Today on the site, we’re looking inside an anthology that’s edited by none other than yours truly! At Midnightis a collection of reimagined YA fairy tales (with the original source material in the back) authored by some of the category’s best and queerest, and it released today from Flatiron Books! Check out more about the volume and some of the queer stories within it below:
Fairy tales have been spun for thousands of years and remain among our most treasured stories. Weaving fresh tales with unexpected reimaginings, At Midnight brings together a diverse group of acclaimed YA writers to breathe new life into a storied tradition.
Fifteen celebrated authors reclaim classic fairy tales for a new generation:
Dahlia Adler, “Rumplestiltskin”
Tracy Deonn, “The Nightingale”
H.E. Edgmon, “Snow White”
Hafsah Faizal, “Little Red Riding Hood”
Stacey Lee, “The Little Matchstick Girl”
Roselle Lim, “Hansel and Gretel”
Darcie Little Badger, “Puss in Boots”
Malinda Lo, “Frau Trude”
Alex London, “Cinderella”
Anna-Marie McLemore, “The Nutcracker”
Rebecca Podos, “The Robber Bridegroom”
Rory Power, “Sleeping Beauty”
Meredith Russo, “The Little Mermaid”
Gita Trelease, “Fitcher’s Bird”
and an all-new fairy tale by Melissa Albert
Sugarplums. Glittering snow. Really snappy uniforms. Fabulous shoes used as weapons. It’s not like I had to make a huge leap (grand jeté?) to make The Nutcracker gay. But while my story got real gay, it also got real about what it means to have to perform for the audiences in our lives. A Latina dancer feels wound up like a music box ballerina. A soft butch girl with a chip on her shoulder and a spectacular curling throw can’t say what she really wants to say about the Christmas party going on downstairs. Two queer girls who always have the perfect insult for each other are quiet for once, leaving space for the conversations they’ve never had. And cake. Because sometimes enemies to lovers starts with cake.
“Say My Name” by Dahlia Adler
What if Rumpelstiltskin were a cruel Sapphic coding genius in love with her best friend? That’s the heart of “Say My Name,” which is actually a semi-repurposing of an idea I had for a different anthology to which I was asked to contribute but unfortunately didn’t sell. My main character in that story was a catfish who kept the game going a little too long when she got feelings, and naturally when I think catfish I think of the ultimate identity-hider of yore! And so Rumpelstiltskin became [redacted], and this became the story of a girl who would do anything to impress the girl she loves, even if it kind of turns her into a monster.
“HEA” by Alex London
HEA is a modern m|m reimagining of Cinderella, turned on its head. Asher (as in Aschenputtel–the little ash girl of the Grimm tale) is a teen social media star, who lives in service to his brand. Constant balls and parties and opportunities to create content. He longs for one night not to be a brand, but just to be a boy. So he disguises himself in sweatpants, ditches the Met Gala, and hides out at a coffee shop. Of course, it’s there that he meets his prince, the barista, and has to flee, back to his fabulous life and the endless churn of content. But he’s left something behind, more than his heart, and his prince is going to track him down…
“Mother’s Mirror” by H.E. Edgmon
When Dahlia asked me to join a fairytale retelling anthology, it was a no-brainer. I’ve been compelled by fairytales since my earliest days—I currently own three copies of the exact same Grimm Brothers collection, with different covers. My only question was which fairytale to make my own. And when I remembered that the original Snow White featured the protagonist’s own mother, not an evil step-mother, as the villain, I had my answer.
The often-fraught nature of mother/daughter relationships is one many of us are already familiar with. But what happens when the eldest daughter, the one expected to twist herself until she becomes a reflection of the mother, comes out as trans, instead? That’s the story I explore in “Mother’s Mirror.” The contemporary retelling features a narcissistic single mom as the evil queen, a main character who’s more huntsman than Snow, and the choice to cut out one’s own heart rather than face the slow poison of living a lie.
“A Flame So Bright” by Malinda Lo
I first encountered the little-known story of “Frau Trude” in an academic book called Transgressive Tales: Queering the Grimms, which includes an essay by Kay Turner titled “Playing with Fire: Transgression as Truth in Grimms’ ‘Frau Trude.” I was inspired by Turner’s queer reading of the very short tale of “Frau Trude,” and I loved the metaphorical possibilities of fire, especially because it has been connected closely with witchcraft. I lived in Salem, MA, for about a year and a half, and I’ve been fascinated by beliefs about witches since I was very young, so retelling “Frau Trude” gave me the opportunity to over-research witchcraft in colonial America and bring some local Salem-inspired flair to my story. I also loved this chance to return to what I call “fairy tale voice,” since I haven’t written fantasy in quite a while.
