SCBWI Crystal Kite Award winner Lawrence Schimel’s EARLY ONE MORNING and BEDTIME, NOT PLAYTIME, two board books that show LGBTQ families living ordinary lives, illustrated by Elina Braslina, to Ruth Linka at Orca Books, in a two-book deal, for publication in spring 2021 (NA).
Jeremy Whitley’s THE DOG KNIGHT, in which a non-binary kid must balance the real life troubles of middle school with the chance to face down the forces of chaos alongside a council of dog superheroes, illustrated by Bre Indigo, to Holly West at Feiwel and Friends, in a nice deal, in a three-book deal, for publication in early 2021, by Moe Ferrara at BookEnds for the author, and by Brent Taylor at TriadaUS Literary Agency for the illustrator (world).
Kate Prosswimmer at S&S/McElderry has acquired LIES LIKE POISON by Chelsea Pitcher, in which a queer teen is charged with a murder she plotted to commit—before she ultimately backed out—and now must team up with her conspirators, whom she’s not sure she can trust, to uncover the truth and clear her name in a high-stakes whodunit for fans of Riverdale and Kara Thomas’s The Cheerleaders. Publication is slated for fall 2020; Mandy Hubbard at Emerald City Literary Agency brokered the deal for world rights.
Melbourne-based professor of literary studies’ debut novel Kate Hazel Hall’s FROM DARKNESS: Ari Wyndham is looking forward to summer holidays and a new baby sister. But when a tiger-snake delivers a deathly bite, a beautiful, ghostly and strangely familiar young woman appears, summoning Ari’s soul to the underworld. Ari and her summoner decide to break the rules and stay in the land of the living, where they must battle the evils of the underworld and the laws of life and death to prove that their love is strong enough to defy the Fates and save the world from darkness, to Annie Harper at Duet Books, the YA imprint of Interlude Press. Publication is slated for November 2020.
Carolina Ortiz at HarperCollins has acquired L.L. McKinney’s ESCAPING MR. ROCHESTER, a YA reimagining of Charlotte Bronte’s classic novel that asks: what if the real villain of Jane Eyre was actually Mr. Rochester? In this queer romance, Jane Eyre and Bertha Mason—Mr. Rochester’s wife, whom he’s imprisoned within the house for years—must save each other from the horrifying machinations of Mr. Rochester. Publication is planned for winter 2022; Victoria Marini at Irene Goodman Literary Agency negotiated the deal for world rights.
Orlando Dos Reis at Scholastic Press has acquired HERE THE WHOLE TIME, a contemporary YA debut by Brazilian author Vitor Martins, originally published in Portuguese in Brazil, and translated by Larissa Helena. The novel follows Felipe – who is fat and gay – as he spends 15 days with his lifelong crush, Caio, in a love story about body image, self-acceptance, and standing up to bullying. Publication is slated for Fall 2020; Taissa Reis and Gui Liaga at Pagina 7 Agency in Brazil negotiated the deal for World Rights (except Portuguese).
Thomas Wolfe Fiction Prize winner and SUGAR RUN author Mesha Maren’s PERPETUAL WEST, the story of a young couple—a Mexican-American man in search of his past, and a West Virginian woman seeking a future—trying to make their home among the academics and young leftists in the Mexican border city of Juárez, pulled from one another by an affair with a Lucha Libre fighter, a troubled cartel leader, their fears of and tethers to their own bodies, and the loud cry of home, to Kathy Pories at Algonquin, by Bill Clegg at The Clegg Agency (NA).
Asian-Australian former diplomat and international development adviser Shelley Parker-Chan‘s SHE WHO BECAME THE SUN, pitched as Mulan meets the SONG OF ACHILLES, a queer, alt-history reimagining of the founding emperor of the Ming Dynasty as an iron-willed peasant girl who steals her brother’s identity and great fate, and, defying the bounds of gender, rises from monk to leader of the rebellion against China’s Mongol rulers, to Diana Gill at Tor, in a good deal, at auction, in a two-book deal, for publication in spring 2021, by Laura Rennert at Andrea Brown Literary Agency (world English).
