As I prepare this post on December 5, 2021, I have just tweeted about The Last True Poets of the Seaby Julia Drake and found that waaaay too many people either don’t know about it, or don’t know how great it is, or don’t know that it’s a contemporary reimagining of Twelfth Night, or that it’s full of found family and the most stunning, lyrical writing. So consider this my shoving it in your face and saying READ IT because it is just so absolutely beautiful and even though it might make you cry, you won’t be sorry.
The Larkin family isn’t just lucky—they persevere. At least that’s what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
But wrecks seem to run in the family: Tall, funny, musical Violet can’t stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family’s missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.
She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.
Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
Today on the site, I’m delighted to reveal the cover for Errant, Vol. 1, the very first in a new novella series by L.K. Fleet, the pen name for the formidable joined forces of K. R. Collins, Felicia Davin, and Valentine Wheeler! This f/f (bi/lesbian) fantasy releases on February 15th, and here’s the story:
Aspen Silverglade used to be a force for good, but now she’s just a sword for hire. On the run from the people she once trusted most, she needs to keep her head down and keep moving.
But old habits are hard to quit. One night in a tavern, Aspen tries to save a woman from some unwanted attention. The woman, Charm Linville, is in the middle of a subtle and delicate act of thievery, and she does not appreciate Aspen blundering in.
The disastrous and public rescue-gone-wrong makes the townspeople think Aspen and Charm are a couple. This mistake sets Aspen’s bloodthirsty betrayers on Charm’s trail, tying the two of them together.
Even if Aspen can’t run from her past any longer, Charm shouldn’t have to suffer. Despite Aspen’s determination to work alone, Charm insists on helping—and she has a past of her own. The two of them don’t care for each other’s methods, but as they journey through the villages and wildernesses of Falland, solving problems and meeting magical friends and foes, Aspen and Charm grudgingly come to care for each other. Can these two guarded, stubborn women admit their feelings, or will Aspen’s enemies kill them first?
And here’s the absolutely epic cover from the epic Laya Rose!
L. K. Fleet is the pen name for the trio of authors K. R. Collins, Felicia Davin, and Valentine Wheeler. They are longtime friends who share a love of fantasy settings and romance tropes. Errant, a series of sapphic fantasy novellas, is the first thing they have written together.
Today on the site, I’m thrilled to help celebrate the release of Briar Girls by Rebecca Kim Wells, a Sapphic YA reimagining of The Sleeping Beauty yours truly called “a tantalizingly dark and majestic fairy tale filled with love, betrayal, and the ways the two inevitably intersect.” The book releases today, and Rebecca’s here to talk about it with another of our favorite queer YA author Rebeccas, Rebecca Podos (From Dust, aFlame), who also happens to be her agent! But before we get to that, here’s a little more about Briar Girls:
Lena has a secret: the touch of her skin can kill. Cursed by a witch before she was born, Lena has always lived in fear and isolation. But after a devastating mistake, she and her father are forced to flee to a village near the Silence, a mysterious forest with a reputation for luring people into the trees, never to be seen again…
Until the night an enigmatic girl stumbles out of the Silence and into Lena’s sheltered world. Miranda comes from the Gather, a city in the forest brimming with magic. She is on a quest to wake a sleeping princess believed to hold the key to liberating the Gather from its tyrannical ruler—and she offers Lena a bargain. If Lena assists her on her journey, Miranda will help her break the curse.
Mesmerized by Miranda and her promise of a new life, Lena jumps at the chance. But the deeper into the Silence she goes, the more she suspects she’s been lied to—about her family’s history, her curse, and her future. As the shadows close in, Lena must choose who to trust and decide whether it’s more important to have freedom…or power.
And now, I’m thrilled to welcome Rebecca Kim Wells and Rebecca Podos!
RKW:We’ve been working together for several years—since 2015! Back then the publishing landscape was very different, especially around diverse and queer stories. What was your agenting outlook at the time? And what drew you to pick Briar Girls out of your inbox?
RP: It was definitely a different landscape! On the one hand, the decade before 2015 was game-changing for queer representation in kidlit. We saw debut books published by authors who went on to change the conversation about was possible for queer YA, a genre that had previously been considered pretty niche. This industry can be truly frustrating in that it often demands “successful” (aka profitable) books within a certain subgenre or representing a certain group before justifying the purchase of future books which might have been the breakout successes. Still, publishing was slow to expand queer kidlit beyond L and G stories, and beyond white and able main characters. We’re still working on that! And as often happens when we talk about representation, the very first books on the shelf were stories of queer pain and trauma, usually as a direct consequence of a character discovering their own identity or coming out. Which does not mean that authors shouldn’t explore trauma and identity in their fiction, or that every queer story should be fluffy and joyful; we need books at both ends of the spectrum. We need to build a bigger bookshelf, rather than dictating which handful of books are allowed at any given moment.
