Tag Archives: Portuguese

The Gastronomy of A Curse of Roses: a Guest Post by Diana Pinguicha

I’m so excited to welcome A Curse of Roses author Diana Pinguicha back to the site today to celebrate the release of her debut, and to discuss the delicious food in it! The f/f YA fantasy just released yesterday from Entangled Teen, and if you click on the title above, you can check out the first two chapters right here on LGBTQReads. Already read and loved them? Then read on to learn about its culinary delights!

Disclaimer: I love food. I’ve always loved cooking, and baking, and some of my best memories are with my grandma Nini, who was an out-of-this-world cook. I still think she had some sort of magic in her, because every dish she touched came out delicious. She was also notoriously bad about writing down her recipes, because, well… she didn’t follow any, not really. Portuguese people don’t do measuring cups, or instructions when cooking—we just throw stuff in with confidence and whatever happens, happens.

And, in true grandmother fashion, she’d feed me until I dropped. Much to my mom’s chagrin, since I was obese as a child, and whenever I went to my nana’s I’d come back much heavier than when she dropped me off. I believe Nana’s overfeeding came from the fact that she, much like the rest of my family, starved during the dictatorship, and once she had access to food, she saw no reason not to overindulge. There would be times when I’d cry because I wasn’t supposed to be eating so much. But my nana always made me feel at ease about my weight and appetite. She said, “Fat isn’t ugly, and you’re always so happy when you eat. So eat!”

That was another aspect of her that I thought was magical. She cared only for my happiness. She was the only one who never judged me for being “a difficult kid” and would always be kind to me, even when I wasn’t kind to myself. She was also the only person who would let me just be. If I wanted to be left alone in a corner to read, or play video games, she’d let me. If I wanted to hijack the kitchen to make desserts (which she did not like to make) she’d let me. Really, I don’t have enough words to express how much I love her and miss her, and how utterly good she was.

Now that my nana has passed, I’ve spent a great deal of time trying to replicate what she’d serve me. The taste is still vivid in my memories, and if I close my eyes, I can remember what her chickpea stew tasted like, her ensopado, her migas. More than anything, I wanted to honor the memories of the food she made me, and because A CURSE OF ROSES takes place in Alentejo, it was the perfect opportunity to highlight the gastronomy of my home region. I’ve mentioned above that people from my family largely starved during the dictatorship, and it’s true for a lot of Alentejo and other interior regions. The way Alentejanos had of making their food last was to add the stale bread they had lying around, and for that reason, a lot of our dishes include it. And since Isabel of Aragon’s miracle involved turning bread into roses—which was another great excuse to go all-in on Alentejo cuisine.

During my research, I also found that many Alentejo dishes have their origin with the Moors. The chickpea stew my nana made? A variation of what is now the Moroccan Harira. The broas? They’re a variation of the Arabic ghoribas. The Encharcada? It’s a variant of Qalb El Louz. The Almendrados? They’re remarkably like the Mlouwza. Which, at a time when people are trying to erase our Moor past, seemed very important for me to include.

So, the gastronomy in ACOR? It’s everything I grew up eating.

There’s açorda (which I stylized as assorda, since medieval serigraphy didn’t have the ç), which is an inexpensive dish that fed my family many a times, and that we make together every Christmas Eve at 3 am. All you need for it is garlic, cilantro, olive oil, stale bread, eggs, and boiling water. Eggs aren’t really mandatory, though. And, if you’re feeling fancy, you can add some fish such as cod.

Açorda à Alentejana

The chickpea stew (Cozido de Grão), which is made with chickpeas, and a lot of other vegetables, such as kale, carrots, and so on. It’s also usually cooked with meat, and my grandma did it with pork. When I was younger and had textural issues with all the different veggies, she’d also pass it through an immersion blender so I could eat it, and whenever my parents told her not to, she’d just give them a smile and say, “It’s two minutes of my time, and if this helps her eat better, I’m doing it.”

Pork is another big player in Alentejo gastronomy. I mention the slaughter season in ACOR, and it’s another thing I’ve lived with. Every February, my grandparents would slaughter a pig, and the neighbors would help them with several cuts, sausages, and so on. No part of the pig went to waste—not even the blood, which is used in some dishes and sausages. The things we made with a single pork would last us almost an entire year, and in older times, the chouriço, and the toucinho, and all that, would be used as something to trade for. It was also not uncommon to have a pig the entire neighborhood took care of, and then divided come slaughter. I do not miss that part of the year, and I haven’t eaten pork in over a decade—but it plays a huge part in our gastronomy, and so, I included it.

