Author of DELILAH GREEN DOESN’T CARE Ashley Herring Blake‘s DREAM ON, RAMONA RILEY, a f/f rom-com about a small-town waitress who’s spent the last decade raising her baby sister and the child star-turned-party girl who’s in town to shoot a movie and save her reputation; their unexpected reunion reignites old dreams and forgotten crushes, to Angela Kim at Berkley, in a three-book deal, for publication in spring 2025, by Rebecca Podos at Rees Literary Agency (world).
Author of YOU’RE A MEAN ONE MATTHEW PRINCE Timothy Janovsky‘s THE MERRIEST MISTERS, in which a married couple accidentally attacks a burglar who turns out to be Santa, forcing them to assume the roles of Santa Claus and the first-ever merriest mister to save Christmas, while also figuring out how to save their marriage, pitched as The Santa Clause meets HUSBAND MATERIAL, to Eileen Rothschild at St. Martin’s, in a two-book deal, for publication in fall 2024, by Samantha Fabien at Root Literary (NA).
Sunday Times-bestselling author of A DOWRY OF BLOOD S.T. Gibson‘s EVOCATION, a contemporary fantasy with fortune-telling and tarot, set in a magic-riddled Boston, following an alcoholic psychic, his sorcerer ex-boyfriend, and the ex’s astrologer wife, to Eleanor Teasdale at Angry Robot, in a four-book deal, for publication in June 2024, by Tara Gilbert while at Jennifer De Chiara Literary Agency for the first two books, and at kt literary for the second two books (world English).
Linda Epstein, Ally Malinenko, and Liz Parker’s‘s THE OTHER MARCH SISTERS, pitched as a queer feminist take on the lives of Jo March’s sisters, set in the world of LITTLE WOMEN, inspired by details from the very real lives of May Alcott Nieriker (Amy), Lizzie Alcott (Beth), and Anna Alcott Pratt (Meg), with each author enabling these women to finally tell their own stories, to Wendy McCurdy at Kensington, for publication in early 2025, by Rena Rossner at Deborah Harris Agency (world).
Lambda Literary Award winner for Transgender Fiction Jeanne Thornton‘s A/S/L, (an internet initialisim for “age, sex, location”), the story of three teenage friends and game developers, connected only by the nascent internet of the 90s, and who now, twenty years later, meet for the first time in person, each at a critical turning point, in a novel about how we communicate, how we game, and how our transness is lived and seen, to Mark Doten at Soho Press, for publication in 2024, by Jin Auh at The Wylie Agency (NA).
Poet and Lambda Literary Award finalist Ben Ladouceur‘s I REMEMBER LIGHTS, a debut novel following an unnamed narrator as he explores his burgeoning sexuality during the pomp and folly of Expo ’67 in Montreal, and framed by depictions of the raids on queer spaces in that city during the late 1970s, to Hazel Millar and Jay Millar at Book*hug, for publication in spring 2025, by Marilyn Biderman at Transatlantic Literary Agency (NA).
LATimes Book Award finalist and author of EXALTED Anna Dorn‘s PERFUME & PAIN, pitched as a nod to 1950s lesbian pulp fiction, about a controversial L.A. author’s attempt to revive her career post-cancellation and escape the historic trappings of sapphic melodrama in favor of true love, to Olivia Taylor Smith at Simon & Schuster, in an exclusive submission, by Sarah Phair at Sanford J. Greenburger Associates (world English).
YA author Daniel Aleman‘s adult debut SORRY TO DISAPPOINT, a suspenseful dark comedy about a struggling gay writer who wakes up to find his date from the night before dead—and must enlist the help of his literary agent to get rid of the body and spin the entire misadventure into his next big book, to Rachael Kelly at Grand Central, at auction, for publication in fall 2024, by Pete Knapp at Park & Fine Literary and Media (NA).
Emma Sterner-Radley‘s SNOWBLOODED, a swashbuckling queer historical fantasy in which two rival state-sanctioned assassins must cooperate to bring down their city’s elusive seller of illegal magic tonics, to Amy Borsuk at Solaris, in a nice deal, for publication in summer 2024, by Anna Carmichael at Abner Stein on behalf of Saint Gibson (world, excl. NA).
Annabel Paulsen and Lydia Wang’s HOPELESSLY DEVOTED, a lesbian romcom in which two contestants on a popular dating show fall for each other instead of the leading man, to Jess Verdi at Alcove Press, for publication in spring 2024, by Kristy Hunter at The Knight Agency (world).
Author of INSIDE OUT Lor Gislason and Shelley Lavigne’s THE FLESH OF THE SEA, pitched as Our Flag Means Death meets Lovecraft Country, in which a man sets off to explore the high seas after being rejected by the royal society, where he encounters bizarre wildlife and eldritch monsters while grappling with his sexuality and desire to prove himself to the scientific community, to Andrew Robert at DarkLit, in a nice deal, in an exclusive submission, for publication in fall 2023.
Author of STARS COLLIDE Rachel Lacey’s COVER STORY, a sapphic bodyguard romance featuring an A-list actress in need of extra protection who hires a female bodyguard to pose as her girlfriend in order to keep the real story under wraps, again to Lauren Plude at Montlake, by Sarah Younger at Nancy Yost Literary Agency (world).
Children’s and Middle Grade Fiction
RuPaul’s Drag Race alum Kim Chi and author of K-POP CONFIDENTIAL Stephan Lee‘s THE LIBRARY IS OPEN, about a queer Korean-American’s plight to save his beloved local library after learning it is set to be demolished to make room for a swanky new mall, to Susan Van Metre at Candlewick, in a six-figure deal, at auction, in a two-book deal, for publication in 2025, by David Purse at Inked Entertainment (world English).
Esme Symes-Smith‘s next two novels in the Sir Callie series that expand on Callie’s world and the dangers within, to Liesa Abrams at Labyrinth Road, in a two-book deal, by Megan Manzano at D4EO Literary Agency.
Brigitta Blair‘s CRAMMING, a semi-autobiographical debut graphic novel about the pressures a girl and her friends face in eighth grade, including scoliosis bracing, school, sports, gender exploration, and the gift of learning to be at peace in your body, pitched for readers of SWIM TEAM and THE TRYOUT, to Jessica Anderson at Christy Ottaviano Books, for publication in winter 2027, by Chelsea Eberly at Greenhouse Literary Agency (NA).
Taylor Tracy‘s MURRAY OUT OF WATER, a novel-in-verse about a 12-year-old whose Jersey Shore home is destroyed by a hurricane; displaced to upstate New York and separated from her beloved ocean, she meets a boy who introduces her to the magical world of roller skating and drag shows and with his friendship, she is finally able to open up about questions she’s been having about her identity, her super-conservative family, and a secret magic that she and he share, to Alyssa Miele at Quill Tree, in a very nice deal, in a pre-empt, in a two-book deal, for publication in summer 2024, by Jordan Hamessley at New Leaf Literary & Media (world English).
Young Adult Fiction
Hayley Dennings‘s BITTERSWEET POISON, set during the most morally disruptive period in U.S. history, when Black bodies are experimented on and turned into bloodthirsty reapers and the saint empire is tasked with protecting human life, in which a saint heiress must kill her childhood best friend-turned-enemy and reaper but when a saint member is murdered and reapers murmur about a cure, the two girls are forced into an alliance and must keep their confusing feelings in check, to Wendy McClure at Sourcebooks Fire, in a pre-empt, in a two-book deal, for publication in fall 2024, by Emily Forney at BookEnds (NA).
Author of the forthcoming SAINT JUNIPER’S FOLLY Alex Crespo‘s THE WATCHER, a queer paranormal mystery, pitched as SAWKILL GIRLS by way of Twin Peaks, in which four teens track down a local cryptid that’s feeding off secrets before their own hidden truths are exposed to their coastal Oregon town, to Ashley Hearn at Peachtree Teen, for publication in spring 2025, by Mary C. Moore at Kimberley Cameron & Associates (world).
Eisner Award-winning graphic novelist Emil Ferris‘s graphic novel RECORDS OF THE DAMNED, set in mid-60s Chicago, a prequel to MY FAVORITE THING IS MONSTERS, following its monster-loving protagonist’s queer coming-of-age and burgeoning friendship with her haunted neighbor; and A. ROSENBLOOM AND THE MARIONETTE MURDERS, a standalone noir revolving around a string of grisly murders, to Lisa Lucas and Zach Phillips at Pantheon, at auction, in a two-book deal, by Markus Hoffmann at Regal Hoffmann & Associates (world English).
National Book Award-winning author Kacen Callender‘s INFINITY ALCHEMIST, featuring a cast of trans and queer characters of color in a polyamorous triad, following a boy who illegally practices alchemy and is blackmailed into helping a college apprentice find the legendary Book of Source, said to make its reader all-powerful, pitting the two against dangerous rivals willing to kill for it, to Ali Fisher at Tor Teen, in a major deal, at auction, in a two-book deal, for publication in winter 2024, by Beth Phelan at Gallt and Zacker Literary Agency (world English).
Michelle Kulwicki‘s AT THE END OF THE RIVER STYX, in which two boys—one who cheated death and one who is cursed to spend 500 years ferrying souls across the river Styx—aim to discover if their love is worth dying for as they find their lives intertwining in dreams at the edge of death’s domain; part queer romance, part meditation on grief and sacrifice, forcing readers to examine the complexities of their own relationships and what they’d be willing to give up for those they hold dear, to Tamara Grasty at Page Street Kids, in a nice deal, by Lauren Bittrich at Lucinda Literary (world).
THE GHOSTS OF ROSE HILL author R.M. Romero‘s DEATH’S COUNTRY, pitched as a queer Orpheus and Eurydice retelling in verse with a polyamorous triad, following two Miami teens who travel to the underworld to retrieve their girlfriend’s soul, so they can reunite it with her body before it’s too late, to Ashley Hearn at Peachtree Teen, for publication in summer 2024, by Rena Rossner at Deborah Harris Agency (world).
Vichet Chum’s KWEEN, about a queer Cambodian American teen’s journey to find her voice and step into her legacy, to Jennifer Ung at Quill Tree, for publication in fall 2023 (world).
Non-Fiction
Speaker, activist, and TikTok expert Ben Greene‘s MY CHILD IS TRANS, NOW WHAT?, a roadmap for transgender people, their families, and allies to support transgender people as they navigate their journeys, to Suzanne Staszak-Silva at Rowman & Littlefield, by Jessica Faust at BookEnds (world English).
Actor (Search Party, The Horror of Dolores Roach, Spoiler Alert) Jeffery Self‘s SELF-SABOTAGE, a collection of personal essays exploring everything from the author’s Southern upbringing to sex work to the glitz and glamour of being bipolar, to Rakesh Satyal at Harper One, by Alex Kane at William Morris Endeavor (NA).
Frances Cannon‘s FLING DICTION, poems about the vulnerability of desire that explore different styles of relationships, including queer love, polyamory, familial drama, dog and human companionship, and longing in isolation, through characters who find and lose each other in rural and urban settings and have their experiences intensified by the sensuality and ferocity of nature, to Dede Cummings at Green Writers Press, with Maria Tane editing, in an exclusive submission, for publication in spring 2024 (US).
Author of the forthcoming THE MALE GAZED Manuel Betancourt‘s HELLO STRANGER, combining cultural criticism and memoir to question prescribed notions of monogamy and coupledom, with a fresh consideration of modern queer dating, from ephemeral connections made through cruising and hookup apps to long-term polyamorous relationships, again to Alicia Kroell at Catapult, by Michael Bourret at Dystel, Goderich & Bourret (NA).
Brittney Griner‘s memoir, recounting her detention, trial, and imprisonment in Russia, as well as the efforts in public and behind the scenes to bring her home, also documenting how the global #WeAreBG movement began as well as the issue of pay equity for women athletes in the United States—the very inequity that led Griner to play basketball in Russia, to Jordan Pavlin at Knopf, for publication in spring 2024, by Kim Witherspoon at Inkwell Management, with Jon Liebman at Brillstein Entertainment and Lindsay Kagawa Colas at Wasserman (world). Random House Children’s will publish a YA edition at a later date.
Hosts of the podcast GAYISH Kyle Getz and Mike Johnson‘s YOU’RE PROBABLY GAYISH, taking a look at gay stereotypes and why none of us are “gay enough,” but rather comfortably “gayish,” to Alex DiFrancesco at Jessica Kingsley, for publication in February 2025 (world).
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. (Exception made for books posted without a cover last year or whose pub dates significantly changed since last posting.) For even more bi goodness, make sure to check earlier Bi Visibility Day posts!
Eighth-graders Evelyn and Allie are in trouble. Evelyn’s constant need for perfection has blown some fuses among her robotics teammates, and she’s worried nobody’s taking the upcoming competition seriously. Allie is new to school, and she’s had a history of short-circuiting on teachers and other kids.
