Category Archives: Deal Announcements

April 2022 Deal Announcements

Adult Fiction

Author of THE UNBROKEN C.L. Clark’s WARMONGERS, in an epic fantasy set in a kingdom in a cycle of eternal war, two women—once lovers and warriors at arms—are set on a collision course when years after their separation, one is crowned king and the other vows to kill her, to Brit Hvide at Orbit, by Mary C. Moore at Kimberley Cameron & Associates (world).

Author of UNEXPECTED GOALS Kelly Farmer’s IT’S A FABULOUS LIFE, pitched as a sapphic retelling of the classic holiday movie as a second chance romance, in which a realtor puts her plans on hold again to help with her small town’s winter festival and, with the aid of angelic drag queens, reconnects with her high school crush, to Stacey Donovan at Hallmark, in a nice deal, for publication in fall 2023 (world English).

Arden Joy’s KEEP THIS OFF THE RECORD, pitched as a romantic comedy remix of Shakespeare’s Much Ado About Nothing that transforms ye olde damsels in distress into queer women, women of color, and women overcoming trauma, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in January 2024 (world English).

Andie Burke’s COME FLY WITH ME, an opposites-attract romantic comedy about a female pilot and a woman who’s afraid of flying, who start fake dating after the woman saves a passenger’s life mid-flight and then goes viral, to Lisa Bonvissuto at St. Martin’s, in a very nice deal, in a two-book deal, for publication in fall 2023, by Mariah Nichols at D4EO Literary Agency (world).

Nicola Dinan‘s BELLIES, a queer coming-of-age story about two students who fall in love during their final year at university, only to find their relationship dramatically upended when one of them decides to transition, spanning London, Malaysia, and New York in the years after they graduate, pitched as Torrey Peters meets NORMAL PEOPLE, to Grace Towery at Hanover Square Press, in a pre-empt, by Monica MacSwan at Aitken Alexander (NA).

Author of A STAR IS BORED Byron Lane‘s BIG GAY WEDDING, a comedy of (mis)manners in which a young man returns home from Los Angeles to to his widowed mother’s farm in Louisiana with news of his upcoming nuptials—to a man—and the bigger surprise that the wedding will take place on the farm, pitched as The Birdcage meets Father of the Bride, to James Melia at Holt, for publication in summer 2023, by Deborah Schneider at Gelfman Schneider/ICM (NA).

Author, folklorist, and photographer Piper CJ’s THE NIGHT AND ITS MOON, originally self-published, about orphans who are sold to the highest bidder—in this case, the madame of a notorious brothel; along with THE SUN AND ITS SHADE, THE GLOOM BETWEEN STARS and THE DAWN AND ITS LIGHT, in a sapphic/bi romantic epic fantasy series, to Christa Desir at Bloom Books, in a very nice deal, in a four-book deal, for publication starting in September 2022 (world English).

Alexandrine Ogundimu’s THE LONGEST SUMMER, in which a half-Nigerian party boy navigates a bisexual love triangle and is the primary suspect of a $10,000 cash theft in a decaying Indiana city, to Christoph Paul at Clash, in a nice deal, for publication in June 2023 (world English).

BURN IT ALL DOWN author Nicolas DiDomizio’s THE GAY BEST FRIEND, a summer comedy set on a beach following a gay millennial as he code-switches between the hyper-masculine and ultra-feminine worlds of his two soon-to-be-wed best friends, to Mary Altman at Sourcebooks, in a two-book deal, for publication in spring 2023 (world).

Audiobook narrator and self-published author Travis Baldree’s LEGENDS & LATTES, in which an orc barbarian decides to hang up her sword and open a fantasy coffee shop, to Georgia Summers at Tor, in a good deal, in a pre-empt, in a two-book deal, by Stevie Finegan at Zeno Agency (world).

Deputy director of the gender equality division of the Bill & Melinda Gates Foundation Iris Mwanza’s THE GOOD BOY, about the disappearance of a queer boy in Lusaka, Zambia, possibly at the hands of the police, and the young, inexperienced lawyer who fights a corrupt system to get justice for him, set against the backdrop of the Zambia’s political upheaval in the 1990s, to Graydon House, at auction.

Isa Arsen‘s SHOOT THE MOON, pitched as THE ATOMIC CITY GIRLS meets THE TIME TRAVELER’S WIFE, about a queer female engineer at NASA working on the 1969 space race and her unusual discovery linked to her childhood in the 1940s, which explores the high human cost of scientific progress and the driving need for both intellectual fullfilment and romantic love, no matter the time and place, to Kate Dresser at Putnam, for publication in fall 2023, by Chris Bucci at Aevitas Creative Management (world).

Children’s Fiction

Author of the Norman the Goldfish series and the upcoming THE HOUSE THAT BABE RUTH BUILT Kelly Bennett’s RAINBOW KITE, stories of love, community, and family, about a nonbinary child following a kite on adventures to find community and acceptance; MONSTROUS MOE, in which a grumpy monster decides if a hug can help him be less grumpy; and MIA TAKES MANHATTAN, in which a cobra escapes the Bronx Zoo and travels the city before realizing she misses home, to Chrissy Willis at Young Dragons Press, in a nice deal, in a three-book deal, by Amy Brewer at Metamorphosis Literary Agency (US).

Michelle Mohrweis‘s YOUNG ENGINEERS, in which an autistic seventh grader, with a love of all things space, finds herself paired on an engineering project with her biggest crush, and both girls confront their messy family dynamics, feelings for one another, and high expectations, to Jonah Heller at Peachtree, in an exclusive submission, for publication in spring 2024, by Emily Forney at BookEnds (world).

Young Adult Fiction

Author of COOL FOR THE SUMMER and the forthcoming HOME FIELD ADVANTAGE Dahlia Adler‘s GOING BICOASTAL, pitched as a bi Sliding Doors, following a Jewish teen through two versions of the summer before senior year, one in NYC (with a cute girl) and one in L.A. (with a cute boy); and MY NAME IS EVERETT, a sunshine-meets-grump boarding school romance pitched as BEACH READ meets FOOLISH HEARTS, to Vicki Lame at Wednesday Books, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2023 and summer 2024, by Patricia Nelson at Marsal Lyon Literary Agency (NA).

Benjamin Dean’s THE KING IS DEAD, a gay romantic thriller set against the backdrop of a reimagined royal family, about a newly crowned young Black king facing media scrutiny and blackmail, pitched as ACE OF SPADES meets RED, WHITE & ROYAL BLUE, to Erika Turner at Little, Brown Children’s, in a pre-empt, in a two-book deal, for publication in summer 2023, by Chloe Seager at Madeleine Milburn Literary Agency (NA).

Author of the forthcoming YOU, ME, AND OUR HEARTSTRINGS Melissa See’s LOVE LETTERS TO JOY CORVI, pitched as a contemporary retelling of Cyrano de Bergerac, in which a panromantic asexual girl with cerebral palsy who is determined to be valedictorian seeks love advice from an anonymous student at her academy; but she’s unknowingly writing to—and falling for—the last person she ever expected, to Tiffany Colon at Scholastic, for publication in summer 2023, by Emily Forney at BookEnds (world English).

Keezy Young’s graphic novel HELLO SUNSHINE, in which a boy returns from church camp to discover that his (secret) boyfriend has gone missing and now he must enlist an unlikely team of worried friends and family to find him; a teen drama that uses the atmosphere of a demon haunting to tell a story of mental health, healing, and romance, to Andrea Colvin at Little, Brown Children’s, for publication in 2025, by Kurestin Armada at Root Literary (world).

Rex Ogle writing as Rey Terciero’s DAN OF GREEN GABLES, pitched as a twist on ANNE OF GREEN GABLES, the story of a queer, half-Mexican teenager who is forced to live with his grandparents in rural Tennessee when his mother abandons him; with the help of his mawmaw and his new friends, he makes an unlikely home for himself at 1600 Green Gables, illustrated by Claudia Aguirre, to Elizabeth Lee at Penguin Workshop, for publication in summer 2025, by Brent Taylor at TriadaUS Literary Agency for the author, and by Kate McKean at Howard Morhaim Literary Agency for the illustrator (world).

Eugene Lee Yang‘s THE UNDERS, a queer epic fantasy in which a group of teens band together to stop a war between the human and the magical world, to Emily Settle at Feiwel and Friends, in a major deal, at auction, in a two-book deal, for publication in spring 2024, by Jessica Felleman at Jennifer Lyons Literary Agency (NA).

Author of the forthcoming THE MANY HALF-LIVED LIVES OF SAM SYLVESTER Maya MacGregor’s THE EVOLVING TRUTH OF EVER-STRONGER WILL, about a nonbinary teen who, after watching their abusive mother die in front of them, seeks out a former foster mother who once was ready to adopt them, in a mystery about family, grief, and surviving an abusive parent even as their mother’s ghost seems to dog their every step, to Suzy Krogulski at Astra House, for publication in 2024, by Sara Megibow at kt literary (world English).

Edgar Award winner and Stonewall Honor author James Klise’s I’LL TAKE EVERYTHING YOU HAVE, a noir set in Chicago in the summer of 1934, in which a queer teen’s naive get-rich-quick scheme leads to deadly criminal consequences, to Elise Howard at Algonquin Young Readers, for publication in 2023, by Jennifer Laughran at Andrea Brown Literary Agency (world).

Victoria Wlosok’s debut HOW TO FIND A MISSING GIRL, about a 17-year-old amateur sleuth and her sapphic detective agency that investigates when her ex-girlfriend—notorious for creating a polarizing true-crime podcast about the sleuth’s missing sister—disappears too, to Alexandra Hightower at Little, Brown Children’s, for publication in fall 2023, by Jessica Errera at Jane Rotrosen Agency (world). Film: Becca Rodriguez at Gotham.

Non-Fiction

Inclusion advocate, educator, and the first openly transgender D1 men’s athlete Schuyler Bailar‘s HE/SHE/THEY: HOW WE TALK ABOUT GENDER AND WHY IT MATTERS, an inquiry into today’s gender landscape, laying the groundwork for productive conversations about gender on an individual and national level, pitched as in the vein of SO YOU WANT TO TALK ABOUT RACE, to Renee Sedliar at Hachette Go, at auction, by Susan Canavan at Waxman Literary Agency (NA).