Then there is Migas, which is literally bread you throw into a pan, and then water until it breaks up. Some people will also add the fat that’s leftover from cooking the pork—but again, I don’t eat pork, so I actually use regular water and fry it in a bit of olive oil and garlic.

Conventual sweets also make an appearance. There’s Rala Bread (Pão de Rala), which is essentially, flour, sugar, and eggs. There are also Gadanhas, native to my hometown of Estremoz, and they’re based on eggs and almonds.

There’s another aspect I had to consider, and that was what kind of food would be available to you depending on social class. Commoners would be mostly vegetarian, save for the aforementioned pork days and the occasional chicken, or some animal they hunted, as commoners were allowed to hunt in their Lords’ lands in times where food was scarce. Hunting was also another way my family had to feed themselves during the dictatorship (and they kept ferrets solely for the purpose of hunting rabbits!) Meanwhile, the nobility would be gorging on everything, from wine and meats. Sweetwater fish are also part of Alentejo gastronomy, like the boga and the bordalo—fish that are slowly disappearing because of the pollution in our rivers.

There were other dishes I wanted to include, but couldn’t due to the fact that the ingredients were not native to Europe, and could not be realistically delivered. The Tomato Soup (Sopas de Tomate) was one, as were the pumpkin Dreams (Sonhos), and the Ensopado (because it requires potatoes), and the tomatada (that’s when you cook in a delicious tomato sauce—my nana learned to make that especially for me). I also could not include cod-based dishes, which was a shame, but alas. Hopefully there will be other books set in more modern times, where I can highlight those as well.

And I hope this blog post has piqued your curiosity in our humble Alentejo food! I promise it’s as delicious as it sounds!

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Check out an excerpt and/or buy A Curse of Roses here!

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Born in the sunny lands of Portugal, Diana grew up in Estremoz, and now lives in Lisbon with two extremely fluffy cats and one amazing bearded dragon. A Computer Engineer graduate from Instituto Superior Técnico, she has worked in award-winning educational video games, but writing is where her heart always belonged. When she’s not working on her books, she can be found painting, immersed in books or video games, or walking around with her dragon.

Author-Blogger M. Hollis Presents Two Writers Making Brazilian F/F Happen!

I’m extremely excited to welcome author-blogger M. Hollis back to the site today with a very cool post on Brazilian f/f writers. It doesn’t really need any introduction, so I’m gonna shove off and let Maria take it away!

***

There is something about growing up without seeing yourself on any kind of media that alienates you from the world. It makes you feel like something is wrong with you. One of my most poignant memories from my teenage years was watching my friends just talking to each other and feeling like they were speaking in another language I couldn’t understand. And then being left behind.

It took me until my twenties to understand what was this barrier that existed between me and most of the other teenage girls. I like girls. In a sexual, romantic, any kind of way. I want to kiss women, marry women, have the epic love story with women. When my friends talked about wanting these things with men, I felt uncomfortable, broken, alone.

I didn’t know I could like women when I was as a teenager. Of course I knew gay people existed, but I didn’t know I was allowed to be like them. The first time I’ve heard the full acronym LGBTQIAP+ was in college and I only read my first F/F book a few years ago. So when I started writing my own fiction many years ago they were completely different from the stories I write today.

Brazilian television, books, any kind of media we have, doesn’t treat us LGBTQIAP+ folks in the best way. For many years, we were censored from telenovelas, and until today, any kind of kiss between people of the same gender is received with some rage from part of our society.

But change is happening. In the first days of 2018, Malhação, the biggest teenage TV Show on national TV with more than 20 years of running, had its first kiss between two women. And this change is happening in books too. Authors like Olívia Pilar and Solaine Chioro have been publishing stories with diversity that are finally giving young LGBTQIAP+ Brazilian people a mirror where they can see themselves. Reading their stories made me feel so incredibly happy. It was like finding everything I was looking for all these years. It can be great to read books about other people from other countries, but there is nothing like finding Brazilian characters who are living similar things I live.

There is a call for intersectionality that is clearly growing online to give marginalized readers and creators their own space. It’s a slow change. But it’s a change that I’m happy to be a part of.

I hope that this next Brazilian generation can have all the books they deserve. I hope that it makes them feel less alone. That we can keep fighting to make our media more inclusive and that we can provide every day more forms of representation for all kinds of people.

I talked to some other YA Brazilian writers and I’m glad to have Olívia Pilar and Mareska Cruz sharing a bit about their own journey in writing their stories.