So when Allie is assigned to the robotics team as a last resort, all Evelyn can see is just another wrench in the works! But as Allie confronts a past stricken with grief and learns to open up, the gears click into place as she discovers that Evelyn’s teammates have a lot to offer—if only Evelyn allowed them to participate in a role that plays to their strengths.
Can Evelyn learn to let go and listen to what Allie has to say? Or will their spot in the competition go up in smoke along with their school’s robotics program and Allie’s only chance at redemption?
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
When Harleen Quinzel scores an internship in a psych lab at Gotham University, she’s more than ecstatic; she’s desperate to make a Big Scientific Discovery that will land her a full-ride college scholarship and get her away from her abusive father. But when Harleen witnesses the way women are treated across STEM departments–and experiences harassment herself–she decides that revenge and justice are more important than her own dreams.
Harleen finds her place in an intoxicating vigilante girl gang called the Reckoning, who creates chaos to inspire change. And when Harleen falls for another girl in the gang, it finally seems like she’s found her true passions. But what starts off as pranks and mischief quickly turns deadly as one of the gang members is found murdered–and a terrifying conspiracy is uncovered that puts the life Harleen has worked so hard for at stake. Will she choose her future–or will she choose revenge?
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
I Know What You Did Last Summer meets The Haunting of Hill House in this atmospheric, eerie teen thriller following an estranged group of friends being haunted by their friend who died last summer.
Emily Joiner was once part of an inseparable group—she was a sister, a best friend, a lover, and a rival. Summers without Emily were unthinkable. Until the fire burned the lake house to ashes with her inside.
A year later, it’s in Emily’s honor that Chelsea and her four friends decide to return. The house awaits them, meticulously rebuilt. Only, Chelsea is haunted by ghostly visions. Loner Ryan stirs up old hurts and forces golden boy Chase to play peacemaker. Which has perfect hostess Kennedy on edge as eerie events culminate in a stunning accusation: Emily’s death wasn’t an accident. And all the clues needed to find the person responsible are right here.
As old betrayals rise to the surface, Chelsea and her friends have one night to unravel a mystery spanning three summers before a killer among them exacts their revenge.
Flight 133 disappeared over the ocean. No wreckage. No distress signal. Just gone.
Suddenly, everyone on the news and social media is talking about whether the pilot intentionally crashed it—everyone but me. Because I know her. The pilot was my mom, and there’s no way she would hurt anyone. No one else knows that before she left, she wrote me a note. Trust me, it said.
Now it feels like someone split my world—and me—in two, and the only person who believes me is Landon. I want to trust him, to let him see who I really am, but I can’t. I have my secrets, the same way Mom has hers. All I know is falling for him will only make things more complicated.
Just as I start to open up, the answer to what really happened to Flight 133 could rip my world apart all over again—for good this time.
TRAGIC by Dana Mele (Text) and Valentina Pinti (Illustrations)
In a contemporary re-telling of Shakespeare’s Hamlet, TRAGIC follows the 17 year-old Harper Hayes as she unravels the mystery and grief surrounding her father’s death.
After her father Hamilton Hayes dies a mysterious and tragic death, Harper Hayes is convinced that he was murdered and her first suspect is her uncle Clayton, who has been sleeping with her mother, Greta. With the help of her ex-girlfriend Talia and her best friend (sometimes with benefits) Holden, Harper is determined to find her father’s killer. But when Caius, Talia’s father and Hamilton’s business partner, is found dead, Harper realizes the answer to Hamilton’s murder is more complicated than she had initially realized. And when Harper starts seeing his ghost in the form of a teenage Hamlet everywhere and slipping into hallucinations of his murder that end with blood on her hands, one thing becomes clear—in order to uncover the truth about what happened to her father, Harper has to confront her own demons and ones that haunt the Hayes family.
Holly Liddell has been stuck with crimped hair since 1987 when she agreed to let her boyfriend, Elton, turn her into a vampire. But when he ditches her at a gas station a few decades into their eternity together, she realizes that being young forever actually means working graveyard shifts at Taco Bell, sleeping in seedy motels, and being supernaturally compelled to follow your ex from town to town—at least until Holly meets Elton’s other exes.
It seems that Holly isn’t the only girl Elton seduced into this wretched existence. He turned Ida in 1921, then Rose in 1954, and he abandoned them both before Holly was even born. Now Rose and Ida want to kill him before he can trick another girl into eternal adolescence, and they’ll need Holly’s help to do it. And once Holly starts falling for Elton’s vulnerable new conquest, Parker, she’ll do anything to save her.
To kill Elton for good, Holly and her friends will have to dig up their pasts, rob a bank, and reconcile with the people they’ve hurt in their search for eternal love. And to win the girl, Holly will have to convince Parker that she’s more than just Elton’s crazy ex—even though she is trying to kill him.
Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
(This is the UK edition. It will be published in the US on May 23, 2023 and can be preordered via Bookshop.)
Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they’ve never met in real life and Ada lives an ocean away. But Elsie has decided it’s now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.
In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn’t nearly as alone as she thought. But now she has a choice to make…
When her siblings start to go missing, a girl must confront the dark thing that lives in the forest – and the growing darkness in herself – in this debut YA contemporary fantasy for fans of Wilder Girls.
Derry and her eight siblings live in an isolated house by the lake, separated from the rest of the world by an eerie and menacing forest. Frank, the man who raised them after their families abandoned them, says it’s for their own good. After all, the world isn’t safe for people with magic. And Derry feels safe – most of the time.
Until the night her eldest sister disappears. Jane and Derry swore to each other that they’d never go into the forest, not after their last trip ended in blood, but Derry is sure she saw Jane walk into the trees. When another sibling goes missing and Frank’s true colors start to show, feeling safe is no longer an option. Derry will risk anything to protect the family she has left. Even if that means returning to the forest that has started calling to Derry in her missing siblings’ voices.
As Derry spends more time amidst the trees, her magic grows more powerful…and so does the darkness inside her, the viciousness she wants to pretend doesn’t exist. But saving her siblings from the forest and from Frank might mean embracing the darkness. And that just might be the most dangerous thing of all.
It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarified bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance.
When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now, all must struggle to find new identities in art, in society, and amongst each other. In the process, they must either find their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether.
With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan Ross isn’t headed home for the holidays so much as in strategic retreat. Breathtaking mountain vistas, quirky townsfolk, and charming small businesses aside, her hometown of Fern Falls is built of one heartbreak on top of another . . .
Take her one-time best friend turned crush, Rachel Reed. The memory of their perfect, doomed first kiss is still fresh as new-fallen snow. Way fresher than the freezing mud Morgan ends up sprawled in on her very first day back, only to be hauled out via Rachel’s sexy new lumberjane muscles acquired from running her family tree farm.
When Morgan discovers that the Reeds’ struggling tree farm is the only thing standing between Fern Falls and corporate greed destroying the whole town’s livelihood, she decides she can put heartbreak aside to save the farm by planning her best fundraiser yet. She has all the inspiration for a spectacular event: delicious vanilla lattes, acoustic guitars under majestic pines, a cozy barn surrounded by brilliant stars. But she and Rachel will ABSOLUTELY NOT have a heartwarming holiday happy ending. That would be as unprofessional as it is unlikely. Right?
No dating. That’s longtime divorcée Gina Kersey’s rule, and she’s sticking to it. Comfortably settled in her hometown of Clover Hill, she’d rather play board games than risk getting played herself. For company, she has her beloved if slightly meddlesome Great Aunt… who’s somehow made Gina promise to break her rule. She has to ask someone out. On a date. Maybe she could skip town instead?
Outgoing video game translator Marek Haas flew across the country to pick up the sports car of his teenage dreams—to celebrate getting over a breakup from the absolute worst boyfriend, not because he’s having a midlife crisis at thirty-five. In his automotive fantasies, though, the car didn’t break down in the middle of small-town nowhere.
Marek’s not a damsel in distress, but when Gina comes to his rescue on the side of the road, she can’t believe her luck. He’s handsome, charming, and most importantly, just passing through. Promise, meet loophole! When he turns out to be adorably nerdy as well, they skip drinks at the pub for a fun-filled night in Gina’s bed.
The problem? Marek’s vintage car needs parts the garage doesn’t have, so he’s stuck until they’re found. Meaning every time Gina turns around, her hot one night stand is still in her town, being all cute and friendly and sometimes taking his shirt off. Even worse, he seems to be falling for Clover Hill… and Gina might be falling for him.
Can Gina overcome her fears and take a chance on a geeky sweetheart who makes her weak at the knees, or will their unforgettable one night stand end up as nothing more than a memory?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape — and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semi-documentary movie, which follows the girls’ violent fight club, a real-life feminist re-purposing of the classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes increasingly troubled by how deeply Caroline is manipulating the teens in the name of art. When a girl goes missing, Cass must reckon with her own ambitions and ask herself: in the pursuit of fame, how do you know when you’ve gone too far?
Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm.
But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first.
Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.
When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup―it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom―the hot, older woman Cassie slept with.
Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they’d met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin’s better judgement―how could sleeping with your daughter’s friend be anything but bad?―she and Cassie get along in the day just as well as they did last night.
What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?
For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be broadcasted on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval.
However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the inn’s renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into a little light sabotage, ruffling Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
What’s more important? Knowing the truth or keeping the peace?
The summer of her senior year, seventeen-year-old Avery Anderson finds herself uprooted from her life in DC and moved into the hostile home of her terminally ill grandmother, Mama Letty. The tension between her mom and Mama Letty makes for an unwelcoming arrival and unearths some family drama they refuse to talk about. Everytime Avery tries to look deeper, they turn her away, leaving her desperate to learn the secrets that split her family in two.
Where Mama Letty is cantankerous and closed off, Avery finds friendship in some unexpected places: in Simone, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family— whose mother’s murder remains unsolved.
But as the three girls grow closer—Avery and Simone’s friendship blossoming into something more—the sharp-edged opinions of their small southern town start to hint at something more insidious underneath. Turning to Mama Letty for answers only result in more questions, uncovering decades-old secrets that have been brewing for generations, exposing the towns racist history and threatening to topple the new life Avery’s built in Bardell County, Georgia.
It’s been two years since Maya dumped her cheating ex-boyfriend Jordy, and she still can’t escape him: his sister married the crown prince of a minor European country, and in the lead up to the wedding he captured hearts globally as the eligible younger brother. So, when Maya receives an invitation to be a contestant on Second Chance Romance, a new reality show in which the now-famous Jordy will re-date his ex-girlfriends in an effort to find “the one that got away,” she isn’t interested…that is, until she realizes she can use this opportunity to exact her revenge. If she can make it to the finale, she can reject Jordy and publicly break his heart. As far as Maya’s concerned, it’s payback with interest: just what a guy like Jordy deserves.
But when she gets to the set, she’s confronted with the one person she hasn’t accounted for: Skye, the beautiful, charismatic girl Jordy cheated on Maya with. How is she supposed to live with this girl for six weeks? Sharing bunkbeds, for crying out loud?
Except, of course, there’s more to Skye than she lets most people see. Skye has her own reasons for being careful with her heart, and might be more willing to take Maya’s side than it initially seems. If they can sustain their reluctant alliance—and keep their unexpected chemistry from interfering—they might just have a chance to take Jordy down.
Xavier Reynolds is doing less than stellar. He just got dumped, was passed over for a prestigious fellowship, and to top it all off he’s right back home in Harper’s Cove, Maine (population: 9,000). The last thing he wants to do is to work as a prep chef in the kitchen of the hip new restaurant in town, The Wharf. Especially since the hot, single-father chef who owns it can’t delegate to save his life.
Logan O’Hare doesn’t understand Xavier or why every word out of his mouth is dipped in sarcasm. Unfortunately, he has no choice but to hire him—he needs more help in the kitchen and his tween daughter, Anne, can only mince so many onions. It might be a recipe for disaster, but Logan doesn’t have many options besides Xavier.
Stuck between a stove and a hot place, Logan and Xavier discover an unexpected connection. But when the heat between them threatens to top the Scoville scale, they’ll have to decide if they can make their relationship work or if life has seasoned them too differently.
When Nareh Bedrossian’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or the wealthy engineer who catch Nar’s eye—it’s Erebuni, a woman as immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on her double life—the Explore Armenia closing banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave and to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
This is the second book in the Pies Before Guys mystery series.
Daisy bakes a little murder into every pie she creates, and she and her dog, Zoe, deliver them to the town’s worst cads. Now, Daisy’s entered a televised, elimination-style competition and has a shot at $100k in prize money—but she still has a murder pie to deliver between filming.
In a completely unexpected turn of events, she discovers that her intended victim is one of the competition judges, and he turns up dead before the pie even arrives. Now, Daisy has to solve the murder—even if it means working a bit of magic—before someone calls foul play and exposes her murderous secret.
