Like a Love Story by Abdi Nazemian
Tell Me How You Really Feel by Aminah Mae Safi
How it All Blew Up by Arvin Ahmadi
Bonus: Coming in May, Girl, Serpent, Thorn by Melissa Bashardoust is a bi fantasy based on Persian mythology
Like a Love Story by Abdi Nazemian
Tell Me How You Really Feel by Aminah Mae Safi
How it All Blew Up by Arvin Ahmadi
Bonus: Coming in May, Girl, Serpent, Thorn by Melissa Bashardoust is a bi fantasy based on Persian mythology
Note: Books that have already been featured on the site are listed separately below. Also, a lot of these authors have large catalogs, so seek them out!
Coming out is easier when you’ve got someone by your side. At least that’s how the hyper-private Quinn Kincaid sees it. When her publicist suggests a good old-fashioned sham of a Hollywood relationship, Quinn reluctantly agrees. And that’s how the star of Jordan’s Appeal, TV’s highest rated legal drama, ends up with a fake girlfriend – the very real, very sexy and very gay soap star, Lacey Matthews.
In Casting Lacey, Elle Spencer gives us a hilarious new take on a classic storyline, complete with nosy mothers, fawning assistants and two beautiful actresses who might learn about true love. If they don’t kill each other first.
Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.
One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.
Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .
In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.
All Pen wants is to be the kind of girl she’s always been. So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth–that in order to be who she truly wants to be, she’ll have to man up.
In 1955, eighteen-year-old Janet Jones keeps the love she shares with her best friend Marie a secret. It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.
Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.
In this novel told in dual narratives, New York Times bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.
You go through life thinking there’s so much you need…
Until you leave with only your phone, your wallet, and a picture of your mother.
Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.
Brynn Haper’s life has one steadying force–Rachel Maddow.
She watches her daily, and after writing to Rachel for a school project–and actually getting a response–Brynn starts drafting e-mails to Rachel but never sending them. Brynn tells Rachel about breaking up with her first serious girlfriend, about her brother Nick’s death, about her passive mother and even worse stepfather, about how she’s stuck in remedial courses at school and is considering dropping out.
Then Brynn is confronted with a moral dilemma. One student representative will be allowed to have a voice among the administration in the selection of a new school superintendent. Brynn’s archnemesis, Adam, and ex-girlfriend, Sarah, believe only Honors students are worthy of the selection committee seat. Brynn feels all students deserve a voice. When she runs for the position, the knives are out. So she begins to ask herself: What Would Rachel Maddow Do?
When You Want It All, You’ve Got To Give It AllFrom the outside, Bliss Sinclair’s life seems very glamorous–a high-profile job with a publishing house, a fashionable boyfriend who looks good on her arm, and ultra-chic parties where the come-ons are as hot and thrilling at night as they are empty as an air-kiss greeting the next day. It’s a world Bliss wanders through with blinders on, all the while craving more. And she finds it in the most unlikely of places.
Embarking on a series of carnal adventures with a notorious bad girl as her guide, Bliss opens herself to every new experience and every taboo. In abandoned warehouses, private fetish clubs, even her own office, Bliss is skating on the thin ice of desire–until her world comes crashing in.
Now, broken and wanting, Bliss decides to spend a summer in her birthplace, Jamaica, where she hopes to reconcile with her estranged father and rediscover herself. There, in a land of lush ripeness, of heat, warm breezes, easy smiles, and the family she left behind, Bliss will discover what she didn’t know was missing. It’s a journey that will awaken every one of her senses and take her to the edge of known pleasure and far beyond it, to a love that is as sexy as it gets, as real as can be, and more surprising than she can imagine–a place of total bliss.
Small-batch independent yarn dyer Clara Ziegler is eager to brainstorm new color combinations–if only she could come up with ideas she likes as much as last time! When she sees Danielle Solomon’s paintings of Florida wildlife by chance at a neighborhood gallery, she finds her source of inspiration. Outspoken, passionate, and complicated, Danielle herself soon proves even more captivating than her artwork…
Fluffy Jewish f/f contemporary set in the author’s childhood home of South Florida.
Buy it: Amazon
Danny Tozer has a problem: she just inherited the powers of Dreadnought, the world’s greatest superhero.
