Tag Archives: Anthology

Fave Five: Queer Autistic Rep, Round 2

For the first round of queer autistic MCs, click here.

Their Troublesome Crush by Xan West (contemp romance)

An Unkindness of Ghosts by Rivers Solomon (sci-fi)

Blood-Bound by Kaelan Rhywiol (fantasy)

No Man of Woman Born by Ana Mardoll (fantasy)

Uncomfortable Labels: My Life as a Gay Autistic Trans Woman by Laura Kate Dale (memoir)

Bonus: In short fiction, check out “A Curse, a Kindness” by Corinne Duyvis in Unbroken!

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New Release Spotlight: Proud ed. by Juno Dawson

I’m so excited about this month’s featured new release, the Proud anthology edited by Juno Dawson! Yes, this is UK YA, but thanks to Book Depository, you can buy it in the US as well! Not only are the stories in this collection wonderful and adorable and full of glorious representation all over the LGBTQ spectrum, but it’s also got stunning illustrations created especially for each story.

The authors have been kind enough to share a little more information on their stories, so read on to learn more about the book and it’s awesome contents!

A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.

A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.

Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.

Buy it: Amazon UK | Waterstones | Book Depository

“The Courage of Dragons” by Fox Benwell

The Courage of Dragons was born out of necessity, in that sometimes being proud is a process: a constant, political, active thing, and sometimes being brave enough for that is hard. Figuring yourself out, fighting archaic and terrible systems and virulent media, and finding somewhere you belong: all hard. The trials of proper swords-and-honour heroes.

We all know what it’s like to wish we were those heroes, that we could go around righting awful wrongs and saving hapless princes in our own everyday lives, and that got me to thinking: what if you could borrow some of that spirit and – together with a band of faithful friends – fix some of the stuff society has broken?

Dragons is that story. It’s a tribute to the power of legend and imagination and belief, and friendship (because honestly, without my own D&D party and the friends within it I’d be lost and lonely somewhere in the mines).

“As The Philadelphia Queer Youth Choir Sings Katy Perry’s ‘Firework’”… by David Levithan
Illustration by Steve Antony for David Levithan’s story

My story is a chorus of voices from LGBTQ+ teens. When I set out to write it, I knew that it was going to involve a young member of a gay men’s chorus…but many different voices tell their stories – all louder together than apart. Stylistically, the typesetting (especially indentation) is VERY important here. Imagine a crescendo of perspectives all clamouring to be heard.

“Dive Bar” by Caroline Bird

The poem is all about finding the pride to come out. So many old gay clubs had to be underground, down steep flights of stairs into windowless cellars. The gateways club in Euston for example:  (The club was described as having a green door with a steep staircase leading down to a windowless cellar bar) And this secrecy has a sexiness to it and an exciting clandestine feeling to it… but it’s also a trap, we were literally driven underground… swallowed under the city.

The poem is a process of being driven deeper and deeper underground both in society and inside yourself  – Your Secret’s Safe with me/ your secret’s in a safe/ your secret is yourself – and then suddenly realising you can’t breathe, you can’t be illicit, you can’t be forbidden you have to overcome these ‘dead laws’ and run up the stairs out into the open … into the sunlight…

Pride is difficult. It’s scary. Especially when you’re young. That is why I didn’t want to patronise the reader by pretending like it’s easy to be yourself… often the process of finding yourself is preceded by a long stint of self-denial and burial and suppression until you’re finally so suffocated, so ‘windowless’ that you need to break down those walls in yourself and escape…

Dive Bar is a celebration of self-exploration, of the kinds of dim lit bars that are the places where the Pride movement was dreamt up in.

“Almost Certain” by Tanya Byrne

When Juno approached me to write something for PROUD, I knew that I wanted to set it in Brighton. People travel from all over the country for Brighton Pride because they know that they will be safe – and welcome – here. ALMOST CERTAIN was supposed to be a celebration of that, but as I began to write it, I couldn’t help but reminisce on my own experiences as a teenager. I didn’t come out until I was 40 and I’ve often wondered if I would have come out sooner if I had lived somewhere like Brighton, but what if I didn’t? What if all those reasons I didn’t come out – fear that it was just a phase and I’d change my mind, fear that my friends and family wouldn’t accept me, fear that someone would hurt me – were still there despite living in a town that is so accepting of the LGBTQ community. That’s how Orla’s story came about, because I know there are teenagers like her, not just in Brighton, but around the world, who are scared and confused and need to know that it’s okay to not know who they are yet. ALMOST CERTAIN is the story I needed to read when I was sixteen and if a teenager like Orla finds it, I hope it makes them feel less alone.

“Penguins” by Simon James Green

I felt like everywhere I looked, I was seeing gay penguins. There were some at an aquarium in Sydney; a pair from a Danish zoo who ‘kidnapped’ a chick from a neglectful straight couple, and, of course, Roy and Silo at Central Park Zoo, who famously inspired the picture book, AND TANGO MAKES THREE. In each case, there was a serious amount of media attention – people were fascinated. Two things occurred to me. First, what must it be like if you’re a teen, all set to come out, only to find everyone’s more interested in some gay penguins who have beaten you to it? Second, boys going to Prom in their black and white tuxes look a bit like penguins. Combining the two was irresistible.

“Love Poems to the City” by Moïra Fowley-Doyle

In the patchwork of any story, a couple of scraps are always taken from your own life. Sometimes you put them there on purpose, sometimes they kind of just get stitched in by accident and you only realise it once the quilt is made. Love Poems to the City ended up being a patchwork heavily influenced by a particular time in my life.

When I was asked to write a story on the theme of pride, two very specific things were happening in my life side by side. I was campaigning for the referendum to repeal the 8th amendment, so everything was posters and placards lashed to lampposts, handing out fliers and YES badges. And my marriage was ending, so I was having a lot of feelings about love and marriage. I didn’t set out to write a story about two teen girls with divorced parents campaigning for the 2015 equal marriage referendum, but it’s what my subconscious came up with.

During the marriage referendum my old secondary school (which was the first school in Ireland to set up an LGBT group for students) made the news because, in answer to the scores of NO posters on the road outside, students painted a rainbow across the main gates. I don’t know who painted it or what their stories were, but that rainbow got stitched into my patchwork. I wanted to write about pride in community and pride in activism. I wanted to write about love for a city and a city that speaks back. And I wanted to write about that rainbow.

“I Hate Darcy Pemberley” by Karen Lawler

I’ve always loved retellings – Clueless and 10 Things I Hate About You are two of my absolute favourites – and I’m a HUGE sucker for a lesbian romcom. So when I saw the prompt for Proud, which asked for a response to the theme of pride, the first thing that popped into my head was Pride and Prejudice. It’s always struck me that today the surname Darcy is commonly used as a girls first name, especially in the States, so I was off.

I had a lot of fun with little P&P Easter eggs – Pemberley is my Darcy’s surname because that was the name of Darcy’s estate in Austin’s book – and some elements of the book had to stay. Wickham is still the worst; Jane is still too nice for her own good. But I had a lot of fun reimagining other bits, especially Lydia, who I always felt got a bit of a short shrift in Austin’s novel, and for all her faults deserved better than to be married to Wickham. And of course the most important thing is still there: the hilarious, pride-filled romance between Lizzie and Darcy.

“The Other Team” by Michael Lee Richardson

My story ‘The Other Team’ is about a queer football team rallying around their trans star player.

When I was trying to come up with stories for Proud, I realised pretty quickly that I wanted to write something about friendship. There are lots of LGBTQI+ stories about love and romance and relationships, and those are great, but not as many about queer friendships, and those are really important to me.

I work with LGBTQI+ young people, and – despite knowing next to nothing about sport! – I’ve somehow found myself working for a sports organisation. I’ve taken lots of young people on day trips and weekends away to a play sport, and a lot of those experiences went into the story.

Working for a sports organisation, I realise how many issues there still are for LGBTQI+ people in sport, and I wanted to make sure the story stayed true to them.

I really wanted to get over the feeling of the pride you can feel, being part of a team – even when things aren’t going well! – and how important it is to feel like part of something.

“The Phoenix’s Fault” by Cynthia So

If you go to a Chinese wedding, you might see a picture of a dragon and a phoenix. It’s a popular symbol of a harmonious, heterosexual marriage—the dragon represents the man, and the phoenix the woman. Growing up in Hong Kong, even if I don’t really remember ever going to a wedding, I still saw this symbol around. Big Chinese restaurants there usually have a wall with a massive dragon and a massive phoenix on it to serve as the backdrop for wedding banquets.

When I was fifteen, I wrote a poem called “defying tradition” that ends “I will stand as a traitor, / not in between the phoenix and the dragon, / but next to a woman who, / like me, / seeks a phoenix to match her own”. I’ve always wanted to expand on the ideas that I touched on in that poem, about the heternormative expectations that these two mythical beasts represent in Chinese culture. So when I saw that the theme for this anthology was pride, the dragon and the phoenix immediately came to mind. They’re proud creatures, after all. I was thinking too of the pride that many parents feel when their children get married, and other ways someone might be able to make their family proud. So I wrote “The Phoenix’s Fault”, set in a world in which phoenixes and dragons are real, to see how a girl who has a pet phoenix might respond to these expectations that are placed upon her shoulders. What does she do when having a pet phoenix seems to destine her for marriage to the Emperor, but her heart wants something—someone—else?

“On The Run” by Kay Staples

‘On the Run’ is about two queer kids who have the chance to run away together and be themselves. It’s especially important for protagonist Nicky, who’s trying to figure out if he, or she, or they, are trans or not.

Uncertainty is what I really wanted to write about, since it’s something that marks adolescence for a lot of LGBTQ+ people. We take some time to work ourselves out, and all the while we’re being told that our orientation, gender, or gender presentation might be something shameful – and pride is the antithesis to that.

So, I came to this theme with the idea that you can be proud of who you are even if you aren’t sure who that is yet. Things will be okay whatever the answer is, just like they will be for Nicky and Dean.

“The Instructor” by Jess Vallance

When I was thinking about the theme of pride, I tried to work out what my own proudest achievement was and I realised it was probably passing my driving test! It took me two years and six tests. The idea of driving lessons as the backdrop of the story really appealed to me – I’ve always liked stories with small casts of characters with the bulk of the story covered as dialogue between them.

I also wanted to write something about the pain of relationships where the same-sex element is largely irrelevant to the confusion. The story is about the difficulties of working out what you mean to another person, when to speak up and what happens after you have – things that no one ever can be sure they’re getting right, whatever the gender of the people involved.