How do you face your fears when everything is terrifying?
Fifteen-year-old Brynn can’t stop thinking about death. Her intrusive thoughts and severe anxiety leave her feeling helpless—and hopeless. So after her mom interprets one of Brynn’s blog posts as a suicide note, she takes extreme measures, confiscating Brynn’s phone, blocking her Internet access, and banishing her to stay with her father, who lives “off the grid” on a houseboat in the Florida mangroves. Isolated from her online friends—her only friends—Brynn resigns herself to a summer of mind-numbing boredom and loneliness . . . until Skylar appears.
Skylar is everything Brynn isn’t—sultry, athletic, and confident. Yet Brynn feels at home around this fearless girl who pushes her to try new things and makes her belly flutter with nerves that have nothing to do with anxiety. When Brynn discovers that Skylar is trapped in the bayou and can’t tell her why, she resolves to free her new crush from the dark waters, even if it means confronting all of her worst fears.
A contemporary YA debut from award-winning playwright Gina Femia, Alondra is a coming-of-age story of friendship and romance, about a bisexual teen girl and her friends wrestling their way through the summer–sometimes on the playgrounds of Coney Island, sometimes with their feelings and at home.
Sixteen-year-old Alonda loves professional wrestling. So when she meets a group of teens with aspirations of wrestling fame in her Coney Island neighborhood, she couldn’t be happier. So as the ragtag team works to put on a show to remember, Alonda sheds her old self behind and becomes Alondra―the Fearless One. But with her conflicting feelings for King, the handsome leader of their group, and Lexi, the girl with the beautiful smile, Alonda has to ask herself: can she be as fearless outside of the ring as she is inside it?
For aspiring cinematographer Luna Roth, coming out as bisexual at twenty-four is proving more difficult than she anticipated. Sure, her best friend and fellow queer Romy is thrilled for her—but she has no interest in coming out to her backwards parents, she wouldn’t know how to flirt with a girl if one fell at her feet, and she has no sexual history to build off. Not to mention she really needs to focus her energy on escaping her emotionally-abusive-but-that’s-Hollywood talent manager boss and actually get working under a real director of photography anyway.
When she meets twenty-eight-year-old A-list actress Valeria Sullivan around the office, Luna thinks she’s found her solution. She’ll use Valeria’s interest in her cinematography to get a PA job on the set of Valeria’s directorial debut—and if Valeria is as gay as Luna suspects, and she happens to be Luna’s route to losing her virginity, too . . . well, that’s just an added bonus. Enlisting Romy’s help, Luna starts the juggling act of her life—impress Valeria’s DP to get another job after this one, get as close to Valeria as possible, and help Romy with her own career moves.
But when Valeria begins to reciprocate romantic interest in Luna, the act begins to crumble—straining her relationship with Romy and leaving her job prospects precarious. Now Luna has to figure out if she can she fulfill her dreams as a filmmaker, keep her best friend, and get the girl. . . or if she’s destined to end up on the cutting room floor.
Lydia Jones and her younger sister Penny have had it with boy drama. Last year was marred by relationship disasters for both of them, threatening Lydia’s standing with her school’s theater tech club and Penny’s perfect GPA. Penny has, naturally, diagnosed the problem and prescribed a drastic solution: a summer off from boys.
Lydia and Penny decide to stay with their Aunt Grace and her boyfriend Oscar in Los Angeles while their parents are off on a European cruise. Penny follows her future-business-school dreams with an internship at Oscar’s office, and Lydia gets a part-time job at Grace’s neighborhood coffeeshop, Grounds Control.
Even when they spent hours, days, weeks dissecting their various boy drama, Lydia’s never felt this connected to her sister before, and it makes her wonder what else in her life could be different. She finds herself drawn to a group of friends she meets through her Grounds Control coworker, Margaret, as well as an intriguing customer, Fran, an aspiring filmmaker and—while not the first girl Lydia finds herself attracted to—the first girl who has mutual feelings for her. But she’s not breaking her pledge to Penny, right? That was just about boys. Even though in her heart Lydia knows she’s bending the rules, she hasn’t had a connection with anyone as strong as her connection with Fran, so she thinks it can’t be wrong. And Penny won’t mind as long as she’s happy . . . Right?
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
On the worst day of her life, Madison is dumped by her girlfriend, then fired as said (ex)girlfriend’s campaign manager… plus she accidentally rear-ends the student government advisor—the one person whose good word might help her win a spot at a prestigious youth politics summer camp.
But Madison is nothing if not a girl with a plan, and she isn’t going to let a little thing like heartbreak (or a slightly dented bumper) get in her way. Soon, she has a new junior class president candidate to back—although the two of them might be getting a little too close on the campaign trail. Between navigating her growing crush and corralling a less than enthusiastic election team, Madison has had it with unexpected changes to her carefully laid plans. But when she and a group of queer classmates discover a pattern of harassment within the student government, Madison’s forced to shift gears once again.
After her parents’ divorce, 16 year old Riley Grishin is forced to move from Portland, Oregon all the way to Little Brook, Maine, a small town that serves as the headquarters for Titan Technologies, an international tech laboratory. Having left her friends and father behind, Riley spends most of her days running through the woods with her dog Tigger, and eavesdropping on her classmates—in particular, the gorgeous, but very strange, Aspen Montehugh.
On the night of the homecoming game, Riley wakes up to find her town on fire, terrorized by an unseen monster. With flames spreading rapidly, Riley and Tigger have no choice but to pile into her beat-up pickup truck and flee. Speeding out of town, they come across the only other survivor: Aspen.
When Riley and Aspen finally reach safety, they realize something far more sinister is afoot. According to the news, all other Titan Tech laboratories on the East Coast have been attacked. And even worse, they’re being followed by an SUV with blacked out windows. With all air travel grounded, Riley has no way to fly back to her dad, so she and Aspen embark on a cross country road trip, all the while pursued by men with guns, mad scientists, and the monstrous truth. Slowly, Riley realizes something’s not quite right with Aspen, which puts her feelings for her—and her own humanity—to the ultimate test.
Ten years ago, the Scar Squad promised each other nothing would tear them apart. They stuck together through thick and thin, late-night surf sessions and after school spodies. Even when Casey Jones Caruso lost her twin brother Sammy to an overdose, and their foursome became a threesome, the squad picked each other up. But when Casey’s feeling for the remaining members—Francesca and Benjamin—develop into romantic attraction, she worries the truth will dissolve them and vows to ignore her heart.
Then Ben kisses Casey at a summer party, and Frankie kisses another girl. Now Casey must confront all the complicated feelings she’s buried—for her friends and for her brother who she’s totally pissed at for dying. Since Sammy’s death, Casey has spilled all the things she can no longer say to him in journals, and now more than ever, she wishes he were here to help her decide whether she should guard her heart or bet it on love, before someone else makes the decision for her.
Savannah “Sav” Henry is almost the person she wants to be, or at least she’s getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.
But when she learns that Izzie, her best friend from childhood, has gotten engaged, Sav faces a crisis of confidence. Things with Izzie haven’t been the same since what happened between Sav and Izzie’s older brother when they were sixteen. Now, with the wedding around the corner, Sav is forced to reckon with trauma she thought she could put behind her.
On top of it all, Sav can’t stop thinking about Wes from her Gender Studies class—sweet, funny Wes, with their long eyelashes and green backpack. There’s something different here—with Wes and with her new friends (who delight in teasing her about this face-burning crush); it feels, terrifyingly, like they might truly see her in a way no one has before.
Natalya Fox has twenty-hours to make the biggest choice of her life: stay home in NYC for the summer with her dad (and finally screw up the courage to talk to the girl she’s been crushing on), or spend it with her basically estranged mom in LA (knowing this is the best chance she has to fix their relationship, if she even wants to.) (Does she want to?)
How’s a girl supposed to choose?
She can’t, and so both summers play out in alternating timelines – one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the girl she’s always wanted. And one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the guy she never saw coming.
It’s a few months before senior year and Claire Kemp, a closeted bisexual, is finally starting to admit she might be falling in love with her best friend, Sophia, who she’s known since they were four.
Trying to pay off the fine from the crash that totals Lars, her beloved car, Claire takes a job at the local nursing home up the street from her house. There she meets Lena, an eighty-eight-year-old lesbian woman who tells her stories about what it was like growing up gay in the 1950s and ’60s.
As Claire spends more time with Lena and grows more confident of her identity, another girl, Pen, comes into the picture, and Claire is caught between two loves–one familiar and well-worn, the other new and untested.
Amar can’t wait to tell everyone his wonderful news: he’s found The One, and he’s getting married. But it turns out announcing his engagement on a group chat might not have been the best way to let his strict Muslim Bangladeshi family know that his happy-ever-after partner is a man―and a white man at that.
Amar expected a reaction from his four siblings, but his bombshell sends shockwaves throughout the community and begins to fracture their family unit, already fragile from the death of their mother. Suddenly Amar is questioning everything he once believed in: his faith, his culture, his family, his mother’s love―and even his relationship with Joshua. Amar was sure he knew what love meant, but was he just plain wrong?
He’s never thought of his relationship with Joshua as a love story―they just fit together, like two halves of a whole. But if they can reconcile their differences with Amar’s culture, could there be hope for his relationship with his family too? And could this whole disaster turn into a love story after all?
With only a drop of flare, one can light the night sky with fireworks . . . or burn a building to the ground — and seventeen-year-old Ingrid Ellis wants her fair share.
Ingrid doesn’t have a family fortune, monetary or magical, but at least she has a plan: Rise to the top on the arm of Linden Holt, heir to a hefty political legacy and the largest fortune of flare in all of Candesce. Her only obstacle is Linden’s father who refuses to acknowledge her.
So when Senator Holt announces his run for president, Ingrid uses the situation to her advantage. She strikes a deal to spy on the senator’s opposition in exchange for his approval and the status she so desperately craves. But the longer Ingrid wears two masks, the more she questions where her true allegiances lie.
Will she stand with the Holts, or will she forge her own path?
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?
Lethal Lit follows Tig Torres, a Cuban American teen detective, in her hometown of Hollow Falls. In season one of the hit podcast, Tig used her smarts and fearlessness to track down the infamous “Lit Killer,” a serial killer who staged his murders after death scenes from famous books. But there’s no rest for courageous, mystery-solving teens in a place like Hollow Falls, and though the Lit Killer is now behind bars, his protégé, Tig’s classmate and crush Oly, has disappeared!
And that’s not the only game afoot. Tig has caught the attention of the town’s local armchair detective group, the Murder of Crows. They’re obsessed with Hollow Falls’ dark past and fixated on a dangerous search for the missing body of the town’s founder. There are rumors about what’s buried with the body that could be life-changing for whoever finds it, and with a mission like that underway, it’s not long before a member of the Murder of Crows turns up dead.
Tig, along with her friends Max and Wyn, steps in to help, but the stakes are getting higher and the hunt more deadly. Someone’s willing to kill to keep the town’s secrets buried, and if Tig’s not careful, she’ll be the Murder of Crows’ next victim.
This original Lethal Lit story takes place between Seasons 1 and 2 of the podcast, and features a brand-new, never-before-told story starring Tig Torres and her sleuthing friends!
Cameron Battle grew up reading The Book of Chidani, cherishing stories about the fabled kingdom that cut itself off from the world to save the Igbo people from danger. Passed down over generations, the Book is Cameron’s only connection to his parents who disappeared one fateful night, two years ago.
Ever since, his grandmother has kept the Book locked away, but it calls to Cameron. When he and his best friends Zion and Aliyah decide to open it again, they are magically transported to Chidani. Instead of a land of beauty and wonder, they find a kingdom in extreme danger, as the Queen’s sister seeks to destroy the barrier between worlds. The people of Chidani have been waiting for the last Descendant to return and save them . . . is Cameron ready to be the hero they need?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
With the emotional undertow of Ocean Vuong and the astute political observations of Natalie Diaz, a powerful poetry debut exploring the effects of racism, war and colonialism, queer love and desire.
In their breathtaking international debut, Aaiún Nin plumbs the depths of the lived and enduring effects of colonialism in their native country, Angola. Now seeking asylum in Denmark, Nin untangles complexities of exile, the reckoning of familial love, but also reveals the power of queer love and desire through the body that yearns to love and be loved. Nin shows the ways in which faith and devotion serve as forms of oppression and interrogates the nature of home by reclaiming the persistent echoes of trauma. A captivating blend of evocative prose and intimate testimony, Nin speaks to the universal vulnerability of existence.
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
Caiden has been on the run for ten years with his unique starship in order to keep his adversary, Threi, imprisoned. But when an old friend he’d once thought dead reappears, he is lured into a game of cat and mouse with the one person whose powers rival Threi’s: Threi’s sister Abriss.
