Tag Archives: Anthology

Exclusive Cover Reveal: Trans-Galactic Bike Ride: Feminist Bicycle Science Fiction Stories of Transgender and Nonbinary Adventurers ed. by Lydia Rogue

I don’t really know how to come up with a cooler name for a collection than Trans-Galactic Bike Ride: Feminist Bicycle Science Fiction Stories of Transgender and Nonbinary Adventurers, but then again, I don’t have to, because someone else did and I get to reveal the cover today! Trans-Galactic Bike Ride: Feminist Bicycle Science Fiction Stories of Transgender and Nonbinary Adventurers is edited by Lydia Rogue and releases January 21, 2021 from Microcosm Publishing, so yes, this is a very advance look, which is pretty awesome! Here are the details on the collection, which includes trans men, trans women, and non-binary folk in a whole array of different sorts of stories:

What would the future look like if we weren’t so hung up on putting people into boxes and instead empowered each other to reach for the stars? Take a ride with us as we explore a future where trans and nonbinary people are the heroes.

In worlds where bicycle rides bring luck, a minotaur needs a bicycle, and werewolves stalk the post-apocalyptic landscape, nobody has time to question gender. Whatever your identity, you’ll enjoy these stories that are both thought-provoking and fun adventures.

Featuring brand-new stories from Hugo, Nebula, and Lambda Literary Award-winning author Charlie Jane Anders, Ava Kelly, Juliet Kemp, Rafi Kleiman, Tucker Lieberman, Nathan Alling Long, Ether Nepenthes, and Nebula-nominated M. Darusha Wehm. Also featuring debut stories from Diana Lane and Marcus Woodman.

And here’s the epic cover, designed by Cecilia Granata!

Preorder here!

Check out Charlie Jane Anders reading “The Visitmothers” live here!

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Gail Pasternack

Lydia Rogue is a writer and poet living in Portland, Oregon. They write stories and nonfiction that centers trans people, when they’re not writing sappy love poems for their fiancée or wrangling their four rats. You can find them online at lydiarogue.com

Exclusive Cover Reveal: Short Stuff ed. by Alysia Constantine

All-queer anthologies are just the most delightful place to find new voices and get a nice variety of representation, so I’m thrilled to help introduce Short Stuff, a new collection edited by Alysia Constantine and coming from Duet Books on June 9, 2020! Today we’ve got not just the cover of the book, designed by the fabulous C.B. Messer, but a little info on each of the authors and each of the stories!

It could start anywhere…

At a summer vacation at the lake, just before heading off to college. In a coffee shop, when the whole world is new. In a dragon’s cave, surrounded by gold. At a swim club, with the future in sight.

In Short Stuff, bestselling and award-winning authors dial down the angst in four meet-cute LGBTQ young adult romances.

Before we get to those stories and authors, let’s check out that lovely C.B. Messer-designed cover!

Preorder now!

 

And now, to the stories!

“Of Stars and Scales” by Julia Ember (julia-ember.com)
Trapped in a quiet, coastal town where nothing ever happens, 16-year-old warrior Fenn longs for adventure and glory. When a dragon attacks a neighboring village, kidnaps a maiden and makes its home in the sacred field of kings, Fenn begs her Aeldorman to send her to fight it. Though the fearsome dragon has already incinerated the warriors who have tried before, Fenn sees it as her duty to rescue the girl trapped deep in the burial mounds with the beast, or die trying.
But Fenn discovers that the maiden and dragon are one in the same, the result of a terrible curse. Going against her own people, she sets out to save the girl and forge a new destiny for herself.
A bisexual retelling of the medieval epic poem, Beowulf.
Julia Ember currently lives in Seattle with her wife and their city menagerie of pets with literary names. She is the author of The Seafarer’s Kiss and The Navigator’s Touch published by Interlude Press. The duology was heavily influenced by Julia’s postgraduate work in Medieval Literature at the University of St Andrews. The Seafarer’s Kiss was named a “Best Queer Book of 2017” by Book Riot, and was a finalist in the Speculative Fiction category of the Bisexual Book Awards. Her upcoming novel, Ruinsong, will be published by Macmillan Kids (FSG) in Fall 2020. Julia also writes scripts for games, and is the author of several published novellas and short stories.
“The August Sand” by Jude Sierra (judesierra.com)
 
As the eldest child in his family, Tommy Hughes always felt the weight of responsibility growing up—to his mother, who depended on him, and to his kid brother and sister, who looked up to him. But during a summer vacation to the Michigan shore, Tommy chafes to break free and to start experiencing a series of firsts before embarking for the new world of college.
Jude Sierra is a Latinx poet, author, academic and mother working toward her PhD in Writing and Rhetoric, looking at the intersections of Queer, Feminist, and Pop Culture Studies. Her novels include A Tiny Piece of Something Greater (Foreword INDIES Finalist, 2019), What it Takes (starred review, Publishers Weekly), Hush, and Idlewild, a contemporary LGBTQ romance set in Detroit’s renaissance which was named one of Kirkus Reviews‘ Best Books of 2016.
“I Ate the Whole World to Find You” by Tom Wilinsky & Jen Sternick (neverhaveieverbooks.com)
 
Sparks fly at the local swim club when the manager orders Will, a snack bar chef with culinary ambitions, to cook for the club’s surly Olympic hopeful, Basil, who isn’t amused when Will’s first special is called the “Basil Rickey.”  Complicated by the incompatible terminology of competitive sports and culinary arts, Basil and Will clash—until they both learn the importance of breaking out of their lanes.
Longtime friends and writing partners Tom Wilinsky and Jen Sternick‘s debut novel, Snowsisters (Duet Books, 2018) was the recipient of and finalist for multiple YA fiction awards, including the Foreword INDIES, the Feathered Quill, and the NYC Big Book Awards. Tom lives in New York with his partner and the world’s most beloved orange tabby cat, Newky. He likes cold weather, anything with zombies in it and old cars. Jen lives in Rhode Island with her husband, two kids and a cranky seven-toed cat named Sassy. She likes live theater, visiting any place she’s never been before, and admits to a mild Twitter addiction.
“Love in the Times of Coffee” by Kate Fierro (katefierro.com)
 
A story of best friends, Gemma and Anya, told in a series of coffee-flavored glimpses. From the first mocha at age fifteen to cups of simple instant coffee after their first night together at twenty, they laugh, love and learn, taking a scenic route to romance.
Kate Fierro spent ten years translating, editing and reviewing other people’s words before making an impulse decision to write down some of her own. She hasn’t been able to stop ever since. Kate lives in Europe and is bilingual, with more love for her adopted language than her native one. her debut novel, Love Starved, was published by Interlude Press in 2015.
Short Stuff releases on June 9, 2020 from Duet Books, and you can preorder it here.

Inside an Anthology: The (Other) F Word ed. by Angie Manfredi

I’m so thrilled to be featuring this groundbreaking anthology on the site today, along with eleven notes by queer contributors on their entries! The representation in this book is so wonderfully varied, and it’s great to have so many authors here to talk about it! So here’s The (Other) F Word: A Celebration of the Fat & Fierce ed. by the fabulous Angie Manfredi.

Chubby. Curvy. Fluffy. Plus-size. Thick. Fat. The time has come for fat people to tell their own stories. The (Other) F Word combines personal essays, prose, poetry, fashion tips, and art to create a relatable and attractive guide about body image and body positivity. This YA crossover anthology is meant for people of all sizes who desire to be seen and heard in a culture consumed by a narrow definition of beauty. By combining the talents of renowned fat YA and middle-grade authors, as well as fat influencers and creators, The (Other) F Word offers teen readers and activists of all ages a guide for navigating our world with confidence and courage.

Buy It: B&N | Amazon | Indiebound

Mason Deaver, “A Body Like Mine”

“I’ve always had a weird relationship with clothes. I feel like it’s something that a lot of fat trans people deal with. Already clothing and fashion is hard to navigate when you’re fat, this industry doesn’t like you, it doesn’t want to see you be fashionable. It also wants to make you pay extra for daring to have a body. But when you’re trans on top of all of that? It can feel like the weight of the world is on your shoulders. It’s so much harder to find clothing as a fat trans person, clothing that can literally save your life, or make you feel like the person you truly are.

Clothing is a life-line for both of us, for fat people, and for trans people. It has the magic to make us feel like our real selves, to be more confident in who we are. I’d never seen anything talk about this connection, ever, so I wanted to say my piece. Because it’s a hard world to navigate, and I want teenagers dealing with the same feelings to know that they aren’t alone with them.”

***

S. Qiouyi Lu, “Fat, And”

I wrote “Fat, And” because I’ve often been frustrated by fat spaces that focus on fatness to the exclusion of other identities and experiences. As not only a fat person, but a nonbinary person of color, I wanted to represent the complexity of a multilayered identity: Each layer influences the others and is inextricable from the whole. I hope I can inspire people to see themselves as a whole instead of a collection of parts, especially considering how often we’re forced to turn our bodies into parts (my stomach, my arms, my legs, etc.) in a body-negative culture.

***

Jess Walton, “Losing My Religion”

As a teenager, I came out and found a beautiful, vibrant community that accepted and celebrated me as a bisexual person. Having that community around me helped me stand up to hateful bigotry over the years.

I did not find disability and fat pride and community until my thirties, so ableism and anti-fatness have had a lot more time to do me harm. I wrote ‘Losing my Religion’ because joining Weight Watchers as a teenager was formative and extremely damaging to the way I felt about myself. It led to an adulthood focused on weight loss and ‘fixing’ my body. I was so ashamed of the way I looked – I felt undesirable and unloveable. Every time I managed to lose weight, I would be congratulated and told how good I looked, which reinforced the idea that I needed to lose weight, and that fat bodies were bad, failed bodies. For me, disability and fat pride are closely linked. They’re both about saying my body is not a failed body. I can be proud of who I am instead of ashamed. I can reject those who hate the fat and disabled parts of me, just as I reject those who hate the queer part of me.

I also wrote ‘Losing My Religion’ because Weight Watchers still exists, and is still doing serious harm to fat people, including kids. In fact, they’re targeting kids and teens with their kurbo app. They can try rebranding themselves as ‘Wellness that Works’, but I’ll always see them for what they are – a harmful, predatory, profit driven cult.

I’m honoured to be a part of this anthology; it’s one of the books I really needed as a fat, queer, disabled teen. I’m so, so relieved that it exists in the world now.

