This month’s post is sponsored by Dougie K Powell in honor of the release of My Best Rival, a new trans YA romance published by Spectrum Books! Click the graphic for more information and buy links!
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The Santa Pageant by Lillian Barry (1st)
For fans of Rachel Bowdler and Ashley Herring Blake, a second-chance holiday romance between a sunshiney lesbian and a chilly non-binary bisexual.
Ten years ago, best friends Effie and Tove kissed in the bushes at Winter Ball…and then stood there like lemons, as if they weren’t crushing on each other so hard it hurt. In the confusion, their friendship fizzled, and Tove walked into the sunset with some guy who had nice hair.
Now a cocksure twenty-five-year-old with secretly appalling self-esteem, Effie enters the Santa of the Year Pageant to prove to her unsupportive family that Santa could, in fact, be a lesbian. Enter Tove, the grumpiest Santa in the grotto, back on the island after a harrowing break-up with Nice Hair Guy and using the Pageant to reconnect with the world.
As the Pageant eliminates Santa after Santa, Effie and Tove clash over their past: the kiss that drove them apart, and the fears the last ten years have etched into their worldviews. Effie must let go of others’ opinions and learn to love herself, and Tove must move forward despite there being no guarantee they won’t be hurt again… Or they risk losing each other a second time.
Joy, a twelve-year-old trans girl, just moved to Texas with her mother and older brother. Her family has accepted Joy as the girl she is early in her transition, with little fuss, leaving Joy to explore her love of sports, competition, teamwork, school spirit, and worship.
But when she is told she’s off the cheerleading team, Joy wants to fight for her right to cheer. As her battle with the school board picks up momentum, Joy attracts support from kids all around the country . . . she even gets the attention of her hero, trans activist Kai Shappley.
Inspired by Kai’s own life, Joy, to the World is a timely story of living life to the fullest, celebrating and centering trans joy, courage, and resilience.
Lady Camembert wants to live life on her own terms, without marriage. Well, without marrying a man, that is. But the law of the land is that women cannot inherit. So when her father passes away, she does the only thing she can: She disguises herself as a man and moves to the capital city of the Kingdom of Fromage to start over as Count Camembert.
But it’s hard to keep a low profile when the beautiful Princess Brie, with her fierce activism and great sense of fashion, catches her attention. Camembert can’t resist getting to know the princess, but as the two grow closer, will she able to keep her secret?
A romantic comedy about mistaken identity, true love, and lots of grilled cheese.
Avery Byrne has secrets. She’s queer; she’s in love with her best friend, Cass; and she’s suffering from undiagnosed clinical depression. But on the morning Avery plans to jump into the river near her college campus, the world discovers there are only nine days left to live: an asteroid is headed for Earth, and no one can stop it.
Trying to spare her family and Cass additional pain, Avery does her best to make it through just nine more days. As time runs out and secrets slowly come to light, Avery would do anything to save the ones she loves. But most importantly, she learns to save herself. Speak her truth. Seek the support she needs. Find hope again in the tomorrows she has left.
If Tomorrow Doesn’t Come is a celebration of queer love, a gripping speculative narrative, and an urgent, conversation-starting book about depression, mental health, and shame.
As an autistic scholarship student at the prestigious Webber Academy in New York City, Waverly is used to masking to fit in—in more ways than one. While her classmates are the children of the one percent, Waverly is getting by on tutoring gigs and the generosity of the school’s charming and enigmatic dean. So when her tutoring student and resident “it girl” asks Waverly to attend the school’s annual fundraising Masquerade disguised as her, Waverly jumps at the chance—especially once she finds out that Ash, the dean’s daughter and her secret ex-girlfriend, will be there.
The Masquerade is everything Waverly dreamed of, complete with extravagant gowns, wealthy parents writing checks, and flowing champagne. Most importantly, there’s Ash. All Waverly wants to do is shed her mask and be with her, but the evening takes a sinister turn when Waverly stumbles into a secret meeting between the dean and the school’s top donors—and witnesses a brutal murder. This gala is harboring far more malevolent plots than just opening parents’ pocketbooks. Before she can escape or contact the authorities, a mysterious global blackout puts the entire party on lockdown. Waverly’s fairy tale has turned into a nightmare, and she, Ash, and her friends must navigate through a dizzying maze of freight elevators, secret passageways, and back rooms if they’re going to survive the night.
And even if they manage to escape the Masquerade, with technology wiped out all over the planet, what kind of world will they find waiting for them beyond the doors?
There are plenty of words Jonah Collins could use to describe Dylan Ramírez. “Arrogant,” “spoiled,” and “golden boy” to name a few. Likewise, Dylan thinks he has Jonah accurately labeled as an attention-seeking asshat who never shuts his filthy mouth. Their friends are convinced Jonah’s and Dylan’s disdain for one another is just thinly veiled lust—a rumor that surges like wildfire when the two wake up in one bed after homecoming. Mutually horrified, Dylan and Jonah agree to use the faux pas to their advantage by fake dating. If they can stay convincing long enough to end their “relationship” in a massive staged fight, they can prove their incompatibility to their friends once and for all. But the more time they spend together, the more their plan begins to fall apart—and the closer they come to seeing each other clearly for the first time.
Valentina “Vale” Castillo-Green’s life revolves around soccer. Her friends, her future, and her father’s intense expectations are all wrapped up in the beautiful game. But after she incites a fight during playoffs with her long-time rival, Leticia Ortiz, everything she’s been working toward seems to disappear.
Embarrassed and desperate to be anywhere but home, Vale escapes to her beloved childhood soccer camp for a summer of relaxation and redemption…only to find out that she and the endlessly aggravating Leticia will be co-captaining a team that could play in front of college scouts. But the competition might be stiffer than expected, so unless they can get their rookie team’s act together, this second chance―and any hope of playing college soccer―will slip through Vale’s fingers. When the growing pressure, friendship friction, and her overbearing father push Vale to turn to Leticia for help, what starts off as a shaky alliance of necessity begins to blossom into something more through a shared love of soccer…and maybe each other.
2019. Moud is an out gay teen living in Los Angeles with his distant father, Saeed. When Moud gets the news that his grandfather in Iran is dying, he accompanies his dad to Tehran, where the revelation of family secrets will force Moud into a new understanding of his history, his culture, and himself.
1978. Saeed is an engineering student with a promising future ahead of him in Tehran. But when his parents discover his involvement in the country’s burgeoning revolution, they send him to safety in America, a country Saeed despises. And even worse—he’s forced to live with the American grandmother he never knew existed.
1939. Bobby, the son of a calculating Hollywood stage mother, lands a coveted MGM studio contract. But the fairy-tale world of glamour he’s thrust into has a dark side.
Set against the backdrop of Tehran and Los Angeles, this tale of intergenerational trauma and love is an ode to the fragile bonds of family, the hidden secrets of history, and all the beautiful moments that make us who we are today.
Eli Peterson is a self-taught, up-and-coming makeup artist in the cosplay scene who is barely making ends meet. While they might be slaying it with their breathtaking looks, they’re also trying to save enough money for top surgery and convince their parents that their artistic dream is worthwhile. During a convention, Eli hears about Makeup Wars, a competition that could change everything . . .
The grand prize? A scholarship to Beyond, the best SFX school on the West Coast. The problem? Going head-to-head with the most talented up-and-coming makeup artists in the scene—including rival influencer Zachary Miller, their ex-boyfriend. Eli will have to juggle their makeup brushes, their rekindled feelings for Zach, and their self-doubt in order to win everything they’ve ever wanted: a chance to chase their dream and a second chance at love.
Jillian and Henry are the kind of couple who do everything together. They take the same classes, have the same hobbies, and applied for the same super-competitive scholarship so they can go to the same dream college. They even come out as gay to each other on the same night, after junior prom, prompting a sudden breakup that threatens their intertwined identities and carefully designed future. Jillian knows the only way to keep everything on track is to approach their breakup with the same precision and planning as their scholarship application. They will still be “Jillian and Henry”—even if they’re broken up.
Except they hadn’t planned on Henry meeting the boy of his dreams or Jillian obsessing over a cool girl at school. Jillian is desperate to hold on to her best friend when so much else is changing. But as she and Henry explore what—and who—they really want, it becomes harder to hold on to the careful definitions she has always lived her life by. Stuck somewhere between who she was with Henry and who she might be on her own, Jillian has to face what she can’t control and let go of the rules holding her back.
Graveyard of Lost Children by Katrina Monroe (May 9th)
At four months old, Olivia Dahl was almost murdered. Driven by haunting visions, her mother became obsessed with the idea that Olivia was a changeling, and that the only way to get her real baby back was to make a trade with the “dead women” living at the bottom of the well. Now Olivia is ready to give birth to a daughter of her own…and for the first time, she hears the women whispering.
Everyone tells Olivia she should be happy. She should be glowing, but the birth of her daughter only fills Olivia with dread. As Olivia’s body starts giving out, slowly deteriorating as the baby eats and eats and eats, she begins to fear that the baby isn’t her daughter at all and, despite her best efforts, history is repeating itself.
Soon images of a black-haired woman plague Olivia’s nightmares, drawing her back to the well that almost claimed her life―tying mother and daughter together in a desperate cycle of fear and violence that must be broken if Olivia has any hope of saving her child…or herself.
Someone wants trans girl hacker-for-hire Kiera Umehara in prison or dead—but for what? Failing to fix their smart toilet?
It’s 2032 and we live in the worst cyberpunk future. Kiera is gigging her ass off to keep the lights on, but her polycule’s social score is so dismal they’re about to lose their crib. That’s why she’s out here chasing cheaters with Angel Herrera, a luddite P.I. who thinks this is The Big Sleep. Then the latest job cuts too deep—hired to locate Herrera’s ex-best friend (who’s also Kiera’s pro bono attorney), they find him murdered instead. Their only lead: a stick of Nag Champa incense dropped at the scene.
Next thing Kiera knows, her new crush turns up missing—sans a hand (the real one, not the cybernetic), and there’s the familiar stink of sandalwood across the apartment. Two crimes, two sticks of incense, Kiera framed for both. She told Herrera to lose her number, but now the old man might be her only way out of this bullshit…
As a boy, Zachary Zane sensed that all was not right when images of his therapist naked popped into his head. Without an explanation as to why, a deep sense of shame pervaded these thoughts. Though his therapist assured him a little imagination was nothing to be ashamed of, over the years, society told him otherwise.
