Tag Archives: Kosoko Jackson

TBRainbow Alert: Heists, Thrillers, and Mysteries

Death Prefers Blondes by Caleb Roehrig (January 29th)

Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines.

But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them—for good?

Buy it: B&N | Amazon

Immoral Code by Lillian Clark (February 19th)

For Nari, aka Narioka Diane, aka hacker digital alter ego “d0l0s,” it’s college and then a career at “one of the big ones,” like Google or Apple. Keagan, her sweet, sensitive boyfriend, is happy to follow her wherever she may lead. Reese is an ace/aro visual artist with plans to travel the world. Santiago is off to Stanford on a diving scholarship, with very real Olympic hopes. And Bellamy? Physics genius Bellamy is admitted to MIT—but the student loan she’d been counting on is denied when it turns out her estranged father—one Robert Foster—is loaded.

Nari isn’t about to let her friend’s dreams be squashed by a deadbeat billionaire, so she hatches a plan to steal just enough from Foster to allow Bellamy to achieve her goals.

Buy it: Amazon | B&N

After the Eclipse by Fran Dorricott (March 5th)

Two solar eclipses. Two missing girls.

Sixteen years ago a little girl was abducted during the darkness of a solar eclipse while her older sister Cassie was supposed to be watching her. She was never seen again. When a local girl goes missing just before the next big eclipse, Cassie – who has returned to her home town to care for her ailing grandmother – suspects the disappearance is connected to her sister: that whoever took Olive is still out there. But she needs to find a way to prove it, and time is running out

Buy it: IndieBound | B&N | Amazon UK | Amazon US
Book Depository | Chapters Indigo

The Truth About Keeping Secrets by Savannah Brown (March 7th)

Sydney’s dad is the only psychiatrist for miles around their small Ohio town.

He is also unexpectedly dead.

Is Sydney crazy, or is it kind of weird that her dad-a guy whose entire job revolved around other peoples’ secrets-crashed alone, with no explanation?

And why is June Copeland, homecoming queen and the town’s golden child, at his funeral?

As the two girls grow closer in the wake of the accident, it’s clear that not everyone is happy about their new friendship.

But what is picture perfect June still hiding? And does Sydney even want to know?

Buy it: Amazon US | Amazon UK | Waterstones | Book Depository

A Place For Wolves by Kosoko Jackson (April 2nd)


James Mills isn’t sure he can forgive his parents for dragging him away from his life, not to mention his best friend and sister, Anna. He’s never felt so alone.

Enter Tomas. Falling for Tomas is unexpected, but sometimes the best things in life are.

Then their world splits apart. A war that has been brewing finally bursts forward, filled with violence, pain, and cruelty. James and Tomas can only rely on each other as they decide how far they are willing to go―and who they are willing to become―in order to make it back to their families.

Buy it: East City Books | Indiebound | Amazon | Barnes & Noble | Book Depository

Keep This to Yourself by Tom Ryan (May 7th)

It’s been a year since the Catalog Killer terrorized the sleepy seaside town of Camera Cove, killing four people before disappearing without a trace. Like everyone else in town, eighteen-year-old Mac Bell is trying to put that horrible summer behind him—easier said than done since Mac’s best friend Connor was the murderer’s final victim. But when he finds a cryptic message from Connor, he’s drawn back into the search for the killer—who might not have been a random drifter after all. Now nobody—friends, neighbors, or even the sexy stranger with his own connection to the case—is beyond suspicion. Sensing that someone is following his every move, Mac struggles to come to terms with his true feelings towards Connor while scrambling to uncover the truth.

Buy it: Amazon | B&N

Missing, Presumed Dead by Emma Berquist (May 21st)

40221949With a touch, Lexi can sense how and when someone will die. Some say it’s a gift. But to Lexi it’s a curse—one that keeps her friendless and alone. All that changes when Lexi foresees the violent death of a young woman, Jane, outside a club. But Jane doesn’t go to the afterlife quietly. Her ghost remains behind, determined to hunt down her murderer, and she needs Lexi’s help. In life, Jane was everything Lexi is not—outgoing, happy, popular. But in death, all Jane wants is revenge. Lexi will do anything to help Jane, to make up for the fact that she didn’t—couldn’t—save Jane’s life, and to keep this beautiful ghost of a girl by her side for as long as possible.

Buy it: B&N | Amazon

All Eyes on Us by Kit Frick (June 4th)

PRIVATE NUMBER: Wouldn’t you look better without a cheater on your arm?
AMANDA: Who is this?

The daughter of small town social climbers, Amanda Kelly is deeply invested in her boyfriend, real estate heir Carter Shaw. He’s kind, ambitious, the town golden boy—but he’s far from perfect. Because behind Amanda’s back, Carter is also dating Rosalie.

PRIVATE NUMBER: I’m watching you, Sweetheart.
ROSALIE: Who IS this?

