Tag Archives: Tor

August 2022 Deal Announcements

Adult Fiction

Marquette University professor of English B. Pladek’s DRY LAND, set at the cusp of America’s involvement in World War I, when a young queer forester discovers an uncanny gift for growing plants, seemingly from nothing, to Dennis Lloyd at University of Wisconsin Press, for publication in fall 2023, by Brenna English-Loeb at Transatlantic Literary Agency (world English).

Mark Waddell’s THE BODY IN THE BACK GARDEN, a queer cozy following a young investigative journalist as he inherits his estranged aunt’s estate in a coastal Canadian village, which includes a dead body behind the house that he is forced to investigate with a very handsome Mountie, to Faith Black Ross at Crooked Lane, for publication in fall 2023, by Melissa Edwards at Stonesong (world).

Ghassan Zeineddine’s DEARBORN, a collection of tragicomic stories that examines the diverse range and complexities of the Arab American community in Dearborn, Michigan, over several decades, exploring themes of identity, generational conflicts, war trauma, migration, sexuality, queerness, notions of home and belonging, and more, to Elizabeth DeMeo at Tin House Books, for publication in fall 2023.

Emily Hamilton’s THE STARS TOO FONDLY, a debut queer space odyssey—part sci-fi, part sapphic rom-com—following four friends who break into a storied spaceship with a mysterious past and accidentally blast off to a planet lightyears away, with a hologram of the ship’s previous captain as their only guide (and an improbable, impossible love interest); about found family, interdimensional travel, and the galaxy-saving power of love, to Nate Lanman at Voyager, in a very nice deal, at auction, by Roma Panganiban at Janklow & Nesbit (NA).

2021 Lambda Literary Fellow Craig Wilse’s PROVIDENCE, pitched as reminiscent of Patricia Highsmith, in which an introverted queer English professor falls for an enigmatic sophomore who lures him into his web of chaos and deceit, to Claire Wachtel at Union Square & Co, in a nice deal, in an exclusive submission, for publication in spring 2024, by Robert Guinsler at Sterling Lord Literistic (world English).

NYT-bestselling and Lambda Literary Award-winning author TJ Klune’s four original untitled novels about queer love and family, set in curious and enchanting worlds, to Ali Fisher at Tor, in a major deal, in a seven-figure deal, in an exclusive submission, in a four-book deal, by Deidre Knight at The Knight Agency (world English).

Clementine Taylor’s SOMETHING ABOUT HER, following two young women at the University of Edinburgh and the romantic connection that grows between them as they navigate the pressures of school and family, pitched in the vein of Sally Rooney and Emma Cline, to Gabriella Mongelli at Putnam, by Millie Hoskins at United Agents (world).

Korean author Hwang Jungeun and translator Janet Hong’s SAVAGE ALICE, about a tormented drag queen—pitched as a Korean Hedwig—who leaves Seoul and returns to their small countryside hometown and must survive the bullying, marginalization, and tortured life in order to survive; and EVERY YEAR, to Chad Post at Open Letter, in a pre-empt, in an exclusive submission, in a two-book deal, for publication in January 2023 and 2024, by Barbara Zitwer at Barbara Zitwer Agency (world English).

Short fiction writer, poet, essayist, and reviewer Jarrod Campbell’s THE REASON I’M HERE, a collection of fictions featuring queer protagonists in their attempts to navigate memories and their consequences, morality, and the silences within relationships; pitched as influenced by Tennessee Williams, John Cheever, and Andrew Holleran, to James Reich at Stalking Horse Press, in a nice deal, for publication in June 2023 (NA and UK).

Pushcart-nominated NYU MFA alum Cleo Qian’s LET’S GO LET’S GO LET’S GO, a debut slipstream short story collection exploring the alienated, technology-mediated lives of young Asian and Asian American women, restless with fear, desire, queer longing, and escapist compulsions, who are far from the dutiful, docile stereotypes, to Alyssa Ogi at Tin House Books, for publication in summer 2023, by Annie Hwang at Ayesha Pande Literary (NA).

Rob Costello’s THE DANCING BEARS: QUEER FABLES FOR THE END TIMES, a collection of eleven dark speculative tales featuring queer characters dealing with queer themes, to Steve Berman at Lethe Press, in an exclusive submission, for publication in March 2024, by Marie Lamba at Jennifer De Chiara Literary Agency (world English).

Finalist for the Lambda Literary Award SJ Sindu’s THE GOTH HOUSE EXPERIMENT, a tragicomic collection of character-driven stories ranging from the fantastical to the all-too-real, following an array of loners and artists—a boy with wings, a poet haunted by the ghost of Oscar Wilde, a queer beer brewer, a viral influencer—as they struggle to overcome grief in the wake of divorce, the pandemic, and other significant life changes, to Mark Doten at Soho Press, in an exclusive submission, by Erin Harris at Folio Literary Management (NA).

Children’s/Middle Grade Fiction

Newbery Award Honoree, National Book Award finalist, and two-time Stonewall Award-winning author Kyle Lukoff’s THE GOLEM OF REFUSE, about a Jewish trans youth fighting evil–human and otherwise–with his friends and community, followed by an untitled middle grade novel, to Ellen Cormier at Dial, in a good deal, in an exclusive submission, in a two-book deal, for publication in summer 2024, by Saba Sulaiman at Talcott Notch Literary Services (world).

Young Adult Fiction

Author of THE SKY BLUES and the forthcoming If I See You Again Tomorrow Robbie Couch’s YOU AGAIN, after the death of his best friend leaves him heartbroken and adrift, a gay teen enters an immersive study aimed at boosting his ability to forge bonds with classmates; just as researchers begin to help him form new relationships (and maybe even fall in love), he finds himself wondering if his friend is really gone for good… or if he’s losing his grip on reality, to Alexa Pastor at Simon & Schuster Children’s, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2024, by Moe Ferrara at BookEnds (world English).

M.E. Corey’s OUT OF BLUE COMES GREEN, in which a transgender teen wants what every other teenage boy wants—a girlfriend and a successful rock band—but when a new girl assumes the teen is a boy and asks him out, he accepts without correcting her; what could possibly go wrong?, to Tamara Grasty at Page Street, in a nice deal, for publication in winter 2024, by Tina Schwartz at The Purcell Agency (world).

Alex Dingley’s ANCESTREE, pitched as Crimson Peak meets The Green Knight, a queer YA horror graphic novel in which a young prince finds out the unsavory truth about his royal lineage when he becomes haunted by a dark creature lurking in the woods surrounding his family’s castle, to Michelle Nguyen at Oni Press, with Desiree Rodriguez editing, for publication in 2025, by Britt Siess at Britt Siess Creative Management (world).

Author of the forthcoming titles HAZEL HILL IS GONNA WIN THIS ONE and NOAH FRYE GETS CRUSHED Maggie Horne’s STAY HERE WITH ME, pitched as a cross between SOME GIRLS DO and Netflix’s The Half of It, a queer love story that centers on two best friends (and recent exes, after one of them came out as gay) who find themselves developing feelings for the same girl, to Rachel Diebel at Feiwel and Friends, at auction, for publication in fall 2024, by Claire Friedman at Inkwell Management (NA).

Author of the forthcoming FUNERAL GIRL Emma K. Ohland’s HERE GOES NOTHING, pitched as a femme queer update of Much Ado About Nothing that finds across-the-street neighbors endlessly feuding and just maybe falling in love, sparking questions for one about her asexual identity, her place in their friend group, and her plans for the future, to Amy Fitzgerald at Carolrhoda Lab, for publication in fall 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Louangie Bou-Montes’s debut DON’T FEAR THE REAPER, pitched as CEMETERY BOYS meets UNDEAD GIRL GANG, in which the 16-year-old, Afro-Latinx son of the local mortician accidentally reanimates the dead body of the boy he had more than friendly feelings for and has to uncover the truth about his family’s necromantic abilities to keep him alive for good, to Carolina Ortiz at Harper Children’s, in a pre-empt, for publication in fall 2024, by Saritza Hernandez at Andrea Brown Literary Agency.

Non-Fiction

Educator in the kink and queer communities Lee Harrington’s BECOME YOUR OWN BELOVED: A GUIDE TO DELIGHTING IN SELF-CONNECTION, sharing how readers can ease the pain of loneliness, heal longtime emotional wounds, and celebrate themselves as complete beings in and of themselves, embracing an all-inclusive approach to appeal to readers of any gender, age, race, sexual orientation, economic status, and disability, to Elena Vega at Twin Flame, for publication in February 2023 (world).

BDSM educator, Lambda Literary fellow, creator of the Image Comics series SFSX, and host of the eponymous podcast Tina Horn’s WHY ARE PEOPLE INTO THAT, a queer feminist exploration of kink, blending cultural criticism and personal narrative to examine how we conceptualize sex, pleasure, gender, fantasy, and power—and how we can reimagine those concepts for a more liberated future, to Carrie Napolitano at Hachette Books, by Sarah Bolling at The Gernert Company (NA).

Photographer Julie Rae Powers ed.’s QUEERING APPALACHIA’S VISUAL HISTORY, an anthology of contemporary images and writing by artists currently living in or from Appalachia who identify as queer, to Abby Freeland at University Press of Kentucky, in a nice deal, for publication in fall 2024.

Performer, co-executive producer of HBOMax’s Legendary, and member of the House of Xtravaganza Sydney Baloue’s UNDENIABLE: A HISTORY OF VOGUING, BALLROOM AND HOW IT CHANGED MY LIFE (AND THE WORLD), the untold history of ballroom—a transformative social space of competition, experiment, and creativity in gender, sexuality, and culture—a driving force in the Black and Latinx LGBTQ+ community and, eventually, of profound influence to wider American society, as told through the intimate story of how voguing helped the author to realize and embrace his identity as a transgender man, to Angela Ledgerwood at Sugar23, with Libby Burton at Crown editing, at auction, by Alice Whitwham at The Cheney Agency (NA).

