Tag Archives: Holly West

October 2021 Deal Announcements

Adult Fiction

Psychotherapist K. L. Cerra’s‘s SUCH PRETTY FLOWERS, a Southern gothic suspense with horror and queer elements about a woman’s investigation into her brother’s unlikely suicide—his last words being “get it out of me”—and subsequently, her obsession with his fiancee, a magnetic, black-eyed florist with a penchant for carnivorous plants; and a second book about a coven operating under the guise of the wedding industry whose plans to save women from wife- and motherhood have sinister implications, to Jenny Chen at Bantam Dell, in a pre-empt, in a two-book deal, by Chelsey Emmelhainz at Copps Literary Services (world).

Taleen Voskuni‘s SORRY, BRO, a queer rom-com about a twenty-something newly single Armenian woman whose mother insists she find a proper new suitor at a series of local Armenian cultural events—only the woman she meets is the last person her very traditional family had in mind, to Cindy Hwang and Angela Kim at Berkley, in a two-book deal, for publication in 2023, by Katelyn Detweiler at Jill Grinberg Literary Management (NA).

Lena May‘s THE SIGNS WE MISSED, in which a young gay man who emancipated from his mother battles addiction, an eating disorder, and being in love with his best while trying to graduate high school and survive, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in summer 2022.

Lindy Ryan and Toni Miller‘s eds.’s UNDER HER SKIN, a showcase of body horror-inspired poetry from women (cis and trans) and nonbinary femmes in horror, including Bram Stoker Award-winning and nominated poets Lee Murray, Stephanie M. Wytovich, Sara Tantlinger, and Jessica McHugh, with a foreword by Linda D. Addison, to Black Spot, for publication in April 2022 (world English).

Kate Brook’s NOT EXACTLY WHAT I HAD IN MIND, following four 20-somethings—two roommates navigating the awkward aftermath of a one night stand, and a lesbian couple looking to start a family—as their lives collide and all four learn that sometimes you find family, and love, in the place you would least expect, pitched as for readers of Emma Straub or J. Courtney Sullivan, to Lindsey Rose at Dutton, by Rebecca Wearmouth at PFD (NA). Rights to Sarah Hodgson at Corvus, by Philippa Sitters at David Godwin Associates (UK/Commonwealth, excl. Canada); to Suma de Letras (Spain); and to Diana (Germany), at auction, by Rebecca Wearmouth at PFD.

Author of the forthcoming MY MECHANICAL ROMANCE Alexene Farol Follmuth writing as Olivie Blake’s THE ATLAS SIX TRILOGY, pitched as Kingsman/X-Men meets THE SECRET HISTORY with a diverse cast and strong queer representation, following six uniquely talented magicians from around the world who are invited to compete for an elite academic fellowship where elimination holds deadly consequences, the first book of which was previously self-published and popular on TikTok, to Molly McGhee at Tor, in a major deal, in a pre-empt, in a three-book deal, for publication in March 2022, by Amelia Appel at TriadaUS Literary Agency (world).

Winner of the 2018 VQR Emily Clark Balch Prize for Fiction and UT Austin MFA Celia Bell’s THE DISENCHANTMENT, which follows a baroness who falls in love with another woman, and the chaos that ensues when her husband discovers their secret, set against the backdrop of Versailles and Parisian society, to Shelley Wanger at Pantheon, for publication in 2023, by Anna Stein at ICM (NA). Rights to Serpent’s Tail (UK), by Lucy Morris and Sabhbh Curry at Curtis Brown UK.

Children’s/Middle Grade Fiction

Vicki Johnson‘s picture book MOLLY’S TUXEDO, about a girl who has big plans to wear a dashing tuxedo for her school picture day, but her mom has picked out a dress, so with her friends’ support, the girl proves the way to look your best is to be yourself, illustrated by Gillian Reid, to Charlie Ilgunas at Little Bee Books, for publication in summer 2023, by Zoe Sandler at ICM for the author, and by Christy Tugeau Ewers at The CAT Agency for the illustrator (world).

