Category Archives: Inside an Anthology

Inside an Anthology: His Hideous Heart ed. by Dahlia Adler

Well, this is a pretty exciting post for me, considering I’m the editor of this particular anthology! Getting to see different takes on Poe was fun in itself, but getting to see half the collection come back with queer protagonists? Now, that was utterly delightful. I asked the authors of those stories to share a little bit about them, so come check it out!

Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.

Contributors include Dahlia Adler (reimagining “Ligeia”), Kendare Blake ( “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

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Tessa Gratton, “Night-Tide”, a retelling of “Annabel Lee”

“Annabel Lee” is one of the poems that used to get stuck in my head when I was a kid. Something about the rhythm, the longing, and the weird imagery—not to mention morbid aesthetic—spoke to thirteen year old Tessa. I used to recite it to myself in a sing-song way, letting the imagery wash over me. When I set out to write a short story inspired by it, I knew I needed a story with a refrain, and that it needed to be filled with longing and angst, and the anger I felt as a kid when adults pretended they knew better than me what I was feeling. It wasn’t until I was a few pages into writing that it occurred to me I never actively decided to make “Night-Tide” about girls in love with each other—because, to me, the poem always had been about emo teenaged lesbians. 

“Annabel-Lee” is so unapologetically passionate, and as a poem it’s unashamed of its melodramatic nature. When I was a teen I was passionate and melodramatic, but I knew shame, because the world had already taught me what I was and was not allowed to love and desire. That makes me angry, and as an adult I see more shades of anger in “Annabel-Lee” than I noticed as a teen. It’s all woven into my story “Night-Tide,” which I hope inspires passion and drama and, yes, anger, in readers. Because love is so messy, and queer people deserve the space to embrace melodrama, anger, and to confront shame. We deserve the chance to take risks as we discover and decide who we are and want to be. 

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Caleb Roehrig, “The Glittering Death,” a retelling of “The Pit and the Pendulum”

With a cast of one, “The Pit and the Pendulum” is one of Poe’s simplest narratives: an anonymous man, alone in a dungeon, tries to evade a series of inventive death traps set by the Spanish Inquisition. The sexuality of the prisoner is irrelevant to the story—and, in my opinion, that was the perfect reason to queer the character in my adaptation of it. Laura Bonelli, the central figure of “The Glittering Death,” is questioning. (Possibly bi, though she’s not sure yet.) This fact has nothing to do with how she ends up in the clutches of a villain who calls himself the Judge; it has nothing to do with the dangers she faces, or how the story eventually concludes; but it has something to do with who she is. It’s her identity, and would still be if the story was about a driving lesson, a graduation party, or a first kiss.

I balk at saying a protagonist “just happens to be queer,” because nothing about identity can be reduced to pure happenstance; but there’s power in bringing casual visibility to identity—especially when the character in question is the one to whom it matters most.

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Rin Chupeco, “The Murders at the Rue Apartelle, Boracay,” a retelling of “The Murders in the Rue Morgue”

“The Murders at the Rue Apartelle, Boracay” is the story of Ogie Dupin, a Filipino-French amateur detective investigating a strange murder set in a supernatural island getaway. In keeping with the original Poe story, it’s told by an unnamed narrator, this time a young trans girl. “The Murders in the Rue Morgue” is not an easy story to retell – I had to write a locked room mystery believable enough for Ogie’s deductions to make sense, and yet complex enough to keep people guessing at the solution till the end. But more than that, I also wanted to write my trans narrator in a way that would give her just as much agency as Ogie, in stark contrast to how these detective stories are often written. It’s difficult to find the right balance, showing off her own intelligence without taking away from Ogie’s skills and the murder mystery, but I think I was able to pull it off!

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Marieke Nijkamp, “Changeling,” a retelling of “Hop-Frog”

“Hop-Frog” is, in its essence, a story about monsters. About who gets to be human and who is considered a monstrosity. About how we can be monstrous in our humanity–or our inhumanity. It’s a story about disability, too. Historically those two–disability and monster narratives–intersect quite often. (After all, every changeling story is a disability story at heart.) So when I brainstormed reimagining Hop-Frog I knew I wanted to include both those elements. I wanted to center it on disabled characters, my two queer, broken girls who are both looking for revenge—or perhaps belonging. I wanted to throw in an element of historicity (which Poe alludes but never quite commits to). And I wanted to play with monsters. I’ll just leave it up to you to decide who the monsters are: the fae, the unseelie folk, or the humans?

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Emily Lloyd-Jones, “A Drop of Stolen Ink,” a retelling of “The Purloined Letter”

“A Drop of Stolen Ink” came about the way so many of my stories do: with a weird sequence of events. I was at work, thinking about Poe because the always-lovely Dahlia had mentioned how awesome it would be to rewrite those tales for a modern audience. (I believe I responded with, “OH PLEASE PLEASE LET ME DO THE PURLOINED LETTER.”) I’ve always adored mysteries – and Poe created the detective archetype with his character of C. Auguste Dupin.