Until Dreadnought fell out of the sky and died right in front of her, Danny was trying to keep people from finding out she’s transgender. But before he expired, Dreadnought passed his mantle to her, and those secondhand superpowers transformed Danny’s body into what she’s always thought it should be. Now there’s no hiding that she’s a girl.
It should be the happiest time of her life, but Danny’s first weeks finally living in a body that fits her are more difficult and complicated than she could have imagined. Between her father’s dangerous obsession with “curing” her girlhood, her best friend suddenly acting like he’s entitled to date her, and her fellow superheroes arguing over her place in their ranks, Danny feels like she’s in over her head.
She doesn’t have much time to adjust. Dreadnought’s murderer—a cyborg named Utopia—still haunts the streets of New Port City, threatening destruction. If Danny can’t sort through the confusion of coming out, master her powers, and stop Utopia in time, humanity faces extinction.
Josh Chester loves being a Hollywood bad boy, coasting on his good looks, his parties, his parents’ wealth, and the occasional modeling gig. But his laid-back lifestyle is about to change. To help out his best friend, Liam, he joins his hit teen TV show, Daylight Falls … opposite Vanessa Park, the one actor immune to his charms. (Not that he’s trying to charm her, of course.) Meanwhile, his drama-queen mother blackmails him into a new family reality TV show, with Josh in the starring role. Now that he’s in the spotlight—on everyone’s terms but his own—Josh has to decide whether a life as a superstar is the one he really wants.
Vanessa Park has always been certain about her path as an actor, despite her parents’ disapproval. But with all her relationships currently in upheaval, she’s painfully uncertain about everything else. When she meets her new career handler, Brianna, Van is relieved to have found someone she can rely on, now that her BFF, Ally, is at college across the country. But as feelings unexpectedly evolve beyond friendship, Van’s life reaches a whole new level of confusing. And she’ll have to choose between the one thing she’s always loved … and the person she never imagined she could.
Kyle Blake likes plans. So far, they’re pretty simple: Finish her senior year of high school, head off to a good college, find a cute boyfriend, graduate, get a good job, get married, the whole heterosexual shebang. Nothing is going to stand in the way of that plan. Not even Stella Lewis.
Stella Lewis also has a plan: Finish her senior year as cheer captain, go to college, finally let herself flirt with (and maybe even date) a girl for the first time and go from there.
Fate has other plans for Kyle and Stella when they’re paired up in their AP English class and something between them ignites. It’s confusing and overwhelming and neither of them know what to do about it. One thing they do know is that their connection can’t be ignored. The timing just isn’t right.
But is there ever a good time for falling in love?
If you don’t get lost, there’s a chance you may never be found. Jenna McGovern has spent her whole life training for the stage. She’s taken dance classes, voice lessons, and even earned her performance degree from one of the most prestigious musical theater programs in the nation. At graduation, she’s stunned when a chance audition lands her a prime supporting role in the hottest Broadway touring production in the country. In more exciting news, Jenna discovers acclaimed television star Adrienne Kenyon is headlining the production.
Jenna settles easily in to life on tour and has a promising career laid out in front of her, if only she plays her cards right. She’s waited for this opportunity her entire life and will let nothing stand in her way. The one thing she didn’t prepare for, however, was Adrienne. Her new costar is talented, beautiful, generous, and the utmost professional. As the two women grow closer onstage and off, they must learn how to fit each other into a demanding lifestyle full of unexpected twists and difficult decisions. But is Jenna ready to sacrifice what she’s worked so hard for in exchange for a shot
Seventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents’ expectations, but lately she’s finding that harder and harder to do. She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.
But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective.
Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?
Susanne Wolff isn’t thrilled when her mother sends her all the way across the country to Freiburg to save her uncle’s stationery store from bankruptcy. Freiburg is too provincial for her taste, and besides, pen and paper are outdated anyway.
Anja Lamm, Paper Love’s only full-time employee, takes an instant dislike to the arrogant, digital-loving snob who’s supposed to be her temporary boss.
But thanks to a meddling cat, a business trip to a stationery fair, and an armada of origami boats, Anja soon starts to see beneath Susanne’s aloof exterior, and Susanne discovers how sexy pens and notebooks can be—at least when Anja handles them.