I must confess that other than YA anthologies, I’m not much of a short story person, but I was really intrigued by Rainbow Rainbow by Lydia Conklin and decided to pick it up, figuring I’d read a couple of stories. Of course, I ended up devouring it and all its beautifully messy stories about gender and sexuality, falling in love with it, and blogging about it for Buzzfeed, and now I’m passing that love along to you in the hopes you’ll pick it up too (it releases May 31st from Catapult), whether or not you think you’re a short story reader!
In this delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes.
In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-colored cocktail. In another, a fifth-grader explores gender identity by dressing as an ox—instead of a matriarch—for a class Oregon Trail reenactment. Meanwhile a nonbinary person on the eve of top surgery dangerously experiments with an open relationship during the height of the COVID crisis.
With insight and compassion, debut author Lydia Conklin takes their readers to a meeting of a queer feminist book club and to a convention for trans teenagers, revealing both the dark and lovable sides of their characters. The stories in RainbowRainbow will make you laugh and wince, sometimes at the same time.
Today’s edition of Inside and Anthology celebrates Fools in Love, ed. by Ashley Herring Blake and Rebecca Podos, and releasing tomorrow from Running Press! Here’s the info:
Join fifteen bestselling, award-winning, and up-and-coming authors as they reimagine some of the most popular tropes in the romance genre.
Fake relationships. Enemies to lovers. Love triangles and best friends, mistaken identities and missed connections. This collection of genre-bending and original stories celebrates how love always finds a way, featuring powerful flora, a superhero and his nemesis, a fantastical sled race through snow-capped mountains, a golf tournament, the wrong ride-share, and even the end of the world. With stories written by Rebecca Barrow, Ashley Herring Blake, Gloria Chao, Mason Deaver, Sara Farizan, Claire Kann, Malinda Lo, Hannah Moskowitz, Natasha Ngan, Rebecca Podos, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, and Julian Winters this collection is sure to sweep you off your feet.
And here are the authors of a bunch of the stories, sharing a bit about the story behind the story!
“Edges” by Ashley Herring Blake
“Edges” is an f/f story about a girl who feels everyone has left her behind–including the popular girl she’s currently making out with. Mac can’t believe that Clover–their schoo’s queer queen bee–could possibly actually truly like her. After all, her dad left her family for another one, her mom is hardly ever home, and her twin sister left town altogether for a performing arts boarding school. She’s inherently leavable. So when it becomes clear that Clover wants more than just hooking up, Mac has to decide if she’s willing to soften up her edges a bit for the girl of her dreams.
“Disaster” by Rebecca Podos
I know an homage to 90’s era disaster films might not be the most natural pairing for a romance trope anthology, but setting “Disaster” during a potential apocalypse in 1998 felt perfect for my trope, second-chance romance (and, possibly, a last-chance romance). It also gave me the opportunity to explore a time period before bisexuality was regularly spoken about, even within queer circles. My story about two ex-girlfriends trying to find their way back to one another at the maybe-end of the world takes place the year after America’s first openly bisexual state official came out, a few months before the bisexual pride flag was unveiled, and a year before the first Celebrate Bisexuality Day. Plus, I got to smuggle in Armageddon references (and watch the movie three times in a row, you know, for research).
“Bloom” by Rebecca Barrow
Listen: when it comes to romance, I am all about the yearning. And what kind of yearning is more exquisite than the kind that reaches across worlds, or universes, or time itself? Blame it on me watching too many mind-bending space movies late at night as a kid, or reading The Amber Spyglass and constantly thinking about benches in Oxford, or binge watching 12 Monkeys in distant pre-pandemic times, but when I had to pick a trope to write about, I couldn’t think of anything better. Maybe it’s the idea of exactly how great a love has to be for it to exist outside of the natural boundaries of our world. Maybe it’s just that there is something so deeply romantic about two people pining for something that shouldn’t be possible. Maybe it’s the bittersweet possibility that actually, love can’t conquer all. Except—sometimes it can. And sometimes, in my mind, all it takes is an extra bit of magic for that love to bloom.
“Silver and Gold” by Natasha Ngan
I’ve always loved wintry settings in books, there’s something just so cosy and romantic about them! Of course, being me, the setting in my story is a touch more dangerous than romantic. Rather than a pretty frosting of snow, it’s a life-threatening blizzard – and the two girls sheltering from it are in the midst of a deadly race. But the riskiest of situations can often be the most bonding, and that’s what we see in “Silver and Gold”, as rivals Mila and Ru are forced to confront their romantic past – and whether there’s space in their futures for each other. I had so much fun writing their story, and I hope you have as much fun reading it!