Anyway, this is where the genre was in 2015: slowly moving beyond contemporary stories within a limited spectrum of queer identities. I had been signing authors of my own since 2012, looking for queer stories from the start. Some, I was able to sell! (And some of the authors I signed in the early days have gone on to write many fantastic queer stories after a non-queer themed debut novel). When I started reading your submission—the story that would become Briar Girls —on my subway ride to work, it was this smart, dark, lush, meta fairytale with a bisexual MC that made me miss my stop. I very distinctly remember having to get off at North Station and circle back. I was late to the office, and I still blame you. But that was how I knew I was about to fall in love with the book, and so I did.
It turns out that 2015 wasn’t quite ready for the story. As I told you much later, after your next amazing queer fantasy had sold, we did get pushback, including rejections along the lines of “we’re not sure the market exists for a fantasy with queer themes,” never mind that the brilliant Malinda Lo had been publishing for years. But I have rarely been more thrilled with my job than the moment we found out that Briar Girls was finally going to make its way onto shelves.
So, that’s my agent-y perspective. What had your experience been with queer books in 2015 as a writer and a reader, and what compelled you to tell your own?
RKW: As a teen reader, most of my experience with queer books had been with contemporary stories focused on coming out, like Geography Club or Rainbow Boys. Back then it wasn’t as easy even to search for queer books as it is now, so a lot of my reading came just from browsing at my local library or bookstore. I did manage to find a few queer fantasies—I still have vivid memories of Kissing the Witch (I just looked up a review from 1999 that said the lesbian endings “promise controversy,” yikes!) and reading Ash for the first time—but they certainly weren’t being published or promoted nearly as much as they are today.
I started writing Briar Girls in 2013. I’ve always been into fairy tale reimaginings, and I loved writing a big mashup of my own. That was the first kernel of the book. Then—this feels so weird to think about now—but in the first iteration, the main characters were actually straight. And at some point along the way, I just had the thought that well, it’s obvious that they should be queer. I don’t know why (certainly the market wasn’t particularly encouraging, especially in 2013), but I made the change and never second-guessed that decision. It was so clear to me that was what the book should be, and I didn’t even think about whether that would make it more difficult to publish. And that belief turned out to be so validated by your enthusiasm for the book. It buoyed me through the submission process, even though Briar Girls didn’t sell at the time.
I’m very glad that you didn’t tell me about those rejections in 2015, because I might have gotten nervous about writing queer characters (which would have been terrible!). Instead I got to lick my wounds and move on to the next project, which turned into Shatter the Sky. We sent that on submission in December 2017 and I think we got the offer from Simon & Schuster around the end of January 2018? It was a very different submission experience, both because it sold (yay!) and because it sold so quickly. Obviously part of the reason it sold is that I had grown as a writer, but I also think that the market around queer books for teens had really started to change in those few years.
While this wasn’t my experience, you mentioned that a few of your other authors wrote non-queer debuts and then went on to write queer books. This is also true of your work as an author—a non-queer debut followed by some incredible queer books. What was your experience like as an author making that transition? How did you decide to write your first queer book?
RP: Ah, the days before sites like LGBTQ Reads and Lambda Literary and the Rainbow Book List made finding queer books one million times easier. And yes, the path to publication for Shatter the Sky was so much smoother! I do think the market had evolved, even in the year or two between projects.
In part, my choice to write my first queer book was inspired by you, and my clients writing extraordinary queer stories at that time. As LGBTQ+ YA became more prominent on shelves, and seemed more possible to publish, I was seeing more of it in my query inbox, and reading more of it myself. Eventually I just decided, why not? So I began Like Water in 2015. And some of the choices I made in drafting that book, I made for my younger self. Like the fact that my main character’s discovery and acceptance of her own bisexuality was pretty painless. Her realization expanded her understanding of herself, and the world around her. She doesn’t spend a lot of time in the story coming out to the people around her; I just wasn’t that interested in her coming out as a huge plot point, despite the fact that the question of how and when to come out preoccupied a lot of my youth. Because, again, why not?