As the end of Susanne’s three-month stay approaches, will she stick to her plan to leave, or will she open her heart to more than just paper love?
Hal Orion is an accomplished chef and food truck owner. She loves her life, her longtime sous chef and best friend, and the food she shares with the residents of her beloved city of Buffalo. Her life is exactly how she wants it: no strings, no commitments, and no roots—just great grilled cheese and a whole lot of freedom on the side.
Quinn Banning is an investment banker, and the dividend she seeks is a resurgence of the once-great city of Buffalo. Putting together her next business venture, she recognizes Hal’s talent and charm as necessary assets for success—her good looks don’t hurt, either. But Hal’s transient ways are in direct opposition to the stability Quinn craves. Relying on their shared love of Buffalo, Quinn makes Hal an offer she can’t refuse—a restaurant under her own name, complete creative control, and secure financial backing. It’s every chef’s dream. But Hal utters the one word Quinn can’t stand to hear, “No.”
Will their physical attraction grow cold as they argue over their ideals, or will they find that the most distinctive ingredients often make for the perfect pairing?
Seventeen-year-old Bex is thrilled when she gets an internship on her favorite tv show, Silver Falls. Unfortunately, the internship isn’t quite what she expected… instead of sitting in a crowded writer’s room volleying ideas back and forth, Production Interns are stuck picking up the coffee.
Determined to prove her worth as a writer, Bex drafts her own script and shares it with the head writer―who promptly reworks it and passes it off as his own! Bex is understandably furious, yet…maybe this is just how the industry works? But when they rewrite her proudly lesbian character as straight, that’s the last straw! It’s time for Bex and her crush to fight back.
Hannah’s a witch, but not the kind you’re thinking of. She’s the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she’s ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans.
But dealing with her ex is the least of Hannah’s concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah’s sure it’s the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.
While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she’s going to save her coven and get the girl, especially when the attacks on Salem’s witches become deadlier by the day.
In Samsboro, Kentucky, Kalyn Spence’s name is inseparable from the brutal murder her father committed when he was a teenager. Forced to return to town, Kalyn must attend school under a pseudonym . . . or face the lingering anger of Samsboro’s citizens, who refuse to forget the crime.
Gus Peake has never had the luxury of redefining himself. A Samsboro native, he’s either known as the “disabled kid” because of his cerebral palsy, or as the kid whose dad was murdered. Gus just wants to be known as himself.
When Gus meets Kalyn, her frankness is refreshing, and they form a deep friendship. Until their families’ pasts emerge. And when the accepted version of the truth is questioned, Kalyn and Gus are caught in the center of a national uproar. Can they break free from a legacy of inherited lies and chart their own paths forward?
One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.
Pretty Little Liars meets People Like Us in this taut, tense thriller about two teens who find their lives intertwined when an anonymous texter threatens to spill their secrets and uproot their lives.
PRIVATE NUMBER: Wouldn’t you look better without a cheater on your arm?
AMANDA: Who is this?
The daughter of small town social climbers, Amanda Kelly is deeply invested in her boyfriend, real estate heir Carter Shaw. He’s kind, ambitious, the town golden boy–but he’s far from perfect. Because behind Amanda’s back, Carter is also dating Rosalie.
PRIVATE NUMBER: I’m watching you, Sweetheart.
ROSALIE: Who IS this?
Rosalie Bell is fighting to remain true to herself and her girlfriend–while concealing her identity from her Christian fundamentalist parents. After years spent in and out of conversion “therapy,” her own safety is her top priority. But maintaining a fake, straight relationship is killing her from the inside.When an anonymous texter ropes Amanda and Rosalie into a bid to take Carter down, the girls become collateral damage–and unlikely allies in a fight to unmask their stalker before Private uproots their lives.
PRIVATE NUMBER: You shouldn’t have ignored me. Now look what you made me do…
Sana Khan is a cheerleader and a straight A student. She’s the classic (somewhat obnoxious) overachiever determined to win.
Rachel Recht is a wannabe director who’s obsesssed with movies and ready to make her own masterpiece. As she’s casting her senior film project, she knows she’s found the perfect lead – Sana.
There’s only one problem. Rachel hates Sana. Rachel was the first girl Sana ever asked out, but Rachel thought it was a cruel prank and has detested Sana ever since.