Boyslutis a series of personal and tantalizing essays that articulate how our society still shames people for the sex that they have and the sexualities that they inhabit. Through the lens of his bisexuality and much self-described sluttiness, Zane breaks down exactly how this sexual shame negatively impacts the sex and relationships in our lives, and through personal experience, shares how we can unlearn the harmful, entrenched messages that society imparts to us.
From stories of drug-fueled threesomes and risqué Grindr hookups to insights on dealing with rejection and living with his boyfriend and his wife,Boyslutis reassuring and often painfully funny—but is most potently a testimony that we can all learn to live healthier lives unburdened by stigma.
GATSBY by Jeremy Holt (text) and Felipe Cunha (illustration)
When middle-class Singaporean student Lu Zhao is invited to spend a summer on Long Island with his rich cousin, Tommy, before attending Columbia University in the fall, his assimilation into the opulent American lifestyle straps him into a collision course fueled by designer drugs, sex, deceit, and murder. Set in present-day Long Island, Gatsby reimagines F. Scott Fitzgerald’s classic novel as an LGBTQ-tinged, multicultural thriller for the Internet age.
When style is everything, will Ethan learn that true beauty is on the inside?
Chase Myles can throw together a swinging dinner party or redecorate an entire townhouse with jaw-dropping elegance. Followers scroll his Insta and see effortless workouts, exotic travel, and an adoring boyfriend. The world believes Chase is a style icon. The world is mistaken.
Ethan Wells is actually the one who knows what to wear, what to eat and how to do it but he’s happy staying behind the scenes producing their hit LGBTQ show Myles of Style. When Chase walks off set just before the Pride live TV show that will make or break Ethan’s career, Ethan thinks it’s just another tantrum… until Chase’s Instagram shows him partying hard in Abu Dhabi.
Out of options, Ethan drives up to rural New York to convince Chase’s estranged twin, Beau, to pass him off as Chase for a week, but Ethan finds a hairy, rugged mountain man who couldn’t be more different from his social butterfly, influencer brother.
Can Ethan transform Beau into the star of the show and fool his bosses and Chase’s followers? And when Beau turns out to be kind, romantic and everything that Chase is not, does he really want Chase back, anyway?
It’s Trans Day of Visibility, and we’re celebrating (as we celebrate everything) with a whole bunch of great trans books! As always, this post only includes titles that were not included in full in past posts, but definitely check those out for even more trans lit goodness!
Halfway through sixth grade, Noah’s best friend and the only other trans boy in his school, Lewis, passed away in a car accident. Lewis was adventurous and curious, always bringing a new paranormal story to share with Noah. Together they daydreamed about cryptids and shared discovering their genders and names. After his death, lonely and yearning for someone who could understand him like Lewis once did, Noah starts writing letters to Mothman, wondering if he would understand how Noah feels and also looking for evidence of Mothman’s existence in the vast woods surrounding his small Poconos town. Noah becomes determined to make his science fair project about Mothman, despite his teachers and parents urging him to make a project about something “real.”
Meanwhile, as Noah tries to find Mothman, Noah also starts to make friends with a group of girls in his grade, Hanna, Molly, and Alice, with whom he’d been friendly, but never close to. Now, they welcome him, and he starts to open up to each of them, especially Hanna, who Noah has a crush on. But as strange things start to happen and Noah becomes sure of Mothman’s existence, his parents and teachers don’t believe him. Noah decides it’s up to him to risk everything, trek into the woods, and find Mothman himself.
Twelve-year-old Abigail (she/her/hers) is so excited to spend her summer at Camp QUILTBAG, an inclusive retreat for queer and trans kids. She can’t wait to find a community where she can be herself—and, she hopes, admit her crush on Laura Dern to kids who will understand.
Thirteen-year-old Kai (e/em/eir) is not as excited. E just wants to hang out with eir best friend and eir parkour team. And e definitely does not want to think about the incident that left eir arm in a sling—the incident that also made Kai’s parents determined to send em somewhere e can feel like emself.
After a bit of a rocky start at camp, Abigail and Kai make a pact to help each other find their footing, all while navigating crushes, their queer identities, and a competition pitting cabin against cabin.
Eleven-year-old Simon and his siblings, Talia and Rose, are staying the week at Nanaleen’s century-old house. This time, though, it’s not their usual summer vacation trip. In fact, everything’s different. It’s fall, not summer. Mom and Dad are staying behind to have a “talk.” And Nanaleen’s house smells weird, plus she keeps forgetting things. And these aren’t the only things getting under Simon’s skin: He’s the only one who knows that his name is Simon, and that he and him pronouns are starting to feel right. But he’s not ready to add to the changes that are already in motion in his family.
To make matters worse, Simon keeps hearing a scratching in the walls, and shadows are beginning to build in the corners. He can’t shake the feeling that something is deeply wrong…and he’s determined to get to the bottom of it—which means launching a ghost hunt, with or without his sisters’ help. When Simon discovers the hidden story of his great-aunt Brie, he realizes that Brie’s life might hold answers to some of his worries. Is Brie’s ghost haunting the old O’Hagan house? And will Simon’s search for ghosts turn up more secrets than he ever expected?
Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his slimy arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means.
Then Miles meets the new boy in town, Eric Mendez, a proudly queer cartoonist from Seattle who asks his pronouns, cares about art as much as he does—and makes his stomach flutter. Not what he needs to be focusing on right now. But after Eric and Miles pretend to date so they can score an invite to a couples-only Valentine’s party, the ruse turns real with a kiss…which is also definitely not in the plan. Why does Eric like him so much, anyway? It’s not like he’s cool or confident or comfortable in his own skin. He’s not even good enough at piano to get his fellow competitors to respect him…especially now, as Miles. Nothing’s ever been as easy for him as for other people—other boys. He’s only ever been almost enough.
So why, when he’s with Eric, does it feel like the only person he’s ever really not been enough for…is himself?
El Diablo is in the details in this Latinx pirate fantasy starring a transmasculine nonbinary teen with a mission of revenge, redemption, and revolution.
On Mar León-de la Rosa’s 16th birthday, el Diablo comes calling. Mar is a transmasculine nonbinary teen pirate hiding a magical ability to manipulate fire and ice. But their magic isn’t enough to reverse a wicked bargain made by their father and now el Diablo has come to collect his payment: the soul of Mar’s father and the entire crew of their ship.
When Mar is miraculously rescued by the sole remaining pirate crew in the Caribbean, el Diablo returns to give them a choice: give up your soul to save your father by the Harvest Moon or never see him again. The task is impossible–Mar refuses to make a bargain and there’s no way their magic is any match for el Diablo. Then, Mar finds the most unlikely allies: Bas, an infuriatingly arrogant and handsome pirate — and the captain’s son; and Dami, a genderfluid demonio whose motives are never quite clear. For the first time in their life, Mar may have the courage to use their magic. It could be their only redemption — or it could mean certain death.
Seventeen-year-old Gael is used to keeping to himself. Though his best friend convinces him to attend a meeting of Plus, a support group for LGBTQIA+ teens, Gael doesn’t plan on sharing much. Where would he even start?
Between supporting his mother through her bouts of depression, dealing with his estranged father, and navigating senior year as a transgender boy at a conservative Tennessean high school, his life is a lot to unload on strangers.
But after meeting easygoing Declan, Gael is welcomed into a new circle of friends who make him want to open up. As Gael’s friendship with Declan develops into something more, he finds himself caught between his mother’s worsening mental health and his father’s attempts to reconnect.
After tragedy strikes, Gael must decide if he can risk letting the walls around his heart down and fully opening up to those who care for him.
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City – a utopia where the testosterone and surgery he needs to transition is free, the food is plentiful, and folk are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream, until he meets the exceptionally handsome Osric.
Once a powerful AI in Salt Lake City, Osric has been forced into an android body against his will and sent into the wasteland to offer Valentine a job on behalf of his new employer – an escort service seeking to retrieve their stolen androids. The reward is a visa into the city, and a chance at the life Valentine’s always dreamed of. But as they attempt to recover the “merchandise”, they encounter a problem: the android ladies are becoming self-aware, and have no interest in returning to their old lives.
The prize is tempting, but carrying out the job would go against everything Valentine stands for, and would threaten the fragile found family that’s kept him alive so far. He’ll need to decide whether to risk his own dream in order to give the AI a chance to live theirs.
Natalie Donovan jumps at a friend’s offer to stay in the family cabin for a month—she desperately needs the chance to get away from, and get over, her messy breakup. She doesn’t count on the owner of the local diner making her heart pound and her body desperate to be touched.
Wren Carne is a lone wolf. As an Alpha shifter, she has no pack and maintains her territory without causing drama, just the way she likes it. When she checks on the girl staying in a local cabin, she’s not expecting her wolf to identify the human as her One True Mate.
As fallout from their pasts encroaches upon the sleepy town of Terabend, Wren must decide if she wants a pack of her own, while Natalie worries that her secret—she’s transgender—might be too much for Wren.
At the age of twenty-one, Alex Winters has already repaid his student loans, gotten his own apartment, and become officially recognized as a rising artist to watch out for in the character design field. Everything is perfect, except it’s not, because Alex is miserable.
To distract himself, Alex signs up to become a moderator for his favorite video game. He figures it shouldn’t be too hard. He just has to answer a few questions, and that’ll be that. But life loves proving Alex wrong. Because the first message he receives is: [she’s not breathing, and I don’t know what to do, because when my mate’s parents get home they’re just gonna find this girl on the floor and I know we don’t know each other but you’re the only one I can count on right now so please help me.]
Now, Alex is stuck chatting with David—an equally depressed medical student, who’s coincidentally also the king of unhealthy coping mechanisms. When Alex realizes David also hates himself to a point of no return, what started off as an online joke slowly blooms into a genuine friendship between the two. So, it’s all nice and wholesome. Mostly. Until Alex falls in love. Then, it gets complicated.
Aashvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society–picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups–The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community.
