Bookstore Romance Day is a delightful annual tradition founded in 2019 (you can read about the team behind it here), and as an avid romance fan and an appreciator that it is always queer-inclusive, here are some great ways to celebrate the people making it special for 2023!
Birdie finds comfort in nature and books, but more than anything she longs for connection, to be understood. At school, Birdie feels like an outsider. Quiet and shy, she prefers to read by herself, rather than jump rope or swing with the other kids. That all changes when Sunny, the new girl, comes along. Like Birdie, Sunny has a nature name. She also likes to read, and loves to rescue bugs. And when Sunny smiles at her, Birdie’s heart balloons like a parachute.
Today is Pan Visibility Day, and as usual, we’re celebrating with a bunch of books that have pansexual leads! Please note that this post only includes books that weren’t featured in full in previous posts; you can find more pansexual books in posts from past years!
Santi has only had his heart broken one time, and it was all his fault. When he accidentally leaked his internet best friend Memo’s song, and it became an overnight hit, Memo disappeared—leaving their song’s cult fame, and Santi, behind.
Three years later, Santi arrives in Los Angeles with a mission: get over the ghost of Memo. Thankfully, his new school and its wildly-talented Sunshower marching band welcome him with open arms. All except for his section leader, the prickly, proud, musical prodigy Suwa. But when Santi realizes Suwa is trans, then Suwa realizes Santi takes his identity in stride, both boys begin to let their guards down. Santi learns Suwa’s surliness masks a painful, still raw history of his own, and as they open up to each other, their friendship quickly takes on the red-hot blush of a mutual crush.
Just as Santi is feeling settled in this new life, with a growing found family and a head-over-heels relationship with Suwa, he begins to put together the pieces of an impossible truth—that he knows both more and less of Suwa’s story than he’s been told. Their fragile fresh start threatens to rip apart at the seams again when Suwa is offered the chance to step into the spotlight he’s owed but has always denied himself. Now, Santi and Suwa must finally reckon with their dreams, their pasts—and their futures, together or apart.
Ever since Daniel moved to L.A. from Brazil to join the band Mischief & Mayhem, he’s become the tabloids’ bad boy. Paparazzi follow him and girls swoon over him . . . except for Sasha, who hates bad boys. When a chance encounter brings them together, Sasha sees an opportunity to get close to Daniel and write a story that will make a name for herself at the celebrity gossip magazine where she interns. But Daniel is surprisingly sweet and extremely cute—could she be falling for him?
The truth is: Daniel is hiding something. When Sasha discovers his secret, will she follow her heart or deliver the hottest story of the summer?
At nearly thirty-one years old, Pittsburgh Griffins captain Elias Karlsson’s hockey years are numbered. Everything is changing around him, including his eleven-year friendship with Nikolai Sidorov. Elias would give anything for Nisha to be a permanent part of his life, but their once bedrock-strong bond has broken into a million pieces, and Elias doesn’t know why. More than anything, Elias wants his friend back, but if that isn’t an option, maybe it’s time for him to look outside of hockey for someone to be there with him when hockey isn’t an option anymore.
Nisha’s world is splintering apart. He’s been in love with his two best friends for years, but now one of them has someone. The other, Elias, is searching for everything Nisha wishes he could give him… but he’s looking for it in anyone but Nisha. The farther his friends slip away, the deeper the loneliness sinks in and the bleaker his empty future looks. What can he do but numb the pain in the only ways he knows how?
On the eve of the season opener, Nisha’s unexplained absence threatens the cohesion of the team and puts him and Elias on a collision course of strong wills, broken hearts, and shattered trust. In the end, they may lose the very thing that matters most to them both: each other.
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
Enter Jean-Pierre, a laissez-faire trans man and the heir to a huge culinary empire—which he’ll only inherit if he can jump through all the hoops his celebrity chef grandfather has placed in his path. First hoop: he needs a girlfriend, a role that Luna is happy to play…for the right price. She’s got rent to pay, after all! Second hoop: they both need to learn how to cook a series of elaborate, world-renowned family recipes to prove that Jean-Pierre is a worthy heir. Admittedly, Luna doesn’t even know how to crack an egg, but she’s not going to let that—or any pesky feelings for Jean-Pierre—stop her.
When a surprise inheritance and whirlwind romance offer Mae a chance to escape her repressive aunt, she’s all too eager to elope and start life anew in her childhood home. But when she and her new husband arrive, the towering Victorian sits in disrepair, and Mae learns that her father’s decade-old, unsolved murder is still a source of rumor and speculation in town.
Leading the charge to unravel the mystery surrounding her father’s death is Ollie, a vibrant genderqueer and an outsider in their hometown. Sure that solving the cold case will land them a coveted job in the police department, Ollie gains access to the Victorian by agreeing to do maintenance work on the property.
Inside, Mae is taunted by a feminine specter, soft voices from empty rooms, and distinct melodies of Lady Paola: the priceless, Stradivarius violin stolen the night of her father’s murder.
Forte, mezzo-forte, the measured, andante cadence.
Her hiss, her pull, her scream.
Mae fears the house is haunted by her father’s spirit, her husband believes she’s going the way of her mother–slipping into madness, but Ollie suspects something more sinister is at play. If Ollie and Mae can’t work together to uncover the Victorian’s secrets, Mae will join her mother in an institution or her father in the grave.
A year ago, beloved cheerleader Stella Blackthorn vanished without a trace. Devastated, her younger sister, Iris, launched her own investigation, but all she managed to do was scare off the police’s only lead and earn a stern warning: Once she turns eighteen, more meddling means prison-level consequences.
Then, a year later, the unthinkable happens. Iris’s ex-girlfriend, Heather, goes missing, too—just after dropping the polarizing last episode of her true crime podcast all about Iris’s sister. This time, nothing will stop Iris and her amateur sleuthing agency from solving these disappearances.
But with a suspicious detective watching her every move, an enemy-turned-friend-turned-maybe-more to contend with, and only thirty days until she turns eighteen, it’s a race against the clock for Iris to solve the most dangerous case of her life.
Hannah Rosenstein should be happy: after a lonely childhood of traipsing all over the world, she finally has a home as the co-owner of destination inn Carrigan’s All Year. But her thoughts keep coming back to Levi “Blue” Matthews: her first love, worst heartbreak, and now, thanks to her great-aunt’s meddling will, absentee business partner.
When Levi left Carrigan’s, he had good intentions. As the queer son of the inn’s cook and groundskeeper, he never quite fit in their small town and desperately wanted to prove himself. Now that he’s a celebrity chef, he’s ready to come home and make amends. Only his return goes nothing like he planned: his family’s angry with him, his best friend is dating his nemesis, and Hannah just wants him to leave. Again.
Levi sees his chance when a VIP bride agrees to book Carrigan’s—if he’s the chef. He’ll happily cook for the wedding, and in exchange, Hannah will give him five dates to win her back. Only Hannah doesn’t trust this new Levi, and Levi’s coming to realize Hannah’s grown too. But if they find the courage to learn from the past . . . they just might discover the love of your life is worth waiting for.
It’s Trans Day of Visibility, and we’re celebrating (as we celebrate everything) with a whole bunch of great trans books! As always, this post only includes titles that were not included in full in past posts, but definitely check those out for even more trans lit goodness!
Halfway through sixth grade, Noah’s best friend and the only other trans boy in his school, Lewis, passed away in a car accident. Lewis was adventurous and curious, always bringing a new paranormal story to share with Noah. Together they daydreamed about cryptids and shared discovering their genders and names. After his death, lonely and yearning for someone who could understand him like Lewis once did, Noah starts writing letters to Mothman, wondering if he would understand how Noah feels and also looking for evidence of Mothman’s existence in the vast woods surrounding his small Poconos town. Noah becomes determined to make his science fair project about Mothman, despite his teachers and parents urging him to make a project about something “real.”
Meanwhile, as Noah tries to find Mothman, Noah also starts to make friends with a group of girls in his grade, Hanna, Molly, and Alice, with whom he’d been friendly, but never close to. Now, they welcome him, and he starts to open up to each of them, especially Hanna, who Noah has a crush on. But as strange things start to happen and Noah becomes sure of Mothman’s existence, his parents and teachers don’t believe him. Noah decides it’s up to him to risk everything, trek into the woods, and find Mothman himself.
Twelve-year-old Abigail (she/her/hers) is so excited to spend her summer at Camp QUILTBAG, an inclusive retreat for queer and trans kids. She can’t wait to find a community where she can be herself—and, she hopes, admit her crush on Laura Dern to kids who will understand.
Thirteen-year-old Kai (e/em/eir) is not as excited. E just wants to hang out with eir best friend and eir parkour team. And e definitely does not want to think about the incident that left eir arm in a sling—the incident that also made Kai’s parents determined to send em somewhere e can feel like emself.