Told in alternative viewpoints and inspired by classic romantic comedies, this engaging and edgy YA novel follows two strongwilled young women falling for each other despite themselves.
As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.
Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.
While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?
Billy Sloat and Lydia Lemon don’t have much in common, unless you count growing up on the same (wrong) side of the tracks, the lack of a mother, and a persistent loneliness that has inspired creative coping mechanisms.
When the lives of these two loners are thrust together, Lydia’s cynicism is met with Billy’s sincere optimism, and both begin to question their own outlook on life. On top of that, weird happenings including an impossible tornado and an all-consuming fog are cropping up around them—maybe even because of them. And as the two grow closer and confront bigger truths about their pasts, they must also deal with such inconveniences as a narcissistic rock star, a war between unicorns and dragons, and eventually, of course, the apocalypse.
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead bullshit.
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as necromantic skeletons. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
I am such a fangirl of Sara Farizan as both an author and a human that it delights me to bring her to LGBTQReads and pick her brain about her awesome work, queer media, and, most importantly, basketball. Please welcome her to the site!
You’ve been up to so much this year, I don’t even know where to begin. Clearly you’re a go-to get for anthologies, as you’ve got stories in three this year. Can you tell us a little bit about your contributions to The Radical Element, All Out, and, most recently, Fresh Ink?
Being invited to be a part of those anthologies was a blessing and I’m so grateful to have been asked. They really helped me out of a slump when I felt like I couldn’t write anything or I was too bogged down with my novel. All of the editors, Jessica Spotswood, Saundra Mitchell, and Lamar Giles were all incredibly helpful and I was very happy that they thought of me.
My story in All Out (“It’s The End of the World As We Know It”) is set on New Year’s Eve of 1999 and two estranged best friends spend New Year’s Eve together and are anxious about the Y2K bug that was though to wreak havoc at that time. My story for The Radical Element (“Take Me With U”) was set in 1984 and is about a young girl from Tehran who is staying with her uncle’s family in Boston. She bears a striking resemblance to Apollonia from Purple Rain and joins an all-girl band called the Ovarian Cysters. My story in Fresh Ink (“Why I Learned to Cook”) is about a young girl named Yasi who has a close relationship with her grandmother and wants to introduce her to her girlfriend over a meal she has learned to cook from her grandmother.
Last month saw the release of your first novel since Tell Me Again How a Crush Should Feel. Can you tell us a little bit about it, and how it feels to be writing from such a different POV from your other work?
I’ve written about a great kid named Bijan who has had a pretty low-key profile at his prep school. He suddenly finds himself in the spotlight as a basketball star and there are some people who are not happy with all of his newfound stardom so he becomes the target of prejudice. I had a tough go with this book because I knew there would be an audience however large or small whereas my other two books were written in graduate school and may have never seen the light of day. Readers will be able to tell whether Bijan reads as authentic. I think initially I was trying to make him perfect when I had to remind myself that he’s a teenager and should make mistakes.
You broke into YA with books about queer girls at a time when we were seeing so, so little. What was it like publishing it then, and what are your thoughts on it and how the landscape has changed?
I didn’t really have any idea what I was getting into and I still have a lot to learn. I think I was naïve, but that was sometimes a good thing because I just wrote what was in my heart. I am hopeful and encouraged by all the new books and voices we are seeing, especially from own voices authors who can speak to queer experiences. Could there be room for more? Absolutely. I think we’ve seen LGBTQA books get more support, but that doesn’t mean okay well that’s enough. You’ve had your moment.
Another obviously notable aspect of your work is that you write some of the very few queer girls in YA who have culturally intersectional identities. What has the response to your girls been like, particularly from your represented readers?
What has been a wonderful thing in meeting readers of my work is that they are all so different from each other. There have been readers of different ages, gender identities, races and that’s been very gratifying.
There was one time where a reader met me at a conference and she said she had given my book to her friend who was of an Eastern background and struggling with coming out to her family. I asked how old her friend was and she said she was in her forties and still grappling with her sexuality. I started crying.
On the flip side, with cultural context being such an inextricable component of your work, especially in your debut, how have you found connecting with readers who might not grasp all of its implications? I feel like writing “ownvoices realistic fiction” before that phrase was really a thing is perhaps a uniquely difficult thing that doesn’t get enough airtime.