Now with both siblings on the hunt for Caiden and his ship, Caiden must rescue his long-lost friend from their clutches and uncover the source of both his ship’s power and his own origins in order to stop Abriss’s plan to collapse the multiverse.
Julia has lived her whole life inside the Wall, the shining fortress her father built. But she dreams of knowing the world, and one day, the world calls to her. She runs away from home with a false name, a magical gift from her ailing mother, and her lion companion. But leaving triggers a curse, and no matter how hard she tries to outrun it, it catches up with her-as curses often do.
Now, with only the help of a mysterious archer she meets along her journey, Julia must confront dark magic, uncover the secrets of her mother’s past and her own abilities, and discover who she is outside of the Wall, if she is ever to survive the curse and build a life of her own.
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
Three factions vie for control of the galaxy. Rig, a gunslinging, thieving, rebel with a cause, doesn’t give a damn about them and she hasn’t looked back since abandoning her faction three years ago.
That is, until her former faction sends her a message: return what she stole from them, or they’ll kill her twin sister.
Rig embarks on a journey across the galaxy to save her sister – but for once she’s not alone. She has help from her network of resistance contacts, her taser-wielding librarian girlfriend, and a mysterious bounty hunter.
If Rig fails and her former faction finds what she stole from them, trillions of lives will be lost–including her sister’s. But if she succeeds, she might just pull the whole damn faction system down around their ears. Either way, she’s going to do it with panache and pizzazz.
It’s the summer before senior year. Gabriel, Reese, Sal, and Heath are best friends, bonded in their small, rural town by their queerness, their good grades, and their big dreams. But they have plans for the summer, each about to embark on a new adventure.
Gabriel is interning at an environmental nonprofit in Boston.
Reese is attending design school in Paris.
Sal is volunteering on Capitol Hill for a senator.
Heath is heading to Florida, to help out at his aunt’s boardwalk arcade.
What will this season of world-expanding travel and life-changing experiences mean for each of them–and for their friendship?
Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys – way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn’t change, even if she wanted to.
So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia’s firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love―and sexuality―never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she’s always imagined or upending everyone’s expectations to rediscover who she really is, after all.
JJ is certain he’s got everything figured out. He’s straight, right? He’s just not into the hookup culture prevalent on his college soccer team. But he’s trying to hide that to avoid getting on his team captain’s bad side.
Kade is anything but straight. Out and proud, he’s curious about how the “other half” lives… even as his best friends remind him there’s more to the LGBTQ+ community than just the “G.” Curious, Kade texts JJ a simple question: do straight guys ever get off together?
When JJ’s reply leads to a head-spinning sexual spark, he starts questioning everything he knows about his sexuality, both in terms of who he’s attracted to, and also why hookups have never been his thing. But when JJ endures trauma that confuses him more, he starts pushing Kade away. Kade has to learn how to be a supportive friend, and more than that, a supportive partner, or risk losing JJ altogether. And JJ? He has to fight for his team to be team players, even when they suspect he’s “playing for the other team.”
A boy, a murder, a girl, a secret. From award-winning author Mariko Tamaki comes Cold, a haunting YA novel about a shocking crime in a quiet town and four students who knew too much and said too little.
This is the story of a boy who died―and a girl who wants to know why.
Todd Mayer is dead. Now he’s some sort of ghost, hovering over his body, which has just been found in the town park, naked and frozen in the snow. As detectives investigate Todd’s homicide,Todd replays the events that lead him to his end in the park.
Georgia didn’t know Todd. But she can’t stop thinking about him. Maybe because they’re both outcasts at their school, or because they’re both queer. It might also be because Georgia has a feeling she’s seen Todd somewhere before, somewhere he wasn’t supposed to be.
Told through the voices of Todd in his afterlife and Georgia as she uncovers the truth behind his death, Cold is an immersive, emotional, and provocative read.
Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors.
With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.
When they were kids, Fassen’s fighter spaceship crash-landed on a planet that Lu’s survey force was exploring. It was a forbidden meeting between a kid from a war-focused resistance movement and a kid whose community and planet are dedicated to peace and secrecy.
Lu and Fassen are from different worlds and separate solar systems. But their friendship keeps them in each other’s orbit as they grow up. They stay in contact in secret as their communities are increasingly threatened by the omnipresent, ever-expanding empire.
As the empire begins a new attack against Fassen’s people–and discovers Lu’s in the process–the two of them have the chance to reunite at last. They finally are able to be together…but at what cost?
This beautifully illustrated graphic novel is an epic science fiction romance between two non-binary characters as they find one another through time, distance, and war.
Seattle teacher and part-time blogger Hayden McCall wakes sporting one hell of a shiner, with the police knocking at his door. It seems that his new crush, dancer Camilo Rodriguez, has gone missing and they suspect foul play. What happened the night before? And where is Camilo?
Determined to find answers, pint-sized, good-hearted Hayden seeks out two of Camilo’s friends—Hollister and Burley—both lesbians and both fiercely devoted to their friend. From them, Hayden learns that Camilo is a “Dreamer” whose parents had been deported years earlier, and whose sister, Daniela, is presumed to have returned to Venezuela with them. Convinced that the cops won’t take a brown boy’s disappearance seriously, the girls join Hayden’s hunt for Camilo.
The first clues turn up at Barkingham Palace, a pet store where Camilo had taken a part-time job. The store’s owner, Della Rupert, claims ignorance, but Hayden knows something is up. And then there’s Camilo’s ex-boyfriend, Ryan, who’s suddenly grown inexplicably wealthy. When Hayden and Hollister follow Ryan to a secure airport warehouse, they make a shocking connection between him and Della—and uncover the twisted scheme that’s made both of them rich.
The trail of clues leads them to the grounds of a magnificent estate on an island in Puget Sound, where they’ll finally learn the truth about Camilo’s disappearance—and the fate of his family.
In 1968, a seventeen-year-old queer girl traveled to Alaska disguised as a boy.
Tracy should have been a boy. Even her older brother Spencer says so, though he wouldn’t finish the thought with, “And I should have been a girl.”
Though both feel awkward in their own skin, they have to face who they are—queers in the late 60s.
When both are caught with gay partners, their lives and futures are endangered by their homophobic father as their mother struggles to defend them.
While the Vietnam War threatens to take Spencer away, Tracy and her father wage a war of their own, each trying to save the sweet, talented pianist.
At seventeen, Tracy dresses as a boy and leaves her parents in turmoil, with only the slimmest hope of finding peace within herself. She journeys to a girl with a guitar, calling to her from a photo, “Come to Alaska. We’d be great friends.”
Three strangers heading to a convention in Toronto are stranded in rural Ontario, where a small town with a subtle kind of magic leads each to discover what he’s been searching for.
Ed Sinclair and his friends get stuck in Hopewell after their car breaks down. It’s snark at first sight when he meets local mechanic Lyn, but while they’re getting under each other’s skin, the town might show them a way into one another’s hearts.
Rome Epstein is out and proud and clueless about love. He’s hosting a giant scavenger hunt at the convention, but ends up in Hopewell. When the town starts leaving him clues for its own scavenger hunt, he discovers a boy who could be the prize he’s been searching for.
Fielding Roy has a gift for seeing the past. His trip to reunite with friends hits an unexpected stop in Hopewell, but a long-lost love letter and two local boys give him a chance to do more than watch the past. This time, Fielding might be able to fix the present.
This title was originally published in Dutch in 2017. This is the release of the English translation.
Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.
He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps.
He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone.
He remembers: something was waiting for them…
But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him…
It’s one thing to lose your life. It’s another to lose your soul.
Two years ago, Csorwe and Shuthmili risked the anger of the wizard Belthandros Sethennai to gain their freedom. Now, they make their living exploring relic worlds of the ancient serpent empire of Echentyr. They think they’re prepared for anything―but when one of their expeditions releases an Echentyri soldier who has slept undisturbed since the fall of her homeland, they are thrown back into a conflict that has lain dormant for thousands of years. Shuthmili will give anything to protect the woman and the life that she loves, but as events spiral out of control, she is torn between clinging to her humanity and embracing her eldritch power.
Meanwhile, Tal Charossa returns to Tlaanthothe to find that Sethennai has gone missing. Tal wants nothing to do with his old boss and former lover, so when a magical catastrophe befalls the city, Tal tries to run rather than face his past―but he soon learns that something even worse may lurk in the future. Throughout the worlds of the Echo Maze, fragments of an undead goddess begin to awaken, and not all confrontations can be put off forever . . .
Beth Kramer is a “townie” who returns to her sophomore year after having endured a year of judgment from her roommate, Sarah.
But Sarah Brunson knows there’s more to that story.
Amanda Priya “Spence” Spencer is the privileged daughter of NYC elites, who is reeling from the realization that her family name shielded her from the same fate as Sarah.
Ramin Golafshar arrives at Chandler as a transfer student to escape the dangers of being gay in Iran, only to suffer brutal hazing under the guise of tradition in the boys’ dorms.
And Freddy Bello is the senior who’s no longer sure of his future but has fallen hard for Spence and knows he has to stand up to his friends after what happened to Ramin.
At Chandler, the elite boarding school, these five teens are brought together in the Circle, a coveted writing group where life-changing friendships are born—and secrets are revealed. Their professor tells them to write their truths. But is the truth enough to change the long-standing culture of abuse at Chandler? And can their friendship survive the fallout?
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.
Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.
Not long ago, Earth’s colonies and space stations threw off the yoke of planet Earth’s tyrannical rule. Decades later, trouble is brewing in the Four Systems, and Old Earth is flexing its power in a bid to regain control over its lost territories.
The Order of Saint Rita—whose mission is to provide aid and mercy to those in need—bore witness to and defied Central Governance’s atrocities on the remote planet Phyosonga III. The sisters have been running ever since, staying under the radar while still trying to honor their calling.
Despite the sisters’ secrecy, the story of their defiance is spreading like wildfire, spearheaded by a growing anti-Earth religious movement calling for revolution. Faced with staying silent or speaking up, the Order of Saint Rita must decide the role they will play—and what hand they will have—in reshaping the galaxy.
It all began with trying to fly. After jumping off the roof of his house in the middle of the night, Daniel Kim wakes up far from Neverland, his reprieve from the real world. Thrust into a mental health hospital and then into a brand-new high school, he struggles to hold onto reality while haunted by both his very-present past and his never-present parents. But when he joins Cranbrook Preparatory’s cross-country team, he starts to feel like he’s walking on his own two feet once again. He meets Jiwon Yoon―another cross-country runner, who may be the first person to join Daniel in his Neverland daydreams. Or maybe Jiwon is the one who will finally break Daniel free.
Aspen Silverglade used to be a force for good, but now she’s just a sword for hire. On the run from the people she once trusted most, she needs to keep her head down and keep moving.
But old habits are hard to quit. One night in a tavern, Aspen tries to save a woman from some unwanted attention. The woman, Charm Linville, is in the middle of a subtle and delicate act of thievery, and she does not appreciate Aspen blundering in.
The disastrous and public rescue-gone-wrong makes the townspeople think Aspen and Charm are a couple. This mistake sets Aspen’s bloodthirsty betrayers on Charm’s trail, tying the two of them together.
Even if Aspen can’t run from her past any longer, Charm shouldn’t have to suffer. Despite Aspen’s determination to work alone, Charm insists on helping—and she has a past of her own. The two of them don’t care for each other’s methods, but as they journey through the villages and wildernesses of Falland, solving problems and meeting magical friends and foes, Aspen and Charm grudgingly come to care for each other. Can these two guarded, stubborn women admit their feelings, or will Aspen’s enemies kill them first?
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain–an evil which has already killed nine of her village’s men.
She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.
Today she will be a saint of Haven. She will rid her family of her mother’s shame at last and save her people from destruction. She is not afraid. Are you?
This searing and lyrically written novel by the critically acclaimed author of Sawkill Girls beckons readers to follow its fierce heroine into a world filled with secrets and blood–where the truth is buried in lies and a devastating power waits, seething, for someone brave enough to use it.
Y: The Last Man meets The Girl With All the Gifts in Gretchen Felker-Martin’s Manhunt, a fast-paced body horror that examines a post-apocalyptic world through the lens of trans women and men trying to survive.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they’ll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren’t safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics―all while outrunning packs of feral men, and their own demons.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
The Myrian Enclave is in disarray after a Dathirii strike team interrupts Avenazar’s dangerous ritual, but Diel Dathirii is in no position to take advantage of it while his home is lost to Allastam’s soldiers.
Despite the Myrian trade war’s brutal turn, its key battles still happen in the shadows. Resistance inside the Dathirii Tower organizes itself around the family’s new steward, Yultes, even though he is as uncertain of his allegiances as everyone else. Outside, Branwen reaches to every spymaster resource she has to strengthen their position and undermine the Myrian-Allastam alliance.