After a bit of a rocky start at camp, Abigail and Kai make a pact to help each other find their footing, all while navigating crushes, their queer identities, and a competition pitting cabin against cabin.
Eleven-year-old Simon and his siblings, Talia and Rose, are staying the week at Nanaleen’s century-old house. This time, though, it’s not their usual summer vacation trip. In fact, everything’s different. It’s fall, not summer. Mom and Dad are staying behind to have a “talk.” And Nanaleen’s house smells weird, plus she keeps forgetting things. And these aren’t the only things getting under Simon’s skin: He’s the only one who knows that his name is Simon, and that he and him pronouns are starting to feel right. But he’s not ready to add to the changes that are already in motion in his family.
To make matters worse, Simon keeps hearing a scratching in the walls, and shadows are beginning to build in the corners. He can’t shake the feeling that something is deeply wrong…and he’s determined to get to the bottom of it—which means launching a ghost hunt, with or without his sisters’ help. When Simon discovers the hidden story of his great-aunt Brie, he realizes that Brie’s life might hold answers to some of his worries. Is Brie’s ghost haunting the old O’Hagan house? And will Simon’s search for ghosts turn up more secrets than he ever expected?
Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his slimy arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means.
Then Miles meets the new boy in town, Eric Mendez, a proudly queer cartoonist from Seattle who asks his pronouns, cares about art as much as he does—and makes his stomach flutter. Not what he needs to be focusing on right now. But after Eric and Miles pretend to date so they can score an invite to a couples-only Valentine’s party, the ruse turns real with a kiss…which is also definitely not in the plan. Why does Eric like him so much, anyway? It’s not like he’s cool or confident or comfortable in his own skin. He’s not even good enough at piano to get his fellow competitors to respect him…especially now, as Miles. Nothing’s ever been as easy for him as for other people—other boys. He’s only ever been almost enough.
So why, when he’s with Eric, does it feel like the only person he’s ever really not been enough for…is himself?
El Diablo is in the details in this Latinx pirate fantasy starring a transmasculine nonbinary teen with a mission of revenge, redemption, and revolution.
On Mar León-de la Rosa’s 16th birthday, el Diablo comes calling. Mar is a transmasculine nonbinary teen pirate hiding a magical ability to manipulate fire and ice. But their magic isn’t enough to reverse a wicked bargain made by their father and now el Diablo has come to collect his payment: the soul of Mar’s father and the entire crew of their ship.
When Mar is miraculously rescued by the sole remaining pirate crew in the Caribbean, el Diablo returns to give them a choice: give up your soul to save your father by the Harvest Moon or never see him again. The task is impossible–Mar refuses to make a bargain and there’s no way their magic is any match for el Diablo. Then, Mar finds the most unlikely allies: Bas, an infuriatingly arrogant and handsome pirate — and the captain’s son; and Dami, a genderfluid demonio whose motives are never quite clear. For the first time in their life, Mar may have the courage to use their magic. It could be their only redemption — or it could mean certain death.
Seventeen-year-old Gael is used to keeping to himself. Though his best friend convinces him to attend a meeting of Plus, a support group for LGBTQIA+ teens, Gael doesn’t plan on sharing much. Where would he even start?
Between supporting his mother through her bouts of depression, dealing with his estranged father, and navigating senior year as a transgender boy at a conservative Tennessean high school, his life is a lot to unload on strangers.
But after meeting easygoing Declan, Gael is welcomed into a new circle of friends who make him want to open up. As Gael’s friendship with Declan develops into something more, he finds himself caught between his mother’s worsening mental health and his father’s attempts to reconnect.
After tragedy strikes, Gael must decide if he can risk letting the walls around his heart down and fully opening up to those who care for him.
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City – a utopia where the testosterone and surgery he needs to transition is free, the food is plentiful, and folk are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream, until he meets the exceptionally handsome Osric.
Once a powerful AI in Salt Lake City, Osric has been forced into an android body against his will and sent into the wasteland to offer Valentine a job on behalf of his new employer – an escort service seeking to retrieve their stolen androids. The reward is a visa into the city, and a chance at the life Valentine’s always dreamed of. But as they attempt to recover the “merchandise”, they encounter a problem: the android ladies are becoming self-aware, and have no interest in returning to their old lives.
The prize is tempting, but carrying out the job would go against everything Valentine stands for, and would threaten the fragile found family that’s kept him alive so far. He’ll need to decide whether to risk his own dream in order to give the AI a chance to live theirs.
Natalie Donovan jumps at a friend’s offer to stay in the family cabin for a month—she desperately needs the chance to get away from, and get over, her messy breakup. She doesn’t count on the owner of the local diner making her heart pound and her body desperate to be touched.
Wren Carne is a lone wolf. As an Alpha shifter, she has no pack and maintains her territory without causing drama, just the way she likes it. When she checks on the girl staying in a local cabin, she’s not expecting her wolf to identify the human as her One True Mate.
As fallout from their pasts encroaches upon the sleepy town of Terabend, Wren must decide if she wants a pack of her own, while Natalie worries that her secret—she’s transgender—might be too much for Wren.
At the age of twenty-one, Alex Winters has already repaid his student loans, gotten his own apartment, and become officially recognized as a rising artist to watch out for in the character design field. Everything is perfect, except it’s not, because Alex is miserable.
To distract himself, Alex signs up to become a moderator for his favorite video game. He figures it shouldn’t be too hard. He just has to answer a few questions, and that’ll be that. But life loves proving Alex wrong. Because the first message he receives is: [she’s not breathing, and I don’t know what to do, because when my mate’s parents get home they’re just gonna find this girl on the floor and I know we don’t know each other but you’re the only one I can count on right now so please help me.]
Now, Alex is stuck chatting with David—an equally depressed medical student, who’s coincidentally also the king of unhealthy coping mechanisms. When Alex realizes David also hates himself to a point of no return, what started off as an online joke slowly blooms into a genuine friendship between the two. So, it’s all nice and wholesome. Mostly. Until Alex falls in love. Then, it gets complicated.
Aashvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society–picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups–The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community.
A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator’s bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.
When lonely transgender exorcist Colin Hart finds himself challenged by an unruly haunted house in Gideon, Colorado, he’s kept awake by ghosts, demons, ghouls, and the handsome nonbinary owner of the house, Bishop Martínez.
Unlike the simple hauntings Colin is accustomed to, Bishop’s house is a living beacon, attracting a plethora of inhuman creatures, including a vengeful wolf-headed spirit who might be the key to quieting their sleepless nights.
But as a heartbreaking mystery unravels, Colin comes face-to-face with the past Bishop tried to bury, opens a closet full of bloody skeletons, and trips into an accidental romance.
As paranormally skilled as Colin might be, this particular haunting may be too messy for him to handle…
Yen-Chen Chang is tired of the big corporate world. After quitting his high-paying software engineer job in Seattle, he’s desperate to move back to Taipei to figure out the next stage of his career. When his best friend invites him to visit Clover Hill as the last stop before going home, he gladly welcomes the opportunity to see the town they love.
Florence Hong-Lam Ho is passionate about her shih tzu mix Milk Puff, music composition, and teaching children piano. She is not trusting of strangers, especially those from outside of Clover Hill. When a tourist reaches for the last piece of fènghuáng sū at Wong’s Corner Store at the same time as she does, she hopes to never see this person again, even if her dog loves him already.
But when Yen-Chen and Florence keep running into each other—once, literally—they strike up a reluctant friendship. Is their growing connection written in the stars, or will Yen-Chen still leave Clover Hill for good?
Wallflower janitor Emily has dreamed of being a zookeeper their entire life. But they’ve been passed over again and again for promotion. Asked out by a gay man who thinks they’re named ‘Emil,’ they feel happy for the first time in forever.
Jeremi is outgoing, friendly, driven… and his forgetfulness has lost him more boyfriends than he can count. When he meets an adorable twink at the zoo, Jeremi vows: this time will be different.
Their first date tanks.
Jeremi tries to salvage things by offering to be Emil’s job coach, yet he can’t help but want to be more than just friends.
As Emil’s egg cracks and their self-confidence grows, Emil yearns for more from Jeremi. Yet they worry they’re not what Jeremi is looking for…
Any Other City is a two-sided fictional memoir by Tracy St. Cyr, who helms the beloved indie rock band Static Saints. Side A is a snapshot of her life from 1993, when Tracy arrives in a labyrinthine city as a fledgling artist and unexpectedly falls in with a clutch of trans women, including the iconoclastic visual artist Sadie Tang.
Side B finds Tracy, now a semi-famous musician, in the same strange city in 2019, healing from a traumatic event through songwriting, queer kinship, and sexual pleasure. While writing her memoir, Tracy perceives how the past reverberates into the present, how a body is a time machine, how there’s power in refusing to dust the past with powdered sugar, and how seedlings begin to slowly grow in empty spaces after things have been broken open.