Rosalie Bell is fighting to remain true to herself and her girlfriend—while concealing her identity from her Christian fundamentalist parents. After years spent in and out of conversion “therapy,” her own safety is her top priority. But maintaining a fake, straight relationship is killing her from the inside.

When an anonymous texter ropes Amanda and Rosalie into a bid to take Carter down, the girls become collateral damage—and unlikely allies in a fight to unmask their stalker before Private uproots their lives.

PRIVATE NUMBER: You shouldn’t have ignored me. Now look what you made me do…

Buy it: B&N | Amazon | IndieBound

Wilder Girls by Rory Power (July 9th)

It’s been eighteen months since the Raxter School for Girls was put under quarantine. Since the Tox hit and pulled Hetty’s life out from under her.

It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don’t dare wander outside the school’s fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything.

But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there’s more to their story, to their life at Raxter, than she could have ever thought true.

Buy it: Amazon | B&N

Swipe Right for Murder by Derek Milman (August 6th)

On the run from the FBI.
Targeted by a murderous cult.
Labeled a cyber-terrorist by the media.
Irritated texts from his best friend.
Eye contact with a nice-looking guy on the train.
Aidan has a lot to deal with, and he’s not quite sure which takes top priority.

Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—he tries to hook up with someone new. But that lapse in judgement leads to him waking up next to a dead guy, which sparks an epic case of mistaken identity that puts Aidan on the run from everyone—faceless federal agents, his eccentric family, and, naturally, a cyber-terrorist group who will stop at nothing to find him.

He soon realizes the only way to stop the chase is to deliver the object everyone wants, before he gets caught or killed. But for Aidan, the hardest part is knowing who he can trust not to betray him—including himself.

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TBRainbow Alert: YA Starring QPoC, Part 1

I cannot emphasize enough that this list is nonexhaustive, as it only features books whose covers are already public and which I know to have queer protags of color. Stay tuned for more next year!

The Love & Lies of Rukhsana Ali by Sabina Khan (January 29th)

Seventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents’ expectations, but lately she’s finding that harder and harder to do. She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.

But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective.

Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?

Buy it: B&N | Amazon

We Set the Dark on Fire by Tehlor Kay Mejia (February 26th)

At the Medio School for Girls, distinguished young women are trained for one of two roles in their polarized society. Depending on her specialization, a graduate will one day run a husband’s household or raise his children, but both are promised a life of comfort and luxury, far from the frequent political uprisings of the lower class. Daniela Vargas is the school’s top student, but her bright future depends upon no one discovering her darkest secret—that her pedigree is a lie. Her parents sacrificed everything to obtain forged identification papers so Dani could rise above her station. Now that her marriage to an important politico’s son is fast approaching, she must keep the truth hidden or be sent back to the fringes of society, where famine and poverty rule supreme.

On her graduation night, Dani seems to be in the clear, despite the surprises that unfold. But nothing prepares her for all the difficult choices she must make, especially when she is asked to spy for a resistance group desperately fighting to bring equality to Medio. Will Dani cling to the privilege her parents fought to win for her, or to give up everything she’s strived for in pursuit of a free Medio—and a chance at a forbidden love?

Buy it: B&N | Amazon
Add the sequel to your TBR

The Last 8 by Laura Pohl (March 5th)

A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave

Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.

When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.

Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.

Buy it: B&NAmazon
Add the sequel to your TBR

Ruse (Want #2) by Cindy Pon (March 12th)

In near-future Shanghai, a group of teens have their world turned upside down when one of their own is kidnapped in this action-packed follow-up to the “positively chilling” sci-fi thriller Want.

Jason Zhou, his friends, and Daiyu are still recovering from the aftermath of bombing Jin Corp headquarters. But Jin, the ruthless billionaire and Daiyu’s father, is out for blood. When Lingyi goes to Shanghai to help Jany Tsai, a childhood acquaintance in trouble, she doesn’t expect Jin to be involved. And when Jin has Jany murdered and steals the tech she had refused to sell him, Lingyi is the only one who has access to the encrypted info, putting her own life in jeopardy.

Zhou doesn’t hesitate to fly to China to help Iris find Lingyi, even though he’s been estranged from his friends for months. But when Iris tells him he can’t tell Daiyu or trust her, he balks. The reunited group play a treacherous cat and mouse game in the labyrinthine streets of Shanghai, determined on taking back what Jin had stolen.

When Daiyu appears in Shanghai, Zhou is uncertain if it’s to confront him or in support of her father. Jin has proudly announced Daiyu will be by his side for the opening ceremony of Jin Tower, his first “vertical city.” And as hard as Zhou and his friends fight, Jin always gains the upper hand. Is this a game they can survive, much less win?

Buy it: B&N | Amazon

The Weight of the Stars by K. Ancrum (March 19th)

Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.

One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.

Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .

In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.

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A Place For Wolves by Kosoko Jackson (April 2nd)

Aristotle and Dante Discover the Secrets of the Universe meets Code Name Verity in this heartbreaking and poignant historical thriller.