Founder of the Ali Forney Center Carl Siciliano’s STRONG AS DEATH, SWEET AS LOVE, about the author’s work with homeless LGBTQ+ youths in New York City and his friendship with Ali Forney, a nonbinary youth whose compassionate life and tragic death on New York City’s streets inspired him to establish the Center and live a life of service and resistance, to Derek Reed at Convergent, at auction, for publication in summer 2023, by Jesseca Salky at Salky Literary Management, in association with Charlotte Sheedy Literary Agency (NA).

Shilletha Curtis’s MOUNTAIN OF THE MOON, pitched as a Black lesbian WILD crossed with GIRL INTERRUPTED, tracing the author’s 2,193-mile thru-hike of the Appalachian Trail and intersectional quest to change the narrative of “hiking while Black” while confronting the roots of her lifelong depression, anxiety, PTSD and ADHD, to Jennifer Levesque at Andscape, in a good deal, in a pre-empt, by Lynn Johnston at Lynn Johnston Literary (world English).

 

March 2022 Deal Announcements

Adult Fiction

Iowa Writer’s Workshop graduate Eliot Duncan’s PONYBOY, about trans masculinity, addiction, sex, family, self-destruction, and the pains—and inevitable joy—of becoming, documenting the narrator’s spiral into and out of his body, and set in Paris, Berlin, and the Midwest, to Mo Crist at Norton, by Ian Bonaparte and PJ Mark at Janklow & Nesbit (NA)

CJ Connor’s BOARD TO DEATH, the first in a queer cozy mystery series featuring a 30-something professor-turned-board game shop proprietor who juggles keeping his father’s Salt Lake City-based board game shop alive, a budding romance with the handsome florist next door, and a murder that threatens the game shop’s livelihood, to Elizabeth Trout at Kensington, in a two-book deal, by Jessica Faust at BookEnds.

Kat Caliteri‘s debut BOYSTOWN HEARTBREAKERS, in which a Chicago hairstylist has only three things to his name: a pair of $1,200 shears, a Boystown studio apartment, and a list of men who’ve broken his heart written on his closet wall; will this friends-to-lovers romance end in a happily ever after?, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in spring 2024.

Recipient of the National Book Foundation’s Medal for Distinguished Contribution to American Letters Edmund White‘s THE HUMBLE LOVER, about a rich older man who falls in love with a young star in the New York City Ballet and becomes something between his patron, friend, and lover, to Daniel Loedel at Bloomsbury, for publication in 2023, by Bill Clegg at The Clegg Agency (world English).

Author of THE GOLDEN SEASON Madeline Kay Sneed’s THE BEST DAY OF OUR LIVES, pitched for fans of Maggie Shipstead’s SEATING ARRANGEMENTS, a layered family drama starring an ensemble cast set at a big, splashy Texas wedding over the course of a weekend, in which a member of the wedding party is forced to reconnect—explosively—with her ex-wife, throwing several other relationships into chaos as a result, to Brittany Lavery at Graydon House, for publication in winter 2024, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world English).

Playwright Jeffrey Richards’s WE ARE ONLY GHOSTS, a psychological novel with LGBTQ+ themes about a Jewish survivor of Auschwitz, who after the war, finds his way to New York City, where two decades later he is confronted by the man who was both his tormentor and his savior, to John Scognamiglio at Kensington, for publication in spring 2024, by Matthew Carnicelli at Carnicelli Literary Management (world).

Carlyn Greenwald‘s SIZZLE REEL, a love triangle rom-com following an aspiring cinematographer and talent manager’s assistant who, after coming out as bi at 23, finds herself attracted to an ambiguously gay A-list actress who takes an interest in her career, complicating her already-complex friendship with her suave, nonbinary lesbian best friend, to Caitlin Landuyt at Vintage, in a pre-empt, in a two-book deal, for publication in spring 2023, by Janine Kamouh at William Morris Endeavor (NA).

University of Memphis professor and author of the story collection QUANTUM CONVENTION Eric Schlich’s ELI HARPO’S ADVENTURE TO THE AFTERLIFE, a coming-of-age story about a boy raised to believe he briefly went to heaven, whose religious doubts and questions about his sexuality start to emerge at the worst possible time—on his family’s road trip to Bible World to see the new attraction based on his near-death experience, to Abby Muller at Algonquin, by Rachel Ludwig at David Black Literary Agency (world).

Lesbian comic artist Ren Strapp’s HOW COULD YOU?, in which a group of college women must navigate platonic and romantic love through heartbreak, matchmaking, and a semester abroad, to Jasmine Amiri at Oni Press, in a nice deal, for publication in 2024, by Stephanie Winter at P.S. Literary Agency (world).

Co-editor of the Cambridge University Press Elements in Crime Narratives Series and Lambda Literary Award Finalist Margot Douaihy’s debut SCORCHED CROSS, the first in a series of hardboiled-inspired queer whodunits following a chain-smoking, heavily tattooed, queer nun, who puts her amateur sleuthing skills to the test after her convent becomes the target of a shocking arson spree, leading her down a twisty path of suspicion and secrets during the end of a sweltering New Orleans summer, to Gillian Flynn Books, in a pre-empt.

Artist, filmmaker, and poet Navid Sinaki’s MEDUSA OF THE ROSES, an Iranian noir steeped in Persian and Greek mythology that follows a queer petty thief and morbid romantic in a feverish search for answers and revenge after his boyfriend disappears, to Katie Raissian at Grove/Atlantic, by Mariah Stovall at Trellis Literary Management (NA).

DEPART, DEPART! author Sim Kern’s REAL SUGAR IS HARD TO FIND, a collection of stories exploring intersections of climate change, identity, reproductive justice, queerness, and family trauma, charting a path from climate despair toward resilience and revolutionary optimism, to Justine Norton-Kertson at Android, in a nice deal, for publication in August 2022 (world English).

David R. Slayton’s TO CATCH A GEEK, pitched in the vein of FANGIRL meets RED, WHITE & ROYAL BLUE, in which a man wants to reboot his favorite sci-fi show but the creator’s embittered son stands in his way; when the son plots to use his reboot to show the world who his father really was, he learns that being a geek isn’t a bad thing while he learns that meeting your heroes sometimes is, to Tera Cuskaden at Crazy Maple Studio, for publication in winter 2023, by Lesley Sabga at The Seymour Agency (world).

Poet Natasha Siegel‘s debut SOLOMON’S CROWN, pitched in the vein of Madeline Miller’s THE SONG OF ACHILLES, a queer, alt-history reimagining of two medieval kings, Richard the Lionheart and Philip Augustus, who fall into a forbidden affair and must choose between betraying one another for the sake of their legacies, or following their hearts, to Jesse Shuman at Bantam Dell, in a two-book deal, by Tara Gilbert at Jennifer De Chiara Literary Agency (world English).

Children’s/Middle Grade Fiction

Jazz Taylor‘s STARTING FROM SCRATCH, about a girl whose new stepsister throws off her carefully crafted coping mechanisms, takes over her favorite activities and friends, and moves in with a cat even though she is scared of them—leaving her to figure out how to deal with a copycat sister and a stubbornly affectionate feline in their new blended home, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in spring 2023, by Holly Root at Root Literary (world).

Author-illustrator Elijah Forbes’s debut ANONG AND THE RIBBON SKIRT, a middle-grade graphic novel featuring a Two-Spirit nonbinary child who sets out to create and wear a ribbon skirt—a piece of clothing typically worn by women in the Anishinaabe tradition—at an upcoming powwow, to Cassandra Pelham Fulton at Graphix, for publication in fall 2024, by Nicole Geiger at Full Circle Literary (world).

Elizabeth Lee at Penguin Workshop has bought, in an exclusive submission, Playbook for Imperfect Planets by debut author Erin Becker. This contemporary, dual-POV middle grade novel is an enemies-to-first-crushes story following two 13-year-old girls whose fierce rivalry on the soccer field is complicated by their burgeoning feelings for each other. Publication is scheduled for summer 2024; Joanna Volpe and Abigail Donoghue at New Leaf Literary & Media negotiated the deal for world English rights.

Young Adult Fiction

Justin Arnold’s WICKED LITTLE THINGS, a campy horror in which a recently outed teen discovers he is a witch and returns to his small hometown to solve the murder of his cousin; in order to catch the rabbit-faced killer, he reluctantly joins a coven of fashion-forward mean girls and gets up close and personal with a werewolf, all while learning to embrace his power, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in fall 2022 (world English).

Author of NEVER KISS YOUR ROOMMATE Philline Harms’s LOVE AND OTHER WICKED THINGS, a witchy, sapphic romance set in a small, magical town, to Rebecca Sands at Wattpad, for publication in spring 2023 (world).

Dale Walls’s debut THE QUEER GIRL IS GOING TO BE OKAY, about a tight-knit group of three queer girls navigating love, friendship, and changes during their senior year of high school in Houston, to Meghan Maria McCullough at Levine Querido, in an exclusive submission, for publication in fall 2023, by Garrett Alwert at Emerald City Literary Agency (world).

Alex Crespo’s SAINT JUNIPER’S FOLLY, a queer Gothic mystery pitched as CEMETERY BOYS meets THE DEVOURING GRAY, in which a straight-laced golden boy and a novice witch team up to rescue a Mexican American teen with a cryptic past who has become trapped inside a haunted mansion in Vermont, to Ashley Hearn at Peachtree Teen, in a two-book deal, for publication in summer of 2023, by Mary C. Moore of Kimberley Cameron & Associates (world).

Anna-Marie McLemore and Elliott McLemore‘s VENOM & VOW, a YA fantasy about a transgender prince doubling for his brother, and a bigender boy assassin/lady-in-waiting, who, thanks to their concealed identities, don’t realize they’re simultaneously falling for and trying to destroy each other, to Kat Brzozowski at Feiwel and Friends, for publication in spring 2023, by Taylor Martindale Kean at Full Circle Literary (NA).

Elle Gonzalez Rose‘s debut CAUGHT IN A BAD FAUXMANCE, a queer, Latinx rom-com pitched as TO ALL THE BOYS I’VE LOVED BEFORE meets Schitt’s Creek, in which an aspiring artist’s winter vacation devolves into hijinks after his family’s affluent long-time rivals challenge them to a bet that could cost his family their beloved lake cabin; but when the enemy’s attractive son comes to him in desperate need of a fake boyfriend, he reluctantly agrees to set aside loathing for love to take down the other family once and for all, to Bria Ragin, Nicola Yoon, and David Yoon at Joy Revolution, for publication in fall 2023, by Uwe Stender at TriadaUS Literary Agency (world).