June 2022 Deal Announcements

Adult Fiction and Poetry

Author of the forthcoming THE ROMANCE RECIPE and HOT COPY Ruby Barrett‘s THE LEARNING CURVE, where a bi, down-on-his-luck ex-firefighter joins a cross-disciplinary academic study teaching millennials how to make friends as adults, but an unexpected flirtation with an earnest people-pleasing female participant jeopardizes the study and their hearts, to Stephanie Doig at Carina Adores, for publication in winter 2024, by Kiana Nguyen at Donald Maass Literary Agency (world).

D’VAUGHN AND KRIS PLAN A WEDDING author Chencia C. Higgins’s untitled novel, set in a woman-owned, queer-friendly adult entertainment club, in which a teddy bear stud music producer breaks her own rules and romances her BFF, the club’s highest earning dancer and a devoted single mom, pitched as BROWN SUGAR meets P-Valley, to Kerri Buckley at Carina Adores, in a two-book deal, for publication in summer 2023, by Keisha Mennefee at Honey Magnolia Media (world).

Sim Kern’s THE FREE PEOPLE’S VILLAGE, following a queer punk band in Houston swept up in an anti-capitalist revolution, in an alternate timeline where President Al Gore declared a War on Climate Change, transforming U.S. cities into solarpunk paradises—but only for wealthy white neighborhoods, to Irene Vazquez at Levine Querido, by Rebecca Podos at Rees Literary Agency (world).

Author-illustrator of the LA Times Book Award finalist HONOR GIRL Maggie Thrash’s adult debut RAINBOW BLACK, part murder mystery, part gay international fugitive love story, part meditation on queerness and identity, set against the ’90s Satanic Panic and spanning 20 years in the life of a young woman pulled into its undertow, to Noah Eaker at Harper Perennial, for publication in spring 2024, by Stephen Barr at Writers House (NA).

Eugenio Volpe’s I, CARAVAGGIO, pitched as a postmodern retelling of the bisexual, street-fighting godfather of modern painting, to Christoph Paul at Clash, in a nice deal, in an exclusive submission, for publication in July 2023 (world English).

Writer, performance artist, and community healer Kai Cheng Thom’s LOVE LETTERS TO LOST SOULS, a collection of prose poems promising to uplift queer and marginalized people, show grace to those seemingly beyond saving, and affirm the imperfect yet sacred humanity in us all, to Katy Nishimoto at Dial Press, in a pre-empt, by Leonicka Valcius and Marilyn Biderman at Transatlantic Literary Agency (world, excl. Canada). Rights also to David Ross at Penguin Canada.

Audiobook narrator Travis Baldree’s LEGENDS & LATTES, in which an orc mercenary hopes to make a new start in life, opening the first coffee shop in Thune, to Lindsey Hall at Tor, in a good deal, in a two-book deal, for publication in fall 2022, by Jon Mitchell at Pan Macmillan.

I’M SO NOT OVER YOU author Kosoko Jackson’s WRANGLED AND ENTANGLED, a gay rom-com set on a family ranch in Montana, where a city boy licking his wounds post-breakup finds himself falling for the cowboy who never wanted his family legacy reduced to a tourist attraction in the first place, to Kristine Swartz and Mary Baker at Berkley, for publication in spring 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Rachel Runya Katz’s THANK YOU FOR SHARING, pitched for readers of Casey McQuiston, following two biracial former Jewish sleepaway camp crushes (and rivals) as they’re forced put aside their baggage to save their careers and work together 14 years later, only to realize that they can’t ignore their shared history or their growing feelings for each other, to Vicki Lame at Griffin, in a two-book deal, for publication in fall 2023, by Jessica Mileo at Inkwell Management (NA).

Lebanon Valley College Director of Creative Writing Holly M. Wendt’s HEADING NORTH, pitched for fans of THE ART OF FIELDING and the BEARTOWN series, tracking a season in which a gay Russian ice hockey player must rebuild his life in the NHL after tragedy and his general manager wrestles for team control while her marriage deteriorates, in a novel about grief and social change on the global stage of professional sport, to Jeffrey Condran at Braddock Avenue Books, in a nice deal, for publication in November 2023 (NA).

Meredith Mooring’s REDSIGHT, a debut science fantasy with positive bisexual and disability representation that follows a blind priestess who powers warships for the galactic military by manipulating spacetime; when the captain of her ship is murdered by a pirate with a dark past, the priestess must choose between a painful life of service or a chance at freedom with the galaxy’s most wanted criminal, to Amy Borsuk at Rebellion, in a nice deal, for publication in spring 2024, by Ernie Chiara at Fuse Literary (world).

A.K. Mulford’s THE FIVE CROWNS OF OKRITH series, a queer fantasy romance series, the first of which is popular on TikTok, to David Pomerico at Voyager, in a major deal, for seven figures, in a five-book deal, for publication in October 2022, by Jessica Watterson at Sandra Dijkstra Literary Agency (world English).

Sheila Connolly’s BLACK SAILS TO SUNWARD, the first in series in which a woman joins the Martian Imperial Navy to save her family’s waning fortunes but somehow ends up sucked into piracy with her ex-girlfriend instead, to Cate Pearce at Hansen, with Elizabeth Jeannel editing, in a nice deal, in a three-book deal, for publication in July 2023.

Melissa Karibian’s A CHORUS OF ASHES AND SHADOWS, the sequel to A SONG OF SILVER AND GOLD, to Elizabeth Jeannel at Hansen, for publication in June 2023.

Children’s Fiction

Chinese Canadian writer, musician, and filmmaker, and author of THIS CITY IS A MINEFIELD Aaron Chan’s THE BROKEN HEART, a picture book pitched with identity-inspired LGBTQ2S+ themes, the story of a young girl who likes to fix things, and who sets out to help her brother mend his heart after his relationship with his boyfriend has ended, illustrated by Josiane Vlitos, to Lauri Hornik at Rocky Pond Books, for publication in spring 2024, by Emmy Nordstrom Higdon at Westwood Creative Artists (world).

Young Adult Fiction

Author of IF YOU CHANGE YOUR MIND Robby Weber’s WHAT IS THIS FEELING?, a rom-com in which a high school theater star just wants to win a scavenger hunt and meet his Broadway idol on the drama club trip to New York City, but when he finds himself stuck sharing a room with his polar opposite, the snarky loner from the tech department, the last thing he expects is to form a friendship—and maybe more, to Connolly Bottum while at Inkyard Press, in a very nice deal, in a two-book deal, for publication in summer 2024, by Kristy Hunter at The Knight Agency (world English).

Kamilah Cole’s SO LET THEM BURN, pitched as “Jamaican Joan of Arc” and inspired by Zendaya’s 2018 Met Gala look, following a 17-year-old girl who once wielded the magic of the gods to save her island from dragon-riding colonizers and must now save her sister from the same enemy—even if it means bargaining with a long-forgotten god and ending the world, to Alexandra Hightower at Little, Brown Children’s, in a six-figure deal, in a pre-empt, in a two-book deal, for publication in winter 2024, by Emily Forney at BookEnds (world).

Debut author Carolyn Hill’s MASK OF CELIBACY, a 1990s-set novel featuring two heteroromantic ace characters, to Rebecca Sands at Wattpad, for publication in summer 2024 (world).

Author of YOU’RE NEXT Kylie Schachte’s HEARTS OF GOLD, a queer action-adventure pitched as Our Flag Means Death meets modern-day Indiana Jones, in which the daughter of an archeologist must team up with her archnemesis to uncover the truth about a legendary gang of female pirates—and find their long-lost treasure, to Samantha Gentry at Little, Brown Children’s, for publication in fall 2023, by Margaret Sutherland Brown at Folio Literary Management (world).

Nonfiction

Cohost of the Queer Kids Stuff YouTube series and TED speaker Lindz Amer‘s HOORAY FOR HE, SHE, ZE, AND THEY!, a celebration of pronouns and gender euphoria, illustrated by Kate Alizadeh, to Celia Lee at Simon & Schuster Children’s, for publication in 2024, by Claire Draper at The Bent Agency for the author, and by Mandy Suhr at Miles Stott Agency for the illustrator (world).

Professor of history at Eastern Michigan University John G. McCurdy‘s THE PARSON IS A BUGGERER: HOMOSEXUALITY AND THE AMERICAN REVOLUTION, the story of the trial of Lieutenant Robert Newburgh, placing LGBTQ+ presence at the founding of the United States, to Laura Davulis at Johns Hopkins University Press, by Christopher Rogers at Dunow, Carlson & Lerner (world).

Artist, publisher, and founder of Hello Mr. magazine Ryan Fitzgibbon’s untitled compendium of queer storytelling, collecting material from the magazine’s archives alongside new material from today’s emerging queer artists and writers, contextualizing the magazine’s lasting impact while celebrating a new generation of LGBTQ+ creators, to Zachary Knoll at Abrams, in an exclusive submission, by Michael Bourret at Dystel, Goderich & Bourret (world).

National Book Critics Circle Award-winning author of GAY BAR Jeremy Atherton Lin’s DEEP HOUSE, a pre- and post-Obergefell love story weaving the author’s decades-long, transnational romance into a larger inquiry into the many ways queer couples lived and loved before gay marriage became legal, to Jean Garnett at Little, Brown, in a good deal, by Laura Macdougall at United Agents (NA).

April 2022 Deal Announcements

Adult Fiction

Author of THE UNBROKEN C.L. Clark’s WARMONGERS, in an epic fantasy set in a kingdom in a cycle of eternal war, two women—once lovers and warriors at arms—are set on a collision course when years after their separation, one is crowned king and the other vows to kill her, to Brit Hvide at Orbit, by Mary C. Moore at Kimberley Cameron & Associates (world).

Author of UNEXPECTED GOALS Kelly Farmer’s IT’S A FABULOUS LIFE, pitched as a sapphic retelling of the classic holiday movie as a second chance romance, in which a realtor puts her plans on hold again to help with her small town’s winter festival and, with the aid of angelic drag queens, reconnects with her high school crush, to Stacey Donovan at Hallmark, in a nice deal, for publication in fall 2023 (world English).