James Mills isn’t sure he can forgive his parents for dragging him away from his life, not to mention his best friend and sister, Anna. He’s never felt so alone.

Enter Tomas. Falling for Tomas is unexpected, but sometimes the best things in life are.

Then their world splits apart. A war that has been brewing finally bursts forward, filled with violence, pain, and cruelty. James and Tomas can only rely on each other as they decide how far they are willing to go―and who they are willing to become―in order to make it back to their families.

Buy it: B&N | Amazon

Belly Up by Eva Darrows (April 30th)

When 16 year old Serendipity Rodriguez attends a house party to celebrate the end of sophomore year, she has no intention of getting drunk and hooking up with a guy she’s just met, let alone getting pregnant. To make matters worse, she has no way of contacting the father and she and her mother are about to move to a new town and in with her grandmother.

It’s hard enough to start your junior year as the new kid in school, but at 5-months pregnant it’s even harder. So when Sara meets Leaf, who asks her out and doesn’t seem to care that she’s pregnant, she finds herself falling.

Juggling the realities of a pregnancy with school and a new relationship are hard enough, but when Jack, the father of her baby, turns back up, Sara’s life goes from complicated to a complete mess. With the help of her overbearing mother and grandmother, Sara will learn to navigate life’s challenges and be ready for anything, as she prepares for the birth of her baby.

Buy it: B&N | Amazon

Kings, Queens, and In-Betweens by Tanya Boteju (May 7th)

Judy Blume meets RuPaul’s Drag Race in this funny, feel-good debut novel about a queer teen who navigates questions of identity and self-acceptance while discovering the magical world of drag.

Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.

Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.

From debut author Tanya Boteju comes a poignant, laugh-out-loud tale of acceptance, self-expression, and the colorful worlds that await when we’re brave enough to look.

Buy it: B&N | Amazon

Like a Love Story by Abdi Nazemian (June 4th)

A bighearted, epic love letter to the LGBTQ community about three friends falling in love and finding their voices as activists during the height of the AIDS crisis.

It’s 1989 in New York City, and for three teens, the world is changing.

Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.

Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance… until she falls for Reza and they start dating.

Art is Judy’s best friend, their school’s only out-and-proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.

As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.

Buy it: B&N | Amazon

Tell Me How You Really Feel by Aminah Mae Safi (June 11th)

Sana Khan is a cheerleader and a straight A student. She’s the classic (somewhat obnoxious) overachiever determined to win.

Rachel Recht is a wannabe director who’s obsesssed with movies and ready to make her own masterpiece. As she’s casting her senior film project, she knows she’s found the perfect lead – Sana.

There’s only one problem. Rachel hates Sana. Rachel was the first girl Sana ever asked out, but Rachel thought it was a cruel prank and has detested Sana ever since.

Told in alternative viewpoints and inspired by classic romantic comedies, this engaging and edgy YA novel follows two strongwilled young women falling for each other despite themselves.

Buy it: B&N | Amazon

Around the Blogosqueer: Queer Black Sites, Books, and Posts

On this final day of Black History Month of 2018, here are some books, sites, and posts to read, enjoy, promote, support, review, and share:

Sites

Sistahs on the ShelfSotS is run by Rena, a Black lesbian who reviews Black lesbian books. You can also follow on Twitter at @SotS!

WoC in Romance – this is a site highlighting all Romance written by WoC, but there’s a page just for LGBTQ Romances. It’s run by Rebekah Weatherspoon, whose name you may recognize as being a prolific author of LGBTQ lit herself! You can follow on Twitter at @WOCInRomance, and make sure you check out their Patreon; link is in the pinned tweet!

Black Lesbian Literary Collective – To nab from their site, “The Black Lesbian Literary Collective creates a nurturing and sustainable environment for Black lesbian and queer women of color writers.” Looking for more reviews of Black lesbian fic? Ta da! The site is new, so it’s not packed with posts just yet, but there is already an active radio show linked to it. Find them on Twitter at @LezWriters.

The Brown Bookshelf – this is a site dedicated to Black kidlit; here are the posts that come up if you search LGBT.

2016-18 Books

Middle-Grade

Young Adult

Adult

Adult (Speculative)

Books You Can Add on Goodreads

Young Adult

Not yet on Goodreads, but take note:

(Electric Literature editor, Lambda Literary Fellow, and Iowa Writer’s Workshop fellow Brandon Taylor’s REAL LIFE, a novel of unexpected intimacy, violence, and mercy among friends in a Midwestern university town, and a story collection, to Cal Morgan and Riverhead, in a pre-empt, by Meredith Kaffel Simonoff at DeFiore and Company.)

Posts

Where is the Queer Black Male Voice in YA Lit?

Black History Month Roundtable via Autostraddle

Have more to share? Add them in the comments!

 

Where is the Queer Black Male Voice in YA?

