Happy National Poetry Month! Join us in celebrating by checking out these poetry collections and books in verse!
Novels and Memoirs in Verse
Glitch Girl! by Rainie Oet
A middle grade novel in verse about a young trans girl who uses a computer game to process an ADHD diagnosis, isolation, and her relationship to gender.
J—’s life is consumed by the roller coaster video game Coaster Boss, and by the power she exerts over the pixelated theme park attendees. Her life outside the game, however, is less controllable.
Me.
I’m such a big space. I break the universe, a glitch.
She’s navigating ADHD, the loneliness of middle school, and an overwhelming crush on a girl named Junie. J— is convinced that Junie sees her as who she really is, a person who isn’t “bad” just because she doesn’t stay quiet and sit still in class. As a person who is realizing that the name she’s been given doesn’t really fit her. And that maybe boy doesn’t either.
Glitch Girl! follows J— from fifth to seventh grade, from the beginning to the end of her obsession with Coaster Boss, and to the start of a new friendship. When J— meets Sam, a nonbinary classmate, she begins to realize that it’s okay to not fit into neat, pixelated boxes.
The Song of Us by Kate Fussner
Love at first sight isn’t a myth. For seventh graders Olivia and Eden, it’s fate. Olivia is a capital-P Poet, and Eden thinks she wants to be a musician one day, but for now she’s just the new girl. And then Eden shows up to Poetry Club and everything changes.
Eden isn’t out, and she has rules for dating Olivia: don’t call. Don’t tell her friends. And don’t let anyone know they’re together.
But when jealousy creeps in, it’s Olivia’s words that push Eden away. While Eden sets out to find herself, Olivia begins a journey to bring Eden back—using poetry. Both Olivia and Eden will learn just how powerful their words can be to bring them together . . . or tear them apart forever.
Murray Out of Water by Taylor Tracy
Twelve-year-old Murray O’Shea loves the ocean. It could be because it never asks her to be someone she’s not, something her mother refuses to do. But Murray also shares a secret magic with her beloved sea, which allows her to control its tides, hear the gorgeous sounds of its creatures, and feel as powerful as she wishes she could feel in her regular life.
But then a hurricane hits Murray’s Jersey shore home, sending the O’Sheas far inland to live with relatives. When Murray learns of the storm’s destruction, she loses her magic. Stuck in a house with her family, she can no longer avoid the truths she’s discovering about herself—like how she feels in the clothes her mom makes her wear, or how she may be more like her older brother who left the family than she thought.
Thankfully, it’s not all hurricanes and heartache. Murray befriends a boy named Dylan, who has a magic of his own. When Murray agrees to partner with him for a youth roller-rama variety show in exchange for help getting her magic back, the two forge an unstoppable bond that shows Murray how it’s not always the family you were given that makes you feel whole…sometimes it’s the family you build along the way.
Nothing Burns as Bright As You by Ashley Woodfolk
Two girls.
One wild and reckless day.
Years of a tumultuous history unspooling
like thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more.
Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed.
And the girls will learn that hearts, like flames, aren’t so easily tamed.
It starts with a fire.
How will it end?
Forever is Now by Mariama J. Lockington
I’m safe here.
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
Ten Bridges I’ve Burnt: A Memoir in Verse by Brontez Purnell
In Ten Bridges I’ve Burnt, Brontez Purnell―the bard of the underloved and overlooked―turns his gaze inward. A storyteller with a musical eye for the absurdity of his own existence, he is peerless in his ability to find the levity within the stormiest of crises. Here, in his first collection of genre-defying verse, Purnell reflects on his peripatetic life, whose ups and downs have nothing on the turmoil within. “The most high-risk homosexual behavior I engage in,” Purnell writes, “is simply existing.”