***

Alex Gino, “Body Sovereignty: This Fat Trans Flesh is Mine”

I have the right to change my transgender body. I do not have an obligation to change my fat body. Body sovereignty, the idea that I am the decision-maker over my very self, holds these two statements in balance. It’s also the idea at the heart of my essay Body Sovereignty: This Fat, Trans Flesh is Mine. Like the title, this piece mixes a touch of radical body theory with a practical look at how transgender and fat bodies are treated, and why it’s so important to claim and reclaim control over how and whether our bodies are altered. There’s even a little chart! I can only imagine the hard roads I could have skipped down a little more easily if someone had slipped an essay like this, as part of a book like this, into my hands when I was a teen, and I’m delighted to be able to do that for others, especially for fat queer, trans, and nonbinary youth.

***

Jiji Knight, “Brighter Than Starlight”

This book is everything I wish I had when I was growing up fat and struggling to answer the the question “What is normal?”

No one ever assures you that yes! You are the norm. Your body is the norm. Body positivity is still such a foreign movement to some people – hell – most people. The very concept that fat people are reclaiming the word ‘fat’ and celebrating their curves, their bodies, is exhilarating.

I am fat. I am bisexual. I am an artist. And I am proud to have been a part of such a wonderful amalgamation of beautiful contributors.

***

Miguel M. Morales, “50 Tips from a Fat and Fabulous Elder”

The pieces I submitted to the anthology revealed themselves as I walked in the park near my home in Kansas. I wanted to build up stamina for all the walking I’d be doing on an upcoming trip to Hawai’i. I’d never been that far from home and I wanted to do, see, and taste so much. I also wanted to make sure I didn’t push my body too hard all at once. My secret unspoken goal was to hike Diamond Head.

At the park, I listened to music to help me set a pace for the hike. That’s when I noticed changes in my body’s movement; in its rhythm. I noticed the beauty of nature’s largeness and how society celebrates this grandeur yet blames ours on weakness. I wondered if we amused the trees by hastily moving on a circular path going nowhere, trying to get smaller while we admired their size.

I found my relationship my clothes began to change. Instead of tugging at my shirts desperate for them to hang loose on me, I allowed them to caress my curves. Instead of pulling up my shorts constantly afraid I’d display plumber’s crack, I allowed them to gently settle and rest comfortably on my hips without a worry.

I thought about the anthology and advice I’d want to share. Things my oldness and my queerness and my brownness has taught me about being fat. I remembered those who’ve helped me learn not only to operate this body but to love it.

I’m thrilled this anthology features four of my pieces. I’m eager to write more about intersectional fatness.

Oh, I did hike Diamond Head. I got passed up on the trail by some elderly people and some children, but it was amazing. I was amazing. You should have seen me.

***

Laina Spencer, “To All the Pizzas I’ve Loved Before”

Funnily enough, I don’t normally write non-fiction, but when Angie approached me about writing as essay for The (Other) F Word, I was so excited that I couldn’t say no. I kept thinking about myself as a teenager, and what it would have meant to read something like this. And because I’m always thinking about books and representation, and especially YA books, that’s what I decided to write about that.

And as someone who’s aroace, I wanted to talk about how I don’t necessarily relate to certain narratives, and how it feels sometimes to be aroace in fat spaces, and vice versa. Hopefully I did that pretty well!

***

Hillary Monahan, “Fatness & Horror: The Match Made in Not Heaven”

“When Angie asked me to talk about fatness in my genre of choice–horror–I was delighted. It was something I’d ranted and railed about in my private circles for years.  How can we exist in a world, take up space in the world, people the world and be either completely absent from stories OR be “punished” for our fatness by making comedic, convenient victim fodder?  I want none of that–as a fat fan and as a fat creator.”

***

“Write Something Fat” by Sarah Hollowell

When I wrote my first book in high school, it never occurred to me that my characters could be anything other than skinny. I didn’t understand then how much damage I was internalizing from a lack of positive representation – not just feeling bad about myself, but erasing myself at every opportunity.

I wasn’t just erasing my fatness. Finding out that bisexuality existed as an option was an amazing, freeing moment in my life. I wanted to shout it from the rooftops, but most of the reactions I got were that it was a phase or I was trying to be trendy. I also went to a high school in southern Indiana in the early 2000s – not a lot of out-and-proud queer people there! It was mostly me, my gay best friend, the girl who was my first kiss, the one other out gay kid, and the ones we suspected were closeted.

I wasn’t seeing queer people like me in the media, I wasn’t seeing them in my life, and even well-meaning people around me seemed to think I’d grow out of it. I didn’t write a queer story until I was in college. I was erasing myself, again.

“Write Something Fat” is about giving myself permission to not erase myself. I wrote it to the teenage version of me, but I also wrote it to the current version of me who wonders if now I write too many fat bisexual girls.

But here’s the thing: If other authors can write dozens of books about straight skinny characters, then I can sure as hell write as many as I want about the fat queer ones. And you can, too.

***

Jon Higgins, Ed.D., “Black, Fat, Fem: The Weight of a Queen”

As soon as I heard about this anthology, the fat 16 year old queer kid inside of me jumped for joy. After reaching out and learning that my work had been accepted, I not only felt validated, but that my work and journey would in turn help someone who might really need the reassurance that they are seen and valued.

Working on this project reminded me that I am my ancestor’s wildest dreams. I am fat, Black and queer and I am leaving behind seeds of my experiences to help other people grow. What’s even more riveting is knowing that I, in my own way, got to share a narrative that is often overlooked and undervalued in my own voice and in my own experience.

Working on this project reminded me of why I began writing in the first place. Why I felt the need to continue to remind others that their lives and their experiences need to be heard and more, that these stories will be the ones that change the lives of those who need it most. I am so grateful for the opportunity and I can’t wait for the world to engage in the greater context of this book and it’s many chapters of knowledge, hope and resistance.

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“You Are Loved” by Ady Del Valle

I wrote the chapter “You Are Loved” because these are words we don’t get told often but also words we don’t tell ourselves often. I wanted to be able to write something real and meaningful for this amazing and inspiring book, while relating it to myself ans what I do in the industry to do mt part. “You Are Loved” is a chapter of self-love with fashion or without, no matter your size or how you identify you are worthy in more ways the one. The “Other” F Word: A Celebration of the Fat and Fierce is a book that will speak to so many in many ways that we all can relate to, its real words form real people. I hope my chapter and the book as whole helps and inspires anyone who flips through the pages no matter who they are and give them motivation to love who they are as they are.

***

Angie Manfredi is a librarian and writer who owns every season of Law and Order on DVD and sends over 150 handwritten Valentines every year. She has spent the last 11 years working directly with children and teens of all ages in a public library and now works in library consulting on all things youth services. Angie is fat and not sorry about it. She is a passionate advocate for literacy, diversity, and decolonizing the discourse surrounding children’s literature. Her latest book is The (Other) F Word: A Celebration of the Fat & Fierce.

Inside an Anthology: His Hideous Heart ed. by Dahlia Adler

Well, this is a pretty exciting post for me, considering I’m the editor of this particular anthology! Getting to see different takes on Poe was fun in itself, but getting to see half the collection come back with queer protagonists? Now, that was utterly delightful. I asked the authors of those stories to share a little bit about them, so come check it out!

Edgar Allan Poe may be a hundred and fifty years beyond this world, but the themes of his beloved works have much in common with modern young adult fiction. Whether the stories are familiar to readers or discovered for the first time, readers will revel in Edgar Allan Poe’s classic tales, and how they’ve been brought to life in 13 unique and unforgettable ways.

Contributors include Dahlia Adler (reimagining “Ligeia”), Kendare Blake ( “Metzengerstein”), Rin Chupeco (“The Murders in the Rue Morge”), Lamar Giles (“The Oval Portrait”), Tessa Gratton (“Annabel Lee”), Tiffany D. Jackson (“The Cask of Amontillado”), Stephanie Kuehn (“The Tell-Tale Heart”), Emily Lloyd-Jones (“The Purloined Letter”), Hillary Monahan (“The Masque of the Red Death”), Marieke Nijkamp (“Hop-Frog”), Caleb Roehrig (“The Pit and the Pendulum”), and Fran Wilde (“The Fall of the House of Usher”).

Amazon | B&N | IndieBound | Apple Books | Book Depository

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Tessa Gratton, “Night-Tide”, a retelling of “Annabel Lee”

“Annabel Lee” is one of the poems that used to get stuck in my head when I was a kid. Something about the rhythm, the longing, and the weird imagery—not to mention morbid aesthetic—spoke to thirteen year old Tessa. I used to recite it to myself in a sing-song way, letting the imagery wash over me. When I set out to write a short story inspired by it, I knew I needed a story with a refrain, and that it needed to be filled with longing and angst, and the anger I felt as a kid when adults pretended they knew better than me what I was feeling. It wasn’t until I was a few pages into writing that it occurred to me I never actively decided to make “Night-Tide” about girls in love with each other—because, to me, the poem always had been about emo teenaged lesbians. 

“Annabel-Lee” is so unapologetically passionate, and as a poem it’s unashamed of its melodramatic nature. When I was a teen I was passionate and melodramatic, but I knew shame, because the world had already taught me what I was and was not allowed to love and desire. That makes me angry, and as an adult I see more shades of anger in “Annabel-Lee” than I noticed as a teen. It’s all woven into my story “Night-Tide,” which I hope inspires passion and drama and, yes, anger, in readers. Because love is so messy, and queer people deserve the space to embrace melodrama, anger, and to confront shame. We deserve the chance to take risks as we discover and decide who we are and want to be. 

***

Caleb Roehrig, “The Glittering Death,” a retelling of “The Pit and the Pendulum”

With a cast of one, “The Pit and the Pendulum” is one of Poe’s simplest narratives: an anonymous man, alone in a dungeon, tries to evade a series of inventive death traps set by the Spanish Inquisition. The sexuality of the prisoner is irrelevant to the story—and, in my opinion, that was the perfect reason to queer the character in my adaptation of it. Laura Bonelli, the central figure of “The Glittering Death,” is questioning. (Possibly bi, though she’s not sure yet.) This fact has nothing to do with how she ends up in the clutches of a villain who calls himself the Judge; it has nothing to do with the dangers she faces, or how the story eventually concludes; but it has something to do with who she is. It’s her identity, and would still be if the story was about a driving lesson, a graduation party, or a first kiss.

I balk at saying a protagonist “just happens to be queer,” because nothing about identity can be reduced to pure happenstance; but there’s power in bringing casual visibility to identity—especially when the character in question is the one to whom it matters most.