Joy, a twelve-year-old trans girl, just moved to Texas with her mother and older brother. Her family has accepted Joy as the girl she is early in her transition, with little fuss, leaving Joy to explore her love of sports, competition, teamwork, school spirit, and worship.
But when she is told she’s off the cheerleading team, Joy wants to fight for her right to cheer. As her battle with the school board picks up momentum, Joy attracts support from kids all around the country . . . she even gets the attention of her hero, trans activist Kai Shappley.
Inspired by Kai’s own life, Joy, to the World is a timely story of living life to the fullest, celebrating and centering trans joy, courage, and resilience.
Someone wants trans girl hacker-for-hire Kiera Umehara in prison or dead—but for what? Failing to fix their smart toilet?
It’s 2032 and we live in the worst cyberpunk future. Kiera is gigging her ass off to keep the lights on, but her polycule’s social score is so dismal they’re about to lose their crib. That’s why she’s out here chasing cheaters with Angel Herrera, a luddite P.I. who thinks this is The Big Sleep. Then the latest job cuts too deep—hired to locate Herrera’s ex-best friend (who’s also Kiera’s pro bono attorney), they find him murdered instead. Their only lead: a stick of Nag Champa incense dropped at the scene.
Next thing Kiera knows, her new crush turns up missing—sans a hand (the real one, not the cybernetic), and there’s the familiar stink of sandalwood across the apartment. Two crimes, two sticks of incense, Kiera framed for both. She told Herrera to lose her number, but now the old man might be her only way out of this bullshit…
Venom & Vow by Anna-Marie McLemore and Elliott McLemore (May 16, 2023)
Keep your enemy closer.
Cade McKenna is a transgender prince who’s doubling for his brother.
Valencia Palafox is a young dama attending the future queen of Eliana.
Gael Palma is the infamous boy assassin Cade has vowed to protect.
Patrick McKenna is the reluctant heir to a kingdom, and the prince Gael has vowed to destroy.
Cade doesn’t know that Gael and Valencia are the same person.
Valencia doesn’t know that every time she thinks she’s fighting Patrick, she’s fighting Cade.
And when Cade and Valencia blame each other for a devastating enchantment that takes both their families, neither of them realizes that they have far more dangerous enemies.
Transness is as varied and colorful as magic can be. In Transmogrify!, you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration.
When her celebrity chef boss is taken down in a sexual harassment scandal, Chelsea Boudreaux’s dream of getting her own cooking show comes true. Her hometown of Duchesne, Louisiana, provides the perfect backdrop for her modern takes on traditional Cajun fare. Vindicating herself to the mother who never believed in her is icing on the cake.
Bryce Cormier never left Duchesne and has no regrets, except that falling in love as a trans guy in a tiny town is easier said than done. When Chelsea comes home after more than a decade away, Bryce thinks he may have found the perfect woman. At least until Chelsea’s burgeoning celebrity spills over and turns his world upside down.
It turns out love is like a good gumbo—what seems simple is complex, and the best results require a bit of courage. And like all the recipes say… First, you make a roux.
‘On the bookshelves, there was plenty of stuff on being gay, and much needed, joyous accounts of what it is to be trans, but nothing really that encapsulates what is it to be both – to exist in the hazy terrain between.’
After his relationship with his girlfriend of 5 years ended, Harry realised he was a single adult for the first time – not only that, but a single, transmasculine and newly out gay man.
Despite knowing it was the right decision, the reality of his new situation was terrifying. How could he be a gay man, when he was still learning what it was to be a man? Would the gay community embrace him or reject him? What would gay sex be like? And most importantly, would finding love again be possible?
In this raw, intimate and unflinchingly honest book, we follow Harry as he navigates the sometimes fraught and contradictory worlds of contemporary gay culture as a trans gay man, from Grindr, dating and gay bars, to saunas, sex and ultimately, falling in love. Harry’s brave and uplifting journey will show you there is joy in finding who you are.
Erin McCabe’s years as a criminal defense attorney have prepared her for almost anything, except being on the opposite side of the interrogation table. A new client—a successful financial adviser—was found stabbed to death on the beach near his palatial Jersey Shore home. The time of death is estimated to be during Erin’s one and only consultation with him, during which he revealed that he was secretly transgender. As the last person to see him alive, Erin’s now the prime suspect.
If the evidence were simply circumstantial, Erin is sure she and her law partner, Duane Swisher, could prevail. But there are entanglements that can’t be easily explained, and connections to powerful unscrupulous politicians who hold a lot of grudges. While the investigation unfolds, Erin and Duane are called on to represent a mother charged with abducting her child—a hot-button case that has both private and public implications for Erin.
As she battles one prosecutor who wants to see her charged with murder, and another determined to send her to jail for refusing to divulge her client’s location, Erin also faces a devastating family tragedy. With her career and her relationship on the line, and her life being targeted by a desperate nemesis, there has never been more at stake—or fewer places to turn . . .
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
Enter Jean-Pierre, a laissez-faire trans man and the heir to a huge culinary empire—which he’ll only inherit if he can jump through all the hoops his celebrity chef grandfather has placed in his path. First hoop: he needs a girlfriend, a role that Luna is happy to play…for the right price. She’s got rent to pay, after all! Second hoop: they both need to learn how to cook a series of elaborate, world-renowned family recipes to prove that Jean-Pierre is a worthy heir. Admittedly, Luna doesn’t even know how to crack an egg, but she’s not going to let that—or any pesky feelings for Jean-Pierre—stop her.
As a young femme growing up in Manila in the 1990s, Geena Rocero endured shouts of bakla, bakla!, a Filipino taunt aimed at her feminine sway, whenever she left the little universe of her eskinita. Eventually she found her place in trans pageants, events as widely attended and culturally significant as a national sport, going to high school by day and competing by night. When her competitors denigrated her with the nickname “horse barbie,” due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet, stepping onto stage with an undeniable charisma—part equine and all fashion. By seventeen, she was the Philippines’ most prominent and highest-earning trans pageant queen.
When she moved to the United States, Geena was able to change her name and gender marker on her documents, which wasn’t—and still isn’t—possible for trans people in the Philippines. But legal recognition didn’t come with any guarantee of safety. In order to survive, Geena went stealth and hid her trans identity, gaining one type of freedom and truth at the expense of another. For a while, it worked. Within a few years she’d become an in-demand model, appearing in music videos, billboards, and magazine campaigns, and was hailed as the epitome of feminine beauty. But as her star rose, her sense of self eroded. She craved acceptance as her authentic self, yet had to remain eternally vigilant in order to protect her dream career. The tenuous, high-stakes double life finally led Geena to a breaking point when she had to decide how to reclaim the power of Horse Barbie once and for all: radiant, head held high, and unabashedly herself.
As the first openly transgender government official to hold an office that requires Senate confirmation, the first openly transgender four-star officer in uniform service, and the first female four-star admiral in the commissioned corps, Rachel Levine faced many obstacles throughout her life. But she persisted through them all and showed kids of all genders that they can succeed in their dreams too.
In this chapter book biography by critically acclaimed author Lisa Bunker, readers learn about the amazing life of Rachel Levine–and how she persisted.
Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Rachel Levine’s footsteps and make a difference! A perfect choice for kids who love learning and teachers who want to bring inspiring women into their curriculum.
Newly-out trans artist’s assistant Sammie is invited to an old friend’s bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean’s international waters—think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie’s college buddies haven’t quite gotten the message—as evidenced by their formerly closest friend Adam asking them to be his “best man.”
Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom’s pals—all met with zero pushpack from supposed “nice guy” Adam. But also, they seem to be the only one who’s noticed the mysterious cult that’s also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god.
Part satire, part horror, Boys Weekend explores what it’s like to exist as a transfemme person in a man’s world, the difficulty of maintaining friendships through transition, and the more cult-like effects of masculinity, “hustle” culture, and capitalism—all through the vibrant lens of a surreal, scary, and immensely imaginative romp.
“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.
With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.
As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty’s Royal Coven prepares to crown her High Preistess.
Suffering from amnesia, Ciara can’t remember what she’s done–but if she wants to survive, she must fool Niamh’s adopted family and friends; the coven; and the murky Shadow Cabinet–a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale.
On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can’t figure out Hale’s machinations, and fast, all of witchkind will be in grave danger–along with the fate of all (wo)mankind.
Sharp, funny, provocative, and joyous, Juno Dawson’s sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm–and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.
Thomas Simmons nearly died when a rocket-propelled grenade threw him ass over teakettle while flanking insurgents in Mosul, ending his military career. Recovery’s rough and gives him all the time in the world to face the question he’s avoided all his life: Why does he feel jealous of women?
The more Thomas searches, the closer he comes to an answer: gender dysphoria.