The thirty-eight autobiographical pieces pulsing in Ten Bridges I’ve Burnt find Purnell at his no-holds-barred best. He remembers a vicious brawl he participated in at a poetry conference and reckons with packaging his trauma for TV writers’ rooms; wrestles with the curses, and gifts, passed down from generations of family members; and chronicles, with breathless verve, a list of hell-raising misadventures and sexcapades. Through it all, he muses on everything from love and loneliness to capitalism and Blackness to jogging and the ethics of art, always with unpredictable clarity and movement.
Bless the Blood: a Cancer Memoir by Walela Nehanda
A searing debut YA poetry and essay collection about a Black cancer patient who faces medical racism after being diagnosed with leukemia in their early twenties, for fans of Audre Lorde’s The Cancer Journals and Laurie Halse Anderson’s Shout.
When Walela is diagnosed at twenty-three with advanced stage blood cancer, they’re suddenly thrust into the unsympathetic world of tubes and pills, doctors who don’t use their correct pronouns, and hordes of “well-meaning” but patronizing people offering unsolicited advice as they navigate rocky personal relationships and share their story online.
But this experience also deepens their relationship to their ancestors, providing added support from another realm. Walela’s diagnosis becomes a catalyst for their self-realization. As they fill out forms in the insurance office in downtown Los Angeles or travel to therapy in wealthier neighborhoods, they begin to understand that cancer is where all forms of their oppression intersect: Disabled. Fat. Black. Queer. Nonbinary.
In Bless the Blood: A Cancer Memoir, the author details a galvanizing account of their survival despite the U.S. medical system, and of the struggle to face death unafraid.
Poetry Collections
The Space Between Men by Mia S. Willis
These piercing, surprising poems look to familial history, rituals of faith, and the natural world to explore how the intersecting cultures of Blackness and queerness relate to each other. As the collection evolves, the reader is challenged and empowered to seek expansiveness in spaces that have not previously been excavated, reckon with the complexities of interpersonal relationships, and explore memory as a catalyst for self-determination. Mia S. Willis weaves together intergenerational knowledge and personal discovery—not only to define themselves but to articulate a communal identity that transcends language.
The Hormone of Darkness by Tilsa Otta, translated from Spanish by Farid Matuk
We can go on like that foreverbuilding paradise from our urges
out of our fetishes our loves our vices
How lucky
We’ll wait for you then
Don’t be too long
Bookmark the page
We’ll be Here
—From “The New Heaven”
In Tilsa Otta’s The Hormone of Darkness, we find a queer, Latinx person who has lived through iterations of authoritarian rule, and who answers these conditions by creating poetry that doubles down on a life force that precedes and exceeds received notions of the poetic. Here poetry is bawdy, fabulist, and spiritual—in short, it is alive. Otta has created a heaven where readers can go after they die.
Drawing from four volumes spanning Otta’s career, translator-poet Farid Matuk has curated a playlist we can dance and dream to, one that honors Otta’s drive toward liberation through both perreo in the club and transdimensional wandering among the stars.
Strange Beach by Oluwaseun Olayiwola
A debut poetry collection wrangling the various selves we hold and perform—across oceans and within relationships—told through a queer, Nigerian-American lens
At times surreal, at times philosophical, the poems of Strange Beach demarcate a fiercely interior voice inside of queer Black masculinity. Oluwaseun’s speakers—usually, but not specified, as two men—move between watery landscapes, snowy terrains, and domestic conflicts. Each poem proceeds by way of music and melody, allowing themes of masculinity, sex, parental relations, death, and love to conspire within a voice that prioritizes intimate address.
In announcing their acquisition of the UK edition, after a three-way auction, Strange Beach was described as “a wrangling of the various selves we hold and perform – across oceans and within relationships – through a highly patterned and textual lyrical play: it is a deeply moving and philosophical tapestry.”
Strange Beach often eschews meaning, preferring, in its deluge of images and emotions, to transmute messages straight to the mind to the reader. Oluwaseun’s poetic influences are clear: Claudia Rankine, Jorie Graham, Louise Gluck, Carl Phillips, Kevin Young, Hannah Sullivan, John Ashberry, and Ocean Vuong. Strange Beach is a searching collection where land and water, body and mind, image and abstraction, are in productive tension, leading to third ways of considering intimacy, selfhood, and desire.