When Master Avenazar recovers from his grievous injury and sets his mind to revenge, the unsteady alliances forged within and without the Dathirii Tower will decide the city’s future.
Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
The Falcon and the Foe by A.J. Truman (January 24th)
Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.
The move goes so well that Stevie starts her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. She rekindles a romance with her high school sweetheart, Brad. Things are better than ever—except for the complicated past Stevie can’t seem to outrun.
Who was responsible for the high school scandal that caused her life to take a nosedive 20 years earlier? Why is she so secretive about the circumstances of her father’s death? Why are her feelings for her ex-friend Chris so mystifying? Is she gay? Is she an alcoholic? If she’s done drinking, then why can’t she declutter the wine bottles from her car?
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
Two years ago, Csorwe and Shuthmili risked the anger of the wizard Belthandros Sethennai to gain their freedom. Now, they make their living exploring relic worlds of the ancient serpent empire of Echentyr. They think they’re prepared for anything―but when one of their expeditions releases an Echentyri soldier who has slept undisturbed since the fall of her homeland, they are thrown back into a conflict that has lain dormant for thousands of years. Shuthmili will give anything to protect the woman and the life that she loves, but as events spiral out of control, she is torn between clinging to her humanity and embracing her eldritch power.
Meanwhile, Tal Charossa returns to Tlaanthothe to find that Sethennai has gone missing. Tal wants nothing to do with his old boss and former lover, so when a magical catastrophe befalls the city, Tal tries to run rather than face his past―but he soon learns that something even worse may lurk in the future. Throughout the worlds of the Echo Maze, fragments of an undead goddess begin to awaken, and not all confrontations can be put off forever . . .
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.
Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the members of the choir.
Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go.
Chef’s Kiss by Jarrett Melendez (Author), Danica Brine (Illustrator), Hank Jones (Colorist), Hassan Otsmane-Elhaou (Letterer) (March 1st)
Now that college is over, English graduate Ben Cook is on the job hunt looking for something…anything…related to his passion for reading and writing. But interview after interview, hiring committee after hiring committee, Ben soon learns getting the dream job won’t be as easy as he thought. Proofreading? Journalism? Copywriting? Not enough experience. It turns out he doesn’t even have enough experience to be a garbage collector! But when Ben stumbles upon a “Now Hiring—No Experience Necessary” sign outside a restaurant, he jumps at the chance to land his first job. Plus, he can keep looking for a writing job in the meantime. He’s actually not so bad in the kitchen, but he will have to pass a series of cooking tests to prove he’s got the culinary skills to stay on full-time. But it’s only temporary…right?
When Ben begins developing a crush on Liam, one of the other super dreamy chefs at the restaurant, and when he starts ditching his old college friends and his old writing job plans, his career path starts to become much less clear.
When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
It’s four in the morning, and our narrator is walking home from the club when they realise that it’s February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago.
Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal.
A story of idealism, activism, and systemic corruption, centered on a naïve young woman’s quest for agency in a world ravaged by climate change.
Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever.
And then she finds a book in Sylvia’s library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group’s leader, author Roy Adams, is missing, and the compound’s public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope’s mission—but at what cost?
1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.
1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful–a woman to be shunned, beaten, and much worse.
With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers.
When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn mapsof the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them.
In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape…
As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father’s recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his twenty-year high school reunion, where he runs into the long-lost characters of his youth.
Jeremy, his first love, is now married with two children after having been incarcerated and recovering from addiction. Paul, who Andrés has long suspected of having killed a man in a homophobic attack, is now an Evangelical minister and father of five. And Simone, Andrés’s best friend, is in a psychiatric institution following a diagnosis of schizophrenia. During this short stay, Andrés confronts these relationships, the death of his brother, and the many sacrifices his parents made to offer him a better life.
The Four Realms—Life, Death, Light, and Darkness—all converge on the city of dusk. For each realm there is a god, and for each god there is an heir.
But the gods have withdrawn their favor from the once vibrant and thriving city. And without it, all the realms are dying.
Unwilling to stand by and watch the destruction, the four heirs—Risha, a necromancer struggling to keep the peace; Angelica, an elementalist with her eyes set on the throne; Taesia, a shadow-wielding rogue with rebellion in her heart; and Nik, a soldier who struggles to see the light— will sacrifice everything to save the city.
On Crow Island, people whisper, real magic lurks just below the surface. New to the idyllic summer getaway, Annie Mason is confident those are only rumors. Magic—the kind that leaves soldiers shell shocked and families heartbroken—has been prohibited since the war ended. Now, the closest anyone gets are party tricks designed for the rich and aimless.
Neither real magic nor faux magic interests Annie. Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one.
Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor.
Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of Crow Island’s extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.
Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. And when several months later Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, together with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.
In 1966, Sissily travels across Kansas with an older man, the father of one of her schoolfriends. On their way to California to begin a life together, he insists on stopping at his family ranch to see his mother. This family reunion is a painful reminder for Sissily about the truth about her own heritage, but she also sees a woman who, decades later, is still scarred by the great depression.
In 1947, Nella’s family relocates to Kansas from Milwaukee, and during the summer before her senior year, begins an interracial relationship with a white man called Lucky. They can only meet in secret, or as Lucky is in a wheelchair sometimes Nella pretends to be his nurse. When three white men stumble upon “Nurse Nella” one catastrophic afternoon, the violence of a racist society forces Nella to face the reality of their situation.
In 1933, at the height of the dust bowl and brutal jackrabbit roundups, surrounded by violence and starvation, Greta finds love with another farm woman. Their clandestine encounters will be unsustainable for obvious reasons but will have consequences for generations. A novel told in three parts, New to Liberty showcases the growth and strength of three unforgettable women as they evolve in a society that refuses to. In lustrous prose, DeMisty Bellinger brings the quiet, but treacherous landscape to life, offering a snapshot of mid-century America and keeping readers guessing until the end as to how these three women are connected.
Lia Harris is tired of being the odd one out. She’s never quite fit in with her uptight family, and now that her roommates have all found love, she’s starting to feel like a third wheel in her own apartment. Fed up with her mother’s constant meddling in her love life, Lia drops hints about a girlfriend she doesn’t have. But with her brother’s London nuptials approaching, she needs to find a date to save face. Lia turns to her best friend, Rosie, for help, and Rosie delivers–with the fun, gorgeous Grace Poston.
Grace loves to have a good time, hiding her insecurities behind a sunny smile. Her recent move to London has provided her with a much-needed fresh start. Grace isn’t looking for love, and she hates weddings, having weathered more than her fair share of heartache. Friendships are different, though, so for Rosie’s sake, she reluctantly agrees to pose as Lia’s adoring girlfriend for the wedding festivities.
Both Grace and Lia are prepared for an awkward weekend, complete with prying family members and a guest room with only one bed. As it turns out, they get along well–spectacularly, in fact. Before they know it, the chemistry they’re faking feels all too real. But is their wedding weekend a fleeting performance or the rehearsal for a love that’s meant to last?
She left all she knew to find who she could be . . .
She grows up in the wild wood, in a cave with her mother, but visions of a faraway lake drift to her on the spring breeze, scented with promise. And when she hears a traveler speak of Artos, king of Caer Leon, she decides her future lies at his court. So, brimming with magic and eager to test her strength, she breaks her covenant with her mother and sets out on her bony gelding for Caer Leon.
With her stolen hunting spear and mended armour, she is an unlikely hero, not a chosen one, but one who forges her own bright path. Aflame with determination, she begins a journey of magic and mystery, love, lust and fights to death. On her adventures, she will steal the hearts of beautiful women, fight warriors and sorcerers, and make a place to call home.
After twelve years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person.
Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more out of love—she begins to question: What if the love of her life isn’t the man she married. What if it’s Jane?
There are three things you need to know about Preston “PK” Kingsley:
He’s a writer, toiling in obscurity as an editorial assistant at a New York City publishing house.
He is not a cliché. No, really.
He’s been secretly in love with his best friend, Art, since they once drunkenly kissed in college.
When Art moves in with PK following a bad breakup, PK hopes this will be the moment when Art finally sees him as more than a friend. But Art seems to laugh off the very idea of them in a relationship, so PK returns to his writing roots—in fiction, he can say all the things he can’t say out loud.
In his book, PK can be the perfect boyfriend.
Before long, it seems like the whole world has a crush on the fictionalized version of him, including Art, who has no idea that the hot new book everyone’s talking about is PK’s story. But when his brilliant plan to win Art over backfires, PK might lose not just his fantasy book boyfriend, but his best friend.
Mallory is a freshman in college, reeling from her mother’s recent death, when she encounters the woman. She sees her for the first time at the university’s gym, immediately entranced. Soon, they meet, drawn by an electric tension and shared past wounds; before long, they begin sleeping together in secret. Self-possessed, successful, brilliant, and aloof—the woman is everything Mallory wants…and wants to be. Desiring not only the woman but also the idea of who she is when they’re together, Mallory retreats from the rest of the world, solidifying a sense of aloneness that has both haunted and soothed her since childhood and will continue to do so for years even after the affair ends. As an adult, Mallory must decide whether to stay safely in isolation or step fully into the world, to confront what the woman meant to her and how their relationship shaped her, for better or worse.
Mallory’s life is transformed by loss and by love and by discovering who she is while enduring both. In this enthralling debut novel, the complexities of influence, obsession, and admiration reveal how desire and its consequences can alter the trajectory of someone’s life.
Dear (never-been-quite-over-you) Crush,
It’s been a few years since we were together,
but I can’t stop thinking about the time we almost…
Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Feeling nostalgic on the eve of his birthday, he sends emails to all the boys he (ahem) loved before he came out. Morning brings the inevitable Oh God What Did I Do?, but he brushes that panic aside. Why stress about it? None of his could-have-beens are actually going to read the emails, much less respond. Right?
Enter Derick Haverford, Wren’s #1 pre-coming-out-crush and his drive-in theater’s new social media intern. Everyone claims he’s coasting on cinematic good looks and his father’s connections, but Wren has always known there’s much more to Derick than meets the eye. Too bad he doesn’t feel the same way about the infamous almost-kiss that once rocked Wren’s world.
Whatever. Wren’s no longer a closeted teenager; he can survive this. But as their hazy summer becomes consumed with a special project that may just save the struggling drive-in for good, Wren and Derick are drawn ever-closer…and maybe, finally, Wren’s dream of a perfect-kiss-before-the-credits is within reach.
Life is going well for Greg Kelly. He’s married to the handsome and kind Cristian, a Spanish-born artist who is also a talented cook. Greg’s work as a translator for an IT startup allows them to live comfortably in a stylish Bushwick two bedroom and enjoy just about all NYC has to offer―including sleeping with other men, since Greg and Cristian’s marriage has been open for the past few years. This arrangement has been particularly appealing to Greg and his exceptional sexual appetite. Now approaching their mid-thirties, fatherhood calls and they enlist a friend to act as surrogate.
In order to focus on building a family, Greg and Cristian decide to close up the marriage when the baby arrives. Greg is going to miss his hookups, but at least he has the summer for one last hurrah. He methodically plans his hookups via Grindr and Tinder, carefully coordinates train routes for quick lunchtime hookups, and scouts potential candidates anywhere, anytime, like an old time Hollywood casting director.
As their baby’s due date draws closer, anxiety sets in over Greg’s impending parental responsibilities, the loss of his sexual freedom, and even his marriage to Cristian. But before he can sort out his feelings, a spurned hook-up reappears―Russell, an arrogant tv producer, who had wanted a relationship with Greg. And the problem is, Russell just won’t go away, infiltrating himself into Greg’s life in the worst ways possible, threatening his marriage and sanity. Greg is left asking, what does it mean to find happiness but still crave more?
If sex is a truth-teller, Eve—a young, queer woman in Brooklyn—is looking for answers. On an evening when she is feeling particularly impulsive, she posts some nude photos of herself online. This is how Eve meets Olivia, and through Olivia, the charismatic Nathan—and soon the three begin a relationship that disturbs Eve as much as it delights her. As each act of the affair unfolds, Eve is left to ask: to whom is she responsible? And to what extent do our desires determine who we are?
Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish and chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. However, a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “antiquated” terms of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well.
Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant non-binary artist whom he’s known since childhood, and their extravagant group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to face the demons he’s spent his entire life trying to repress. Is he really fine, after all?
“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart.
Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash.
Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become?
Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father Julian has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives, poised to disrupt the fragile peace they have so carefully cultivated.
Through it all, Julian and Brigid have become unlikely pen-pals and friends, united by the knowledge of what it’s like to love and lose Zoe; they both know that she hasn’t changed. Despite the red flags, Morgan is swiftly drawn into Zoe’s glittering orbit and into a series of harmful missteps, and Brigid may be the only link that can pull them back from the edge.