New Releases: March 2019

The Fever King by Victoria Lee (1st)

The Fever King (Feverwake, #1)In the former United States, sixteen-year-old Noam Álvaro wakes up in a hospital bed, the sole survivor of the viral magic that killed his family and made him a technopath. His ability to control technology attracts the attention of the minister of defense and thrusts him into the magical elite of the nation of Carolinia.

The son of undocumented immigrants, Noam has spent his life fighting for the rights of refugees fleeing magical outbreaks—refugees Carolinia routinely deports with vicious efficiency. Sensing a way to make change, Noam accepts the minister’s offer to teach him the science behind his magic, secretly planning to use it against the government. But then he meets the minister’s son—cruel, dangerous, and achingly beautiful—and the way forward becomes less clear.

Caught between his purpose and his heart, Noam must decide who he can trust and how far he’s willing to go in pursuit of the greater good.

Buy it: B&N | Amazon

The Last 8 by Laura Pohl (5th)

The Last 8 (The Last 8, #1)A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave 

Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.

When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.

Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.

Buy it: B&N | Amazon

After the Eclipse by Fran Dorricott (5th)

After the EclipseA stunning psychological thriller about loss, sisterhood, and the evil that men do, for readers of Ruth Ware and S.K. Tremeyne

Two solar eclipses. Two missing girls.

Sixteen years ago a little girl was abducted during the darkness of a solar eclipse while her older sister Cassie was supposed to be watching her. She was never seen again. When a local girl goes missing just before the next big eclipse, Cassie – who has returned to her home town to care for her ailing grandmother – suspects the disappearance is connected to her sister: that whoever took Olive is still out there. But she needs to find a way to prove it, and time is running out.

Buy it: B&N | Amazon

Real Queer America: LGBT Stories from Red States by Samantha Allen (5th)

40274696A transgender reporter’s narrative tour through the surprisingly vibrant queer communities sprouting up in red states, offering a vision of a stronger, more humane America.

Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she’s a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn’t changed is her deep love of Red State America, and of queer people who stay in so-called “flyover country” rather than moving to the liberal coasts.

In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: “Something gay every day.” Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.

Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.

Buy it: B&N | Amazon

Alice Payne Rides by Kate Heartfield (5th)

39332603This is the second book in the Alice Payne series

After abducting Arthur of Brittany from his own time in 1203, thereby creating the mystery that partly prompted the visit in the first place, Alice and her team discover that they have inadvertently brought the smallpox virus back to 1780 with them.

Searching for a future vaccine, Prudence finds that the various factions in the future time war intend to use the crisis to their own advantage.

Can the team prevent an international pandemic across time, and put history back on its tracks? At least until the next battle in the time war…

Buy it: B&N | Amazon

The Parting Glass by Gina Marie Guadagnino (5th)


By day, Mary Ballard is lady’s maid to Charlotte Walden, wealthy and accomplished belle of New York City high society. Mary loves Charlotte with an obsessive passion that goes beyond a servant’s devotion, but Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past. Because Mary’s fate is linked to that of her mistress, one of the most sought-after debutantes in New York, Mary’s future seems secure—if she can keep her own secrets…

But on her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self—Irish exile Maire O’Farren—and finds release from her frustration in New York’s gritty underworld—in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of a barkeeper and members of a dangerous secret society.

Meanwhile, Charlotte has a secret of her own—she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences. Forced to choose between loyalty to her brother and loyalty to Charlotte, between society’s respect and true freedom, Mary finally learns that her fate lies in her hands alone.

Buy it: Amazon | B&N | IndieBound

Proud ed. by Juno Dawson (7th)

A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.

A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.

Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.

Buy it: Amazon UK | Waterstones | Book Depository

Besotted by Melissa Duclos (12th)

Besotted is the ballad of Sasha and Liz, American expats in Shanghai. Both have moved abroad to escape—Sasha from her father’s disapproval, Liz from the predictability of her hometown. When they move in together, Sasha falls in love, but the sudden attention from a charming architect threatens the relationship. Meanwhile, Liz struggles to be both a good girlfriend to Sasha and a good friend to Sam, her Shanghainese language partner who needs more from her than grammar lessons. For fans of Prague by Arthur Phillips and The Expatriates by Janice Y.K. Lee, Besotted is an expat novel that explores what it means to love someone while running away from yourself.

Buy it: Amazon | B&N

The Summer of Dead Birds by Ali Liebegott (12th)

In a chronicle of mourning and survival, Ali Liebegott wallows in loneliness and overassigns meaning to everyday circumstance, clinging to an aging dog and obsessing over dead birds. But these unpretentious vignettes are laced with compassion, as she learns to balance the sting of death with the tender strangeness of life.

Buy it: B&N | Amazon

 

Squad by Mariah MacCarthy (12th)

SquadThis darkly comic debut novel by an award-winning playwright is like Mean Girls meets Heathers with a splash of Bring it On.

Jenna Watson is a cheerleader. But it’s not some Hollywood crap. Cheerleaders are not every guy’s fantasy; they are not the “popular girls” or the “mean girls” of Marsen High School. They’re too busy for that. They’re literally just some human females trying to live their lives and do a perfect toe touch. But that all changed after Raejean stopped talking to Jenna and started hanging out with Meghan Finnegan. Jenna stopped getting invited out with the rest of the squad and she couldn’t tell if it was on purpose or if it was all in her head.

At times heartbreaking, at others hilarious, Squad follows Jenna through her attempts to get revenge on Raejean and invent a new post-cheer life for herself through LARPING (live action role-playing) and a relationship with a trans guy that feels like love—but isn’t. In the, end Jenna discovers that who she is is not defined by which squad she’s in.

Buy it: B&N | Amazon

Kiss Number 8 by Colleen AF Venable (12th)

Mads is pretty happy with her life. She goes to church with her family, and minor league baseball games with her dad. She goofs off with her best friend Cat, and has thus far managed to avoid getting kissed by Adam, the boy next door. It’s everything she hoped high school would be… until all of a sudden, it’s not.

Her dad is hiding something big—so big it could tear her family apart. And that’s just the beginning of her problems: Mads is starting to figure out that she doesn’t want to kiss Adam… because the only person she wants to kiss is Cat.

Kiss Number 8, a graphic novel from writer Colleen AF Venable and illustrator Ellen T. Crenshaw, is a layered, funny, sharp-edged story of teen sexuality and family secrets.

Buy it: B&N | Amazon

The Widening Gyre by Michael R. Johnston (14th)

Eight hundred years ago, the Zhen Empire discovered a broken human colony ship drifting in the fringes of their space. The Zhen gave the humans a place to live and folded them into their Empire as a client state. But it hasn’t been easy. Not all Zhen were eager to welcome another species into their Empire, and humans have faced persecution. For hundreds of years, human languages and history were outlawed subjects, as the Zhen tried to mold humans into their image. Earth and the cultures it nourished for millennia are forgotten, little more than legends.

One of the first humans to be allowed to serve in the Zhen military, Tajen Hunt became a war hero at the Battle of Elkari, the only human to be named an official Hero of the Empire. He was given command of a task force, and sent to do the Empire’s bidding in their war with the enigmatic Tabrans. But when he failed in a crucial mission, causing the deaths of millions of people, he resigned in disgrace and faded into life on the fringes as a lone independent pilot.

When Tajen discovers his brother, Daav, has been killed by agents of the Empire, he, his niece, and their newly-hired crew set out to finish his brother’s quest: to find Earth, the legendary homeworld of humanity. What they discover will shatter 800 years of peace in the Empire, and start a war that could be the end of the human race.

Buy it: Amazon | B&N | Flame Tree Publishing

The Weight of the Stars by K. Ancrum (19th)

The Weight of the StarsRyann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.

One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.

Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .

In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.

Buy it: B&N | Amazon

Video Games Have Always Been Queer by Bonnie Ruberg (19th)

While popular discussions about queerness in video games often focus on big-name, mainstream games that feature LGBTQ characters, like Mass Effect or Dragon Age, Bonnie Ruberg pushes the concept of queerness in games beyond a matter of representation, exploring how video games can be played, interpreted, and designed queerly, whether or not they include overtly LGBTQ content. Video Games Have Always Been Queer argues that the medium of video games itself can—and should—be read queerly. 

In the first book dedicated to bridging game studies and queer theory, Ruberg resists the common, reductive narrative that games are only now becoming more diverse. Revealing what reading D. A. Miller can bring to the popular 2007 video game Portal, or what Eve Sedgwick offers Pong, Ruberg models the ways game worlds offer players the opportunity to explore queer experience, affect, and desire. As players attempt to ‘pass’ in Octodad or explore the pleasure of failure in Burnout: Revenge, Ruberg asserts that, even within a dominant gaming culture that has proved to be openly hostile to those perceived as different, queer people have always belonged in video games—because video games have, in fact, always been queer.

Buy it: Amazon | B&N

The Perfect Assassin by K.A. Doore (19th)

Divine justice is written in blood.

Or so Amastan has been taught. As a new assassin in the Basbowen family, he’s already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs.

Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, Basbowen’s finest start showing up dead, with their murderous jaan running wild in the dusty streets of Ghadid. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed.

Every life has its price, but when the tables are turned, Amastan must find this perfect assassin or be their next target.

Buy it: Amazon | B&N | IndieBound

Small Town Hearts by Lillie Vale (19th)

Small Town HeartsRule #1 – Never fall for a summer boy. 

Fresh out of high school, Babe Vogel should be thrilled to have the whole summer at her fingertips. She loves living in her lighthouse home in the sleepy Maine beach town of Oar’s Rest and being a barista at the Busy Bean, but she’s totally freaking out about how her life will change when her two best friends go to college in the fall. And when a reckless kiss causes all three of them to break up, she may lose them a lot sooner. On top of that, her ex-girlfriend is back in town, bringing with her a slew of memories, both good and bad.

And then there’s Levi Keller, the cute artist who’s spending all his free time at the coffee shop where she works. Levi’s from out of town, and even though Babe knows better than to fall for a tourist who will leave when summer ends, she can’t stop herself from wanting to know him. Can Babe keep her distance, or will she break the one rule she’s always had – to never fall for a summer boy?

Buy it: B&N | Amazon

Anyone But You by Chelsea M. Cameron (19th)

Things are going great for Sutton Kay, or at least they were. Her yoga studio is doing well, she’s living with her best friend, and she just got two kittens named Mocha and Cappuccino. Sure, she doesn’t have a girlfriend, but her life is full and busy.