Every Where Alien by Brad Walrond
Every Where Alien is Brad Walrond’s dazzling afro-futuristic, afro-surrealist journey through New York City’s underground art movements, including the New Black Arts Movement, Black Rock Coalition, the Underground House Music-Dance community, the HIV/AIDS Black Queer Artivists, and the House Ballroom Scene.
Every Where Alien catapults us to New York City mid-1990s, early-2000s to rebroadcast the black queer creative genius of marginalized communities. Walrond questions narrow conceptions of “alien” as outsider, to explore how feelings of alienation also call us toward our shared humanity.
In holographic odes, he pays homage to creative forces both living and dead. Giants like James Baldwin, Nina Simone, Octavia Butler, Ntozake Shange, Amiri Baraka, belong to the same space-time as Larry Levan, Erykah Badu, Vernon Reid, Yasiin Bey, Greg Tate. Here Patti Smith, Kendrick Lamar, Kalief Browder, Willi Ninja, Jeff Mills, Sarah Jones, share the same air.
Featuring gorgeous, black-and-white illustrations, Every Where Alien traces our common and conflicting identities to vindicate why human beings are always greater than the sums of our parts. Walrond is a rebellious virtuoso wielding empathy, grief, anger, and grit in equal measure. This triumphant collection is a passionate reminder that through our dreams and determination, we create our own utopias.
Joy//Us ed. by Cherry Potts and Jeremy Dixon
Arachne Press has long been a champion of LGBTQ+ writers, but we’ve never before published an anthology of LGBTQ+ poetry. These are joyful poems that celebrate all that is best about our community/ies and lives. This is not an ‘explain it to the straights’ book, this is for us. LGBTQ+ readers can open this book at random and find a moment of poetic queer joy for themselves, however big or small.
The poems in the book find joy in the simplest (or most complex) things. Love, sex, a quiet night in, dancing with friends, nurturing of and from our community, recognition from allies, a welcome from strangers, celebrating our cultural icons… the identity-affirming haircut, the right jeans, books, walking, food, flint-knapping… and political action.
Disintegrate/Dissociate by Arielle Twist
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Buy it: B&N | Amazon | Birchbark Books
Where the World Ends and My Body Begins by Amber Dawn
Award-winning novelist and memoirist Amber Dawn reveals a gutsy lyrical sensibility in her debut poetry collection: a collection of glosa poems written as an homage to and an interaction with queer poets such as Gertrude Stein, Christina Rossetti, and Adrienne Rich. By doing so, Dawn delves deeper into the themes of trauma, memory, and unblushing sexuality that define her work.
Buy it: Amazon
Anatomical Venus by Courtney Bates-Hardy
Anatomical Venus is a visceral collection of poems that invoke anatomical models, feminine monsters, and little-known historical figures. It’s a journey through car accidents and physio appointments, 18th century morgues and modern funeral homes. Grappling with the cyclical nature of chronic pain, these poems ask how to live with and love the self in pain. Magic seeps through, in the form of fairy tales, in the stories of powerful monsters, in the introspection of the tarot, and the transcendence of queer love.
The World Keeps Ending, and the World Goes On by Franny Choi
Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples and calls us to imagine what will persist in the aftermaths.
With lyric and tonal dexterity, these poems spin backwards and forwards in time. They look into the collective psyche of our years in the pandemic and in the throes of anti-racist uprisings, while imagining other vectors, directions, and futures. Stories of survival collide across space and time—from Korean comfort women during World War II to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. Throughout, Choi grapples with where the individual fits within the strange landscapes of this apocalyptic world, with its violent and many-layered histories. In the process, she imagines what togetherness—between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest—could look like. Bringing together Choi’s signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope.