A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator’s bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.
When lonely transgender exorcist Colin Hart finds himself challenged by an unruly haunted house in Gideon, Colorado, he’s kept awake by ghosts, demons, ghouls, and the handsome nonbinary owner of the house, Bishop Martínez.
Unlike the simple hauntings Colin is accustomed to, Bishop’s house is a living beacon, attracting a plethora of inhuman creatures, including a vengeful wolf-headed spirit who might be the key to quieting their sleepless nights.
But as a heartbreaking mystery unravels, Colin comes face-to-face with the past Bishop tried to bury, opens a closet full of bloody skeletons, and trips into an accidental romance.
As paranormally skilled as Colin might be, this particular haunting may be too messy for him to handle…
Yen-Chen Chang is tired of the big corporate world. After quitting his high-paying software engineer job in Seattle, he’s desperate to move back to Taipei to figure out the next stage of his career. When his best friend invites him to visit Clover Hill as the last stop before going home, he gladly welcomes the opportunity to see the town they love.
Florence Hong-Lam Ho is passionate about her shih tzu mix Milk Puff, music composition, and teaching children piano. She is not trusting of strangers, especially those from outside of Clover Hill. When a tourist reaches for the last piece of fènghuáng sū at Wong’s Corner Store at the same time as she does, she hopes to never see this person again, even if her dog loves him already.
But when Yen-Chen and Florence keep running into each other—once, literally—they strike up a reluctant friendship. Is their growing connection written in the stars, or will Yen-Chen still leave Clover Hill for good?
Wallflower janitor Emily has dreamed of being a zookeeper their entire life. But they’ve been passed over again and again for promotion. Asked out by a gay man who thinks they’re named ‘Emil,’ they feel happy for the first time in forever.
Jeremi is outgoing, friendly, driven… and his forgetfulness has lost him more boyfriends than he can count. When he meets an adorable twink at the zoo, Jeremi vows: this time will be different.
Their first date tanks.
Jeremi tries to salvage things by offering to be Emil’s job coach, yet he can’t help but want to be more than just friends.
As Emil’s egg cracks and their self-confidence grows, Emil yearns for more from Jeremi. Yet they worry they’re not what Jeremi is looking for…
Any Other City is a two-sided fictional memoir by Tracy St. Cyr, who helms the beloved indie rock band Static Saints. Side A is a snapshot of her life from 1993, when Tracy arrives in a labyrinthine city as a fledgling artist and unexpectedly falls in with a clutch of trans women, including the iconoclastic visual artist Sadie Tang.
Side B finds Tracy, now a semi-famous musician, in the same strange city in 2019, healing from a traumatic event through songwriting, queer kinship, and sexual pleasure. While writing her memoir, Tracy perceives how the past reverberates into the present, how a body is a time machine, how there’s power in refusing to dust the past with powdered sugar, and how seedlings begin to slowly grow in empty spaces after things have been broken open.
Joy, a twelve-year-old trans girl, just moved to Texas with her mother and older brother. Her family has accepted Joy as the girl she is early in her transition, with little fuss, leaving Joy to explore her love of sports, competition, teamwork, school spirit, and worship.
But when she is told she’s off the cheerleading team, Joy wants to fight for her right to cheer. As her battle with the school board picks up momentum, Joy attracts support from kids all around the country . . . she even gets the attention of her hero, trans activist Kai Shappley.
Inspired by Kai’s own life, Joy, to the World is a timely story of living life to the fullest, celebrating and centering trans joy, courage, and resilience.
Someone wants trans girl hacker-for-hire Kiera Umehara in prison or dead—but for what? Failing to fix their smart toilet?
It’s 2032 and we live in the worst cyberpunk future. Kiera is gigging her ass off to keep the lights on, but her polycule’s social score is so dismal they’re about to lose their crib. That’s why she’s out here chasing cheaters with Angel Herrera, a luddite P.I. who thinks this is The Big Sleep. Then the latest job cuts too deep—hired to locate Herrera’s ex-best friend (who’s also Kiera’s pro bono attorney), they find him murdered instead. Their only lead: a stick of Nag Champa incense dropped at the scene.
Next thing Kiera knows, her new crush turns up missing—sans a hand (the real one, not the cybernetic), and there’s the familiar stink of sandalwood across the apartment. Two crimes, two sticks of incense, Kiera framed for both. She told Herrera to lose her number, but now the old man might be her only way out of this bullshit…
Venom & Vow by Anna-Marie McLemore and Elliott McLemore (May 16, 2023)
Keep your enemy closer.
Cade McKenna is a transgender prince who’s doubling for his brother.
Valencia Palafox is a young dama attending the future queen of Eliana.
Gael Palma is the infamous boy assassin Cade has vowed to protect.
Patrick McKenna is the reluctant heir to a kingdom, and the prince Gael has vowed to destroy.
Cade doesn’t know that Gael and Valencia are the same person.
Valencia doesn’t know that every time she thinks she’s fighting Patrick, she’s fighting Cade.
And when Cade and Valencia blame each other for a devastating enchantment that takes both their families, neither of them realizes that they have far more dangerous enemies.
Transness is as varied and colorful as magic can be. In Transmogrify!, you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration.
When her celebrity chef boss is taken down in a sexual harassment scandal, Chelsea Boudreaux’s dream of getting her own cooking show comes true. Her hometown of Duchesne, Louisiana, provides the perfect backdrop for her modern takes on traditional Cajun fare. Vindicating herself to the mother who never believed in her is icing on the cake.
Bryce Cormier never left Duchesne and has no regrets, except that falling in love as a trans guy in a tiny town is easier said than done. When Chelsea comes home after more than a decade away, Bryce thinks he may have found the perfect woman. At least until Chelsea’s burgeoning celebrity spills over and turns his world upside down.
It turns out love is like a good gumbo—what seems simple is complex, and the best results require a bit of courage. And like all the recipes say… First, you make a roux.
‘On the bookshelves, there was plenty of stuff on being gay, and much needed, joyous accounts of what it is to be trans, but nothing really that encapsulates what is it to be both – to exist in the hazy terrain between.’
After his relationship with his girlfriend of 5 years ended, Harry realised he was a single adult for the first time – not only that, but a single, transmasculine and newly out gay man.
Despite knowing it was the right decision, the reality of his new situation was terrifying. How could he be a gay man, when he was still learning what it was to be a man? Would the gay community embrace him or reject him? What would gay sex be like? And most importantly, would finding love again be possible?
In this raw, intimate and unflinchingly honest book, we follow Harry as he navigates the sometimes fraught and contradictory worlds of contemporary gay culture as a trans gay man, from Grindr, dating and gay bars, to saunas, sex and ultimately, falling in love. Harry’s brave and uplifting journey will show you there is joy in finding who you are.
Erin McCabe’s years as a criminal defense attorney have prepared her for almost anything, except being on the opposite side of the interrogation table. A new client—a successful financial adviser—was found stabbed to death on the beach near his palatial Jersey Shore home. The time of death is estimated to be during Erin’s one and only consultation with him, during which he revealed that he was secretly transgender. As the last person to see him alive, Erin’s now the prime suspect.
If the evidence were simply circumstantial, Erin is sure she and her law partner, Duane Swisher, could prevail. But there are entanglements that can’t be easily explained, and connections to powerful unscrupulous politicians who hold a lot of grudges. While the investigation unfolds, Erin and Duane are called on to represent a mother charged with abducting her child—a hot-button case that has both private and public implications for Erin.
As she battles one prosecutor who wants to see her charged with murder, and another determined to send her to jail for refusing to divulge her client’s location, Erin also faces a devastating family tragedy. With her career and her relationship on the line, and her life being targeted by a desperate nemesis, there has never been more at stake—or fewer places to turn . . .
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
Enter Jean-Pierre, a laissez-faire trans man and the heir to a huge culinary empire—which he’ll only inherit if he can jump through all the hoops his celebrity chef grandfather has placed in his path. First hoop: he needs a girlfriend, a role that Luna is happy to play…for the right price. She’s got rent to pay, after all! Second hoop: they both need to learn how to cook a series of elaborate, world-renowned family recipes to prove that Jean-Pierre is a worthy heir. Admittedly, Luna doesn’t even know how to crack an egg, but she’s not going to let that—or any pesky feelings for Jean-Pierre—stop her.
As a young femme growing up in Manila in the 1990s, Geena Rocero endured shouts of bakla, bakla!, a Filipino taunt aimed at her feminine sway, whenever she left the little universe of her eskinita. Eventually she found her place in trans pageants, events as widely attended and culturally significant as a national sport, going to high school by day and competing by night. When her competitors denigrated her with the nickname “horse barbie,” due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet, stepping onto stage with an undeniable charisma—part equine and all fashion. By seventeen, she was the Philippines’ most prominent and highest-earning trans pageant queen.
When she moved to the United States, Geena was able to change her name and gender marker on her documents, which wasn’t—and still isn’t—possible for trans people in the Philippines. But legal recognition didn’t come with any guarantee of safety. In order to survive, Geena went stealth and hid her trans identity, gaining one type of freedom and truth at the expense of another. For a while, it worked. Within a few years she’d become an in-demand model, appearing in music videos, billboards, and magazine campaigns, and was hailed as the epitome of feminine beauty. But as her star rose, her sense of self eroded. She craved acceptance as her authentic self, yet had to remain eternally vigilant in order to protect her dream career. The tenuous, high-stakes double life finally led Geena to a breaking point when she had to decide how to reclaim the power of Horse Barbie once and for all: radiant, head held high, and unabashedly herself.
As the first openly transgender government official to hold an office that requires Senate confirmation, the first openly transgender four-star officer in uniform service, and the first female four-star admiral in the commissioned corps, Rachel Levine faced many obstacles throughout her life. But she persisted through them all and showed kids of all genders that they can succeed in their dreams too.
In this chapter book biography by critically acclaimed author Lisa Bunker, readers learn about the amazing life of Rachel Levine–and how she persisted.
Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Rachel Levine’s footsteps and make a difference! A perfect choice for kids who love learning and teachers who want to bring inspiring women into their curriculum.