“My Best Friend’s Girl” by Sara Farizan
My story is about Alia who has always been there for her best friend, Hal, especially since she is the only one who knows he is a burgeoning superhero in Gateway City. She finds it increasingly more difficult to keep all of his superpowered secrets, especially from Hal’s new girlfriend Clara. There’s one secret Alia hasn’t told Hal yet either…
“I knew a lot of authors would be fighting over the more popular romance tropes for this anthology, so I went with one of my favorite under-the-radar tropes, one so under the radar I didn’t even know what it was called! I think when I emailed Becca and Ashley about my trope preferences I called it “gets drunk/drugged/injured/delirious and confesses love, later does not remember/pretends they do not remember.” Which is a mouthful! ‘Kissing Under the Influence” is a lot snappier. I love the awkward interactions after characters accidentally give away things they didn’t intend to reveal, and my young adult fantasy novels are on the serious side, so I really wanted to play around and be goofy with my short story. The result is “Unfortunately, Blobs Do Not Eat Snacks,” which is weird and quirky and not much like my previous work at all. (Also, I love my title so much and still have a hard time believing they actually let me keep it.)”
“What Makes Us Heroes” by Julian Winters
Everyone knows I love writing about superheroes! But when I picked my trope—Hero vs. Villain—for Fools in Love, I honestly didn’t know what kind of romantic story I wanted to tell. Should I go explosive and action-packed like a Marvel movie? Dark and introspective like a DC comic? How could I turn a fresh twist on this epic trope?
And then 2020 happened. Specifically—June 2020.
The news was flooded with videos of violence. Protests. Of people trying to define who the heroes were and purposefully villainizing the ones fighting for a change. All I thought about were the teens ready to take action for their friends, family, themselves and how people were ready to villainize them for having a voice—including the ones who are supposed to love and protect them.
Suddenly, “What Makes Us Heroes” poured out of me. Shai and Kyan’s story came to life. I wanted a story about two superpowered boys navigating a world telling them what a hero should be and letting them define who a hero can be. How we can fall in love with the one person everyone thinks is “wrong” for us but is really the best thing we had all along.
The fact that I got to set it in a coffeeshop with a side of fake dating was a bonus!
As it happens, there are a few stories in the anthology that aren’t queer. (It happens.) A couple of those authors wrote blurbs too:
“Teed Up” by Gloria Chao”
“Teed Up” is loosely inspired by LPGA superstar Michelle Wie West, the first and thus far only female golfer to qualify for a USGA national men’s tournament (among many many other accolades). I myself am a terrible golfer, but I unfortunately have my share of experience dealing with large male egos in other domains. I wanted to explore the idea of being the only woman competing in a field of men in my short story for FOOLS IN LOVE, titled “Teed Up.” Sunny Chang, a star female golfer, is wary of any attention—both positive and negative—coming from a male competitor, which creates the perfect opportunity for an oblivious-to-lovers story. Even though most of the details are fictionalized, I had a lot of fun temporarily putting myself in Michelle’s superstar shoes!
“The Passover Date” by Laura Silverman
“The Passover Date rolls up everything I love into one story – Jewish cooking, fake dating, and nosey family members. I had so much fun writing this Jewish romance. My characters Rachel and Matthew are sweet and funny and adorably bumbling.
I hope readers will enjoy watching them fake date their way into something real.”
Today we welcome back to the site Ana Mardoll, who’s releasing another fantasy story collection, this one playing on fairytales and titled Cinder the Fireplace Boy and Other Gayly Grimm Tales! The book releases January 4, 2022, and contains Queer, Trans, Nonbinary, Lesbian, Gay, Bisexual, Ace, and Aro rep, so there’s a little something for everyone! Come check it out:
Once upon a time there lived… a beautiful prince who kissed a frog. A cinder-smudged child who hid a secret. A princess who climbed a long braid of golden hair for love. A thumb-sized boy with the courage of a giant. And a valiant little tailor whose wit was as sharp as her needle.
These stories and many more await you in this delightful collection of classic fairy tales, lovingly retold and featuring characters who receive wonderfully queer happily-ever-afters! Let these new takes on the Brothers Grimm warm your heart and nurture your yearning to see yourself reflected in beloved favorites.
Features eight original illustrations by artist Alex Dingley.