Seeking therapy as a road through his confusion, Thomas embarks on an unexpected journey as Emily is born. Emily’s route to self-acceptance, love with another woman, and community are only some of the challenges that began the day her world exploded.
“I’ve lived a completely ordinary life, so much that I don’t know how to write a transgender or queer or Appalachian story, because I don’t feel like I’ve lived one. … Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness.”
Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as “Appalachian.” Appalachia existed farther afield―more rural, more country than the landscape of her hometown.
Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness.
In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In “Dead Furrows,” a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. “Homeplace” threads family interactions with farm animals and Grover’s coming out journey, illuminating the disturbing parallels between the American Veterinary Association’s guidelines for ethical euthanasia and the World Professional Association for Transgender Health’s guidelines for transgender care.
Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.
Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey – from Thomas Anderson, to Neo… to Trinity.
Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You’ll learn how color is used to convey more than you realize, how Neo’s psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies).
Free your mind, and see just how deep the rabbit hole goes.
Elisheva Cohen has just returned to Brooklyn after almost a decade. The wounds of abandoning the Orthodox community that raised her, then shunned her because of her substance abuse, are still painful. But when she gets an amazing opportunity to study photography with art legend Wyatt Cole, Ely is willing to take the leap.
On her first night back in town, Ely goes out to the infamous queer club Revel for a celebratory night of dancing. Ely is swept off her feet and into bed by a gorgeous man who looks like James Dean, but with a thick Carolina accent. The next morning, Ely wakes up alone and rushes off to attend her first photography class, reminiscing on the best one-night stand of her life. She doesn’t even know his name. That is, until Wyatt Cole shows up for class—and Ely realizes that the man she just spent an intimate and steamy night with is her teacher.
Everyone in the art world is obsessed with Wyatt Cole. He’s immensely talented and his notoriously reclusive personal life makes him all the more compelling. But there’s a reason why his past is hard for him to publicize. After coming out as transgender, Wyatt was dishonorably discharged from the military and disowned by his family. From then on he committed to sobriety and channeled his pain into his flourishing art career. While Ely and Wyatt’s relationship started out on a physical level, their similar struggles spark a much deeper connection. The chemistry is undeniable, but their new relationship as teacher and student means desperately wanting what they can’t have.
London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing.
After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.
Rat Evans, nonbinary heir to one of the oldest magical bloodlines in New York, doesn’t cast spells anymore. For as long as Rat can remember, they’ve been surrounded by doorways no one else sees and corridors that aren’t on any map. Then one day, they opened a passage and found a broken tower in a field of weeds—and something followed them back.
When Rat is accepted into Bellamy Arts, all they want is a place to hide and to make sure they never open another passageway again. But when the only other person who knows what really happened last year—Harker Blakely, the dangerously gifted trans boy who used to be Rat’s closest friend—turns up on campus, Rat begins to realize that Bellamy Arts might not be as safe as they’d thought. And the tower might not be through with them yet.
Soon, Rat finds themself caught in a web of secrets and long-buried magic, with their friend-turned-enemy at their throat. But the closer they come to uncovering the truth about the tower, the further they’re drawn toward the unsettling powers that threaten to swallow them whole.
Noah Byrd is the perfect boy. At least, that’s what he needs to convince his new classmates of to prove his gender. His plan? Join the school’s illustrious (and secret) Borrow a Boyfriend Club, whose members rent themselves out for dates. Once he’s accepted among the bros, the “slip-ups” end.
But Noah’s interview is a flop. Desperate, he strikes a deal with the club’s prickly but attractive president, Asher. Noah will help them win an annual talent show—and in return, he’ll get a second shot to demonstrate his boyfriend skills in a series of tests that include romancing Asher himself.
If Noah can’t bring home the win, his best chance to prove that he’s man enough is gone. Yet even if he succeeds, he still loses . . . because the most important rule of the Borrow a Boyfriend Club is simple: no real boyfriends (or girlfriends) allowed.
And as long as the club remains standing as high as Asher’s man bun, Noah and Asher can never explore their growing feelings for one another.
OKPsyche by Anya Johanna DeNiro (September 12, 2023)
An unnamed trans woman is looking for a sense of belonging, a better relationship with her son, and friends that aren’t imaginary in this playful and aching short novel. As she navigates the many worlds she belongs to she wrestles with her many anxieties and fears about the world around her. Her son and ex live in another state. Companion robots are popping up. Environmental disasters are being outsourced from the coast to the Midwest. And at any time anyone anywhere might turn out to be a new friend or an enemy.
In this stunning short novel, a trans woman slowly builds her confidence as she wends her way through the real and imagined worries, fears, and weirdness of adulthood, parenthood, and selfhood in the contemporary world.
James Goldman, self-described neurotic goth gay transsexual stoner, is a senior in high school, and fully over it. He mostly ignores his classes at Cow Pie High, instead focusing on fundraising for the near-bankrupt local LGBTQ+ youth support group, Compton House, and attending punk shows with his friend-crush Ian and best friend Opal. But when James falls in love with Orsino, a homeschooled trans boy with telepathic powers and visions of the future, he wonders if the scope of what he believes possible is too small. Orsino, meanwhile, hopes that in James he has finally found someone who will be able to share the apocalyptic visions he has had to keep to himself, and better understand the powers they hold.
When a transphobic woman bombs Frankie’s workplace, she blows up Frankie’s life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, fucking strangers, pushing away her friends. Then, she meets Vanya. Mysterious, beautiful, terrifying Vanya.
The two hit it off immediately, but as their relationship intensifies, so too does Frankie’s feeling that Vanya is hiding something from her. When Vanya’s secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister, depraved conspiracy, the roots of which go deeper than she ever imagined.
Corpses, Fools, and Monsters: An Examination of Trans Images in Cinema by Willow Maclay and Caden Gardner (October 10, 2023)
There have been trans images in cinema for over a century — very often bad cultural objects and very often inspired by the cultural zeitgeist, from Christine Jorgensen to Candy Darling to a guest on The Jerry Springer Show. But now, trans cinema as a movement is slowly emerging from the margins to create a new film language, often in reaction to these historical trans film images that cast the trans body in abject form; a corpse, a foolish joke, a tragic martyr, or even a monster.
Corpses, Fools, and Monsters is a new radical history of these trans film images, and an exploration of the political possibilities of the new trans cinema movement. Analysing the work of trans cinema directors Isabel Sandoval, Silas Howard, and the Wachowski Sisters, it also discusses the trans film image in everything from pre-talkie films and Ed Wood B-movies to Oscar-winners, body horror and slashers.
Going beyond reassessing notable films, performances, and portrayals, Corpses, Fools, and Monsters instead brings to light films and artists not given their due, along with highlighting filmmakers who are bringing trans cinema out of the margins in the twenty-first century.
BEFORE. Newly out trans guy Max is having a hard time in school. Things have been tough since his summer romance, Danny, turned into his bully. This year, his plan is to keep his head down and graduate. All that changes when new It-girl Gloss moves to town. No one understands why perfect, polished Gloss is so interested in an introverted skater kid, but Max blooms in the hothouse of her attention. Caught between romance and obsession, he’ll do whatever it takes to keep her on his side.
AFTER. Haircuts, makeovers, drugs, parties. It’s all fun and games until someone gets killed at a rager gone terribly wrong. Max refuses to believe that Gloss did it. But if not Gloss, who? Desperate to figure out truth in the wake of tragedy, Max veers dangerously close to being implicated—and his own memories of that awful night are fuzzy.
Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.
But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy? The strange new girl in town acts like she and Gem are old companions, and seems to know things about them they’ve never told anyone else.
When Gem is attacked by a stranger claiming to be the Goddess of Death, Willa Mae saves their life and finally offers some answers. She and Gem are reincarnated gods who’ve known and loved each other across lifetimes. But Gem – or at least who Gem used to be – hasn’t always been the most benevolent deity. They’ve made a lot of enemies in the pantheon—enemies who, like the Goddess of Death, will keep coming.
It’s a good thing they’ve still got Enzo. But as worlds collide and the past catches up with the present, Gem will discover that everyone has something to hide.
Eli Ward hasn’t been back to his suffocating hometown of New Port Stephen, Florida, in ages. Post-transition and sober, he’s a completely different person from the one who left years ago. But when a scandal threatens his career as a TV writer and comedian, he has no choice but to return home for the holidays. He can only hope he’ll survive his boisterous, loving, but often misguided family and hide the fact that his dream of comedy success has become a nightmare.
Just when he thinks this trip couldn’t get any worse, Eli bumps into his high school ex, Nick Wu, who’s somehow hotter than ever. Divorced and in his forties, Nick’s world revolves around his father, his daughter, and his job. But even a busy life can’t keep him from being intrigued by the reappearance of Eli.
Against the backdrop of one weird Floridian Christmas, the two must decide whether to leave the past in the past…or move on together.