Then her building is sold and the new landlord turns out to be the woman putting in a gym downstairs who doesn’t seem to understand the concepts “courtesy” and “don’t be rude to your tenants.” Sutton can’t get a read on Tuesday Grímsdóttir, but she can appreciate her muscles. Seriously, Tuesday is ripped. Not that that has anything to do with anything since she’s too surly to have a conversation with, and won’t stop pissing Sutton off.

Sutton’s life gets interesting after she dares Tuesday to make it through one yoga class, and then Tuesday gives Sutton the same dare. Soon enough they’re spending time working out together and when the sweat starts flowing, the sparks start flying. How is it possible to be so attracted to a person you can barely stand?

But when someone from Tuesday’s past shows up and Sutton sees a whole new side of Tuesday, will she change her mind about her grumpy landlord? Can she?

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Lot: Stories by Bryan Washington (19th)

In the city of Houston – a sprawling, diverse microcosm of America – the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.

Around him, others live and thrive and die in Houston’s myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.

Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.

Buy it: Amazon | B&N

Long Live the Tribe of Fatherless Girls by T’kira Madden (19th)

Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.

As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.

With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.

Buy it: B&N | Amazon

Once & Future by Amy Rose Capetta and Cori McCarthy (26th)

Once & Future (Once & Future, #1)I’ve been chased my whole life. As an illegal immigrant in the territory controlled by the tyrannical Mercer corporation, I’ve always had to hide who I am. Until I found Excalibur.

Now I’m done hiding.

My name is Ari Helix. I have a magic sword, a cranky wizard, and a revolution to start.

When Ari crash-lands on Old Earth and pulls a magic sword from its ancient resting place, she is revealed to be the newest reincarnation of King Arthur. Then she meets Merlin, who has aged backward over the centuries into a teenager, and together they must break the curse that keeps Arthur coming back. Their quest? Defeat the cruel, oppressive government and bring peace and equality to all humankind.

No pressure.

Buy it: B&N | Amazon | Books of Wonder (signed preorder)

Out of Salem by Hal Schrieve (26th)

Out of SalemWhen genderqueer fourteen-year-old Z Chilworth wakes from death after a car crash that killed their parents and sisters, they have to adjust quickly to their new status as a zombie. Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.

Buy it: B&N | Amazon

Miranda in Milan by Katharine Duckett (26th)

With Miranda in Milan, debut author Katharine Duckett reimagines the consequences of Shakespeare’s The Tempest, casting Miranda into a Milanese pit of vipers and building a queer love story that lifts off the page in whirlwinds of feeling.

After the tempest, after the reunion, after her father drowned his books, Miranda was meant to enter a brave new world. Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.

With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.

Buy it: B&N | Amazon

Fiction, Platonic Relationships, and Common Bonds: an Aromantic Roundtable

Aromantic Awareness Week may be over for 2019, but that doesn’t mean your Aromantic Awareness (or enjoyment of Aromantic fiction) has to be! I’m psyched to welcome to the site today an aromantic roundtable headed by Claudie Arseneault, author of books including City of Strife and Baker Thief and the brains/work behind the incredible Aro Ace Database. Claudie is also one of the editors of Common Bonds, a crowdfunded aromantic spec fic anthology, you definitely don’t wanna miss!

And now, I’ll let Claudie and her roundtable take it away…

Common Bonds is an anthology of speculative fiction with aromantic characters and platonic relationships at its heart. Finding this sort of fiction is a desire I’ve often seen other aromantic people express, and I absolutely share it. There’s an entire genre dedicated to romance, but when it comes to the other forms of bonding like friendships, you often have to rely on your detective skills to find stories centering them. So I teamed up with other awesome editors (C.T. Callahan, B. R. Sanders, and RoAnna Sylver) and we decided to make this a reality.

I obviously have a lot of things to say on the topic, and I’m sure I’ll have plenty of opportunity to say them, but I wanted to pass the mic to other aromantic bookish people not directly involved in the anthology and hear their thoughts on aromanticism, fiction, and platonic relationships. Turns out they had a lot to say, too, and it was awesome! So here we go.

Claudie : Hello and welcome to this aromantic roundtable! Before we get to the meaty discussions, please introduce yourselves a little!

Fadwa: Hi, everyone! My name’s Fadwa (she/her) and I’m a bisexual grayromantic Moroccan Muslim girl. It’s a mouthful haha. I’m a 22 years old perpetually exhausted medical student.

Lynn: Hello! I’m Lynn (she/they) and I’m a demiromantic demisexual author who is very bad at humour. (I was going for something humorous and failed.) Like Fadwa, I’m perpetually exhausted, though not a medical student. I was literature through and through. Also I ramble. You have been warned.

Rosiee: *Waves* I’m Rosiee (she/her), an aromantic grayasexual author, and I’m proposing we all take a nap.

Claudie: Proposition accepted, Rosiee. Let’s start with something fun. What are your favourite platonic relationships in fiction? Do you have any specific examples in mind? Why did those resonate?

Lynn : It’s cheating to say “Anything Cal-from-Isandor-related”, isn’t it? Honestly, these are my fave relationships just because Cal is a cinnamon roll darling. More so, he gets to be a cinnamon roll darling who learns he does not have to sacrifice his happiness for his friends. Like… The first time I saw a platonic relationship in fiction was in M.C.A. Hogarth’s Mindtouch and I love those books very much and I will love Vasiht’h forever, but the further along the setting goes, the more Vasiht’h seems to sacrifice everything he wants to the happiness of his partner and just… Well, with Cal’s narrative we actually have the opposite to some extent because Cal is in a friendship that is abusive, and one of the things he has to learn is that he matters too. I mean, he knows that, but he has some trouble applying it to his friendships. And that resonated a lot with me.

Claudie: Your cheating is accepted, even if it’s a bit awkward that you immediately jumped to my writing. ^^;

Rosiee: I had to think about this question for a whole day, to be honest. I kept trying to narrow my search parameters and think of platonic relationships that weren’t sibling relationships. But the thing is, sibling relationships are some of my favorites. I tend to gravitate toward relationships that I know from the get-go won’t turn romantic, and sibling relationships generally have the smallest chance of turning. Relationships like Anna and Elsa from Frozen, Katara and Sokka from Avatar the Last Airbender, Lada and Radu from And I Darken have always called to me. Maybe it’s because I never had any siblings, myself, but there’s just so much to explore within familial relationships like that, especially when the characters are growing as individuals.

Fadwa: Like Rosiee, I had to give this one a lot of thought looking for platonic relationships other than siblings because sibling dynamics have always been my favorites too see explored in media. In my case, it’s because I have a little sister I’m very close with and love to see my experiences with her mirrored. And even when the dynamic isn’t the same as the one I have with her, I love to see how different those relationships can be from one pair of siblings to another. I actually love Katara and Sokka’s relationship, it’s just so spot on, they get on each others’ nerves but at the end of the day love each other and would do anything for each others happiness and safety.

Rosiee:  I’ve also always had a soft spot for platonic relationships–and really, all types of relationships–that stem from a place of mutual respect. There’s really nothing that keeps my attention more than two nerds recognizing a pieces of themselves in each other and then working together to achieve great things. For example, Zuko and Aang from Avatar the last Airbender come together after a looooong time fighting, and their understanding of each other’s strengths is touching, and ultimately results in powerful friendship! The relationship between Luna Lovegood and Harry Potter, while not without its problems, also shows two people who have experienced great pain in life recognizing it in each other, and feeling less alone. I always felt that relationship was a lot stronger than anyone gave it credit for.

Fadwa: I also have a soft spot for people who bond over similar experiences (generally traumatic) and help each other through them, whether they live said experiences together or meet after the fact. I loved Rin and Kitay from The Poppy War, who become friends very quickly after realizing that both are the outliers at the academy and are each others’ emotional support through their brutal training at the academy and later on a brutal war.

Lynn: Ooooh, yeeees. Rin and Kitay were wonderful! I like how you both picked up on sibling relationships in fiction. I guess I’m the opposite of Rosiee in that. Not that I don’t love familial relationships – I do – but I don’t feel like I was ever drawn to siblings specifically. For me it’s largely cousins. There’s a real difference in relationships between the characters in the Famous Five by Enid Blyton when it comes to the sibling relationships and the cousin ones. I was drawn to those books so much when I was a child and, yeah, the lack of romance was probably a real factor in it.

Claudie: Something really prevalent in both of your answers (Cal learning that he matters too, mutual respect, bonding through similar trauma) is that sense of people treating each other as equals. Any thoughts on platonic relationships that have an inherent power differential, such as mentor/student and parent/child? Do those tend to work less for you, or do they need something different to capture your heart?

Rosiee: Mentor/student relationships can be so powerful and really touching. Jumping off Avatar again, the relationship between Zuko and his uncle, Iroh, always shines for me. Obviously there’s a familial relationship there as well, but the mentorship itself takes on such an important role in Zuko’s personal growth—it’s as much about learning to use his bending power as it is about learning to be a person. Other examples that come to mind are Harry Potter and Remus Lupin, who share so much in terms of grief and history, and Sallot Leon from Mask of Shadows and the other members of the Left Hand–especially in the second book. Sal’s relationships with the other members of the Left Hand are particularly fascinating from the perspective of age, since Sal is much younger than the rest of them, but they all have a shared responsibility.

Lynn: Hmmm… You know, I don’t think I do? But then I think most mentor/student relationships end up with the mentor dead, so… Yeah. (I like my relationships to survive the end of at least the first book. T_T)

Rosiee: One last example, which I’m actually uncertain about, is the teacher/student relationship between Numair and Daine in Tamora Pierce’s Immortals quartet. I found this relationship really interesting and touching for the first few books, but it does take a romantic turn that I hadn’t expected. I’m still very iffy on how much this impacts my feelings about that relationship. The mentor/student relationship, especially when one of them is a teen, should be a promise of a platonic relationship. When they end up turning romantic or sexual, it feels like a betrayal of that promise.

Claudie: I’m with you on that one, Rosiee. There are some mentor relationships I’d really like to see submitted to an always-platonic reader contract. One of the reasons Common Bonds has a platonic focus was the ubiquity of romance within queer lit circles, through call for submissions, lists by romantic pairings, etc., and how little space it left for aromantic people and for the stories surrounding other types of relationships. Can you share your experiences navigating those spaces, both positive and negative? Are there things you’d love to see more of?