And then I reached beneath a cash register scanner. Which would have been fine and normal – up until the scanner beeped and brought up a number on the computer. I made a joke about someone equipping my arm with a barcode and then my brain immediately jumped on the possibilities.

I adored working on this short story because it’s about how much of ourselves we share with the world. There are some characters’ names who are never revealed and others who put all of themselves out there. It’s about identities, both stolen and reclaimed. And I also just wanted to write an adorable budding f/f romance set in a cyberpunk near-future world, I’ll admit it. I’m really excited to share this story with both new and old readers of Poe.

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Dahlia Adler, “Lygia,” a retelling of “Ligeia”

People ask me how I chose to retell “Ligeia” in particular, and the truth is that it basically chose me. I don’t share the horror/thriller strengths of my co-authors here, and I knew that whatever I did was going to have a sort of romantic contemporary sensibility, just a lot more Gothic and tragic than my usual.

“Ligeia” is a story about a man who loses his first wife to illness and remarries, but never quite finds that same love for his second wife before losing her to illness as well. The second wife, however, is the one who returns from the dead…but she returns as his first wife, Ligeia.

Knowing I didn’t want to go paranormal, I knew this was going to be a story about turning a new girlfriend into an old one, trying to revive something that couldn’t be revived and going to mad, toxic lengths to do it. It’s a story that requires praying on insecurities in a way teenage girls have truly mastered, a story I knew would thrive on a specifically female main character. Add that to the perennial queer problem of never quite being sure when your next possibility can or will come along in an area where so few people are out, making the narrator’s loss all the more dramatic and her new venture feel all the more necessary, and you have so many of the components that created “Lygia.”

Inside an Anthology: Keep Faith ed. by Gabriela Martins

47779089. sy475 Keep faith, in the broad sense of the word. It doesn’t have to be a religion, unless you want it to be. It doesn’t have to speak about the universe, unless you want it to. It doesn’t have to be about anyone but yourself. Keep faith, in other planets and other houses; be it in the face of danger, grief, or while you spread your arms and laugh. Keep faith the same way you keep hope, bright and shiny, ever present. Keep faith in all your queer, beautiful self. Because you deserve it.

This is an anthology of 14 short stories, by 14 queer authors, where faith and queerness intersect. Incidental, purposeful, we-exist-and-that’s-why queerness. And faith meaning whatever you want it to mean.

Buy now!

“And I Entreated” by Bogi Takács

In “And I Entreated,” nonbinary trans kid Gil is preparing for their bar mitzvah on a cramped space station, while their mom Shoshana has turned into a houseplant. “And I Entreated” is a fun story, but it also tackles some serious issues, like how trans people can have different feelings about misgendering, how traditional Jewish observance interacts with nonbinary gender, and whether to keep the term “bar mitzvah” – which is gendered in itself.

I have been writing a lot of stories that are about Jewishness and growing up, in one way or another; and also incorporating trans and/or intersex aspects. And I confess I always wanted to write a story from the perspective of a houseplant! So this time I put the two together. While I was working on “And I Entreated,” our kid was also preparing for his bar mitzvah. Our household is very different – we are two trans parents, for instance –, but some aspects of Jewish family life are similar regardless. Including the endless practicing of the Torah reading: like Gil’s mom, I also know our kid’s Torah portion backwards, forwards, upside down… His bar mitzvah went great, and I have no doubt that Gil’s will too. With this story, I’d like to offer a bit of warmth and belonging to everyone around the world, regardless of religious affiliation.

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“Bigger Than Us” by Megan Manzano

“Bigger Than Us” is about two teenaged girls, Jude and Mari, who have to face a reality they had been ignoring since they were children⁠—Jude could be a Mage. In the country of Aurora, Mages are reincarnations of Gods and are immediately whisked away by the government to become servants of the people. Jude always believed she was meant for this path, but falling in love with Mari threw a rather large wrench in her future. She has to reconcile being a Mage with her love for Mari and if ultimately, either is worth keeping.

While we may not be in a fantasy world like Jude and Mari, it was important to show not every decision is black and white. As a teenager, and especially getting older, we tend to question systems in place and the responsibilities they’ve placed on our shoulders. My hugest motivator for “Bigger Than Us” was teasing out these nuances and making the reader ask what happens when your faith in something is shaken, especially by someone you love.

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“Droplets Of Starlight” by Vanshika Prusty

“Droplets of Starlight” is a short story about Payal, a girl who is head over heels, struggling with her heart and her society. We follow her, an almost eighteen-year-old girl who is bisexual, and who struggles with understanding how she fits into her Indian society because of her sexuality.