Two years ago, Miss Viola Carroll seized the chance to live as her true self—at the cost of cutting nearly all ties to her past. Presumed to have died at the battle of Waterloo, she instead has taken a position as a lady’s companion. Yet when she discovers her childhood companion, the Duke of Gracewood, blames himself for her death, she realizes that history cannot be so neatly set aside. She barely recognizes the darkly brooding man Gracewood has become . . . but beneath his guilt and shame, she sees the ghost of her old friend.
Only now an incendiary attraction burns between them . . .
Justin de Vere, Duke of Gracewood, lost everything when his best friend died: his health, his faith, and his joy in the world. But when family machinations bring Viola Carroll back into his life, he begins believing that his heart is far from dead. He is desperate to prove himself capable of providing Viola with the life she deserves, but after losing so much of himself to grief, he fears he has nothing left to give.
If they are to embrace a future together, Gracewood must move past his grief. But if there is one truth Viola knows, it is the precariousness of desire. Can they both put aside their fear and heartache and nurture a new love from the ashes of their old friendship?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
In this delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes.
In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-colored cocktail. In another, a fifth-grader explores gender identity by dressing as an ox—instead of a matriarch—for a class Oregon Trail reenactment. Meanwhile a nonbinary person on the eve of top surgery dangerously experiments with an open relationship during the height of the COVID crisis.
With insight and compassion, debut author Lydia Conklin takes their readers to a meeting of a queer feminist book club and to a convention for trans teenagers, revealing both the dark and lovable sides of their characters. The stories in RainbowRainbow will make you laugh and wince, sometimes at the same time.
Suddenly jobless and single after a devastating layoff followed by a breakup with his cheating ex, advertising copywriter Dominick Gibson flees Hell’s Kitchen and finds himself trying get his life back on track in his hometown of Detroit, where he’s got one objective in mind: To exit the shallow gay dating pool ASAP and be married by 35—and he’s only got two years left.
Dom’s best friend Troy Clements, an idealistic teacher who never left the Motor City, finds himself at odds with all the men in his life: A troubled boyfriend he’s desperate to hold onto, a perpetually dissatisfied father, and his other best friend, Remy. Remy Patton is a rags-to-riches real estate agent in town with his own problems—namely choosing between making it work with a long-distance paramour or settling with a local Mr. Right Now that’s not quite Mr. Right—but his friendship with Troy may be compromised over his latest high-stakes deal.
Follow these three men as they confront their evolving friendship, but also individual hiccups—workplace microaggressions, bad Tinder dates, situationships, frenemies, learning the Tamia hustle—while attempting to navigate the new and changing Detroit.
When Sara Foster runs away from home at sixteen, she leaves behind the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern, yearning for the beauty and community her Creole grandparents cultivated but unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner.
The morning Emilie and Sara first meet at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara’s old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
Robin and Ellie have been best friends since childhood. When Robin came out, Ellie was there for her. When Ellie’s father died, Robin had her back. But when Ellie asks Robin to be her maid of honor, she is reluctant. A queer academic, Robin is dubious of the elaborate wedding rituals now sweeping the nation, which go far beyond champagne toasts and a bouquet toss. But loyalty wins out, and Robin accepts.
Yet, as the wedding weekend approaches, a series of ominous occurrences lead Robin to second-guess her decision. It seems that everyone in the bridal party is out to get her. Perhaps even Ellie herself.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
At her day job in a Christian bakery and with her conservative family, Amy plays the role of a straight, church-going young woman—exactly what’s expected in mid-2010s Tulsa, Oklahoma, the “Buckle of the Bible Belt.” But at night, she tends bar at the only place in town that truly feels like home: Ruby Red’s, a lovably grungy queer bar with a group of regulars who have become her chosen family. Amy’s spent a lifetime learning how to walk this fine line, placing others before herself so effortlessly that she doesn’t even realize she’s lost touch with her own needs and desires.
Still, everything seems more than fine, especially when Amy falls into a whirlwind romance with Charley, a charming newcomer to Tulsa. But then Amy is suddenly outed and subsequently fired from her bakery job. When a new friend begs her to fill in for one of the bridesmaids at her wedding—and offers to pay Amy more than she makes in a single night at Ruby Red’s—she can’t afford to turn it down. As her relationship with Charley heats up, this one-off opportunity turns into a full-time business, thanks to Amy’s baking talents, crafting skills, and expert ability to become whatever other people need her to be.
Between weddings, bachelorette parties, bridal showers, and dress fittings, Amy’s in her element, her years of watching rom-coms and Say Yes to the Dress finally paying off. But at what cost? Gay marriage is not legal, yet she’s playing the role of a straight girl, working hard to facilitate strangers’ special days even while she’s secretly dreaming of her own potential wedding day with Charley. When Amy’s precarious balancing act strains her relationships to a breaking point, she must decide what it looks like to be true to herself—and if she has the courage to try.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.
At the dawn of their adolescence, on the eve of the summer solstice, four young girls–Helena, Leonie, Niamh and Elle–took the oath to join Her Majesty’s Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she’s a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.
To her own dismay, Lou is a natural model: tall, thin, captivatingly androgynous, and with a striking look. Out of nowhere, every agent in the Portland area wants to represent her. But Lou doesn’t care for fashion, nor does she wish to be seen. Fresh out of high school, Lou’s plan is to spend the summer taking photographs and hoping to catch the attention of Ivy, her close friend and secret crush.
But when an afternoon hiking trip ends in a tragic accident, Lou finds herself lost, ridden with guilt, and unsure how to connect with her friends. Determined to find a purpose, Lou steps into the dizzying world of modeling auditions, commercial shoots, shockingly expensive haute couture, and runways in New York, Paris, and Milan. It’s a whirlwind of learning how to walk, how to command her body and its movements, and how to manage her newfound fame. But in the dazzling flash of the camera and the thrill of seeing her face giant-size on billboards, Lou begins to worry that she’s losing her identity-as a person, as an artist, and as a young woman still in love with the girl she left behind.
If you’ve been searching for smutty, fearless, gender diverse erotica written by affirming own-voices folks who get it, then this is the book you’ve been looking for Packed with explicit erotic stories from trans and nonbinary gender diverse writers, Heckin’ Lewd celebrates sexual nonconformity, queerness, nontraditional relationship structures, and unrestrained lust, pleasure, and kink.
In the first book of a visionary African- and Arabian-inspired fantasy trilogy, three womenband together against a cruel empire that divides people by blood.
Red is the blood of the elite, of magic, of control. Blue is the blood of the poor, of workers, of the resistance. Clear is the blood of the slaves, of the crushed, of the invisible.
Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.
Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But dust always rises in a storm.
Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution.
As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn.
Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court–the body-father of the queen’s new child–in an altercation which results in his humiliation.
To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin.
The world is ending, and down-and-out sadist Lee spends their days working for a big corporation and their nights wandering the streets of Brooklyn listening to true crime podcasts. But everything changes when Lee is dragged to a warehouse party by their best friend, where they find themself in the clutches of the seductive and bloodthirsty X. When Lee seeks her out again, she’s nowhere to be found.
Amid the steady constriction of civil rights and the purging of migrants and refugees, the U.S. government has recently begun encouraging the semi-voluntary “exporting” of undesirable citizens—the radicalized, the dissident, and the ungovernable. Word has it that X may be among those leaving. If Lee doesn’t track her down soon, she may be gone forever.
Amy Chambers: restaurant owner, micromanager, control freak.
Amy will do anything to revive her ailing restaurant, including hiring a former reality-show finalist with good connections and a lot to prove. But her hopes that Sophie’s skills and celebrity status would bring her restaurant back from the brink of failure are beginning to wane…
Sophie Brunet: grump in the kitchen/sunshine in the streets, took thirty years to figure out she was queer.
Sophie just wants to cook. She doesn’t want to constantly post on social media for her dead-in-the-water reality TV career, she doesn’t want to deal with Amy’s take-charge personality and she doesn’t want to think about what her attraction to her boss might mean…
Then, an opportunity: a new foodie TV show might provide the exposure they need. An uneasy truce is fine for starters, but making their dreams come true means making some personal and painful sacrifices and soon, there’s more than just the restaurant at stake.
With the horrors of the summer and the Girl Killer behind her, Louise Lloyd is eager to usher in her 28th year with her girlfriend and best friend by her side.
When Nora Davies, one of the girls Louise was kidnapped with, reintroduces herself, Louise is wary to connect. By the next morning, Nora will be dead, Rosa Maria Moreno covered in her blood, and no one can remember what happened.
With Rosa Maria’s freedom on the line, Louise must get to the bottom of Nora’s death before time runs out.
Books are Rosie Taft’s life. And ever since she took over her mother’s beloved Manhattan bookstore, they’ve become her home too. The only thing missing is her own real-life romance like the ones she loves to read about, and Rosie has an idea of who she might like to sweep her off her feet. She’s struck up a flirty online friendship with lesbian romance author Brie, and what could be more romantic than falling in love with her favorite author?
Jane Breslin works hard to keep her professional and personal lives neatly separated. By day, she works for the family property development business. By night, she puts her steamier side on paper under her pen name: Brie. Jane hasn’t had much luck with her own love life, but her online connection with a loyal reader makes Jane wonder if she could be the one.
When Rosie learns that her bookstore’s lease has been terminated by Jane’s company, romance moves to the back burner. Even though they’re at odds, there’s no denying the sparks that fly every time they’re together. When their online identities are revealed, will Jane be able to write her way to a happy ending, or is Rosie’s heart a closed book?
Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth.
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
Eighteen-year-olds Ruben Montez and Zach Knight are two members of the boy-band Saturday, one of the biggest acts in America. Along with their bandmates, Angel Phan and Jon Braxton, the four are teen heartbreakers in front of the cameras and best friends backstage. But privately, cracks are starting to form: their once-easy rapport is straining under the pressures of fame, and Ruben confides in Zach that he’s feeling smothered by management’s pressure to stay in the closet.
On a whirlwind tour through Europe, with both an unrelenting schedule and minimal supervision, Ruben and Zach come to rely on each other more and more, and their already close friendship evolves into a romance. But when they decide they’re ready to tell their fans and live freely, Zach and Ruben start to truly realize that they will never have the support of their management. How can they hold tight to each other when the whole world seems to want to come between them?
Elise Beaumont is cursed. With every touch, she experiences exactly how her loved ones will die. And after her brother’s death—a death she predicted but was unable to prevent—Elise is desperate to get rid of her terrible gift, no matter the cost.
Claire Montgomery also has a unique relationship with death, mostly because she’s already dead. Technically, anyway. Claire is a vampire, and she’s been assigned by the Veil to help Elise master her rare Death Oracle powers.
At first, Elise is reluctant to work with a vampire, but when she predicts a teacher’s imminent murder, she’s determined to stop the violent death, even if it means sacrificing her own future to secure Claire’s help.
The trouble is, Claire and Elise aren’t the only paranormals in town—a killer is stalking the streets, and Claire can’t seem to shake the pull she feels toward Elise, a romance that could upend the Veil’s mission. But as Elise and Claire grow closer, Elise begins to wonder—can she really trust someone tasked with securing her loyalty? Someone who could so easily kill her? Someone who might hold the key to unraveling her brother’s mysterious death?
Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally say goodbye and move on.
Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. Renu sends an innocent Facebook message to the man she almost married, sparking an emotional affair that calls into question everything she thought she knew about herself. Akash slips back into bad habits as he confronts his darkest secrets―including what really happened between him and the first boy who broke his heart. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they’ve since created, between making each other happy and setting themselves free.
By turns irreverent and tender, filled with the beats of ’90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.
Fools in Love ed. by Ashley Herring Blake and Rebecca Podos (7th)
Join fifteen bestselling, award-winning, and up-and-coming authors as they reimagine some of the most popular tropes in the romance genre.
Fake relationships. Enemies to lovers. Love triangles and best friends, mistaken identities and missed connections. This collection of genre-bending and original stories celebrates how love always finds a way, featuring powerful flora, a superhero and his nemesis, a fantastical sled race through snow-capped mountains, a golf tournament, the wrong ride-share, and even the end of the world. With stories written by Rebecca Barrow, Ashley Herring Blake, Gloria Chao, Mason Deaver, Sara Farizan, Claire Kann, Malinda Lo, Hannah Moskowitz, Natasha Ngan, Rebecca Podos, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, and Julian Winters this collection is sure to sweep you off your feet.
Tair has never known what it means to belong. Abandoned at a young age and raised in the all-Elven valley of Mirte, the young Human defines herself by isolation, confined to her small, seemingly trustworthy family.