Aliza Layne‘s BEETLE AND THE CHIMERA CARNIVAL, a sequel to the Stonewall Honor Book BEETLE AND THE HOLLOWBONES, which follows Beetle and her friends as they face new and sinister complications when the dragons set to arrive for a community celebration never appear, illustrated by Aliza Layne, to Julia McCarthy at Atheneum, in a two-book deal, for publication in spring 2024 and fall 2025, by Susan Graham at Einstein Literary Management (world English).

Author-illustrator Kyla Smith‘s FOXES, FIRE, & OTHER MAGIC, in which a curious young fox spirit who stumbled into the human world during the annual Obon festival and became trapped, and a nonbinary noodle maker struggling to keep their parents’ legacy alive, must learn to trust each other to save the udon shop and get the fox spirit home before the spirit gate closes for good, to Emily Settle and Erin Siu at Feiwel and Friends, in a very nice deal, for publication in spring 2024, by Jennifer Azantian at Azantian Literary Agency (world).

Coauthor of RENEGADE RULE Ben Kahn‘s ELLE CAMPBELL SAVES THEIR SATURDAY, in which a nonbinary seventh grader wants to meet their celebrity hero at a local signing, so they and their two best friends will have to stage a daring escape from weekend detention, and avoid bullies and parents as they trek across town to save their Saturday, to Mallory Kass at Scholastic, in an exclusive submission, for publication in 2023, by Moe Ferrara at BookEnds (world).

Dresden Douglas’s GIRLS GIVE ME BUTTERFLIES, a debut middle grade graphic novel pitched as a sapphic Lizzie McGuire, about a young girl who begins to feel flustered and tongue-tied around other girls while struggling to tune out the voice of an excitable little figment who manifests all her innermost thoughts, to Mekisha Telfer at Roaring Brook Press, at auction, for publication in 2023, by Claire Draper at The Bent Agency (world).

Young Adult

Mela Rogers‘s debut LOVE LIGHT, set in a world where a beacon of light connects each person’s heart to their soulmate’s; a girl’s parents are light fanatics, so she is shocked when she falls for a girl who is not her soulmate, and when she meets her actual soulmate, she must choose between her faith and her first love, to Dana Chidiac at Holt Children’s, for publication in winter 2025, by Chelsea Eberly at Greenhouse Literary Agency (world).

HERE FOR IT author R. Eric Thomas‘s debut KINGS OF B’MORE, a celebration of queer Black friendship as two boys plan a day of fun and facing their fears, pitched as inspired by Ferris Bueller’s Day Off, to Joanna Cardenas at Kokila, for publication in summer 2022, by Anna Sproul-Latimer at Neon Literary (world).

Freja Nicole Woolf’s NEVER TRUST A GEMINI, pitched as a LGBTQ+ ANGUS, THONGS AND FULL-FRONTAL SNOGGING, in which a zodiac-obsessed 15-year-old struggling with a desperate crush on her best friend must scramble through a fake boyfriend, a house fire, and an unexpected Christmas romance to find her happy ending, to Denise Johnstone-Burt and Non Pratt at Walker UK, at auction, in a two-book deal, for publication in summer 2023, by Gemma Cooper at The Bent Agency (world).

NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s JUST MAX, in which a stealth transgender college student faces the usual stress of freshman year—making new friends and trying to fit in—all while managing testosterone shots, navigating the perils of communal bathrooms, and falling in love with the handsome soccer player down the hall, to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in winter 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).

MAJOR DETOURS author Zachary Sergi‘s SO YOU WANNA BE A POPSTAR?, an interactive novel following five diverse and queer teen solo artists who are forced into a pop group that goes viral overnight, and where the reader chooses the paths forward to guide the characters on their journey to stardom, to Britny Brooks at Running Press Kids, for publication in winter 2023, by Lucy Carson at Friedrich Agency (world).

FULL DISCLOSURE author Camryn Garrett’s FRIDAY I’M IN LOVE, about a queer teen determined to throw a lavish coming out party in place of a sweet sixteen, but when her mother is laid off, she’s forced to balance saving for the party with keeping her household afloat, all the while navigating her growing feelings for a new girl at school, to Katherine Harrison at Knopf Children’s, in a six-figure deal, for publication in spring 2023, by Beth Phelan at Gallt and Zacker Literary Agency (NA). Rights also to Emma Jones at Random House UK Children’s, by Ellen Greenberg, on behalf of Beth Phelan.