Gordy Sauer’s CHILD IN THE VALLEY, a coming-of-age story set in the harsh landscape of Gold Rush America, centering on a 17-year-old orphan’s journey to California in a wagon train of ruthless 49ers, which redefines his morality within the context of greed, his sexuality, and the still-fledgling American government, to Meg Reid at Hub City Press, for publication in April 2021, by Kirby Kim at Janklow & Nesbit (world English).
Catherine Hernandez’s CROSSHAIRS, a tale of a dystopian near-future, where a fascist regime threatens the lives of people of color, the disabled, the elderly, and all “other” communities, and four larger-than-life LGBTQ survivors band together and fight back, to Michelle Herrera Mulligan at Atria, for publication in fall 2020, by Marilyn Biderman at Transatlantic Literary Agency.
Kris Ripper’s THE LOVE STUDY, in which a commitment-phobic office temp agrees to be featured on a popular nonbinary YouTuber’s dating advice show, only to find himself falling for the host, to Stephanie Doig at Carina Press, in a three-book deal, by Courtney Miller-Callihan at Handspun Literary (world).
Cat Sebastian’s A BEGINNER’S GUIDE TO CAPITAL CRIME, a Georgian historical romance about a dashing highwayman and the disgraced aristocrat who tempts him out of retirement as they join forces to bring down a common enemy, to Elle Keck at Avon, in a nice deal, in a two-book deal, by Deidre Knight at The Knight Agency (world).
Transgender comic artist and illustrator Julia Kaye‘s MY LIFE IN TRANSITION, picking up where her first book, SUPER LATE BLOOMER left off, showing what it’s like to live as a trans woman in modern society, the importance of one’s “chosen family,” navigating moments of dysphoria and misgendering, learning to lean on friends in times of need, and finding peace in a life that keeps moving forward post transition, again to Allison Adler at Andrews McMeel, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).
Executive director of Bard Early College Initiative and education faculty member Michael Sadowski’s MEN I’VE NEVER BEEN, pitched in the tradition of BETTYVILLE and THE TENDER BAR, the coming-of-age journey of a gender non-conforming male trying to navigate the blind alleys of traditional manhood, facing the gauntlet of masculinity tests he feels destined to fail: the role models that don’t deliver, the TV tropes and archetypes that never seem to fit; about finding one’s true identity, to Nathan MacBrien at University of Wisconsin Press in the Living Out series, for publication in spring 2021, by Joelle Delbourgo at Joelle Delbourgo Associates (world).
The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.
Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.
A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.
On the run from the FBI.
Targeted by a murderous cult.
Labeled a cyber-terrorist by the media.
Irritated texts from his best friend.
Eye contact with a nice-looking guy on the train.
Aidan has a lot to deal with, and he’s not quite sure which takes top priority.
Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—he tries to hook up with someone new. But that lapse in judgement leads to him waking up next to a dead guy, which sparks an epic case of mistaken identity that puts Aidan on the run from everyone—faceless federal agents, his eccentric family, and, naturally, a cyber-terrorist group who will stop at nothing to find him.
He soon realizes the only way to stop the chase is to deliver the object everyone wants, before he gets caught or killed. But for Aidan, the hardest part is knowing who he can trust not to betray him—including himself.
There are many ways the world could end. A fire. A catastrophic flood. A super eruption that spews lakes of lava. Ellis Kimball has made note of all possible scenarios, and she is prepared for each one.
What she doesn’t expect is meeting Hannah Marks in her therapist’s waiting room. Hannah calls their meeting fate. After all, Ellis is scared about the end of the world; Hannah knows when it’s going to happen.
Despite Ellis’s anxiety—about what others think of her, about what she’s doing wrong, about the safety of her loved ones—the two girls become friends. But time is ticking down, and as Ellis tries to help Hannah decipher the details of her doomsday premonition, their search for answers only raises more questions.
When does it happen? Who will believe them? And how do you prepare for the end of the world when it feels like your life is just getting started?