***

Rin Chupeco, “The Murders at the Rue Apartelle, Boracay,” a retelling of “The Murders in the Rue Morgue”

“The Murders at the Rue Apartelle, Boracay” is the story of Ogie Dupin, a Filipino-French amateur detective investigating a strange murder set in a supernatural island getaway. In keeping with the original Poe story, it’s told by an unnamed narrator, this time a young trans girl. “The Murders in the Rue Morgue” is not an easy story to retell – I had to write a locked room mystery believable enough for Ogie’s deductions to make sense, and yet complex enough to keep people guessing at the solution till the end. But more than that, I also wanted to write my trans narrator in a way that would give her just as much agency as Ogie, in stark contrast to how these detective stories are often written. It’s difficult to find the right balance, showing off her own intelligence without taking away from Ogie’s skills and the murder mystery, but I think I was able to pull it off!

***

Marieke Nijkamp, “Changeling,” a retelling of “Hop-Frog”

“Hop-Frog” is, in its essence, a story about monsters. About who gets to be human and who is considered a monstrosity. About how we can be monstrous in our humanity–or our inhumanity. It’s a story about disability, too. Historically those two–disability and monster narratives–intersect quite often. (After all, every changeling story is a disability story at heart.) So when I brainstormed reimagining Hop-Frog I knew I wanted to include both those elements. I wanted to center it on disabled characters, my two queer, broken girls who are both looking for revenge—or perhaps belonging. I wanted to throw in an element of historicity (which Poe alludes but never quite commits to). And I wanted to play with monsters. I’ll just leave it up to you to decide who the monsters are: the fae, the unseelie folk, or the humans?

***

Emily Lloyd-Jones, “A Drop of Stolen Ink,” a retelling of “The Purloined Letter”

“A Drop of Stolen Ink” came about the way so many of my stories do: with a weird sequence of events. I was at work, thinking about Poe because the always-lovely Dahlia had mentioned how awesome it would be to rewrite those tales for a modern audience. (I believe I responded with, “OH PLEASE PLEASE LET ME DO THE PURLOINED LETTER.”) I’ve always adored mysteries – and Poe created the detective archetype with his character of C. Auguste Dupin.

And then I reached beneath a cash register scanner. Which would have been fine and normal – up until the scanner beeped and brought up a number on the computer. I made a joke about someone equipping my arm with a barcode and then my brain immediately jumped on the possibilities.

I adored working on this short story because it’s about how much of ourselves we share with the world. There are some characters’ names who are never revealed and others who put all of themselves out there. It’s about identities, both stolen and reclaimed. And I also just wanted to write an adorable budding f/f romance set in a cyberpunk near-future world, I’ll admit it. I’m really excited to share this story with both new and old readers of Poe.

***

Dahlia Adler, “Lygia,” a retelling of “Ligeia”

People ask me how I chose to retell “Ligeia” in particular, and the truth is that it basically chose me. I don’t share the horror/thriller strengths of my co-authors here, and I knew that whatever I did was going to have a sort of romantic contemporary sensibility, just a lot more Gothic and tragic than my usual.

“Ligeia” is a story about a man who loses his first wife to illness and remarries, but never quite finds that same love for his second wife before losing her to illness as well. The second wife, however, is the one who returns from the dead…but she returns as his first wife, Ligeia.

Knowing I didn’t want to go paranormal, I knew this was going to be a story about turning a new girlfriend into an old one, trying to revive something that couldn’t be revived and going to mad, toxic lengths to do it. It’s a story that requires praying on insecurities in a way teenage girls have truly mastered, a story I knew would thrive on a specifically female main character. Add that to the perennial queer problem of never quite being sure when your next possibility can or will come along in an area where so few people are out, making the narrator’s loss all the more dramatic and her new venture feel all the more necessary, and you have so many of the components that created “Lygia.”

Inside an Anthology: Keep Faith ed. by Gabriela Martins

47779089. sy475 Keep faith, in the broad sense of the word. It doesn’t have to be a religion, unless you want it to be. It doesn’t have to speak about the universe, unless you want it to. It doesn’t have to be about anyone but yourself. Keep faith, in other planets and other houses; be it in the face of danger, grief, or while you spread your arms and laugh. Keep faith the same way you keep hope, bright and shiny, ever present. Keep faith in all your queer, beautiful self. Because you deserve it.

This is an anthology of 14 short stories, by 14 queer authors, where faith and queerness intersect. Incidental, purposeful, we-exist-and-that’s-why queerness. And faith meaning whatever you want it to mean.

Buy now!

“And I Entreated” by Bogi Takács

In “And I Entreated,” nonbinary trans kid Gil is preparing for their bar mitzvah on a cramped space station, while their mom Shoshana has turned into a houseplant. “And I Entreated” is a fun story, but it also tackles some serious issues, like how trans people can have different feelings about misgendering, how traditional Jewish observance interacts with nonbinary gender, and whether to keep the term “bar mitzvah” – which is gendered in itself.

I have been writing a lot of stories that are about Jewishness and growing up, in one way or another; and also incorporating trans and/or intersex aspects. And I confess I always wanted to write a story from the perspective of a houseplant! So this time I put the two together. While I was working on “And I Entreated,” our kid was also preparing for his bar mitzvah. Our household is very different – we are two trans parents, for instance –, but some aspects of Jewish family life are similar regardless. Including the endless practicing of the Torah reading: like Gil’s mom, I also know our kid’s Torah portion backwards, forwards, upside down… His bar mitzvah went great, and I have no doubt that Gil’s will too. With this story, I’d like to offer a bit of warmth and belonging to everyone around the world, regardless of religious affiliation.

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“Bigger Than Us” by Megan Manzano

“Bigger Than Us” is about two teenaged girls, Jude and Mari, who have to face a reality they had been ignoring since they were children⁠—Jude could be a Mage. In the country of Aurora, Mages are reincarnations of Gods and are immediately whisked away by the government to become servants of the people. Jude always believed she was meant for this path, but falling in love with Mari threw a rather large wrench in her future. She has to reconcile being a Mage with her love for Mari and if ultimately, either is worth keeping.

While we may not be in a fantasy world like Jude and Mari, it was important to show not every decision is black and white. As a teenager, and especially getting older, we tend to question systems in place and the responsibilities they’ve placed on our shoulders. My hugest motivator for “Bigger Than Us” was teasing out these nuances and making the reader ask what happens when your faith in something is shaken, especially by someone you love.

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“Droplets Of Starlight” by Vanshika Prusty

“Droplets of Starlight” is a short story about Payal, a girl who is head over heels, struggling with her heart and her society. We follow her, an almost eighteen-year-old girl who is bisexual, and who struggles with understanding how she fits into her Indian society because of her sexuality.

Set in New Delhi during the monsoon, “Droplets of Starlight” will take you on a quiet journey of struggle, acceptance and love all under thunderous clouds and starry night skies.

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“Godzilla” by Kate Brauning

I love this story because I love Halloween– I never got to trick-or-treat as a child (though I go every year with my nieces and nephews now!), so it was fun for me to write that into reality. I pretty quickly knew I wanted to write Emily’s story because while in some countries progress toward safety and acceptance has been made for queer kids, even in those places, adolescents find themselves dealing with really complex and difficult situations, often from lacking the relationship modeling cis-gendered, straight people their age often have. Churches meaning to be accepting and welcoming too so often hold their LGBTQ members up like mascots or poster children of their own progressiveness, and the spotlight is a hard place to be as you learn who you are and how to love. An anthology like this full of hard and transformative and hopeful moments about this intersection between faith and queerness is priceless, and I’m so honored to have been able to celebrate that through Emily.

***

“Golden Hue” by Mayara Barros

My story is about finding hope in the unknown and what happens when you die. It’s set in a fantasy world, where people have powers, but technology has also developed to about our current era. Even with all that, there are still mysteries that neither science nor magic can solve.

I lost my grandmother last year and it still hurts some times. She never knew about by queerness, so I guess I wrote this story to tell myself she still loves me wherever she is.

***

“How Not To Die (Again)” by Gabriela Martins

Do you ever just have a crush on someone and deny it so hard that you totally die? Because Margô can’t take all the dying anymore. Every single time she denies her feelings for Josie, the universe flips her off by killing her in a yet more ridiculous way.

I wrote this short story because I think we all deserve some sapphic joy, especially romcom style. Especially ridiculous. Especially Brazilian. Especially trans. Anyway, there’s a lot we deserve! Faith in this story comes very much in the form of having faith in yourself. … because, don’t you doubt it. If you keep self-sabotaging (YOU. You know I’m talking about you!), the universe will find a way to teach you a lesson.

***

“Life Is A Story Of Change” by Elly Ha

Even when she didn’t know the terminology as a young teen, she knew she was ace and aro. Knowing she’ll always be ace, she never expected to doubt herself. Especially not when she gets to college and starts to fall in love with her best friend of almost a decade. What changed? Are her anti-depressants clearing her head so that she can focus on her own long-lost feelings? Is she simply maturing? Are her Korean parents right, and she’s finally found The One? The scarier question continues to gnaw at her: is she still ace if she feels attracted to him this way?

“Life is a Story of Change” is a semi-autobiographical story at the intersection of mental illness, sexuality, and personal faith. I wrote it from my personal experience with self-doubt in questioning my sexuality once I fell in love with who I can only describe as my ride-or-die partner. Despite that I am happily in love, I also endure occasional existential crises, always asking myself, “What am I, if not ace and aro?” For others who end up questioning their hearts, I hope that this story serves as a reminder that you are valid no matter where you land on the a-spectrum. You can be a little ace or entirely ace, or, like me, you can just be sure that you’re not not ace.

***

“Nothing Left Standing” by C. T. Callahan

“Nothing Left Standing” is the story of a queer teen, who—facing abuse and bigoted parents at home—decides to run away with his boyfriend for a chance to find his happily ever after. It’s a story about coming from trauma and pain and learning to put your faith in someone else. And essentially, it’s about that struggle of wanting to be optimistic and proactive, and the fear that that’s naive and you’re just going to get hurt again.

I have a very complicated relationship with religion and capital “F” Faith, so when I was asked to write a story about holding on to faith, I was instantly reminded of my life in high school. I went to a Catholic high school, and while my friends were all praying to God, I was constantly putting my faith in other things—music, people, fiction, etc. In the long run, it’s probably easier to have faith in religion because you aren’t looking at a flawed person who’s guaranteed to mess up, but I’d been so betrayed by it that my last resort was putting faith in people with the constant fear that it was only a matter of time before they let me down. And so I wrote this story to explore that fear, the feeling of sitting on a ledge and knowing it’s only a matter of time before you fall, but doing it anyway because that’s what faith is about, and when your life refuses to give you something to have faith in, sometimes you just have to make your own.