K.M. Watts’s BORN ANDROMEDA, a debut in which a moon princess is kidnapped by galactic pirates, and joins the world of piracy in order to get home—if she doesn’t fall for one first, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in fall 2022 (world). Rights: Mary Jo Courchesne at Gryphon Publishing Consulting

Nonfiction

WHAT ARE YOUR WORDS? illustrator Andy Passchier‘s GENDER IDENTITY FOR KIDS, a chapter book guide breaking down what gender is and isn’t, what your feelings around gender might mean, and how to let the world know who you are and help others do the same, to Regan Winter at Little, Brown Children’s, with Andrea Colvin and Aria Balraj editing, for publication in summer 2023, by Alexandra Gehringer at The Bright Group (world).

Chicana writer, activist, poet, essayist, and playwright Cherrie Moraga‘s LOVING IN THE WAR YEARS and THE LAST GENERATION, combined in a single 40th anniversary volume; and WAITING IN THE WINGS: PORTRAIT OF A QUEER MOTHERHOOD, to be published on its 25th anniversary, both with new forewords by the author, to Julie Fain at Haymarket, in a two-book deal, by Stuart Bernstein at Stuart Bernstein Representation.

Olympic champion and elite runner Caster Semenya’s SILENCE ALL THE NOISE, a story of courage, resilience, and hope about her childhood in rural South Africa, her running career, and her experience as an intersex woman in professional sports, to Norton, at auction, with a young readers edition.

November 2020 Deal Announcements

Adult Fiction

Kobby Ben Ben’s NO ONE DIES YET, set in Accra in 2019, the “Year of Return” that memorialized the many who died during the slave trade in Ghana, following three African American friends as they join in the festivities to explore Ghana’s colonial past as Black diasporas around the world make a pilgrimage to West Africa and its underground queer scene; soon, these friends are thrust into the hands of two guides who they have no choice but to trust and what unfolds is an unsettling tale of murder in a country whose dead slaves are shackled with stories that must be heard, to Christopher Potter at Europa Editions, with Eva Ferri editing, in a nice deal, for publication in spring/summer 2022, by Aida Lilly at kt literary (world English).

2020 Le Guin Feminist Science Fiction Fellow R.B. Lemberg‘s THE UNBALANCING, set in the same Birdverse universe as the author’s FOUR PROFOUND WEAVES, in which a group of queer and nonbinary magic keepers across an archipelago must come together to save their islands from an environmental catastrophe, to Jacob Weisman at Tachyon Publications, with Jaymee Goh editing, for publication in winter 2022, by Mary C. Moore at Kimberley Cameron & Associates (world English).

Author of WHEN HARRY MET HARRY Sydney Smyth‘s BRIDESMATES, an LGBTQ romance about a brokenhearted man who reluctantly agrees to be a male bridesmaid (a “bridesmate”) in his BFF’s wedding and finds romance along the way, to Rose Hilliard at Audible Originals, in an exclusive submission, for publication in spring 2021, by Emily Sylvan Kim at Prospect Agency, on behalf of et al Creative (world).

Syrian Canadian author, public speaker, and LGBTQ refugee activist Danny Ramadan‘s THE FOGHORN ECHOES, an #OwnVoices novel that begins in war-torn Syria, where a forbidden romance between two boys culminates in a traumatic incident, the echoes of which reverberate through their adult lives in Vancouver and Damascus, to David Ross at Penguin Canada, in a pre-empt, in a two-book deal, by Rachel Letofsky at CookeMcDermid.

Autistic debut author Sunyi Dean‘s THE BOOK EATERS, in which a lesbian Book Eater, forced into arranged marriages, gives birth to a Mind Eater and loves her son so fiercely she becomes a monster herself to save him from her family’s violent ways, to Lindsey Hall at Tor, in a significant deal, in a pre-empt, in a three-book deal, for publication in winter 2022, by Naomi Davis at BookEnds (NA).

Author of LAKEWOOD Megan Giddings‘s THE WOMEN COULD FLY, pitched as reminiscent of Kelly Link and Ottessa Moshfegh, about a Black bisexual woman on a journey to come to terms with the loss of her mother, who disappeared mysteriously when she was a teenager; set in a world where witches are real, to Rakesh Satyal at Amistad, in a pre-empt, by Dan Conaway at Writers House (NA).