London, 1812. Oliver Bennet feels trapped. Not just by the endless corsets, petticoats and skirts he’s forced to wear on a daily basis, but also by society’s expectations. The world—and the vast majority of his family and friends—think Oliver is a girl named Elizabeth. He is therefore expected to mingle at balls wearing a pretty dress, entertain suitors regardless of his interest in them, and ultimately become someone’s wife.
But Oliver can’t bear the thought of such a fate. He finds solace in the few times he can sneak out of his family’s home and explore the city rightfully dressed as a young gentleman. It’s during one such excursion when Oliver becomes acquainted with Darcy, a sulky young man who had been rude to “Elizabeth” at a recent social function. But in the comfort of being out of the public eye, Oliver comes to find that Darcy is actually a sweet, intelligent boy with a warm heart. And not to mention incredibly attractive.
As Oliver is able to spend more time as his true self, often with Darcy, part of him dares begin to hope that his dream of love and life as a man to be possible. But suitors are growing bolder—and even threatening—and his mother is growing more desperate to see him settled into an engagement. Oliver will have to choose: Settle for safety, security, and a life of pretending to be something he’s not, or risk it all for a slim chance at freedom, love, and a life that can be truly, honestly his own.
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
Neurodiverse and intersex author Phoenix Blackwood’s New Adult THE LOVE THAT BINDS US, a sequel to THE SECRETS THAT KILL, in which the protagonist is thrown out of her home when her mother discovers her relationship with her nonbinary transmasculine partner; when she moves in with him, she discovers that she is intersex and works to overcome past medical trauma, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in April 2023 (world English).
Hugo and Lambda award winning author and editor Bogi Takács’s POWER TO YIELD AND OTHER STORIES, 10 pieces spanning speculative genres from science fiction to the new weird, featuring chaotic interspecies cooperation, an AI child discovering Jewish mysticism, rental apartments that drink your blood, and a novella focusing on neurodivergent people trying to survive on a planetoid where thoughts shape reality, to Scott Gable at Broken Eye, in a nice deal, at auction, for publication in spring 2023 (world English).
Izzy Wasserstein’s THESE FRAGILE GRACES, THIS FUGITIVE HEART, a cyberpunk novella set in a future Kansas City devastated by fascism and climate change, in which a trans woman returns to the commune she abandoned to investigate the murder of her ex, and finds she must confront her own past if she hopes to save the people she loves, to Jacob Weisman at Tachyon Publications, with Jaymee Goh editing, by Dorian Maffei at Kimberley Cameron & Associates (world English).
Rona Jaffe Foundation Award recipient Temim Fruchter’s CITY OF LAUGHTER, part speculative queer family history and part folklore, tracing four generations of Jewish women who are bound by blood, half-hidden secrets, and the fantastical visitation of a shapeshifting stranger over the course of 100 years, set against a tapestry of real and invented Jewish mythology, to Amy Hundley at Grove/Atlantic, for publication in early 2024, by Stephanie Delman at Trellis Literary Management (world).
Soula Emmanuel‘s WILD GEESE, the story of an Irish trans woman living in Scandinavia who unexpectedly reconnects with her first love over the course of one fateful weekend, reigniting memories she thought she’d left behind, to Nick Whitney at Feminist Press, for publication in fall 2023, by Olivia Maidment at Madeleine Milburn Literary Agency (NA).
Author of CALLING THE SHOTS Kelly Farmer‘s IT’S A FABULOUS LIFE, pitched as a sapphic retelling of the holiday movie classic, in which a realtor with big city dreams once again puts her plans on hold to help manage her small town’s winter festival and, with the aid of angelic drag queens, reconnects with her high school crush, to Holly Ingraham at Alcove Press, in a nice deal, for publication in fall 2023, by Eva Scalzo at Speilburg Literary Agency (world).
World Fantasy Award finalist R.B. Lemberg‘s THE YOKE OF STARS, a Birdverse novella in which a rebel who has escaped a remote egalitarian community and a linguist who has left behind an abusive marriage negotiate an assassination contract, only to find how their lives intersect in unusual ways, involving sea serpent shape shifters, fallen stars, and a powerful magical family, to Jacob Weisman at Tachyon Publications, with Jaymee Goh editing, in an exclusive submission, by Mary C. Moore at Kimberley Cameron & Associates (world English).
K Arsenault Rivera‘s OATH OF FIRE, pitched as a sapphic Eros and Psyche retelling with a fairy court feel, to Leah Hultenschmidt at Grand Central, in an exclusive submission, in a two-book deal, for publication in early 2024, by Sara Megibow at kt literary (world).
Author of CHEF’S KISS TJ Alexander‘s EDEN’S END, a trans regency romance featuring a man of unusual make whose penchant for privacy is upended when he is given the dreadful task of finding a wife by the end of the London season if he wants to keep his estate—a situation further complicated by his intriguing new valet, who is harboring a secret of his own, to Anna Kaufman at Vintage, in a very nice deal, in an exclusive submission, for publication in 2025, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (NA).
Young Adult Fiction
Author-illustrator Tai Manzano’s SING WITH ME, a contemporary YA graphic novel about queer first love pitched as Check, Please! meets Yuri on Ice, set in Mexico in the high-stakes world of competitive charreria, to Elizabeth Lazowski at Chronicle Children’s, for publication in 2025, by Tamara Kawar while at ICM/CAA (world).
Author of RIGHT WHERE I LEFT YOU and upcoming AS YOU WALK ON BY Julian Winters‘s PRINCE OF THE PALISADES, pitched as RED, WHITE, & ROYAL BLUE meets Netflix’s Young Royals, where a roguish prince of Iles de la Reverie goes to America to clean up his image after a horribly public breakup goes viral, and ends up falling for a not-so-royal American boy who might be a fairy-tale romance come true—or another disaster in the making, to Dana Leydig at Viking Children’s, in a two-book deal, for publication in summer 2024, by Thao Le at Sandra Dijkstra Literary Agency (world English).
Author of THE SPY WHO RAISED ME and MOTH & WHISPER Ted Anderson‘s graphic novel THE MASKED PRINCESS, in which a high schooler cosplaying his childhood-favorite character at an anime con unwittingly becomes an overnight hero after helping a fellow cosplayer, and ends up exploring his gender and discovering new aspects of his identity amid the backdrop of fandom and sudden fame, illustrated by Ollie Roswell, to Samia Fakih at First Second, in an exclusive submission, for publication in 2025, by Jennifer Chen Tran while at Bradford Literary Agency for the author, and by Paloma Hernando at Einstein Literary Management for the illustrator (world).
Marisa Kanter‘s FINALLY FITZ, a queer rom-com in which a fashion influencer reeling from a breakup enlists her former best friend to pose as her boyfriend during a summer program in New York City to make her ex-girlfriend jealous, only to realize that the relationship she wants to repair might be the one she’s faking, to Alexa Pastor at Simon & Schuster Children’s, for publication in spring 2024, by Taylor Haggerty at Root Literary (world).
Non-Fiction
Professor of English and linguistics at Los Angeles City College Lane Igoudin’s A FAMILY, MAYBE: TWO DADS, TWO BABIES, AND THE COURT CASE THAT BROUGHT US TOGETHER, part gay memoir, part family drama, set against the LGBTQ+ civil rights struggle of the early 2000s, in which a Russian-Jewish immigrant and his African American partner battle the Los Angeles County foster and family court systems and a teenage birth mother to adopt two babies and build the family they’ve always dreamed of, to Alena Rivas and Kelly Zatlin at Ooligan Press, in a nice deal, for publication in February 2024 (world English).
Fermilab physicist Jessica Esquivel’s OUR QUEER UNIVERSE: DECONSTRUCTING DEFINITIONS, PRODUCING PARTICLE BEAMS, AND EXAMINING ENTANGLED IDENTITIES, describing the physics and engineering of a particle beam and using it as a metaphor for the author’s journey through academia as a Black, Mexican, neurodivergent queer woman who also happens to love the ethereal elegance of physics, to Jermey Matthews at MIT Press, for publication in fall 2025, by Jessica Papin at Dystel, Goderich & Bourret (NA).
Contributor to The New Yorker, The New York Review of Books, The New Republic, and n+1, and a founding editor of the Los Angeles Review of Books Evan Kindley’s STILL IN THE PUBLISHED CITY, a group biography of the New York School of Poets, telling the intertwined stories of John Ashbery, Frank O’Hara, Kenneth Koch, Barbara Guest, James Schuyler, and Amiri Baraka, the intersections of various artistic and cultural scenes, as well as reading their influential poetry in light of politics, race, sexuality, and a rapidly changing New York, to Daniel Halpern at Knopf, by Elias Altman at Massie & McQuilkin (NA).
