a semi-autobiographical young adult graphic novel in which a gay teen boy, determined to excel at baseball but decidedly much more at home in a history book, discovers himself, to Andrea Colvin at Little, Brown Children’s, at auction, for publication in summer 2023, by Chad Luibl at Janklow & Nesbit (world).

Non-Fiction

Oxford University research fellow and LitHub contributor Jack Parlett’s WRITTEN IN THE SAND, a blend of memoir and literary history, exploring the queer identity, idyllic beaches, and famous locales of an iconic destination—Fire Island; pitched as in the vein of Hugh Ryan’s WHEN BROOKLYN WAS QUEER and Olivia Laing’s THE LONELY CITY, examining a number of key literary figures like W.H. Auden, Carson McCullers, Edmund White, Andrew Holleran, and Jeremy O. Harris, who together tell the story of what it means to create a queer space, to John Glynn at Hanover Square Press, at auction, by David Forrer at Inkwell Management, on behalf of Jane Finigan at Lutyens & Rubinstein (NA).

Kelly Delaney at Knopf has acquired, in a preempt, ALL THE THINGS I’VE KEPT FROM MYSELF by Karina Manta. This YA memoir tells of the champion figure skater’s experiences as a professional athlete, coming out as bisexual in a hyper-feminine sport, and her continually evolving body image. Publication is scheduled for fall 2021; Jess Regel at Foundry Literary + Media brokered the deal for North American rights.*

Foreign/Subrights

Arkady Martine’s A MEMORY CALLED EMPIRE and A DESOLATION CALLED PEACE, to J’ai Lu (France), in a two-book deal, by Danny Baror at Baror International; also to Mondadori (Italy), in a two-book deal, by Danny Baror at Baror International; on behalf of DongWon Song at Howard Morhaim Literary Agency.

Morgan Rogers’s HONEY GIRL, to DTV (Germany), by Heather Baror-Shapiro at Baror International, on behalf of Holly Root at Root Literary.

Taylor Jenkins Reid’s THE SEVEN HUSBANDS OF EVELYN HUGO, to Locus (Bulgaria), by Katalina Sabeva at Anthea Agency, on behalf of Taryn Fagerness Agency and Carly Watters at P.S. Literary.

***

*Copyright (c) Publishers Weekly PWxyz LLC. Used by permission.