Your Dazzling Death by Cass Donish
Queer writers Cass Donish and Kelly Caldwell were life partners, exploring their evolving gender identities together, writing poems side by side, and navigating Caldwell’s severe bipolar disorder until her death by suicide in 2020. In Your Dazzling Death, Donish insists that the intimacy of an ongoing conversation with a beloved mysteriously continues after loss; they elegize Caldwell and summon the courage to witness their own state of “obliteration,” widowed and isolated as a global pandemic is unfolding.
With searing honesty and profound perceptiveness, Donish finds a fierce new aesthetic for the disorientation of grief. “Let me paint this / entire country / the colors of your face,” they write, showing how wildly scale can shift in the midst of loss. Against the backdrop of “anti-trans bills / moving through state legislatures,” Donish affirms the beauty of their lover’s trans becoming, recalling when they “sounded out / your new potential names / until we found those syllables . . . which tasted, you said, like having / a future.” In the sequence “Kelly in Violet,” the centerpiece of this collection, the story of Caldwell’s death emerges in conversation with the work of Uruguayan poet Marosa di Giorgio, whose words allow Donish to access the shattering event, appearing here in ghostly traces.
Your Dazzling Death memorializes a brilliant woman, ritualizes the work of grief, and subverts linear time, asserting that any shape the future takes will be informed forever by a monumental love that is still alive, not only in the past, but in an envisioned space of timelessness where love and grief are inevitably intertwined.
Letters to Forget by Kelly Caldwell
With searing intelligence and great sensitivity, the poems of Kelly Caldwell—many addressed to Cass Donish, her partner in the years before her suicide at thirty-one, swim through a complex matrix of transformations: mental illness, divorce, gender transition, and self-discovery. But they wrestle, too, with the poet’s painful relationships with her family of Christian missionaries, who refused to affirm her identity. In a sequence of “dear c.” poems scattered throughout these pages, Caldwell writes letters to her lover from an out-of-state residential hospital where she is receiving treatment for suicidal depression and mania. In a long poem titled “Self-Portrait as Job,” she offers us her lucid gaze and her queer take on the biblical figure—an understated yet powerful testament to her own suffering in a society whose structures may not contain her.
Both striking and elusive, both raw and learned, with a delicacy of syntax that challenges us to interrogate becoming itself, Kelly Caldwell asks us from beyond: What kind of fragile agency is at the heart of obliterating change?
a body more tolerable by jaye simpson
a body more tolerable is a collection of powerful and haunting poems full of mythos, fairy tales, allusion, and magic. Divided into three parts, the book takes an intimate exploration of Indigenous grief, trans identity, and frustrated desires in ways that reject perception. Author jaye simpson conjures up dazzling multiverses throughout their mythic journey as they dance and run wild in their own manifestation of girlhood.
In these visceral poems, teeth gleam, graze skin, or sink into flesh, becoming bloodied and exposing the animalistic hunger that lies within. Pulsating with yearning and possibility, a body more tolerable is a book that resists typical notions of physicality and sex to dream of a world more divine.
Nature Poem by Tommy Pico
Nature Poem follows Teebs―a young, queer, American Indian (or NDN) poet―who can’t bring himself to write a nature poem. For the reservation-born, urban-dwelling hipster, the exercise feels stereotypical, reductive, and boring. He hates nature. He prefers city lights to the night sky. He’d slap a tree across the face. He’d rather write a mountain of hashtag punchlines about death and give head in a pizza-parlor bathroom; he’d rather write odes to Aretha Franklin and Hole. While he’s adamant―bratty, even―about his distaste for the word “natural,” over the course of the book we see him confronting the assimilationist, historical, colonial-white ideas that collude NDN people with nature. The closer his people were identified with the “natural world,” he figures, the easier it was to mow them down like the underbrush. But Teebs gradually learns how to interpret constellations through his own lens, along with human nature, sexuality, language, music, and Twitter. Even while he reckons with manifest destiny and genocide and centuries of disenfranchisement, he learns how to have faith in his own voice.
Buy it: Bookshop | Amazon | Birchbark Books