It doesn’t take a lot of in-depth knowledge to know that intersectionality is lacking in the current LGBTQIAP YA market, but there’s perhaps no gaping hole in it quite as glaring as that of the queer Black teen boy perspective. In the past five* years, to the best of my knowledge, there has only been one YA novel released by a major mainstream publisher with an explicitly** Black male narrator, and if you guessed it was by a white woman, you are correct.

Wanna find one by a Black male author by a major mainstream publisher***? You have to go back to Sunday You Learn How to Box by Bil Wright.

Which was published in the year 2000.

Yes, you read that right: the last YA released by a major mainstream publisher with a queer Black male narrator and written by a Black male author is itself already a teenager.

So, hey, that’s pretty messed up! It might almost make you wonder about the queer Black male authors trying to get their #ownvoices stories published, wouldn’t it.

Good news! Here are four such authors with a whole lot of wisdom, thoughts, and experiences to share.

Ryan Douglass

Ryan WilliamsI’m a 23-year-old writer from Atlanta, Georgia. I went to high school in Geneva, Switzerland, as my mom worked for the UN. I was one of two African-American students in my grade there. There were two or three others in different grades, and that includes my brother. I’ve been to nine countries, six of them in Europe. I went to college at Hofstra University in Long Island, NY where I studied theatre and creative writing. I’m a freelance writer, graphic designer and actor. I’ve worked professionally in journalism and marketing. I’ve also been a security guard and a professional dog walker. I contribute thought pieces on social politics as well as arts & culture to The Huffington Post. I’m an award-winning spoken word poet (and regular poet). I occasionally perform in the poetry cafes in Atlanta. I’m very into fitness and health. I also love rock climbing, camping, and music festivals. I’m obsessed with creepy horror moviesmy favorites are Oculus, The Conjuring, and Insidious but NOT The Conjuring 2 and definitely not any of the chapters following the original Insidious. I’m an amateur ukulele player and really into music in general.

A. Leon Walker

Isom_Anthony_ (12)A. Leon Walker spends his days assisting library patrons in his small, Midwest town by soothing their daily woes or satisfying their curious appetites. By night, he takes the stage at the historic Croswell Opera House, where he fulfills his personal frustrations and delights. Meanwhile, he’s always conjuring up some new tale for readers of all ages in hopes of someday being shelved among his favorite writers.

Brandon Goode

BrandonBrandon Goode grew up in the small beach town of Melbourne, Florida. He attended Eastern Florida State College and Florida International University. He loves to motivate and inspire others, enjoys traveling, and eats an insanely amount of sushi. Oh, and he is obsessed with all things on the Bravo network.

Kosoko Jackson

KosokoKosoko Jackson is the Digital Media Associate for Rock The Vote and manages social media accounts totaling 270K followers. He also moonlights as a paid sensitivity reader for big 5 publishers. Kosoko has taught elementary kids how to read, educated millennials about the power of voting, and held various communications positions in political organizations. He graduated Magna Cum Laude with a BS in Public Health with a minor in new media communications. He lives in Washington D.C and is represented by Louise Fury at The Bent Agency.

Please introduce yourselves! Who are you, what do you write, and where are you in the publishing journey?  

A. Leon: Hello, everyone! Dahlia, thank you so much for this exciting opportunity. This is truly a dream come true. My name is A. Leon Walker (A stands for Anthony), I write fiction, non-fiction, poetry, plays, and am currently unpublished.

Kosoko: Hi! I’m Kosoko Jackson. I write YA novels in every genre, but my bread-and-butter is historical fiction with POC main characters and contemporary novels. I’m currently agented and working with my agent on my debut novel.

Ryan:  I’m Ryan Douglass, I write YA horror and thriller and I’m represented by Rena Rossner of the Deborah Harris Agency. We’re still working on my manuscript.  

Brandon: Hello! My name is Brandon Goode. I’m from Orlando and I write YA Fantasy and poetry. I’m currently working on my second novel and two books of poetry. Outside of writing I can be found eating sushi while watching Degrassi reruns, shopping at the local thrift stores in Orlando, and popping into the Disney Parks when I can.

Between querying, subbing, and self-pubbing, what are you finding to be the greatest obstacles so far? Any constant refrain in responses?

Kosoko: I think querying was the hardest, but that’s more from a personal level. Agents are the first level of gatekeepers and in many situations, you have to, in your writing, query, etc, prove that your story is something that can make it through all the further gauntlets. Sometimes, it’s the real first time you have someone independently say “This is good” or “this is crap” (hopefully no one says THAT). But nonetheless, that’s hard. Many great stories don’t get published, or even get agents because of thisand sometimes you get little feedback from agents you query. Agenting, to me, is harder because it’s very cut-and-dry, with little insight, and felt, often, like stabs in the dark. I do think that sort of diligence builds a good first skin you need to be a creative POC LGBT person, though.

Ryan: Querying was definitely my biggest hurdle. I wrote three manuscripts before writing the one that landed me my agent! But I needed to write the failures to learn who I was as a writer. My rejections were varied while sending out my last manuscript but for the ones before that, I often heard the stories lacked originality (which they did).