Olívia Pilar

Photo taken from author’s website

Being a writer wasn’t always a dream or something that I wanted as a kid. I always liked to write, always loved words, but also thought that writing wasn’t for me. And then I graduated in Journalism. I thought that was the career I wanted to pursue. I thought that was what I wanted to write. And it wasn’t until the beginning of 2017 that I realised that what I liked to write weren’t articles or news or notes. It was fiction, that maybe had a little bit of reality — or not. I wanted to write about real people, but not exactly people that exist.

My first adventure into fiction was writing a fanfiction with a friend — it was a Camren story, the most popular ship from the girl band Fifth Harmony. It was my friend’s idea and I dove into it with her. According to her, it was the best way to practice my writing skills. I was a little lost by then, I didn’t know what to do with my life, so at least it was a good way to distract myself. And it worked! Little by little, I was able to get more comfortable, to understand the characters better — fanfic isn’t really easy, because you need to work with something that already exists.

Now our fanfiction — still being written — has more than 137k readings on Wattpad, but the best thing in this story (a fictional universe where Camila Cabello is a Brazilian girl from Rio de Janeiro and Lauren Jauregui is an American girl studying abroad) gave me was the courage to actually write something and show it to another person. The almost immediate feedback that was made possible by the platform was also a way to tell myself that I had potential.

My second work was a short-story created exclusively for a contest. I didn’t win, but I saw the bright side of joining in. It was the beginning of my path as a writer. This first story, “Dia de Domingo” (Sunday’s Day), was published later on Amazon. Before, I published “Entre estantes” (Between Shelves) and “Tempo ao tempo” (Time To Time), also on Amazon, and my first novel on Wattpad, “Dois a Dois” (2×2, a reference to soccer plays).

My path as a writer is still short (it has been almost a year since I first published my short story), not so long as others young writers, but as a bisexual Black woman (it’s important to say that), I can say it’s been amazing. I met a lot of people — from publishing or not —, got a lot of messages and every day, my feeling of belonging grows. It’s what I was looking for, back in 2010 when I started college. Did I find it in Journalism? Yes, but not as much as I feel right now.

I can also say the publishing world has been good to me. I’m still an indie author that doesn’t have a complete novel published, but the reception was so good that, for me, it was already worth it. I didn’t think that writing love stories about other bisexual women (most of them black) would take me to the top of Amazon best-selling list for weeks, but it did. My three short-stories are always on Amazon Top 5 of LGBT YA Fiction. They are there and being read.

But I’m not naïve. I know it’s a long road. I know that, like me, there are other girls that write f/f fiction that will never have courage to share their stories with the world,  because our whole lives people tell us that they don’t matter. But they are as important as any other story. And it’s the messages from readers saying, “I saw myself in your short-story” that give me strength to keep going. To see what waits for me in the corner. To take risks. To share my stories. To show my characters to the world.

It started with a fanfiction, but it could have started in any other way. I think the most important is to start. Even though you think no one will read, even if it’s only for you. I don’t think the industry is totally open to some of our stories yet, but we don’t need to hide because of it. We need to put them out in the world and let them be seen.

You can find and support Olívia Pilar here!

Mareska Cruz

I always liked writing and the desire to one day be a Writer (with the uppercase W) was always there, silent, but it used to be satiated with short texts. I never managed to stretch a story beyond the usual 10,000 words that I always wrote on NaNoWriMo before setting the project aside. One day I met the person who told me “let’s do something about this”, and we talked, and suddenly, I had something I never thought I would have: I had a novel. It existed. And then came another novel, which is still in the process of editing, but it was yet another victory. After this came a Christmas short story, my first published work in a collection, and with it came the realization that the desire to be a Writer was slowly becoming real. With it, there also came the notion of responsibility I have in this process: with the story I want to tell, with the people who will read it, and with myself.

It was only in my early twenties that I understood that what I felt wasn’t really a phase, or something that could be pushed aside. It couldn’t be pushed aside, and even I didn’t want to push it. When I was younger, I didn’t care about seeing only a part of me in the protagonists that I loved, because I didn’t know I could have it any other way. The time it took me to understand myself as a bisexual woman coincided with the moment I started to think about what kind of writer I wanted to be, and what kind of stories I wanted to tell. I wanted LGBTQ+ characters, happy with their sexuality and their relationships, living their lives with good and bad moments, but even more than that—I wanted those characters to EXIST. As protagonists, being the center of their stories, and not only being the token gay friend allowed in a sea of straight characters.