By the way,I had no idea that Briar Girls ever existed in a non-queer form! One of the many things I love about your stories is how queerness is baked into the fabric of your fantasy worlds. What do you love about writing and reading queer genre fiction, and how do you approach building these worlds that, while full of conflict and statements on class and colonization and gender roles, still feel so thoroughly inclusive?
RKW: Yes! The first person to stumble mysteriously out of the Gather was a boy named Colin. Then around July 2014 (per Scrivener metadata) it became obvious to me that the mysterious stranger was meant to be Miranda, and the rest is history!
Oh wow, I love everything about writing and reading queer genre fiction! But in the context of this question, I think what I love most about it is the sense of possibility—that the only constraint on what you can do as an author is the bound of your own imagination. If you don’t like a dynamic from the real world, change it! Interrogate it! Throw it out entirely! In the real world, I find homophobia cruel and horrifying—and also very boring. To me it’s the least interesting societal problem because it has the easiest, most obvious solution—just don’t be a homophobe! Mind your own business! Love your fellow humans! Let people live! So I don’t replicate it in my work. I’m proud of the queerness in my books, and I hope to continue writing queerness in all its complexity into my imagined worlds for many books to come.
I totally relate to the way you describe writing Like Water (and am so honored to be a tangential source of inspiration!)—though I certainly thought about coming out as a teen, it’s not something that I’m very interested in exploring in my own fiction at this time. In many ways, I’m writing toward a more inclusive world that I hope to see, rather than the one I grew up with and that exists today.
In addition to introducing queerness into your work, you’ve also genre-hopped from contemporary toward fantasy and now into historical fiction. But your prose is always so precise—sometimes delicate, sometimes cutting, always perfect—and your characters are always preoccupied by the weight of family—family histories, family bonds, family lore. To me, those are a few marks of a Rebecca Podos book. What do you feel are the common threads between your different books? What themes do you keep returning to as an author?
RP: This is such a lovely appraisal, you’ve made my night! And you pretty much nailed it with family being a common thread. In general, I think all of my books explore themes of inheritance—the things passed down to you or put on your shoulders, for good or for ill, and how you navigate that while trying to figure out who you are, and who you want to become. In Mystery of Hollow Places, it was a girl reckoning with the history of mental illness in her family, and how that shaped her as a person, as well as her relationships. In Like Water, it was a genetic illness the main character is scared to inherit from her father, while she struggles to be grateful for all of the wonderful things he’s instilled in her. In Wise and the Wicked, it’s an actual curse, passed down through generations, but it’s also about what we lose when we don’t speak the same language as our ancestors, when their stories slip away from us. And in From Dust, A Flame, which is up next, a girl discovers and engages with her Jewish identity for the first time, and what that means to her… plus golems and shedim and iburrim, and all of these aspects of Jewish myth and magic that I just really wanted to play with. Also, you know, everybody’s pretty gay.
When I think of a Rebecca Kim Wells book, I think of lush and precise worldbuilding, fascinating magical systems, smartly subverted tropes—like the chosen one trope of Shatter the Sky and Storm the Earth or the cursed princess trope of Briar Girls, but reexamined and completely flipped on their heads—and as you say, queerness without cost. What sort of stories do you feel most drawn to telling, and what experience do you hope readers will come away with from Briar Girls?
RKW: First, From Dust, A Flame sounds So! Good! I can’t wait to read it. And I’m sitting here feeling like I have been swaddled in a warm blanket of your compliments, thank you! You too have hit the nail on the head about so much of what I try to accomplish in my work.
I still remember how enthralled I was by the fantasy books I read as a child and teen. A lot of what I do as an author absolutely involves trying to recapture the feel of that classic fantasy while simultaneously interrogating, updating, flipping, and subverting common threads and tropes. I love complications and shades of gray! I want readers to feel both a happy familiarity and an unexpected, exciting destabilization every time they pick up one of my books. I delight in making the familiar strange.
And then the yearning—not always the romantic kind! My characters tend to be profoundly affected by family legacy (another thing we have in common!), they’ve all got wounds, and they all yearn, deeply. I love yearning. I want my books to make your chest hurt as you read them.
As far as Briar Girls goes…I hope readers finish this book feeling like they have been stabbed in the heart—but that they loved it. Lena’s journey still stabs me in the heart, and I’ve been living with it for eight years! Now I’m thrilled to share it with all of you.