Set in New Delhi during the monsoon, “Droplets of Starlight” will take you on a quiet journey of struggle, acceptance and love all under thunderous clouds and starry night skies.

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“Godzilla” by Kate Brauning

I love this story because I love Halloween– I never got to trick-or-treat as a child (though I go every year with my nieces and nephews now!), so it was fun for me to write that into reality. I pretty quickly knew I wanted to write Emily’s story because while in some countries progress toward safety and acceptance has been made for queer kids, even in those places, adolescents find themselves dealing with really complex and difficult situations, often from lacking the relationship modeling cis-gendered, straight people their age often have. Churches meaning to be accepting and welcoming too so often hold their LGBTQ members up like mascots or poster children of their own progressiveness, and the spotlight is a hard place to be as you learn who you are and how to love. An anthology like this full of hard and transformative and hopeful moments about this intersection between faith and queerness is priceless, and I’m so honored to have been able to celebrate that through Emily.

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“Golden Hue” by Mayara Barros

My story is about finding hope in the unknown and what happens when you die. It’s set in a fantasy world, where people have powers, but technology has also developed to about our current era. Even with all that, there are still mysteries that neither science nor magic can solve.

I lost my grandmother last year and it still hurts some times. She never knew about by queerness, so I guess I wrote this story to tell myself she still loves me wherever she is.

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“How Not To Die (Again)” by Gabriela Martins

Do you ever just have a crush on someone and deny it so hard that you totally die? Because Margô can’t take all the dying anymore. Every single time she denies her feelings for Josie, the universe flips her off by killing her in a yet more ridiculous way.

I wrote this short story because I think we all deserve some sapphic joy, especially romcom style. Especially ridiculous. Especially Brazilian. Especially trans. Anyway, there’s a lot we deserve! Faith in this story comes very much in the form of having faith in yourself. … because, don’t you doubt it. If you keep self-sabotaging (YOU. You know I’m talking about you!), the universe will find a way to teach you a lesson.

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“Life Is A Story Of Change” by Elly Ha

Even when she didn’t know the terminology as a young teen, she knew she was ace and aro. Knowing she’ll always be ace, she never expected to doubt herself. Especially not when she gets to college and starts to fall in love with her best friend of almost a decade. What changed? Are her anti-depressants clearing her head so that she can focus on her own long-lost feelings? Is she simply maturing? Are her Korean parents right, and she’s finally found The One? The scarier question continues to gnaw at her: is she still ace if she feels attracted to him this way?

“Life is a Story of Change” is a semi-autobiographical story at the intersection of mental illness, sexuality, and personal faith. I wrote it from my personal experience with self-doubt in questioning my sexuality once I fell in love with who I can only describe as my ride-or-die partner. Despite that I am happily in love, I also endure occasional existential crises, always asking myself, “What am I, if not ace and aro?” For others who end up questioning their hearts, I hope that this story serves as a reminder that you are valid no matter where you land on the a-spectrum. You can be a little ace or entirely ace, or, like me, you can just be sure that you’re not not ace.

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“Nothing Left Standing” by C. T. Callahan

“Nothing Left Standing” is the story of a queer teen, who—facing abuse and bigoted parents at home—decides to run away with his boyfriend for a chance to find his happily ever after. It’s a story about coming from trauma and pain and learning to put your faith in someone else. And essentially, it’s about that struggle of wanting to be optimistic and proactive, and the fear that that’s naive and you’re just going to get hurt again.

I have a very complicated relationship with religion and capital “F” Faith, so when I was asked to write a story about holding on to faith, I was instantly reminded of my life in high school. I went to a Catholic high school, and while my friends were all praying to God, I was constantly putting my faith in other things—music, people, fiction, etc. In the long run, it’s probably easier to have faith in religion because you aren’t looking at a flawed person who’s guaranteed to mess up, but I’d been so betrayed by it that my last resort was putting faith in people with the constant fear that it was only a matter of time before they let me down. And so I wrote this story to explore that fear, the feeling of sitting on a ledge and knowing it’s only a matter of time before you fall, but doing it anyway because that’s what faith is about, and when your life refuses to give you something to have faith in, sometimes you just have to make your own.

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“On The Other Side” by Shenwei Chang

“On the Other Side” is a story that draws on my own experiences with Buddhism, which my mom’s side of the family practices. It’s not a very commonly portrayed religion, so I wanted to shine a little light on it. My story doesn’t dig super deep into the belief system, but it does touch on a some of the rituals (disclaimer: Buddhism is an extremely diverse religion/spiritual tradition, so I’m limited to portraying the ones I know).