Arden Joy’s KEEP THIS OFF THE RECORD, pitched as a romantic comedy remix of Shakespeare’s Much Ado About Nothing that transforms ye olde damsels in distress into queer women, women of color, and women overcoming trauma, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in January 2024 (world English).

Andie Burke’s COME FLY WITH ME, an opposites-attract romantic comedy about a female pilot and a woman who’s afraid of flying, who start fake dating after the woman saves a passenger’s life mid-flight and then goes viral, to Lisa Bonvissuto at St. Martin’s, in a very nice deal, in a two-book deal, for publication in fall 2023, by Mariah Nichols at D4EO Literary Agency (world).

Nicola Dinan‘s BELLIES, a queer coming-of-age story about two students who fall in love during their final year at university, only to find their relationship dramatically upended when one of them decides to transition, spanning London, Malaysia, and New York in the years after they graduate, pitched as Torrey Peters meets NORMAL PEOPLE, to Grace Towery at Hanover Square Press, in a pre-empt, by Monica MacSwan at Aitken Alexander (NA).

Author of A STAR IS BORED Byron Lane‘s BIG GAY WEDDING, a comedy of (mis)manners in which a young man returns home from Los Angeles to to his widowed mother’s farm in Louisiana with news of his upcoming nuptials—to a man—and the bigger surprise that the wedding will take place on the farm, pitched as The Birdcage meets Father of the Bride, to James Melia at Holt, for publication in summer 2023, by Deborah Schneider at Gelfman Schneider/ICM (NA).

Author, folklorist, and photographer Piper CJ’s THE NIGHT AND ITS MOON, originally self-published, about orphans who are sold to the highest bidder—in this case, the madame of a notorious brothel; along with THE SUN AND ITS SHADE, THE GLOOM BETWEEN STARS and THE DAWN AND ITS LIGHT, in a sapphic/bi romantic epic fantasy series, to Christa Desir at Bloom Books, in a very nice deal, in a four-book deal, for publication starting in September 2022 (world English).

Alexandrine Ogundimu’s THE LONGEST SUMMER, in which a half-Nigerian party boy navigates a bisexual love triangle and is the primary suspect of a $10,000 cash theft in a decaying Indiana city, to Christoph Paul at Clash, in a nice deal, for publication in June 2023 (world English).

BURN IT ALL DOWN author Nicolas DiDomizio’s THE GAY BEST FRIEND, a summer comedy set on a beach following a gay millennial as he code-switches between the hyper-masculine and ultra-feminine worlds of his two soon-to-be-wed best friends, to Mary Altman at Sourcebooks, in a two-book deal, for publication in spring 2023 (world).

Audiobook narrator and self-published author Travis Baldree’s LEGENDS & LATTES, in which an orc barbarian decides to hang up her sword and open a fantasy coffee shop, to Georgia Summers at Tor, in a good deal, in a pre-empt, in a two-book deal, by Stevie Finegan at Zeno Agency (world).

Deputy director of the gender equality division of the Bill & Melinda Gates Foundation Iris Mwanza’s THE GOOD BOY, about the disappearance of a queer boy in Lusaka, Zambia, possibly at the hands of the police, and the young, inexperienced lawyer who fights a corrupt system to get justice for him, set against the backdrop of the Zambia’s political upheaval in the 1990s, to Graydon House, at auction.

Isa Arsen‘s SHOOT THE MOON, pitched as THE ATOMIC CITY GIRLS meets THE TIME TRAVELER’S WIFE, about a queer female engineer at NASA working on the 1969 space race and her unusual discovery linked to her childhood in the 1940s, which explores the high human cost of scientific progress and the driving need for both intellectual fullfilment and romantic love, no matter the time and place, to Kate Dresser at Putnam, for publication in fall 2023, by Chris Bucci at Aevitas Creative Management (world).

Children’s Fiction

Author of the Norman the Goldfish series and the upcoming THE HOUSE THAT BABE RUTH BUILT Kelly Bennett’s RAINBOW KITE, stories of love, community, and family, about a nonbinary child following a kite on adventures to find community and acceptance; MONSTROUS MOE, in which a grumpy monster decides if a hug can help him be less grumpy; and MIA TAKES MANHATTAN, in which a cobra escapes the Bronx Zoo and travels the city before realizing she misses home, to Chrissy Willis at Young Dragons Press, in a nice deal, in a three-book deal, by Amy Brewer at Metamorphosis Literary Agency (US).

Michelle Mohrweis‘s YOUNG ENGINEERS, in which an autistic seventh grader, with a love of all things space, finds herself paired on an engineering project with her biggest crush, and both girls confront their messy family dynamics, feelings for one another, and high expectations, to Jonah Heller at Peachtree, in an exclusive submission, for publication in spring 2024, by Emily Forney at BookEnds (world).

Young Adult Fiction

Author of COOL FOR THE SUMMER and the forthcoming HOME FIELD ADVANTAGE Dahlia Adler‘s GOING BICOASTAL, pitched as a bi Sliding Doors, following a Jewish teen through two versions of the summer before senior year, one in NYC (with a cute girl) and one in L.A. (with a cute boy); and MY NAME IS EVERETT, a sunshine-meets-grump boarding school romance pitched as BEACH READ meets FOOLISH HEARTS, to Vicki Lame at Wednesday Books, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2023 and summer 2024, by Patricia Nelson at Marsal Lyon Literary Agency (NA).

Benjamin Dean’s THE KING IS DEAD, a gay romantic thriller set against the backdrop of a reimagined royal family, about a newly crowned young Black king facing media scrutiny and blackmail, pitched as ACE OF SPADES meets RED, WHITE & ROYAL BLUE, to Erika Turner at Little, Brown Children’s, in a pre-empt, in a two-book deal, for publication in summer 2023, by Chloe Seager at Madeleine Milburn Literary Agency (NA).

Author of the forthcoming YOU, ME, AND OUR HEARTSTRINGS Melissa See’s LOVE LETTERS TO JOY CORVI, pitched as a contemporary retelling of Cyrano de Bergerac, in which a panromantic asexual girl with cerebral palsy who is determined to be valedictorian seeks love advice from an anonymous student at her academy; but she’s unknowingly writing to—and falling for—the last person she ever expected, to Tiffany Colon at Scholastic, for publication in summer 2023, by Emily Forney at BookEnds (world English).

Keezy Young’s graphic novel HELLO SUNSHINE, in which a boy returns from church camp to discover that his (secret) boyfriend has gone missing and now he must enlist an unlikely team of worried friends and family to find him; a teen drama that uses the atmosphere of a demon haunting to tell a story of mental health, healing, and romance, to Andrea Colvin at Little, Brown Children’s, for publication in 2025, by Kurestin Armada at Root Literary (world).

Rex Ogle writing as Rey Terciero’s DAN OF GREEN GABLES, pitched as a twist on ANNE OF GREEN GABLES, the story of a queer, half-Mexican teenager who is forced to live with his grandparents in rural Tennessee when his mother abandons him; with the help of his mawmaw and his new friends, he makes an unlikely home for himself at 1600 Green Gables, illustrated by Claudia Aguirre, to Elizabeth Lee at Penguin Workshop, for publication in summer 2025, by Brent Taylor at TriadaUS Literary Agency for the author, and by Kate McKean at Howard Morhaim Literary Agency for the illustrator (world).

Eugene Lee Yang‘s THE UNDERS, a queer epic fantasy in which a group of teens band together to stop a war between the human and the magical world, to Emily Settle at Feiwel and Friends, in a major deal, at auction, in a two-book deal, for publication in spring 2024, by Jessica Felleman at Jennifer Lyons Literary Agency (NA).

Author of the forthcoming THE MANY HALF-LIVED LIVES OF SAM SYLVESTER Maya MacGregor’s THE EVOLVING TRUTH OF EVER-STRONGER WILL, about a nonbinary teen who, after watching their abusive mother die in front of them, seeks out a former foster mother who once was ready to adopt them, in a mystery about family, grief, and surviving an abusive parent even as their mother’s ghost seems to dog their every step, to Suzy Krogulski at Astra House, for publication in 2024, by Sara Megibow at kt literary (world English).

Edgar Award winner and Stonewall Honor author James Klise’s I’LL TAKE EVERYTHING YOU HAVE, a noir set in Chicago in the summer of 1934, in which a queer teen’s naive get-rich-quick scheme leads to deadly criminal consequences, to Elise Howard at Algonquin Young Readers, for publication in 2023, by Jennifer Laughran at Andrea Brown Literary Agency (world).

Victoria Wlosok’s debut HOW TO FIND A MISSING GIRL, about a 17-year-old amateur sleuth and her sapphic detective agency that investigates when her ex-girlfriend—notorious for creating a polarizing true-crime podcast about the sleuth’s missing sister—disappears too, to Alexandra Hightower at Little, Brown Children’s, for publication in fall 2023, by Jessica Errera at Jane Rotrosen Agency (world). Film: Becca Rodriguez at Gotham.

Non-Fiction

Inclusion advocate, educator, and the first openly transgender D1 men’s athlete Schuyler Bailar‘s HE/SHE/THEY: HOW WE TALK ABOUT GENDER AND WHY IT MATTERS, an inquiry into today’s gender landscape, laying the groundwork for productive conversations about gender on an individual and national level, pitched as in the vein of SO YOU WANT TO TALK ABOUT RACE, to Renee Sedliar at Hachette Go, at auction, by Susan Canavan at Waxman Literary Agency (NA).

Founder of the Ali Forney Center Carl Siciliano’s STRONG AS DEATH, SWEET AS LOVE, about the author’s work with homeless LGBTQ+ youths in New York City and his friendship with Ali Forney, a nonbinary youth whose compassionate life and tragic death on New York City’s streets inspired him to establish the Center and live a life of service and resistance, to Derek Reed at Convergent, at auction, for publication in summer 2023, by Jesseca Salky at Salky Literary Management, in association with Charlotte Sheedy Literary Agency (NA).