Fadwa: I am huge romance reader and fan, which means that for a long time, even if some romances in books didn’t sit well with me, I didn’t really know why or have any negative experiences with the lack of platonic relationships. Then, a couple years back, I came out to myself as aromantic, and that’s when I started truly realizing why certain romances irked me. Sometimes I just did not feel like reading at all, because I knew I was going to be confronted with a romance I did not care for. And my biggest issue is with *forced* romance, meaning romance with no kind of chemistry whatsoever, and that’s there just to fill some kind of quota. I realized that the reason I consume romance books so much is because at least then I am making the conscious choice to read about romantic relationships and that they weren’t just thrown without having a point in the story, because a lot of the time, reading outside of the romance genre, I like the characters that are pushed together a lot better in strictly platonic relationships.

Claudie: Loving characters better in strictly in platonic relationships is the story of my life, honestly.

Lynn: I admit the prevalence of romance wasn’t something I paid much attention to until I started learning more about aromanticism and realised this could be questioned or challenged. Once you notice it you start to see how prevalent those romantic relationships are even, at times, in shows that are explicitly touted as being about friendship.

I’d want to see more awareness of aromanticism in general. Where do we go to tell our stories? The way queer publishers handle it makes it sound like there’s no room for us. There’s always the pressure to add romance. It may not always be the publisher itself, but the general sense of society. Like editors expect it because the audience expects it, which then means the audience expects it because editors do and tada! A vicious cycle has been created and it ends up shutting aros out.

Rosiee: I agree with everything Lynn said–it’s really disheartening and feels exclusionary to see those calls for submissions. Even when they don’t specify a pairing type, if it’s a call for queer submissions or “LGBT+” submissions, I often wonder if the “A” is included in that plus sign. Even organizations like Lambda Literary, who are supposed to be advocates for the community, don’t put the “A” in their acronym.

It’s the same with calls for submission, or even MSWL tweets from agents. It’s the reason why it took me nearly a dozen revisions of my debut to finally put the words “aromantic” and “asexual” on the page. I didn’t feel comfortable doing it until I was given express permission from my editor, who was absolutely wonderful about it. I think gatekeepers honestly don’t realize how much power they have to shape who submits to them. Self-rejection gets easier and easier the longer the world rejects you, and that’s tough to combat sometimes.

Fadwa: There’s also the micro-agressions that are so prevalent and normalized in books. They range from the classic “Just friends” or “More than friends” that I can mostly just ignore to the “What normal person has never experienced romantic attraction” that make me put the book down and never look back. Sometimes navigating media as an aro person can feel like a battlefield and it forces you to “grow a thick skin”. We shouldn’t have to grow a thick skin, we shouldn’t accommodate to things than can be potentially hurtful to us. Publishing and media as a whole should make a greater effort to create a safe space that we can navigate without that fear at the back of our minds of being dehumanized.

Lynn: Oh goodness yes the microaggressions. I honestly find that they bother me more the more I learn, especially when some of the classic ones you mentioned are so easily avoided with the only meaning lost being “friendship is a lesser type of relationship” which… firstly, no, it isn’t. Secondly, why wouldn’t you want to learn how to be more accurate with your language?

Fadwa: And exactly, those sentences not being there never changes anything to the story itself which makes them easily removable so why not just… listen to us for once and remove them?

Claudie: So, beyond publishers and authors making an effort to watch their language, are there any other steps you’d like to see taken? Resources you’d love to have? I’ve had a few publishers change their call for subs to explicitly include deep, meaningful relationships beyond romance in their calls after I pointed out the problem for aro people, but that’s only one element.

Rosiee: Publishers changing the way they describe their calls for submissions is a great step, but it’s very common to see gatekeepers–editors, agents etc.–use exclusive language in their calls for submission, even when they’re attempting to be inclusive. I’ve seen agents and editors call for subs by singling out m/m or f/f as if those two designations encompass all queer experiences. I’d like to see more gatekeepers make an effort to educate themselves about the identities they want to boost.

Lynn: Those are some really good points, Rosiee. I think there’s still a ton of awareness that needs to be raised in general. It’s easy to try to be inclusive of the most visible groups, but that just leaves the less-visible ones in the dust.

Rosiee: It isn’t allyship unless it uplifts us all. I actually recently saw this happen with an agent during a Q&A session. The agent was asked about writing f/f as a non-queer person and–trigger warning for aphobia and bi/panphobia here–the agent said that unless the author has had sex with a woman, she cannot write f/f. The agent’s statement was acephobic to begin with, but it also erases so many other experiences and identities that do not require actions to be valid, since sexuality is about feelings and attraction, not about actions.

Fadwa: That…was kind of jarring to read so thank you for the TW!  at the end of the day, we’re all bound to mess up sometimes, you can’t get it right from the first try but things like this are just… a given. This is basically 101 allyship and at this point we should be past that, we should have the basics nailed down and be working towards how to be better and make publishing (and other industries) a safe space for everyone. So it’s kind of disheartening when we’re still working on the very basics of allyship. Take as an example Valentine’s Day. Being on social media was hard, because everything was so amatonormative and aggressively romance centric. There was so much emphasis on having a romantic partner and the fact that your life is lacking and that “you shouldn’t despair” if you don’t have one. Every other tweet was erasing or invalidating aro people. I wish more people were aware of the fact that there is more to love than romantic love.

Rosiee: That’s a really good point, Fadwa! Valentine’s Day is such a tough day because of the romance centric language used basically everywhere. I also saw a fair bit of arophobia disguised as ace-inclusion.

Claudie: Valentine’s Day is always such a mess. I’m glad we have Aromantic Awareness Week right after to wash some of the aftertaste away.  Do you think your aromanticism impacts the way you develop platonic relationships? How so? In your priorities, the ways you choose to engage or not?

Lynn: Probably? I think it’s more that society’s view impacts it, though. You know that whole thing about how men and women can’t be ‘just friends’? That’s been really strong with some of the friendships I’ve had and I have moments where I’m just not sure if people will misinterpret the fact that I’m a touch-oriented cuddly person. That does not mean I’m into someone romantically (or sexually). It just means I like hugs and show affection through hugs. I can end up with anxiety because I don’t know how people interpret my actions and I worry about them thinking I’ve somehow tried to lead them on. And it sucks when you can’t tell people you love them platonically because the moment they reach ‘love’, they’re already misinterpreting your meaning and nothing else matters. Or possibly that’s just some people getting hung up on failing to understand aromanticism, but it still hurts.

Rosiee: Oof. That’s rough, Lynn. There’s so much communication that can happen through touch, and that anxiety is something I’ve definitely felt before. It’s so hard to know how someone else is reading your actions. I’ve also had a very opposite experience with regard to showing affection, since I’m not generally a very touchy person. I used to be a competitive swing dancer, and that community enforces an extremely allo culture, but also a very touch-centric culture (often conflating physical touch with physical attraction and gosh I could talk about that for paaages). People used to get offended or weirded out if I didn’t want to hug them after we had a fun dance or if I didn’t want to join the big cuddle pile, or didn’t want to go back to someone’s room alone with them for a “drink”. This has often resulted in some… not great insults used against me, and a general impression that I’m not fun. On the contrary, I’m actually a very friendly and outgoing person.

Fadwa: I saw a lot of myself in what Rosiee said, I am naturally a very outgoing and flirty person and not gonna lie, I enjoy flirting but I have been numbered a tease because with that comes the expectation of something either romantic or sexual, whereas to me, nothing means that I want something non-platonic unless I state that’s what I want. I detest the “mixed signals” culture because why would you interpret my words as more than what they are when they mean nothing more than what I actually say. This all has made for some pretty unpleasant, and sometimes traumatizing experiences that turned me into a person who always keeps people at arms’ length out of fear and anxiety that people would get the wrong impression, which goes against my nature of being an outgoing person. I especially love sarcasm and teasing people but that’s like the number one thing that always gets taken the wrong way. I’m always hyper aware of what I say and what I do and go out of my way to tone down my personality, because I’d rather that than live in constant anxiety.

Rosiee: I also find that a lot of people enter into conversations or try to get to know me with a romantic or sexual agenda, and that’s really difficult for me to navigate. I enjoy flirting sometimes, and since I am outgoing, I worry that can be misread. This means I often don’t engage with people, or I’ll sometimes bring up my identities in conversation as a buffer. I want to get better about asserting my boundaries without those qualifications, though, and I hope I can get more comfortable saying what I want and don’t want without feeling like I have to out myself to strangers.

Lynn: Those are both such rough experiences to deal with. I think it’s incredibly telling that I’m neither very flirty nor very outgoing and I still see a lot of myself in what you’re both saying. I actually spend a lot of time online curbing my tendency to sarcasm and personality for the same reason.

Claudie: It seems that it’s not so much how you form relationships that leads to tension or unfortunate experiences, but other people’s expectations of the relationship. That’s part of what I wanted to discuss, after a fashion? I’ve seen a lot of heterosexual colleagues decide whether to spend time with someone based on whether there was potential for a romantic and/or sexual relationship there. I always find it super jarring and demeaning.

Rosiee : Ohhhh yes, Claudie! That’s happened to me and it’s awful! The whole “friendzone” nonsense of people choosing to spend time only on romantic interests is really disheartening, and I’ve lost a lot of so-called friends after they discover I’m not interested in that kind of relationship with them.

Lynn: I’m so sorry you’ve had that happen to you, Rosiee. I think for me it’s why I seem drawn to friendships with people who generally aren’t attracted to people like me? That takes some of the pressure off because we’re both clear on where the relationship can go.

Claudie: The world is an alloromantic mess™. More seriously, and in an hopefully more uplifting topic, what are some real-life platonic relationships that were/are major for you? How do you think fiction could do a better job reflecting those? Or is it doing well?

Lynn: I’d like more friendship break-up stories. Sometimes those are bad and we have very little, if any, tools on how to deal with that compared with romantic break-ups. Fiction could do a much better job reflecting platonic relationships if it just… let them be as powerful and impactful as romantic ones. Ideally, I’d like it to happen without the relationship being likened to that of siblings too. We could do with more sibling relationships in fiction too, but not all platonic relationships are like that and I’d love to see fiction reflect a range of relationship types.

Fadwa: THANK YOU! Not all platonic relationships have to be likened to siblings. It’s not either romance or siblings, there’s such a wide variety of platonic relationships that just *are* and don’t need to be either.