Newly-out trans artist’s assistant Sammie is invited to an old friend’s bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean’s international waters—think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie’s college buddies haven’t quite gotten the message—as evidenced by their formerly closest friend Adam asking them to be his “best man.”
Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom’s pals—all met with zero pushpack from supposed “nice guy” Adam. But also, they seem to be the only one who’s noticed the mysterious cult that’s also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god.
Part satire, part horror, Boys Weekend explores what it’s like to exist as a transfemme person in a man’s world, the difficulty of maintaining friendships through transition, and the more cult-like effects of masculinity, “hustle” culture, and capitalism—all through the vibrant lens of a surreal, scary, and immensely imaginative romp.
“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.
With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.
As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty’s Royal Coven prepares to crown her High Preistess.
Suffering from amnesia, Ciara can’t remember what she’s done–but if she wants to survive, she must fool Niamh’s adopted family and friends; the coven; and the murky Shadow Cabinet–a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale.
On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can’t figure out Hale’s machinations, and fast, all of witchkind will be in grave danger–along with the fate of all (wo)mankind.
Sharp, funny, provocative, and joyous, Juno Dawson’s sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm–and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.
Thomas Simmons nearly died when a rocket-propelled grenade threw him ass over teakettle while flanking insurgents in Mosul, ending his military career. Recovery’s rough and gives him all the time in the world to face the question he’s avoided all his life: Why does he feel jealous of women?
The more Thomas searches, the closer he comes to an answer: gender dysphoria.
Seeking therapy as a road through his confusion, Thomas embarks on an unexpected journey as Emily is born. Emily’s route to self-acceptance, love with another woman, and community are only some of the challenges that began the day her world exploded.
“I’ve lived a completely ordinary life, so much that I don’t know how to write a transgender or queer or Appalachian story, because I don’t feel like I’ve lived one. … Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness.”
Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as “Appalachian.” Appalachia existed farther afield―more rural, more country than the landscape of her hometown.
Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness.
In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In “Dead Furrows,” a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. “Homeplace” threads family interactions with farm animals and Grover’s coming out journey, illuminating the disturbing parallels between the American Veterinary Association’s guidelines for ethical euthanasia and the World Professional Association for Transgender Health’s guidelines for transgender care.
Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.
Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey – from Thomas Anderson, to Neo… to Trinity.
Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You’ll learn how color is used to convey more than you realize, how Neo’s psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies).
Free your mind, and see just how deep the rabbit hole goes.
Elisheva Cohen has just returned to Brooklyn after almost a decade. The wounds of abandoning the Orthodox community that raised her, then shunned her because of her substance abuse, are still painful. But when she gets an amazing opportunity to study photography with art legend Wyatt Cole, Ely is willing to take the leap.
On her first night back in town, Ely goes out to the infamous queer club Revel for a celebratory night of dancing. Ely is swept off her feet and into bed by a gorgeous man who looks like James Dean, but with a thick Carolina accent. The next morning, Ely wakes up alone and rushes off to attend her first photography class, reminiscing on the best one-night stand of her life. She doesn’t even know his name. That is, until Wyatt Cole shows up for class—and Ely realizes that the man she just spent an intimate and steamy night with is her teacher.
Everyone in the art world is obsessed with Wyatt Cole. He’s immensely talented and his notoriously reclusive personal life makes him all the more compelling. But there’s a reason why his past is hard for him to publicize. After coming out as transgender, Wyatt was dishonorably discharged from the military and disowned by his family. From then on he committed to sobriety and channeled his pain into his flourishing art career. While Ely and Wyatt’s relationship started out on a physical level, their similar struggles spark a much deeper connection. The chemistry is undeniable, but their new relationship as teacher and student means desperately wanting what they can’t have.
London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing.
After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.
Rat Evans, nonbinary heir to one of the oldest magical bloodlines in New York, doesn’t cast spells anymore. For as long as Rat can remember, they’ve been surrounded by doorways no one else sees and corridors that aren’t on any map. Then one day, they opened a passage and found a broken tower in a field of weeds—and something followed them back.
When Rat is accepted into Bellamy Arts, all they want is a place to hide and to make sure they never open another passageway again. But when the only other person who knows what really happened last year—Harker Blakely, the dangerously gifted trans boy who used to be Rat’s closest friend—turns up on campus, Rat begins to realize that Bellamy Arts might not be as safe as they’d thought. And the tower might not be through with them yet.
Soon, Rat finds themself caught in a web of secrets and long-buried magic, with their friend-turned-enemy at their throat. But the closer they come to uncovering the truth about the tower, the further they’re drawn toward the unsettling powers that threaten to swallow them whole.
Noah Byrd is the perfect boy. At least, that’s what he needs to convince his new classmates of to prove his gender. His plan? Join the school’s illustrious (and secret) Borrow a Boyfriend Club, whose members rent themselves out for dates. Once he’s accepted among the bros, the “slip-ups” end.
But Noah’s interview is a flop. Desperate, he strikes a deal with the club’s prickly but attractive president, Asher. Noah will help them win an annual talent show—and in return, he’ll get a second shot to demonstrate his boyfriend skills in a series of tests that include romancing Asher himself.
If Noah can’t bring home the win, his best chance to prove that he’s man enough is gone. Yet even if he succeeds, he still loses . . . because the most important rule of the Borrow a Boyfriend Club is simple: no real boyfriends (or girlfriends) allowed.
And as long as the club remains standing as high as Asher’s man bun, Noah and Asher can never explore their growing feelings for one another.
OKPsyche by Anya Johanna DeNiro (September 12, 2023)
An unnamed trans woman is looking for a sense of belonging, a better relationship with her son, and friends that aren’t imaginary in this playful and aching short novel. As she navigates the many worlds she belongs to she wrestles with her many anxieties and fears about the world around her. Her son and ex live in another state. Companion robots are popping up. Environmental disasters are being outsourced from the coast to the Midwest. And at any time anyone anywhere might turn out to be a new friend or an enemy.
In this stunning short novel, a trans woman slowly builds her confidence as she wends her way through the real and imagined worries, fears, and weirdness of adulthood, parenthood, and selfhood in the contemporary world.
James Goldman, self-described neurotic goth gay transsexual stoner, is a senior in high school, and fully over it. He mostly ignores his classes at Cow Pie High, instead focusing on fundraising for the near-bankrupt local LGBTQ+ youth support group, Compton House, and attending punk shows with his friend-crush Ian and best friend Opal. But when James falls in love with Orsino, a homeschooled trans boy with telepathic powers and visions of the future, he wonders if the scope of what he believes possible is too small. Orsino, meanwhile, hopes that in James he has finally found someone who will be able to share the apocalyptic visions he has had to keep to himself, and better understand the powers they hold.
When a transphobic woman bombs Frankie’s workplace, she blows up Frankie’s life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, fucking strangers, pushing away her friends. Then, she meets Vanya. Mysterious, beautiful, terrifying Vanya.
The two hit it off immediately, but as their relationship intensifies, so too does Frankie’s feeling that Vanya is hiding something from her. When Vanya’s secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister, depraved conspiracy, the roots of which go deeper than she ever imagined.
Corpses, Fools, and Monsters: An Examination of Trans Images in Cinema by Willow Maclay and Caden Gardner (October 10, 2023)
There have been trans images in cinema for over a century — very often bad cultural objects and very often inspired by the cultural zeitgeist, from Christine Jorgensen to Candy Darling to a guest on The Jerry Springer Show. But now, trans cinema as a movement is slowly emerging from the margins to create a new film language, often in reaction to these historical trans film images that cast the trans body in abject form; a corpse, a foolish joke, a tragic martyr, or even a monster.
Corpses, Fools, and Monsters is a new radical history of these trans film images, and an exploration of the political possibilities of the new trans cinema movement. Analysing the work of trans cinema directors Isabel Sandoval, Silas Howard, and the Wachowski Sisters, it also discusses the trans film image in everything from pre-talkie films and Ed Wood B-movies to Oscar-winners, body horror and slashers.
Going beyond reassessing notable films, performances, and portrayals, Corpses, Fools, and Monsters instead brings to light films and artists not given their due, along with highlighting filmmakers who are bringing trans cinema out of the margins in the twenty-first century.
BEFORE. Newly out trans guy Max is having a hard time in school. Things have been tough since his summer romance, Danny, turned into his bully. This year, his plan is to keep his head down and graduate. All that changes when new It-girl Gloss moves to town. No one understands why perfect, polished Gloss is so interested in an introverted skater kid, but Max blooms in the hothouse of her attention. Caught between romance and obsession, he’ll do whatever it takes to keep her on his side.
AFTER. Haircuts, makeovers, drugs, parties. It’s all fun and games until someone gets killed at a rager gone terribly wrong. Max refuses to believe that Gloss did it. But if not Gloss, who? Desperate to figure out truth in the wake of tragedy, Max veers dangerously close to being implicated—and his own memories of that awful night are fuzzy.
Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.
But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy? The strange new girl in town acts like she and Gem are old companions, and seems to know things about them they’ve never told anyone else.
When Gem is attacked by a stranger claiming to be the Goddess of Death, Willa Mae saves their life and finally offers some answers. She and Gem are reincarnated gods who’ve known and loved each other across lifetimes. But Gem – or at least who Gem used to be – hasn’t always been the most benevolent deity. They’ve made a lot of enemies in the pantheon—enemies who, like the Goddess of Death, will keep coming.
It’s a good thing they’ve still got Enzo. But as worlds collide and the past catches up with the present, Gem will discover that everyone has something to hide.
Eli Ward hasn’t been back to his suffocating hometown of New Port Stephen, Florida, in ages. Post-transition and sober, he’s a completely different person from the one who left years ago. But when a scandal threatens his career as a TV writer and comedian, he has no choice but to return home for the holidays. He can only hope he’ll survive his boisterous, loving, but often misguided family and hide the fact that his dream of comedy success has become a nightmare.
Just when he thinks this trip couldn’t get any worse, Eli bumps into his high school ex, Nick Wu, who’s somehow hotter than ever. Divorced and in his forties, Nick’s world revolves around his father, his daughter, and his job. But even a busy life can’t keep him from being intrigued by the reappearance of Eli.