Brandon: I think the one thing I have found to be the greatest obstacle so far was spreading the word about my novel. The Secrets of Eden was released in March of this year and I had to do everything on my own since I self-published this novel. So take that and add in the disaster of a year that 2017 has been so far with social issues, and that’s why it’s been a great obstacle. Twitter has been a great tool in spreading the word and getting my novel out there, but of course I feel like more could’ve been done.

A. Leon: Querying used to be my biggest hurdle. These days, drafting seems to be the beast to conquer. It’s one of the reasons I’ve committed to writing a short story collection; for one thing, I’ve dreamed since I was 20 years old and first read Neil Gaiman’s Fragile Things of composing my own cohesive collection but it has also proven rather useful in keeping me writing. Due to my day job, the one that pays the bills, I’m blessed to afford a four-day weekend every other week, which I spend writing my stories. I’ve a novel building in the subconscious, which will hit the page when I come to it.

So far, two of my shorts have been rejected. I’ve a third on submission. Fingers daily crossed until I hear back.

Even as we start to see more intersectional YA on shelves, the intersection of Blackness, queerness, and masculinity is probably the rarest in the category, especially by queer Black men. Why do you think that is?

Brandon: I think it’s rare first of all because of the stereotypes to be honest. Black men have so many stereotypes about us, that sometimes the truth is rarely given the time of day by a proper audience. Growing up, I couldn’t really identify with many novels that were on the shelves because the characters weren’t black or gay, and I wish there were more novels. I can only speak for myself, but growing up I was taught to never cry. To always “man up” and be tough.

Masculinity is something that was shoved down my throat by my mother and father. My dad was never really in the picture, but the times I did see him it was the same masculinity hype over and over. Being black and gay and trying to be “masculine” in the eyes of my family was tough and was something that I have shut away in the past. I’ve evolved into the person I’m supposed to be through all of those experiences, but for those who don’t know what it’s like they can’t try to fake it in literature. I honestly think that even within certain corners of the black community, queerness is still a taboo topic. I always found it hypocritical for those within all communities, especially the black community, to turn their nose up at queerness. Everyone in this country, one way or the other, has faced some sort of inequality a time in their life. The Civil Rights Movement, Women’s Suffrage, etc. all happened in American history and someone on the other side had to believe in those movements in order for equality to blossom. That same support needs to be given to the LGBTQIAP community. Until these conversations start happening more frequently, allowing those who are growing up or surrounded by it the proper push to share their voice, then those types of YA won’t exist. Even for those who are adults now, until they feel that their voice will be received then those books won’t come.

There’s a moment I remember breaking out of what I thought was a hold on me from being myself, but not everyone is surrounded with love and support being Black and queer. That’s why YA is important to share those stories. That’s why we have to cultivate this platform and provide the necessary support to those who aren’t receiving it.

Ryan: It’s hard to get Black stories in the mainstream publishing sphere and for queer, Black stories it’s even harder. Maybe the industry doesn’t think the stories will sell. On the writers’ side, there’s a strong possibility Black, queer writers are afraid to tell their own stories because they have no examples of their stories on shelves yet. It can feel like compromising your chances of success as a writer to write something there’s no precedent for. I used to think I had to write about straight, white people or I couldn’t be an author. But we won’t know if the stories will sell until we give them a chance, will we? There is also still a lot of pressure on Black men in the community to be masculine and heterosexual. Some Black writers could be closeted and writing about straight characters, which is okay and how I wrote my first two books.

Kosoko: I think, honestly, it’s because of the number of intersections. It’s easy to say “no” in the publishing world. The data is just starting to back the statement that “POC/LGBT stories have a place in our canon”. That’s because of successes like Angie Thomas, Jason Reynolds, and Nic Stoneand people like Adam Silvera. For each success, it’ll get easier, but there are still many reasons to say no from the publishing side. The whole conversation has to be shifted from “what sold before” to “what is needed now.” YA literature should reflect the times and the need of the youth who read it and as our society becomes more and more intersectional, we need more intersectional literature. That should, in my opinion, be reason enough.

A. Leon: My thoughts on this subject are too voluminous to sum up here; I’ll do my best to keep things brief. While masculinity, in and of itself, bears great privilege in all of society, therefore dominates the literary landscape despite the overwhelming female presence of the YA category and the romance genre (both outsell every single genre in the business, including thrillersa male-driven genre), add anything to that algorithm other than white or hetero and issues abound. Black male, queer male, black queer maleeach requires some deterioration to the male ego before your audience even begins engagement. Because we’ve all met black men, right? We’ve all met queer men? We’ve all met queer black men? Okay, then: we know how they act. There they must stay. Black men, you get to be Native Son and Invisible Man. Queer men, you get to be Boy Meets Boy and A Little Life. Black queer men, you get to be Giovanni’s Room. So when people read, unless you happen to disturb the male algorithm in some way, you don’t really ask yourself questions such as: Where all the black folks at? Where all the black queers at? This, of course, is just the beginning; to ask such questions means you’ve done little more than left the tarmac. Action, particularly on the part of writers and reviewers and critics, is due. Overdue, in my opinion.