Lady’s maid Molly Wilkins is done with thieving—and cheating and stabbing and all the rest of it. She’s determined to keep her hands to herself, so she really shouldn’t be tempted to seduce her employer’s prim and proper companion, Alice. But how can she resist when Alice can’t seem to keep her eyes off Molly?
Finds her own heart
For the first time in her life, Alice Stapleton has absolutely nothing to do. The only thing that seems to occupy her thoughts is a lady’s maid with a sharp tongue and a beautiful mouth. Her determination to know Molly’s secrets has her behaving in ways she never imagined as she begins to fall for the impertinent woman.
Has been stolen
When an unwelcome specter from Alice’s past shows up unexpectedly at a house party, Molly volunteers to help the only way she knows how: with a little bit of mischief.
Words have always been more than enough for Ken Z, but when he meets Ran at the mall food court, everything changes. Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken’s life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads?
Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak.
The long-awaited sequel to Of Fire and Stars—in which Mare and Denna travel to a new and dangerous kingdom where Denna must be trained to tame her magic by a mysterious queen who is not all she seems. Perfect for fans of Kristin Cashore and Tamora Pierce.
Princesses Denna and Mare are in love and together at last—only to face a new set of dangers.
Mare just wants to settle down with the girl she loves, which would be easier if Denna weren’t gifted with forbidden and volatile fire magic. Denna must learn to control her powers, which means traveling in secret to the kingdom of Zumorda, where she can seek training without fear of persecution. Determined to help, Mare has agreed to serve as an ambassador as a cover for their journey.
But just after Mare and Denna arrive in Zumorda, an attack on a border town changes everything. Mare’s diplomatic mission is now urgent: She must quickly broker an alliance with the Zumordan queen to protect her homeland. However, the queen has no interest in allying with other kingdoms—it’s Denna’s untamed but powerful magic that catches her eye. The queen offers to teach Denna herself, and both girls know it would be dangerous to refuse.
As Denna’s powers grow stronger, Mare does her best to be the ambassador her kingdom needs. Her knowledge of Zumorda and its people grows, and so too do her suspicions about the queen’s intentions. With rising tensions and unexpected betrayals putting Mare and Denna in jeopardy and dangerous enemies emerging on all sides, can they protect their love and save their kingdoms?
When Deena’s wild older sister Mandy goes missing, presumed dead, Deena refuses to believe it’s true. Especially when letters start arriving–letters from Mandy–which proclaim that their family’s blighted history is not just bad luck or bad decisions but a curse, handed down to women from generation to generation. Mandy’s gone to find the root of the curse before it’s too late for Deena. But is the curse even real? And is Mandy still alive? Deena’s desperate, cross-country search for her beloved sister–guided only by the notes that mysteriously appear at each destination, leading her to former Magdalene laundry sites and more–is a love letter to women and a heartbreaking cathartic journey.
Lord Alexander Pyne-ffoulkes, the younger son of the Duke of Ilvar, holds a bitter grudge against his wealthy father. The Duke intends to give his Duchess a priceless diamond parure on their wedding anniversary—so Alec hires a pair of jewel thieves to steal it.
The Duke’s remote castle is a difficult target, and Alec needs a way to get the thieves in. Soldier-turned-criminal Jerry Crozier has the answer: he’ll pose as a Society gentleman and become Alec’s new best friend.
But Jerry is a dangerous man: controlling, remote, and devastating. He effortlessly teases out the lonely young nobleman’s most secret desires, and soon he’s got Alec in his bed—and the palm of his hand.
Or maybe not. Because as the plot thickens, betrayals, secrets, new loves, and old evils come to light. Now the jewel thief and the aristocrat must keep up the pretence, find their way through a maze of privilege and deceit, and confront the truth of what’s between them…all without getting caught.
In the aftermath of The Great War, everything is changing. But not for Marian Fielding.
Marian’s life is quiet and predictable in the solitude of the English countryside, where she plans to remain and care for her parents.
But Marian’s world is turned upside down when she meets brash, confident Katherine Fuller. Katherine arrives at the Fieldings’ estate for the wedding of Marian’s sister and immediately shakes things up. Instead of keeping an eye on the ill-mannered American girl and keeping her out of trouble, Marian finds herself magnetically drawn to Katherine’s vivacious nature, and they are swept into a whirlwind romance that will change both of their lives.