Rosiee: THIS!!! We often treat anyone who isn’t related as potential romantic partners in fiction, and that’s just… not how it works. Friendships are so valuable, and so so powerful, and… I don’t know about the rest of you, but most of my good friends aren’t related to me.

Fadwa: Also, YES to more friendship break-ups!! I went through some very painful ones in my life, and I always felt like my pain was an overreaction because in all the media I consumed (and I consumed a lot), they were never given importance and romantic break-ups were just “the worst kind” whereas in my experience, friendship break-ups can hurt just as much, and more in some cases.

One relationship that has been major and somewhat pivotal in my life is my relationship with my best friend of nine years now. We were inseparable in high school, now life and school have taken us our separate ways -physically- but we’re still as close. There’s one thing to know about me, I’m touch-averse because of trauma, a lot less now than when i was in High school, but when I say that this friendship has been pivotal for me, it’s because this person is the one person I was okay touching me unsolicited for the longest time and we were very tactile at school, always hugging or holding hands or just having our arms around each other and not once has that relationship crossed into romantic or sexual territory and yet a lot of people sexualized it, asking us if we were secretly together, just because we were very affectionate towards each other and didn’t see a point in hiding it. And this is something I want to see more more: normalized affectionate touch in platonic relationships.

Claudie: The sexualization is awful, Fadwa. I get this with my best friend, too. He’s gay, but since we’re a man and a woman hanging out together and obviously very close, we keep getting called a couple.

Rosiee: I would love to see fiction reflect more relationships that aren’t treated like possible romances. There’s so much “shipping” that happens in fiction, where everyone is a possible love-interest, but I would love to see strong friendship-interests as well. And, similarly to Lynn, I’d love to see more friendship break-up stories… and then I’d love to see stories that also tackle repairing a broken friendship. In fiction, we see so many friendships that are just easy and require no work or effort, and those are often eclipsed by new romantic relationships.

One of the most impactful platonic relationships in my life is with a man, and what made this relationship so powerful was a combination of two things: 1. It was clear from the start, in no uncertain terms, that our relationship would never turn sexual or romantic because we had very different worldviews that would never be compatible in a relationship, and 2. We started our relationship off with what I thought was an irreconcilable disagreement, and then worked very hard to repair the wounds from that argument.

Claudie: Thank you so much everyone. This has been an amazing in-depth discussion, and I’m glad you joined us for it. If you haven’t done so at the start, please give us any social media, blogs, book buying links and etc. so we can link back to you properly!

Lynn: Ah, the age-old linking practice. XD [waves] I have a Patreon where I discuss academic papers about asexuality – send me your papers on aromanticism because I will pounce on them so fast lightning looks slow! – and my own writing, which features predominantly ace and aro characters.

Rosiee: Everyone should check out Lynn’s very good novel in verse, THE ICE PRINCESS’S FAIR ILLUSION! I loved it 😉 You can find me over on twitter @rosieethor or check out my work on rosieethor.com. If you like science fantasy featuring an aro/ace protagonist (and some sapphic lady romance too) you can pre-order my debut TARNISHED ARE THE STARS

Fadwa: I blog over on Word Wonders where I advocate for all things diversity in publishing, and am very active on my twitter and bookish instagram.

Claudie: Thank you everyone. And thanks to everyone who read through the roundtable, too! If you find yourself wishing to have more platonic fiction with aromantic characters, don’t forget to back our awesome kickstarter for Common Bonds!

Cover Reveal: Broken Metropolis: Queer Tales of a City That Never Was ed. by Dave Ring

Let’s just establish straight-up that anthologies are amazing. You get a variety of voices, you get to discover so many new authors at once, and in cases like this one, you can get so many cool takes on a genre we don’t see nearly enough these days. Here are the details on Broken Metropolis, which releases in July 2018 from Mason Jar Press:

Broken Metropolis explores the edges of urban fantasy through queer narratives, following in the traditions of Swords of the Rainbow (Alyson Publications, 1996) and Bending the Landscape (Overlook Books, 1997).  This collection contains ten of those edges, each one bright and gleaming, from Claire Rudy Foster’s story of a scientist learning to accept not only herself but the very real impact of astrology on her love life, to Caspian Gray’s tale of a young man looking for an urban legend in the halls of a hospital ward so that he can save the matriarch of his found family.  Queer communities hold multitudes, and fantasy writing is a place to explore the magic of possibility. Come explore some of those multitudes in a city that never was.

Contains stories by:

  • Jacob Budenz
  • kx carys
  • Meghan Cunningham
  • Claire Rudy Foster
  • Caspian Gray
  • V. Medina
  • H. Pueyo
  • M. Raoulee
  • D.M. Rice
  • Victoria Zelvin

Buy it

And here’s the cover, designed by Akshay Varaham*!

dave ring is the chair of the OutWrite LGBTQ Literary Festival in Washington, DC. His most recent publication credits include Mythic Magazine and Tabletop Tales. He’s the editor of Broken Metropolis: Queer Tales of a City That Never Was and a writer for the Lonesome Pine Podcast. He was a 2013 Lambda Literary Fellow and a 2018 Futurescapes resident. Follow him on Twitter at @slickhop. More info at www.dave-ring.com.

*Akshay Varaham is an animation student in Laguna Beach, CA, who enjoys creating illustrative content about South Asian culture and identities, with namely queer, mythological, and folklorical subjects. When he’s not drawing, he likes to walk down by the beach or write up a few short stories. Follow him on Twitter and Instagram at @ab_varaham.

New Release Spotlight: All Out ed. by Saundra Mitchell

All historical, all queer, all out! This new anthology, edited by Saundra Mitchell, just released from Harlequin Teen and contains a host of queer historical stories by so many faves! (And also me!) Thankfully, many of those faves agreed to share a little about their stories here, so check it out, make good use of those buy links, and enjoy!

(Photographs are mine.)

35140599Take a journey through time and genres and discover a past where queer figures live, love and shape the world around them. Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens.

From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.

Buy it: B&N * Amazon * IndieBound * Powell’s * Book Depository

I’m delighted to have a number of the contributors sharing a bit about their stories!

Anna-Marie McLemore, “Roja”

“Roja” began as a reimagining of the story of Leonarda Emilia, better known as La Carambada, the legendary Mexican outlaw who flashed her breasts at the rich men she robbed, so they would know without a doubt that they’d been bested by a woman. But along the way, my imagining of La Carambada wandered, as my stories often do, into the realm of fairy tale. My Emilia became a Mexican version of Little Red Riding Hood. The Wolf emerged as a transgender French soldier who garners his own fierce reputation. The forbidding woods became the hills of Mexico in the 1870s, a country in the aftermath of a brutal war.

Maybe the Frenchman the real Leonarda Emilia loved wasn’t a transgender soldier. Maybe most people don’t think of a Mexican girl when they imagine Little Red Riding Hood. But for the time it took me to write “Roja,” I got to imagine both Red and La Carambada as both queer and Latina. Writing “Roja” made these stories feel like they belonged to girls like me.

Natalie C. Parker, “The Sweet Trade”

I am a life-long fan of pirate stories, historical and fictional. As a kid, I believed that the only people who became pirates were boys and men. This was certainly what I’d learned from history—Blackbeard and Calico Jack—and definitely what was reflected in fiction—Long John Silver and Captain Hook. When I finally discovered that girls and women were also a part of the historical narrative (Anne Bonny! Madame Cheng!), I immediately wanted to find their reflection in fiction. They are there, but those who land in the adventure tend to find themselves sidetracked to the adventures of boys and are rarely queer in any way.

I wrote “The Sweet Trade” because I wanted to see queer girls choosing adventure and choosing each other. I wanted to explore the origin story of two girls breaking away from the expectations of others and striking out on their own. In that way, it’s sort of a pre-pirate story, the opening gambit in what will surely be a grand adventure.

Nilah Magruder, “And They Don’t Kiss at the End”

It’s all in the title, really. I wrote “And They Don’t Kiss at the End” because I needed a story with no kissing. Romance and sex always made me a little uncomfortable, not just in practice, but in theory. I ran from declarations of love and admiration from friends. I scrunched my face and turned away when the guy got the girl in movies. I thought I was a “late bloomer” when this aversion persisted into adulthood. I kept waiting to meet “the one” to cure my indifference, and they never came. This story is an exploration of asexuality in the 1970’s, at a time when terminology to describe asexuality was still being formed. It was a chance for me to imagine different choices than the ones I made in my youth. Getting to gush about Pride & Prejudice with roller skating as a backdrop was also a plus.

Dahlia Adler, “Molly’s Lips”

Kurt Cobain’s shirt worn in the video for Smells Like Teen Spirit, photographed at the Experience Music Project in Seattle

I used to fear writing short stories because I didn’t know how to make them feel like a complete story without death. I’ve grown since then, but death is still very much present in “Molly’s Lips”— specifically, that of Kurt Cobain, deceased frontman of my favorite band, Nirvana; the story is set at his big vigil in Seattle on April 10, two days after his body was found. And it isn’t about girls falling in love; they’ve already fallen. It’s about finding the voice, the confidence, the words to share those feelings, and the bravery they were given by someone who had the courage to push back against bigotry in his fandom. It’s also a love story with its own built-in soundtrack; what could be better than that?

Mackenzi Lee, “Burnt Umber”

My family is from the Netherlands–my dad grew up in a Dutch farming community in Iowa, my last name (which is not Lee) is very long and starts with a Van, and I have a fondness for all poetry from Delft. When this anthology invitation came my way, I was about to go to Amsterdam to research a different writing project. While there, my already-existing fascination with Dutch art from the Golden Age became an obsession. I wanted to know all about painting, why these paintings existed, what it took to become a master painter and the commodification surrounding art and masterpieces. Art that, in its day was considered commercial trash is now hanging in galleries people from all over the world visit. It was all a lot of information that had no place in the book about flowers I was researching, and I wasn’t sure I’d ever get to use it. But when I visited Rembrandt’s studio in Holland, I knew I wanted to write something set in the Dutch art world and this story was a perfect opportunity.

The Rijksmuseum, Amsterdam, The Netherlands

One of my favorite things to do in my writing is take the tropes of historical or genre narratives and give them to queer characters. This story is “draw me like one of your French girls” from Titanic. It’s Girl with the Pearl Earring. It’s the Vincent Van Gogh episode of Dr. Who. But it’s two boys, an artist’s studio, a significant lack of clothing, and a whole lot of awkward teenage crush.