Abruptly, that family uproots her from Mirte and leads her on an inevitable but treacherous journey to Doman: the previous site of unspeakable Human atrocities and the current home of Dwarvenkind. Though Doman offers Tair new definitions of family and love, it also reveals to her that her very existence is founded in lies. Now, tasked with an awful responsibility to the Humans of Sossoa, Tair must decide where her loyalties lie and, in the process, discover who she wants to be… And who she has always been.
In their debut fantasy novel Where the Rain Cannot Reach, Adesina Brown constructs a world rich with new languages and nuanced considerations of gender and race, ultimately contemplating how, in freeing ourselves from power, we may find true belonging.
This is the second book in the Pentecost and Parker mysteries
New York, 1946: The last time Will Parker let a case get personal, she walked away with a broken face, a bruised ego, and the solemn promise never again to let her heart get in the way of her job. But she called Hart and Halloway’s Travelling Circus and Sideshow home for five years, and Ruby Donner, the circus’s tattooed ingenue, was her friend. To make matters worse the prime suspect is Valentin Kalishenko, the man who taught Will everything she knows about putting a knife where it needs to go.To uncover the real killer and keep Kalishenko from a date with the electric chair, Will and Ms. Pentecost join the circus in sleepy Stoppard, Virginia, where the locals like their cocktails mild, the past buried, and big-city detectives not at all. The two swiftly find themselves lost in a funhouse of lies as Will begins to realize that her former circus compatriots aren’t playing it straight, and that her murdered friend might have been hiding a lot of secrets beneath all that ink.Dodging fistfights, firebombs, and flying lead, Will puts a lot more than her heart on the line in the search of the truth. Can she find it before someone stops her ticker for good?
No straight women. No parents of students. Nobody under thirty-five. Vanessa Martini makes no apologies for her dating checklist. She’s been up close to enough messy breakups to know what havoc they wreak in life. Just because people see her as fun and happy, and just because she loves her life in general, that doesn’t mean she can’t be careful. Or discerning. Or, okay, fine, super picky.
Grace Chapman is tired of being judged by her boss, by the husband she’s divorcing, by her parents. All she cares about now is her six-year-old son, Oliver. The divorce is making him act out in school, and she just needs to find a way to help him so they can start again. What she does not need is the silent judgment she gets from his teacher. His wildly attractive, super sexy, annoyingly gorgeous teacher.
Grace ticks all Vanessa’s Do Not Date boxes. Vanessa is yet one more person who disapproves of Grace. Of course, they’re never going to fall in love.
It’s Karnawa season in the snow-cloaked Kingdom of Lechia, and from now until midnight when the church bells ring an end to Devil’s Tuesday time will be marked with wintry balls and glittery disguises, cavalcades of nightly torch-lit “kuligi” sleigh-parties.
Unbeknownst to the oblivious merrymakers, two monsters join the fun. Newfound friends and polar opposites, Zosia and Marynka seem destined to have a friendship that’s stronger even than magic. But that’s put to the test when they realize they both have their sights set on Lechia’s pure-hearted prince. If a monster consumes a pure heart she’ll gain immeasurable power and Marynka plans to bring the prince’s back to her grandmother in order to prove herself. While Zosia is determined to take his heart and its power for her own.
When neither will sacrifice their ambitions for the other, the festivities spiral into a magical contest with both girls vying to keep the hapless prince out of the other’s wicked grasp. But this isn’t some remote forest village, where a stray enchantment or two might go unnoticed, Warszów is the icy capital of a kingdom that enjoys watching monsters burn, and if Zosia and Marynka’s innocent disguises continue to slip, their escalating rivalry might cost them not just the love they might have for each other, but both their lives.
As executive chef at one of the hottest restaurants in DC, DeShawn Franklin has almost everything he’s ever wanted. He’s well-known, his restaurant is Michelin starred and he can write his own ticket anywhere he wants. Until his grandmother calls him home and drops two bombshells:
1) She has cancer and she’s not seeking treatment.
2) She’s willing half her estate to DeShawn’s ex-husband, Malik.
Make that three bombshells.
3) That whole divorce thing? It didn’t quite go through. DeShawn and Malik are still married.
And when DeShawn’s shady uncle contests Grandma’s will, there’s only one path back to justice: play it like he and Malik have reconciled. They need to act like a married couple just long enough to dispense with the lawsuit.
Once DeShawn is back in Malik’s orbit, it’s not hard to remember why they parted. All the reasons he walked away remain—but so do all the reasons he fell in love in the first place.
Here’s to Us by Becky Albertalli and Adam Silvera (28th)
This is the sequel to What if it’s Us?
Ben has spent his first year of college working on his fantasy manuscript with his writing partner Mario, who is a great Spanish tutor, and an even better kisser. So why can’t he stop thinking about the fact that Arthur’s back in town two years after they called it quits?
Arthur is in New York for a dream internship on Broadway, with a boyfriend back at home that he couldn’t be happier with. But when he comes upon Ben cuddled up with a mystery boy, he starts to wonder if his feelings for Ben ever truly went away.
Even as the boys try to focus on their futures, they can’t seem to help running into each other in the present. Is the universe forcing them to question if they’re actually meant to be?
Possibly not. After all, things didn’t work the first time around.
Possibly yes. After all, the sparks are still flying.
Sometimes you just have to take a leap of faith and raise a glass.
Here’s to celebrating old friends!
Here’s to embracing new beginnings!
Here’s to believing in second chances!
Today’s edition of Inside and Anthology celebrates Fools in Love, ed. by Ashley Herring Blake and Rebecca Podos, and releasing tomorrow from Running Press! Here’s the info:
Join fifteen bestselling, award-winning, and up-and-coming authors as they reimagine some of the most popular tropes in the romance genre.
Fake relationships. Enemies to lovers. Love triangles and best friends, mistaken identities and missed connections. This collection of genre-bending and original stories celebrates how love always finds a way, featuring powerful flora, a superhero and his nemesis, a fantastical sled race through snow-capped mountains, a golf tournament, the wrong ride-share, and even the end of the world. With stories written by Rebecca Barrow, Ashley Herring Blake, Gloria Chao, Mason Deaver, Sara Farizan, Claire Kann, Malinda Lo, Hannah Moskowitz, Natasha Ngan, Rebecca Podos, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, and Julian Winters this collection is sure to sweep you off your feet.
And here are the authors of a bunch of the stories, sharing a bit about the story behind the story!
“Edges” by Ashley Herring Blake
“Edges” is an f/f story about a girl who feels everyone has left her behind–including the popular girl she’s currently making out with. Mac can’t believe that Clover–their schoo’s queer queen bee–could possibly actually truly like her. After all, her dad left her family for another one, her mom is hardly ever home, and her twin sister left town altogether for a performing arts boarding school. She’s inherently leavable. So when it becomes clear that Clover wants more than just hooking up, Mac has to decide if she’s willing to soften up her edges a bit for the girl of her dreams.
“Disaster” by Rebecca Podos
I know an homage to 90’s era disaster films might not be the most natural pairing for a romance trope anthology, but setting “Disaster” during a potential apocalypse in 1998 felt perfect for my trope, second-chance romance (and, possibly, a last-chance romance). It also gave me the opportunity to explore a time period before bisexuality was regularly spoken about, even within queer circles. My story about two ex-girlfriends trying to find their way back to one another at the maybe-end of the world takes place the year after America’s first openly bisexual state official came out, a few months before the bisexual pride flag was unveiled, and a year before the first Celebrate Bisexuality Day. Plus, I got to smuggle in Armageddon references (and watch the movie three times in a row, you know, for research).
“Bloom” by Rebecca Barrow
Listen: when it comes to romance, I am all about the yearning. And what kind of yearning is more exquisite than the kind that reaches across worlds, or universes, or time itself? Blame it on me watching too many mind-bending space movies late at night as a kid, or reading The Amber Spyglass and constantly thinking about benches in Oxford, or binge watching 12 Monkeys in distant pre-pandemic times, but when I had to pick a trope to write about, I couldn’t think of anything better. Maybe it’s the idea of exactly how great a love has to be for it to exist outside of the natural boundaries of our world. Maybe it’s just that there is something so deeply romantic about two people pining for something that shouldn’t be possible. Maybe it’s the bittersweet possibility that actually, love can’t conquer all. Except—sometimes it can. And sometimes, in my mind, all it takes is an extra bit of magic for that love to bloom.
“Silver and Gold” by Natasha Ngan
I’ve always loved wintry settings in books, there’s something just so cosy and romantic about them! Of course, being me, the setting in my story is a touch more dangerous than romantic. Rather than a pretty frosting of snow, it’s a life-threatening blizzard – and the two girls sheltering from it are in the midst of a deadly race. But the riskiest of situations can often be the most bonding, and that’s what we see in “Silver and Gold”, as rivals Mila and Ru are forced to confront their romantic past – and whether there’s space in their futures for each other. I had so much fun writing their story, and I hope you have as much fun reading it!
“My Best Friend’s Girl” by Sara Farizan
My story is about Alia who has always been there for her best friend, Hal, especially since she is the only one who knows he is a burgeoning superhero in Gateway City. She finds it increasingly more difficult to keep all of his superpowered secrets, especially from Hal’s new girlfriend Clara. There’s one secret Alia hasn’t told Hal yet either…
“I knew a lot of authors would be fighting over the more popular romance tropes for this anthology, so I went with one of my favorite under-the-radar tropes, one so under the radar I didn’t even know what it was called! I think when I emailed Becca and Ashley about my trope preferences I called it “gets drunk/drugged/injured/delirious and confesses love, later does not remember/pretends they do not remember.” Which is a mouthful! ‘Kissing Under the Influence” is a lot snappier. I love the awkward interactions after characters accidentally give away things they didn’t intend to reveal, and my young adult fantasy novels are on the serious side, so I really wanted to play around and be goofy with my short story. The result is “Unfortunately, Blobs Do Not Eat Snacks,” which is weird and quirky and not much like my previous work at all. (Also, I love my title so much and still have a hard time believing they actually let me keep it.)”
“What Makes Us Heroes” by Julian Winters
Everyone knows I love writing about superheroes! But when I picked my trope—Hero vs. Villain—for Fools in Love, I honestly didn’t know what kind of romantic story I wanted to tell. Should I go explosive and action-packed like a Marvel movie? Dark and introspective like a DC comic? How could I turn a fresh twist on this epic trope?
And then 2020 happened. Specifically—June 2020.
The news was flooded with videos of violence. Protests. Of people trying to define who the heroes were and purposefully villainizing the ones fighting for a change. All I thought about were the teens ready to take action for their friends, family, themselves and how people were ready to villainize them for having a voice—including the ones who are supposed to love and protect them.
Suddenly, “What Makes Us Heroes” poured out of me. Shai and Kyan’s story came to life. I wanted a story about two superpowered boys navigating a world telling them what a hero should be and letting them define who a hero can be. How we can fall in love with the one person everyone thinks is “wrong” for us but is really the best thing we had all along.
The fact that I got to set it in a coffeeshop with a side of fake dating was a bonus!
As it happens, there are a few stories in the anthology that aren’t queer. (It happens.) A couple of those authors wrote blurbs too:
“Teed Up” by Gloria Chao”
“Teed Up” is loosely inspired by LPGA superstar Michelle Wie West, the first and thus far only female golfer to qualify for a USGA national men’s tournament (among many many other accolades). I myself am a terrible golfer, but I unfortunately have my share of experience dealing with large male egos in other domains. I wanted to explore the idea of being the only woman competing in a field of men in my short story for FOOLS IN LOVE, titled “Teed Up.” Sunny Chang, a star female golfer, is wary of any attention—both positive and negative—coming from a male competitor, which creates the perfect opportunity for an oblivious-to-lovers story. Even though most of the details are fictionalized, I had a lot of fun temporarily putting myself in Michelle’s superstar shoes!
“The Passover Date” by Laura Silverman
“The Passover Date rolls up everything I love into one story – Jewish cooking, fake dating, and nosey family members. I had so much fun writing this Jewish romance. My characters Rachel and Matthew are sweet and funny and adorably bumbling.
I hope readers will enjoy watching them fake date their way into something real.”
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. For even more bi goodness, make sure to check here, here, and here!
Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.
Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.
Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?
Cool for the Summer is a story of self-discovery and new love. It’s about the things we want and the things we need. And it’s about the people who will let us be who we are.
Eva, Celeste, Gina, and Steph used to think their friendship was unbreakable. After all, they’ve been though a lot together, including the astronomical rise of Moonlight Overthrow, the world-famous queer pop band they formed in middle school, never expecting to headline anything bigger than the county fair.
But after a sudden falling out leads to the dissolution of the teens’ band, their friendship, and Eva and Celeste’s starry-eyed romance, nothing is the same. Gina and Celeste step further into the spotlight, Steph disappears completely, and Eva, heartbroken, takes refuge as a songwriter and secret online fangirl…of her own band. That is, until a storm devastates their hometown, bringing the four ex-best-friends back together. As they prepare for one last show, they’ll discover whether growing up always means growing apart.