***

“On The Other Side” by Shenwei Chang

“On the Other Side” is a story that draws on my own experiences with Buddhism, which my mom’s side of the family practices. It’s not a very commonly portrayed religion, so I wanted to shine a little light on it. My story doesn’t dig super deep into the belief system, but it does touch on a some of the rituals (disclaimer: Buddhism is an extremely diverse religion/spiritual tradition, so I’m limited to portraying the ones I know).

I also wanted to depict the experience of having an ambivalent relationship with faith and religion that I haven’t seen very often when it comes to fiction. This story is dedicated those of us who are half-familiar and half-ignorant when it comes to our parents’ faiths, who have some exposure but not enough to feel entirely comfortable in a religious setting, who are receptive to immersing ourselves more in it but don’t know how or where to start. This story is also dedicated to all the queer people who wanted to come out to one or both of their parents but didn’t get the chance to because their parent(s) passed away before they could. It’s hard to cope with not knowing how your parent(s) would have reacted and not being able to share something so intimate and important with them. I want those people to know they’re not alone.

***

“Read The Room” by Sofia Soter

“Read the Room” features many of my favorite things: clueless teens, rituals, queerness and polyam crushes. It’s a short and sweet story, centered around Jo, a girl whose experiences with love and spirituality mirror my own in many ways; there’s specificity to her world and life that I sometimes shy away from writing, worrying about how (un)relatable it might be, but I hope it resonates with readers who are—like me, like Jo—looking for connection with others and themselves.

***

“Ten Steps To Becoming A Successful Blogger” by Julia Rios

I’ve been thinking about influencers a lot lately. It’s fascinating to me how and why certain people become cultural touchpoints, and what that means, both for them, and for their followers. In times of difficulty, we can look for messages all around us, and I wanted to think explicitly about the messages I give and the ones I listen to. It’s easy to dismiss Instagrammers and YouTubers as shallow and frivolous, but I think they can be doing good and important work, and I wanted to explore why and how that might happen for queer people who feel isolated in their daily lives. Also, I just really love the idea of a Bigfoot makeover. Glam Bigfoot!

***

“The Language Of Magic” by Adiba Jaigirdar

“The Language Of Magic” is the story of Asha, a Bangladeshi teen in Ireland, who wakes up in the early morning of the new year to a hint of magic in the air. The magic presents her with a vision of her grandmother back in Bangladesh. Motivated by her vision, Asha decides she has to find a way to travel back to Bangladesh, even though she knows it’s almost impossible. But maybe with the help of a stranger, the impossible can be possible.

I was motivated to write “The Language Of Magic” because when I was a kid and living in Saudi Arabia as an immigrant, my maternal grandfather (my nanabhai) suddenly passed away. My Mom was distraught and it was my first major experience with death. But we couldn’t go back to Bangladesh. We couldn’t attend the funeral. We couldn’t comfort my grandmother or the rest of our family. We were mourning but there was so much distance, and that distance created a strange boundary and a sort of emptiness to my sadness. After that experience, I moved to Ireland for good and over time I lost more members of my family. Every time I experienced the same lack of closure, the same kind of distance and emptiness. Unfortunately, this is simply a part of being an immigrant. I wanted to imagine a world where this wasn’t a part of being an immigrant. Where the universe, or magic, wanted to help us out and give us the closure that we need.

***

“The Messenger” by Mary Fan

“The Messenger” tells the story of a woman who transferred her consciousness into a probe in order to explore the multiverse. After years of dimension-hopping alone, she accidentally crash-lands near a pre-industrial civilization and is mistaken for a miracle — a prophesized messenger from the Infinite Spirit. At first, she goes along with it. But when she falls in love with a local girl, she realizes she can no longer keep up the charade.

I grew up atheist—not in a “God is dead” kind of way, but in that religion just wasn’t a thing in our household (probably a byproduct of my parents’ upbringing during the Chinese Cultural Revolution). Yet the studies of religion and faith always fascinated me. I spent years in church choirs both for the music and because I found the rituals fascinating (and was fortunate enough to have very accepting local churches that didn’t care whether their choristers were also worshipers). With “The Messenger,” I wanted to explore the question of just what faith is. And to depict a world where two women can fall in love, and it’s not a big deal.

***

“Whatever She Wants” by Kess Costales

“Whatever She Wants” is a queer fake-dating story about a Filipino teen named Theodora who is asexual and biromantic with a Catholic upbringing. She believes in God as a creator who loves and accepts all people, including those who are queer. The story shows her journey of discovering her sexuality along with her classmates. The story shows her journey toward self-acceptance as she discovers romantic love for her best friend, Magnolia, and for a boy named Alastor. After she and her best friend break up with their boyfriends, they agree to pretend to date each other to make their exes jealous. But the entire, Theodora hides that she’s in love with her. Spoiler: there’s a happy ending to it as they come out to each other and realize that they stopped pretending somewhere along the way.

When Gabhi approached me with this opportunity, I quickly realized the only thing I could write was something personal and similar to my own journey (except being in love with my best friend). I grew up Catholic like Theodora, attending Catholic schools and going to Mass on Sundays. And like Theodora, as I started understanding myself and my sexuality, I realized I couldn’t believe in a God who wouldn’t love all people, especially if He supposedly created us in His image. So I wrote about my doubts and emotions through Theodora and hoped to share a story that resonates with someone else. Plus, it’s always nice to have a chance to write something sweet and fluffy when life is dark and difficult.

***

Fave Five: Queer Autistic Rep, Round 2

For the first round of queer autistic MCs, click here.

Their Troublesome Crush by Xan West (contemp romance)

An Unkindness of Ghosts by Rivers Solomon (sci-fi)

Blood-Bound by Kaelan Rhywiol (fantasy)

No Man of Woman Born by Ana Mardoll (fantasy)

Uncomfortable Labels: My Life as a Gay Autistic Trans Woman by Laura Kate Dale (memoir)

Bonus: In short fiction, check out “A Curse, a Kindness” by Corinne Duyvis in Unbroken!

New Release Spotlight: Proud ed. by Juno Dawson

I’m so excited about this month’s featured new release, the Proud anthology edited by Juno Dawson! Yes, this is UK YA, but thanks to Book Depository, you can buy it in the US as well! Not only are the stories in this collection wonderful and adorable and full of glorious representation all over the LGBTQ spectrum, but it’s also got stunning illustrations created especially for each story.

The authors have been kind enough to share a little more information on their stories, so read on to learn more about the book and it’s awesome contents!

A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.

A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.

Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.

Buy it: Amazon UK | Waterstones | Book Depository

“The Courage of Dragons” by Fox Benwell

The Courage of Dragons was born out of necessity, in that sometimes being proud is a process: a constant, political, active thing, and sometimes being brave enough for that is hard. Figuring yourself out, fighting archaic and terrible systems and virulent media, and finding somewhere you belong: all hard. The trials of proper swords-and-honour heroes.

We all know what it’s like to wish we were those heroes, that we could go around righting awful wrongs and saving hapless princes in our own everyday lives, and that got me to thinking: what if you could borrow some of that spirit and – together with a band of faithful friends – fix some of the stuff society has broken?

Dragons is that story. It’s a tribute to the power of legend and imagination and belief, and friendship (because honestly, without my own D&D party and the friends within it I’d be lost and lonely somewhere in the mines).

“As The Philadelphia Queer Youth Choir Sings Katy Perry’s ‘Firework’”… by David Levithan
Illustration by Steve Antony for David Levithan’s story

My story is a chorus of voices from LGBTQ+ teens. When I set out to write it, I knew that it was going to involve a young member of a gay men’s chorus…but many different voices tell their stories – all louder together than apart. Stylistically, the typesetting (especially indentation) is VERY important here. Imagine a crescendo of perspectives all clamouring to be heard.

“Dive Bar” by Caroline Bird

The poem is all about finding the pride to come out. So many old gay clubs had to be underground, down steep flights of stairs into windowless cellars. The gateways club in Euston for example:  (The club was described as having a green door with a steep staircase leading down to a windowless cellar bar) And this secrecy has a sexiness to it and an exciting clandestine feeling to it… but it’s also a trap, we were literally driven underground… swallowed under the city.

The poem is a process of being driven deeper and deeper underground both in society and inside yourself  – Your Secret’s Safe with me/ your secret’s in a safe/ your secret is yourself – and then suddenly realising you can’t breathe, you can’t be illicit, you can’t be forbidden you have to overcome these ‘dead laws’ and run up the stairs out into the open … into the sunlight…

Pride is difficult. It’s scary. Especially when you’re young. That is why I didn’t want to patronise the reader by pretending like it’s easy to be yourself… often the process of finding yourself is preceded by a long stint of self-denial and burial and suppression until you’re finally so suffocated, so ‘windowless’ that you need to break down those walls in yourself and escape…

Dive Bar is a celebration of self-exploration, of the kinds of dim lit bars that are the places where the Pride movement was dreamt up in.

“Almost Certain” by Tanya Byrne

When Juno approached me to write something for PROUD, I knew that I wanted to set it in Brighton. People travel from all over the country for Brighton Pride because they know that they will be safe – and welcome – here. ALMOST CERTAIN was supposed to be a celebration of that, but as I began to write it, I couldn’t help but reminisce on my own experiences as a teenager. I didn’t come out until I was 40 and I’ve often wondered if I would have come out sooner if I had lived somewhere like Brighton, but what if I didn’t? What if all those reasons I didn’t come out – fear that it was just a phase and I’d change my mind, fear that my friends and family wouldn’t accept me, fear that someone would hurt me – were still there despite living in a town that is so accepting of the LGBTQ community. That’s how Orla’s story came about, because I know there are teenagers like her, not just in Brighton, but around the world, who are scared and confused and need to know that it’s okay to not know who they are yet. ALMOST CERTAIN is the story I needed to read when I was sixteen and if a teenager like Orla finds it, I hope it makes them feel less alone.

“Penguins” by Simon James Green

I felt like everywhere I looked, I was seeing gay penguins. There were some at an aquarium in Sydney; a pair from a Danish zoo who ‘kidnapped’ a chick from a neglectful straight couple, and, of course, Roy and Silo at Central Park Zoo, who famously inspired the picture book, AND TANGO MAKES THREE. In each case, there was a serious amount of media attention – people were fascinated. Two things occurred to me. First, what must it be like if you’re a teen, all set to come out, only to find everyone’s more interested in some gay penguins who have beaten you to it? Second, boys going to Prom in their black and white tuxes look a bit like penguins. Combining the two was irresistible.