Against the backdrop of one weird Floridian Christmas, the two must decide whether to leave the past in the past…or move on together.
London, 1812. Oliver Bennet feels trapped. Not just by the endless corsets, petticoats and skirts he’s forced to wear on a daily basis, but also by society’s expectations. The world—and the vast majority of his family and friends—think Oliver is a girl named Elizabeth. He is therefore expected to mingle at balls wearing a pretty dress, entertain suitors regardless of his interest in them, and ultimately become someone’s wife.
But Oliver can’t bear the thought of such a fate. He finds solace in the few times he can sneak out of his family’s home and explore the city rightfully dressed as a young gentleman. It’s during one such excursion when Oliver becomes acquainted with Darcy, a sulky young man who had been rude to “Elizabeth” at a recent social function. But in the comfort of being out of the public eye, Oliver comes to find that Darcy is actually a sweet, intelligent boy with a warm heart. And not to mention incredibly attractive.
As Oliver is able to spend more time as his true self, often with Darcy, part of him dares begin to hope that his dream of love and life as a man to be possible. But suitors are growing bolder—and even threatening—and his mother is growing more desperate to see him settled into an engagement. Oliver will have to choose: Settle for safety, security, and a life of pretending to be something he’s not, or risk it all for a slim chance at freedom, love, and a life that can be truly, honestly his own.
Obie knew his transition would have ripple effects. He has to leave his swim coach, his pool, and his best friends. But it’s time for Obie to find where he truly belongs.
As Obie dives into a new team, though, things are strange. Obie always felt at home in the water, but now he can’t get his old coach out of his head. Even worse are the bullies that wait in the locker room and on the pool deck. Luckily, Obie has family behind him. And maybe some new friends too, including Charlie, his first crush. Obie is ready to prove he can be one of the fastest boys in the water—to his coach, his critics, and his biggest competition: himself.
She can pry into folks’ memories with just a touch of their belongings. It’s something she’s always kept hidden — especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy’s job and Mama’s blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie’s gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants to ignore it. Except her new friend Fox — scratch that, her only friend, Fox — is desperate to go ghost hunting deep in the forest. And when Tennie frees even more of the spirits, trouble is exactly what she gets… and it hits close to home. The ghosts will be heard, and now Tennie must choose between keeping secrets or naming an ugly truth that could tear her family apart.
Magic and mayhem abound in this spooky story about family legacies, first friendships, and how facing the ghosts inside can sometimes mean stirring up a little bit of ruckus.
In Other Boys, debut author Damian Alexander delivers a moving middle grade graphic memoir about his struggles with bullying, the death of his mother, and coming out.
Damian is the new kid at school, and he has a foolproof plan to avoid the bullying that’s plagued him his whole childhood: he’s going to stop talking. Starting on the first day seventh grade, he won’t utter a word. If he keeps his mouth shut, the bullies will have nothing to tease him about―right?
But Damian’s vow of silence doesn’t work―his classmates can tell there’s something different about him. His family doesn’t look like the kind on TV: his mother is dead, his father is gone, and he’s being raised by his grandparents in a low-income household. And Damian does things that boys aren’t supposed do, like play with Barbies instead of GI Joe. Kids have teased him about this his whole life, especially other boys. But if boys can be so cruel, why does Damian have a crush on one?
San Francisco and Orangevale may be in the same state, but for Héctor Muñoz, they might as well be a million miles apart. Back home, being gay didn’t mean feeling different. At Héctor’s new school, he couldn’t feel more alone.
Most days, Héctor just wishes he could disappear. And he does. Right into the janitor’s closet. (Yes, he sees the irony.) But one day, when the door closes behind him, Héctor discovers he’s stumbled into a room that shouldn’t be possible. A room that connects him with two new friends from different corners of the country—and opens the door to a life-changing year full of magic, friendship, and adventure.
In a modern mega-city built around dragons, one boy gets caught up in the world of underground dragon battles and a high-stakes gang war that could tear his family apart.
Once, dragons nearly drove themselves to extinction. But in the city of Drakopolis, humans domesticated them centuries ago. Now dragons haul the city’s cargo, taxi its bustling people between skyscrapers, and advertise its wares in bright, neon displays. Most famously of all, the dragons battle. Different breeds take to the skies in nighttime bouts between the infamous kins―criminal gangs who rule through violence and intimidation.
Abel has always loved dragons, but after a disastrous showing in his dragon rider’s exam, he’s destined never to fly one himself. All that changes the night his sister appears at his window, entrusting him with a secret…and a stolen dragon.
Turns out, his big sister is a dragon thief! Too bad his older brother is a rising star in Drakopolis law enforcement…
To protect his friends and his family, Abel must partner with the stolen beast, riding in kin battles and keeping more secrets than a dragon has scales.
When everyone wants him fighting on their side, can Abel figure out what’s worth fighting for?
This is Our Rainbow ed. by Katherine Locke and Nicole Melleby (October 19th)
The first LGBTQ+ anthology for middle-graders featuring stories for every letter of the acronym, including realistic, fantasy, and sci-fi stories by authors like Justina Ireland, Marieke Nijkamp, Alex Gino, and more!
A boyband fandom becomes a conduit to coming out. A former bully becomes a first-kiss prospect. One nonbinary kid searches for an inclusive athletic community after quitting gymnastics. Another nonbinary kid, who happens to be a pirate, makes a wish that comes true–but not how they thought it would. A tween girl navigates a crush on her friend’s mom. A young witch turns herself into a puppy to win over a new neighbor. A trans girl empowers her online bestie to come out.
From wind-breathing dragons to first crushes, This Is Our Rainbow features story after story of joyful, proud LGBTQIA+ representation. You will fall in love with this insightful, poignant anthology of queer fantasy, historical, and contemporary stories from authors including: Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Katherine Locke, Mariama J. Lockington, Nicole Melleby, Marieke Nijkamp, Claribel A. Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and AJ Sass.
Struggling with anxiety after witnessing a harrowing instance of gun violence, Manuel Soto copes through photography, using his cell-phone camera to find anchors that keep him grounded. His days are a lonely, latchkey monotony until he’s teamed with his classmates, Sebastian and Caysha, for a group project.
Sebastian lives on a grass-fed cattle farm outside of town, and Manuel finds solace in the open fields and in the antics of the newborn calf Sebastian is hand-raising. As Manuel aides his new friends in their preparations for the local county fair, he learns to open up, confronts his deepest fears, and even finds first love.
When Jay starts eighth grade with a few pimples he doesn’t think much of it at first…except to wonder if the embarrassing acne will disappear as quickly as it arrived. But when his acne goes from bad to worse, Jay’s prescribed a powerful medication that comes with some serious side effects. Regardless, he’s convinced it’ll all be worth it if clear skin is on the horizon!
Meanwhile, school isn’t going exactly as planned. All of Jay’s friends are in different classes; he has no one to sit with at lunch; his best friend, Brace, is avoiding him; and–to top it off–Jay doesn’t understand why he doesn’t share the same feelings two of his fellow classmates, a boy named Mark and a girl named Amy, have for him.
Eighth grade can be tough, but Jay has to believe everything’s going to be a-okay…right?
Born in Paris, Kentucky, and raised on her gram’s favorite country music, Cline Alden is a girl with big dreams and a heart full of song. When she finds out about a young musicians’ workshop a few towns over, Cline sweet-talks, saves, and maybe fibs her way into her first step toward musical stardom.
But her big dreams never prepared her for the butterflies she feels surrounded by so many other talented kids—especially Sylvie, who gives Cline the type of butterflies she’s only ever heard about in love songs.
As she learns to make music of her own, Cline begins to realize how much of herself she’s been holding back. But now, there’s a new song taking shape in her heart—if only she can find her voice and sing it.
Assistant Books Editor at O, the Oprah Magazine Michelle Hart‘s WE DO WHAT WE DO IN THE DARK, about a young woman who has an affair with an older, married female professor during college, and how that relationship reshapes the rest of her life; a story of desire, loneliness, and the secrets we keep, even from ourselves, to Laura Perciasepe at Riverhead, in a pre-empt, by Sarah Burnes at The Gernert Company (NA).
New Yorker contributor and University Fellow at the Syracuse MFA program Anthony Veasna So‘s AFTERPARTIES, in which young Cambodian Americans grapple with race, sexuality, and their inherited traumas from the Khmer Rouge genocide, even as they carve out lives in the California Central Valley and Bay Area, and STRAIGHT THRU CAMBOTOWN, about three Cambodian-American cousins who inherit their late aunt’s illegitimate loan sharking business and then become embroiled in a Hollywood conspiracy, to Helen Atsma at Ecco, in a significant deal, at auction, in a two-book deal, for publication in summer 2021, by Rob McQuilkin at Massie & McQuilkin (NA).
Sidney Bell‘s THIS IS NOT THE END, a polyamorous romance in which a deeply reserved songwriter is invited to join his best friend and his wife in bed for a night, and what starts as a fling may just turn into forever, to Stephanie Doig at Carina Press (world).
Author of LILY AND THE OCTOPUS and THE EDITOR Steven Rowley‘s THE GUNCLE, about a reclusive television star who takes his young niece and nephew into his Palm Springs home after a family tragedy, and how his outsized lifestyle and unusual life wisdom bring about a season of healing that redefines their understanding of family and finally leads him back to himself, again to Sally Kim at Putnam, by Rob Weisbach at Rob Weisbach Creative Management (NA).
Children’s
NYT-bestselling author of THREE LITTLE WORDS and THREE MORE WORDS Ashley Rhodes-Courter’s SAM IS OUR SISTER, a picture book based on the experiences of the author’s family that follows three siblings, one of whom is transgender, as they play astronauts, learn about what it means to become your true self, and realize they will always be together, illustrated by MacKenzie Haley, to Wendy McClure at Albert Whitman, for publication in spring 2021, by Jacqueline Flynn at Joelle Delbourgo Associates for the author, and by Samantha Groff at Advocate-Art for the illustrator (world).