Ever since seventeen-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she’s equal parts excited and scared, but also ready. She’s got this.
Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. She even finds herself catching feelings for the subject of her profile, dazzling young newcomer Marius Canet. Josie’s world is expanding so rapidly, she doesn’t know whether she’s flying or falling. But when a young actress lets her in on a terrible secret, the answer is clear: she’s in over her head.
One woman’s account leads to another and another. Josie wants to expose the man responsible, but she’s reluctant to speak up, unsure if this is her story to tell. What if she lets down the women who have entrusted her with their stories? What if this ends her writing career before it even begins? There are so many reasons not to go ahead, but if Josie doesn’t step up, who will?
Morgan, an elite track athlete, is forced to transfer high schools late in her senior year after it turns out being queer is against her private Catholic school’s code of conduct. There, she meets Ruby, who has two hobbies: tinkering with her baby blue 1970 Ford Torino and competing in local beauty pageants, the latter to live out the dreams of her overbearing mother. The two are drawn to each other and can’t deny their growing feelings. But while Morgan–out and proud, and determined to have a fresh start–doesn’t want to have to keep their budding relationship a secret, Ruby isn’t ready to come out yet. With each girl on a different path toward living her truth, can they go the distance together?
Seventeen-year-old bisexual boy Asher remembers nothing from the night in 1968 that the police found him covered in his girlfriend’s blood. He knows he’d never hurt anyone, least of all her. But the only person who believes him is his twin sister. He’s sentenced to five years at the Dozier Reform School. And like Asher’s memory, Dozier hides violent secrets of its own.
Juvenile boys serving time for everything from truancy to murder are hidden away in the sinister School for Boys. Those who manage to escape its bounds with broken bones and scars are the lucky ones. Asher’s afraid he may end up like many of the other students buried beneath unmarked graves. Worse, his fellow inmates may become his next victims.
In hopes of recovering the events from the night of the murder, Asher visits the school’s psychiatrist. But when the memories return, he finds many aren’t his own. Thoughts, feelings, and visions from another life, and another time, slip into his mind. And each new memory brings consequences. First days disappear, then weeks. As the weeks slip away, students follow. He starts seeing his murdered girlfriend Olivia in the woods around the school. One morning, after following her ghost into the forest the night before, he wakes up outside covered in blood with no memory, and fears he’s killed someone else. On top of that, he learns that his sister—who had feared she was being stalked by a boy from their school—has disappeared. Could Asher himself somehow be responsible?
As Asher’s possible body count grows, he knows the answers he needs are trapped within his own mind, and in ghosts from the past. He needs to find out who he is and prove the murders aren’t connected to him or risk losing his sanity and freedom forever.
A hilarious and vulnerable coming-of-age story about the thrilling new experiences––and missteps––of a girl’s freshman year of college
Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.
The winter of 1997 is a tragedy waiting to happen. Small-town life isn’t easy for seventeen-year-old, bisexual and closeted Paulina, especially when her best friend Mia becomes pregnant and doesn’t want to tell the baby’s father, Paulina’s other best friend, Tesla. Meanwhile, Paulina’s secret relationship with volleyball star Ani is about to go public. One fateful night, everything changes forever.
In the winter of 2014, Perdita, bi and proud in Chicago, is weeks away from turning seventeen. She loves her two moms, but why won’t they talk about her adoption? When Perdita meets improv performer Fenton, she discovers both a kindred soul and a willing accomplice in her search for the truth. Will Perdita find what she’s looking for?
Two Winters is a contemporary YA retelling of Shakespeare’s The Winter’s Tale about birth, death, Catholic school, improv comedy and the healing nature of time.
There’s always been a hole in Gio’s life. Not because he’s into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio’s life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her … and now, just as he’s started to get his life together, she’s back.
It’s hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio’s started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio’s not sure … especially because he’s not sure what he wants from anyone right now.
There are no easy answers to love – whether it’s family love or friend love or romantic love. In Things We Couldn’t Say, Jay Coles shows us a guy trying to navigate love in all its ambiguity — hoping at the other end he’ll be able to figure out who is and who he should be.
For as long as she could remember, all Emry wanted was to be a great magician like her father, the magnificent Merlin. As a kid, she fought to be included in his magic lessons for her twin brother, Emmet, and easily outshone him with each spell she cast. But after her father’s disappearance several years ago, Emry has been feeling a little lost. Fate soon appears in the form of a royal messenger, summoning Emmet to court to serve as Prince Arthur’s right-hand wizard. With Emmett indisposed thanks to a bad spell, Emry has to disguise herself as a teen boy and pretend to be her brother at the castle until they’re able to switch.
Training as a wizard is everything Emry hoped it would be, except working so closely with the unbearably hot Arthur is a growing danger. They soon share adventures and a connection that can’t be denied, but Emry’s secret is a crime punishable by death. When royal scandals involving Lancelot, Guinevere, and Gawain threaten to reveal her truth, Emry must decide whether to stay and risk everything for a love borne out of deceit, or leave and never fulfill her potential to be Camelot’s greatest magician.
William Anson is done with relationships, thanks. He’s starting the second year of his medicine degree single, focused, and ready to mingle with purely platonic intentions.
Meeting Daniel, a barely recovered drug addict ready to start living life on his own terms, might just change that.
There are two problems.
One: William isn’t out.
What’s the point in telling your friends you’re bisexual when you aren’t going to date anyone?
Two: Daniel’s abusive ex-boyfriend still roams the university campus, searching for cracks in Daniel’s recovery.
No matter how quickly William falls for Daniel, their friendship is too important to risk ruining over a crush.
William is fine with being just friends for the rest of forever.
Well, not quite.
Content warning – This book includes references to abortion, PTSD, drug addiction, abusive relationships, and self-harm.
Owen Turner is a boy of too many words. For years, they all stayed inside his head and he barely spoke—until he met Lily. Lily, the girl who gave him his voice, helped him come out as bi, and settle into his ASD diagnosis. But everything unravels when someone reports Owen’s biggest secret to the school: that he was sexually assaulted at a class event.
As officials begin interviewing students to get to the bottom of things, rumors about an assault flood the school hallways. No one knows it happened to Owen, and he’s afraid of what will happen if his name gets out. He’s afraid that his classmates will call him a word he can’t stand—“victim.” He’s afraid his father, a tough-as-nails military vet, will resort to extreme methods to hunt down the name of who did it. And he’s afraid that when Lily finds out, she’ll take their relationship to a dark, dangerous place to keep Owen quiet. Then, one day, Owen’s fears all come true. And it will take everything he’s got to escape the explosion intact.
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other.
As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she’s more than her manipulative father’s shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue A.I. hunting her, Asa’s getaway ship crash-lands in the worst possible place: the neon-drenched outlaw paradise, Requiem.
Gun-slinging smuggler Riven Hawthorne is determined to claw her way up Requiem’s underworld hierarchy. A runaway rich girl is exactly the bounty Riven needs—until a nasty computer virus spreads in Asa’s wake, causing a citywide blackout and tech quarantine. To get the payout for Asa and save Requiem from the monster in its circuits, Riven must team up with her captive.
Riven breaks skulls the way Asa breaks circuits, but their opponent is unlike anything they’ve ever seen. The A.I. exploits the girls’ darkest memories and deepest secrets, threatening to shatter the fragile alliance they’re both depending on. As one of Requiem’s 154-hour nights grows darker, the girls must decide whether to fend for themselves or fight for each other before Riven’s city and Asa’s sister are snuffed out forever.
If This Gets Out by Cale Dietrich and Sophie Gonzales (December 7th)
Eighteen-year-olds Ruben Montez and Zach Knight are two members of the boy-band Saturday, one of the biggest acts in America. Along with their bandmates, Angel Phan and Jon Braxton, the four are teen heartbreakers in front of the cameras and best friends backstage. But privately, cracks are starting to form: their once-easy rapport is straining under the pressures of fame, and Ruben confides in Zach that he’s feeling smothered by management’s pressure to stay in the closet.
On a whirlwind tour through Europe, with both an unrelenting schedule and minimal supervision, Ruben and Zach come to rely on each other more and more, and their already close friendship evolves into a romance. But when they decide they’re ready to tell their fans and live freely, Zach and Ruben start to truly realize that they will never have the support of their management. How can they hold tight to each other when the whole world seems to want to come between them?
Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the fa�ade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
Following the recipe is the key to a successful bake. Rosaline Palmer has always lived by those rules—well, except for when she dropped out of college to raise her daughter, Amelie. Now, with a paycheck as useful as greaseproof paper and a house crumbling faster than biscuits in tea, she’s teetering on the edge of financial disaster. But where there’s a whisk there’s a way . . . and Rosaline has just landed a spot on the nation’s most beloved baking show.
Winning the prize money would give her daughter the life she deserves—and Rosaline is determined to stick to the instructions. However, more than collapsing trifles stand between Rosaline and sweet, sweet victory. Suave, well-educated, and parent-approved Alain Pope knows all the right moves to sweep her off her feet, but it’s shy electrician Harry Dobson who makes Rosaline question her long-held beliefs—about herself, her family, and her desires.
Rosaline fears falling for Harry is a guaranteed recipe for disaster. Yet as the competition—and the ovens—heat up, Rosaline starts to realize the most delicious bakes come from the heart.
Cynical twenty-three-year old August doesn’t believe in much. She doesn’t believe in psychics, or easily forged friendships, or finding the kind of love they make movies about. And she certainly doesn’t believe her ragtag band of new roommates, her night shifts at a 24-hour pancake diner, or her daily subway commute full of electrical outages are going to change that.
But then, there’s Jane. Beautiful, impossible Jane.
All hard edges with a soft smile and swoopy hair and saving August’s day when she needed it most. The person August looks forward to seeing on the train every day. The one who makes her forget about the cities she lived in that never seemed to fit, and her fear of what happens when she finally graduates, and even her cold-case obsessed mother who won’t quite let her go. And when August realizes her subway crush is impossible in more ways than one―namely, displaced in time from the 1970s―she thinks maybe it’s time to start believing.
Danica Waterhouse is a fully modern witch―daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family “feedback,” Danica made a pact with her cousin: they’ll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica’s mother weaves floral crowns for anyone who crosses her path.
Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy’s bakery, has family trouble of his own. After a tragic loss, all he’s got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can’t seem to shake the romantic curse that’s left him past thirty and still a virgin. He’s decided he’s doomed to be forever alone.
Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she’s the one. To her, he’s a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever?
Graphic designer Michelle Amato, after burning out in her corporate marketing career, has now built a thriving freelance business. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago.
Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him.
Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
The first time Daisy Ellery killed a man with a pie, it was an accident. Now, it’s her calling. Daisy bakes sweet vengeance into her pastries, which she and her dog Zoe deliver to the men who’ve done dirty deeds to the town’s women. But if she can’t solve the one crime that’s not of her own baking, she’ll be out of the pie pan and into the oven.
Parking her Pies Before Guys mobile bakery van outside the local diner, Daisy is informed by Frank, the crusty diner owner, that someone’s been prowling around the van—and not just to inhale the delectable aroma. Already on thin icing with Frank, she finds a letter on her door, threatening to reveal her unsavory secret sideline of pie a la murder.
Blackmail? But who whipped up this half-baked plot to cut a slice out of Daisy’s business? Purple-haired campus do-gooder Melly? Noel, the tender—if flaky—farm boy? Or one of the abusive men who prefer their pie without a deadly scoop of payback?
The upcoming statewide pie contest could be Daisy’s big chance to help wronged women everywhere…if she doesn’t meet a sticky end first. Because Daisy knows the blackmailer won’t stop until her business is in crumbles.
If Jen Winston knows one thing for sure, it’s that she’s bisexual. Or wait—maybe she isn’t? Actually, she definitely is. Unless…she’s not?
Jen’s provocative, laugh-out-loud debut takes us inside her journey of self-discovery, leading us through stories of a childhood “girl crush,” an onerous quest to have a threesome, and an enduring fear of being bad at sex. Greedy follows Jen’s attempts to make sense of herself as she explores the role of the male gaze, what it means to be “queer enough,” and how to overcome bi stereotypes when you’re the posterchild for all of them: greedy, slutty, and constantly confused.
With her clever voice and clear-eyed insight, Jen draws on personal experiences with sexism and biphobia to understand how we all can and must do better. She sheds light on the reasons women, queer people, and other marginalized groups tend to make ourselves smaller, provoking the question: What would happen if we suddenly stopped?
Greedy shows us that being bisexual is about so much more than who you’re sleeping with—it’s about finding stability in a state of flux and defining yourself on your own terms. This book inspires us to rethink the world as we know it, reminding us that Greedy was a superpower all along.
Dark Tourist by Hasanthika Sirisena (December 3rd)
Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth.
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.