Children’s Fiction

Author-artist Wallace West‘s debut MIGHTY RED RIDING HOOD: A FAIRLY QUEER TALE, the first in a series of reimagined folktales from a queer perspective, starring a sassy boy in a frilly red riding hood who confronts a bullying wolf espousing gender norms, to Andrea Spooner at Little, Brown Children’s, in a two-book deal, for publication in summer 2022, by Marietta Zacker at Gallt and Zacker Literary Agency (world).

Jyoti Rajan Gopal‘s DESERT QUEEN, a biography-in-verse which follows the life of beloved Rajasthani drag performer Queen Harish, known as the Whirling Desert Queen of Rajasthan, who, lit by an inner fire and propelled by a family tragedy, defied the gender conventions of middle class Indian life, battled discrimination and intimidation, and eventually grew up to dance with Bollywood movie stars and on stages across the world, illustrated by Svabhu Kohli, to Arthur Levine at Levine Querido, in an exclusive submission, for publication in spring 2023, by Wendi Gu at Sanford J. Greenburger Associates (world).

Young Adult Fiction

Amanda Woody‘s debut THEY HATE EACH OTHER, told in dual POVs, a queer enemies-to-lovers romance that follows 17-year-olds who turn to fake dating after a homecoming disaster; their ploy begins to fail spectacularly, though, when unexpected chemistry and past scars interfere, weaving a profound connection between the two, to Dana Leydig at Viking Children’s, in a two-book deal, for publication in 2023, by Suzie Townsend at New Leaf Literary & Media (world English).

Author of HOW WE FALL Kate Brauning‘s THE BALLAD OF DINAH CALDWELL, a futuristic Ozarks thriller pitched as inspired by True Grit, in which a queer teenage girl sees her mother and brother murdered by a local kingpin and vows revenge and revolution no matter the cost, to Ashley Hearn at Page Street, with Tamara Grasty editing, in a nice deal, for publication in October 2021, by Bridget Smith at JABberwocky Literary Agency (world English).

Remi England‘s THE ONE TRUE ME AND YOU, a queer romance in which a beloved fanfic author and beauty pageant contestant find love, and learn what it means to be—and stand up for—yourself, to Alexandra Sehulster at Wednesday Books, for publication in winter 2022, by Eric Smith at P.S. Literary Agency (world English).

NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s untitled fantasy duology, pitched as Aztec Percy Jackson meets the Hunger Games; and another untitled book, pitched as gay Titanic in space, to Holly West at Feiwel and Friends, in a significant deal, in an exclusive submission, in a three-book deal, for publication in fall 2022, fall 2023, and fall 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).

Non-Fiction

Editor-at-large for LinkedIn and former staff writer for Wired and Fortune Jessi Hempel’s THE FAMILY OUTING, pitched as FUN HOME meets Modern Family, about her family’s transformation from the portrait of traditional charm to a new incarnation, with almost all of them embracing their queer identities, an expansion of her viral Time magazine cover story and a new definition of what it means to live in our changing world, to Rakesh Satyal in his first acquisition at Harper One, in a major deal, at auction, by Suzanne Gluck at William Morris Endeavor (NA).

Reality TV star of the Bravo series Shahs of Sunset Reza Farahan’s MEMOIRS OF A GAY SHAH, a humorous and at times heartbreaking story about being gay, Muslim, Jewish, and Persian in America, to Kate Roddy at Sourcebooks, by Steve Troha and Katherine Odom-Tomchin at Folio Literary Management.

Professor of English literature at DePaul University Francesca Royster‘s FIERCE LOVE: A MEMOIR OF BLACK QUEER MOTHERHOOD, examining the conception of what family means, the complexity of queer parenthood, and the influence of race on everyday acts of parenting in a biracial household, to Chelsea Cutchens at Abrams Press, for publication in fall 2022, by Claire Anderson-Wheeler at Regal Hoffmann & Associates (world).