Claire Winn‘s CITY OF VICIOUS NIGHT, the sequel to CITY OF SHATTERED LIGHT, a queer, female-led cyberpunk adventure, in which an heiress-turned-smuggler and a gunslinger are forced to vie for leadership of an underworld faction after a mysterious hacker turns the city against them; meanwhile, a captured crew member must ally with an old enemy to find his way home, to Meg Gaertner at Flux, for publication in spring 2023, by Cortney Radocaj at Belcastro Agency (world).

Stacey Anthony’s MAKEUP, BREAKUP, an LGBTQ+ contemporary romance in which a self-taught, up-and-coming makeup artist competes against rival influencers—one of whom happens to be their ex—in a cosplay competition to win a scholarship to a prestigious special effects school, to Britny Brooks at Running Press Kids, in a nice deal, for publication in the summer of 2023, by Haley Casey at Creative Media Agency (world English).

Musician Jessamyn Violet‘s SECRET RULES TO BEING A ROCKSTAR, a queer debut about a teenage musician who jumps at a chance to play in her favorite rock band on their upcoming world tour, only to realize her heroes have their own agenda and might be leading her down a dark path, to Peter Carlaftes at Three Rooms Press, with Kat Georges editing, in a nice deal, for publication in April 2023, by Devon Halliday at Transatlantic Literary Agency (world English).

Jason June‘s RILEY WEAVER NEEDS A DATE TO THE GAYBUTANTE BALL, in which a gay, femme 16-year-old hopes to enter the Gaybutante Society, a world-renowned organization full of queer tastemakers, and when he’s told by a gay cis classmate that gay guys aren’t attracted to femme gays, he bets he’ll find a boyfriend in time for the Gaybutante Ball, to Megan Ilnitzki at Harper Teen, in a good deal, in a two-book deal, for publication in summer 2023, by Brent Taylor at TriadaUS Literary Agency (world English).

Linda Cheng’s debut YA, GORGEOUS GRUESOME FACES (and its sequel), a supernatural sapphic YA horror novel pitched as WILDER GIRLS meets LOVEBOAT, TAIPEI set in the glittering, cut-throat world of Asian pop that follows a disgraced teen idol who comes face to face with a former bandmate and the demons of their shared past when the two enter a competition that devolves into a deadly nightmare, to Kate Meltzer at Roaring Brook Press, at auction, for publication in 2023, by John Cusick at Folio Literary Management/Folio (world).

BETWEEN PERFECT AND REAL author Ray Stoeve‘s THE SUMMER LOVE STRATEGY, in which two girls (one cis, one trans) decide to emulate romcoms to help each other find love and end up falling for each other, to Maggie Lehrman at Amulet, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (world English).

Sarah Van Name‘s THESE BODIES BETWEEN US, pitched as The Craft by way of Nina LaCour, following four friends in a North Carolina beach town who spend their summer learning to become invisible until their newfound powers start to spiral out of control, to Hannah Hill at Delacorte, for publication in spring 2024, by Maria Bell at Sterling Lord Literistic (world English).

Xan van Rooyen‘s MY NAME IS MAGIC, set at a Finnish school for the magically gifted, in which a 15-year-old magically challenged nonbinary student must save their disappearing friends, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in September 2022, by Lindsay Leggett at The Rights Factory (world English).

Emmett Nahil and George Williams’s LET ME OUT, a queer horror graphic novel set during the Satanic panic, in which four friends must unravel a conspiracy involving secret government bureaus and strange rituals, while things take a turn for the hellish—literally, to Jasmine Amiri at Oni Press, for publication in 2023, by Tamara Kawar at ICM (world).

Non-Fiction

Dance photographer and journalist duo Yael Malka and Coco Romack‘s QUEER DANCE, a photojournalistic celebration of LGBTQ+ dancers, choreographers, companies, and collectives across the country who are challenging the heteronormative status quo of the dance world, pairing Malka’s images with Romack’s reported essays, to Mirabelle Korn at Chronicle, for publication in spring 2024, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world).

Pop culture writer, video-maker, and queer geek extraordinaire Matt Baume‘s untitled book, which traverses the history of sitcoms from the ’60s to the present to tell the story of how subversive queer comedy transformed the American sitcom—and how our favorite sitcoms transformed America, to Robb Pearlman at Smart Pop, by Lauren Abramo at Dystel, Goderich & Bourret (world).

Filmmaker and cofounder of the Asian American Writers’ Workshop Curtis Chin‘s EVERYTHING I LEARNED, I LEARNED IN A CHINESE RESTAURANT, about coming of age and coming out, tracing the author’s journey through 1980s Detroit, navigating rising xenophobia, the AIDS epidemic, and the Reagan revolution to find his voice as a writer and activist, set against the backdrop of his family’s popular Chinese restaurant, to Vivian Lee at Little, Brown, in a good deal, at auction, by Sonali Chanchani and Erin Harris at Folio Literary Management (NA).

NYT essayist, poet, and the first out active bisexual NFL player R. K. Russell’s THE YARDS BETWEEN US, which traces his experience discovering his sexuality alongside his career in football as it explores the defining people and moments in his life; a fresh look at masculinity, sexuality, race, sports, and how they intersect, to Jennifer Levesque at Andscape, with Kelli Martin editing, at auction, for publication in fall 2022, by Sarah Bowlin at Aevitas Creative Management (world).

February 2022 Deal Announcements

Adult Fiction and Poetry

Haley Jakobson‘s OLD ENOUGH, a coming-of-age novel about a bisexual college sophomore who is reveling in the joy of discovering and being embraced by a queer community—and nursing a face-burning crush on someone in her gender and sexuality class—while grappling with the tumultuous history between her and her childhood best friend and the promises they made to each other long before they realized how hard it would be to keep them, pitched as for fans of ONE LAST STOP and QUEENIE, to Pilar Garcia-Brown at Dutton, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world).

Continue reading February 2022 Deal Announcements

January 2022 Deal Announcements

Adult Fiction and Poetry

C.E. McGill‘s OUR HIDEOUS PROGENY, pitched as a queer take on the Mary Shelley classic, in which an aspiring paleontologist and great-niece of Victor Frankenstein attempts to make her name in the patriarchal world of Victorian science by creating her own monster, only to reevaluate what monstrous truly means, to Wendy Wong at Harper, in a good deal, in a pre-empt, for publication in spring 2023, by Tamara Kawar at ICM, on behalf of Sue Armstrong at C+W (NA).

Author-illustrator of TURNING JAPANESE MariNaomi‘s I THOUGHT YOU LOVED ME, a mixed media forensic journey into false memory and lost queer friendship, pitched as invoking Michelle Tea and Lauren Redniss, to Michael Nava at Amble, for publication in November 2022, by Gordon Warnock at Fuse Literary (world English).

Stonewall Award winner and Lambda Literary Award finalist Lucy Jane Bledsoe‘s TELL THE REST, about the friendship between a women’s basketball coach and a poet, who are deeply connected by a church-supported conversion therapy camp for teens where they survived and their other friend disappeared, whose missions to understand the events of that summer have landed them both back in Oregon—their paths hurtling toward each other once again, to Johnny Temple at Akashic, for publication in spring 2023, by Reiko Davis at DeFiore and Company (world).

Theodore McCombs‘s EXIT ARIAS, a story collection spanning past, present, and parallel lives, using space opera, quantum physics, calculus, and ecology to explore themes of queer difference in a monstrous world, pitched as Garth Greenwell meets Ted Chiang, and a follow-up novel expanding on one of the stories, to Deborah Ghim at Astra House, in a two-book deal, for publication in spring 2023, by Kirby Kim at Janklow & Nesbit (world).

CCA professor, editor of NO STRAIGHT LINES, and cartoonist Justin Hall’s untitled graphic novel, mixing memoir and historical narratives to weave together San Francisco’s queer history with the author’s own journey as a gay man, to Charlotte Greenbaum at Abrams ComicArts, for publication in spring 2024, by Anjali Singh at Ayesha Pande Literary (world).

Jane Kindred’s KING OF THIEVES, the second in her queer Demons Of Elysium series set in a Russian-inspired heaven, to Rachel Haimowitz at Riptide Publishing, in an exclusive submission, for publication in April 2022, by Sara Megibow at kt literary.

Scholar, critic, and poet Stephanie Burt’s 30 SUPER GAY POEMS, an anthology of LGBTQ+ poetry celebrating queer love, sex, visibility, and joy, alongside expository essays, to Sharmila Sen at Harvard University Press, by Matt McGowan at Frances Goldin Literary Agency (world).

Lambda Literary and Columbia MFA teaching fellow Javier Fuentes’s COUNTRIES OF ORIGIN, a queer, international, cross-class romance centered on a young, undocumented New York pastry chef forced to return to Spain, where he struggles to adapt to his new home and finds shelter with a wealthy, charming, and troubled man, who suffers major shocks of his own, to Shelley Wanger at Pantheon, for publication in 2023, by Maria Cardona at Pontas Literary & Film Agency (world English).

NEA, Stegner, and Fulbright fellow, Lambda Literary Award finalist, and author of INTO EACH ROOM WE ENTER WITHOUT KNOWING Charif Shanahan’s TRACE EVIDENCE, a poetry collection that explores the liminality of mixed-race identity, the tension of queer longing and desire, the difficulty of being present in a divided social world, and the violent legacy of anti-Blackness in the contemporary U.S. and abroad, to Alyssa Ogi at Tin House Books, for publication in winter 2023, by Annie Hwang at Ayesha Pande Literary (NA).

Author, screenwriter and playwright Paul Rudnick’s FARRELL COVINGTON AND THE LIMITS OF STYLE, the story of an absurdly handsome, fabulously wealthy young man from one of America’s most powerful, arch-conservative families and the middle-class New Jersey drama student he falls in love with at Yale, and how their tumultuous, 50-year relationship triumphs against the forces of homophobia, the Hollywood closet, AIDS, and the wrong shoes, to Peter Borland at Atria, in a pre-empt, by Esmond Harmsworth at Aevitas Creative Management (NA).

Tori Anne Martin’s THIS SPELLS DISASTER, pitched as a queer take on How to Lose a Guy in Ten Days; in which a scatterbrained witch fears she must have accidentally given her famous crush a love potion when she starts to flirt with her, and to break the spell, she must prove how wrong they are for each other, all while falling harder herself, to Sarah Blumenstock at Berkley, in an exclusive submission, for publication in 2023, by Rebecca Strauss at DeFiore and Company (world).