Alex Sanchez, “The Secret Life of the Teenage Boy”

“The Secret Life of a Teenage Boy” takes place in 1969, when I was a teen bursting with romantic yearning. Although I was aware of my attraction toward other boys, I had no positive words to put to those intimate feelings—only negative slurs. People rarely spoke openly or honestly about sex. Homosexuality was considered a mental disorder. Acting on it was a criminal offense. I didn’t know of any openly gay people. The term “gay” had barely even come into use. In my teenage isolation, I fantasized for hours about a strong handsome young guy who would swoop into my life and carry me away to a place where we could be free to love each other. This story is a reminiscence of what it was like to live in that time and place, yearning for a life and a world that would take years to come.

Kate Scelsa, “The Coven”

Since I started working on my theater company’s adaptation of Hemingway’s “The Sun Also Rises” back in 2010, I’ve done a lot of reading about Hemingway and his peers in Paris in the 20’s, and something that’s always fascinated me was Hemingway’s relationship with Gertrude Stein and this whole community of lesbians that he used to hang out with. The vision of Gertrude Stein as a kind of den mother has always appealed to me, so I wanted to give her that role with two young women who were still figuring out who they were to each other. And then of course Hemingway himself needed to make an appearance. And, yes, there are witches.

Tess Sharpe, “The Girl With the Blue Lantern”

I grew up in Gold Rush country, in the shadow of a mountain that has many stories and myths attached to it. I also grew up writing Sci-Fi and Fantasy instead of the contemporary mysteries and thrillers I write now, so being able to create a historical fantasy piece was a special treat.

People still make a living pulling gold from the water and dirt in my childhood county. I’ve panned little flakes and tiny nuggets out of the creek that snakes through our homestead myself. Gold has been a strong motivator for many things throughout our history: war, destruction, greed, murder, exploitation, exploration, colonization.

But in “The Girl with the Blue Lantern,” gold leads us to a very different place: love. A story of escape and acceptance, of gold sprites, and of one very silly dog named Virgil.

Kody Keplinger, “Walking After Midnight”

Walking After Midnight” is, at it’s core, a love letter to the trope of “two strangers meet and walk around talking all night.” I’m a sucker for stories like Before Sunrise, and I thought it would be fun to explore that sort of narrative between two young queer women. Betsey is an actress who hasn’t quite made the leap from child star to leading lady the way someone like Elizabeth Taylor did. Laura is a waitress at her family’s diner and isn’t sure she’ll ever escape her small town. I loved exploring these girls’ opposing situations, their hopes and fears. And getting to write about Betsey, whom I’d describe as gray-asexual, was a joy.  Plus, I mean, I got to use all the things I’ve learned from the You Must Remember This podcast to good use!

Tessa Gratton, “Three Witches”

As a queer “recovering” Catholic and occasionally practicing witch, I’ve for years been aware of the threads of desire that can be found in medieval Catholic writing. Usually it’s desire for heaven or Christ’s touch, especially to the nuns considered to be “married” to Christ, but often this desire surpasses the flesh in queer ways, especially in the writings of the female mystics like St. Teresa of Avila. In “Three Witches” I wanted to explore the desire embedded in the prayers and explorations of medieval nuns, as well as the inherent conflict between desire and purity in the imagery and words associated with the Virgin Mary. The Inquisition was the strongest political force in Spain during the 15th century, hunting predominantly Jewish people and Muslims, but also available to excise anything unwanted from the Church. Including “unnatural” desire.

That’s all to say: I wanted to write a sexy, difficult story about two girls falling in love (and in lust) while grappling with what they’re told they should desire. And I wanted to write about witches. 

Sara Farizan, “The End of the World as We Know It”

I know 1999 is a year that should not belong in a historical fiction anthology, but it was almost twenty years ago!  I wanted to write a story that took place at the end of the twentieth century and encapsulated some of the hopes and fears people had going into the new century. Ezgi and Katie, two life- long best friends who have a strained relationship, also have their own hopes and fears for the future that come to light on New Year’s Eve while watching MTV’s countdown to midnight. When you think the world might come to an end, and tomorrow might mean the end of civilization as you know it (Y2K, man. What a trip), you have to hold on to the people you care about most, no matter how scary or daunting that may seem.

Shaun David Hutchinson, “The Inferno and the Butterfly”

I love magic. And what’s more magical than finding love in an unexpected place? “The Inferno and the Butterfly” was a story I’ve been dying to tell. I’ve always been fascinated by stage magicians, and though Alfie and Wilhelm might be the assistants, they’re the ones performing the real magic.

A Cure for the Common Grump: a Guest Post by Erin Finnegan (Standing Under the Mistletoe with Interlude Press: Day 3)

Standing Under the Mistletoe with Interlude Press: Day 3

A kiss can lead to so many unexpected things…especially one that takes place under the mistletoe. Join authors Killian B. Brewer, Pene Henson, Erin Finnegan, Lilah Suzanne, and Lynn Charles as they explore the most tantalizing literary kisses and their lasting impact in books in this new series, Standing Under the Mistletoe with Interlude Press. Every day from December 4th to December 8th, HEA USA Today, The Book Smugglers, LGBTQ Reads, All About Romance, and The Mary Sue will feature a new article from each author of the LGBTQ+ holiday themed collection, If the Fates Allow (out now from Interlude Press).

Buy it: Interlude * Amazon * B&N * iBooks * Kobo * Smashwords * Book Depository

A Cure for the Common Grump By Erin Finnegan

I’ll admit it: I love grumps.

In real life, give me friends with kindness and humor. But in between the pages, I want flawed characters, protagonists who are forced into a revelatory moment. And to make my reading complete, please make them tormented, and just a bit obtuse when it comes to love.

There’s one thing that can set the wheels in motion. You know it; I know it. It’s a kiss, or the promise of one, or even the moment that demands one but it somehow slips away, sending my beloved, brooding grump on a path of romantic self-discovery.

But until that moment, and sometimes after it, please, let them be grumptastic.

You can find them brooding on any bookshelf, from literary classics to science fiction (Han Solo? Space Grump.) to contemporary YA.

One of my favorite books is Michael Ondaatje’s The English Patient. The consuming affair that unravels lives and may change the course of war isn’t every reader’s cup of tea, but this poetic and tragic story of the affair between cartographer and a woman married to a member of his expedition team in pre-World War II Egypt is filled with delicious angst.

Almásy is your classic distant, brooding character in the pre-war passages of the book. But his post-war recollections of the relationship are transcendent; the moment that he and Katharine end their brief affair would seem to demand a kiss, but it’s absence serves as a painful accent point to the moment.

Now there is no kiss. Just one embrace. He untugs himself from her and walks away, then turns. She is still there. He comes back within a few yards of her, one finger raised to make a point.

“I just want you to know. I don’t miss you yet.”

His face awful to her, trying to smile. Her head sweeps away from him and hits the side of the gatepost. He sees it hurt her, notices the wince. But they have separated already into themselves now, the walls up at her insistence. Her jerk, her pain, is accidental, is intentional. Her hand is near her temple.

“You will,” she says.

I try to treat my books with respect—no cracked spines, thankyouverymuch—but I may have thrown my copy of The English Patient against the nearest wall when I first read that scene…in a good way. Those two prescient words serve in lieu of a kiss that is desperately left wanting.

Frustrating? Yes, intentionally so. A kiss-that-isn’t and leaves you wanting more.

The classics are filled with angsty, romantic protagonists: Darcy, Gatsby, and of course Heathcliff, among the royalty of romantic literary grumps.

Let’s be clear, Heathcliff is no gem. He’s brutal, emotionally abusive. He’s also tortured, haunted, and, it would seem against his wishes, deeply in love with Catherine Earnshaw. Their love story isn’t resolved in a kiss—it happens on her deathbed, after all—but it is cemented by it. Heathcliff is haunted by Catherine’s death—emotionally and eventually, literally.

These characters are often male, but I would like to see more women in the literary grump club. It plays counter to romantic stereotypes and opens the character up for some wonderful tics and traits.

In my 2016 novel Luchador, Lola—a champion boxer-turned-luchadora in love with a ambitious burlesque dancer—served this role. I loved turning the tables on this trope. Lola was tough and threatening, but in the presence of Bonnie “Fanny Vice” McCreary, those rough edges smooth. Love heals, folks.

Which is the point of my Grump 2.0, Jack Volarde in Last Call at the Casa Blanca Bar & Grille, a short story in the Interlude Press holiday anthology, If the Fates Allow.

Jack, a political consultant, isn’t so much grumpy as he is driven. It’s not ambition that fuels that drive, but a sense of loss that has numbed his senses—until a bartender forces his hand. Jack has no interest in finding someone new, but he soon finds himself into a slow dance in the shadows of Christmas lights.

Javi paused and angled his face to Jack’s. The kiss was brief, comforting, and gentle. Jack hesitated, but didn’t pull away.

“Mistletoe,” Javi said, smiling. “I had to.”

He laced a hand through Jack’s hair, and kissed him again. It was more determined, more certain—a cool, electric rush that started at Jack’s lips and rushed to his fingers and toes. It felt like life itself.

A kiss can represent so many things: a beginning, an end, a revelation, or a moment of healing.

And there are other kisses, the ones that bring both resolution and the promise of something new. Think of first kisses, of those eye-opening moments of “Oh.”

Think, Aristotle and Dante Discover the Secrets of the Universe.

A kiss, and kissing in general, is a bit of a theme in Benjamin Alire Sáenz’s beloved coming of age story. Ari and Dante talk about kissing quite a lot: what they expect from it, whether they should try it themselves, the differences between kissing girls and kissing boys.

But this book keeps (spoiler alert) the kiss that matters to the very final sentences of the book. The thing you know must happen, the game-changer, that 358-page build to a simple moment between friends who are clearly destined to be so much more, plays out in a simple, straightforward moment as Ari, reluctant in love and sometimes grumpy in friendship, accepts that he is in love with his best friend.

“Try it again,” I said. “Kiss me.”

“No,” he said.

“Kiss me.”

“No.” And then he smiled. “You kiss me.”

I placed my hand on the back of his neck. I pulled him toward me. And kissed him. I kissed him. And I kissed him. And I kissed him. And I kissed him. And he kept kissing me back.

Could the discovery of the joy of love play out more simply, or more believably, than a kid thinking in wonder, “I kissed him”?