But will Katherine’s unconventional behavior ruin their chance at happiness? Can Marian leave her old life behind? Will two women from different worlds find a way to be together against all odds and expectations?
Frank knows plenty about being haunted, after his brother was killed on his watch. But he has no patience for mediums. Especially not ones with silver tongues and piercing blue eyes like the Illusive Kasimir. Frank can’t understand why his boss, the head of the Brunetti crime family, is all too happy to waste his money and time trying to speak with the dead.
Until a devastating attack at one of Kasimir’s séances leaves the Brunettis in shambles, and Kasimir and Frank on the run.
Frank needs to hunt down whoever ordered the hit on his boss. What he doesn’t need is another doomed love affair with someone he can’t trust—like the con artist Kasimir. But if he’s going to save the Brunetti family—and his own broken heart—he’ll need to exorcise more than just his ghosts.
Mrs. Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew.
Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of five and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone.
Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss Violetta smile, and to have the finest adventure of all time.
If she makes Terrible Men angry and wins the hand of a lovely lady in the process? Those are just added bonuses.
If anyone else had asked for his help publishing a naughty novel, Ash would have had the sense to say no. But he’s never been able to deny Verity Plum. Now he has his hands full illustrating a book and trying his damnedest not to fall in love with his best friend. The last thing he needs is to discover he’s a duke’s lost heir. Without a family or a proper education, he’s had to fight for his place in the world, and the idea of it—and Verity—being taken away from him chills him to the bone.
One radical bookseller
All Verity wants is to keep her brother out of prison, her business afloat, and her hands off Ash. Lately it seems she’s not getting anything she wants. She knows from bitter experience that she isn’t cut out for romance, but the more time she spends with Ash, the more she wonders if maybe she’s been wrong about herself.
One disaster waiting to happen
Ash has a month before his identity is exposed, and he plans to spend it with Verity. As they explore their long-buried passion, it becomes harder for Ash to face the music. Can Verity accept who Ash must become or will he turn away the only woman he’s ever loved?
Much to her father’s dismay Lady Louisa Adele Kathryn Present is quite solidly on the shelf. She shows no interest in finding a husband after three long seasons of, well, not particulalry trying.
She begins this season anew, somewhat jaded and uninterested in yet another season and the annoyance she’ll certainly face from her family when she remains with them, yet again.
But a single glance from one of the new set has her reeling— straight back into a potted palm.
Maitland Alice Elliot-Rigsby has trained to be the wife of a duchess.
Or perhaps a Viscount, an Earl at the very least. She has only her training — and a rather healthy dowry — to recommend her.
So when she catches the eye of a viscounts daughter her own mother is thrilled.
Louisa hasn’t ever trusted anyone the way she trusts Maitland and it frightens her, but how will they survive a world in which the both of them must marry?
Fifteen-year-old Eleanor Fromme just chopped off all of her hair. How else should she cope after hearing that her bully, James, has taken his own life? When Eleanor’s English teacher suggests students write a letter to a person who would never read it to get their feelings out, Eleanor chooses James.
With each letter she writes, Eleanor discovers more about herself, even while trying to make sense of his death. And, with the help of a unique cast of characters, Eleanor not only learns what it means to be inside a body that does not quite match what she feels on the inside, but also comes to terms with her own mother’s mental illness.
Set against a 1993-era backdrop of grunge rock and riot grrrl bands, EVERYTHING GROWS depicts Eleanor’s extraordinary journey to solve the mystery within her and feel complete. Along the way, she loses and gains friends, rebuilds relationships with her family, and develops a system of support to help figure out the language of her queer identity.
It’s 1989 in New York City, and for three teens, the world is changing.
Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.
Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance…until she falls for Reza and they start dating.
Art is Judy’s best friend, their school’s only out and proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.
As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.
It’s 1930, and Birdie William’s life has crashed along with the stock market. Her father’s bank has failed, and worse, he’s disappeared along with his Jenny biplane.