Hannah’s whole life has been spent in motion. Her mother has kept her and her brother, Gabe, on the road for as long as she can remember, leaving a trail of rental homes and faded relationships behind them. No roots, no family but one another, and no explanations.
All of that changes on Hannah’s seventeenth birthday when she wakes up transformed, a pair of golden eyes with knife-slit pupils blinking back at her from the mirror—the first of many such impossible mutations. Promising that she knows someone who can help, her mother leaves Hannah and Gabe behind to find a cure. But as the days turn to weeks and their mother doesn’t return, they realize it’s up to them to find the truth.
What they discover is a family they never knew, and a history more tragic and fantastical than Hannah could have dreamed—one that stretches back to her grandmother’s childhood in Prague under the Nazi occupation, and beyond, into the realm of Jewish mysticism and legend. As the past comes crashing into the present, Hannah must hurry to unearth their family’s secrets—and confront her own hidden legacy in order to break the curse and save the people she loves most, as well as herself.
Rebecca Kim Wells writes books full of magic and fury (and often dragons). Her debut novel Shatter the Sky was a New England Book Award Finalist, an ALA Rainbow Book List selection, an Indies Introduce selection, and a Kids’ Indie Next Pick. She is also the author of Storm the Earth and Briar Girls.
Rebecca Podos’ debut novel, The Mystery of Hollow Places, was a Junior Library Guild Selection and a B&N Best YA Book of 2016. Her second book, Like Water, won the 2018 Lambda Literary Award for LGBTQ Children’s and Young Adult. The Wise and the Wicked, her third novel, was recently released. Her forthcoming books include Fools in Love (Running Press Kids, 2021) a co-edited YA anthology with author Ashley Herring Blake, and From Dust, a Flame (Balzer + Bray, 2022). A graduate of the Writing, Literature and Publishing Program at Emerson College, she’s an agent at the Rees Literary Agency in Boston by day.
Today on the site, please welcome Lianyu Tan, who’s revealing the cover of her steamy f/f gothic horror vampire romance, The Wicked and the Willing, which has a bi femme Chinese protagonist and releases May 13, 2022! (Note: the book has a love triangle, but there is a choice of mutually exclusive endings and no cliffhangers. Due to the mature content and dark themes, it is intended for adult readers only. It contains potentially disturbing scenes and an abusive romantic relationship between two women. Further content information is available from the author’s website.) Here’s the story:
An orphan with a shameful secret must choose whom to love: her vampire mistress or the woman trying to save her life. A provocative tale of seduction, violence, and despair from dark lesbian romance author Lianyu Tan.
1927, colonial Singapore
Monsters don’t scare Gean Choo. And there are monsters aplenty among the Europeans on sultry Singapore island, all of them running away from something—or someone.
When she starts her new job as a lady’s companion, she can’t imagine falling for the impassioned, demanding mistress of Ambrosia Hall, nor the gruff, brooding woman who serves as her lady’s majordomo.
The latter holds her heart; the former, her body, blood, and loyalty.
Both want her.
Both need her.
And one of them will die for her.
Here’s the chilling cover with art and design byMiblArt!
Lianyu Tan has always been fascinated by the darker side of love: obsessive yearning and monstrous desires. She usually writes dark romance with a fantastical twist, but has recently found a home in gothic horror. Her debut novel Captive in the Underworld is an F/F dark lesbian romance retelling of the Hades/Persephone myth.
Lianyu is a queer Malaysian Chinese Australian and lives with her wife in Australia. She loves to hear from readers and you can find her as @LianyuTan on most social media platforms. Subscribe to her newsletter for free bonus content and short stories: https://go.lianyutan.com/subscribe
As a huge fan of People Like Us, I’m thrilled to help reveal the cover for Dana Mele’s sophomore YA, Summer’s Edge, a paranormal thriller with bisexual and lesbian protags releasing May 31, 2022 from Simon & Schuster! Here’s the story:
I Know What You Did Last Summer meets The Haunting of Hill House in this atmospheric, eerie teen thriller following an estranged group of friends being haunted by their friend who died last summer.
Emily Joiner was once part of an inseparable group—she was a sister, a best friend, a lover, and a rival. Summers without Emily were unthinkable. Until the fire burned the lake house to ashes with her inside.