Shilletha Curtis’s MOUNTAIN OF THE MOON, pitched as a Black lesbian WILD crossed with GIRL INTERRUPTED, tracing the author’s 2,193-mile thru-hike of the Appalachian Trail and intersectional quest to change the narrative of “hiking while Black” while confronting the roots of her lifelong depression, anxiety, PTSD and ADHD, to Jennifer Levesque at Andscape, in a good deal, in a pre-empt, by Lynn Johnston at Lynn Johnston Literary (world English).

 

October 2021 Deal Announcements

Adult Fiction

Psychotherapist K. L. Cerra’s‘s SUCH PRETTY FLOWERS, a Southern gothic suspense with horror and queer elements about a woman’s investigation into her brother’s unlikely suicide—his last words being “get it out of me”—and subsequently, her obsession with his fiancee, a magnetic, black-eyed florist with a penchant for carnivorous plants; and a second book about a coven operating under the guise of the wedding industry whose plans to save women from wife- and motherhood have sinister implications, to Jenny Chen at Bantam Dell, in a pre-empt, in a two-book deal, by Chelsey Emmelhainz at Copps Literary Services (world).

Taleen Voskuni‘s SORRY, BRO, a queer rom-com about a twenty-something newly single Armenian woman whose mother insists she find a proper new suitor at a series of local Armenian cultural events—only the woman she meets is the last person her very traditional family had in mind, to Cindy Hwang and Angela Kim at Berkley, in a two-book deal, for publication in 2023, by Katelyn Detweiler at Jill Grinberg Literary Management (NA).

Lena May‘s THE SIGNS WE MISSED, in which a young gay man who emancipated from his mother battles addiction, an eating disorder, and being in love with his best while trying to graduate high school and survive, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in summer 2022.

Lindy Ryan and Toni Miller‘s eds.’s UNDER HER SKIN, a showcase of body horror-inspired poetry from women (cis and trans) and nonbinary femmes in horror, including Bram Stoker Award-winning and nominated poets Lee Murray, Stephanie M. Wytovich, Sara Tantlinger, and Jessica McHugh, with a foreword by Linda D. Addison, to Black Spot, for publication in April 2022 (world English).

Kate Brook’s NOT EXACTLY WHAT I HAD IN MIND, following four 20-somethings—two roommates navigating the awkward aftermath of a one night stand, and a lesbian couple looking to start a family—as their lives collide and all four learn that sometimes you find family, and love, in the place you would least expect, pitched as for readers of Emma Straub or J. Courtney Sullivan, to Lindsey Rose at Dutton, by Rebecca Wearmouth at PFD (NA). Rights to Sarah Hodgson at Corvus, by Philippa Sitters at David Godwin Associates (UK/Commonwealth, excl. Canada); to Suma de Letras (Spain); and to Diana (Germany), at auction, by Rebecca Wearmouth at PFD.

Author of the forthcoming MY MECHANICAL ROMANCE Alexene Farol Follmuth writing as Olivie Blake’s THE ATLAS SIX TRILOGY, pitched as Kingsman/X-Men meets THE SECRET HISTORY with a diverse cast and strong queer representation, following six uniquely talented magicians from around the world who are invited to compete for an elite academic fellowship where elimination holds deadly consequences, the first book of which was previously self-published and popular on TikTok, to Molly McGhee at Tor, in a major deal, in a pre-empt, in a three-book deal, for publication in March 2022, by Amelia Appel at TriadaUS Literary Agency (world).

Winner of the 2018 VQR Emily Clark Balch Prize for Fiction and UT Austin MFA Celia Bell’s THE DISENCHANTMENT, which follows a baroness who falls in love with another woman, and the chaos that ensues when her husband discovers their secret, set against the backdrop of Versailles and Parisian society, to Shelley Wanger at Pantheon, for publication in 2023, by Anna Stein at ICM (NA). Rights to Serpent’s Tail (UK), by Lucy Morris and Sabhbh Curry at Curtis Brown UK.

Children’s/Middle Grade Fiction

Vicki Johnson‘s picture book MOLLY’S TUXEDO, about a girl who has big plans to wear a dashing tuxedo for her school picture day, but her mom has picked out a dress, so with her friends’ support, the girl proves the way to look your best is to be yourself, illustrated by Gillian Reid, to Charlie Ilgunas at Little Bee Books, for publication in summer 2023, by Zoe Sandler at ICM for the author, and by Christy Tugeau Ewers at The CAT Agency for the illustrator (world).

Aliza Layne‘s BEETLE AND THE CHIMERA CARNIVAL, a sequel to the Stonewall Honor Book BEETLE AND THE HOLLOWBONES, which follows Beetle and her friends as they face new and sinister complications when the dragons set to arrive for a community celebration never appear, illustrated by Aliza Layne, to Julia McCarthy at Atheneum, in a two-book deal, for publication in spring 2024 and fall 2025, by Susan Graham at Einstein Literary Management (world English).

Author-illustrator Kyla Smith‘s FOXES, FIRE, & OTHER MAGIC, in which a curious young fox spirit who stumbled into the human world during the annual Obon festival and became trapped, and a nonbinary noodle maker struggling to keep their parents’ legacy alive, must learn to trust each other to save the udon shop and get the fox spirit home before the spirit gate closes for good, to Emily Settle and Erin Siu at Feiwel and Friends, in a very nice deal, for publication in spring 2024, by Jennifer Azantian at Azantian Literary Agency (world).

Coauthor of RENEGADE RULE Ben Kahn‘s ELLE CAMPBELL SAVES THEIR SATURDAY, in which a nonbinary seventh grader wants to meet their celebrity hero at a local signing, so they and their two best friends will have to stage a daring escape from weekend detention, and avoid bullies and parents as they trek across town to save their Saturday, to Mallory Kass at Scholastic, in an exclusive submission, for publication in 2023, by Moe Ferrara at BookEnds (world).

Dresden Douglas’s GIRLS GIVE ME BUTTERFLIES, a debut middle grade graphic novel pitched as a sapphic Lizzie McGuire, about a young girl who begins to feel flustered and tongue-tied around other girls while struggling to tune out the voice of an excitable little figment who manifests all her innermost thoughts, to Mekisha Telfer at Roaring Brook Press, at auction, for publication in 2023, by Claire Draper at The Bent Agency (world).

Young Adult

Mela Rogers‘s debut LOVE LIGHT, set in a world where a beacon of light connects each person’s heart to their soulmate’s; a girl’s parents are light fanatics, so she is shocked when she falls for a girl who is not her soulmate, and when she meets her actual soulmate, she must choose between her faith and her first love, to Dana Chidiac at Holt Children’s, for publication in winter 2025, by Chelsea Eberly at Greenhouse Literary Agency (world).

HERE FOR IT author R. Eric Thomas‘s debut KINGS OF B’MORE, a celebration of queer Black friendship as two boys plan a day of fun and facing their fears, pitched as inspired by Ferris Bueller’s Day Off, to Joanna Cardenas at Kokila, for publication in summer 2022, by Anna Sproul-Latimer at Neon Literary (world).

Freja Nicole Woolf’s NEVER TRUST A GEMINI, pitched as a LGBTQ+ ANGUS, THONGS AND FULL-FRONTAL SNOGGING, in which a zodiac-obsessed 15-year-old struggling with a desperate crush on her best friend must scramble through a fake boyfriend, a house fire, and an unexpected Christmas romance to find her happy ending, to Denise Johnstone-Burt and Non Pratt at Walker UK, at auction, in a two-book deal, for publication in summer 2023, by Gemma Cooper at The Bent Agency (world).

NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s JUST MAX, in which a stealth transgender college student faces the usual stress of freshman year—making new friends and trying to fit in—all while managing testosterone shots, navigating the perils of communal bathrooms, and falling in love with the handsome soccer player down the hall, to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in winter 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).

MAJOR DETOURS author Zachary Sergi‘s SO YOU WANNA BE A POPSTAR?, an interactive novel following five diverse and queer teen solo artists who are forced into a pop group that goes viral overnight, and where the reader chooses the paths forward to guide the characters on their journey to stardom, to Britny Brooks at Running Press Kids, for publication in winter 2023, by Lucy Carson at Friedrich Agency (world).

FULL DISCLOSURE author Camryn Garrett’s FRIDAY I’M IN LOVE, about a queer teen determined to throw a lavish coming out party in place of a sweet sixteen, but when her mother is laid off, she’s forced to balance saving for the party with keeping her household afloat, all the while navigating her growing feelings for a new girl at school, to Katherine Harrison at Knopf Children’s, in a six-figure deal, for publication in spring 2023, by Beth Phelan at Gallt and Zacker Literary Agency (NA). Rights also to Emma Jones at Random House UK Children’s, by Ellen Greenberg, on behalf of Beth Phelan.

K.M. Watts’s BORN ANDROMEDA, a debut in which a moon princess is kidnapped by galactic pirates, and joins the world of piracy in order to get home—if she doesn’t fall for one first, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in fall 2022 (world). Rights: Mary Jo Courchesne at Gryphon Publishing Consulting

Nonfiction

WHAT ARE YOUR WORDS? illustrator Andy Passchier‘s GENDER IDENTITY FOR KIDS, a chapter book guide breaking down what gender is and isn’t, what your feelings around gender might mean, and how to let the world know who you are and help others do the same, to Regan Winter at Little, Brown Children’s, with Andrea Colvin and Aria Balraj editing, for publication in summer 2023, by Alexandra Gehringer at The Bright Group (world).

Chicana writer, activist, poet, essayist, and playwright Cherrie Moraga‘s LOVING IN THE WAR YEARS and THE LAST GENERATION, combined in a single 40th anniversary volume; and WAITING IN THE WINGS: PORTRAIT OF A QUEER MOTHERHOOD, to be published on its 25th anniversary, both with new forewords by the author, to Julie Fain at Haymarket, in a two-book deal, by Stuart Bernstein at Stuart Bernstein Representation.