“Love Poems to the City” by Moïra Fowley-Doyle

In the patchwork of any story, a couple of scraps are always taken from your own life. Sometimes you put them there on purpose, sometimes they kind of just get stitched in by accident and you only realise it once the quilt is made. Love Poems to the City ended up being a patchwork heavily influenced by a particular time in my life.

When I was asked to write a story on the theme of pride, two very specific things were happening in my life side by side. I was campaigning for the referendum to repeal the 8th amendment, so everything was posters and placards lashed to lampposts, handing out fliers and YES badges. And my marriage was ending, so I was having a lot of feelings about love and marriage. I didn’t set out to write a story about two teen girls with divorced parents campaigning for the 2015 equal marriage referendum, but it’s what my subconscious came up with.

During the marriage referendum my old secondary school (which was the first school in Ireland to set up an LGBT group for students) made the news because, in answer to the scores of NO posters on the road outside, students painted a rainbow across the main gates. I don’t know who painted it or what their stories were, but that rainbow got stitched into my patchwork. I wanted to write about pride in community and pride in activism. I wanted to write about love for a city and a city that speaks back. And I wanted to write about that rainbow.

“I Hate Darcy Pemberley” by Karen Lawler

I’ve always loved retellings – Clueless and 10 Things I Hate About You are two of my absolute favourites – and I’m a HUGE sucker for a lesbian romcom. So when I saw the prompt for Proud, which asked for a response to the theme of pride, the first thing that popped into my head was Pride and Prejudice. It’s always struck me that today the surname Darcy is commonly used as a girls first name, especially in the States, so I was off.

I had a lot of fun with little P&P Easter eggs – Pemberley is my Darcy’s surname because that was the name of Darcy’s estate in Austin’s book – and some elements of the book had to stay. Wickham is still the worst; Jane is still too nice for her own good. But I had a lot of fun reimagining other bits, especially Lydia, who I always felt got a bit of a short shrift in Austin’s novel, and for all her faults deserved better than to be married to Wickham. And of course the most important thing is still there: the hilarious, pride-filled romance between Lizzie and Darcy.

“The Other Team” by Michael Lee Richardson

My story ‘The Other Team’ is about a queer football team rallying around their trans star player.

When I was trying to come up with stories for Proud, I realised pretty quickly that I wanted to write something about friendship. There are lots of LGBTQI+ stories about love and romance and relationships, and those are great, but not as many about queer friendships, and those are really important to me.

I work with LGBTQI+ young people, and – despite knowing next to nothing about sport! – I’ve somehow found myself working for a sports organisation. I’ve taken lots of young people on day trips and weekends away to a play sport, and a lot of those experiences went into the story.

Working for a sports organisation, I realise how many issues there still are for LGBTQI+ people in sport, and I wanted to make sure the story stayed true to them.

I really wanted to get over the feeling of the pride you can feel, being part of a team – even when things aren’t going well! – and how important it is to feel like part of something.

“The Phoenix’s Fault” by Cynthia So

If you go to a Chinese wedding, you might see a picture of a dragon and a phoenix. It’s a popular symbol of a harmonious, heterosexual marriage—the dragon represents the man, and the phoenix the woman. Growing up in Hong Kong, even if I don’t really remember ever going to a wedding, I still saw this symbol around. Big Chinese restaurants there usually have a wall with a massive dragon and a massive phoenix on it to serve as the backdrop for wedding banquets.

When I was fifteen, I wrote a poem called “defying tradition” that ends “I will stand as a traitor, / not in between the phoenix and the dragon, / but next to a woman who, / like me, / seeks a phoenix to match her own”. I’ve always wanted to expand on the ideas that I touched on in that poem, about the heternormative expectations that these two mythical beasts represent in Chinese culture. So when I saw that the theme for this anthology was pride, the dragon and the phoenix immediately came to mind. They’re proud creatures, after all. I was thinking too of the pride that many parents feel when their children get married, and other ways someone might be able to make their family proud. So I wrote “The Phoenix’s Fault”, set in a world in which phoenixes and dragons are real, to see how a girl who has a pet phoenix might respond to these expectations that are placed upon her shoulders. What does she do when having a pet phoenix seems to destine her for marriage to the Emperor, but her heart wants something—someone—else?

“On The Run” by Kay Staples

‘On the Run’ is about two queer kids who have the chance to run away together and be themselves. It’s especially important for protagonist Nicky, who’s trying to figure out if he, or she, or they, are trans or not.

Uncertainty is what I really wanted to write about, since it’s something that marks adolescence for a lot of LGBTQ+ people. We take some time to work ourselves out, and all the while we’re being told that our orientation, gender, or gender presentation might be something shameful – and pride is the antithesis to that.

So, I came to this theme with the idea that you can be proud of who you are even if you aren’t sure who that is yet. Things will be okay whatever the answer is, just like they will be for Nicky and Dean.

“The Instructor” by Jess Vallance

When I was thinking about the theme of pride, I tried to work out what my own proudest achievement was and I realised it was probably passing my driving test! It took me two years and six tests. The idea of driving lessons as the backdrop of the story really appealed to me – I’ve always liked stories with small casts of characters with the bulk of the story covered as dialogue between them.

I also wanted to write something about the pain of relationships where the same-sex element is largely irrelevant to the confusion. The story is about the difficulties of working out what you mean to another person, when to speak up and what happens after you have – things that no one ever can be sure they’re getting right, whatever the gender of the people involved.

New Releases: March 2019

The Fever King by Victoria Lee (1st)

The Fever King (Feverwake, #1)In the former United States, sixteen-year-old Noam Álvaro wakes up in a hospital bed, the sole survivor of the viral magic that killed his family and made him a technopath. His ability to control technology attracts the attention of the minister of defense and thrusts him into the magical elite of the nation of Carolinia.

The son of undocumented immigrants, Noam has spent his life fighting for the rights of refugees fleeing magical outbreaks—refugees Carolinia routinely deports with vicious efficiency. Sensing a way to make change, Noam accepts the minister’s offer to teach him the science behind his magic, secretly planning to use it against the government. But then he meets the minister’s son—cruel, dangerous, and achingly beautiful—and the way forward becomes less clear.

Caught between his purpose and his heart, Noam must decide who he can trust and how far he’s willing to go in pursuit of the greater good.

Buy it: B&N | Amazon

The Last 8 by Laura Pohl (5th)

The Last 8 (The Last 8, #1)A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave 

Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.

When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.

Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.

Buy it: B&N | Amazon

After the Eclipse by Fran Dorricott (5th)

After the EclipseA stunning psychological thriller about loss, sisterhood, and the evil that men do, for readers of Ruth Ware and S.K. Tremeyne

Two solar eclipses. Two missing girls.

Sixteen years ago a little girl was abducted during the darkness of a solar eclipse while her older sister Cassie was supposed to be watching her. She was never seen again. When a local girl goes missing just before the next big eclipse, Cassie – who has returned to her home town to care for her ailing grandmother – suspects the disappearance is connected to her sister: that whoever took Olive is still out there. But she needs to find a way to prove it, and time is running out.

Buy it: B&N | Amazon

Real Queer America: LGBT Stories from Red States by Samantha Allen (5th)

40274696A transgender reporter’s narrative tour through the surprisingly vibrant queer communities sprouting up in red states, offering a vision of a stronger, more humane America.

Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she’s a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn’t changed is her deep love of Red State America, and of queer people who stay in so-called “flyover country” rather than moving to the liberal coasts.

In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: “Something gay every day.” Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.

Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.

Buy it: B&N | Amazon

Alice Payne Rides by Kate Heartfield (5th)

39332603This is the second book in the Alice Payne series

After abducting Arthur of Brittany from his own time in 1203, thereby creating the mystery that partly prompted the visit in the first place, Alice and her team discover that they have inadvertently brought the smallpox virus back to 1780 with them.

Searching for a future vaccine, Prudence finds that the various factions in the future time war intend to use the crisis to their own advantage.

Can the team prevent an international pandemic across time, and put history back on its tracks? At least until the next battle in the time war…

Buy it: B&N | Amazon

The Parting Glass by Gina Marie Guadagnino (5th)


By day, Mary Ballard is lady’s maid to Charlotte Walden, wealthy and accomplished belle of New York City high society. Mary loves Charlotte with an obsessive passion that goes beyond a servant’s devotion, but Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past. Because Mary’s fate is linked to that of her mistress, one of the most sought-after debutantes in New York, Mary’s future seems secure—if she can keep her own secrets…

But on her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self—Irish exile Maire O’Farren—and finds release from her frustration in New York’s gritty underworld—in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of a barkeeper and members of a dangerous secret society.

Meanwhile, Charlotte has a secret of her own—she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences. Forced to choose between loyalty to her brother and loyalty to Charlotte, between society’s respect and true freedom, Mary finally learns that her fate lies in her hands alone.

Buy it: Amazon | B&N | IndieBound

Proud ed. by Juno Dawson (7th)

A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.

A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.

Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.

Buy it: Amazon UK | Waterstones | Book Depository

Besotted by Melissa Duclos (12th)

Besotted is the ballad of Sasha and Liz, American expats in Shanghai. Both have moved abroad to escape—Sasha from her father’s disapproval, Liz from the predictability of her hometown. When they move in together, Sasha falls in love, but the sudden attention from a charming architect threatens the relationship. Meanwhile, Liz struggles to be both a good girlfriend to Sasha and a good friend to Sam, her Shanghainese language partner who needs more from her than grammar lessons. For fans of Prague by Arthur Phillips and The Expatriates by Janice Y.K. Lee, Besotted is an expat novel that explores what it means to love someone while running away from yourself.

Buy it: Amazon | B&N

The Summer of Dead Birds by Ali Liebegott (12th)

In a chronicle of mourning and survival, Ali Liebegott wallows in loneliness and overassigns meaning to everyday circumstance, clinging to an aging dog and obsessing over dead birds. But these unpretentious vignettes are laced with compassion, as she learns to balance the sting of death with the tender strangeness of life.

Buy it: B&N | Amazon

 

Squad by Mariah MacCarthy (12th)

SquadThis darkly comic debut novel by an award-winning playwright is like Mean Girls meets Heathers with a splash of Bring it On.