Author of A MILLION QUIET REVOLUTIONS Robin Gow‘s A MUSEUM FOR THAT WHICH NO LONGER EXISTS, which explores the history of a Berlin institute burned during World War II that was one of the first to affirm trans and queer people, and reimagines in poetry a museum where these artifacts and people are kept safe from destruction, to Leah Angstman at Alternating Current, in a nice deal, for publication in November 2023 (world English).
Pastor, founder of Unfit Christian, and spiritual doula for Black, queer, and marginalized-gender people D. Danyelle Thomas‘s THE DAY GOD SAW ME AS BLACK, answering “What do I do with a Christian faith that feels less comfortable for me as I better understand myself, my gender, my sexuality, and what it means to be Black in America?” with essays exploring Black faith experiences through the lens of gender, race, sexuality, and class consciousness, interwoven with the author’s personal narrative of her faith journey and critical cultural analysis, to Tamela Gordon at Row House, for publication in August 2024 (world).
Museum of the Moving Image editorial director and author of FILMS OF ENDEARMENT Michael Koresky‘s SICK AND DIRTY, a 21st-century rethinking of Vito Russo’s THE CELLULOID CLOSET that celebrates the presence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code, and reclaims certain controversial, misunderstood films as neglected classics, to Ben Hyman at Bloomsbury, by Farley Chase at Chase Literary Agency (NA).
Lambda Literary Emerging LGBTQ Voices fellow and Sewanee Writers’ Conference Tennessee Williams Scholar Thomas Dai‘s TAKE MY NAME BUT SAY IT SLOW, a memoir-in-essays exploring the intersection of place and identity through the lens of the author’s experience growing up queer and Asian American in the South, questioning the stories we tell ourselves about who we are and what it means to be “in-between,” to Helen Thomaides at Norton, by Christopher Combemale at Sterling Lord Literistic (NA).
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In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?
I’m so thrilled to be welcoming TJ Alexander back to the site today to reveal another glorious new trans foodie romance cover, this time for t4t m/f romance called Chef’s Choice that releases May 30, 2023 from Atria Books! Here’s the story:
A fake dating arrangement turns to real love in this deliciously delightfulqueer rom-com from the author of the sweetly satisfying Chef’s Kiss.
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
Enter Jean-Pierre, a laissez-faire trans man and the heir to a huge culinary empire—which he’ll only inherit if he can jump through all the hoops his celebrity chef grandfather has placed in his path. First hoop: he needs a girlfriend, a role that Luna is happy to play…for the right price. She’s got rent to pay, after all! Second hoop: they both need to learn how to cook a series of elaborate, world-renowned family recipes to prove that Jean-Pierre is a worthy heir. Admittedly, Luna doesn’t even know how to crack an egg, but she’s not going to let that—or any pesky feelings for Jean-Pierre—stop her.
Another swoon-worthy and heartwarming queer love story from a charming new voice in romance.
And here’s the sugar-sweet cover, designed and illustrated by Colleen Reinhart!
TJ Alexander, the critically acclaimed author of Chef’s Kiss and forthcoming Chef’s Choice, is an amateur baker and author who writes about queer love. Originally from Florida, they received their MA in writing and publishing from Emerson College in Boston. They live in New York City with their wife and various houseplants.
Author of THE DUKE UNDONE Joanna Lowell‘s A SHORE THING, in which a transmasculine artist falls for a renowned cis woman botanist as they compete in a shoreside bicycle race in this beach-set Victorian romance, to Kate Seaver at Berkley, in a two-book deal, for publication in spring 2024, by Tara Gelsomino at One Track Literary Agency (world).
Two-time Hugo Award finalist Chuck Tingle‘s CAMP DAMASCUS, in which a group of queer friends begin to realize their memories of surviving a hellish gay conversion therapy camp have been stolen from them; and a second standalone novel, BURY YOUR GAYS, to Kelly Lonesome at Nightfire, in an exclusive submission, in a two-book deal, for publication in July 2023 and summer 2024, by DongWon Song at Howard Morhaim Literary Agency (NA).
Author of CHEF’S KISS TJ Alexander‘s SECOND CHANCES IN NEW PORT STEPHEN, in which a down-on-his-luck, early-40s trans comedian begrudgingly returns to his outlandish Floridian hometown for the first time in decades, only to run into his high school ex-boyfriend, who’s inexplicably gotten hotter with time and soon throws into question where nostalgia ends and where moving on begins, to Lara Jones at Emily Bestler Books, in an exclusive submission, in a two-book deal, for publication in December 2023, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world).
Lambda Award-winning author of SKYE FALLING Mia McKenzie’s DORIS STEELE, a comic novel about a pious, small-town teenager who travels to Atlanta in 1960 to get an abortion and finds herself smack in the middle of the civil rights movement and the secret lives of queer Black people, ultimately discovering the transformative power of leaving your bubble, even for just one chaotic weekend, to Caitlin McKenna at Random House, by Alexa Stark at Writers House (world).
Columbia MFA alum and Lambda Literary inaugural fellow Douglas Jones’s PRIME REAL ESTATE, set in Atlanta as the 1996 Olympics loom, following two Black men confronting their roles in displacing Black residents to make way for the Opening ceremony while coming to terms with their own sexuality, to Yahdon Israel at Simon & Schuster, in a pre-empt, by Haley Heidemann at William Morris Endeavor.
Author of CITY OF A THOUSAND FEELINGS Anya Johanna DeNiro‘s OKPSYCHE, a surreal short novel from the perspective of a trans woman navigating dystopia, anxiety, and motherhood, to Kelly Link at Small Beer Press, in a nice deal, for publication in fall 2023 (world).
Andrew Wilmot’s WITHERED, in which a nonbinary student moves to a small, haunted town after reaching a low point with their mental health, to Terese Mason Pierre at ECW Press, with Jennifer Albert editing, by Kelvin Kong at K2 Literary (world).
Lambda Award-winning author of FLAMER and the Little Elliot picture books Mike Curato‘s GAYSIANS, a humorous graphic novel about an ensemble of queer Asian American friends in 2000s Seattle as they carve out space for themselves and navigate friendships, relationships, racism, and transphobia, to Betsy Gleick and Mae Zhang McCauley at Algonquin, at auction, by Brenda Bowen at The Book Group (world).
T M Payne‘s regional police procedural series set in Liverpool, following a tortured and authentic detective with a strong moral compass, who is part of the LGBTQ+ community, to Victoria Haslam at Thomas & Mercer, in a three-book deal, for publication in March 2024, October 2024, and March 2025, by Broo Doherty at DHH Literary (world English).
Fulbright scholar Mary Liza Hartong’s HOT CHICKEN, pitched as Schitt’s Creek meets Dumplin’, a Southern novel about a PhD candidate at Vanderbilt who returns to her small Tennessee hometown for her father’s funeral and picks up work at a hot chicken shack, where she falls in love with another young woman and has to find a way forward for herself, her feisty mother, and her new love, to Rachel Kahan at William Morrow, in a nice deal, for publication in winter/spring 2024, by Janna Bonikowski at The Knight Agency (world English).
Pitch Wars mentee KT Hoffman‘s THE KEYSTONE COMBINATION, pitched as Red, White & Royal Blue meets Ted Lasso, a rom-com about what happens when the first openly trans professional baseball player in history is forced to share the infield with his arch nemesis—a standoffish, super-talented, and inconveniently gorgeous player, to Katy Nishimoto at Dial Press, at auction, in a two-book deal, by Allison Hunter at Trellis Literary Management (NA).
Asha Thanki’s A THOUSAND TIMES BEFORE, a queer literary speculative novel tracing three generations of mothers and daughters—spanning from the 1947 Partition of India and Pakistan through to contemporary Brooklyn—who are connected by an ancient tapestry through which they inherit all the memories of their foremothers, to Nidhi Pugalia at Viking, at auction, by Stephanie Delman and Danya Kukafka at Trellis Literary Management (NA).
Children’s/Middle Grade Fiction
Middle school English teacher and GrubStreet Novel Incubator graduate Karen Wilfrid’s JUST LIZZIE, about an eighth grader whose study of asexual reproduction in science class leads her to understand her own asexual identity as she embarks on a journey toward self-discovery and self-advocacy, to Lily Kessinger at Clarion, at auction, for publication in fall 2023, by Lauren Scovel at Laura Gross Literary Agency (NA).
Rainie Oet’s THE BIRTHDAY PARTY, a picture book about a nonbinary child who is swept off to their surprise birthday party full of dreamlike creatures and magical, poignant moments, illustrated by Mathias Ball, to Susan Dobinick at Astra, for publication in spring 2024, by Abigail Frank at Sanford J. Greenburger Associates for the author, and by Natascha Morris at The Tobias Literary Agency for the illustrator (world).