Obviously, we’re seeing a tremendous push for diversity from advocates. How much do you feel like that’s making a difference? What actions do you feel would make a difference, and like to see more people engaging in?

Ryan: I feel like it’s making a difference in the types of books the community is paying attention to. For a long time black stories were relegated to the “black section” and gay ones to the “gay section”, et cetera, as if those stories could onIy be appreciated by those groups. I see these stories being normalized now and more people are open to reading them. I would love to see more people engaging in conversations about the content of books by marginalized authors and what is being taught through these narratives. In the YA community it can feel dangerous to admit you don’t know or understand something about an experience outside of your own because you risk being called problematic. But I think what we’re doing in writing books about our experiences is teaching, so it’s normal to learn and discuss a changed perspective. I think we should approach these conversations in open ways.

A. Leon: A greater sense of urgency, in terms of lacking queer voices, couldn’t hurt. Not only black queerness but Muslim queerness & Latin@ queerness & Biracial queerness & Asian queerness & international queerness. More & more & more & more. Variety, depth, nuance. This isn’t just dependent upon writers. It begins with critics & reviewers. We need thinkpieces, Op-Eds, reviews pointing out the absolute absence of diverse queer representation, even (or especially) within books written by white gays. Let’s look at the greater culture for a moment here as an example: Moonlight was the first-ever QUILTBAG+ film to win Best Film at the Academy Awards, although Brokeback Mountain got snubbed. This is significant. But why aren’t we hearing about it in droves? How many more people preferred La La Land because it was the one they saw as opposed to genuinely believing it the superior film? Writers of all forms need to take a closer probing glimpse at this lack, question and force others to question why we’re still stuck on white maleness as the paradigm within an already oppressed community.

Brandon: I think it’s great to have diversity! This world is one giant melting pot, and if there isn’t representation then people are excluded which isn’t right. I think that it’s a great idea, but I want to see more authors of color getting their recognition and their works published and publicized. I feel that authors who aren’t of color get more recognized for “diverse” stories as opposed to those who really should. There should be more LGBTQIAP authors and authors of color getting their moments in the spotlight as well. I think in order to further make a difference, pushing diversity needs to be championed more. I love things like #DVPit, Diverse Book Bloggers, etc. that are opening the doors for diversity, but there should be resources for diverse authors. Diversity isn’t a gimmick and people need to remember that.

Kosoko: Overall, the trends are slowly moving towards more representative societal reflections in literature, in my opinion. That doesn’t mean it’s happening fast enough. Outspoken advocates like Justina Ireland, Dhonielle Clayton &  L.L. McKinney have really helped us push the conversation and narrative forward, but I think sometimes that get’s lost in the mix. We think because the conversations are happening on Twitter, and the likes/retweets are high, there’s actual change going on, and there isn’t…not in the way we need.

Nicole Brinkley has a great thread on twitter where she shows the Publisher’s Weekly sales and compares the POC sales to the POC percentage of the US. It’s usually about 66% lower than the percentage of POCs in the US.

If you asked me one way to change that? I’d say we need more POC/LGBT people in publishing. Not just more agents, we need more editors and more POC/LGBT people in all positions. We need these people in the room where it happens (ha, Hamilton), and our presence to be reflective of society. I’d also like to see more POC LGBT writers, writing their own stories. I struggled with that for years–about 3–and though I’m not saying they HAVE TO, or should be forced to, I certainly think there should be a bigger push to have those stories. But that’ll only happen when there is a safety feeling in the YA community…

…and safety in YA is a COMPLETELY different topic.

What’s really important to you in the publishing staff that works with you and your books, especially you work that features queer Black boys?

A. Leon:  First and foremost: all my work features queer Black boys. It’s the one subject I cannot avoid, despite how hard (in the early days, especially) I’ve tried. That being said, a deep understanding of the great necessity for wider, deeper, more nuanced representation within queer literature is something publishing staff working with my oeuvre must understand. Otherwise, they’re not going to get it. Most beta readers who’ve not addressed these questions within themselves tend not to sit well with my work. They say things like, “This is good. Really good, in some places. But can’t you write about something other than gay sex?” Or they’ll say, “You don’t believe in writing stories with white guys or straight guys in them, do you?” I need desperately NOT to work with publishing staff who even consider questions like this as valid.

Kosoko: To me, it’s important to find like-minded individuals in the publishing world who understand that the single narrative of POCs, Queers, and that intersection isn’t the only story…and continuing to perpetuate that single story, does more harm than good. It’s important queers of color see a wide range of authentic stories that reflect a wealth of backgrounds. Personally, I’m a queer POC who hasn’t faced the disownment of my family that is so commonly associated with the story of queer POCs. I don’t relate as strongly to that sense of story, but I identify stronger with stories where the character has to struggle with the split identity of self. Someone else will say the reverse. Having publishers and those in the industry who understand, champion, and advocate this is important.