Jenna Watson is a cheerleader. But it’s not some Hollywood crap. Cheerleaders are not every guy’s fantasy; they are not the “popular girls” or the “mean girls” of Marsen High School. They’re too busy for that. They’re literally just some human females trying to live their lives and do a perfect toe touch. But that all changed after Raejean stopped talking to Jenna and started hanging out with Meghan Finnegan. Jenna stopped getting invited out with the rest of the squad and she couldn’t tell if it was on purpose or if it was all in her head.

At times heartbreaking, at others hilarious, Squad follows Jenna through her attempts to get revenge on Raejean and invent a new post-cheer life for herself through LARPING (live action role-playing) and a relationship with a trans guy that feels like love—but isn’t. In the, end Jenna discovers that who she is is not defined by which squad she’s in.

Buy it: B&N | Amazon

Kiss Number 8 by Colleen AF Venable (12th)

Mads is pretty happy with her life. She goes to church with her family, and minor league baseball games with her dad. She goofs off with her best friend Cat, and has thus far managed to avoid getting kissed by Adam, the boy next door. It’s everything she hoped high school would be… until all of a sudden, it’s not.

Her dad is hiding something big—so big it could tear her family apart. And that’s just the beginning of her problems: Mads is starting to figure out that she doesn’t want to kiss Adam… because the only person she wants to kiss is Cat.

Kiss Number 8, a graphic novel from writer Colleen AF Venable and illustrator Ellen T. Crenshaw, is a layered, funny, sharp-edged story of teen sexuality and family secrets.

Buy it: B&N | Amazon

The Widening Gyre by Michael R. Johnston (14th)

Eight hundred years ago, the Zhen Empire discovered a broken human colony ship drifting in the fringes of their space. The Zhen gave the humans a place to live and folded them into their Empire as a client state. But it hasn’t been easy. Not all Zhen were eager to welcome another species into their Empire, and humans have faced persecution. For hundreds of years, human languages and history were outlawed subjects, as the Zhen tried to mold humans into their image. Earth and the cultures it nourished for millennia are forgotten, little more than legends.

One of the first humans to be allowed to serve in the Zhen military, Tajen Hunt became a war hero at the Battle of Elkari, the only human to be named an official Hero of the Empire. He was given command of a task force, and sent to do the Empire’s bidding in their war with the enigmatic Tabrans. But when he failed in a crucial mission, causing the deaths of millions of people, he resigned in disgrace and faded into life on the fringes as a lone independent pilot.

When Tajen discovers his brother, Daav, has been killed by agents of the Empire, he, his niece, and their newly-hired crew set out to finish his brother’s quest: to find Earth, the legendary homeworld of humanity. What they discover will shatter 800 years of peace in the Empire, and start a war that could be the end of the human race.

Buy it: Amazon | B&N | Flame Tree Publishing

The Weight of the Stars by K. Ancrum (19th)

The Weight of the StarsRyann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.

One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.

Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .

In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.

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Video Games Have Always Been Queer by Bonnie Ruberg (19th)

While popular discussions about queerness in video games often focus on big-name, mainstream games that feature LGBTQ characters, like Mass Effect or Dragon Age, Bonnie Ruberg pushes the concept of queerness in games beyond a matter of representation, exploring how video games can be played, interpreted, and designed queerly, whether or not they include overtly LGBTQ content. Video Games Have Always Been Queer argues that the medium of video games itself can—and should—be read queerly. 

In the first book dedicated to bridging game studies and queer theory, Ruberg resists the common, reductive narrative that games are only now becoming more diverse. Revealing what reading D. A. Miller can bring to the popular 2007 video game Portal, or what Eve Sedgwick offers Pong, Ruberg models the ways game worlds offer players the opportunity to explore queer experience, affect, and desire. As players attempt to ‘pass’ in Octodad or explore the pleasure of failure in Burnout: Revenge, Ruberg asserts that, even within a dominant gaming culture that has proved to be openly hostile to those perceived as different, queer people have always belonged in video games—because video games have, in fact, always been queer.

Buy it: Amazon | B&N

The Perfect Assassin by K.A. Doore (19th)

Divine justice is written in blood.

Or so Amastan has been taught. As a new assassin in the Basbowen family, he’s already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs.

Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, Basbowen’s finest start showing up dead, with their murderous jaan running wild in the dusty streets of Ghadid. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed.

Every life has its price, but when the tables are turned, Amastan must find this perfect assassin or be their next target.

Buy it: Amazon | B&N | IndieBound

Small Town Hearts by Lillie Vale (19th)

Small Town HeartsRule #1 – Never fall for a summer boy. 

Fresh out of high school, Babe Vogel should be thrilled to have the whole summer at her fingertips. She loves living in her lighthouse home in the sleepy Maine beach town of Oar’s Rest and being a barista at the Busy Bean, but she’s totally freaking out about how her life will change when her two best friends go to college in the fall. And when a reckless kiss causes all three of them to break up, she may lose them a lot sooner. On top of that, her ex-girlfriend is back in town, bringing with her a slew of memories, both good and bad.

And then there’s Levi Keller, the cute artist who’s spending all his free time at the coffee shop where she works. Levi’s from out of town, and even though Babe knows better than to fall for a tourist who will leave when summer ends, she can’t stop herself from wanting to know him. Can Babe keep her distance, or will she break the one rule she’s always had – to never fall for a summer boy?

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Anyone But You by Chelsea M. Cameron (19th)

Things are going great for Sutton Kay, or at least they were. Her yoga studio is doing well, she’s living with her best friend, and she just got two kittens named Mocha and Cappuccino. Sure, she doesn’t have a girlfriend, but her life is full and busy.

Then her building is sold and the new landlord turns out to be the woman putting in a gym downstairs who doesn’t seem to understand the concepts “courtesy” and “don’t be rude to your tenants.” Sutton can’t get a read on Tuesday Grímsdóttir, but she can appreciate her muscles. Seriously, Tuesday is ripped. Not that that has anything to do with anything since she’s too surly to have a conversation with, and won’t stop pissing Sutton off.

Sutton’s life gets interesting after she dares Tuesday to make it through one yoga class, and then Tuesday gives Sutton the same dare. Soon enough they’re spending time working out together and when the sweat starts flowing, the sparks start flying. How is it possible to be so attracted to a person you can barely stand?

But when someone from Tuesday’s past shows up and Sutton sees a whole new side of Tuesday, will she change her mind about her grumpy landlord? Can she?

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Lot: Stories by Bryan Washington (19th)

In the city of Houston – a sprawling, diverse microcosm of America – the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.

Around him, others live and thrive and die in Houston’s myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.

Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.

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Long Live the Tribe of Fatherless Girls by T’kira Madden (19th)

Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.

As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.

With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

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Once & Future by Amy Rose Capetta and Cori McCarthy (26th)

Once & Future (Once & Future, #1)I’ve been chased my whole life. As an illegal immigrant in the territory controlled by the tyrannical Mercer corporation, I’ve always had to hide who I am. Until I found Excalibur.

Now I’m done hiding.

My name is Ari Helix. I have a magic sword, a cranky wizard, and a revolution to start.

When Ari crash-lands on Old Earth and pulls a magic sword from its ancient resting place, she is revealed to be the newest reincarnation of King Arthur. Then she meets Merlin, who has aged backward over the centuries into a teenager, and together they must break the curse that keeps Arthur coming back. Their quest? Defeat the cruel, oppressive government and bring peace and equality to all humankind.

No pressure.

Buy it: B&N | Amazon | Books of Wonder (signed preorder)

Out of Salem by Hal Schrieve (26th)

Out of SalemWhen genderqueer fourteen-year-old Z Chilworth wakes from death after a car crash that killed their parents and sisters, they have to adjust quickly to their new status as a zombie. Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.

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Miranda in Milan by Katharine Duckett (26th)

With Miranda in Milan, debut author Katharine Duckett reimagines the consequences of Shakespeare’s The Tempest, casting Miranda into a Milanese pit of vipers and building a queer love story that lifts off the page in whirlwinds of feeling.

After the tempest, after the reunion, after her father drowned his books, Miranda was meant to enter a brave new world. Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.

With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.

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Fiction, Platonic Relationships, and Common Bonds: an Aromantic Roundtable

Aromantic Awareness Week may be over for 2019, but that doesn’t mean your Aromantic Awareness (or enjoyment of Aromantic fiction) has to be! I’m psyched to welcome to the site today an aromantic roundtable headed by Claudie Arseneault, author of books including City of Strife and Baker Thief and the brains/work behind the incredible Aro Ace Database. Claudie is also one of the editors of Common Bonds, a crowdfunded aromantic spec fic anthology, you definitely don’t wanna miss!

And now, I’ll let Claudie and her roundtable take it away…

Common Bonds is an anthology of speculative fiction with aromantic characters and platonic relationships at its heart. Finding this sort of fiction is a desire I’ve often seen other aromantic people express, and I absolutely share it. There’s an entire genre dedicated to romance, but when it comes to the other forms of bonding like friendships, you often have to rely on your detective skills to find stories centering them. So I teamed up with other awesome editors (C.T. Callahan, B. R. Sanders, and RoAnna Sylver) and we decided to make this a reality.

I obviously have a lot of things to say on the topic, and I’m sure I’ll have plenty of opportunity to say them, but I wanted to pass the mic to other aromantic bookish people not directly involved in the anthology and hear their thoughts on aromanticism, fiction, and platonic relationships. Turns out they had a lot to say, too, and it was awesome! So here we go.

Claudie : Hello and welcome to this aromantic roundtable! Before we get to the meaty discussions, please introduce yourselves a little!

Fadwa: Hi, everyone! My name’s Fadwa (she/her) and I’m a bisexual grayromantic Moroccan Muslim girl. It’s a mouthful haha. I’m a 22 years old perpetually exhausted medical student.

Lynn: Hello! I’m Lynn (she/they) and I’m a demiromantic demisexual author who is very bad at humour. (I was going for something humorous and failed.) Like Fadwa, I’m perpetually exhausted, though not a medical student. I was literature through and through. Also I ramble. You have been warned.

Rosiee: *Waves* I’m Rosiee (she/her), an aromantic grayasexual author, and I’m proposing we all take a nap.

Claudie: Proposition accepted, Rosiee. Let’s start with something fun. What are your favourite platonic relationships in fiction? Do you have any specific examples in mind? Why did those resonate?