K.D. Casey’s FIRE SEASON, a contemporary m/m romance in which a newly sober Jewish pitcher befriends-with-benefits his team’s recently divorced, definitely straight star player; and DIAMOND RING, in which estranged former teammates reunite for one last run at a championship, fanning old resentments and old sparks between them, again to Stephanie Doig at Carina Press, in a nice deal, in a two-book deal, by Deidre Knight at The Knight Agency (world English).

Children’s and Middle Grade Fiction

Author of HOW TO BECOME A PLANET Nicole Melleby‘s SAM I AM and MARINA IN THE MIDDLE, the first two books in THE HOUSE ON SUNRISE LAGOON series, about a blended family with two moms, five daughters, and one giant dog crammed into a ramshackle seaside home in coastal New Jersey; pitched as in the spirit of The Vanderbeekers, to Krestyna Lypen at Algonquin Young Readers, in a three-book deal, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Kate Fussner’s O&E, pitched as a queer in-verse retelling of Orpheus and Eurydice, in which two middle school girls learn to love each other and themselves as they fight not to lose one another, to Sara Schonfeld at Katherine Tegen Books, in a two-book deal, for publication in summer 2023, by Eric Smith at P.S. Literary Agency (world English).

Laura Silverman, ed.‘s FIRSTS AND LASTS, an anthology including multiple genres from classic contemporary to suspense to fantasy that celebrates all of the thrilling first experiences and momentous last experiences of your teenage years, with contributions by Adi Alsaid, Keah Brown, Monica Gomez-Hira, Kika Hatzopoulou, Shaun David Hutchinson, Amanda Joy, Loan Le, Joy McCullough, Yamile Saied Mendez, Anna Meriano, Nina Moreno, Tess Sharpe, Rachel Lynn Solomon, Diana Urban, and Julian Winters, to Anuoluwapo Ohioma at Penguin Workshop, for publication in fall 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Shelley Rotner and Gwen Agna’s TRUE YOU, a picture book about trans and gender nonconforming kids that leads with inclusivity, love, and empathy, accentuating trans and genderfluid joy, with photography by Rotner, to Chris Krones at Clarion, at auction, for publication in fall 2022, by Liz Nealon at Great Dog Literary (world).

Rebecca Mix’s THE MOSSHEART’S PROMISE, when a 12-year-old sets out in search of a cure for the mold that’s eating her mother alive, she makes a horrifying discovery: her entire world is actually trapped inside of a giant, rotting terrarium they were meant to leave 100 years ago; now she has only five days to find the exit—or they’ll be trapped for good, to Kristin Daly Rens at Balzer & Bray, in a good deal, in a two-book deal, for publication in fall 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

Non-Fiction

Video essayist and activist Rowan Ellis‘s debut HERE & QUEER, an inclusive guide for all queer girls packed with advice and info about LGBTQ+ culture, relationships, history, and pride, illustrated by Jacky Sheridan, to Lucy Menzies at Quarto Books, for publication in May 2022, by Tamara Kawar at ICM (world).

Contributor to The New Yorker and The Atlantic and New York Public Library fellow Michael Waters‘s THE OTHER OLYMPIANS, uncovering the stories of several European athletes who publicly transitioned gender in the 1930s and who were widely embraced by society until the intervention of the International Olympic Committee; a largely forgotten history that provides new context to the experiences of trans and intersex athletes, and uncanny parallels to the ways we police gender today, to Jackson Howard at Farrar, Straus, in an exclusive submission, by Michael Bourret at Dystel, Goderich & Bourret (world).

Comedians and Very Gay Paint founders Nic Scheppard and Jenson Titus’s A VERY GAY BOOK, a parody textbook about how everything in history, science and the arts—from sports to statistics to soup—is gay, to Allison Adler at Andrews McMeel, for publication in spring 2023, by Adriana Stimola at Stimola Literary Studio (world).

December 2021 Deal Announcements

Adult Fiction

Em Liu‘s THE DEATH I GAVE HIM, a queer, locked-room sci-fi mystery pitched as inspired by Shakespeare’s Hamlet, to David Thomas Moore at Solaris, in a two-book deal, for publication in September 2023, by Penelope Burns at Gelfman Schneider/ICM (world).

Brianna Labuskes‘s THE LIBRARIAN OF BURNED BOOKS, pitched for fans of Kate Quinn and Julia Kelly, about three women who believe in the power of books to triumph over the very darkest moments of war, based on the true story of the Council of Books in Wartime, the World War II organization founded by booksellers, publishers, librarians, and authors to use books as “weapons in the war of ideas,” to Tessa Woodward at William Morrow, in a significant deal, at auction, in a two-book deal, by Abby Saul at The Lark Group (world).

Author of the forthcoming A BRUSH WITH LOVE Mazey Eddings‘s PINING, a queer holiday rom-com featuring a down-on-her-luck 20-something who wins the lottery and impulsively buys a tree farm to escape her ex, but instead of solitude she finds a grumpy woman claiming she inherited the property, causing sparks to fly as they fight for the disastrously romantic farm, to Eileen Rothschild at St. Martin’s, by Wendy Sherman Associates.

Founder of gal-dem magazine Liv Little‘s ROSEWATER, a coming-of-age story of a young, queer, Black working-class poet in south London, narrating her journey to find a place in the world and discover love where it has always been, to Caolinn Douglas at Get Lifted Books, in a nice deal, for publication in spring 2023, by Kate Hibbert at Little, Brown UK (US).

Bloomsbury Children’s editor Camille Kellogg‘s JUST AS YOU ARE, pitched as PRIDE AND PREJUDICE meets The L Word: Generation Q, an enemies-to-lovers rom-com celebrating queer friendship, identity, coming-of-age, and the unpredictable nature of love, to Katy Nishimoto at Dial Press, in a pre-empt, by Jessica Alvarez at BookEnds (world).

Cohost of the long-running Babylon Salon series Dominic Lim‘s untitled book, pitched as RED, WHITE & ROYAL BLUE meets Glee, draped in CRAZY RICH ASIANS, in which a nerdy piano prodigy meets his high school crush 20 years later, only now the crush is a famous action movie star and he is still a nerdy pianist; and a second untitled book, pitched as Kinky Boots meets Tootsie, to Alex Logan at Forever, in a very nice deal, in a pre-empt, in a two-book deal, for publication in June 2023, by Gina Panettieri at Talcott Notch Literary Services (world).

Lambda Literary Award Finalist Selby Wynn Schwartz‘s AFTER SAPPHO, a queer collective biography and poetic reimagining of intertwined circles of feminists, sapphists, writers, and artists at the turn of the 20th century as they fight for liberation and forge new identities, to Gina Iaquinta at Liveright, in a pre-empt, by Sam Jordison at Galley Beggar Press (NA).

Lambda Literary Award-winning author of WRITTEN IN THE STARS Alexandria Bellefleur’s THE FIANCEE FARCE, a queer marriage of convenience rom-com in which a shy bookstore owner claims to be dating the beautiful cover model from her favorite romance novel, but when their paths unexpectedly cross, an awkward situation becomes mutually beneficial—because her fake girlfriend is actually in need of a real wife, to Nicole Fischer at Avon, in a good deal, in a three-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).

Swedish writer and critic Hanna Johansson’s ANTIQUITY, pitched as a queer contemporary LOLITA story, centered on a lonely woman whose feelings for a glamorous older artist are transferred to her 15-year-old daughter when she joins them on holiday in the Greek city of Ermoupoli, and the illicit sexual relationship that follows; a story of desire, power, lust, obsession, observation, and taboo, to Kendall Storey at Catapult, at auction, for publication in 2024, by Linda Altrov Berg at Norstedts (world English).

Iowa Writers’ Workshop graduate and Lambda Emerging LGBTQ Voices Fellow Santiago Jose Sanchez’s HOMBRECITO, about a young gay man—an immigrant from Colombia to Miami—grappling with his turbulent sexual coming of age, and his fierce, complicated relationship with his mother and their homeland, to Laura Perciasepe at Riverhead, by Jin Auh at The Wylie Agency.

Children’s/Young Adult Fiction

James Sutter‘s DARKHEARTS, a debut contemporary romance pitched as appealing to readers of MORE HAPPY THAN NOT and THE PERKS OF BEING A WALLFLOWER, in which an ordinary Seattle high schooler, having dropped out of a band that then went on to become the hottest teen pop act in America, is thrown back into contact with his former bandmate after the other bandmate dies by suicide, and the newly connected boys soon trade their frenemy status for a confusing, tentative romance, to Sara Goodman at Wednesday Books, in a two-book deal, for publication in spring/summer 2023, by Josh Adams at Adams Literary (NA).

Gen Z essayist and feminist advocate Malavika Kannan’s ALL THE YELLOW SUNS, pitched for fans of ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE, telling the story of a 16-year-old Indian American artist living in a conservative Florida suburb who falls for her white, wealthy, complicated female classmate, when she is asked to join a secret society of vandals and mischief-makers who fight for justice at their school, to Samantha Gentry at Little, Brown Children’s, in a pre-empt, for publication in summer 2023, by Stephanie Kip Rostan at Levine Greenberg Rostan (world). Rights: Janelle DeLuise

Stonewall Honor-winning author Melanie Gillman‘s OTHER EVER AFTERS, asking what if the monsters, mermaids, and witchy old women in fairy tales all found the happily ever afters they deserve?, to Gina Gagliano at Random House Graphic, for publication in fall 2022, by Jen Linnan at Linnan Literary Management (world).

Erica Hollis’s debut HEARTS FORGED IN DRAGON FIRE, a f/f high fantasy, in which a lesbian teen who can speak to dragons must get rid of the dragon that’s terrorizing her missing mother’s hometown, but falls for the girl who’s mysteriously sabotaging her mission, to Jen Bouvier at Entangled Teen, for publication in fall 2022 (world).

Non-Fiction

Author of REFUSE and Cave Canem poetry fellow Julian Randall‘s THE DEAD DON’T NEED REMINDING, an essay collection that intertwines pop culture, from BoJack Horseman and T-Pain to the Dallas Cowboys, with the author’s struggle with depression and the search for his great-grandfather’s grave in small-town Mississippi, to tell a story of Black queer life and what it takes to come back from the edge, to Hillary Brenhouse at Bold Type Books, by Abigail Donoghue and Patrice Caldwell at New Leaf Literary & Media (world).