Recipient of an inaugural David Prize philanthropic grant Edafe Okporo‘s ASYLUM, a blend of memoir and manifesto by a young, gay, Nigerian refugee who sought asylum in America after fleeing his home in the wake of violent hate crimes, examining the American asylum process, the modern refugee’s experience—especially the unique challenges facing LBGTQ+ refugees—and his path toward becoming the executive director of the RDJ Refugee Center in Harlem, to Zachary Knoll at Simon & Schuster, by Daniel Lazar at Writers House (NA).

Creator of #TheKentTest and culture critic Clarkisha Kent‘s FAT OFF, FAT ON, a humorous memoir about a fat Black woman, telling the story of how a fat body isn’t a cosmic punishment and is one you can grow into, how sometimes family doesn’t always mean home, and sharing ill-fated love affairs of the bisexual kind, to Lauren Hook at Feminist Press, for publication in fall 2022, by Claire Draper at The Bent Agency (world English).

May 2020 Book Deal Announcements

MG Fiction


Jazz Taylor’s MEOW OR NEVER, in which a girl unexpectedly lands the lead role in her school’s musical and finds help with her stage fright and anxiety from a girl who might be her first crush—and a stray cat who lives backstage, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in winter 2021, by Holly Root at Root Literary (world).

YA Fiction


Tobly McSmith’s ACT COOL, about a transgender teen accepted into a prestigious performing arts high school in New York and cast in a role that hits too close to home—that of a trans teen whose family is intent on conversion therapy—who must learn how to be true to himself, apart from any role, to Andrew Eliopulos at Quill Tree, in a two-book deal, for publication in fall 2021, by Tina Dubois at ICM (world).

THESE WITCHES DON’T BURN author Isabel Sterling’s THE COLDEST TOUCH, about a mortal girl who feels the death of anyone she touches and the vampire assigned to recruit her, as they team up to stop a paranormal killer and realize they might be falling in love, to Julie Rosenberg at Razorbill, for publication in fall 2021, by Kathleen Rushall at Andrea Brown Literary Agency (NA).

Playwright and Modern Love contributor David Valdes’s SPIN ME RIGHT ROUND, about an out-and-proud Latinx teen who accidentally time travels to his parents’ era and makes it his mission to save a closeted classmate from a tragic end, pitched as an #OwnVoices twist on Back to the Future, to Allison Moore at Bloomsbury Children’s, in a two-book deal, for publication in fall 2021, by Annie Bomke at Annie Bomke Literary Agency (world).

Anne Camlin’s graphic novel MISMATCHED, pitched as a queer, modern-day retelling of EMMA, set in a high school in Queens where the president of the school’s GSA club fancies himself just the matchmaker his friends need, illustrated by Isadora Zeferino, to Andrea Colvin at Little, Brown Children’s, in a six-figure deal, in a pre-empt, for publication in 2023, by Britt Siess at Martin Literary Management (world).

Joy McCullough, Caroline Tung Richmond, Jessica Spotswood, and Tess Sharpe’s GREAT OR NOTHING, pitched as a reimagining of Little Women set in the spring of 1942, when the United States is reeling from the attack on Pearl Harbor, in which each March sister’s point of view is written by a separate author; a story of grief, family, and finding one’s way in a world undergoing catastrophic change, to Wendy Loggia at Delacorte, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

GIRL AT MIDNIGHT and RATED author Melissa Grey’s THE VALIANT LADIES OF POTOSI, in which two proper young 17th-century Peruvian ladies trade their skirts for swords and end up as vigilante crime fighters, while falling for each other along the way, to Holly West at Feiwel and Friends, for publication in winter 2022, by Catherine Drayton at Inkwell Management (world English).

Al Graziadei’s ICEBREAKER, following a hockey legacy kid who is on track to become the NHL’s number one draft pick even while barely coping with his untreated depression, until a boy threatens both his number one spot and steals his heart—something that makes him the happiest he’s ever been and could threaten both their dreams if the truth came out, to Rachel Murray at Holt Children’s, in a good deal, at auction, in a two-book deal, for publication in winter of 2022, by Jennifer Azantian at Azantian Literary Agency (world English).