When my Christmas story was published I saw a lot of readers happily commenting the fact that my main character is a bisexual girl with a reciprocated crush on her best friend, I knew I was on the right path. Young-adult literature in Brazil and even the editorial market in general is just beginning to be open to more stories with LGBTQ+ main characters, but it’s still very slow, testing its ground. I still long for more main characters who identify as lesbian, bisexual, trans, and ace. I know our path is very long, but I’m excited that I get to be a part of this. It’s my gift to teenage me: “you’ve spent your whole life without seeing yourself. Now you can.”

Find and support Mareska Cruz here!

***

M. Hollis is a Brazilian writer working on stories about women who love other women while also running Bibliosapphic, a blog dedicated to sapphic literature. In her free time, you will always find her baking, reading fanfiction and binge-watching too many TV shows. Currently, she is living her best gay life in Canada and writing more than she sleeps.

LGBTQA MG/YA in Translation

One major access problem with LGBTQIAP+ books is that so many of them are published in English and never translated into anything else. To that end, here are great books that are (or will be; some of these are forthcoming) available in other languages. (Of course, most of these books have different titles in other languages; I’ve chosen the easiest method for myself by posting the titles in English here. If you need assistance with finding the title in its native language, please feel free to contact me or comment below.)

Please note that links were taken from a combination of Amazon and author websites, so while they may not be the right link for your location, the point is to see that the translation exists so it can be a starting point for you tracking it down. I also recognize that languages can vary by territory, and that, for example, sometimes rights are specifically purchased for Brazil and the book is not available in Portugal; I did the best I could to note such instances but feel free to leave notes/corrections in the comments.

(Caveat: I have not read any of these translations, and cannot speak to whether the queer storylines have been modified, as unfortunately certain countries are particularly wont to do.)

US = a link to that edition on American Amazon, via affiliate link, or on BN.com

This will be a regularly updated resource, so if you are an author whose book has been internationally translated, please get in touch or comment below to have your book added! (Or make any corrections as needed.)

Bosnian and Montenegran

  • I’ll Give You the Sun by Jandy Nelson

Catalan

Chinese

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli (Complex)
  • George by Alex Gino (Complex)
  • Every Day by David Levithan (Simplified)
  • I’ll Give You the Sun by Jandy Nelson (Simplified)

Czech

Danish

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli
  • George by Alex Gino
  • More Happy Than Not by Adam Silvera
  • History is All You Left Me by Adam Silvera
  • They Both Die at the End by Adam Silvera

Dutch

Estonian

Finnish

French

Georgian

  • I’ll Give You the Sun by Jandy Nelson

German

Hungarian

Indonesian

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli (Spring/Haru)

Hebrew

Icelandic

  • I’ll Give You the Sun by Jandy Nelson

Italian

Japanese

Korean

Norwegian

Polish

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli (US)
  • Alan Cole is Not a Coward by Eric Bell
  • This is Where it Ends by Marieke Nijkamp
  • More Happy Than Not by Adam Silvera
  • History is All You Left Me by Adam Silvera

Portuguese

(Most of these links go to amazon.br)

Romanian

Serbian

  • I’ll Give You the Sun by Jandy Nelson

Slovakian

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli

Spanish

Swedish

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli
  • You Know Me Well by David Levithan and Nina LaCour

Taiwanese

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli
  • George by Alex Gino
  • More Happy Than Not by Adam Silvera

Thai

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli
  • We Are the Ants by Shaun David Hutchinson
  • The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee
  • Every Day by David Levithan

Turkish

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli
  • We Are the Ants by Shaun David Hutchinson
  • The Last Beginning by Lauren James
  • Everything Leads to You by Nina LaCour
  • We Are Okay by Nina LaCour
  • People Like Us by Dana Mele
  • This is Where it Ends by Marieke Nijkamp
  • More Happy Than Not by Adam Silvera
  • History is All You Left Me by Adam Silvera
  • They Both Die at the End by Adam Silvera

Ukrainian

  • I’ll Give You the Sun by Jandy Nelson

Vietnamese

  • Simon vs. the Homo Sapiens Agenda by Becky Albertalli
  • George by Alex Gino
  • We Are Okay by Nina LaCour
  • Every Day and Another Day by David Levithan

Fave Five: LGBTQ YAs Featuring First-Generation Americans

Girl Mans Up by M-E Girard (Portuguese)

A Darkly Beating Heart by Lindsay Smith (Japanese)

Forgive Me If I’ve Told You This Before by Karelia Stetz-Waters (Estonian)

 One Man Guy by Michael Barakiva (Armenian)

Tell Me Again How a Crush Should Feel by Sara Farizan (Persian)

New Releases: September 6, 2016

Today is a huuuuge day in LGBTQ YA releases, so get your wallets and library cards ready and check out what’s now out in the world! (And congrats to all the authors!)