I think it’s also important POCs, and queer POCs, are given the same leeway as our white, straight counterparts. Think about the “quiet” YA novels. That same freedom isn’t often given to queer POCs, and that’s a disservice to the community as a whole.

Brandon: I think allowing the authenticity of an experience or story that you want to incorporate into your novel to stay intact. Being a gay Black male, I have experienced many things from pitfalls to triumphs, heartbreaks and falling in love, and anything else of the like that I can morph into a plot line for a novel to motivate someone is very important to me. I want my voice to be a voice that they can trust, and that comes from being real and vulnerable with my work.

Ryan: It’s so important to me that my work is not sanitized to push an agenda for what queer Black boys (or just Black boys or queer boys) should look like. I think there’s pressure when writing marginalized characters to make them paragons of nobility because a lot of people think victimhood makes someone inherently noble and likable. My characters are imperfect because they’re human. They’re also victims. I don’t want my work censored. The harshness of what happens to my characters is very important to me because it’s realistic, and my work usually has elements of horror to it, so it’s supposed to be uncomfortable. I really don’t want to see that damaged.

There’s been some really incredible success for authors of color in the past couple of years, including Black authors Angie Thomas, Jason Reynolds, Tomi Adeyemi, and Nicola Yoon. Is there a deal or award or other event that really stuck out to you as being an inspirational kick in the butt?

A. Leon: Two things: N.K. Jemisin winning the Hugo Award two years in a row for her best work to date. She’s the first black author to do so, despite the current wealth of black SF out there right now. So that’s been hugely inspiring! Also, encountering the work of Kai Ashante Wilson, whom everyone should read. Like, right now.

imagesRyan: Angie Thomas’s 13-house action and Tomi Adeyemi’s 7-figure movie deal were inspirational for me because it appeared publishers were looking for black stories. I also loved seeing Everything, Everything on the big screen because we don’t get to see black teens leading movies very often. I’ve been reading and admiring Jason Reynolds for some time now.

Kosoko: This is small, but being Nicola Yoon’s Everything, Everything as a movie meant a lot to me. Seeing a black girl on a poster, was something I never really saw before unless it was about some gang movie or some violent movie. To see black kids having that kind of inspiration; to be happy, to live their authentic lives, and to take chances and risks for their own happiness? That mean’s a lot to me. When I was younger, seeing something like that on the big screen would have influenced my writing, and been pivotal to becoming an author. I have a feeling it’ll do the same for other kids, and movies like The Hate U Give and Children of Blood and Bone will have similar results. And I’m so excited for that.

I mean, hellthey inspire ME.

What’s the first book you ever remember reading with a queer Black character? What about other media?

Laf1Kosoko: This was the question that took me the longest to answer. I don’t think I ever remember reading a queer black character (that may be on me, but also another reflection of the society we live in). TV wise, that’s not the same. I’d like to say Lafayette Reynolds from True Blood was the first I ever saw. And that really meant a lot to me because of how bad ass and genderfluid in some senses he was, which is something I’ve grasped with in some aspects of my life.

Ryan: I think it was Simon vs. the Homo Sapiens Agenda! The first one I saw on TV was Lafayette from True Blood. I was obsessed with that show back in the day.

A. Leon: The Killing Moon by N.K. Jemisin. The book with the most significant impact on me was Sorcerer of the Wildeeps and A Taste of Honey by Kai Ashante Wilson. Sorcerer of the Wildeeps stars a gay black wizard in probably the deepest read about masculinity I’ve ever read; A Taste of Honey is a fantasy romance of epic proportions, addressing queerness of all types and including women in the conversation of masculinity. Obviously, Moonlight was an impactful film; my best friend from high school refers to me as Titus Andromedon (from The Unbreakable Kimmy Schmidt); and there’s a great gay black cop with a beautifully complex perspective in HBO’s Six Feet Under.

Brandon: The first book I read with a queer Black character was If This World Were Mine by E. Lynn Harris.  Mr. Harris has many books on my bookshelf because growing up, there really weren’t any other books featuring Black queer characters that I could find or have access to. Thinking back to other media, the one show that sticks out for me is Noah’s Arc from creator Patrik-Ian Polk. It was like the black and gay version of Sex and the City. This show provided me with some of the inspiration I needed to become comfortable in my own skin and to live life to the fullest!

Of the LGBTQIAP YA that exists right now, what book(s) is closest to your heart?

Ryan: More Happy Than Not changed my life and what I thought was possible in LGBTQ fiction. It felt like receiving an undeserved present to have a gay character who was also a character of color and from a lower class background. But it is deserved. Everyone should be able to see themselves. I think that’s the first time I experienced that feeling of immediate connection that straight white people are getting when they read the majority of books.