When Birdie sees a leaflet for a barnstorming circus with a picture of Dad’s plane on it, she goes to Coney Island in search of answers.
The barnstorming circus has lady pilots, daredevil stuntmen, fire-spinners, and wing walkers, and Birdie is instantly enchanted―especially with a girl pilot named June. Birdie doesn’t find her father, but after stumbling across clues that suggest he’s gone to Chicago, she figures she’ll hitch a ride with the traveling circus doing what she does best: putting on a convincing act and insisting on being star of the show.
But the overconfidence that made her belle of the ball during her enchanted youth turns out to be far too reckless without the safety net of her charmed childhood, and a couple of impulsive missteps sends her and her newfound community spinning into freefall.
Arthur Kenzie’s life’s work is protecting the world from the supernatural relics that could destroy it. When an amulet with the power to control the tides is shipped to New York, he must intercept it before it can be used to devastating effects. This time, in order to succeed, he needs a powerful psychometric…and the only one available has sworn off his abilities altogether.
Rory Brodigan’s gift comes with great risk. To protect himself, he’s become a recluse, redirecting his magic to find counterfeit antiques. But with the city’s fate hanging in the balance, he can’t force himself to say no.
Being with Arthur is dangerous, but Rory’s ever-growing attraction to him begins to make him brave. And as Arthur coaxes him out of seclusion, a magical and emotional bond begins to form. One that proves impossible to break—even when Arthur sacrifices himself to keep Rory safe and Rory must risk everything to save him.
In this tender-hearted debut, set against the tumultuous backdrop of life in 1973, when homosexuality is still considered a mental illness, two boys defy all the odds and fall in love.
When he’s not being bullied or in therapy for anxiety, sixteen-year-old Jonathan lives with his alcoholic dad in the suburbs of St. Louis. Still coping with the death of his mother, his elaborate imagination keeps him afloat and is a balm against vicious school bullies. But everything changes when a Native American boy named Web joins his English class three weeks before the school year ends.
After being partnered for an English project, Jonathan realizes Web is different from his classmates: he’s confident, stands up to Jonathan’s bullies, and calms Jonathan’s severe anxiety. Then one day Web kisses him, and throws Jonathan into a tailspin. It’s 1973 and being gay is considered a mental illness. Eventually he tells Web they can’t be together.
But when things get bad at home Jonathan must decide if he wants to stand up to his dad, and his therapist, and be true to himself.
Seventeen, fashion-obsessed, and gay, Abby Ives has always been content playing the sidekick in other people’s lives. While her friends and sister have plunged headfirst into the world of dating and romances, Abby has stayed focused on her plus-size style blog and her dreams of taking the fashion industry by storm. When she lands a prized internship at her favorite local boutique, she’s thrilled to take her first step into her dream career. She doesn’t expect to fall for her fellow intern, Jordi Perez. Abby knows it’s a big no-no to fall for a colleague. She also knows that Jordi documents her whole life in photographs, while Abby would prefer to stay behind the scenes.
Then again, nothing is going as expected this summer. She’s competing against the girl she’s kissing to win a paid job at the boutique. She’s somehow managed to befriend Jax, a lacrosse-playing bro type who needs help in a project that involves eating burgers across L.A.’s eastside. Suddenly, she doesn’t feel like a sidekick. Is it possible Abby’s finally in her own story?
But when Jordi’s photography puts Abby in the spotlight, it feels like a betrayal, rather than a starring role. Can Abby find a way to reconcile her positive yet private sense of self with the image that other people have of her?
Is this just Abby’s summer of fashion? Or will it truly be The Summer of Jordi Perez (and the Best Burger in Los Angeles)?
Twisted Wishes front man Ray Van Zeller is in one hell of a tight spot. After a heated confrontation with his bandmate goes viral, Ray is hit with a PR nightmare the fledgling band so doesn’t need. But his problems only multiply when they snag a talented new drummer—insufferably sexy Zavier Demos, the high school crush Ray barely survived.
Zavier’s kept a casual eye on Twisted Wishes for years, and lately, he likes what he sees. What he doesn’t like is how out of control Ray seems—something Zavier’s aching to correct after their first pulse-pounding encounter. If Ray’s up for the challenge.