Ana Mardoll is a writer, activist, and nonbinary trans boy in love with another trans boy. They live together in Texas with five spoiled cats. Ana’s favorite employment is weaving new tellings of old fairy tales, fashioning beautiful creations to bring comfort on cold nights. Ana is the author of the Earthside series, the Rewoven Tales novels, and many published short stories. (Pronouns: xie/xer) [More bio and pronouns here if you’re curious: http://www.anamardoll.com/p/writings.html]
Tomorrow marks the fifth anniversary of LGBTQReads, but today we are celebrating a different creation of mine (because really, why run your own space on the internet if not to celebrate yourself as often as possible): That Way Madness Lies: XV of Shakespeare’s Most Notable Works Reimagined!
Of course, though I’m the editor of this one (and also wrote a story), anthologies do not happen without the brilliant authors behind the contributions, especially the queer ones! Here’s the copy including the official lineup:
Fifteen acclaimed YA writers put their modern spin on William Shakespeare’s celebrated classics! West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings!
Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Patrice Caldwell (Hamlet), Melissa Bashardoust (A Winter’s Tale), A.R. Capetta and Cory McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (A Midsummer Night’s Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).
Today on the site, we’re thrilled to welcome Grace Kwan, whose debut short story collection, Prelude & Other Stories, which was published by Life Rattle Press on June 1st and contains short stories short stories based on the author’s own life and coming of age as a bisexual Chinese-Malaysian-Canadian immigrant. Grace has provided us with an excerpt, so check out the cover and blurb below, then dig in!
Prelude & Other Stories by Grace Kwan
This collection of short stories transports the reader to the sizzling heat of Kuala Lumpur’s streets, to crimson sunsets at Vancouver’s bayside, and to the drizzly shores at Bible camp. The narrator, a young Chinese-Malaysian-Canadian girl, grapples with a simultaneously claustrophobic and distant relationship with her mother as she navigates her own teenage obstinacy, queer identity in the face of religion, and the universal pursuit of fitting in.
People love to tell me about how young and beautiful my mom looks for her age, with her dyed brown hair and dark chocolate eyes—and of course, her dancer’s physique.
“Are you sure you’re not sisters?” they’d ask.
I’ve never paid much attention to the comments, until now. My mother’s beauty strikes me like an epiphany—the way she carries her slender frame across a room, the way she disciplines her thick hair into a ponytail at the nape of her neck every morning, the way her cheekbones sit high and proud on her face.
Once, in the car with a handful of my classmates on our way back from a field trip in grade eight, my friend Bailey and I contemplated life after high school. I couldn’t see myself marrying or having children at all, but Bailey liked the idea of settling down. Jeremiah Crane, sitting beside me, pushed his wire-rimmed glasses up his pimpled nose, ran a bony hand through his orange curls, and announced, “If I were to marry, I’d get an Asian wife.”
“…Why?” I demanded after a long and scandalized silence.
“I don’t know, I just can’t picture anything else. I think their culture just makes them more…gentle, submissive…”
I could see the East Asian woman Jeremiah conjured with his words: demure and fine-boned, with alabaster skin and creases in her eyelids. Bailey, who was Filipino, huffed in disbelief. I stared out the window at the blur of grey asphalt. If I looked at Jeremiah then, I thought I might burst a blood vessel—his or mine, I didn’t know.
I see the two men examining a bouquet of white roses nearby. I want Mom out of their line of sight.
“Are you ready to go?” Mom asks, eyeing the toy Anne hugs to her chest.
“Yeah, yeah,” I mumble, taking the bunny from Anne and shoving it back on one of the shelves. “Let’s go.”
* * *
Grace Kwan is a Sociology MA student at Simon Fraser University. Her articles and personal essays on race, media, and culture can be read on Necessary Fiction, Plenitude Magazine, and other online publications. She’s also a regular contributor for Camp Thirlby.
Hal was once a knight, carefree and joyous, sworn to protect her future queen Banna Mora. But after a rebellion led by her own mother, Caleda, Hal is now the prince of Lionis, heir to the throne. The pressure of her crown and bloody memories of war plague her, as well as a need to shape her own destiny, no matter the cost.
Lady Hotspur, known as the Wolf of Aremoria for her temper and warcraft, never expected to be more than a weapon. She certainly never expected to fall in love with the fiery Hal or be blindsided by an angry Queen’s promise to remake the whole world in her own image—a plan Hotspur knows will lead to tragedy.
Banna Mora kept her life, but not her throne. Fleeing to Innis Lear to heal her heart and plot revenge, the stars and roots of Innis Lear will teach her that the only way to survive a burning world is to learn to breathe fire.
These three women, together or apart, are the ones who have the power to bring the once-powerful Aremoria back to life—or destroy it forever.