Olympic champion and elite runner Caster Semenya’s SILENCE ALL THE NOISE, a story of courage, resilience, and hope about her childhood in rural South Africa, her running career, and her experience as an intersex woman in professional sports, to Norton, at auction, with a young readers edition.

April Book Deal Announcements

Adult

Lecturer in creative writing at San Francisco State University and creator and teacher at The Lab: Writing Classes Matthew Clark Davison‘s DOUBTING THOMAS, chronicling a year in the life of a gay fourth grade teacher at a school serving Portland, Oregon’s progressive Obama-era elite; he is fired, even after being cleared of a false molestation accusation, just before a family tragedy makes him the guardian of his 12-year-old biracial nephew; digging into the disparity between ideals and reality, to Michael Nava at Amble, in a nice deal, in an exclusive submission, for publication in spring 2021 (world English).

Cornell University MFA graduate, poet, professor, and performer Ryka Aoki‘s LIGHT FROM UNCOMMON STARS, about three women trying to escape their pasts—a hell-damned violin legend and teacher, a young transgender runaway and aspiring musician, and a spaceship captain fleeing a faraway war—who find each other, and unexpected magic, in California’s San Gabriel Valley, to Lindsey Hall at Tor, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world English).

Gretchen Felker-Martin‘s MANHUNT, about trans women scavenging for estrogen in a post-apocalyptic world where a viral plague has transformed all cis men into feral monstrosities, fighting tooth and nail against a menace they’ll join if they miss a dose, and on the run from an authoritarian faction of cis women who see them as a dangerous liability, pitched as a trans woman’s response to Y: THE LAST MAN, plus another standalone horror novel, to Kelly Lonesome at Nightfire, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in March 2022, by Connor Goldsmith at Fuse Literary (world).

Freya Marske‘s A MARVELLOUS LIGHT, a historical fantasy pitched as JONATHAN STRANGE AND MR. NORRELL meets WITCHMARK, about a young civil servant named as liaison to the secret magical bureaucracy of Britain who must work with his magician counterpart to unravel a dangerous conspiracy, while struggling with their unexpected attraction and a deadly curse, to Ruoxi Chen at Tor.com, in a three-book deal, for publication in 2021, by Diana Fox at Fox Literary (NA).

Brooklyn-based writer and VONA/Voices and Queer Art Mentorship alumna Emily Hashimoto’s A WORLD BETWEEN, in which a college fling between two women turns into a lifelong connection, to Lauren Hook at Feminist Press, for publication in September 2020, by Robert Guinsler at Sterling Lord Literistic (NA).

Lambda-nominated writer and critic Megan Milks’s MARGARET AND THE MYSTERY OF THE MISSING BODY, a genre-bending queer and trans coming-of-age story that combines a ’90s-era girl group mystery series with a haunted eating disorder treatment center and a surreal mutant body-world, and SLUG AND OTHER STORIES a reissue of their debut collection with new stories, to Lauren Hook at Feminist Press, in a two-book deal, by Rach Crawford at MacKenzie Wolf (world English).

Charlotte Anne Hamilton‘s OF TRUST & HEART, an #OwnVoices f/f 1920s historical in which a lesbian Scottish heiress, who must find a husband soon, falls for a singer at a speakeasy, to Lydia Sharp at Entangled Embrace, for publication in 2021 (world).

Children’s/Middle Grade

Rosiee Thor and Taylor Barton‘s Picture Book THE MEANING OF PRIDE, about the significance, beauty, and universality of the concept of pride, as celebrated by millions of queer people and their allies around the world, illustrated by Sam Kirk, to Erika Turner at Versify, for publication in spring 2022, by Saba Sulaiman at Talcott Notch Literary Services for the author, and by Nicolas Gomez and Michelle Collins at A Non-Agency for the illustrator (world).

Author of SEAFIRE Natalie Parker‘s Middle Grade THE DEVOURING WOLF, in which a young werewolf-to-be struggles to understand why she hasn’t yet transformed as expected, and to get to the bottom of the mystery and become the wolf she was always meant to be, she will have to unearth her community’s deepest secrets and face off against a terrifying creature from legend, to Chris Hernandez at Razorbill, in a very nice deal, in a two-book deal, for publication in fall 2021, by Lara Perkins at Andrea Brown Literary Agency (world English).

Founder and executive director of inQluded and 2019 SCBWI Emerging Voices winner medina’s THE ONE WHO LOVES YOU THE MOST, which follows a 12-year-old who lives at the intersection of multiple identities as they long to find their place in the world, but a school project, new trans and queer friends, and a YouTube channel helps them find purpose in their journey and find community, to Nick Thomas at Levine Querido, in a pre-empt, for publication in fall of 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (NA and Dutch).

Young Adult

Aden Polydoros‘s YA THE CITY BEAUTIFUL, set against the backdrop of the 1893 Chicago World’s Fair, a queer Jewish Gothic fantasy that follows a young immigrant who is possessed by the dybbuk of his murdered best friend and is thrust into a deadly hunt for a serial killer, to Rebecca Kuss at Inkyard Press, in a nice deal, in a two-book deal, for publication in fall 2021, by Thao Le at Sandra Dijkstra Literary Agency (world English).

Robin Gow‘s YA A MILLION QUIET REVOLUTIONS, a love story in verse between two transgender boys who come out to each other the weekend before their senior year; together, they explore their identities and search history for the often untold stories of queer people like them, to Trisha de Guzman at Farrar, Straus Children’s, in a good deal, at auction, in a two-book deal, for publication in winter 2022, by Jordan Hamessley at New Leaf Literary & Media (NA).

Adrienne Tooley‘s SOFI AND THE BONE SONG, after losing everything to an undeserving rival, a young musician sets out to expose that her rival’s newfound musical abilities stem from an illegal use of magic—but what she discovers will rock everything she knows about her family, music, and the girl she thought was her enemy, to Sarah McCabe at Simon Pulse, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Emery Lee’s MEET CUTE DIARY, about a trans teen who must decide if he’s dedicated to romantic formulas or open to unpredictable love after an internet troll-attack on his trans romance blog compels him and a fan to start fake-dating to salvage the blog’s reputation, to Alexandra Cooper at Quill Tree, for publication in summer 2021, by Beth Phelan at Gallt and Zacker Literary Agency (world English).

Kevin van Whye‘s NATE PLUS ONE, a teenage boy dreads the idea of attending his wealthy aunt’s wedding retreat in South Africa, until his crush, an indie rock musician, volunteers to be his plus-one; an #OwnVoices gay love story pitched as What if It’s Us meets Crazy Rich Asians, to Polo Orozco at Random House Children’s, for publication in spring 2022, by Robert Guinsler at Sterling Lord Literistic (world English).

Cara Davis-Araux, Candice Montgomery, and Adrianne Russell‘s ALL SIGNS POINT TO YES, an anthology of love stories for each of the star signs that will showcase BIPOC characters and celebrate the myriad facets of love, from meet-cutes to the lesser-explored love expressed by aromantic people, to Natashya Wilson at Inkyard Press, for publication in winter 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Hannah Blumenreich‘s FULL-COURT CRUSH, about a basketball player whose team is being shut down, and her bookish girlfriend who is struggling alone with her chronically depressed mother; together, they learn how to navigate the troubles of life and 11th grade, to Kiara Valdez at First Second, in a significant deal, at auction, in a two-book deal, for publication in 2023, by Linda Camacho at Gallt and Zacker Literary Agency (NA).

Aaron Aceves‘s THIS IS WHY THEY HATE US, a debut about a bisexual Latino teen from East L.A. who is determined to get over his crush on his best friend by summer’s end and winds up discovering hilarious, heartfelt truths about friendship, family, and himself, to Jennifer Ung at Simon Pulse, for publication in spring 2022, by Tina Dubois at ICM (NA).

Lambda Literary Award-winning author Rebecca Podos and Stonewall honoree Ashley Herring Blake‘s FOOLS IN LOVE, a YA romance anthology offering up fresh takes on classic romance tropes in multiple genres, featuring Rebecca Barrow, Gloria Chao, Sara Farizan, Claire Kann, Hannah Moskowitz, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, Natasha Ngan, Julian Winters, and more, to Britny Brooks at Running Press Kids, for publication in December 2021, by Eric Smith at P.S. Literary Agency (world).

Author of HAVE A LITTLE FAITH IN ME Sonia Hartl’s THE LOST GIRLS, about a girl who sets out for revenge against the undead ex-boyfriend who turned her into a vampire decades ago, then starts to fall for his mortal girlfriend, to Ashley Hearn at Page Street, for publication in fall 2021, by Rebecca Podos at Rees Literary Agency (world).

Jonny Garza Villa’s FIFTEEN HUNDRED MILES FROM THE SUN, an #OwnVoices debut pitched as SIMON VS. THE HOMO SAPIENS AGENDA meets One Day at a Time, about a Texas high school senior who accidentally comes out to the world on social media and must now juggle the joy of first love and fear of his socially conservative father finding out before he’s ready, to Carmen Johnson at Skyscape, at auction, by Claire Draper at The Bent Agency (world).

Nonfiction

Author of PEN/Diamonstein-Spielvogel Award and Lambda Literary Award-nominated essay collection MINE Sarah Viren‘s AUTOBIOGRAPHY OF SHADOWS, a dual narrative memoir about her coming-of-age and coming out in mid-’90s Florida under the tutelage of a conspiracy theorist high school teacher and her wife’s Title IX investigation as the result of false accusations leveled by a professional rival, as covered in the author’s viral New York Times Magazine essay, to Sally Howe at Scribner, in a pre-empt, by Matt McGowan at Frances Goldin Literary Agency (world English).