And in that transcendent moment of revelation, love proves itself the cure for the common grump.

About If Fates Allow, out now from Interlude Press: During the holidays, anything is possible—a second chance, a promised future, an unexpected romance, a rekindled love, or a healed heart. Authors Killian B. Brewer, Pene Henson, Erin Finnegan, Lilah Suzanne, and Lynn Charles share their stories about the magic of the season.

About Erin Finnegan’s story, Last Call at the Casa Blanca Bar & Grille

As the one-year anniversary of his lover’s death rolls around on Christmas, Jack Volarde finds himself at their old haunt—a bar called the Casa Blanca, where a new bartender helps him open up about loss, and see brightness in a future that had grown dim.

Erin Finnegan is a former journalist and a winemaker who lives in the foothills outside Los Angeles. Her novel Luchador was named one of Publishers Weekly’s Best Books of 2016, and along with her 2014 debut novel, Sotto Voce, received both a Foreword Reviews INDIES Book of the Year award and a PW starred review.

Connect with Erin: Website | Twitter | Facebook

New Releases: December 2017

If the Fates Allow, ed. by Annie Harper (1st)

During the holidays, anything is possible—a second chance, a promised future, an unexpected romance, a rekindled love, or a healed heart. Authors Killian B. Brewer, Lynn Charles, Erin Finnegan, Pene Henson, and Lilah Suzanne share their stories about the magic of the season.

“Gracious Living Magazine Says It Must Be a Live Tree” by Killian B. Brewer
Determined to make his first Christmas with his new boyfriend magazine-perfect, Marcus seeks the advice of lovable busy bodies, the Do-Nothings Club. When he learns that his boyfriend, Hank, may have ordered a ring, Marcus’ attempts to transform his home into a winter wonderland get out of hand.

“True North” by Pene Henson
Shay Allen returns to her hometown in Montana for the holidays with her best friend Devon with the intent to return home to L.A. by New Year’s Eve. Instead, the weather traps them in the small town, but the there’s a bright spot: her old crush Milla is still in town.

“Last Call at the Casa Blanca Bar & Grille” by Erin Finnegan
As the one-year anniversary of his lover’s death rolls around on Christmas, Jack Volarde finds himself at their old haunt—a bar called the Casa Blanca, where a new bartender helps him open up about loss, and see brightness in a future that had grown dim.

“Halfway Home” by Lilah Suzanne
Avery Puckett has begun to wonder if her life has become joyless. One night, fate intervenes in the form of a scraggly dog shivering and alone in a parking lot. Avery takes him to a nearby shelter called Halfway Home where she meets bright and beautiful Grace, who is determined to save the world one stray at a time.

“Shelved” by Lynn Charles
When library clerk Karina Ness meets a new patron, lonely business owner, Wesley Lloyd, she puts her own love life on hold and begins a holiday matchmaking mission to connect Wes with her uncle Tony.

Buy it: Interlude Press

Winterglass by Benjanun Sriduangkaew (5th)

The city-state Sirapirat once knew only warmth and monsoon. When the Winter Queen conquered it, she remade the land in her image, turning Sirapirat into a country of snow and unending frost. But an empire is not her only goal. In secret, she seeks the fragments of a mirror whose power will grant her deepest desire.

At her right hand is General Lussadh, who bears a mirror shard in her heart, as loyal to winter as she is plagued by her past as a traitor to her country. Tasked with locating other glass-bearers, she finds one in Nuawa, an insurgent who’s forged herself into a weapon that will strike down the queen.

To earn her place in the queen’s army, Nuawa must enter a deadly tournament where the losers’ souls are given in service to winter. To free Sirapirat, she is prepared to make sacrifices: those she loves, herself, and the complicated bond slowly forming between her and Lussadh.

If the splinter of glass in Nuawa’s heart doesn’t destroy her first.

Buy it:  Apex * Amazon * Kobo * iBooks * Smashwords

Sea of Strangers by Erica Cameron (5th)

The only way for Khya to get her brother back alive is to kill Varan—the immortal ruler who can’t be killed. But not even Varan knew what he was doing when he perverted magic and humanity to become immortal.

Khya’s leading her group of friends and rebels into the mountains that hold Varan’s secrets, but if risking all their lives is going to be worth it, she has to give up everything else—breaking the spell that holds her brother captive, and jeopardizing her deepening relationship with Tessen, the boy who has been by turns her rival and refuge since her brother disappeared. Immortality itself might be her only answer, but if that’s where Khya has to go, she can’t ask Tessen or her friends to follow.

Buy it: Entangled

Cloaked in Shadow by Ben Alderson (5th)

Zacriah Trovirn is concerned with two things in life: hunting and dodging Petrer, the boy who broke his heart.

Heartbreak becomes a distant concern when Zacriah is taken to the Elven capital of Thessolina, where he is forced into King Dalior’s new legion of shapeshifters. But Zacriah isn’t a shapeshifter. In truth, he doesn’t know what he is.

Zacriah joins forces with new friends and they soon find themselves embroiled in a clash between the three Elven continents. With war looming on the horizon, Zacriah must learn to use his latent power to fight and protect those he loves before they are destroyed.

Buy it: Amazon * B&N

Tailor-Made by Yolanda Wallace (12th)

Before Grace Henderson began working as a tailor in her father’s bespoke suit shop in Wiliamsburg, Brooklyn, she established a hard and fast rule about not dating clients. The edict is an easy one for her to follow, considering the overwhelming majority of the shop’s clients are men. But when Dakota Lane contacts her to commission a suit to wear to her sister’s wedding, Grace finds herself tempted to throw all the rules out the window.

Dakota Lane works as a bicycle messenger by day and moonlights as a male model. Her high-profile career, gender-bending looks, and hard-partying ways garner her plenty of romantic attention, but she would rather play the field than settle down. When she meets sexy tailor Grace Henderson, however, she suddenly finds herself in the market for much more than a custom suit.

Buy it: Amazon * B&N

Freed by Flame and Storm by Becky Allen (12th)

Revolution is nigh, and one seventeen-year-old girl stands at the head of it all.

Jae used to be a slave, laboring with the rest of her people under a curse that forced her to obey any order she was given. At seventeen, she found the source of her people’s lost magic and became the only person to break free—ever. Now she wants to use her power to free the rest of her people, but the ruling class will do anything to stop her.

Jae knows that breaking the curse on her people would cause widespread chaos, even unimaginable violence between the castes, and her caste would likely see the worst of it. Many would die. But to let them remain shackled is to doom them to continue living without free will.

How is one girl, raised a slave and never taught to wield power, supposed to decide the fate of a nation?

(Note: this is a sequel to a non-LGBTQ book, and contains f/f romance)

Buy it: Amazon * Barnes & Noble * Penguin Random House *IndieBound

Right Here, Right Now by Georgia Beers (12th)

Accountant and financial advisor Lacey Chamberlain doesn’t consider herself a control freak. She’s merely a planner—orderly, neat, and content in her tidy little life. When a marketing firm moves into the empty office next door, the loud-music-playing, stinky-food-ordering, kickball-in-the-hall staff make Lacey crazy.

Marketing expert Alicia Wright is spontaneous, flies by the seat of her pants, and lives in the moment—all the things Lacey is not. She’s also gorgeous, thoughtful, and seems determined to make Lacey like her.

They say opposites attract, but for how long? And is that really a good idea?

Buy it: Amazon * B&N

Outside the Lines by Anna Zabo (18th)

Buy it: Riptide

Three Sides of a Heart, ed. by Natalie C. Parker (19th)

These top YA authors tackle the much-debated trope of the love triangle, and the result is sixteen fresh, diverse, and romantic stories you don’t want to miss.

This collection, edited by Natalie C. Parker, contains stories written by Renee Ahdieh, Rae Carson, Brandy Colbert, Katie Cotugno, Lamar Giles, Tessa Gratton, Bethany Hagan, Justina Ireland, Alaya Dawn Johnson, EK Johnston, Julie Murphy, Garth Nix, Natalie C. Parker, Veronica Roth, Sabaa Tahir, and Brenna Yovanoff.

A teen girl who offers kissing lessons. Zombies in the Civil War South. The girl next door, the boy who loves her, and the girl who loves them both. Vampires at a boarding school. Three teens fighting monsters in an abandoned video rental store. Literally the last three people on the planet.

(Note: this is not an LGBTQ anthology, but a significant number of the contributions are. Representation includes but is not limited to lesbian, bisexual, genderqueer, and polyamorous.)

Buy it: IndieBound | Amazon | Barnes & Noble | Book Depository

New Releases: November 2017

 Olympia Knife, by Alysia Constantine (2nd)

Born into a family of flying trapeze artists, Olympia Knife has one small problem: When her emotions rise, she becomes invisible. Everyone in the traveling circus has learned to live with this quirk; they banded together to raise Olympia in a loving environment when her parents vanished midair during their act, never to return. But the same fate befalls Arnold, the world’s shortest man, followed by one act after another, until the show is a crumbling mess of tattered tents and terrified troupers. Into this chaos walks Diamond the Danger Eater. Olympia and Diamond forge a friendship, then fall in love, and, together, resolve to stand the test of time, even as the world around them falls apart.

Buy it: Amazon * Interlude

Citywide by Santino Hassell (13th)

This is a novella collection in the Five Boroughs series

In Rerouted, Chris Mendez is trying to live a drama-free life. That doesn’t include another threesome with Jace and Aiden Fairbairn. But then a citywide blackout leaves them trapped together, and Chris is forced to re-examine everything he thought he knew about relationships and his own heart.

In Gridlocked, former Marine Tonya Maldonado is keeping real estate heiress Meredith Stone on permanent ignore. Mere isn’t Tonya’s type. Not even close. Who cares if she kisses like a dream and has the filthiest mouth this side of the East River? But then a security detail at a summer party ends with her saving Mere’s life and discovering they have more chemistry than she’d ever imagined.

In Derailed, Stephanie Quinones escapes the heat and her complicated love life by going on a company retreat. Trouble is, it’s a couples’ retreat, and she lied about having a boyfriend. Unfortunately, the only person willing to play pretend is her on-again/off-again fling, Angel León. They’re currently “off again,” but after a week in the woods, Stephanie realizes she wouldn’t mind them being permanently on.

Buy it: Riptide

Walking on Water by Matthew J. Metzger (13th)

WalkingonWater-f500When a cloud falls to earth, Calla sets out to find what lies beyond the sky. Father says there’s nothing, but Calla knows better. Something killed that cloud; someone brought it down.