A resentful member of a high school Quiz Bowl team with an unrequited crush.
A Valentine’s Day in the life of Every Day‘s protagonist “A.”
A return to the characters of Two Boys Kissing.
19 Love Songs, from New York Times bestselling author David Levithan, delivers all of these stories and more. Born from Levithan’s tradition of writing a story for his friends each Valentine’s Day, this collection brings all of them to his readers for the first time. With fiction, nonfiction, and a story in verse, there’s something for every reader here.
Witty, romantic, and honest, teens (and adults) will come to this collection not only on Valentine’s Day, but all year round.
Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends explores the most traumatic breakup of all: that of childhood besties. At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce.
When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one…
By turns thrilling, witty, and heartbreaking, this dramatic conclusion to the Brilliant Death duet transports us to a Vinalia on the verge of transformation and radiates with the electric power of love.
With her power over magic finally in hand, and her love for Cielo at last confessed, Teodora di Sangro should be on top of the world. But the country of Vinalia is in chaos as the dictator like Capo threatens to plunge them all into war and capture every strega in the land–including Teo and Cielo.
Teo knows she can’t take down the Capo alone. She must convince a small band of streghe who have been hiding in plain sight to join her in the cause. But as she struggles to bring them together, she discovers a far deadlier enemy than the Capo has been hunting her all along. Now everyone–especially Cielo–is in danger. What lengths will Teo go to in order to unite her country and save the one she loves?
Ever since Amelia woke up in the hospital, recovering from a near-death fall she has no memory of, she’s been suspicious. Her friends, family, and doctors insist it was an accident, but Amelia is sure she remembers being pushed. Then another girl is found nearby — one who fell, but didn’t survive. Amelia’s fears suddenly feel very real, and with the help of her new boyfriend, Liam, she tries to investigate her own horrific ordeal. But what is she looking for, exactly? And how can she tell who’s trustworthy, and who might be — must be — lying to her?
The closer Amelia gets to the truth, the more terrifying her once orderly, safe world becomes. She’s determined to know what happened, but if she doesn’t act fast, her next accident might be her last.
After a terrible political coup usurps their noble house, Hawke and Grayson flee to stay alive and assume new identities, Hanna and Grayce. Desperation and chance lead them to the Communion of Blue, an order of magical women who spin the threads of reality to their will.
As the twins learn more about the Communion, and themselves, they begin to hatch a plan to avenge their family and retake their royal home.While Hawke wants to return to his old life, Grayce struggles to keep the threads of her new life from unraveling, and realizes she wants to stay in the one place that will allow her to finally live as a girl.
This is the 5th book in the Wayward Children series
When Jack left Eleanor West’s School for Wayward Children she was carrying the body of her deliciously deranged sister―whom she had recently murdered in a fit of righteous justice―back to their home on the Moors.
But death in their adopted world isn’t always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.
Eleanor West’s “No Quests” rule is about to be broken.
Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
Robin Voigt is dead. If Leslie had arrived at her sister’s cramped Las Vegas apartment just hours earlier, this would have been their first reunion in a decade. In the years since Robin ran away from home as a teenager, Leslie has stayed in New Mexico, taking care of their dying father even as she began building a family of her own. But when their father passed away, Leslie received a rude awakening: She and Robin would receive the inheritance he left them together—or not at all. Now her half of the money may be beyond her grasp. And unbeknownst to anyone, even her husband, Leslie needs it desperately.
When she meets a charismatic young woman who bears an uncanny resemblance to Robin—and has every reason to leave her past behind—the two make a reckless bargain: Mary will impersonate Robin for a week in exchange for Robin’s half of the cash. But neither realizes how high the stakes will become when Mary takes a dead woman’s name. Even as Mary begins to suspect Leslie is hiding something, and Leslie realizes the stranger living in her house, babysitting her newborn son, and charming her husband has secrets of her own, Robin’s wild, troubled legacy threatens to eclipse them both.
Growing up in New York, brothers Emil and Brighton always idolized the Spell Walkers—a vigilante group sworn to rid the world of specters. While the Spell Walkers and other celestials are born with powers, specters take them, violently stealing the essence of endangered magical creatures.
Brighton wishes he had a power so he could join the fray. Emil just wants the fighting to stop. The cycle of violence has taken a toll, making it harder for anyone with a power to live peacefully and openly. In this climate of fear, a gang of specters has been growing bolder by the day.
Then, in a brawl after a protest, Emil manifests a power of his own—one that puts him right at the heart of the conflict and sets him up to be the heroic Spell Walker Brighton always wanted to be.
Brotherhood, love, and loyalty will be put to the test, and no one will escape the fight unscathed.