Better Know an Author: Sarah Gailey

Happy March! I am so thrilled to have Sarah Gailey on the site today, because in case you have noticed, they’ve been utterly killing it and have not one but two new books out already in 2020. Gailey’s writing some of the best, queerest, most interesting, and straight-up weirdest stuff out there right now, and if you’re not already familiar, there’s never been a better time to fix that! 

It’s been five seconds into 2020 and you are already having A Year, with publications back to back in February and March. How do you handle having two new books out in two different categories, and what important commonalities are there between Upright Women Wanted and When We Were Magic?

This year has already been completely bananas. It’s been tricky to juggle having two new books out so close together! Fortunately, both books have a similar heart; they’re about finding people who love you for who you are, and who want to support you in growing into the person you’ll become. Those parallels have made it easy to transition from promoting Upright Women Wanted to promoting When We Were Magic (even if that turn happens to be taking place on a dime).

Upright Women Wanted another foray into the queer wild west for you, following your American Hippo duo. What is it about that setting that calls to you, and how did you find doing it as a near-future this time around vs. as an alternate history?

I really love a Wild West setting because the characters we identify most with in that setting tend to be outlaws and outcasts who are fighting to survive in a world that wasn’t built for them. As a queer, nonbinary, and disabled person, that’s a feeling that hits pretty close to home for me. In writing Upright Women Wanted, I felt that it was important to connect that feeling to the fear so many of us have today — that the future doesn’t have a place for us in it. I wanted to answer the question: In a near-future wild-west, how do we find ways to survive? And how might queer people find joy in that survival?

After several years of being rather prolific in adult, When We Were Magic is your first YA. What inspired you to jump categories, and how did you find writing for teens for your first time?

I’ve always loved reading YA, but for a long time, I was intimidated to make an attempt at writing it. The field is populated with so many brilliant, incredible authors. The thing that really pushed me into trying my hand at wriiting for teens was, as is so often the case, my literary agent. He asked me if I really, truly believed that I had nothing to say to all the teen readers who might be able to see themselves in my work. I realized that my trepidation was nothing compared to the opportunity I had to reach out to young women, young queer people, and teen readers who are trying to figure out where they fit in a world that feels simultaneously too big and too small.

Writing for teens was a complete delight. I tapped into emotions that I rarely have the courage to explore in my adult work, and I wrote with a hopeful future in mind. I absolutely loved it and can’t wait to do it again!

One thing I think is so cool about your body of work is how you seem to thrive in all different formats – short story, novella, novel… How do you make the call about the right format for each of your pieces, and are there any you wish you could expand?

For the most part, my stories tell me what length they want to be. As I explore the concept of a story, I start to see the places that want to expand — maybe the worldbuilding needs more space, or the relationships need more time to truly flourish. While some stories want to be concise and direct, other stories want to stretch out and take up a lot of room. Really, all I do is listen.

I would really love to expand my recent Vice short story, DRONES TO PLOUGHSHARES. It’s the story of an agricultural resistance community offering reform opportunities and friendship to government surveillance drones, and I would love to take the time and wordcount to explore how the world they inhabit came to be.

You are no stranger to awards, from the Hugo for Best Fan Writer to the Locus for Best Novella. How do you celebrate yourself, and what is it about your work that you most hear clicks with your readers?

I’m still trying to learn how to celebrate myself! Usually, my instinct is to just work harder, which of course isn’t sustainable. These days, I like to cook something lovely for my friends and sit down with a glass of wine, so we can toast together — I find that the best celebrations are truly celebrations of community, and that’s where I find the most joy.

My readers seem to click a lot with the uncertainty I try to explore in my work. I love writing about people who don’t have all the answers, who aren’t sure about themselves or the world around them, and who can really only find certainty in community and vulnerability. My readers really seem to find themselves in those spaces.

There’s so much bravery in your work, and it’s clear that you put a lot of yourself on the page. Is it something you find easier to do with your fiction or your nonfiction, and why?

I have a much easier time with this in my fiction. In nonfiction, I can’t find anywhere to hide — I have to talk about myself directly, and the people in my life, some of whom are very aware of the moments when they’re the ones I’m talking about. In my fiction, I can tuck pieces of myself and my life into various characters, and although some people might recognize me, not everyone will. I find a lot of comfort in that, and as a result, I’m actually much more vulnerable in my fiction writing than I am in my nonfiction.

Your books are great and all but we need to take a minute to talk about your cooking. Where on earth did you get all that extra talent and what’s the best thing you’ve ever made?

Oh my goodness, I love cooking so much!! It’s truly become an enormous outlet for me over the past year or so, especially now that I’m cooking for a family instead of just for myself. Part of that outlet is in low-stakes risk-taking — I can try out totally bizarre things in my cooking, and if they go wrong, it’s not a big deal because there’s always a pizza in the freezer. But when things go right, I always feel like a golden god. The best thing I’ve ever cooked is, I think, a lasagna. I spent a month or so workshopping it, trying to find everything I could do differently about every aspect of a lasagna, and when I made the final version, it came out completely transcendent. I wrote up a breakdown of everything I did, including a final recipe for a ten-minute version of lasagna that’s perfect for weeknight dinners — but the fancy version of lasagna was definitely the best thing I’ve ever made.

What’s your first recollection of LGBTQIAP+ representation in the media, for better or for worse?

Oof, this is a tough one. If I’m going with implicit representation, it’s definitely XENA, WARRIOR PRINCESS, which is a show I was completely obsessed with as a kid (although at the time I couldn’t have told you why… I just really identified with Xena and Gabrielle, and wanted to be them, and wanted to kiss them, and wanted to be their best friend?? Who can say what it all meant). My first encounter with explicit queer representation on the screen was probably Willow and Tara in BUFFY THE VAMPIRE SLAYER — a story arc that had a huge impact on how much I was unwilling to embrace my own queer identity for so long.

I assume that your answer to “Are you a coward or are you a librarian?” is the latter, so please, help us find some books! For people who love your work, what queer titles should they go to next?

It feels obvious to say so, but please read everything that Mark Oshiro ever writes. Anger Is a Gift is a magnificent book, and their upcoming projects will blow you away. I also can’t recommend Lauren Shippen highly enough — The Infinite Noise is a beautiful book about queer love and mental illness, and I loved it with my whole heart. Finally, Maggie Tokuda-Hall’s upcoming YA novel, The Mermaid, the Witch, and the Sea, is a stunning exploration of queer love, gender, magic, and the cost of violence. Preorder it! Go!!

What’s up next for you?

I’ll be spending the rest of 2020 promoting When We Were Magic and Upright Women Wanted, my recent antifascist queer western novella! After that, I get to start gearing up for early 2021, when my next adult novel will come out from Tor Books. The Echo Wife is a science fiction novel about divorce, identity, duality, and cloning. It follows the story of a scientist whose husband steals her technology in order to clone himself a better version of her. The consequences are dire and far-reaching, and force her to examine everything about herself in a whole new light.

***

sarah00128129
(c) Allan Amato 2019

Hugo Award Winner and Bestselling author Sarah Gailey is an internationally published writer of fiction and nonfiction. Their nonfiction has been published by Mashable and the Boston Globe, and they won a Hugo award for Best Fan Writer. Their most recent fiction credits include Vice and The Atlantic. Their debut novella, River of Teeth, was a 2018 Hugo and Nebula award finalist. Their bestselling adult novel debut, Magic For Liars, was published in 2019; their latest novella, Upright Women Wanted, was published in February 2020. Their Young Adult novel debut, When We Were Magic, came out in March 2020. You can find links to their work at http://www.sarahgailey.com; find them on social media @gaileyfrey.

New Release Spotlight: The Unspoken Name by A.K. Larkwood

What happens when an orc priestess declines to sacrifice herself and instead runs off to learn the skills that will make her a master assassin and henchman to a powerful wizard? I suppose I could tell you, or you could just read this utterly fabulous fantasy, out today, that examines love vs. loyalty in a twisted adventure full of magic and slow-burn f/f romance. Doesn’t that sound better? Check it out:

The Unspoken Name by A.K. Larkwood

Csorwe does—she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.

But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard’s loyal sword. Topple an empire, and help him reclaim his seat of power.

But Csorwe will soon learn—gods remember, and if you live long enough, all debts come due.

Buy it: Amazon | B&N | IndieBound

New Releases: January 2020

LGBTQReads is an Amazon, IndieBound, and Apple affiliate, which means purchasing through those links will bring a small percentage of income back to the site. Please use them if you have the means!

Lady Hotspur by Tessa Gratton (7th)

Hal was once a knight, carefree and joyous, sworn to protect her future queen Banna Mora. But after a rebellion led by her own mother, Caleda, Hal is now the prince of Lionis, heir to the throne. The pressure of her crown and bloody memories of war plague her, as well as a need to shape her own destiny, no matter the cost.

Lady Hotspur, known as the Wolf of Aremoria for her temper and warcraft, never expected to be more than a weapon. She certainly never expected to fall in love with the fiery Hal or be blindsided by an angry Queen’s promise to remake the whole world in her own image—a plan Hotspur knows will lead to tragedy.

Banna Mora kept her life, but not her throne. Fleeing to Innis Lear to heal her heart and plot revenge, the stars and roots of Innis Lear will teach her that the only way to survive a burning world is to learn to breathe fire.

These three women, together or apart, are the ones who have the power to bring the once-powerful Aremoria back to life—or destroy it forever.

Buy it: B&N | Amazon | IndieBound

19 Love Songs by David Levithan (7th)

44599131._sy475_A resentful member of a high school Quiz Bowl team with an unrequited crush.

A Valentine’s Day in the life of Every Day‘s protagonist “A.”

A return to the characters of Two Boys Kissing.

19 Love Songs, from New York Times bestselling author David Levithan, delivers all of these stories and more. Born from Levithan’s tradition of writing a story for his friends each Valentine’s Day, this collection brings all of them to his readers for the first time. With fiction, nonfiction, and a story in verse, there’s something for every reader here.

Witty, romantic, and honest, teens (and adults) will come to this collection not only on Valentine’s Day, but all year round.