Raised on legends of fabled skymen, Calla never expected them to be real, much less save one from drowning—and lose her heart to him. Who are the men who walk on water? And how can such strange creatures be so beautiful?

Infatuated and intrigued, Calla rises out of her world in pursuit of a skyman who doesn’t even speak her language. Above the waves lies more than princes and politics. Above the sky awaits the discovery of who Calla was always meant to be. But what if it also means never going home again?

Add to your TBR

Runebinder by Alex R. Kahler (14th)

When magic returned to the world, it could have saved humanity, but greed and thirst for power caused mankind’s downfall instead. Now once-human monsters called Howls prowl abandoned streets, their hunger guided by corrupt necromancers and the all-powerful Kin. Only Hunters have the power to fight back in the unending war, using the same magic that ended civilization in the first place.

But they are losing.

Tenn is a Hunter, resigned to fight even though hope is nearly lost. When he is singled out by a seductive Kin named Tomás and the enigmatic Hunter Jarrett, Tenn realizes he’s become a pawn in a bigger game. One that could turn the tides of war. But if his mutinous magic and wayward heart get in the way, his power might not be used in favor of mankind.

If Tenn fails to play his part, it could cost him his friends, his life…and the entire world.

Buy it: Amazon * B&N

Being Fishkill by Ruth Lehrer (14th)

Born in the backseat of a moving car, Carmel Fishkill was unceremoniously pushed into a world that refuses to offer her security, stability, love. At age thirteen, she begins to fight back. Carmel Fishkill becomes Fishkill Carmel, who deflects her tormenters with a strong left hook and conceals her secrets from teachers and social workers. But Fishkill’s fierce defenses falter when she meets eccentric optimist Duck-Duck Farina, and soon they, along with Duck-Duck’s mother, Molly, form a tentative family, even as Fishkill struggles to understand her place in it.

This fragile new beginning is threatened by the reappearance of Fishkill’s unstable mother — and by unfathomable tragedy. Poet Ruth Lehrer’s young adult debut is a stunning, revelatory look at what defines and sustains “family.” And, just as it does for Fishkill, meeting Duck-Duck Farina and her mother will leave readers forever changed.

Buy it: Indiebound | Barnes&Noble | BAM | Amazon

Beulah Land, by Nancy Stewart (16th)

Seventeen-year-old Vi Sinclair’s roots run deep in the Missouri Ozarks, where, in some areas, it can still be plenty dangerous to be a girl who likes girls. Her greatest wish is to become a veterinarian like her boss, Claire Campbell. Fitting in at school wouldn’t be so bad, either. Only one obstacle stands in the way: She may not live long enough to see her wishes fulfilled.

With help from her only friend, Junior, Vi unravels a mystery that puts her in conflict with a vicious tormentor, a dog fight syndicate, and her own mother. Vi’s experience galvanizes her strength and veracity as she overcomes the paradox of mountain life, in which, even today, customs and mores seem timeless, and where a person can wake up dead simply because of being who she is.

Buy it: Amazon * B&N

New Release Spotlight: Love Beyond Body, Space, and Time (An LGBT and Two-Spirit Sci-Fi Anthology)

As soon as this anthology was brought to my attention (h/t Lex Leone!) I reached out to the editor, Hope Nicholson, and asked if the authors would be open to contributing a little information about their stories. So, please check out the book itself below (only $5.00!) and then see what the authors have to say about their contributions to this cool-as-hell antho.

31560094Love Beyond, Body, Space, and Time is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman trying an experimental transition medication to young lovers separated through decades and meeting far in their own future. These are stories of machines and magic, love, and self-love.

This collection features prose stories by:
Cherie Dimaline “The Girl Who Grew a Galaxy,” “Red Rooms”
Gwen Benaway “Ceremonies for the Dead”
David Robertson “Betty: The Helen Betty Osborne Story,” Tales From Big Spirit series
Richard Van Camp “The Lesser Blessed,” “Three Feathers”
Mari Kurisato “Celia’s Song,” “Bent Box”
Nathan Adler “Wrist”
Daniel Heath Justice “The Way of Thorn and Thunder: The Kynship Chronicles”
Darcie Little Badger “Nkásht íí, The Sea Under Texas”
Cleo Keahna
And an introduction by Niigaanwewidam James Sinclair “Manitowapow,” with a foreword by Grace Dillon “Walking the Clouds”.
Edited by Hope Nicholson “Moonshot,” “The Secret Loves of Geek Girls”

Buy it: Kindle * Paperback
*****
Gwen Benaway

I wrote “Transition” because I wanted to see a 1st person narrative of an Indigenous transwoman in the world. I can’t remember ever reading a narrative with an Indigenous transwoman as the main voice, so it felt important to centre us as active subjects in literature. Another part of my desire was to also challenge Western models of becoming “female.” The transgender specific narratives I encounter are often about the medical process of transitioning like surgeries or hormones, but I am interested in exploring what transitioning means in an Indigenous context. We know there was Indigenous transwoman before contact in most Indigenous nations. I often wish I could call up those transgender aunties and ask them “what was it like for you?”. For them, transitioning must have been very different. Being female would have meant something different. They certainly were not going on hormones, removing body hair, or having surgeries, but they were also very clearly perceived and lived as women in our societies.

It is empowering for me to imagine a process of transitioning which is not about morphing our biological bodies, but about reclaiming our souls. Being transgender for Indigenous transwomen is spiritual. Our teachings say it comes from our relationship to the earth and the world around us. It’s intrinsically who we are and we demonstrate our femininity through our actions and responsibilities, not our appearance. In the context of this story, I wanted to place ceremony and Western science side by side and have a main character who works through her gender via both. I cheat a little and fall strongly on the side of her gender coming through her ancestors, but the idea of her female ancestors reaching out to her to guide her into womanhood is a really beautiful and loving image for me. She’s not “changing” her gender. She is reconnecting to who she has always been: an Indigenous woman interwoven into a web of powerful Indigenous women which stretches across time and space.

David Robertson

You don’t always get the opportunity to write a story that involves an LGBT couple, has one character that is Indigenous, and, oh yeah, is sci-fi. Needless to say, it was an amazing and challenging experience to write “Perfectly You.” I wanted to write a love story that felt real in an unreal setting, that didn’t fall into cliche or stereotype, and that was surprising in its narrative, rather than in the sexual orientation or cultural background of its protagonist. In the end, for me, “Perfectly You” really is saying that love is love, and love is timeless.

Richard Van Camp

“Aliens” was a fun piece to write. I believe that this is my third piece of writing as a woman and I’m proud to have placed this story in Fort Smith, my home town. I’ve always had a “what if?” story about aliens, as in, “What if they just showed up and stayed? What would we do?” I didn’t want this story to be about the Sky People as beings. I wanted this to be about the Sky People as a symbol of never being able to go back to the way humanity was before: I also wanted there to be hope with the gentle bubbling of the oceans. I pray that, in this story, the Sky People are coming to help and teach us what we need to get along and heal our planet together. I also wanted this to be a love story. I love it when friendships break down and people start making out. Mah! 🙂

When you listen to the hunters and trappers, so many of them have stories of seeing UFO’s and I believe them. This was a joy to write and I’m grateful to Hope Nicholson for asking me to create something for “Love Beyond Body, Space and Time.” Mahsi cho!

You’ll notice that I dedicated this story to Carla Ulrich. Carla is a director, producer, writer and actor from the North who has adapted three of my books and turned them into movies: “Hickey Gone Wrong”, “Three Feathers” and “The Blue Raven.” I’m so grateful for her and her vision in all that she does. The least I could do is dedicate a story to her.

“Aliens” is now the first story in my new short story collection manuscript “Moccasin Square Gardens” because it has such a playful spirit.

Mahsi.

Mari Kurisato

Imposter Syndrome is the short story of Aanji, a noncitizen artificial life-form who is desperate to escape a grim fate, using her human ancestors’ memories. Set several (hundred?) years after the events of Escape Light, it details one person’s attempt to reclaim her soul. It’s also very autobiographical in some spots, which is why I’m nervous and pleased as punch that the wonderful Hope L. Nicholson is publishing it, alongside amazing Indigenous authors like Doctor Darcie Little Badger, Daniel Heath Justice, Nathan Adler, Gwen Benaway, and Cherie Dimaline.

Nathan Adler

“Valediction at The Star View Motel” is about relationships, and death, and meteor-showers, and messages from beyond the grave, it’s about one of the strongest and lightest materials in the world, spider’s-silk, and love, and connection across time and space. The story started with the two characters—Edie and Mushkeg—and I knew they had this back-story forming, waiting to be told, so when Hope approached me about contributing to this Anthology, I thought this story would be a good fit, and that maybe it was time to write the story of how Edie and Mushkeg met.

Daniel Heath Justice

Hummingbirds fascinate me. They possess a kind of wild, fierce beauty you don’t see in other creatures; they’re brave, bold, temperamental, and dramatic. In so many ways, they embody a courageous certainty of self, and I wanted to capture some of this spirit in a story for those on the margins (especially queer and two-spirit Indigenous folks) who are coming to an understanding of their own special beauty but see too few examples to help inspire their struggle. This world isn’t kind to those who are different; we know this too well. But that’s only because of human prejudices—the rest of the world is teeming with strange beauty.

I drew a bit of inspiration from the Cherokee story about Hummingbird and how sacred tobacco came to heal the People through the skill and cleverness of a medicine man. He put on a feathered cloak and became a hummingbird to steal the plant from an island of selfish, murderous giants. But there are many different kinds of healing, and there are many different kinds of medicine. To me this is a story of love and self-acceptance, and the beauty that inhabits so many of us but is so often denied.

Darcie Little Badger

At its core, Né łe is a lighthearted story about lesbians and puppies in space. Perhaps counterintuitively, I – a horror fanatic – enjoy writing sweet comedies. That said, Né łe contains sad themes that are familiar to my tribe and many others, particularly dispossession. Her longing for a stolen home drives the Apache protagonist of Né łe to Mars.

As a final note, the Watson to my Holmes is a Navajo veterinarian; their guidance enabled me to write the sci-fi veterinary scenes in Né łe. I’m extremely grateful!

*****

Hope Nicholson is the publisher of Bedside Press and comics historian. Her latest book is a collection of indigenous science fiction and fantasy stories starring queer and two-spirit characters. She also works in reprinted work bringing attention to lost comics.