The Dhai nation has broken apart under the onslaught of the Tai Kao, invaders from a parallel world. With the Dhai in retreat, Kirana, leader of the Tai Kao, establishes a base in Oma’s temple and instructs her astrologers to discover how they can use the ancient holy place to close the way between worlds. With all the connected worlds ravaged by war and Oma failing, only one world can survive. Who will be sacrificed, and what will the desperate people of these worlds do to protect themselves?
Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes.
Rosamund is miserable and lonely, on the run from a foreign king and queen because she wouldn’t help them scheme against each other. A dashing knife juggler whose physical skills complement her magical prowess might be the right man to make her feel alive again.
Trina Goldberg-Oneka is a trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity calling itself The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.
Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seep-tech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.
Heartbroken and deep into an alcoholic binge, Trina chases after a young boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.
In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive.
Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever.
But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.
Robyn Hood didn’t set out to rob the rich, but in Nottingham, nothing ever goes according to plan….
After a fateful hunting accident sends her on the run from the law, Robyn finds herself deep in the heart of Sherwood Forest. All she really wants to do is provide for her family and stay out of trouble, but when the Sheriff of Nottingham levies the largest tax in the history of England, she’s forced to take matters into her own hands. Relying on the help of her band of merry women and the Sheriff’s intriguing—and off limits—daughter, Marian, Robyn must find a way to pull off the biggest heist Sherwood has ever seen.
With both heart and freedom at stake, just how much will she risk to ensure the safety of the ones she loves?
Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family—blood and chosen—arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.
Jason is sure his sister, Becca, was murdered, but he’s the only one who thinks so. After finding a photograph Becca kept hidden, he decides to infiltrate a boxing gym to prove that she didn’t die accidentally. As a transgender kid, Jason’s been fighting for as long as he can remember, and those skills are going to come in handy as he investigates. Quickly invited into the inner circle, Jason must balance newfound friendships with the burning hate that drives him. Jason soon feels torn between two worlds, determined to discover what happened to his sister but struggling with the fact that this is the first time he’s ever felt like he belonged somewhere.
Becoming a Man is the striking memoir of P. Carl’s journey to become the man he always knew himself to be. For fifty years, he lived as a girl and a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly.
Carl blends the remarkable story of his own personal journey with incisive cultural commentary, writing brilliantly about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation. Nick and Clay are running away from their turbulent lives in New York City, each desperate for a happier, freer future someplace else. Their method of escape? Selling a collection of counterfeit antiques to a brash, unsuspecting American living out his retirement years in a grand palazzo. With Clay’s smarts and Nick’s charm, their scheme is sure to succeed.
As it turns out, tricking a millionaire out of money isn’t as easy as it seems, especially when Clay and Nick let greed get the best of them. As Nick falls under the spell of the city’s decrepit magic, Clay comes to terms with personal loss and the price of letting go of the past. Their future awaits, but it is built on disastrous deceits, and more than one life stands in the way of their dreams.
A Beautiful Crime is a twisty grifter novel with a thriller running through its veins. But it is also a meditation on love, class, race, sexuality, and the legacy of bohemian culture. Tacking between Venice’s soaring aesthetic beauty and its imminent tourist-riddled collapse, Bollen delivers another “seductive and richly atmospheric literary thriller” (New York Times Book Review).
When Jackson’s 18-year-old son born through surrogacy came out to him, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century.
Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil.
Jackson’s son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall — the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy the gay community must not be complacent.
As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice.
Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is powerful letter of love from a father to a son that holds lasting insight for us all.
All-queer anthologies are just the most delightful place to find new voices and get a nice variety of representation, so I’m thrilled to help introduce Short Stuff, a new collection edited by Alysia Constantine and coming from Duet Books on June 9, 2020! Today we’ve got not just the cover of the book, designed by the fabulous C.B. Messer, but a little info on each of the authors and each of the stories!
It could start anywhere…
At a summer vacation at the lake, just before heading off to college. In a coffee shop, when the whole world is new. In a dragon’s cave, surrounded by gold. At a swim club, with the future in sight.
In Short Stuff, bestselling and award-winning authors dial down the angst in four meet-cute LGBTQ young adult romances.
Trapped in a quiet, coastal town where nothing ever happens, 16-year-old warrior Fenn longs for adventure and glory. When a dragon attacks a neighboring village, kidnaps a maiden and makes its home in the sacred field of kings, Fenn begs her Aeldorman to send her to fight it. Though the fearsome dragon has already incinerated the warriors who have tried before, Fenn sees it as her duty to rescue the girl trapped deep in the burial mounds with the beast, or die trying.