UC Berkeley professor, author of GENDER TROUBLE, and pioneering scholar of queer theory Judith Butler‘s WHO’S AFRAID OF GENDER?, a defense of the study of gender that spans philosophy, history, law, and reportage to analyze the social fantasy of “gender” as a destructive force that has incited new forms of fascism across the world, and argues that to oppose these reactionary tides, we must to come to a radically new understanding and affirmation of gendered lives in their complexity and diversity, to Eric Chinski and Jackson Howard at Farrar, Straus, by Sarah Chalfant at The Wylie Agency (NA).

Stonewall Honoree Robin Stevenson‘s QUEER HISTORY A–Z, covering key people, places, and events that have shaped queer history in North America over the past century, with a focus on the theme of activism, illustrated by Vivian Rosas, to Katie Scott at Kids Can Press, for publication in spring 2024, by Maria Vicente at P.S. Literary Agency for the author (world).

Editor in chief of British Vogue Edward Enninful‘s A VISIBLE MAN, a memoir of the author’s journey through one of the world’s most exclusive industries, and how as a Black, gay, working-class refugee, he found in fashion not only a home, but the freedom to share with people the world as he saw it, to Christopher Richards at Penguin Press, at auction, for publication in September 2022, by Albert Lee and Meredith Miller at UTA (NA).

Author and historian of medicine Brandy Schillace’s THE INTERMEDIARIES: HOW PIONEERS OF SEXOLOGY BUILT THE FIRST TRANS CLINIC IN THE SHADOW OF THE THIRD REICH, chronicling the stories of the pioneers who founded The Institute for Sexual Science in interwar Berlin, a base of operations for the first LGBTQ rights movement of the 20th century as well as women’s rights, sex education and birth control, offering a history as well as a cautionary tale in the face of today’s oppressive anti-trans legislation, to Jill Bialosky at Norton, at auction, by Jessica Papin at Dystel, Goderich & Bourret (world).

Editor-in-chief of frieze magazine and author of the novels SKYLAND and MACARTHUR PARK Andrew Durbin‘s SPEED OF LIFE, an exploration of three foundational, transgressive, and intimately connected gay artists—Paul Thek, Peter Hujar, and David Wojnarowicz—who defined New York’s storied downtown scene and later the international art world, and who ultimately changed contemporary art forever; a book about friendship and death, queerness and community, and the complicated meanings of “legacy,” to Jackson Howard at Farrar, Straus, in an exclusive submission, by Anna Stein at ICM (NA).

November 2021 Deal Announcements

Adult Fiction

Russian poet, artist, and feminist activist Oksana Vasyakina’s WOUND, following a young queer woman on a journey across Russia to Siberia, where she has promised to take her mother’s ashes, woven through with memories of a traumatic and impoverished childhood, experiences of the sublime, her sexual and artistic awakening, and the pains and joys of life as a lesbian in Russia, to Katharina Bielenberg at MacLehose Press, in a nice deal, at auction, by Rachel Clements at Abner Stein on behalf of Marleen Seegers at 2 Seas Agency, for Catapult.

Victoria Lee’s A SHOT IN THE DARK, a contemporary queer romance featuring Elisheva Cohen, a now-sober young artist who returns to New York to study photography after nearly a decade in Los Angeles and has an unforgettable one-night stand with a gorgeous trans man who turns out to be her teacher, the legendary Wyatt Cole, to Shauna Summers at Dell, at auction, in a two-book deal, by Holly Root and Taylor Haggerty at Root Literary.

Sophie Burnham’s SARGASSA, a queer speculative novel set in contemporary North America in a world where the Roman Empire never fell, following the high-and low-born children of a murdered politician as they are swept up in a revolution and race to find a powerful artifact, to Joshua Demarest at CatStone, by Maria Napolitano at Bookcase Literary Agency (world English).

ACLU-NJ honoree and LGBTQ activist Robyn Gigl’s next two books in her Erin McCabe legal thriller series, featuring a transgender attorney, to John Scognamiglio at Kensington, in a two-book deal, for publication in 2023 and 2024, by Carrie Pestritto at Laura Dail Literary Agency (world).

Author of NYTBR Editors’ Choice THE RECENT EAST Thomas Grattan’s IN TONGUES, a coming-of-age novel set in New York City and Europe in fall 2001, following a gay 24-year-old Midwesterner as he gets swept up in the charm and desires of a powerful older couple, examining issues of social class and queer desire, the pursuit of religious and physical ecstasy, and the complicated relationships between fathers and sons, both biological and chosen, again to Jackson Howard at MCD/FSG, for publication in fall 2023, by Jody Kahn at Brandt & Hochman (world).

Argentinian author Marina Yuszczuk’s THIRST, a queer Gothic vampire novel set in Buenos Aires, following two women in different time periods who confront desire, fear, violence, loneliness, and mortality, pitched as having echoes of Mary Shelley’s FRANKENSTEIN and for readers of Samanta Schweblin, Carmen Maria Machado, and Samantha Hunt, to Pilar Garcia-Brown in her first acquisition for Dutton, by Elianna Kan at Regal Hoffmann & Associates (world English).

Hell’s Library series author A.J. Hackwith’s HOLLOW ROAD HOME and its sequel, pitched as a queer, millennial AMERICAN GODS, about a fae working at a truck stop in Kansas to hide from her past, until she’s blackmailed by a self-taught magician to guide him and his sister—a girl born with a changing map on her skin—across the strange backroads and forgotten spaces of the gothic American Midwest in search of a powerful treasure, to Miranda Hill at Ace, in a two-book deal, for publication in spring 2023, by Caitlin McDonald at Donald Maass Literary Agency (world).

Provincetown Fine Arts Work Center Fellow and UMass Amherst MFA/PhD Shastri Akella’s THE SEA ELEPHANTS, a queer bildungsroman set in 1990s India, following a young gay man who, after the sudden death of his sisters, flees his father’s threats to send him to a conversion center by joining a street theater troupe; pitched as reminiscent of THE GOD OF SMALL THINGS in the way it blends the personal and the political to tell an epic story of forbidden love, to Caroline Bleeke at Flatiron Books, in a pre-empt, by Chris Clemans at Janklow & Nesbit (NA).

Author of A TIP FOR THE HANGMAN Allison Epstein’s LET THE DEAD BURY THE DEAD, a historical novel in which the arrival of a mysterious woman at the 19th-century Russian court divides the second son of the tsar and his lover, a captain in the imperial army, when one of them believes her to be a creature out of myth, setting all three on a collision course with revolution, again to Carolyn Williams at Doubleday, in a very nice deal, by Bridget Smith at JABberwocky Literary Agency (NA).

Young Adult Fiction

Author of SWEET & BITTER MAGIC Adrienne Tooley’s THE THIRD DAUGHTER and THE SECOND SON, pitched in the tradition of Three Dark Crowns and Girl, Serpent, Thorn, a dual PoV series featuring a crown under siege, an enchanted well of sadness, a ruthless antiheroine, and a slow-burning romance, to Jessica Anderson at Christy Ottaviano Books, in a good deal, at auction, in a two-book deal, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Jenna Miller’s OUT OF CHARACTER, a queer, fat-positive contemporary romance that follows a girl who escapes the stressors of the real world by roleplaying online in secret—but after falling for her roleplay bestie, she must decide if she can be honest about her double life, to Alyssa Miele at Quill Tree, in a two-book deal, for publication in winter 2023, by Michaela Whatnall at Dystel, Goderich & Bourret (world).

Author of THE MYTHIC KODA ROSE Jennifer Nissley’s THE RULES OF US, pitched as the intersection between Becky Albertalli and Nina LaCour in a queer YA love story about longtime couple and best friends, who have dated throughout high school only to come out to each other on prom night, challenging their meticulously planned future as they try to disentangle their lives and identities, explore their sexualities, and learn not only a new way to be together, but how to be alone, to Liesa Abrams at Labyrinth Road, for publication in summer 2023, by Danielle Burby at Mad Woman Literary Agency (NA).

University of Cambridge student Sarah Underwood’s LIES WE SING TO THE SEA, pitched as a sapphic, feminist reclamation of the story of the hanged maids in THE ODYSSEY in a YA CIRCE, in which a failed oracle and a vengeful immortal must break the curse on their kingdom by killing its prince, to Stephanie Stein at Harper Teen, in a major deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Catherine Cho at Paper Literary (NA).

Dan Clay’s BECOMING A QUEEN, about a teenage boy who turns to drag performance to overcome his grief when tragedy strikes, to Mekisha Telfer at Roaring Brook Press, in a very nice deal, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).

LGBTQ+ romance and fantasy author Lauri Starling’s POISON FOREST, pitched as HOUSE OF SALT AND SORROWS meets Holly Black, featuring a mage who joins two teens with powerful abilities to track down the magic-stealing sorcerer who kidnapped her royal ex-girlfriend, braving a cursed forest and a betrayal that leaves them at the sorcerer’s nonexistent mercy, to MaryBeth Dalto-McCarthy at Sword and Silk, for publication in October 2022.

Screenwriter and NYT-bestselling coauthor of FIVE FEET APART and ALL THIS TIME Mikki Daughtry’s untitled lesbian love story, unfolding over two sets of lives, 100 years apart, to Stephanie Pitts at Putnam Children’s, in a pre-empt, for publication in fall 2023, by Liz Parker at Verve Talent & Literary (NA).

Non-Fiction

Men’s Health sex and relationship columnist Zachary Zane’s BOYSLUT: A MEMOIR-MANIFESTO, a series of essays told through a bisexual lens, exploring the author’s coming-of-age in a world riddled with harmful messages about sex and sexuality, moving toward a place of embrace and celebration unencumbered by shame, to Zachary Knoll at Abrams Image, at auction, by Katherine Latshaw at Folio Literary Management (world).

Prince Shakur’s WHEN THEY TELL YOU TO BE GOOD, a memoir that mines the author’s many eras of radicalization and self-realization through examinations of place, childhood, queer identity, and a history of uprisings, to Hanif Abdurraqib at Tin House Books, for publication in October 2022 (NA).