Buy it: Amazon | B&N | Indiebound

We Used to Be Friends by Amy Spalding (7th)

Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends explores the most traumatic breakup of all: that of childhood besties. At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce.

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Scavenge the Stars by Tara Sim (7th)

When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one…

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The Storm of Life by Amy Rose Capetta (7th)

This is the sequel to The Brilliant Death

43581957._sy475_By turns thrilling, witty, and heartbreaking, this dramatic conclusion to the Brilliant Death duet transports us to a Vinalia on the verge of transformation and radiates with the electric power of love.

With her power over magic finally in hand, and her love for Cielo at last confessed, Teodora di Sangro should be on top of the world. But the country of Vinalia is in chaos as the dictator like Capo threatens to plunge them all into war and capture every strega in the land–including Teo and Cielo.

Teo knows she can’t take down the Capo alone. She must convince a small band of streghe who have been hiding in plain sight to join her in the cause. But as she struggles to bring them together, she discovers a far deadlier enemy than the Capo has been hunting her all along. Now everyone–especially Cielo–is in danger. What lengths will Teo go to in order to unite her country and save the one she loves?

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Lie to Me by Kaitlin Ward (7th)

Ever since Amelia woke up in the hospital, recovering from a near-death fall she has no memory of, she’s been suspicious. Her friends, family, and doctors insist it was an accident, but Amelia is sure she remembers being pushed. Then another girl is found nearby — one who fell, but didn’t survive. Amelia’s fears suddenly feel very real, and with the help of her new boyfriend, Liam, she tries to investigate her own horrific ordeal. But what is she looking for, exactly? And how can she tell who’s trustworthy, and who might be — must be — lying to her?

The closer Amelia gets to the truth, the more terrifying her once orderly, safe world becomes. She’s determined to know what happened, but if she doesn’t act fast, her next accident might be her last.

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The Deep & Dark Blue by Niki Smith (7th)

After a terrible political coup usurps their noble house, Hawke and Grayson flee to stay alive and assume new identities, Hanna and Grayce. Desperation and chance lead them to the Communion of Blue, an order of magical women who spin the threads of reality to their will.

As the twins learn more about the Communion, and themselves, they begin to hatch a plan to avenge their family and retake their royal home.While Hawke wants to return to his old life, Grayce struggles to keep the threads of her new life from unraveling, and realizes she wants to stay in the one place that will allow her to finally live as a girl.

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Come Tumbling Down by Seanan McGuire (7th)

This is the 5th book in the Wayward Children series

When Jack left Eleanor West’s School for Wayward Children she was carrying the body of her deliciously deranged sister―whom she had recently murdered in a fit of righteous justice―back to their home on the Moors.

But death in their adopted world isn’t always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.

Eleanor West’s “No Quests” rule is about to be broken.

Again.

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Cleanness by Garth Greenwell (14th)

Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.

In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.

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The Better Liar by Tanen Jones (14th)

“Like most of the dead, I want to be remembered.”

Robin Voigt is dead. If Leslie had arrived at her sister’s cramped Las Vegas apartment just hours earlier, this would have been their first reunion in a decade. In the years since Robin ran away from home as a teenager, Leslie has stayed in New Mexico, taking care of their dying father even as she began building a family of her own. But when their father passed away, Leslie received a rude awakening: She and Robin would receive the inheritance he left them together—or not at all. Now her half of the money may be beyond her grasp. And unbeknownst to anyone, even her husband, Leslie needs it desperately.

When she meets a charismatic young woman who bears an uncanny resemblance to Robin—and has every reason to leave her past behind—the two make a reckless bargain: Mary will impersonate Robin for a week in exchange for Robin’s half of the cash. But neither realizes how high the stakes will become when Mary takes a dead woman’s name. Even as Mary begins to suspect Leslie is hiding something, and Leslie realizes the stranger living in her house, babysitting her newborn son, and charming her husband has secrets of her own, Robin’s wild, troubled legacy threatens to eclipse them both.

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Infinity Son by Adam Silvera (14th)

Growing up in New York, brothers Emil and Brighton always idolized the Spell Walkers—a vigilante group sworn to rid the world of specters. While the Spell Walkers and other celestials are born with powers, specters take them, violently stealing the essence of endangered magical creatures.

Brighton wishes he had a power so he could join the fray. Emil just wants the fighting to stop. The cycle of violence has taken a toll, making it harder for anyone with a power to live peacefully and openly. In this climate of fear, a gang of specters has been growing bolder by the day.

Then, in a brawl after a protest, Emil manifests a power of his own—one that puts him right at the heart of the conflict and sets him up to be the heroic Spell Walker Brighton always wanted to be.

Brotherhood, love, and loyalty will be put to the test, and no one will escape the fight unscathed.

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The Broken Heavens by Kameron Hurley (14th)

This is the final book in the Worldbreaker Saga

The Dhai nation has broken apart under the onslaught of the Tai Kao, invaders from a parallel world. With the Dhai in retreat, Kirana, leader of the Tai Kao, establishes a base in Oma’s temple and instructs her astrologers to discover how they can use the ancient holy place to close the way between worlds. With all the connected worlds ravaged by war and Oma failing, only one world can survive. Who will be sacrificed, and what will the desperate people of these worlds do to protect themselves?

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Dark and Deepest Red by Anna-Marie McLemore (14th)

Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.

Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes.

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Gifts of Spring by Shira Glassman (14th)

Rosamund is miserable and lonely, on the run from a foreign king and queen because she wouldn’t help them scheme against each other. A dashing knife juggler whose physical skills complement her magical prowess might be the right man to make her feel alive again.

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The Seep by Chana Porter (21st)

Trina Goldberg-Oneka is a trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity calling itself The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.

Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seep-tech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.

Heartbroken and deep into an alcoholic binge, Trina chases after a young boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.

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Spellhacker by M.K. England (21st)

In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive.

Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever.

But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.

No pressure.

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Nottingham by Anna Burke (21st)

Robyn Hood didn’t set out to rob the rich, but in Nottingham, nothing ever goes according to plan….

After a fateful hunting accident sends her on the run from the law, Robyn finds herself deep in the heart of Sherwood Forest. All she really wants to do is provide for her family and stay out of trouble, but when the Sheriff of Nottingham levies the largest tax in the history of England, she’s forced to take matters into her own hands. Relying on the help of her band of merry women and the Sheriff’s intriguing—and off limits—daughter, Marian, Robyn must find a way to pull off the biggest heist Sherwood has ever seen.

With both heart and freedom at stake, just how much will she risk to ensure the safety of the ones she loves?

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Homie by Danez Smith (21st)

Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family—blood and chosen—arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.

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Blood Sport by Tash McAdam (28th)

Jason is sure his sister, Becca, was murdered, but he’s the only one who thinks so. After finding a photograph Becca kept hidden, he decides to infiltrate a boxing gym to prove that she didn’t die accidentally. As a transgender kid, Jason’s been fighting for as long as he can remember, and those skills are going to come in handy as he investigates. Quickly invited into the inner circle, Jason must balance newfound friendships with the burning hate that drives him. Jason soon feels torn between two worlds, determined to discover what happened to his sister but struggling with the fact that this is the first time he’s ever felt like he belonged somewhere.

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Becoming a Man: The Story of a Transition by P. Carl (28th)

Becoming a Man is the striking memoir of P. Carl’s journey to become the man he always knew himself to be. For fifty years, he lived as a girl and a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly.

Carl blends the remarkable story of his own personal journey with incisive cultural commentary, writing brilliantly about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.

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A Beautiful Crime by Christopher Bollen (28th)

jan13.jpgWhen Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation. Nick and Clay are running away from their turbulent lives in New York City, each desperate for a happier, freer future someplace else. Their method of escape? Selling a collection of counterfeit antiques to a brash, unsuspecting American living out his retirement years in a grand palazzo. With Clay’s smarts and Nick’s charm, their scheme is sure to succeed.

As it turns out, tricking a millionaire out of money isn’t as easy as it seems, especially when Clay and Nick let greed get the best of them. As Nick falls under the spell of the city’s decrepit magic, Clay comes to terms with personal loss and the price of letting go of the past. Their future awaits, but it is built on disastrous deceits, and more than one life stands in the way of their dreams.

A Beautiful Crime is a twisty grifter novel with a thriller running through its veins. But it is also a meditation on love, class, race, sexuality, and the legacy of bohemian culture. Tacking between Venice’s soaring aesthetic beauty and its imminent tourist-riddled collapse, Bollen delivers another “seductive and richly atmospheric literary thriller” (New York Times Book Review).

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Gay Like Me by Richie Jackson (28th)

When Jackson’s 18-year-old son born through surrogacy came out to him, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century.

Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil.

Jackson’s son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall — the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy the gay community must not be complacent.

As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice.

Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is powerful letter of love from a father to a son that holds lasting insight for us all.

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Better Know an Author: K.A. Doore

I’m so excited to have K.A. Doore on the site as this month’s featured author, because frankly, a lot of the books that make it onto this site are thanks to her working to increase visibility for them, making her one of my favorite authors to follow on Twitter. But in addition to being an A+ advocate for queer books and for queer adult SFF in particular, she is also, of course, an author, who happens to have just released the second book of the Chronicles of Ghadid series. She’s joining us to talk about the books, SFF, discoverability, and more, so take a seat and get to know K.A. Doore!

Congrats on the release of The Impossible Contract! As we all know, the second book, especially of a series, can be a complete nightmare, so what was the process of writing it like and what was the absolute best moment?

43263188Thank you!!

I have to admit I kind of cheated on my second book, in that The Impossible Contract was actually the book I wrote first. It was supposed to be a standalone, but when I was presented with the opportunity to write more in that universe, I jumped on it. I just, maybe, jumped a little backwards.

The Perfect Assassin turned out to be my second book, as well as the first in the series, which was its own specific kind of nightmare. I had to figure out how to write a book that felt like it had always come first, that was in some ways quieter, that laid the foundation of the worldbuilding done in the now second book without overshadowing it, that had its own stakes and characters and all tied up neatly enough to work on its own and also lead into the next book.