I constantly worry that people may think the one perspective I have in my work is the only perspective because they may not have read other narratives about the characters I write about. I also worry that the characters I do write about who represent real people don’t feel that I am doing it the right way. There is a lot of pressure to represent an under represented group well and to make sure you are doing things perfectly when there is no way to be perfect. My hope is that more own voices books make their way into the world so that people are not always given three dimensional depictions can have some depth, as well as having different perspectives from characters of similar background.
You’re such a strong proponent of supporting films of queer work in addition to the written word. What are some of your favorites and most anticipated, and what’s your dream casting for your own novels/stories?
I loved Miseducation of Cameron Post and feel it should have as much Oscar buzz as Call Me By Your Name. The book is one of my favorite books of all time and I enjoyed the adaptation very much. I’ve been a huge fan of the director Desiree Akhavan since her film Appropriate Behavior and am excited for her show The Bisexual. I’m also a fan of films by Angela Robinson like D.E.B.S. and Professor Marston and the Wonder Women. Pariah by Dee Rees was a revelation. I was so happy when Moonlight won best picture at the Oscars.
I wouldn’t mind seeing a film or TV version of Tell Me Again How a Crush Should Feel. I think it’d be fun. I’ve never let myself think about it for too long but if it were to happen I’d want there to be Persian actors playing Persian parts.
What’s your earliest memory of queer representation in media, for better or for worse?
I think seeing Pedro in the Real World on MTV comes to mind. I remember liking him so much but I had to sneak in episodes at my grandma’s place because my house didn’t have cable. This isn’t the earliest memory, but one storyline/scene that was very emotion for me was Evan Rachel Wood having a secret girlfriend on Once and Again. It had a huge impact on me seeing her character Jessie grapple with her feelings. It was so well acted and I never really tuned into that show until that episode where Jessie kisses Katie was banned in a few states.
Very important, for my own personal curiosity: fave NBA player of all time and why?
Pick one? That’s tough. Reggie Miller appears in my new book as a commentator in the main character’s head, but I know how you feel about Reggie Miller as a Knicks fan. (Blogger’s Note: She does know. It is not positively. *hisses*) I think the best Celtic of all time is Bill Russell but obviously I wasn’t around when he was winning all those championships. When I was a kid I was obsessed with Shaq and Penny Hardaway even though they played for the Magic.
I will highlight one player I liked so much when he was on the Celtics and that’s Brandon Bass. He was not an all-star, but when he played on the Celtics he came to work and he was consistent. He plays in China now, but I wish him all the best.
What can you share about whatever you’re working on now? And do we have any chance at getting a queer-girl basketball player someday? Asking for a friend. Of yours. Who is me 😉
Winky face! I have a story coming out in the anthology Hungry Hearts which is coming out summer of 2019 from Simon Pulse. I think fans of Tell Me Again will like that one as it’s very Sapphic and sweet. I am not sure what’s next after that, but I hope people still want to read my stuff. I’m very grateful to everyone who has read my books and stories. It means a lot.
Sara Farizan, the daughter of Iranian immigrants, was born in Massachusetts. She is an MFA graduate of Lesley University and holds a BA in film and media studies from American University. Sara grew up feeling different in her private high school, not only because of her ethnicity, but also because of her liking girls romantically, her lack of excitement in science and math, and her love of writing plays and short stories. So she came out of the closet in college, realized math and science weren’t so bad (but were not for her), and decided she wanted to be a writer. Sara has been a Hollywood intern, a waitress, a comic book/record store employee, an art magazine blogger, a marketing temp, and an after-school teacher, but above all else she has always been a writer. Sara lives near Boston, loves Kurosawa films, eighties R&B, and graphic novels, and thinks all kids are awesome. She is the acclaimed author of If You Could Be Mine, Tell Me Again How a Crush Should Feel, and Here to Stay.
Georgia Peaches and Other Forbidden Fruit by Jaye Robin Brown
Tell Me Again How a Crush Should Feel by Sara Farizan
A&B by JC Lillis
Queens of Geek by Jen Wilde
The Summer of Jordi Perez (and the Best Burger in LA) by Amy Spalding
Bonus: Seemed a little obvious to include in the five, but: Leah on the Offbeat by Becky Albertalli
Double Bonus: This is literally just more recommendations; so sue me: Dating Sarah Cooper by Siera Maley, Under the Lights by Dahlia Adler, Style by Chelsea M. Cameron, and Our Own Private Universe by Robin Talley.