Stonewall and Waterstones Children’s Book Prize award winning creator Harry Woodgate‘s GRANDAD’S PRIDE, a sequel to Grandad’s Camper, this time honoring the past and celebrating the future with a Pride parade, to Sue Buswell at Andersen Press, in a two-book deal, for publication in April 2023, by Alice Sutherland-Hawes at ASH Literary (world).
Young Adult Fiction
Elisa Bonnin‘s EXILES OF ELLERY WEST, a dark academia YA novel following a queer Filipino-American girl who returns as a probationary student to the acclaimed Ellery Academy of Magic, only to find her past—an accident involving dark magic that caused the death of her best friend—is far from behind her, and teams up with the other probationary classmates to prevent more deaths, even if it risks having her magic sealed away forever, to Rachel Diebel at Feiwel and Friends, for publication in spring 2024, by Natalie Lakosil and Antoinette Van Sluytman at Irene Goodman Agency (world).
Cecilia Vinesse‘s THE GIRL NEXT DOOR, following a bisexual film club nerd’s attempts to make her ex jealous by pretending to date his new girlfriend’s ex-girlfriend, who happens to be her ultra-cool next-door neighbor; as she gets deeper into the charade, she realizes why “fake dating” is such a tried-and-true movie trope—and that her heart’s in danger of being broken again, to Alyssa Miele at Quill Tree, in a good deal, at auction, in a two-book deal, for publication in summer 2023, by Molly Ker Hawn at The Bent Agency (NA).
Literary agent Lee Paige O’Brien’s A HUNDRED VICIOUS TURNS and an untitled sequel in The Broken Tower series, following the nonbinary heir to a powerful magical bloodline with the unsettling ability to find doorways that no one else can see, who finds themself drawn into a dangerous game of cat and mouse at an elite magic university when a malevolent force follows them back through the passages, to Emily Daluga at Amulet, in a two-book deal, for publication in fall 2023, by Jordan Hamessley at New Leaf Literary & Media (world English).
Laura Steven’s THE SOCIETY FOR SOULLESS GIRLS, a dark contemporary thriller with a supernatural twist pitched as a sapphic retelling of Jekyll & Hyde set at a haunted university, which follows two roommates who must solve an infamous cold case of serial murders on campus after an arcane soul-splitting ritual gone wrong prompts another death, to Hannah Hill at Delacorte, for publication in fall 2023, by Juliette Clark at Farshore (US). (Note: this book has already been released in the UK.)
Danish cartoonist Jam Aden‘s LOVE, MISHA, pitched as A Goofy Movie meets Spirited Away, about a nonbinary teen and their mother who, during a contentious road trip, take a wrong turn that lands them in the realm of the spirits, where they are surrounded by trickster spirits who aren’t so keen on human trespassers, with no obvious way out, to Samia Fakih at First Second, for publication in spring 2025, by Jennifer Laughran at Andrea Brown Literary Agency (world).
NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s CEMETERY BOYS 2, a sequel told from Julian’s point-of-view, pitched as The Sixth Sense meets Final Destination, when a monster starts creating malingo spirits in East L.A., to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in fall 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
Non-Fiction
Transgender writer Stacy Jane Grover‘s TAR HOLLOW TRANS, a debut collection of personal essays that tracks the author’s attempts and ultimate failure to write themselves into a recognizable transgender, Appalachian identity, to Abby Freeland at University Press of Kentucky, in a nice deal, for publication in spring 2023.
Appalachian bookseller and cofounder of Atlas Books Davis Shoulders’s QUEER COMMUNION: APPALACHIAN QUEERS & RELIGION, a collection of essays that examines how Queer individuals reimagine their relationship to spiritual communities and religious institutions, to Abby Freeland at University Press of Kentucky, in a nice deal, for publication in spring 2024.
Ed Emcee Dr. Anthony Keith Jr’s HOW THE BOOGEYMAN BECAME A POET, a YA memoir-in-verse tracing the author’s journey from being a closeted-gay Black high school teenager battling against poverty, racism, White supremacy, and homophobia to becoming an openly gay first-generation college student who finds unexpected freedom in poetry; and KNUCKLEHEAD, a poetry collection which takes the form of a tender love letter from an openly gay Black man to Black men and boys everywhere, to Ben Rosenthal at Katherine Tegen Books, in a significant deal, at auction, in a two-book deal, for publication in winter 2024 and winter 2025, by Annie Hwang at Ayesha Pande Literary (NA).
Queer artist with ADHD and creator of the Instagram account @blessthemessy Jess Bird’s BLESS THE MESSY, an illustrated personal development book that speaks candidly about inclusivity, acceptance, and radical self-love, and inspires readers to reframe chaos and mess as tools for growth and change, to Veronica Alvarado at Simon Element, in a pre-empt, by Kate Woodrow at Present Perfect (world English).
Birdie finds comfort in nature and books, but more than anything she longs for connection, to be understood. At school, Birdie feels like an outsider. Quiet and shy, she prefers to read by herself, rather than jump rope or swing with the other kids. That all changes when Sunny, the new girl, comes along. Like Birdie, Sunny has a nature name. She also likes to read, and loves to rescue bugs. And when Sunny smiles at her, Birdie’s heart balloons like a parachute.
Santi has only had his heart broken one time, and it was all his fault. When he accidentally leaked his internet best friend Memo’s song, and it became an overnight hit, Memo disappeared—leaving their song’s cult fame, and Santi, behind.
Ever since Daniel moved to L.A. from Brazil to join the band Mischief & Mayhem, he’s become the tabloids’ bad boy. Paparazzi follow him and girls swoon over him . . . except for Sasha, who hates bad boys. When a chance encounter brings them together, Sasha sees an opportunity to get close to Daniel and write a story that will make a name for herself at the celebrity gossip magazine where she interns. But Daniel is surprisingly sweet and extremely cute—could she be falling for him?![Scoreless Game (On the Board Book 2) by [Anna Zabo, L.A. Witt]](https://i0.wp.com/m.media-amazon.com/images/I/41UDi-Oe9iL.jpg?resize=161%2C262&ssl=1)
At nearly thirty-one years old, Pittsburgh Griffins captain Elias Karlsson’s hockey years are numbered. Everything is changing around him, including his eleven-year friendship with Nikolai Sidorov. Elias would give anything for Nisha to be a permanent part of his life, but their once bedrock-strong bond has broken into a million pieces, and Elias doesn’t know why. More than anything, Elias wants his friend back, but if that isn’t an option, maybe it’s time for him to look outside of hockey for someone to be there with him when hockey isn’t an option anymore.
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
When a surprise inheritance and whirlwind romance offer Mae a chance to escape her repressive aunt, she’s all too eager to elope and start life anew in her childhood home. But when she and her new husband arrive, the towering Victorian sits in disrepair, and Mae learns that her father’s decade-old, unsolved murder is still a source of rumor and speculation in town.
A year ago, beloved cheerleader Stella Blackthorn vanished without a trace. Devastated, her younger sister, Iris, launched her own investigation, but all she managed to do was scare off the police’s only lead and earn a stern warning: Once she turns eighteen, more meddling means prison-level consequences.
Hannah Rosenstein 
Halfway through sixth grade, Noah’s best friend and the only other trans boy in his school, Lewis, passed away in a car accident. Lewis was adventurous and curious, always bringing a new paranormal story to share with Noah. Together they daydreamed about cryptids and shared discovering their genders and names. After his death, lonely and yearning for someone who could understand him like Lewis once did, Noah starts writing letters to Mothman, wondering if he would understand how Noah feels and also looking for evidence of Mothman’s existence in the vast woods surrounding his small Poconos town. Noah becomes determined to make his science fair project about Mothman, despite his teachers and parents urging him to make a project about something “real.”
Twelve-year-old Abigail (she/her/hers) is so excited to spend her summer at Camp QUILTBAG, an inclusive retreat for queer and trans kids. She can’t wait to find a community where she can be herself—and, she hopes, admit her crush on Laura Dern to kids who will understand.
Eleven-year-old Simon and his siblings, Talia and Rose, are staying the week at Nanaleen’s century-old house. This time, though, it’s not their usual summer vacation trip. In fact, everything’s different. It’s fall, not summer. Mom and Dad are staying behind to have a “talk.” And Nanaleen’s house smells weird, plus she keeps forgetting things. And these aren’t the only things getting under Simon’s skin: He’s the only one who knows that his name is Simon, and that 
Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his slimy arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means.
El Diablo is in the details in this Latinx pirate fantasy starring a transmasculine nonbinary teen with a mission of revenge, redemption, and revolution.
Seventeen-year-old Gael is used to keeping to himself. Though his best friend convinces him to attend a meeting of Plus, a support group for LGBTQIA+ teens, Gael doesn’t plan on sharing much. Where would he even start?
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City – a utopia where the testosterone and surgery he needs to transition is free, the food is plentiful, and folk are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream, until he meets the exceptionally handsome Osric.