Katherine Locke and Nicole Melleby’s THIS IS OUR RAINBOW: 16 STORIES OF HER, HIM, THEM, AND US, a middle grade anthology that collects short stories, poetry, and comics about LGBTQIA+ characters and experiences by contributors Locke, Melleby, Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Mariama Lockington, Marieke Nijkamp, Claribel Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and A.J. Sass, to Marisa DiNovis at Knopf Children’s, for publication in fall 2021, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Stephanie Stein at HarperCollins has bought, at auction, in a two-book deal, middle grade novel THE INSIDERS by Schneider Family Award winner Mark Oshiro (ANGER IS A GIFT). The book features a queer boy who, fleeing from bullies, discovers a magical closet that not only provides him sanctuary, but also unites him with two other kids facing persecution at their own schools across the country, helping them find friendship and strength in one another. Publication is slated for fall 2021; DongWon Song at Howard Morhaim Literary Agency negotiated the deal for North American rights.*
Natashya Wilson at Inkyard Press has acquired THE WITCH KING plus a sequel from debut author H.E. Edgmon. The YA fantasy duology tells the story of witch and angry trans boy Wyatt Croft, who wants nothing to do with his mediocre magic or his betrothal to fae prince Emyr North, but his plans to change his fate are shattered when the kingdom is threatened by a coup and Emyr comes to claim him. Publication of book one is planned for summer 2021; Rena Rossner at the Deborah Harris Agency brokered the deal for North American rights.*
Krista Marino at Delacorte has bought, at auction, Victoria Lee’s (THE FEVER KING and THE ELECTRIC HEIR) A LESSON IN VENGEANCE. Pitched as The Secret History meets Genuine Fraud and The Craft, the YA novel follows Felicity Morrow, a senior returning to school after her girlfriend’s tragic death, only to meet a new student and teenage literary prodigy who transferred to research the school’s bloody history, and recruits Felicity into a murderous experiment of their own. Publication is set for 2021; Holly Root and Taylor Haggerty at Root Literary negotiated the deal for North American rights.*
Maya Marlette at Scholastic has bought Leah Johnson’s (YOU SHOULD SEE ME IN A CROWN) new YA romance, RISE TO THE SUN. Set over the course of four days at a music festival, the novel features strangers Toni and Olivia, who meet and realize that the music is more than just a way out; it’s a way through… if they are brave enough to face it together. Publication is scheduled for summer 2021; Sarah Landis at Sterling Lord Literistic brokered the deal for world rights.*
Sarah Rees Brennan‘s FENCE: STRIKING DISTANCE, based on the comic series created by C.S. Pacat and Johanna The Mad, following the rise of a sixteen-year-old outsider in the world of competitive fencing as he joins the team at an elite boys school and experiences intense rivalries, lifelong friendships, and romance between teammates, to Mary-Kate Gaudet at Little, Brown Children’s, for publication in fall 2020, by Suzie Townsend at New Leaf Literary & Media (world).
A.M. Strickland‘s IN THE RAVENOUS DARK, a LGBTQIA+ dark fantasy featuring a teen blood-magic user bound to an undead guardian, to John Morgan at Imprint, for publication in summer 2021, by Hannah Bowman at Liza Dawson Associates (world).
Graphic Novels
Jonah Newman’s OUT OF LEFT FIELD, a semi-autobiographical young adult graphic novel in which a gay teen boy, determined to excel at baseball but decidedly much more at home in a history book, discovers himself, to Andrea Colvin at Little, Brown Children’s, at auction, for publication in summer 2023, by Chad Luibl at Janklow & Nesbit (world).
Non-Fiction
Oxford University research fellow and LitHub contributor Jack Parlett’s WRITTEN IN THE SAND, a blend of memoir and literary history, exploring the queer identity, idyllic beaches, and famous locales of an iconic destination—Fire Island; pitched as in the vein of Hugh Ryan’s WHEN BROOKLYN WAS QUEER and Olivia Laing’s THE LONELY CITY, examining a number of key literary figures like W.H. Auden, Carson McCullers, Edmund White, Andrew Holleran, and Jeremy O. Harris, who together tell the story of what it means to create a queer space, to John Glynn at Hanover Square Press, at auction, by David Forrer at Inkwell Management, on behalf of Jane Finigan at Lutyens & Rubinstein (NA).
Kelly Delaney at Knopf has acquired, in a preempt, ALL THE THINGS I’VE KEPT FROM MYSELF by Karina Manta. This YA memoir tells of the champion figure skater’s experiences as a professional athlete, coming out as bisexual in a hyper-feminine sport, and her continually evolving body image. Publication is scheduled for fall 2021; Jess Regel at Foundry Literary + Media brokered the deal for North American rights.*
Foreign/Subrights
Arkady Martine’s A MEMORY CALLED EMPIRE and A DESOLATION CALLED PEACE, to J’ai Lu (France), in a two-book deal, by Danny Baror at Baror International; also to Mondadori (Italy), in a two-book deal, by Danny Baror at Baror International; on behalf of DongWon Song at Howard Morhaim Literary Agency.
Morgan Rogers’s HONEY GIRL, to DTV (Germany), by Heather Baror-Shapiro at Baror International, on behalf of Holly Root at Root Literary.
Taylor Jenkins Reid’s THE SEVEN HUSBANDS OF EVELYN HUGO, to Locus (Bulgaria), by Katalina Sabeva at Anthea Agency, on behalf of Taryn Fagerness Agency and Carly Watters at P.S. Literary.
Eleven-year-old Riley believes in the whispers, magical fairies that will grant you wishes if you leave them tributes. Riley has a lot of wishes. He wishes bullies at school would stop picking on him. He wishes Dylan, his 8th grade crush, liked him, and Riley wishes he would stop wetting the bed. But most of all, Riley wishes for his mom to come back home. She disappeared a few months ago, and Riley is determined to crack the case. He even meets with a detective, Frank, to go over his witness statement time and time again.
Frustrated with the lack of progress in the investigation, Riley decides to take matters into his own hands. So he goes on a camping trip with his friend Gary to find the whispers and ask them to bring his mom back home. But Riley doesn’t realize the trip will shake the foundation of everything that he believes in forever.
When Sunny St. James receives a new heart, she decides to set off on a “New Life Plan”: 1) do awesome amazing things she could never do before; 2) find a new best friend; and 3) kiss a boy for the first time.
Her “New Life Plan” seems to be racing forward, but when she meets her new best friend Quinn, Sunny questions whether she really wants to kiss a boy at all. With the reemergence of her mother, Sunny begins a journey to becoming the new Sunny St. James.
This sweet, tender novel dares readers to find the might in their own hearts.
It’s the first day of summer and Rachel’s thirteenth birthday. She can’t wait to head to the lake with her best friend, Micah. But as summer unfolds, every day seems to get more complicated. Her “fun” new job taking care of the neighbors’ farm animals quickly becomes a challenge, whether she’s being pecked by chickens or having to dodge a charging pig at feeding time. At home, her parents are more worried about money than usual, and their arguments over bills intensify. Fortunately, Rachel can count on Micah to help her cope with all the stress. But Micah seems to want their relationship to go beyond friendship, and though Rachel almost wishes for that, too, she can’t force herself to feel “that way” about him. In fact, she isn’t sure she can feel that way about any boy — or what that means. With all the heart of her award-winning novel See You At Harry’s, Jo Knowles brings us the story of a girl who must discover where her heart is and what that means for her future.
Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.
Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.
Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.
This book is about the Stonewall Riots, a series of spontaneous, often violent demonstrations by members of the gay (LGBTQ+) community in reaction to a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn in the Greenwich Village neighborhood of Manhattan, New York City. The Riots are attributed as the spark that ignited the LGBTQ+ movement. The author describes American gay history leading up to the Riots, the Riots themselves, and the aftermath, and includes her interviews of people involved or witnesses, including a woman who was ten at the time. Profusely illustrated, the book includes contemporary photos, newspaper clippings, and other period objects. A timely and necessary read, The Stonewall Riots helps readers to understand the history and legacy of the LGBTQ+ movement.
The critically acclaimed author of Felix Yz crafts a bold, heartfelt story about a trans girl solving a cyber mystery and coming into her own.
Zenobia July is starting a new life. She used to live in Arizona with her father; now she’s in Maine with her aunts. She used to spend most of her time behind a computer screen, improving her impressive coding and hacking skills; now she’s coming out of her shell and discovering a community of friends at Monarch Middle School. People used to tell her she was a boy; now she’s able to live openly as the girl she always knew she was.
When someone anonymously posts hateful memes on her school’s website, Zenobia knows she’s the one with the abilities to solve the mystery, all while wrestling with the challenges of a new school, a new family, and coming to grips with presenting her true gender for the first time. Timely and touching, Zenobia July is, at its heart, a story about finding home.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
I’m so, so excited that Felix Yz author Lisa Bunker has another MG out, and so excited that there’s another great trans girl book out, and wouldn’t you know it but those books are one and the same! Zenobia July is thoughtful and fun and handles its subject matter so well and has such a great secondary cast and I love that Zen is a cybergenius and the most major secondary character is genderqueer and it’s just so good. (Content notes: There is some bigotry, including transphobia, Islamophobia, and misgendering, though the latter is not of the MC. The MC is not deadnamed.) Check it out:
The critically acclaimed author of Felix Yz crafts a bold, heartfelt story about a trans girl solving a cyber mystery and coming into her own.
Zenobia July is starting a new life. She used to live in Arizona with her father; now she’s in Maine with her aunts. She used to spend most of her time behind a computer screen, improving her impressive coding and hacking skills; now she’s coming out of her shell and discovering a community of friends at Monarch Middle School. People used to tell her she was a boy; now she’s able to live openly as the girl she always knew she was.
When someone anonymously posts hateful memes on her school’s website, Zenobia knows she’s the one with the abilities to solve the mystery, all while wrestling with the challenges of a new school, a new family, and coming to grips with presenting her true gender for the first time. Timely and touching, Zenobia July is, at its heart, a story about finding home.
Two teen girls, once best friends but now estranged, share an electric connection that is rekindled—and tested—in their common struggle with identity, sexuality, and the undeniable necessity to confront their emerging selves head-on.
It’s senior year and Lucy Butler has fallen into a comfortable rhythm; she’s captain of the track team, a sarcastic introvert, and the second favorite child at home. She has her life completely planned out: she knows her friends, her future college major, and her crush, the unattainable Ms. Hayes.