But Fenn discovers that the maiden and dragon are one in the same, the result of a terrible curse. Going against her own people, she sets out to save the girl and forge a new destiny for herself.
A bisexual retelling of the medieval epic poem, Beowulf.
Julia Ember currently lives in Seattle with her wife and their city menagerie of pets with literary names. She is the author of The Seafarer’s Kiss and The Navigator’s Touch published by Interlude Press. The duology was heavily influenced by Julia’s postgraduate work in Medieval Literature at the University of St Andrews. The Seafarer’s Kiss was named a “Best Queer Book of 2017” by Book Riot, and was a finalist in the Speculative Fiction category of the Bisexual Book Awards. Her upcoming novel, Ruinsong, will be published by Macmillan Kids (FSG) in Fall 2020. Julia also writes scripts for games, and is the author of several published novellas and short stories.
As the eldest child in his family, Tommy Hughes always felt the weight of responsibility growing up—to his mother, who depended on him, and to his kid brother and sister, who looked up to him. But during a summer vacation to the Michigan shore, Tommy chafes to break free and to start experiencing a series of firsts before embarking for the new world of college.
Jude Sierra is a Latinx poet, author, academic and mother working toward her PhD in Writing and Rhetoric, looking at the intersections of Queer, Feminist, and Pop Culture Studies. Her novels include A Tiny Piece of Something Greater (Foreword INDIES Finalist, 2019), What it Takes (starred review, Publishers Weekly), Hush, and Idlewild, a contemporary LGBTQ romance set in Detroit’s renaissance which was named one of Kirkus Reviews‘ Best Books of 2016.
Sparks fly at the local swim club when the manager orders Will, a snack bar chef with culinary ambitions, to cook for the club’s surly Olympic hopeful, Basil, who isn’t amused when Will’s first special is called the “Basil Rickey.” Complicated by the incompatible terminology of competitive sports and culinary arts, Basil and Will clash—until they both learn the importance of breaking out of their lanes.
Longtime friends and writing partners Tom Wilinsky and Jen Sternick‘s debut novel, Snowsisters (Duet Books, 2018) was the recipient of and finalist for multiple YA fiction awards, including the Foreword INDIES, the Feathered Quill, and the NYC Big Book Awards. Tom lives in New York with his partner and the world’s most beloved orange tabby cat, Newky. He likes cold weather, anything with zombies in it and old cars. Jen lives in Rhode Island with her husband, two kids and a cranky seven-toed cat named Sassy. She likes live theater, visiting any place she’s never been before, and admits to a mild Twitter addiction.
A story of best friends, Gemma and Anya, told in a series of coffee-flavored glimpses. From the first mocha at age fifteen to cups of simple instant coffee after their first night together at twenty, they laugh, love and learn, taking a scenic route to romance.
Kate Fierro spent ten years translating, editing and reviewing other people’s words before making an impulse decision to write down some of her own. She hasn’t been able to stop ever since. Kate lives in Europe and is bilingual, with more love for her adopted language than her native one. her debut novel, Love Starved, was published by Interlude Press in 2015.
Short Stuff releases on June 9, 2020 from Duet Books, and you can preorder it here.
As a well-documented fan of music coming out of PNW in the 90s, I’m so thrilled to revealing the cover on the site today for Shine of the Ever by Claire Rudy Foster, a collection of short stories that “explores what binds a community of queer and trans people as they negotiate love, screwing up and learning to forgive themselves for being young and sometimes foolish.” The stories feature a whole rainbow of representation, including people who identify as queer, bisexual, gay, lesbian, binary transgender, non-binary transgender, polyamorous, asexual, pansexual, and genderfluid.
NOW, is there any better format for mashing the best things together like a mix tape?? And that’s what makes this cover, designed by C.B. Messer, so perfect!
Shine of the Ever comes out on November 5th, 2019 from Interlude Press
But wait, there’s more! In addition to the cover, we have an exclusive excerpt from the short story that gave the collection its name, “Shine of the Ever”!
We spent most of the winter in and around my apartment, which overlooked a boring section of southeast Belmont, before the cafes and PNW-inspired restaurants moved in. My rent back then was five-hundred-fifty dollars a month. It had hardwood floors, a bedroom, pocket doors, and a view of Mount Tabor. My neighbors were older people who had been there since the 1980s. I was the youngest person in the building, young enough that I was the only one who didn’t have a player for the tapes the other tenants swapped in the laundry room “library.” I only had a binder of CDs. I didn’t buy a lot of music, because at the time the rent I paid was considered kind of high. Since then, it has more than tripled. I’m pretty sure my old neighbors are all out in the Numbers now. I’m just saying. I don’t live there anymore. Nobody I know does, but there’s never a vacancy. Explain how that works. Where the hell do all these new people come from? At least the weather hasn’t changed. That winter with Ada, it mostly rained, but one day snow piled like popcorn in the gutters, and on another morning a white fog, so muffling that we couldn’t even see the mattress company storefront across the street.