All historical, all queer, all out! This new anthology, edited by Saundra Mitchell, just released from Harlequin Teen and contains a host of queer historical stories by so many faves! (And also me!) Thankfully, many of those faves agreed to share a little about their stories here, so check it out, make good use of those buy links, and enjoy!
(Photographs are mine.)
Take a journey through time and genres and discover a past where queer figures live, love and shape the world around them. Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens.
From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.
I’m delighted to have a number of the contributors sharing a bit about their stories!
Anna-Marie McLemore, “Roja”
“Roja” began as a reimagining of the story of Leonarda Emilia, better known as La Carambada, the legendary Mexican outlaw who flashed her breasts at the rich men she robbed, so they would know without a doubt that they’d been bested by a woman. But along the way, my imagining of La Carambada wandered, as my stories often do, into the realm of fairy tale. My Emilia became a Mexican version of Little Red Riding Hood. The Wolf emerged as a transgender French soldier who garners his own fierce reputation. The forbidding woods became the hills of Mexico in the 1870s, a country in the aftermath of a brutal war.
Maybe the Frenchman the real Leonarda Emilia loved wasn’t a transgender soldier. Maybe most people don’t think of a Mexican girl when they imagine Little Red Riding Hood. But for the time it took me to write “Roja,” I got to imagine both Red and La Carambada as both queer and Latina. Writing “Roja” made these stories feel like they belonged to girls like me.
Natalie C. Parker, “The Sweet Trade”
I am a life-long fan of pirate stories, historical and fictional. As a kid, I believed that the only people who became pirates were boys and men. This was certainly what I’d learned from history—Blackbeard and Calico Jack—and definitely what was reflected in fiction—Long John Silver and Captain Hook. When I finally discovered that girls and women were also a part of the historical narrative (Anne Bonny! Madame Cheng!), I immediately wanted to find their reflection in fiction. They are there, but those who land in the adventure tend to find themselves sidetracked to the adventures of boys and are rarely queer in any way.
I wrote “The Sweet Trade” because I wanted to see queer girls choosing adventure and choosing each other. I wanted to explore the origin story of two girls breaking away from the expectations of others and striking out on their own. In that way, it’s sort of a pre-pirate story, the opening gambit in what will surely be a grand adventure.
Nilah Magruder, “And They Don’t Kiss at the End”
It’s all in the title, really. I wrote “And They Don’t Kiss at the End” because I needed a story with no kissing. Romance and sex always made me a little uncomfortable, not just in practice, but in theory. I ran from declarations of love and admiration from friends. I scrunched my face and turned away when the guy got the girl in movies. I thought I was a “late bloomer” when this aversion persisted into adulthood. I kept waiting to meet “the one” to cure my indifference, and they never came. This story is an exploration of asexuality in the 1970’s, at a time when terminology to describe asexuality was still being formed. It was a chance for me to imagine different choices than the ones I made in my youth. Getting to gush about Pride & Prejudice with roller skating as a backdrop was also a plus.
Dahlia Adler, “Molly’s Lips”
I used to fear writing short stories because I didn’t know how to make them feel like a complete story without death. I’ve grown since then, but death is still very much present in “Molly’s Lips”— specifically, that of Kurt Cobain, deceased frontman of my favorite band, Nirvana; the story is set at his big vigil in Seattle on April 10, two days after his body was found. And it isn’t about girls falling in love; they’ve already fallen. It’s about finding the voice, the confidence, the words to share those feelings, and the bravery they were given by someone who had the courage to push back against bigotry in his fandom. It’s also a love story with its own built-in soundtrack; what could be better than that?