But when Lu reconnects with her childhood best friend, Eve, in the girls’ bathroom and comforts her after a pregnancy scare, all attachments to Ms. Hayes fall off. Lu and Eve have a chemistry that’s fierce and undeniable, and pretty soon they’re closer than they have been in years. But is this what former best friends reconnecting feels like, or is it more?
In the chaotic aftermath of graduation, Lu and Eve will have to let everything they knew about love and life go… or risk missing out on their last chance to be carefree teens.
It’s been a year since the Catalog Killer terrorized the sleepy seaside town of Camera Cove, killing four people before disappearing without a trace.
Like everyone else in town, eighteen-year-old Mac Bell is trying to put that horrible summer behind him—easier said than done since Mac’s best friend Connor was the murderer’s final victim. But when he finds a cryptic message from Connor, he’s drawn back into the search for the killer—who might not have been a random drifter after all. Now nobody—friends, neighbors, or even the sexy stranger with his own connection to the case—is beyond suspicion. Sensing that someone is following his every move, Mac struggles to come to terms with his true feelings towards Connor while scrambling to uncover the truth.
A fiercely funny, queer romantic comedy about two girls who can’t stand each other, but join forces in a grand feminist hoax to expose harassment and inequality at their elite private school.
Harriet Price is the perfect student: wealthy, smart, over-achieving. Will Everhart, on the other hand, is a troublemaker who’s never met an injustice she didn’t fight. When their swim coach’s inappropriate behavior is swept under the rug, the unlikely duo reluctantly team up to expose his misdeeds, pulling provocative pranks and creating the instantly legendary Amelia Westlake–an imaginary student who helps right the many wrongs of their privileged institution. But as tensions burn throughout their school–who is Amelia Westlake?–and between Harriet and Will, how long can they keep their secret? How far will they go to make a difference? And when will they realize they’re falling for each other?
Award-winning author Erin Gough’s Amelia Westlake Was Never Here is a funny, smart, and all-too-timely story of girls fighting back against power and privilege–and finding love while they’re at it.
A TV writer’s room intern must join forces with her crush to keep her boss from ruining a lesbian character in this diverse contemporary YA romance from the author of Queens of Geek.
Seventeen-year-old Bex is thrilled when she gets an internship on her favorite tv show, Silver Falls. Unfortunately, the internship isn’t quite what she expected… instead of sitting in a crowded writer’s room volleying ideas back and forth, Production Interns are stuck picking up the coffee.
Determined to prove her worth as a writer, Bex drafts her own script and shares it with the head writer―who promptly reworks it and passes it off as his own! Bex is understandably furious, yet…maybe this is just how the industry works? But when they rewrite her proudly lesbian character as straight, that’s the last straw! It’s time for Bex and her crush to fight back.
Jen Wilde’s newest novel is both a fun, diverse love story and a very relevant, modern take on the portrayal of LGBT characters in media.
With a touch, Lexi can sense how and when someone will die. Some say it’s a gift. But to Lexi it’s a curse—one that keeps her friendless and alone. All that changes when Lexi foresees the violent death of a young woman, Jane, outside a club. But Jane doesn’t go to the afterlife quietly. Her ghost remains behind, determined to hunt down her murderer, and she needs Lexi’s help. In life, Jane was everything Lexi is not—outgoing, happy, popular. But in death, all Jane wants is revenge. Lexi will do anything to help Jane, to make up for the fact that she didn’t—couldn’t—save Jane’s life, and to keep this beautiful ghost of a girl by her side for as long as possible.
Alek Khederian thinks about his life B.E. and A.E.: Before Ethan and After Ethan. Before Ethan, Alek was just an average Armenian-American kid with a mess of curly dark hair, grades not nearly good enough for his parents, and no idea of who he was or what he wanted. After he got together with Ethan, Alek was a new man. Stylish. Confident. (And even if he wasn’t quite marching in LGBTQ parades), Gay and Out and Proud.
With their six-month anniversary coming up, Alek and Ethan want to do something special to celebrate. Like, really special. Like, the most special thing two people in love can do with one another. But Alek’s not sure he’s ready for that. And then he learns something about Ethan that may not just change their relationship, but end it.
Alek can’t bear the thought of finding out who he’d be P.E.: Post-Ethan. But he also can’t forgive or forget what Ethan did. Luckily, his best friend Becky and madcap Armenain family are there to help him figure out whether it’s time to just let Ethan go, or reach out and hold his hand.
Hold My Hand is a funny, smart, relatable take on the joy and challenges of teenage love, the boundaries of forgiveness, and what it really means to be honest.
Boyhood meets The Sun Is Also a Star in this unconventional love story about two teens bonded for life when they are born on the same day at the same time by award-winning author Meredith Russo!
Two kids, Morgan and Eric, are bonded for life after being born on the same day at the same time. We meet them once a year on their shared birthday as they grow and change: as Eric figures out who he is and how he fits into the world, and as Morgan makes the difficult choice to live as her true self. Over the years, they will drift apart, come together, fight, make up, and break up—and ultimately, realize how inextricably they are a part of each other.
Ever practical Grace Correa has planned the perfect life.
She has Leia, the perfect girlfriend, amazing friends, is part of Pine Central’s glitterati, and has been accepted into her first-choice university guaranteeing one of the best paying jobs in the country. To Grace, life is an equation where everything can be perfectly calculated to ensure maximum success and the perfect future.
The problem is that life has a funny way of getting in the way of plans.
With high school rushing to an end, Grace’s plans start falling apart. The “piece of cake” final design project is anything but easy, everyone seems to need everything from her, her schedule is a mess, and after a massive fight, all signs say that breaking up with Leia is the practical choice for both of them. Especially since long distance college relationships never seem to last. Except…Grace starts to wonder for the first time in her life if she messed up her calculations.
What can a practical person do when love is the least practical choice?
The critically acclaimed author of Felix Yz crafts a bold, heartfelt story about a trans girl solving a cyber mystery and coming into her own.
Zenobia July is starting a new life. She used to live in Arizona with her father; now she’s in Maine with her aunts. She used to spend most of her time behind a computer screen, improving her impressive coding and hacking skills; now she’s coming out of her shell and discovering a community of friends at Monarch Middle School. People used to tell her she was a boy; now she’s able to live openly as the girl she always knew she was.
When someone anonymously posts hateful memes on her school’s website, Zenobia knows she’s the one with the abilities to solve the mystery, all while wrestling with the challenges of a new school, a new family, and coming to grips with presenting her true gender for the first time. Timely and touching, Zenobia July is, at its heart, a story about finding home.
Critically acclaimed author of We Are the Ants—described as having “hints of Vonnegut’s Slaughterhouse-Five” (School Library Journal)—opens up about what led to an attempted suicide in his teens, and his path back from the experience.
“I wasn’t depressed because I was gay. I was depressed and gay.”
Shaun David Hutchinson was nineteen. Confused. Struggling to find the vocabulary to understand and accept who he was and how he fit into a community in which he couldn’t see himself. The voice of depression told him that he would never be loved or wanted, while powerful and hurtful messages from society told him that being gay meant love and happiness weren’t for him.
A million moments large and small over the years all came together to convince Shaun that he couldn’t keep going, that he had no future. And so he followed through on trying to make that a reality.
Thankfully Shaun survived, and over time, came to embrace how grateful he is and how to find self-acceptance. In this courageous and deeply honest memoir, Shaun takes readers through the journey of what brought him to the edge, and what has helped him truly believe that it does get better.
When sort-of-superhero Levon Ludlow meets Jay Jantzen on a bench beside their college quad, he knows he’s met a kindred spirit. Levon can talk to animals, but only pests and nuisances no one wants to talk to. Jay can manipulate and freeze water, but only thirty-two ounces at a time. They fall in love fast and hard, bonding over their mundane powers and pledging to be content with a small and safe life in Levon’s beloved hometown.
But thirteen years in, Levon knows that small and safe are no longer enough for his partner. Jay’s been on a self-improvement kick, honing and expanding his powers on the sly. And when Jay gets recruited by a super headhunter for a job three thousand miles away, their long-term relationship is tested like never before.
With the dubious advice of some irksome animals—and the help of an unexpected new mentor—Levon tries his hardest to boost his own powers, catch up to Jay, and salvage their bond. But the more he learns about himself, the less clear-cut his choices seem. Can they save their relationship—and if they want different things, should they even try?
An adult comedy-drama from the author of YA novel HOW TO REPAIR A MECHANICAL HEART, this is a bittersweet story about finding love, finding yourself, and fighting for the future you deserve.
Ruby Chernyavsky has been told the stories since she was a child: The women in her family, once possessed of great magical abilities to remake lives and stave off death itself, were forced to flee their Russian home for America in order to escape the fearful men who sought to destroy them. Such has it always been, Ruby’s been told, for powerful women. Today, these stories seem no more real to Ruby than folktales, except for the smallest bit of power left in their blood: when each of them comes of age, she will have a vision of who she will be when she dies—a destiny as inescapable as it is inevitable. Ruby is no exception, and neither is her mother, although she ran from her fate years ago, abandoning Ruby and her sisters. It’s a fool’s errand, because they all know the truth: there is no escaping one’s Time.
Until Ruby’s great-aunt Polina passes away, and, for the first time, a Chernyavsky’s death does not match her vision. Suddenly, things Ruby never thought she’d be allowed to hope for—life, love, time—seem possible. But as she and her cousin Cece begin to dig into the family’s history to find out whether they, too, can change their fates, they learn that nothing comes without a cost. Especially not hope.
Hannah’s a witch, but not the kind you’re thinking of. She’s the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she’s ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans.
But dealing with her ex is the least of Hannah’s concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah’s sure it’s the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.
While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she’s going to save her coven and get the girl, especially when the attacks on Salem’s witches become deadlier by the day.
In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity–what it means and how to think about it–for advocates, friends, and humans everywhere.
Today on the site, we welcome Lisa Bunker, author of the just-released-yesterday Felix Yz! This Middle Grade debut features a gay protagonist, several other characters under the LGBTQ+ umbrella, and a whole lot more. Here’s the info:
When Felix Yz was three years old, a hyperintelligent fourth-dimensional being became fused inside him after one of his father’s science experiments went terribly wrong. The creature is friendly, but Felix—now thirteen—won’t be able to grow to adulthood while they’re still melded together. So a risky Procedure is planned to separate them . . . but it may end up killing them both instead.