We were a we, an actual couple. We did relationship things. Ada went to her classes at Portland State, and I went to my library job, but we always met up at the end of the day. She didn’t want to spend time with anyone else, and I wasn’t bored yet, so it worked. She served me free beers when she picked up shifts at the Crow Bar. When school got too busy, she quit, and started bringing over a bottle of whiskey a couple times a month.
She didn’t want me to ever feel deprived or like I was missing out, she said. She didn’t want me to have a reason to go anywhere but home.
We went to places that are other places now. We shared beers at Blue Monk, which was a bar and music venue where you could hear actual good hip-hop and jazz musicians who didn’t play that gooey, elevator shit. The Blue Monk is called something else, and there’s a line out front with a doorman and a velvet rope. The people waiting are all dressed up. Lines were never a thing, back then. I associate never waiting with that time of my life, because the timing was always just magically perfect. Anything you wanted, you could have right then: brunch, beer, a turn in the horseshoe pit. Delayed gratification didn’t exist, when I was twenty-three.
Ada and I kissed in bars that are too clean for me now and too expensive. It’s bizarre, when I go back now and try to approximate the proportions of the places I used to know so well. I went to one of my old dives a few years after it closed, and only the ceiling was the same. Pipes and drywall, peeling paint, that was all. Everything else, from the lighting to the tinted mirrors over each booth, was styled. The weird thing was, the place was styled to look like Old Portland. My Portland. They spent a fortune trying to do it too. The matching frosted globes that hung from the exposed rafters would run at least four hundred apiece. A matched set in such good condition must have cost a mint. The tables were tropical salvage. I had that feeling I was in a movie set of my own living room, where every object looked exactly like my personal possession, but nicer, cleaner, and more appealing. I hate it. These designers put in a lot of effort to make things seem natural, but I think the only people who believe it are the ones who never saw the original. They don’t understand that this isn’t Portland anymore: it’s Portlandia. A theme park of the places we used to love.
If you have no point of reference, you are very easy to fool.
Claire Rudy Foster is a queer, trans single parent in recovery. Their short story collection, I’ve Never Done This Before, was published to warm acclaim in 2016. With four Pushcart Prize nominations, Claire’s writing has appeared in McSweeney’s, The Rumpus, and many other journals. Their nonfiction work has reached millions of readers in The New York Times, The Washington Post, and Narratively, among others. Claire lives and writes in Portland, Oregon.
What do you get when you take three adorable stories and put them together as an ebook for the first time? In this case, Three Kisses by London Setterby, which releases on March 26th! Here are the details on the three stories that make up the collection:
About That (Almost) Kiss (m/m)
Since his ex dumped him, Alec Chase has spent his nights sleeping on friends’ couches, wandering his urban college campus, or standing around at dreary parties. That was how he ran into smart, sexy JP Wu last weekend. But JP, a brilliant graphic novelist, is way too good for Alec. As for JP trying to kiss him—well, that was only because he was drunk…right?
A Kiss in Costume (winner of a 2016 Watty Award) (f/f)
This Halloween, Maggie Juárez just wants to nerd out on the finer points of costume design in her hand-made Regency ballgown and try to ignore her painful, awkward crush on beautiful ice-queen Samantha Winters. But Sam is impossible to ignore, especially when she shows up to a party dressed—perfectly—as Mr. Darcy. She can’t be trying to attract Maggie’s attention…can she?
A Kiss At Christmas (trans m/cis f)
Reid Schechter has always had a crush on his childhood best friend, vivacious cosplay enthusiast Layla Peters. Instead of growing apart at their separate colleges, they seem to have more in common than ever. And visiting Layla in person for the first time after starting his hormone therapy and undergoing top surgery should be weird, but it just feels normal. Still, as much as he daydreams about asking her out, Layla is practically a natural phenomenon. There’s no way she could have feelings for a curmudgeon like him…is there?
London Setterby writes modern-day Gothics and fantasy romances. As L. Setterby, she also writes gritty, suspenseful contemporary romances. Under both names, she writes across the LGBTQ+ spectrum. London lives in Pennsylvania with her husband and toddler. She is usually covered in cracker crumbs.