Lynn : It’s cheating to say “Anything Cal-from-Isandor-related”, isn’t it? Honestly, these are my fave relationships just because Cal is a cinnamon roll darling. More so, he gets to be a cinnamon roll darling who learns he does not have to sacrifice his happiness for his friends. Like… The first time I saw a platonic relationship in fiction was in M.C.A. Hogarth’s Mindtouch and I love those books very much and I will love Vasiht’h forever, but the further along the setting goes, the more Vasiht’h seems to sacrifice everything he wants to the happiness of his partner and just… Well, with Cal’s narrative we actually have the opposite to some extent because Cal is in a friendship that is abusive, and one of the things he has to learn is that he matters too. I mean, he knows that, but he has some trouble applying it to his friendships. And that resonated a lot with me.

Claudie: Your cheating is accepted, even if it’s a bit awkward that you immediately jumped to my writing. ^^;

Rosiee: I had to think about this question for a whole day, to be honest. I kept trying to narrow my search parameters and think of platonic relationships that weren’t sibling relationships. But the thing is, sibling relationships are some of my favorites. I tend to gravitate toward relationships that I know from the get-go won’t turn romantic, and sibling relationships generally have the smallest chance of turning. Relationships like Anna and Elsa from Frozen, Katara and Sokka from Avatar the Last Airbender, Lada and Radu from And I Darken have always called to me. Maybe it’s because I never had any siblings, myself, but there’s just so much to explore within familial relationships like that, especially when the characters are growing as individuals.

Fadwa: Like Rosiee, I had to give this one a lot of thought looking for platonic relationships other than siblings because sibling dynamics have always been my favorites too see explored in media. In my case, it’s because I have a little sister I’m very close with and love to see my experiences with her mirrored. And even when the dynamic isn’t the same as the one I have with her, I love to see how different those relationships can be from one pair of siblings to another. I actually love Katara and Sokka’s relationship, it’s just so spot on, they get on each others’ nerves but at the end of the day love each other and would do anything for each others happiness and safety.

Rosiee:  I’ve also always had a soft spot for platonic relationships–and really, all types of relationships–that stem from a place of mutual respect. There’s really nothing that keeps my attention more than two nerds recognizing a pieces of themselves in each other and then working together to achieve great things. For example, Zuko and Aang from Avatar the last Airbender come together after a looooong time fighting, and their understanding of each other’s strengths is touching, and ultimately results in powerful friendship! The relationship between Luna Lovegood and Harry Potter, while not without its problems, also shows two people who have experienced great pain in life recognizing it in each other, and feeling less alone. I always felt that relationship was a lot stronger than anyone gave it credit for.

Fadwa: I also have a soft spot for people who bond over similar experiences (generally traumatic) and help each other through them, whether they live said experiences together or meet after the fact. I loved Rin and Kitay from The Poppy War, who become friends very quickly after realizing that both are the outliers at the academy and are each others’ emotional support through their brutal training at the academy and later on a brutal war.

Lynn: Ooooh, yeeees. Rin and Kitay were wonderful! I like how you both picked up on sibling relationships in fiction. I guess I’m the opposite of Rosiee in that. Not that I don’t love familial relationships – I do – but I don’t feel like I was ever drawn to siblings specifically. For me it’s largely cousins. There’s a real difference in relationships between the characters in the Famous Five by Enid Blyton when it comes to the sibling relationships and the cousin ones. I was drawn to those books so much when I was a child and, yeah, the lack of romance was probably a real factor in it.

Claudie: Something really prevalent in both of your answers (Cal learning that he matters too, mutual respect, bonding through similar trauma) is that sense of people treating each other as equals. Any thoughts on platonic relationships that have an inherent power differential, such as mentor/student and parent/child? Do those tend to work less for you, or do they need something different to capture your heart?

Rosiee: Mentor/student relationships can be so powerful and really touching. Jumping off Avatar again, the relationship between Zuko and his uncle, Iroh, always shines for me. Obviously there’s a familial relationship there as well, but the mentorship itself takes on such an important role in Zuko’s personal growth—it’s as much about learning to use his bending power as it is about learning to be a person. Other examples that come to mind are Harry Potter and Remus Lupin, who share so much in terms of grief and history, and Sallot Leon from Mask of Shadows and the other members of the Left Hand–especially in the second book. Sal’s relationships with the other members of the Left Hand are particularly fascinating from the perspective of age, since Sal is much younger than the rest of them, but they all have a shared responsibility.

Lynn: Hmmm… You know, I don’t think I do? But then I think most mentor/student relationships end up with the mentor dead, so… Yeah. (I like my relationships to survive the end of at least the first book. T_T)

Rosiee: One last example, which I’m actually uncertain about, is the teacher/student relationship between Numair and Daine in Tamora Pierce’s Immortals quartet. I found this relationship really interesting and touching for the first few books, but it does take a romantic turn that I hadn’t expected. I’m still very iffy on how much this impacts my feelings about that relationship. The mentor/student relationship, especially when one of them is a teen, should be a promise of a platonic relationship. When they end up turning romantic or sexual, it feels like a betrayal of that promise.

Claudie: I’m with you on that one, Rosiee. There are some mentor relationships I’d really like to see submitted to an always-platonic reader contract. One of the reasons Common Bonds has a platonic focus was the ubiquity of romance within queer lit circles, through call for submissions, lists by romantic pairings, etc., and how little space it left for aromantic people and for the stories surrounding other types of relationships. Can you share your experiences navigating those spaces, both positive and negative? Are there things you’d love to see more of?

Fadwa: I am huge romance reader and fan, which means that for a long time, even if some romances in books didn’t sit well with me, I didn’t really know why or have any negative experiences with the lack of platonic relationships. Then, a couple years back, I came out to myself as aromantic, and that’s when I started truly realizing why certain romances irked me. Sometimes I just did not feel like reading at all, because I knew I was going to be confronted with a romance I did not care for. And my biggest issue is with *forced* romance, meaning romance with no kind of chemistry whatsoever, and that’s there just to fill some kind of quota. I realized that the reason I consume romance books so much is because at least then I am making the conscious choice to read about romantic relationships and that they weren’t just thrown without having a point in the story, because a lot of the time, reading outside of the romance genre, I like the characters that are pushed together a lot better in strictly platonic relationships.

Claudie: Loving characters better in strictly in platonic relationships is the story of my life, honestly.

Lynn: I admit the prevalence of romance wasn’t something I paid much attention to until I started learning more about aromanticism and realised this could be questioned or challenged. Once you notice it you start to see how prevalent those romantic relationships are even, at times, in shows that are explicitly touted as being about friendship.

I’d want to see more awareness of aromanticism in general. Where do we go to tell our stories? The way queer publishers handle it makes it sound like there’s no room for us. There’s always the pressure to add romance. It may not always be the publisher itself, but the general sense of society. Like editors expect it because the audience expects it, which then means the audience expects it because editors do and tada! A vicious cycle has been created and it ends up shutting aros out.

Rosiee: I agree with everything Lynn said–it’s really disheartening and feels exclusionary to see those calls for submissions. Even when they don’t specify a pairing type, if it’s a call for queer submissions or “LGBT+” submissions, I often wonder if the “A” is included in that plus sign. Even organizations like Lambda Literary, who are supposed to be advocates for the community, don’t put the “A” in their acronym.

It’s the same with calls for submission, or even MSWL tweets from agents. It’s the reason why it took me nearly a dozen revisions of my debut to finally put the words “aromantic” and “asexual” on the page. I didn’t feel comfortable doing it until I was given express permission from my editor, who was absolutely wonderful about it. I think gatekeepers honestly don’t realize how much power they have to shape who submits to them. Self-rejection gets easier and easier the longer the world rejects you, and that’s tough to combat sometimes.

Fadwa: There’s also the micro-agressions that are so prevalent and normalized in books. They range from the classic “Just friends” or “More than friends” that I can mostly just ignore to the “What normal person has never experienced romantic attraction” that make me put the book down and never look back. Sometimes navigating media as an aro person can feel like a battlefield and it forces you to “grow a thick skin”. We shouldn’t have to grow a thick skin, we shouldn’t accommodate to things than can be potentially hurtful to us. Publishing and media as a whole should make a greater effort to create a safe space that we can navigate without that fear at the back of our minds of being dehumanized.

Lynn: Oh goodness yes the microaggressions. I honestly find that they bother me more the more I learn, especially when some of the classic ones you mentioned are so easily avoided with the only meaning lost being “friendship is a lesser type of relationship” which… firstly, no, it isn’t. Secondly, why wouldn’t you want to learn how to be more accurate with your language?

Fadwa: And exactly, those sentences not being there never changes anything to the story itself which makes them easily removable so why not just… listen to us for once and remove them?

Claudie: So, beyond publishers and authors making an effort to watch their language, are there any other steps you’d like to see taken? Resources you’d love to have? I’ve had a few publishers change their call for subs to explicitly include deep, meaningful relationships beyond romance in their calls after I pointed out the problem for aro people, but that’s only one element.

Rosiee: Publishers changing the way they describe their calls for submissions is a great step, but it’s very common to see gatekeepers–editors, agents etc.–use exclusive language in their calls for submission, even when they’re attempting to be inclusive. I’ve seen agents and editors call for subs by singling out m/m or f/f as if those two designations encompass all queer experiences. I’d like to see more gatekeepers make an effort to educate themselves about the identities they want to boost.

Lynn: Those are some really good points, Rosiee. I think there’s still a ton of awareness that needs to be raised in general. It’s easy to try to be inclusive of the most visible groups, but that just leaves the less-visible ones in the dust.

Rosiee: It isn’t allyship unless it uplifts us all. I actually recently saw this happen with an agent during a Q&A session. The agent was asked about writing f/f as a non-queer person and–trigger warning for aphobia and bi/panphobia here–the agent said that unless the author has had sex with a woman, she cannot write f/f. The agent’s statement was acephobic to begin with, but it also erases so many other experiences and identities that do not require actions to be valid, since sexuality is about feelings and attraction, not about actions.

Fadwa: That…was kind of jarring to read so thank you for the TW!  at the end of the day, we’re all bound to mess up sometimes, you can’t get it right from the first try but things like this are just… a given. This is basically 101 allyship and at this point we should be past that, we should have the basics nailed down and be working towards how to be better and make publishing (and other industries) a safe space for everyone. So it’s kind of disheartening when we’re still working on the very basics of allyship. Take as an example Valentine’s Day. Being on social media was hard, because everything was so amatonormative and aggressively romance centric. There was so much emphasis on having a romantic partner and the fact that your life is lacking and that “you shouldn’t despair” if you don’t have one. Every other tweet was erasing or invalidating aro people. I wish more people were aware of the fact that there is more to love than romantic love.