Brandon: The book that is closest to my heart is Hero by Perry Moore. I read this book my senior year of high school and I have a tradition now of reading it once a year. This book really showed me that we could have YA novels where a gay character was the main character and not supporting. This novel also tackled topics of acceptance, family, loss and it touched me so much that I actually reached out to Perry Moore and had the honor and privilege of interviewing him before he passed away. Because of this experience, this novel became a part of me.

A. Leon: What They Always Tell Us by Martin Wilson. There’s a beautiful relationship at the center of that novel between the main white gay character and his PoC boyfriend. That shower scene makes me want to have sex in the shower, even though I hate sex in the shower. I read that book every year. (Not just for the sexy shower scene.)

Kosoko: The Love Interest by Cale Dietrich, Ramona Blue by Julie Murphy, If You Could Be Mine by Sara Farizan, and Looking for Group by Rory Harrison. Each of them has things I love in books and things I can identify with in my own life. I also won a preorder give away of They Both Die at the End by Adam Silvera, so I’m pretty excited for that!

What’s your dream conference panel to sit in on? To be on?

Brandon: I would LOVE to sit on a #BlackBoyJoy panel for YA literature. I think it would be neat to sit alongside other black male authors, whether LGBTQIAP or not, and share our stories and successes to inspire the next generation of authors and readers. Adversity is an obstacle that many may feel that they can’t overcome, but showing them that light always triumphs over the darkness will help push them  forward in their individual journeys.

Kosoko: I’d LOVE to be on a panel at FlameCon or World Con, especially since World Con 2019 is in Dublin, Irelandone of my favorite cities in the worldand speaks heavily to my desire to make more LGBT POC YA stories international. It kills 2 birds with one stone. FlameCon would be amazing because it’s so many awesome LGBT creators in one space of all types.

A. Leon: I want to play the 92Y. Roomful of deeply thinking people waiting to hear my deep thoughts. Yeah, that.

Ryan: I’d love to be on a panel with other queer writers of color, any of the wonderful authors I’ve connected with on Twitter, or any of my influences. Neal Shusterman is my biggest influence but if I shared a panel with him I would not be able to talk or breathe.

What’s on your bookish bucket list, i.e. something book/publishing-related you dream of achieving at some point?

Kosoko: I don’t know if one exists but I’d love to sit on a panel/be on the steering committee devoted to POC creators in the creative arts (if there is onetell me if not; I’d love to work with someone to create it). Conversations and topics are different when they center around POCslike the POC version of Sirensand I think that space really is needed. So I’d love to be a part of that, steering committee, etc.

A. Leon: Bestseller. And a whole shelf of books written by me that readers adore, whether they sold well or not. Some prize-winners in there, or at least nominated. Prize of choice: Michael Printz Award. Also, I just want to keep writing and publishing. I wish to leave behind shelves of books across all ages, platforms, techniques.

Ryan: International book tours because I love to travel and talk about myself.

Brandon: One day I hope to have one of my works produced for either television or film. I understand that not everyone enjoys reading, and some prefer watching great stories instead of reading them. So in order to reach that audience, a show or movie would do just that.

Got any words of inspiration for aspiring queer Black authors out there, and/or for your future readers?

Ryan: To queer, Black authors: write your stories. Don’t be afraid to write them. Write boldly and without fear. Include the ugly, the sexy, the awkward, the scary, the honest. We need your vulnerability! Things are changing and people are starting to listen. If you’re not ready to be open about your sexuality, write whatever you want.

To readers: I write what I know and do my best to make a narrative compelling and characters relatable. Everyone’s experience is different but marginalized people are often treated as a monolith and a lot of pressure is put on us to write for the whole community. I hope we can all give writers space to write their individual stories without having to speak for everyone at once.  I hope you like my creepy work because it’ll only get creepier.

Brandon: If I could give any words of inspiration it would be, “Love yourself more than anyone else. YOU are the most important person in your life and you and your dreams DO matter. Never give up until you reach the finish line, and even when you do that, drink more water and keep going!”

Kosoko: As a POC you have to work twice as hard as your white counterparts. As someone LGBT, you have to work twice as hard as your straight counterparts. As both? You need to work four times as hard. Don’t let that deter you. The harder the opposition, the more reason for you to keep sweating, keep shedding blood, and most of allcontinuing to write.

A. Leon: Read others’ work. Write your work. Be relentless.

***

*It was actually more than five years ago, as the Stonewall Honored Gone, Gone, Gone by Hannah Moskowitz was published in April 2012.

**Proxy and Guardian by Alex London feature a dark-skinned male character one who might absolutely be read as Black, but it is not explicitly stated as such. Ditto Six of Crows and Crooked Kingdom by Leigh Bardugo. And yes, still white authors.

***Of course, it always behooves to support authors who are publishing through other means, so while you wait for these authors to grace your shelves, note that you can already buy The Secrets of Eden by Brandon Goode and check out the work of Craig Laurance Gidney.