Hard, yes? And then do that all in nine months with a newborn.

That was the most difficult part, but that was also the best part. Having the chance to explore the world in greater detail, to dig into the myths and lore I hadn’t had the space to in the now second book, to share the roots of the family and the traditions of their world – I can’t imagine writing the series any differently now.

For those who aren’t familiar with the Chronicles of Ghadid series, how are the books, which have different main protagonists, connected? And can you tell us a little about both Amastan and Thana?

39863314They’re thematically connected, each building upon the others’ answers – and questions – about what it means to be a family, what it means to take a life, and what it means to do the right thing, even when it’s the hardest thing in the world to do. They’re also, ultimately, a story about a city and its people and its history, and how each generation tells its own story about that history, deriving a separate but still valid identity from it.

I’m a historian at heart – if not quite on paper (does a Classics degree count?) – so exploring the ways the history of a people changes and shifts over time and is used for various purposes became the main thread of the story, and why ultimately this series is about the city of Ghadid more than it is about any individual person.

But it is still about Amastan and Thana and their fellow cousins. Those two are opposites in a lot of ways. Amastan is meticulous and highly risk-averse, preferring a quiet afternoon with tea and scrolls to any excitement. Whereas Thana wants to make a name for herself, she wants to stand out from her cousins and become a legend. I love them both and I loved exploring their stories and the way they feed off of each other – mostly for good, occasionally for bad.

The final book in the trilogy, The Unconquered City, releases from Tor on June 16th. What familiar things can established fans expect to see, and what can you say about it that should make clear to readers it’s time to get in on the ground floor?

47902772._sy475_Many familiar faces return in the third book and the story of a city and it’s magic that I’ve been not so subtly hinting at all along comes to a (hopefully) satisfying conclusion. A lot of questions raised about the nature of spirits and what happens to them, as well as what, exactly, it means to be a healer and how that talent developed in a far-flung city like Ghadid are answered as well.

While The Perfect Assassin and The Impossible Contract both work well as standalones, The Unconquered City draws heavily on themes, events, and characters from both. I did have one beta reader go in cold and they still enjoyed the story, but I wouldn’t advise it. TUC is a story about overcoming trauma and resilience and rediscovering hope, a story I needed during a particularly hard time in my own life. It was the hardest thing I’ve ever written.

But it’s also full of fights and magic and conflagrations and angry arguments in jail cells. In a way, it’s more of the same, if under a different light. But it’s also an ending to a trilogy that has been bittersweet and hopeful throughout, and it stays true to both.

It’s no secret I’m not a huge adult SFF reader, so I am undyingly grateful to you for your incredible enthusiasm for queer adult SFF and your championing it all over the place. Where do you find about new queer SFF, and how do you recommend readers stay on top of new books?

My secret is that I’m friends/acquaintances with a lot of awesome queer authors who know other awesome queer authors and are good about tipping me off to forthcoming books. Beyond that, I keep an eye out and read reviews (Tor.com is very good about explicitly saying when a book is queer, thank goodness) and then use lists other people have put together to try and fill in the gaps. Even with all that, I still miss some. I’m only one person and I’m only human, so it’s inevitable.

I would advise readers follow blogs and accounts that are dedicated to spreading the word about queer books – like LGBTQ Reads :), but also Reads Rainbow. A little bit more time intensive, but I’d also advise checking out publisher’s catalogues and reading the advance reviews on those books, since oftentimes reviewers will mention the representation they saw. You will start to notice those reviewers who are very good about spotting queer books in advance, as well as talking about the queer books they’ve noticed. Follow them.

Speaking of incredible enthusiasm for queer adult SFF…what are some of your all-time and recent favorites, and what are you most looking forward to in upcoming titles?

The Winter Duke by Claire Eliza Bartlett comes out March 3, 2020 and is basically lesbian Anastasia on ice. It’s fun and smart and thoughtful and deliciously queernorm and it tackles such lofty topics of power, corruption, dictatorships vs republics, and fetishizing the other in a way that never feels like browbeating. Plus, it’s Bartlett, so you’ve got that exquisite, vivid writing as well and the softest f/f relationship ever.

I also really loved The Monster of Elendhaven by Jennifer Giesbrecht and Silver in the Wood by Emily Tesh, two novellas put out by Tor.com this summer, each delicious and well-written, each queer af. The former is gory and sharp, dark as all get out and just as sumptuous, while the latter is… not exactly a happy ending, but a lot softer, a gentle hug of a book with a fierceness at its heart.

In addition to your novels, you also write short fiction, which is wonderfully available on your website with Ao3 tags and all. What is it about short fiction and long-form novels that each speak to you, and what fandom is it that brought you to Ao3?

I have to first admit that I was only ever briefly on Ao3 – I cut my fandom teeth on fanfic.net way back in the day. Sailor Moon was initially what brought me in and taught me the ropes of writing a story that was season-length, aka novel-length, if by ropes you mean writing and rewriting and rewriting the same story but never actually finishing it. While I haven’t written fic for a long time now, I still love that particular art form (and yes, it is an art form) and if I ever have time again, look forward to swimming through comfort-fic.

But novels are where I started and novels are where I stayed. I’ve always naturally gravitated toward longer form, since it gives me more room to layer worldbuilding and play with characters. The pay-off of a particular moment that has been subtly – or not so subtly – foreshadowed for most of a book is one of my favorite things about writing, along with the way characters continue to surprise you, two things I find are much more difficult to do satisfactorily in short form.

Short form is also, in my opinion, a whole lot harder to write than novels. Which is probably why it took me so long to even dip my toe into that particular pool. In fact, I thought I was incapable of writing them up until this year, when I needed to work on something in between edits on The Unconquered City. I wasn’t ready to leave Ghadid, and I didn’t have the brain power to begin building a new and separate world, so I played with shorts. They helped me tie up loose ends and begin to move on from a story and world I’d been immersed in for the better part of five years, as well as realize that maybe, maybe, I could learn to do this short story thing after all.

People often think of SFF as an “escape from reality,” but in truth, it can be some of the best ground for exploring topics such as identity and bigotry (including the internalized kind), as you well know. What do you think it is about working outside the bounds of “reality” that makes such a great setting for discussing some of the hardest parts of our reality, especially in the current political climate?

It’s the ability to imagine a different reality, and in so doing come to realize it can be our reality. I write queernorm worlds – that is, worlds where homophobia isn’t a thing – because being able to imagine a place and time where we don’t have to worry about our identities, where it simply isn’t an issue and society works with us can help us believe that such a reality, or a form of that reality, is obtainable here. And that first step – believing it’s even possible – is how we obtain it.

It’s also, generally, easier for fantasy to take on such large ideas and truths because the reader is having a fun time and often doesn’t realize that their worldview is shifting along the way. A fantasy adventure makes it easier to internalize truths like treat others well, corporations are inherently selfish, and maybe people are just… people. Of course, the flip side of this is that fantasy can propagate harmful stereotypes and ideas just as easily.

If anything, while writing fantasy I’ve realized I have to be a lot more conscious of the ideas and truths floating just beneath the surface of my world and story, of what I’m saying if I make the antagonist a queer woman or the oppressive power structure a matriarchy. If I do make the antagonist a queer woman, then I’d better make sure there are other queer women in the story doing positive things. If I do make the oppressive power structure a matriarchy, then I’d better make it damn clear the oppression is because of humans being humans, not because of their gender.

Fantasy is the most powerful tool we have to imagine a better future, and thereby a better now.

Your kickstarter for the anthology Silk & Steel is seriously killing it! What was the process of putting that together like, and how can people help it come to fruition?

That is all Macey and Django’s doing! They are the architects behind the scenes, setting up the Kickstarter and organizing a literal cat-bag of writers. I just volunteered my services and yelling and the amazing writing community has boosted it from there.

As with all things queer and fiction-related, the best thing any single reader or excited patron can do is yell about it. Share it with your friends. Your coworkers. Your enemies. Being loud and obnoxious about the things you love is in, dontcha know.

What’s the first LGBTQIAP+ representation you recall encountering in the media, for better or for worse?

Does Xena count? Xena should absolutely count, although I don’t think I quite connected the dots until later. But her relationships were all pretty queer and even baby!Kai could read between those lines.

Once the series is over, what’s up next for you?

I have a few things in the works, and they’re all pretty queer, but nothing yet set in stone. I’ve got some potentially big life changes coming up, so no guarantee there will be anything soon, but whatever comes next will continue to be queernorm fantasy. 🙂

***

K.A. Doore grew up in Florida, but has since lived in lush Washington, arid Arizona, and cherry-infused Michigan. While recovering from climate whiplash, she’s raised chickens, learned entirely too much about property assessment, photographed cacti, and now develops online trainings while writing fantasy and wrangling a small child, none of which has anything to do with – or perhaps has everything to do with – her BA in Classics.

The Chronicles of Ghadid is her trilogy debut, beginning with The Perfect Assassin from Tor Books.

New Release Spotlight: Gideon the Ninth by Tamsyn Muir

Confession: this was my first adult SFF read. Verdict? Extreeeeemely solid place to start. You’ve definitely already heard about this book as “lesbian necromancers in space!!” and…yep, that’s what it is! And it’s smart and bloody and brutal and has in Gideon one of my favorite voices I’ve read in ages. I know I don’t need to appeal to fantasy fans when it comes to picking this one up, but if you’re on the fence because adult SFF isn’t usually your jam? As long as killer voice and slow-burn friendship are, go ahead and make an exception.

Gideon the Ninth (The Ninth House, #1)The Emperor needs necromancers.

The Ninth Necromancer needs a swordswoman.

Gideon has a sword, some dirty magazines, and no more time for undead bullshit.

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as necromantic skeletons. The result is a heart-pounding epic science fantasy.

Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.

Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.

Of course, some things are better left dead.

Buy it: Amazon | B&N | IndieBound