Author of A NIGHT AT THE SWEET GUM HEAD Martin Padgett’s PRIVATE MATTERS, an exploration of the 1986 Supreme Court case Bowers v. Hardwick, which Laurence Tribe lost in the Court’s ruling that allowed Georgia to prosecute private homosexual acts (and which was not overturned until 2003), showing how the case ignited the gay rights movement of the 1980s while upending the life of Michael Hardwick, to Amy Cherry at Norton, in an exclusive submission, for publication in summer 2023, by Beth Marshea at Ladderbird Literary Agency (world English).

October 2021 Deal Announcements

Adult Fiction

Psychotherapist K. L. Cerra’s‘s SUCH PRETTY FLOWERS, a Southern gothic suspense with horror and queer elements about a woman’s investigation into her brother’s unlikely suicide—his last words being “get it out of me”—and subsequently, her obsession with his fiancee, a magnetic, black-eyed florist with a penchant for carnivorous plants; and a second book about a coven operating under the guise of the wedding industry whose plans to save women from wife- and motherhood have sinister implications, to Jenny Chen at Bantam Dell, in a pre-empt, in a two-book deal, by Chelsey Emmelhainz at Copps Literary Services (world).

Taleen Voskuni‘s SORRY, BRO, a queer rom-com about a twenty-something newly single Armenian woman whose mother insists she find a proper new suitor at a series of local Armenian cultural events—only the woman she meets is the last person her very traditional family had in mind, to Cindy Hwang and Angela Kim at Berkley, in a two-book deal, for publication in 2023, by Katelyn Detweiler at Jill Grinberg Literary Management (NA).

Lena May‘s THE SIGNS WE MISSED, in which a young gay man who emancipated from his mother battles addiction, an eating disorder, and being in love with his best while trying to graduate high school and survive, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in summer 2022.

Lindy Ryan and Toni Miller‘s eds.’s UNDER HER SKIN, a showcase of body horror-inspired poetry from women (cis and trans) and nonbinary femmes in horror, including Bram Stoker Award-winning and nominated poets Lee Murray, Stephanie M. Wytovich, Sara Tantlinger, and Jessica McHugh, with a foreword by Linda D. Addison, to Black Spot, for publication in April 2022 (world English).

Kate Brook’s NOT EXACTLY WHAT I HAD IN MIND, following four 20-somethings—two roommates navigating the awkward aftermath of a one night stand, and a lesbian couple looking to start a family—as their lives collide and all four learn that sometimes you find family, and love, in the place you would least expect, pitched as for readers of Emma Straub or J. Courtney Sullivan, to Lindsey Rose at Dutton, by Rebecca Wearmouth at PFD (NA). Rights to Sarah Hodgson at Corvus, by Philippa Sitters at David Godwin Associates (UK/Commonwealth, excl. Canada); to Suma de Letras (Spain); and to Diana (Germany), at auction, by Rebecca Wearmouth at PFD.

Author of the forthcoming MY MECHANICAL ROMANCE Alexene Farol Follmuth writing as Olivie Blake’s THE ATLAS SIX TRILOGY, pitched as Kingsman/X-Men meets THE SECRET HISTORY with a diverse cast and strong queer representation, following six uniquely talented magicians from around the world who are invited to compete for an elite academic fellowship where elimination holds deadly consequences, the first book of which was previously self-published and popular on TikTok, to Molly McGhee at Tor, in a major deal, in a pre-empt, in a three-book deal, for publication in March 2022, by Amelia Appel at TriadaUS Literary Agency (world).

Winner of the 2018 VQR Emily Clark Balch Prize for Fiction and UT Austin MFA Celia Bell’s THE DISENCHANTMENT, which follows a baroness who falls in love with another woman, and the chaos that ensues when her husband discovers their secret, set against the backdrop of Versailles and Parisian society, to Shelley Wanger at Pantheon, for publication in 2023, by Anna Stein at ICM (NA). Rights to Serpent’s Tail (UK), by Lucy Morris and Sabhbh Curry at Curtis Brown UK.

Children’s/Middle Grade Fiction

Vicki Johnson‘s picture book MOLLY’S TUXEDO, about a girl who has big plans to wear a dashing tuxedo for her school picture day, but her mom has picked out a dress, so with her friends’ support, the girl proves the way to look your best is to be yourself, illustrated by Gillian Reid, to Charlie Ilgunas at Little Bee Books, for publication in summer 2023, by Zoe Sandler at ICM for the author, and by Christy Tugeau Ewers at The CAT Agency for the illustrator (world).

Aliza Layne‘s BEETLE AND THE CHIMERA CARNIVAL, a sequel to the Stonewall Honor Book BEETLE AND THE HOLLOWBONES, which follows Beetle and her friends as they face new and sinister complications when the dragons set to arrive for a community celebration never appear, illustrated by Aliza Layne, to Julia McCarthy at Atheneum, in a two-book deal, for publication in spring 2024 and fall 2025, by Susan Graham at Einstein Literary Management (world English).

Author-illustrator Kyla Smith‘s FOXES, FIRE, & OTHER MAGIC, in which a curious young fox spirit who stumbled into the human world during the annual Obon festival and became trapped, and a nonbinary noodle maker struggling to keep their parents’ legacy alive, must learn to trust each other to save the udon shop and get the fox spirit home before the spirit gate closes for good, to Emily Settle and Erin Siu at Feiwel and Friends, in a very nice deal, for publication in spring 2024, by Jennifer Azantian at Azantian Literary Agency (world).

Coauthor of RENEGADE RULE Ben Kahn‘s ELLE CAMPBELL SAVES THEIR SATURDAY, in which a nonbinary seventh grader wants to meet their celebrity hero at a local signing, so they and their two best friends will have to stage a daring escape from weekend detention, and avoid bullies and parents as they trek across town to save their Saturday, to Mallory Kass at Scholastic, in an exclusive submission, for publication in 2023, by Moe Ferrara at BookEnds (world).

Dresden Douglas’s GIRLS GIVE ME BUTTERFLIES, a debut middle grade graphic novel pitched as a sapphic Lizzie McGuire, about a young girl who begins to feel flustered and tongue-tied around other girls while struggling to tune out the voice of an excitable little figment who manifests all her innermost thoughts, to Mekisha Telfer at Roaring Brook Press, at auction, for publication in 2023, by Claire Draper at The Bent Agency (world).

Young Adult

Mela Rogers‘s debut LOVE LIGHT, set in a world where a beacon of light connects each person’s heart to their soulmate’s; a girl’s parents are light fanatics, so she is shocked when she falls for a girl who is not her soulmate, and when she meets her actual soulmate, she must choose between her faith and her first love, to Dana Chidiac at Holt Children’s, for publication in winter 2025, by Chelsea Eberly at Greenhouse Literary Agency (world).

HERE FOR IT author R. Eric Thomas‘s debut KINGS OF B’MORE, a celebration of queer Black friendship as two boys plan a day of fun and facing their fears, pitched as inspired by Ferris Bueller’s Day Off, to Joanna Cardenas at Kokila, for publication in summer 2022, by Anna Sproul-Latimer at Neon Literary (world).

Freja Nicole Woolf’s NEVER TRUST A GEMINI, pitched as a LGBTQ+ ANGUS, THONGS AND FULL-FRONTAL SNOGGING, in which a zodiac-obsessed 15-year-old struggling with a desperate crush on her best friend must scramble through a fake boyfriend, a house fire, and an unexpected Christmas romance to find her happy ending, to Denise Johnstone-Burt and Non Pratt at Walker UK, at auction, in a two-book deal, for publication in summer 2023, by Gemma Cooper at The Bent Agency (world).

NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s JUST MAX, in which a stealth transgender college student faces the usual stress of freshman year—making new friends and trying to fit in—all while managing testosterone shots, navigating the perils of communal bathrooms, and falling in love with the handsome soccer player down the hall, to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in winter 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).

MAJOR DETOURS author Zachary Sergi‘s SO YOU WANNA BE A POPSTAR?, an interactive novel following five diverse and queer teen solo artists who are forced into a pop group that goes viral overnight, and where the reader chooses the paths forward to guide the characters on their journey to stardom, to Britny Brooks at Running Press Kids, for publication in winter 2023, by Lucy Carson at Friedrich Agency (world).

FULL DISCLOSURE author Camryn Garrett’s FRIDAY I’M IN LOVE, about a queer teen determined to throw a lavish coming out party in place of a sweet sixteen, but when her mother is laid off, she’s forced to balance saving for the party with keeping her household afloat, all the while navigating her growing feelings for a new girl at school, to Katherine Harrison at Knopf Children’s, in a six-figure deal, for publication in spring 2023, by Beth Phelan at Gallt and Zacker Literary Agency (NA). Rights also to Emma Jones at Random House UK Children’s, by Ellen Greenberg, on behalf of Beth Phelan.

K.M. Watts’s BORN ANDROMEDA, a debut in which a moon princess is kidnapped by galactic pirates, and joins the world of piracy in order to get home—if she doesn’t fall for one first, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in fall 2022 (world). Rights: Mary Jo Courchesne at Gryphon Publishing Consulting

Nonfiction

WHAT ARE YOUR WORDS? illustrator Andy Passchier‘s GENDER IDENTITY FOR KIDS, a chapter book guide breaking down what gender is and isn’t, what your feelings around gender might mean, and how to let the world know who you are and help others do the same, to Regan Winter at Little, Brown Children’s, with Andrea Colvin and Aria Balraj editing, for publication in summer 2023, by Alexandra Gehringer at The Bright Group (world).

Chicana writer, activist, poet, essayist, and playwright Cherrie Moraga‘s LOVING IN THE WAR YEARS and THE LAST GENERATION, combined in a single 40th anniversary volume; and WAITING IN THE WINGS: PORTRAIT OF A QUEER MOTHERHOOD, to be published on its 25th anniversary, both with new forewords by the author, to Julie Fain at Haymarket, in a two-book deal, by Stuart Bernstein at Stuart Bernstein Representation.

Olympic champion and elite runner Caster Semenya’s SILENCE ALL THE NOISE, a story of courage, resilience, and hope about her childhood in rural South Africa, her running career, and her experience as an intersex woman in professional sports, to Norton, at auction, with a young readers edition.

September 2021 Deal Announcements

Adult Fiction

R. Lee Fryar’s FLIPPING, pitched as an enemies-to-lovers mash-up of The Ghost and Mrs. Muir and The Money Pit, in which a gay ghost and a psychic house flipper duke it out over a haunted house with an agenda of its own, to Lisa Green at Mystic Owl, in a nice deal, for publication in November 2022.