This book is Felix’s secret blog, a chronicle of the days leading up to the Procedure. Some days it’s business as usual—time with his close-knit family, run-ins with a bully at school, anxiety about his crush. But life becomes more out of the ordinary with the arrival of an Estonian chess Grandmaster, the revelation of family secrets, and a train-hopping journey. When it all might be over in a few days, what matters most?
IndieBound (find Felix through your local indie bookseller)
And here to talk more about the publication of the book is Lisa Bunker!
In the leadup to the publication of Felix, when I started getting reader reviews based on advance copies, one reviewer remarked that there were too many LGBTQ+ characters in the book. The queerness-density strained credulity, she said. (This comment about a story of a boy melded with a fourth-dimensional being.) There have been other similar remarks too, from other quarters.
Hm. Interesting.
Identity is not The Point of Felix. This is a coming-of-age novel about love, death, and family. It’s a story about a young human grappling with mortality.
That said, it is also true that among various other plot threads this young human has a crush, and as it happens both he and the crush were assigned male at birth. Likewise, Felix has a quirky supportive grandparent, and one of the quirks is that this grandparent switches off regularly between the names Vera and Vern (and uses veir own gender-neutral pronouns – vo ven veir). Also likewise, in the course of the novel, Felix’s mom navigates a love triangle, and as it happens the two love interests are one of each gender. Etc.
I approached the character design for Felix in a spirit of gleeful experimentation/play – just how many of these characters can I give at least one letter? You know, just to see how it reads? Turns out, most of them, and I love how it reads. But, each identity is no more than a facet, and not the most important facet, of the character in question. Not the preachy teachy Point; just lots of identities.
But, too many?
No. Dear reader-reviewer and other skeptics, upon reflection (and I have thought a lot about this), I feel the need to push back respectfully here. There are not too many queer characters in Felix. But I’m fascinated about why you might think so.
Consider: I recently read and was blown away by Angie Thomas’s The Hate U Give. Quite apart from the ripped-from-the-headlines story and the clean, powerful writing, what a fantastic submersion into the rich variety of contemporary African-American life in its many manifestations – family and friend-groups and church and more. And there are plenty of other books in which all or almost all of the characters are from the same race, nationality, or religion. Such books seem within the norm, and they’re valuable and important and great fun to read.
So why not also books full of queer folk? Why so many books with one or two tokeny LGBTQ+ characters, but no more than some implied limit seems to allow? Well, perhaps it is not yet generally understood that queer folk also form community and have culture.
There are plenty of families like Felix’s. Mine, for example: I’m a trans woman in a committed relationship with another woman, and one of my two children is genderfluid. (My poor son – the token cis-het member of the family.) And there are many other clusters in my circle of acquaintance – friend groups, group houses, families of choice, community meeting places and flashpoints, both in the real world and online. We rainbow umbrella people are a misunderstood and often maligned sector of humanity, and part of our response to that is to seek and find each other. We join together for solace and strength. We have community and culture too.
Can you imagine anyone saying a book had too many Hispanic characters? Too many Jewish characters? Too many refugee characters? Me neither, thankfully, at least other than at the farther fringes of public discourse. But, it still seems reasonable to some people to say “too many LGBTQ+ characters.”
I aim to do what I can to rectify that. What started out as something of a writerly lark in Felix has evolved into a sense of mission. Moving forward, I aim to work toward a world in which no number of queer characters is too many. And I hope my books and others like mine will both give LGBTQ+ readers a much-needed chance to see their worlds celebrated in fiction, and also invite the general reading public to visit those worlds and perhaps discover, once again, the common bedrock of humanity that unites us all.
The story I’m working on now is about a trans girl with a troubled past and advanced coder/hacker skills who solves cyber-crimes with the help of her genderqueer best friend and her cool Lesbian aunties, while attempting to survive adolescence and middle school. Onward!
Before setting up shop as a full-time author and trans activist, Lisa Bunker had a 30-year career in non-commercial broadcasting, most recently as Program Director of the community radio station in Portland, Maine. Besides Maine she has made homes in New Mexico, southern California, Seattle, and the Florida panhandle. She currently lives in Exeter, New Hampshire with her partner and her cat. She has two grown children. When not writing she reads, plays piano, knits, takes long walks, does yoga, and studies languages. @LisaBunker on Twitter; author website at www.lisabunker.net.
This was Drear’s Bluff. Nothing bad happened here. People didn’t disappear.
College was supposed to be an escape for Emily Skinner. But after failing out of school, she’s left with no choice but to return to her small hometown in the Ozarks, a place run on gossip and good Christian values.
She’s not alone. Emily’s former best friend—and childhood crush—Jody Monroe is back with a baby. Emily can’t resist the opportunity to reconnect, despite the uncomfortable way things ended between them and her mom’s disapproval of their friendship. When Emily stumbles upon a meth lab on Jody’s property, she realizes just how far they’ve both fallen.
Emily intends to keep her distance from Jody, but when she’s kicked out of her house with no money and nowhere to go, a paying job as Jody’s live-in babysitter is hard to pass up. As they grow closer, Emily glimpses a future for the first time since coming home. She dismisses her worries; the meth is a means to an end. And besides, for Emily, Jody is the real drug.
But when Emily’s role in Jody’s business turns dangerous, her choices reveal grave consequences. As the lies pile up, Emily will learn just how far Jody is willing to go to save her own skin—and how much Emily herself has risked for the love of someone who may never truly love her back.
When Felix Yz was three years old, a hyperintelligent fourth-dimensional being became fused inside him after one of his father’s science experiments went terribly wrong. The creature is friendly, but Felix—now thirteen—won’t be able to grow to adulthood while they’re still melded together. So a risky Procedure is planned to separate them . . . but it may end up killing them both instead.
This book is Felix’s secret blog, a chronicle of the days leading up to the Procedure. Some days it’s business as usual—time with his close-knit family, run-ins with a bully at school, anxiety about his crush. But life becomes more out of the ordinary with the arrival of an Estonian chess Grandmaster, the revelation of family secrets, and a train-hopping journey. When it all might be over in a few days, what matters most?
It’s been two years since Sam broke up with the only other eligible gay guy in his high school, so to say he’s been going through a romantic drought is the understatement of the decade. But when Meg, his ex-Catholic-turned-Wiccan best friend, suggests performing a love spell, Sam is just desperate enough to try. He crafts a list of ten traits he wants in a boyfriend and burns it in a cemetery at midnight on Friday the 13th.
Enter three seemingly perfect guys, all in pursuit of Sam. There’s Gus, the suave French exchange student; Jamie, the sweet and shy artist; and Travis, the guitar-playing tattooed enigma. Even Sam’s ex-boyfriend Landon might want another chance.
After a shout-out from one of the Internet’s superstar bloggers, Natasha “Tash” Zelenka finds herself and her obscure, amateur web series, Unhappy Families, thrust into the limelight: She’s gone viral.
Her show is a modern adaptation of Anna Karenina—written by Tash’s literary love Count Lev Nikolayevich “Leo” Tolstoy. Tash is a fan of the forty thousand new subscribers, their gushing tweets, and flashy Tumblr GIFs. Not so much the pressure to deliver the best web series ever.
And when Unhappy Families is nominated for a Golden Tuba award, Tash’s cyber-flirtation with Thom Causer, a fellow award nominee, suddenly has the potential to become something IRL—if she can figure out how to tell said crush that she’s romantic asexual.
Tash wants to enjoy her newfound fame, but will she lose her friends in her rise to the top? What would Tolstoy do?
The year is 1994 and alternative is in. But not for alternative girl Tabitha Denton; she hates her life. She is uninterested in boys, lonely, and sidelined by former friends at her suburban high school. When she picks up a zine at a punk concert, she finds an escape—an advertisement for a Riot Grrrl meet-up.
At the meeting, Tabitha finds girls who are more like her and a place to belong. But just as Tabitha is settling in with her new friends and beginning to think she understands herself, eighteen-year-old Jackie Hardwick walks into a meeting and changes her world forever. The out-and-proud Jackie is unlike anyone Tabitha has ever known. As her feelings for Jackie grow, Tabitha begins to learn more about herself and the racial injustices of the punk scene, but to be with Jackie, she must also come to grips with her own privilege and stand up for what’s right.
Sarah Cook, a beautiful blonde teenager disappeared fifteen years ago, the same night her parents were brutally murdered in their suburban Ohio home. Her boyfriend Brad Stockton – black and from the wrong side of the tracks – was convicted of the murders and sits on death row, though he always maintained his innocence. With his execution only weeks away, his devoted sister, insisting she has spotted Sarah at a local gas station, hires PI Roxane Weary to look again at the case.
Reeling from the recent death of her cop father, Roxane finds herself drawn to the story of Sarah’s vanishing act, especially when she thinks she’s linked Sarah’s disappearance to one of her father’s unsolved murder cases involving another teen girl. Despite her self-destructive tendencies, Roxane starts to hope that maybe she can save Brad’s life and her own.
This is book 2 in the Community series. Synopsis contains spoilers for book 1.
Holden Payne has it all . . . or so he thinks. As heir to the founder of the Community—an organization that finds, protects, and manages psychics—he’s rich, powerful, and treated like royalty. But after a series of disappearances and murders rock the Community, he’s branded the fall guy for the scandal and saddled with a babysitter.
Sixtus Rossi is a broad-shouldered, tattooed lumbersexual with a man-bun and a steely gaze. He’s also an Invulnerable—supposedly impervious to both psychic abilities and Holden’s charms. It’s a claim Holden takes as a challenge. Especially if sleeping with Six may help him learn whether the Community had more to do with the disappearances than they claimed.
As Holden uncovers the truth, he also finds himself getting in deep with the man sent to watch him. His plan to seduce Six for information leads to a connection so intense that some of Six’s shields come crashing down. And with that comes a frightening realization: Holden has to either stand by the Community that has given him everything, or abandon his old life to protect the people he loves.
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