Despite the prospect of a glorious sexual encore, Ray is reluctant to trust Zavier with his band—or his heart. And Zavier has always had big dreams; this gig was supposed to be temporary. But touring together has opened their eyes to new passions and new possibilities, making them rethink their commitments, both to the band and to each other.
Seventeen-year-old Lizzie Borden has never been kissed. Polite but painfully shy, Lizzie prefers to stay in the kitchen, where she can dream of becoming a chef and escape her reality. With tyrannical parents who force her to work at the family’s B&B and her blackout episodes—a medical condition that has plagued her since her first menstrual cycle—Lizzie longs for a life of freedom, the time and space to just figure out who she is and what she wants.
Enter the effervescent, unpredictable Bridget Sullivan. Bridget has joined the B&B’s staff as the new maid, and Lizzie is instantly drawn to her artistic style and free spirit—even her Star Wars obsession is kind of cute. The two of them forge bonds that quickly turn into something that’s maybe more than friendship.
But when her parents try to restrain Lizzie from living the life she wants, it sparks something in her that she can’t quite figure out. Her blackout episodes start getting worse, her instincts less and less reliable. Lizzie is angry, certainly, but she also feels like she’s going mad…
Julie Nolan is a pretty average girl with pretty average problems. She’s been in love with her best friend, Lorelei, ever since they met in grade three. Only Lorelei doesn’t know about it — she’s too busy trying to set Julie up with Henry, her ex, who Julie finds, in a word, vapid.
But life gets more complicated when Julie comes home to find her mother insisting that her heart is gone. Pretty soon it becomes clear: Julie’s mom believes that she has died.
How is Julie supposed to navigate her first year of high school now, while she’s making midnight trips to the graveyard to cover her mother with dirt, lay flowers and make up eulogies? And why is Henry the only person Julie feels comfortable turning to? If she wants to get through this, Julie’s going to have to find the strength she never knew she had, and to learn how to listen to both her mom’s heart and her own.
Robert Selby is determined to see his sister make an advantageous match. But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever.
May not be who you think…
Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp.
But is who you need…
When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?
In this frank, funny and poignant book, transgender activist Juno Roche discusses sex, desire and dating with leading figures from the trans and non-binary community. Calling out prejudices and inspiring readers to explore their own concepts of intimacy and sexuality, the first-hand accounts celebrate the wonder and potential of trans bodies and push at the boundaries of how society views gender, sexuality and relationships. Empowering and necessary, this collection shows all trans people deserve to feel brave, beautiful and sexy.
Leah Burke—girl-band drummer, master of deadpan, and Simon Spier’s best friend from the award-winning Simon vs. the Homo Sapiens Agenda—takes center stage in this novel of first love and senior-year angst.
When it comes to drumming, Leah Burke is usually on beat—but real life isn’t always so rhythmic. An anomaly in her friend group, she’s the only child of a young, single mom, and her life is decidedly less privileged. She loves to draw but is too self-conscious to show it. And even though her mom knows she’s bisexual, she hasn’t mustered the courage to tell her friends—not even her openly gay BFF, Simon.
So Leah really doesn’t know what to do when her rock-solid friend group starts to fracture in unexpected ways. With prom and college on the horizon, tensions are running high. It’s hard for Leah to strike the right note while the people she loves are fighting—especially when she realizes she might love one of them more than she ever intended.
It begins with the reappearance of his ex-boyfriend, Sebastian—the guy who stomped his heart out like a spent cigarette. Just as Rufus is getting ready to move on, Sebastian turns up out of the blue, saying they need to “talk.” Things couldn’t get much worse, right?
But then Rufus gets a call from his sister April, begging for help. And then he and Sebastian find her, drenched in blood and holding a knife, beside the dead body of her boyfriend, Fox Whitney.
April swears she didn’t kill Fox—but Rufus knows her too well to believe she’s telling him the whole truth. April has something he needs, though, and her price is his help. Now, with no one to trust but the boy he wants to hate yet can’t stop loving, Rufus has one night to prove his sister’s innocence…or die trying.