Natalie Donovan jumps at a friend’s offer to stay in the family cabin for a month—she desperately needs the chance to get away from, and get over, her messy breakup. She doesn’t count on the owner of the local diner making her heart pound and her body desperate to be touched.![Warrior Of Hearts - Book 1: ONLINE by [Beau Van Dalen]](https://i0.wp.com/m.media-amazon.com/images/I/41wrgbRJ5-L.jpg?resize=179%2C262&ssl=1)
At the age of twenty-one, Alex Winters has already repaid his student loans, gotten his own apartment, and become officially recognized as a rising artist to watch out for in the character design field. Everything is perfect, except it’s not, because Alex is miserable.
Aashvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society–picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups–The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community.![Heart, Haunt, Havoc by [Freydís Moon]](https://i0.wp.com/m.media-amazon.com/images/I/41NDcxAaN9L.jpg?resize=189%2C305&ssl=1)
When lonely transgender exorcist Colin Hart finds himself challenged by an unruly haunted house in Gideon, Colorado, he’s kept awake by ghosts, demons, ghouls, and the handsome nonbinary owner of the house, Bishop Martínez.![A Milky Way Home (Clover Hill Romance Book 6) by [Hsinju Chen]](https://i0.wp.com/m.media-amazon.com/images/I/41rsmkJr0uL.jpg?resize=198%2C327&ssl=1)
Yen-Chen Chang is tired of the big corporate world. After quitting his high-paying software engineer job in Seattle, he’s desperate to move back to Taipei to figure out the next stage of his career. When his best friend invites him to visit Clover Hill as the last stop before going home, he gladly welcomes the opportunity to see the town they love.![A Zookeeper's Guide to Dating (The T-Guides: A Transgender MM Romance Series) by [Roan Rosser, Ian M. Keller]](https://i0.wp.com/m.media-amazon.com/images/I/41OBMUOtobL.jpg?resize=179%2C286&ssl=1)
Wallflower janitor Emily has dreamed of being a zookeeper their entire life. But they’ve been passed over again and again for promotion. Asked out by a gay man who thinks they’re named ‘Emil,’ they feel happy for the first time in forever.
Any Other City is a two-sided fictional memoir by Tracy St. Cyr, who helms the beloved indie rock band Static Saints. Side A is a snapshot of her life from 1993, when Tracy arrives in a labyrinthine city as a fledgling artist and unexpectedly falls in with a clutch of trans women, including the iconoclastic visual artist Sadie Tang.
Joy, a twelve-year-old trans girl, just moved to Texas with her mother and older brother. Her family has accepted Joy as the girl she is early in her transition, with little fuss, leaving Joy to explore her love of sports, competition, teamwork, school spirit, and worship.
Someone wants trans girl hacker-for-hire Kiera Umehara in prison or dead—but for what? Failing to fix their smart toilet?
Keep your enemy closer.
When her celebrity chef boss is taken down in a sexual harassment scandal, Chelsea Boudreaux’s dream of getting her own cooking show comes true. Her hometown of Duchesne, Louisiana, provides the perfect backdrop for her modern takes on traditional Cajun fare. Vindicating herself to the mother who never believed in her is icing on the cake.
‘On the bookshelves, there was plenty of stuff on being gay, and much needed, joyous accounts of what it is to be trans, but nothing really that encapsulates what is it to be both – to exist in the hazy terrain between.’
Erin McCabe’s years as a criminal defense attorney have prepared her for almost anything, except being on the opposite side of the interrogation table. A new client—a successful financial adviser—was found stabbed to death on the beach near his palatial Jersey Shore home. The time of death is estimated to be during Erin’s one and only consultation with him, during which he revealed that he was secretly transgender. As the last person to see him alive, Erin’s now the prime suspect.
As a young femme growing up in Manila in the 1990s, Geena Rocero endured shouts of 
As the first openly transgender government official to hold an office that requires Senate confirmation, the first openly transgender four-star officer in uniform service, and the first female four-star admiral in the commissioned corps, Rachel Levine faced many obstacles throughout her life. But she persisted through them all and showed kids of all genders that they can succeed in their dreams too.
Newly-out trans artist’s assistant Sammie is invited to an old friend’s bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean’s international waters—think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie’s college buddies haven’t quite gotten the message—as evidenced by their formerly closest friend Adam asking them to be his “best man.”
“Can I kiss you?” It was two months before the world premiere of 
Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty’s Royal Coven prepares to crown her High Preistess.
Thomas Simmons nearly died when a rocket-propelled grenade threw him ass over teakettle while flanking insurgents in Mosul, ending his military career. Recovery’s rough and gives him all the time in the world to face the question he’s avoided all his life: Why does he feel jealous of women?
“I’ve lived a completely ordinary life, so much that I don’t know how to write a transgender or queer or Appalachian story, because I don’t feel like I’ve lived one. … Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness.”
Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey – from Thomas Anderson, to Neo… to Trinity.
Elisheva Cohen has just returned to Brooklyn after almost a decade. The wounds of abandoning the Orthodox community that raised her, then shunned her because of her substance abuse, are still painful. But when she gets an amazing opportunity to study photography with art legend Wyatt Cole, Ely is willing to take the leap.
Mors vincit omnia. Death conquers all.
Rat Evans, nonbinary heir to one of the oldest magical bloodlines in New York, doesn’t cast spells anymore. For as long as Rat can remember, they’ve been surrounded by doorways no one else sees and corridors that aren’t on any map. Then one day, they opened a passage and found a broken tower in a field of weeds—and something followed them back.![The Borrow a Boyfriend Club by [Page Powars]](https://i0.wp.com/m.media-amazon.com/images/I/51thkoEK1GL.jpg?resize=214%2C319&ssl=1)
Noah Byrd is the perfect boy. At least, that’s what he needs to convince his new classmates of to prove his gender. His plan? Join the school’s illustrious (and secret) Borrow a Boyfriend Club, whose members rent themselves out for dates. Once he’s accepted among the bros, the “slip-ups” end.
An unnamed trans woman is looking for a sense of belonging, a better relationship with her son, and friends that aren’t imaginary in this playful and aching short novel. As she navigates the many worlds she belongs to she wrestles with her many anxieties and fears about the world around her. Her son and ex live in another state. Companion robots are popping up. Environmental disasters are being outsourced from the coast to the Midwest. And at any time anyone anywhere might turn out to be a new friend or an enemy.![How to Get Over the End of the World: A Novel by [Hal Schrieve]](https://i0.wp.com/m.media-amazon.com/images/I/51P3TgoMcYL.jpg?resize=194%2C291&ssl=1)
James Goldman, self-described neurotic goth gay transsexual stoner, is a senior in high school, and fully over it. He mostly ignores his classes at Cow Pie High, instead focusing on fundraising for the near-bankrupt local LGBTQ+ youth support group, Compton House, and attending punk shows with his friend-crush Ian and best friend Opal. But when James falls in love with Orsino, a homeschooled trans boy with telepathic powers and visions of the future, he wonders if the scope of what he believes possible is too small. Orsino, meanwhile, hopes that in James he has finally found someone who will be able to share the apocalyptic visions he has had to keep to himself, and better understand the powers they hold.
There have been trans images in cinema for over a century — very often bad cultural objects and very often inspired by the cultural zeitgeist, from Christine Jorgensen to Candy Darling to a guest on ![No One Left But You by [Tash McAdam]](https://i0.wp.com/m.media-amazon.com/images/I/41rTVov4ABL.jpg?resize=188%2C284&ssl=1)
BEFORE. Newly out trans guy Max is having a hard time in school. Things have been tough since his summer romance, Danny, turned into his bully. This year, his plan is to keep his head down and graduate. All that changes when new It-girl Gloss moves to town. No one understands why perfect, polished Gloss is so interested in an introverted skater kid, but Max blooms in the hothouse of her attention. Caught between romance and obsession, he’ll do whatever it takes to keep her on his side.![Godly Heathens: A Novel (The Ouroboros Book 1) by [H.E. Edgmon]](https://i0.wp.com/m.media-amazon.com/images/I/41uUXHFU9WL.jpg?resize=195%2C301&ssl=1)
Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.
Eli Ward hasn’t been back to his suffocating hometown of New Port Stephen, Florida, in ages. Post-transition and sober, he’s a completely different person from the one who left years ago. But when a scandal threatens his career as a TV writer and comedian, he has no choice but to return home for the holidays. He can only hope he’ll survive his boisterous, loving, but often misguided family and hide the fact that his dream of comedy success has become a nightmare.
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
TJ Alexander, the critically acclaimed author of Chef’s Kiss and forthcoming Chef’s Choice, is an amateur baker and author who writes about queer love. Originally from Florida, they received their MA in writing and publishing from Emerson College in Boston. They live in New York City with their wife and various houseplants.