Digital artist Ciel Pierlot‘s BLUEBIRD, in which a lesbian gunslinger fights spies in space, against her home faction, with a mysterious bounty hunter to protect her sister and the entire galaxy, to Gemma Creffield at Angry Robot, in a nice deal, for publication in February 2022, by Lauren Spieller at TriadaUS Literary Agency (world English).

Children’s Books

Authors of THE GAY AGENDA and THE QUEER TAROT and owners of the Ash + Chess stationery store Ashley Molesso and Chess Needham’s ABC-DECONSTRUCTING GENDER, an illustrated ABC book, with each page featuring a word and then an illustration that shows that words can be neutral or not tied to one specific gender, disrupting the notion that words are typically gendered or related to either “masculine” or “feminine” associations, drawn in their singular brightly colored, risographed style, to Julie Matysik at Running Press Kids, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).

Young Adult Fiction

Author of A LESSON IN VENGEANCE Victoria Lee’s THE GIRL THAT TIME FORGOT, pitched as a sapphic The Umbrella Academy with time travel, in which a teenage girl, one of five adepts training in a mysterious new magic, discovers that her fellow adepts have recently murdered someone and are planning to kill again, to Krista Marino at Delacorte, for publication in spring 2023, by Holly Root and Taylor Haggerty at Root Literary (NA).

Nora Neus‘s STUNT GIRL, in which real-life historical figure Nell Nelson—one of the early undercover female journalists called stunt girls—investigates working conditions in the garment factories of New York City in the summer of 1888, while also falling in love with real-life historical figure and queer icon Alice Austen, the first female street photographer, illustrated by Julie Robine, to Andrea Colvin at Little, Brown Children’s, for publication in winter 2025, by Wendi Gu at Sanford J. Greenburger Associates for the author, and by Tanya McKinnon at McKinnon Literary for the illustrator (world).

Lambda, Stonewall, and PEN Center USA Literary award-winning author Bill Konigsberg‘s DESTINATION UNKNOWN, a story about two teen boys—one bold and headstrong, one hesitant and yearning—who find each other in 1987 New York City and try to figure out love, sex, and identity as AIDS decimates and galvanizes the gay community, to David Levithan at Scholastic, for publication in May 2022, by Linda Epstein at Emerald City Literary Agency (NA).

Composer Edward Underhill’s debut ALWAYS THE ALMOST, about a trans classical pianist who resolves to spend his junior year winning back his ex-boyfriend and defeating his arch-nemesis at the biggest piano competition of the year, only to have his carefully-laid plans in both love and music disrupted when a new boy moves to town and makes a play for his heart, pitched as for fans of Becky Albertalli and Phil Stamper, to Sylvan Creekmore at Wednesday Books, in a very nice deal, in a two-book deal, for publication in spring 2023, by Patricia Nelson at Marsal Lyon Literary Agency (world).

Non-Fiction

Minister of outreach and media strategy at Middle Church Benjamin Perry’s LEARNING TO CRY: AN INTIMATE HISTORY OF OUR TEARS–AND HOW THEY MIGHT CHANGE THE WORLD, in which a queer minister and activist explores our rich legacy of weeping, why we stopped crying, and how tears can change both our culture and our future, to Valerie Weaver-Zercher at Broadleaf, for publication in spring 2023 (world).

British journalist, editor, and artist Shon Faye‘s THE TRANSGENDER ISSUE: AN ARGUMENT FOR JUSTICE, an overview of the oppression faced by transgender people, the relationship of trans rights to feminism and gay and lesbian liberation, and a call for a trans rights movement that can bring a more joyful world for us all, with a new introduction for US readers, to Jessie Kindig at Verso, in a nice deal, for publication in September 2022, by Emma Paterson at Aitken Alexander (NA).

August 2021 Deal Announcements

Picture Books

Author-illustrator of LOVE, MAMA Jeanette Bradley’s SOMETHING GREAT, about a nonbinary maker kid who uses their creativity and some recyclable materials to craft a versatile invention that can do all sorts of things—including make a friend, to Arthur Levine at Levine Querido, in a pre-empt, for publication in spring 2023, by Emily Mitchell at Wernick & Pratt Agency (world).

Children’s/MG Fiction

Actor and Stonewall Honor-winning author of THE BEST AT IT Maulik Pancholy’s NIKHIL OUT LOUD, about a gay Indian American boy, the star of a hit animated series, who learns the power of using his own voice after his family relocates to a small town in Ohio, to Alessandra Balzer at Balzer & Bray, in an exclusive submission, for publication in fall 2022, by Jessica Regel at Helm Literary (NA).

Young Adult Fiction

Author of the National Book Award finalist and Printz Honoree EVERY BODY LOOKING and the forthcoming BREAK THIS HOUSE Candice Iloh’s SALT THE WATER, a novel-in-verse about a free-spirited genderfluid teen who drops out of twelfth grade after a confrontation with a teacher, but when a family crisis forces them to suddenly take on immense adult responsibilities, their dreams of living life off the grid with their friends crash into the harsh realities of a world full of roadblocks at every turn, to Andrew Karre at Dutton Children’s, for publication in 2023, by Patricia Nelson at Marsal Lyon Literary Agency (world English).

Rod Pulido’s CHASING PACQUIAO, in which a boy is trying to navigate his way out of the closet when his personal idol, Filipino boxer Manny Pacquiao, makes a statement denigrating all gay people, forcing him on a journey to self-acceptance as he learns what happens when your heroes let you down, to Jenny Bak at Viking Children’s, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

Ashley Shuttleworth’s books three and four in the Hollow Star Saga, in which four people will either become legends of the mortal realm, or the villains responsible for its ruin, to Sarah McCabe at Margaret K. McElderry Books, in a two-book deal, for publication in spring 2022, by Mandy Hubbard at Emerald City Literary Agency.

Author of M.F.K. and the forthcoming REEL LOVE Nilah Magruder’s HEX AND HAVOC, following two girls in a caste-based magical society as they fall in love and spark a revolution, illustrated by Sonia Liao, to Stephanie Guerdan at Harper Children’s, in a two-book deal, for publication in summer 2023, by Tricia Lawrence at Erin Murphy Literary Agency for the author (world).

Fiction editor at The Ana Literary Magazine and author of The Marked Ones: Uprising TreVaughn Malik Roach-Carter‘s THE AZIZA CHRONICLES, a queer Afrocentric YA in which a teenage girl discovers the father she never knew belongs to a race of mythical African warriors, and she must use her newfound powers to battle supernatural evils, to Craig Gibb at Deep Hearts, for publication in the fall of 2022.

Author of CAN’T TAKE THAT AWAY and cofounder of the Pride Book Fest Steven Salvatore‘s A SUPERCUT OF US, pitched as Jandy Nelson’s I’LL GIVE YOU THE SUN meets Dawson’s Creek, a dual-POV novel about twins who must learn to navigate what’s next after their incarcerated father dies and a half-brother they never knew existed moves to their Adirondack lakeside town, to Allison Moore at Bloomsbury Children’s, for publication in 2023, by Jessica Regel at Helm Literary (NA).

Clive Hawken’s WALKER, in which a transgender teenager hits the road in search of a Sasquatch-esque monster in this debut that explores the complexities of otherness and connection, to Mark Podesta at Holt Children’s, for publication in 2024, by Alexander Slater at Trident Media Group (world).

Adult Fiction

Senior editor at The Yale Review and NYU MFA graduate Maggie Millner’s COUPLETS, a hybrid novel-in-verse following a writer in her late 20s who leaves her longtime boyfriend for an obsessive, consuming affair with another woman; an exploration of queerness, desire, and mirroring, told in rhyming couplets and prose vignettes, to Molly Walls at Farrar, Straus, in a nice deal, by Marya Spence at Janklow & Nesbit (world).

Author of EVERYBODY (ELSE) IS PERFECT Gabrielle Korn’s THE DAUGHTERS OF INSIDE, a queer dystopian novel of suspense set 30 years in the future that follows a young woman accepted to an exclusive climate change relief program that promises to be humanity’s best hope for survival, but proves to be something else entirely when a reclusive billionaire with an ulterior motive takes control, to Hannah O’Grady at St. Martin’s, by Nicki Richesin at Wendy Sherman Associates (world).

Writer, filmmaker, and animator Marcus Kleiwer’s WE USED TO LIVE HERE, about a queer couple who moves into a new house and is soon visited by a family who used to live there, as seen in the viral story from Reddit’s r/NoSleep, to Emily Bestler Books, in a major deal, in a pre-empt.

Finnish author, Finlandia Prize winner, scriptwriter, and theatre director Pirkko Saisio’s THE RED LETTER OF FAREWELL, a portrayal of the 1970s Finland, the politically turbulent era, as well as finding one’s sexual identity and creative voice, to CJ Evans at Two Lines Press, in a nice deal, in a pre-empt, for publication in fall 2022, by Urpu Strellman and Urte Liepuoniute at Helsinki Literary Agency (US).

Mindi Briar’s ADRIFT IN STARLIGHT, in which a gender-neutral courtesan is hired to seduce an asexual museum archeologist, and both are accidentally caught up in an illegal adventure when one of the museum’s alien artifacts comes to life, to Lisa Green at City Owl Press, in a nice deal, for publication in May 2022.

Author of COTTONMOUTHS Kelly Ford’s BAD AS ALL THAT, a queer suspense in which a woman returns to her Arkansas hometown to face potentially deadly consequences 25 years after her violent stepfather disappeared, to Jessica Tribble Wells at Thomas & Mercer, at auction, in a two-book deal, for publication in summer 2022, by Chris Bucci at Aevitas Creative Management (world).

Misha Popp‘s MAGIC, LIES, AND MURDER PIES, pitched as Pushing Daisies meets Dexter, about a bisexual baker whose mission to protect wronged women by delivering deadly pies to their abusers is threatened by a blackmailer from her past, to Faith Black Ross at Crooked Lane, in a two-book deal, for publication in spring 2022, by Rebecca Podos at Rees Literary Agency (world).

Claudia Cravens‘s RED, a genre-bending queer feminist Western pitched as True Grit meets Sarah Waters, following a young woman’s transformation from forlorn orphan to successful prostitute to revenge-seeking gunfighter, exploring desire, loyalty, power, and chosen family, to Kate Ballard at Allen & Unwin UK, at auction, by Jennifer Helinek at Trident Media Group on behalf of Alexa Stark (UK/Commonwealth, excl. Canada).