Mackenzi Lee, “Burnt Umber”
My family is from the Netherlands–my dad grew up in a Dutch farming community in Iowa, my last name (which is not Lee) is very long and starts with a Van, and I have a fondness for all poetry from Delft. When this anthology invitation came my way, I was about to go to Amsterdam to research a different writing project. While there, my already-existing fascination with Dutch art from the Golden Age became an obsession. I wanted to know all about painting, why these paintings existed, what it took to become a master painter and the commodification surrounding art and masterpieces. Art that, in its day was considered commercial trash is now hanging in galleries people from all over the world visit. It was all a lot of information that had no place in the book about flowers I was researching, and I wasn’t sure I’d ever get to use it. But when I visited Rembrandt’s studio in Holland, I knew I wanted to write something set in the Dutch art world and this story was a perfect opportunity.
One of my favorite things to do in my writing is take the tropes of historical or genre narratives and give them to queer characters. This story is “draw me like one of your French girls” from Titanic. It’s Girl with the Pearl Earring. It’s the Vincent Van Gogh episode of Dr. Who. But it’s two boys, an artist’s studio, a significant lack of clothing, and a whole lot of awkward teenage crush.
Alex Sanchez, “The Secret Life of the Teenage Boy”
“The Secret Life of a Teenage Boy” takes place in 1969, when I was a teen bursting with romantic yearning. Although I was aware of my attraction toward other boys, I had no positive words to put to those intimate feelings—only negative slurs. People rarely spoke openly or honestly about sex. Homosexuality was considered a mental disorder. Acting on it was a criminal offense. I didn’t know of any openly gay people. The term “gay” had barely even come into use. In my teenage isolation, I fantasized for hours about a strong handsome young guy who would swoop into my life and carry me away to a place where we could be free to love each other. This story is a reminiscence of what it was like to live in that time and place, yearning for a life and a world that would take years to come.
Kate Scelsa, “The Coven”
Since I started working on my theater company’s adaptation of Hemingway’s “The Sun Also Rises” back in 2010, I’ve done a lot of reading about Hemingway and his peers in Paris in the 20’s, and something that’s always fascinated me was Hemingway’s relationship with Gertrude Stein and this whole community of lesbians that he used to hang out with. The vision of Gertrude Stein as a kind of den mother has always appealed to me, so I wanted to give her that role with two young women who were still figuring out who they were to each other. And then of course Hemingway himself needed to make an appearance. And, yes, there are witches.
Tess Sharpe, “The Girl With the Blue Lantern”
I grew up in Gold Rush country, in the shadow of a mountain that has many stories and myths attached to it. I also grew up writing Sci-Fi and Fantasy instead of the contemporary mysteries and thrillers I write now, so being able to create a historical fantasy piece was a special treat.
People still make a living pulling gold from the water and dirt in my childhood county. I’ve panned little flakes and tiny nuggets out of the creek that snakes through our homestead myself. Gold has been a strong motivator for many things throughout our history: war, destruction, greed, murder, exploitation, exploration, colonization.
But in “The Girl with the Blue Lantern,” gold leads us to a very different place: love. A story of escape and acceptance, of gold sprites, and of one very silly dog named Virgil.
Kody Keplinger, “Walking After Midnight”
“Walking After Midnight” is, at it’s core, a love letter to the trope of “two strangers meet and walk around talking all night.” I’m a sucker for stories like Before Sunrise, and I thought it would be fun to explore that sort of narrative between two young queer women. Betsey is an actress who hasn’t quite made the leap from child star to leading lady the way someone like Elizabeth Taylor did. Laura is a waitress at her family’s diner and isn’t sure she’ll ever escape her small town. I loved exploring these girls’ opposing situations, their hopes and fears. And getting to write about Betsey, whom I’d describe as gray-asexual, was a joy. Plus, I mean, I got to use all the things I’ve learned from the You Must Remember This podcast to good use!
Tessa Gratton, “Three Witches”
As a queer “recovering” Catholic and occasionally practicing witch, I’ve for years been aware of the threads of desire that can be found in medieval Catholic writing. Usually it’s desire for heaven or Christ’s touch, especially to the nuns considered to be “married” to Christ, but often this desire surpasses the flesh in queer ways, especially in the writings of the female mystics like St. Teresa of Avila. In “Three Witches” I wanted to explore the desire embedded in the prayers and explorations of medieval nuns, as well as the inherent conflict between desire and purity in the imagery and words associated with the Virgin Mary. The Inquisition was the strongest political force in Spain during the 15th century, hunting predominantly Jewish people and Muslims, but also available to excise anything unwanted from the Church. Including “unnatural” desire.