I also wanted to depict the experience of having an ambivalent relationship with faith and religion that I haven’t seen very often when it comes to fiction. This story is dedicated those of us who are half-familiar and half-ignorant when it comes to our parents’ faiths, who have some exposure but not enough to feel entirely comfortable in a religious setting, who are receptive to immersing ourselves more in it but don’t know how or where to start. This story is also dedicated to all the queer people who wanted to come out to one or both of their parents but didn’t get the chance to because their parent(s) passed away before they could. It’s hard to cope with not knowing how your parent(s) would have reacted and not being able to share something so intimate and important with them. I want those people to know they’re not alone.

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“Read The Room” by Sofia Soter

“Read the Room” features many of my favorite things: clueless teens, rituals, queerness and polyam crushes. It’s a short and sweet story, centered around Jo, a girl whose experiences with love and spirituality mirror my own in many ways; there’s specificity to her world and life that I sometimes shy away from writing, worrying about how (un)relatable it might be, but I hope it resonates with readers who are—like me, like Jo—looking for connection with others and themselves.

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“Ten Steps To Becoming A Successful Blogger” by Julia Rios

I’ve been thinking about influencers a lot lately. It’s fascinating to me how and why certain people become cultural touchpoints, and what that means, both for them, and for their followers. In times of difficulty, we can look for messages all around us, and I wanted to think explicitly about the messages I give and the ones I listen to. It’s easy to dismiss Instagrammers and YouTubers as shallow and frivolous, but I think they can be doing good and important work, and I wanted to explore why and how that might happen for queer people who feel isolated in their daily lives. Also, I just really love the idea of a Bigfoot makeover. Glam Bigfoot!

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“The Language Of Magic” by Adiba Jaigirdar

“The Language Of Magic” is the story of Asha, a Bangladeshi teen in Ireland, who wakes up in the early morning of the new year to a hint of magic in the air. The magic presents her with a vision of her grandmother back in Bangladesh. Motivated by her vision, Asha decides she has to find a way to travel back to Bangladesh, even though she knows it’s almost impossible. But maybe with the help of a stranger, the impossible can be possible.

I was motivated to write “The Language Of Magic” because when I was a kid and living in Saudi Arabia as an immigrant, my maternal grandfather (my nanabhai) suddenly passed away. My Mom was distraught and it was my first major experience with death. But we couldn’t go back to Bangladesh. We couldn’t attend the funeral. We couldn’t comfort my grandmother or the rest of our family. We were mourning but there was so much distance, and that distance created a strange boundary and a sort of emptiness to my sadness. After that experience, I moved to Ireland for good and over time I lost more members of my family. Every time I experienced the same lack of closure, the same kind of distance and emptiness. Unfortunately, this is simply a part of being an immigrant. I wanted to imagine a world where this wasn’t a part of being an immigrant. Where the universe, or magic, wanted to help us out and give us the closure that we need.

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“The Messenger” by Mary Fan

“The Messenger” tells the story of a woman who transferred her consciousness into a probe in order to explore the multiverse. After years of dimension-hopping alone, she accidentally crash-lands near a pre-industrial civilization and is mistaken for a miracle — a prophesized messenger from the Infinite Spirit. At first, she goes along with it. But when she falls in love with a local girl, she realizes she can no longer keep up the charade.

I grew up atheist—not in a “God is dead” kind of way, but in that religion just wasn’t a thing in our household (probably a byproduct of my parents’ upbringing during the Chinese Cultural Revolution). Yet the studies of religion and faith always fascinated me. I spent years in church choirs both for the music and because I found the rituals fascinating (and was fortunate enough to have very accepting local churches that didn’t care whether their choristers were also worshipers). With “The Messenger,” I wanted to explore the question of just what faith is. And to depict a world where two women can fall in love, and it’s not a big deal.

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“Whatever She Wants” by Kess Costales

“Whatever She Wants” is a queer fake-dating story about a Filipino teen named Theodora who is asexual and biromantic with a Catholic upbringing. She believes in God as a creator who loves and accepts all people, including those who are queer. The story shows her journey of discovering her sexuality along with her classmates. The story shows her journey toward self-acceptance as she discovers romantic love for her best friend, Magnolia, and for a boy named Alastor. After she and her best friend break up with their boyfriends, they agree to pretend to date each other to make their exes jealous. But the entire, Theodora hides that she’s in love with her. Spoiler: there’s a happy ending to it as they come out to each other and realize that they stopped pretending somewhere along the way.

When Gabhi approached me with this opportunity, I quickly realized the only thing I could write was something personal and similar to my own journey (except being in love with my best friend). I grew up Catholic like Theodora, attending Catholic schools and going to Mass on Sundays. And like Theodora, as I started understanding myself and my sexuality, I realized I couldn’t believe in a God who wouldn’t love all people, especially if He supposedly created us in His image. So I wrote about my doubts and emotions through Theodora and hoped to share a story that resonates with someone else. Plus, it’s always nice to have a chance to write something sweet and fluffy when life is dark and difficult.

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