Rosiee: That’s a really good point, Fadwa! Valentine’s Day is such a tough day because of the romance centric language used basically everywhere. I also saw a fair bit of arophobia disguised as ace-inclusion.

Claudie: Valentine’s Day is always such a mess. I’m glad we have Aromantic Awareness Week right after to wash some of the aftertaste away.  Do you think your aromanticism impacts the way you develop platonic relationships? How so? In your priorities, the ways you choose to engage or not?

Lynn: Probably? I think it’s more that society’s view impacts it, though. You know that whole thing about how men and women can’t be ‘just friends’? That’s been really strong with some of the friendships I’ve had and I have moments where I’m just not sure if people will misinterpret the fact that I’m a touch-oriented cuddly person. That does not mean I’m into someone romantically (or sexually). It just means I like hugs and show affection through hugs. I can end up with anxiety because I don’t know how people interpret my actions and I worry about them thinking I’ve somehow tried to lead them on. And it sucks when you can’t tell people you love them platonically because the moment they reach ‘love’, they’re already misinterpreting your meaning and nothing else matters. Or possibly that’s just some people getting hung up on failing to understand aromanticism, but it still hurts.

Rosiee: Oof. That’s rough, Lynn. There’s so much communication that can happen through touch, and that anxiety is something I’ve definitely felt before. It’s so hard to know how someone else is reading your actions. I’ve also had a very opposite experience with regard to showing affection, since I’m not generally a very touchy person. I used to be a competitive swing dancer, and that community enforces an extremely allo culture, but also a very touch-centric culture (often conflating physical touch with physical attraction and gosh I could talk about that for paaages). People used to get offended or weirded out if I didn’t want to hug them after we had a fun dance or if I didn’t want to join the big cuddle pile, or didn’t want to go back to someone’s room alone with them for a “drink”. This has often resulted in some… not great insults used against me, and a general impression that I’m not fun. On the contrary, I’m actually a very friendly and outgoing person.

Fadwa: I saw a lot of myself in what Rosiee said, I am naturally a very outgoing and flirty person and not gonna lie, I enjoy flirting but I have been numbered a tease because with that comes the expectation of something either romantic or sexual, whereas to me, nothing means that I want something non-platonic unless I state that’s what I want. I detest the “mixed signals” culture because why would you interpret my words as more than what they are when they mean nothing more than what I actually say. This all has made for some pretty unpleasant, and sometimes traumatizing experiences that turned me into a person who always keeps people at arms’ length out of fear and anxiety that people would get the wrong impression, which goes against my nature of being an outgoing person. I especially love sarcasm and teasing people but that’s like the number one thing that always gets taken the wrong way. I’m always hyper aware of what I say and what I do and go out of my way to tone down my personality, because I’d rather that than live in constant anxiety.

Rosiee: I also find that a lot of people enter into conversations or try to get to know me with a romantic or sexual agenda, and that’s really difficult for me to navigate. I enjoy flirting sometimes, and since I am outgoing, I worry that can be misread. This means I often don’t engage with people, or I’ll sometimes bring up my identities in conversation as a buffer. I want to get better about asserting my boundaries without those qualifications, though, and I hope I can get more comfortable saying what I want and don’t want without feeling like I have to out myself to strangers.

Lynn: Those are both such rough experiences to deal with. I think it’s incredibly telling that I’m neither very flirty nor very outgoing and I still see a lot of myself in what you’re both saying. I actually spend a lot of time online curbing my tendency to sarcasm and personality for the same reason.

Claudie: It seems that it’s not so much how you form relationships that leads to tension or unfortunate experiences, but other people’s expectations of the relationship. That’s part of what I wanted to discuss, after a fashion? I’ve seen a lot of heterosexual colleagues decide whether to spend time with someone based on whether there was potential for a romantic and/or sexual relationship there. I always find it super jarring and demeaning.

Rosiee : Ohhhh yes, Claudie! That’s happened to me and it’s awful! The whole “friendzone” nonsense of people choosing to spend time only on romantic interests is really disheartening, and I’ve lost a lot of so-called friends after they discover I’m not interested in that kind of relationship with them.

Lynn: I’m so sorry you’ve had that happen to you, Rosiee. I think for me it’s why I seem drawn to friendships with people who generally aren’t attracted to people like me? That takes some of the pressure off because we’re both clear on where the relationship can go.

Claudie: The world is an alloromantic mess™. More seriously, and in an hopefully more uplifting topic, what are some real-life platonic relationships that were/are major for you? How do you think fiction could do a better job reflecting those? Or is it doing well?

Lynn: I’d like more friendship break-up stories. Sometimes those are bad and we have very little, if any, tools on how to deal with that compared with romantic break-ups. Fiction could do a much better job reflecting platonic relationships if it just… let them be as powerful and impactful as romantic ones. Ideally, I’d like it to happen without the relationship being likened to that of siblings too. We could do with more sibling relationships in fiction too, but not all platonic relationships are like that and I’d love to see fiction reflect a range of relationship types.

Fadwa: THANK YOU! Not all platonic relationships have to be likened to siblings. It’s not either romance or siblings, there’s such a wide variety of platonic relationships that just *are* and don’t need to be either.

Rosiee: THIS!!! We often treat anyone who isn’t related as potential romantic partners in fiction, and that’s just… not how it works. Friendships are so valuable, and so so powerful, and… I don’t know about the rest of you, but most of my good friends aren’t related to me.

Fadwa: Also, YES to more friendship break-ups!! I went through some very painful ones in my life, and I always felt like my pain was an overreaction because in all the media I consumed (and I consumed a lot), they were never given importance and romantic break-ups were just “the worst kind” whereas in my experience, friendship break-ups can hurt just as much, and more in some cases.

One relationship that has been major and somewhat pivotal in my life is my relationship with my best friend of nine years now. We were inseparable in high school, now life and school have taken us our separate ways -physically- but we’re still as close. There’s one thing to know about me, I’m touch-averse because of trauma, a lot less now than when i was in High school, but when I say that this friendship has been pivotal for me, it’s because this person is the one person I was okay touching me unsolicited for the longest time and we were very tactile at school, always hugging or holding hands or just having our arms around each other and not once has that relationship crossed into romantic or sexual territory and yet a lot of people sexualized it, asking us if we were secretly together, just because we were very affectionate towards each other and didn’t see a point in hiding it. And this is something I want to see more more: normalized affectionate touch in platonic relationships.

Claudie: The sexualization is awful, Fadwa. I get this with my best friend, too. He’s gay, but since we’re a man and a woman hanging out together and obviously very close, we keep getting called a couple.

Rosiee: I would love to see fiction reflect more relationships that aren’t treated like possible romances. There’s so much “shipping” that happens in fiction, where everyone is a possible love-interest, but I would love to see strong friendship-interests as well. And, similarly to Lynn, I’d love to see more friendship break-up stories… and then I’d love to see stories that also tackle repairing a broken friendship. In fiction, we see so many friendships that are just easy and require no work or effort, and those are often eclipsed by new romantic relationships.

One of the most impactful platonic relationships in my life is with a man, and what made this relationship so powerful was a combination of two things: 1. It was clear from the start, in no uncertain terms, that our relationship would never turn sexual or romantic because we had very different worldviews that would never be compatible in a relationship, and 2. We started our relationship off with what I thought was an irreconcilable disagreement, and then worked very hard to repair the wounds from that argument.

Claudie: Thank you so much everyone. This has been an amazing in-depth discussion, and I’m glad you joined us for it. If you haven’t done so at the start, please give us any social media, blogs, book buying links and etc. so we can link back to you properly!

Lynn: Ah, the age-old linking practice. XD [waves] I have a Patreon where I discuss academic papers about asexuality – send me your papers on aromanticism because I will pounce on them so fast lightning looks slow! – and my own writing, which features predominantly ace and aro characters.

Rosiee: Everyone should check out Lynn’s very good novel in verse, THE ICE PRINCESS’S FAIR ILLUSION! I loved it 😉 You can find me over on twitter @rosieethor or check out my work on rosieethor.com. If you like science fantasy featuring an aro/ace protagonist (and some sapphic lady romance too) you can pre-order my debut TARNISHED ARE THE STARS

Fadwa: I blog over on Word Wonders where I advocate for all things diversity in publishing, and am very active on my twitter and bookish instagram.

Claudie: Thank you everyone. And thanks to everyone who read through the roundtable, too! If you find yourself wishing to have more platonic fiction with aromantic characters, don’t forget to back our awesome kickstarter for Common Bonds!

Cover Reveal: Broken Metropolis: Queer Tales of a City That Never Was ed. by Dave Ring

Let’s just establish straight-up that anthologies are amazing. You get a variety of voices, you get to discover so many new authors at once, and in cases like this one, you can get so many cool takes on a genre we don’t see nearly enough these days. Here are the details on Broken Metropolis, which releases in July 2018 from Mason Jar Press:

Broken Metropolis explores the edges of urban fantasy through queer narratives, following in the traditions of Swords of the Rainbow (Alyson Publications, 1996) and Bending the Landscape (Overlook Books, 1997).  This collection contains ten of those edges, each one bright and gleaming, from Claire Rudy Foster’s story of a scientist learning to accept not only herself but the very real impact of astrology on her love life, to Caspian Gray’s tale of a young man looking for an urban legend in the halls of a hospital ward so that he can save the matriarch of his found family.  Queer communities hold multitudes, and fantasy writing is a place to explore the magic of possibility. Come explore some of those multitudes in a city that never was.

Contains stories by:

  • Jacob Budenz
  • kx carys
  • Meghan Cunningham
  • Claire Rudy Foster
  • Caspian Gray
  • V. Medina
  • H. Pueyo
  • M. Raoulee
  • D.M. Rice
  • Victoria Zelvin

Buy it

And here’s the cover, designed by Akshay Varaham*!

dave ring is the chair of the OutWrite LGBTQ Literary Festival in Washington, DC. His most recent publication credits include Mythic Magazine and Tabletop Tales. He’s the editor of Broken Metropolis: Queer Tales of a City That Never Was and a writer for the Lonesome Pine Podcast. He was a 2013 Lambda Literary Fellow and a 2018 Futurescapes resident. Follow him on Twitter at @slickhop. More info at www.dave-ring.com.

*Akshay Varaham is an animation student in Laguna Beach, CA, who enjoys creating illustrative content about South Asian culture and identities, with namely queer, mythological, and folklorical subjects. When he’s not drawing, he likes to walk down by the beach or write up a few short stories. Follow him on Twitter and Instagram at @ab_varaham.