YA author of The Bone Witch trilogy Rin Chupeco‘s SILVER UNDER NIGHTFALL, a queer Gothic fantasy pitched as inspired by Castlevania, following a troubled bounty hunter who must join forces with a royal vampire couple to stop a terrifying new vampiric breed from destroying the kingdom, to Amara Hoshijo at Saga Press, in a pre-empt, in a two-book deal, for publication in spring 2023, by Rebecca Podos at Rees Literary Agency (world English).

Author of DETRANSITION, BABY Torrey Peters’s INFECT YOUR FRIENDS AND LOVED ONES, a quartet of taboo-busting novellas that explore the far edges of trans identities across four genres—dystopian, romance, horror, and historical, to Caitlin McKenna at Random House, by Kent Wolf at Neon Literary. UK rights to Leonora Craig Cohen at Serpent’s Tail, by Caspian Dennis at Abner Stein, on behalf of Neon Literary.

Non-Fiction

Pioneering feminist sex educator and author of OPENING UP Tristan Taormino’s A PART OF THE HEART CAN’T BE EATEN, a look at the author’s coming of age, revealing how the roots of her radical sexual identity and career grew out of an extraordinary queer father/daughter relationship, to Dean Smith at Duke University Press, with Ken Wissoker editing, for publication in fall 2022, by Andrew Blauner at Blauner Books Literary Agency (world).

Two-time National Book Award Finalist Eliot Schrefer‘s QUEER DUCKS (AND OTHER ANIMALS), a conversational, funny, teen-facing exploration of the recent explosion of scientific research into same-sex sexual behavior in animals, investigating the diversity of sexual expression in nature, arguing along the way that queer behavior in animals is as diverse and complex–and as natural–as it is in our own species, to Ben Rosenthal at Harper Children’s, by Richard Pine at Inkwell Management (NA).

Poetry

Author of ORPHEUS GIRL and Donald Hall Poetry Prize winner Brynne Rebele-Henry’s PRELUDE, a poetry collection that explores the gay female experience through the girlhood of Saint Catherine of Siena, to Peter Kracht at University of Pittsburgh Press, for publication in spring 2022, by Alexandra Franklin at Vicky Bijur Literary Agency (world English).

July 2021 Deal Announcements

Children’s Fiction

Author of I THINK I LOVE YOU Auriane Desombre‘s debut THE SISTER SPLIT, pitched as a reverse Parent Trap, in which a young girl teams up with her future step sister to create a plan full of hijinks that will stop their parents from getting married, so she doesn’t have to move away from the city and leave her best friend – a girl – she’s starting to develop feelings for behind, to Kelsey Horton at Delacorte, in an exclusive submission, for publication in spring 2023, by Penny Moore at Aevitas Creative Management (world).

Alex Kahler writing as K.R. Alexander’s GALLOWGATE, set in a school for banishing wayward ghosts, where a haunted boy finds forbidden magic, otherworldly foes, fierce friends, and queer romance, to David Levithan at Scholastic, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).

Adult Fiction

Hayden Stone’s AN UNEXPECTED KIND OF LOVE, pitched as Notting Hill but queer, in which an uptight bookseller stumbles headlong into a relationship with the actor whose movie is filming in his family’s struggling shop, to Heather Howland at Entangled Embrace, in a two-book deal, for publication in fall 2021 (world).

Booker winner for SHUGGIE BAIN Douglas Stuart’s YOUNG MUNGO, a portrayal of working-class life and a suspenseful story of the dangerous first love of two young men born under different stars—a Protestant and a Catholic—who should be sworn enemies if they’re to be seen as men at all, again to Peter Blackstock at Grove/Atlantic, for publication on April 5, 2022, by Anna Stein at ICM (NA).

Author of SEVEN SUSPECTS and A KIND OF JUSTICE Renee James’s BEATNIKKI’S CAFE, in which a middle-aged transgender business woman tries to keep a low profile, but when a goon assaults her business partner, she reduces him to a bloody mess—and suddenly, she and everyone close to her are targets of a revenge-minded thug who is ruthless, clever, and unbound by any moral code, to Michael Nava at Amble, in a nice deal, for publication in March 2022, by Tina Schwartz at The Purcell Agency (world English).

Bronwyn Fischer’s THE RED FERN POEM, pitched as a queer CONVERSATIONS WITH FRIENDS or a modern THE PRICE OF SALT, following a first-year university student and an older woman whose unexpected interest in her sparks an all-consuming and insidious love affair, exploring youthful self-consciousness, self-delusion, and self-definition, to Abby Muller at Algonquin, for publication in spring 2023, by Sam Hiyate at The Rights Factory (world, excl. Canada and UK).

Lambda Literary Award Finalist, GLAAD Media Award winner, and author of REAL QUEER AMERICA Samantha Allen’s PATRICIA WANTS TO CUDDLE, a contemporary horror comedy novel pitched as queer Grendel for the Instagram era, following a group of contestants on a reality television dating competition as they compete for love, and their lives, while on a remote island that’s home to an elusive and woefully misunderstood creature, to Sareena Kamath at Zando, at auction, by Leila Campoli at Stonesong (world English).

Author of HOW TO LIVE IN DETROIT WITHOUT BEING A JACKASS Aaron Foley’s BOYS COME FIRST, about the lives of 30-something Black gay men navigating love, life, and career in Detroit as they confront their evolving friendship and individual hiccups, including workplace micro-aggressions, bad Tinder dates, situationships and frenemies, while attempting to maintain their Blackness in America’s comeback city and the ever-changing expectations of homosexuality in structures largely architected by white gay men, to Anne Trubek at Belt, in a nice deal, for publication in May 2022 (US).

Young Adult Fiction

AJ Mason’s KLOUD 9, a queer space opera graphic novel about a lonely orphan trying to keep himself afloat with odd jobs, and an extraterrestrial star soldier who, after falling in love, are forced to go on the run and flee the solar system, joined by a motley crew, illustrated by Dominic Bustamante, to Erika Turner at IDW Publishing, in a three-book deal, for publication in 2023, by Britt Siess at Britt Siess Creative Management (world).

Author of THE CAMINO CLUB Kevin Craig’s BOOK OF DREAMS, in which a young man is given a book by a mysterious bookseller and falls into its pages, and must find an escape before he becomes a chapter in its horrific narrative; and WHERE IS ETHAN SINCLAIR, in which two young men try to solve the puzzling disappearance of a friend by studying his blog, only to unravel a mystery that sets them on a path to fight for justice for their missing friend—and hopefully bring him home safe, to Annie Harper at Duet, in a nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2022 (world). Rights: MJ Courchesne at Gryphon Publishing Consulting

Rose Szabo’s WE ALL FALL DOWN, the first book in the River City duology, about a city where magic used to thrive and four queer young people are cast as archetypal figures—the maiden, the hero, the monster, and the witch—in an age-old ritual that will revive the flow of magic, even though none of them quite fit the roles thrust upon them and in the end discover that they can only stay true to themselves, to Trisha de Guzman at Farrar, Straus Children’s, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in spring 2022, by Jennifer Azantian at Azantian Literary Agency (world English).

Author of ENTER TITLE HERE (as Rahul Kanakia) and WE ARE TOTALLY NORMAL Naomi Kanakia’s JUST HAPPY TO BE HERE, about an Indian American trans girl who transfers from her prestigious all-boys’ school to the sister school that she’s always idealized, and has to decide whether she’s content to be treated like a second-class citizen or whether to risk her place by demanding that her school live up to its own principles, to Stephanie Guerdan at Harper Teen, for publication in spring 2023, by Christopher Schelling at Selectric Artists (world).

Amanda DeWitt’s ACES WILD, in which a character pitched as a modern asexual Kaz Brekker assembles a crew of ace teens he met through fandom forums and leads them on a Las Vegas heist to prove his incarcerated mother was set up by a rival casino owner, to Ashley Hearn at Peachtree Teen, in a nice deal, for publication in fall 2022, by Cate Hart at Harvey Klinger (world).

Lambda Literary Award finalist and author of RUNNING WILD Lucy Jane Bledsoe’s NO STOPPING US NOW, pitched as Mrs. America meets A League of Their Own, where a 17-year-old girl whose chance encounter with Gloria Steinem inspires her to fight for her public school to actually follow the new Title IX law, facing a menacing coach and navigating her feelings for a fellow teammate in the process; a story about the joy of sports and the power of sisterhood based on the author’s own activism as a champion athlete in 1970s Portland, Oregon, to Kat Georges at Three Rooms Press, for publication in spring 2022 to coincide with the 50th anniversary of Title IX’s passage, by Reiko Davis at DeFiore and Company (world).

Editor of KINDRED Michael Earp, ed.’s fully illustrated untitled YA queer fairy tales anthology, which interprets original fairy tales with a queered ideology, questioning the heteronormative culture from which these traditional stories come and how that is perpetuated when left unexamined; contributors include Amie Kaufman, Mackenzi Lee, Dean Atta, Will Kostakis, Lily Wilkinson, Sophie Gonzales, Alison Evans, Alexandra Villasante, Abdi Nazemian, Gary Lonesborough, and James Brandon, to Meg Whelan at Affirm Press, by Ben Fowler at Abner Stein, on behalf of Taryn Fagerness Agency and Linda Epstein at Emerald City Literary Agency (world).

Non-Fiction

Journalist, critic, and host of Crooked Media’s podcast Keep It Ira Madison III’s PURE INNOCENT FUN, a collection of essays that explores popular culture of the 1990s and earlier through the author’s perspective and lived experience as a Black, gay TV writer and cultural critic, to Jamia Wilson at Random House, at auction, by Erin Malone at William Morris Endeavor (NA).

National Endowment for the Arts, MacDowell, Yaddo, and Michener Center for Writers fellow Greg Marshall‘s LEG: THE STORY OF A LIMB AND THE BOY WHO GREW FROM IT, a memoir that grapples with family, disability, illness, and coming of age in two closets–as a gay man and as a man living with cerebral palsy–while exploring with trenchant humor what it means to “transform” when there are parts of yourself you cannot change, pitched in the vein of Ryan O’Connell meets David Sedaris, to Zachary Knoll at Simon & Schuster, in a pre-empt, by Hannah Brattesani at Friedrich Agency (NA).

Slate journalist June Thomas’s WHERE ARE ALL THE LESBIANS?, a cultural history, celebration, and critical look at queer women’s communities in the second half of the 20th century, to Seal Press, at auction.