That’s all to say: I wanted to write a sexy, difficult story about two girls falling in love (and in lust) while grappling with what they’re told they should desire. And I wanted to write about witches.
Sara Farizan, “The End of the World as We Know It”
I know 1999 is a year that should not belong in a historical fiction anthology, but it was almost twenty years ago! I wanted to write a story that took place at the end of the twentieth century and encapsulated some of the hopes and fears people had going into the new century. Ezgi and Katie, two life- long best friends who have a strained relationship, also have their own hopes and fears for the future that come to light on New Year’s Eve while watching MTV’s countdown to midnight. When you think the world might come to an end, and tomorrow might mean the end of civilization as you know it (Y2K, man. What a trip), you have to hold on to the people you care about most, no matter how scary or daunting that may seem.
Shaun David Hutchinson, “The Inferno and the Butterfly”
I love magic. And what’s more magical than finding love in an unexpected place? “The Inferno and the Butterfly” was a story I’ve been dying to tell. I’ve always been fascinated by stage magicians, and though Alfie and Wilhelm might be the assistants, they’re the ones performing the real magic.
I’ve been doing a lot of hunting for cheap LGBTQ YA lately, as one of the easiest things for people in book world with some disposable income to do is donate. And if you don’t already have on hand to do so, here’s where you can stock up!
Every Day by David Levithan – $2.49, BookOutlet
Tell Me Again How a Crush Should Feel by Sara Farizan – $2.99, BookOutlet
Adaptation by Malinda Lo – $2.99, BookOutlet
Better Nate Than Ever by Tim Federle – $2.99, BookOutlet
Everything Leads to You by Nina LaCour – $3.49, BookOutlet
Proxy by Alex London – $3.99, BookOutlet
Annie on My Mind by Nancy Garden – $5.62, Amazon
The Miseducation of Cameron Post by emily m. danforth – $6.24, B&N
Openly Straight by Bill Konigsburg – $6.24, B&N
Beauty Queens by Libba Bray – $6.24, Amazon
Hero by Perry Moore – $6.24, Amazon
Ask the Passengers by A.S. King – $6.44, Amazon
The Great American Whatever by Tim Federle – $6.49, BookOutlet
Two Boys Kissing by David Levithan – $6.57, B&N
One Man Guy by Michael Barakiva – $6.52, Amazon
Been Here All Along by Sandy Hall – $6.67, Amazon
I’ll Give You the Sun by Jandy Nelson – $6.70, Amazon
Everything Leads to You by Nina LaCour – $6.71, Amazon
Far From You by Tess Sharpe – $6.73, Amazon
Tell Me Again How a Crush Should Feel by Sara Farizan – $6.84, B&N
Ash by Malinda Lo – $6.87, B&N
Five Stages of Andrew Brawley by Shaun David Hutchinson – $6.91, Amazon
A Love That Disturbs by Medeia Sharif (Contemporary YA)
Due Diligence by Anna Zabo (Contemporary Romance)
Bright Lines by Tanwi Nandini Islam (Adult Contemporary)
If You Could Be Mine by Sara Farizan (Contemporary YA)
Moon at Nine by Deborah Ellis (Historical YA)
Bonus: And I Darken by Kiersten White (Historical YA) – Gay MC converts to Islam mid-book
Two things that are seriously rare in LGBTQIAP+ YA are intersectionally diverse books and lighter contemporary with happy endings, especially for queer girls. In her sophomore novel, the awesome Sara Farizan brings both, making this a Must Read of the highest order.
High-school junior Leila has made it most of the way through Armstead Academy without having a crush on anyone, which is something of a relief. Her Persian heritage already makes her different from her classmates; if word got out that she liked girls, life would be twice as hard. But when a sophisticated, beautiful new girl, Saskia, shows up, Leila starts to take risks she never thought she would, especially when it looks as if the attraction between them is mutual. Struggling to sort out her growing feelings and Saskia’s confusing signals, Leila confides in her old friend, Lisa, and grows closer to her fellow drama tech-crew members, especially Tomas, whose comments about his own sexuality are frank, funny, wise, and sometimes painful. Gradually, Leila begins to see that almost all her classmates are more complicated than they first appear to be, and many are keeping fascinating secrets of their own.