As I Descended by Robin Talley

Maria Lyon and Lily Boiten are their school’s ultimate power couple—even if no one knows it but them.

Only one thing stands between them and their perfect future: campus superstar Delilah Dufrey.

Golden child Delilah is a legend at the exclusive Acheron Academy, and the presumptive winner of the distinguished Cawdor Kingsley Prize. She runs the school, and if she chose, she could blow up Maria and Lily’s whole world with a pointed look, or a carefully placed word.

But what Delilah doesn’t know is that Lily and Maria are willing to do anything—absolutely anything—to make their dreams come true. And the first step is unseating Delilah for the Kingsley Prize. The full scholarship, awarded to Maria, will lock in her attendance at Stanford―and four more years in a shared dorm room with Lily.

Maria and Lily will stop at nothing to ensure their victory—including harnessing the dark power long rumored to be present on the former plantation that houses their school.

But when feuds turn to fatalities, and madness begins to blur the distinction between what’s real and what is imagined, the girls must decide where they draw the line.

Buy it: Amazon * B&N * Indiebound

Girl Mans Up by M-E Girard

All Pen wants is to be the kind of girl she’s always been. So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth–that in order to be who she truly wants to be, she’ll have to man up.

Buy it: Amazon * B&N * Indiebound

Not Your Sidekick by CB Lee

Welcome to Andover… where superpowers are common, but internships are complicated. Just ask high school nobody, Jessica Tran. Despite her heroic lineage, Jess is resigned to a life without superpowers and is merely looking to beef-up her college applications when she stumbles upon the perfect (paid!) internship—only it turns out to be for the town’s most heinous supervillain. On the upside, she gets to work with her longtime secret crush, Abby, who Jess thinks may have a secret of her own. Then there’s the budding attraction to her fellow intern, the mysterious “M,” who never seems to be in the same place as Abby. But what starts as a fun way to spite her superhero parents takes a sudden and dangerous turn when she uncovers a plot larger than heroes and villains altogether.

Buy it: Amazon * B&N

Labyrinth Lost by Zoraida Cordova

Nothing says Happy Birthday like summoning the spirits of your dead relatives.

Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange marks on his skin.

The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…

Buy it: Amazon * B&N * Books of Wonder

It Looks Like This by Rafi Mittlefehldt

A new state, a new city, a new high school. Mike’s father has already found a new evangelical church for the family to attend, even if Mike and his plainspoken little sister, Toby, don’t want to go. Dad wants Mike to ditch art for sports, to toughen up, but there’s something uneasy behind his demands.

Then Mike meets Sean, the new kid, and “hey” becomes games of basketball, partnering on a French project, hanging out after school. A night at the beach. The fierce colors of sunrise. But Mike’s father is always watching. And so is Victor from school, cell phone in hand.

Buy it: Amazon * B&N * Indiebound

And yesterday marked the release of yet another YA and an m/m Romance!

Assassins: Discord by Erica Cameron

Kindra’s moral compass has never pointed north, but that’s what happens when you’re raised as an assassin and a thief. At sixteen, she’s fantastic with a blade, an expert at slipping through the world unnoticed, and trapped in a life she didn’t chose. But nothing in her training prepares her for what happens when her father misses a target.

In the week-long aftermath, Kindra breaks rank for the first time in her life. She steals documents, starts questioning who their client is and why the target needs to die, botches a second hit on her father’s target, and is nearly killed. And that’s before she’s kidnapped by a green-eyed stranger connected to a part of her childhood she’d almost forgotten.

Kindra has to decide who to trust and which side of the battle to fight for. She has to do it fast and she has to be right, because the wrong choice will kill her just when she’s finally found something worth living for.

Buy it: Amazon * B&N * Riptide

Shatterproof by Xen Sanders

Grey Jean-Marcelin wants to die. He thought painting his passion—vivid portrayals of Haitian life and vodou faith—would be enough to anchor him to this world. But it isn’t. And when the mysterious man known only as Saint saves Grey from a suicide attempt, it’s more curse than blessing—until Grey discovers that Saint isn’t just an EMT. He’s a banished fae, and can only survive by draining the lives of those he loves.

All Saint needed was a simple bargain: one life willingly given for another. But as Saint’s feelings for Grey grow deeper, centuries of guilt leave him desperate to save a man who doesn’t want salvation, even if Grey’s life means Saint’s death.

When Grey’s depression consumes him, only he can decide if living is worth the struggle. Yet his choice may come too late to save his life . . . or Saint’s soul. And whatever choice he makes, it may shatter them both.

Buy it: Amazon * B&N * Riptide