Editor of A PHOENIX FIRST MUST BURN Patrice Caldwell, ed.’s ETERNALLY YOURS, a paranormal romance anthology including short stories by Kendare Blake, Patrice Caldwell, Kat Cho, Melissa de la Cruz, Emily Duncan, Hafsah Faizal, Sarah Gailey, Alexis Henderson, Adib Khorram, Kwame Mbalia, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Danielle Paige, Akshaya Raman, Marie Rutkoski, and Julian Winters, to Dana Leydig at Viking Children’s, in an exclusive submission, for publication in fall 2022, by Alexandra Machinist and Hillary Jacobson at ICM (world English).

Printz Honor winner Mary McCoy’s INDESTRUCTIBLE OBJECT, in which a queer teen girl who hosts a podcast about the love stories of great artists finds her life falling apart when her parents announce they’re divorcing and her boyfriend breaks up with her right after her high school graduation, then sets out on a new summer podcast project about whether love even exists at all and discovers herself in the process, to Kendra Levin at Simon & Schuster Children’s, for publication in summer 2021, by Patricia Nelson at Marsal Lyon Literary Agency (world).

Arianne Lewin at Putnam has acquired, in a preempt, in a two-book deal, debut author Leslie Vedder’s THE BONE SPINDLE, a gender-flipped Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up: one destined to rescue the prince sleeping in the Forest of Thorns, the other falling hard for a wicked witch. The title is set to publish in Spring 2022. Carrie Hannigan and Ellen Goff at HG Literary made the deal for North American rights.

Adult Fiction

Canada Council for the Arts grant recipient Emily Austin’s EVERYONE IN THIS ROOM WILL SOMEDAY BE DEAD, following a morbidly anxious young woman who stumbles into a job as a receptionist at a Catholic church, where she hides her atheist lesbian identity and becomes obsessed with the mysterious circumstances surrounding her predecessor’s death; a humorous exploration of what it takes to stay afloat in a world where our eventual expiration is the only certainty, pitched for fans of GOODBYE, VITAMIN and MOSTLY DEAD THINGS, to Daniella Wexler at Atria, in a pre-empt, by Heather Carr at Friedrich Agency (world).

Kosoko Jackson’s I’M SO (NOT) OVER YOU, the author’s adult debut, an #OwnVoices queer rom-comedy of errors about what happens when two exes, the heir to a brewery empire and a struggling journalist, are forced to pretend they are still a couple and realize that the spark between them may not be extinguished, to Kristine Swartz at Berkley, in a two-book deal, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Nebula, Hugo, and Lambda Award nominee Lee Mandelo’s SUMMER SONS, pitched as THE SECRET HISTORY meets HISTORY IS ALL YOU LEFT ME in a queer, speculative Southern Gothic novel, about a Vanderbilt student searching for the truth behind his best friend’s death as ghosts, literal and figurative, haunt his nights, to Carl Engle-Laird at Tor.com, in a nice deal, in a pre-empt, in a two-book deal, for publication in fall 2021, by Tara Gilbert and Saritza Hernandez at Corvisiero Literary Agency (world English).

Non-Fiction

Historian and author of GAY AMERICAN HISTORY and THE INVENTION OF HETEROSEXUALITY Jonathan Ned Katz’s SEX REBEL: THE DARING LIFE AND TROUBLED TIMES OF EVE ADAMS, the first biography of the pioneering activist who ran lesbian and gay friendly speakeasies in Greenwich Village in the 1920s and published the novel LESBIAN LOVE (to be included in its entirety), which led to her surveillance, arrest, and eventual deportation back to Europe where she later died at Auschwitz, to Jerry Pohlen at Chicago Review Press, for publication in June 2021, by Robert Guinsler at Sterling Lord Literistic (world English).

Husband of former Democratic presidential candidate Pete Buttigieg, Chasten Buttigieg’s I HAVE SOMETHING TO TELL YOU, a memoir about growing up gay in his small Midwestern town, his relationship with Pete, and his hope for America’s future, to Rakesh Satyal at Atria, in an exclusive submission, for publication in September 2020, by Alia Hanna Habib at The Gernert Company (NA).

Jennifer Berney’s THE OTHER MOTHERS, recounting her and her wife’s experience of trying to conceive, placing it within the larger story of how the LGBTQ community has undertaken the quest for parenthood over the last several decades, redefining what the nuclear family can be, to Anna Michels at Sourcebooks, with Jenna Jankowski editing, for publication in February 2021, by Rachel Vogel at Dunow, Carlson & Lerner (world English).