A year later, it’s in Emily’s honor that Chelsea and her four friends decide to return. The house awaits them, meticulously rebuilt. Only, Chelsea is haunted by ghostly visions. Loner Ryan stirs up old hurts and forces golden boy Chase to play peacemaker. Which has perfect hostess Kennedy on edge as eerie events culminate in a stunning accusation: Emily’s death wasn’t an accident. And all the clues needed to find the person responsible are right here.
As old betrayals rise to the surface, Chelsea and her friends have one night to unravel a mystery spanning three summers before a killer among them exacts their revenge.
And here’s the striking cover, designed by Lizzie Bromley with art by Nicole Rifkin!
But wait, there’s more! Read on for your first glimpse of the book in this exclusive excerpt!
SUMMER OF EGRETS
The lake house hasn’t changed in the 91 years of its distinguished existence. Solid, stately, a relic of the Rockefeller and Durant era, it has survived three hurricanes, countless termite infestations, and a flood. It’s survived death itself. A bold claim if you can make it, but in this case, it happens to be true. Last summer, it burned to ashes with Emily Joiner trapped inside, and it was simply resurrected in its own image by its benefactors. It’s indestructible. Impervious to death and all that nature and beyond can summon. I’ve always thought of the lake house as a special place, but staring up at it, risen from ruin a year after its demise, flawless, the word that comes to mind is miraculous.
Has it really been a year?
To the day.
I pull the stiff, custom-made postcard from the pocket of my faded army green capris, a pair that Emily designed herself. On the front of the card is a gorgeous snapshot of the house. It was built in the Adirondack architecture style—a million-dollar mansion with a rustic stacked-log-and-stone aesthetic, a wraparound porch featuring delicate columns of hand-carved trees with branches winding up to the roof, and a sculpted arch of briar framing the door. Out back is a killer view of Lake George, a serene little corner exclusive to the handful of neighbors scattered sparsely along the coast. Completely secluded by majestic pines, the lake house is something out of a fairytale, a lone cottage in a deep dark forest. Sometimes it almost feels alive.
I do think it gets lonely. I would.
The house is in its own little world, buffered from civilization by the wilderness and a strict back-to-nature philosophy—no internet, no cable, no Netflix, satellite, or cell service, just peace, quiet, sun, swimming, boating, and plenty of misbehavior. It’s been our summer haven for the past ten years. Me, Emily, our best friend and my ex-girlfriend Kennedy, Emily’s twin brother Ryan, his best friend Chase, and as of two years ago, Chase’s girlfriend Mila. Last year should have been the last year because that was the year of the fire. The year we took things too far. The Summer of Swans. The year Emily died.
But then, the postcard came.
I flip it over and read it again. It’s a hot day and my car is like an oven. It only takes the interior of a car about half an hour to reach a deadly temperature when it’s in the mid-sixties outside. The gauge on my dashboard reads 81. I pull back the dark frizzy curls clinging to my neck and twist them into a bun on top of my head, yank the keys out of the ignition, and kick the car door open. A cool breeze sweeps off of the lake and touches my face, fluttering my t-shirt softly against my skin. It’s like a blessing from the lake gods. The sound of wind chimes rings softly, an arrangement of notes both strange and familiar, like a music box song. I imagine the sound of my name in my ear, a whisper in the breeze. I am home. I take my sunglasses off and close my eyes, shutting out the light, and allow the delicious air to wash over me. The scent of pine and soft earth. The promise of cool, clear water on my skin. The taste of freshly caught fish, charred on the grill, gooey marshmallow, melted chocolate, Kennedy’s lips, sweet with white wine. Our voices, laughing, swirled around bonfire smoke.
Jesus. I open my eyes and the bright sunlight makes me dizzy. Charred. Smoke. Just thinking the words gives me a sense of vertigo, even now. My mouth feels bitter, full of bile, and the phantom smell of smoke stings my nostrils and makes my eyes water. How could I think about fire in that way, here of all places, today of all days? Where Emily died. Where her bones were burned black.
I don’t know that for a fact. She may have asphyxiated. The rest of us were assembled on the lawn, in shock, immobile, separated from Emily. My parents wouldn’t let me know the details. I haven’t been allowed to find out for myself. It’s been a nightmare of a year. A year without my friends. A year without any friends. Any fun. Of seclusion, doctors, fucking arts and crafts and therapy animals. Which, yes, they’re cute, but it’s insulting. Five minutes petting a golden retriever before he’s ushered away into the next room does not repair an unquiet mind.
And witnessing your best friend die because of something you did—or didn’t do—is as disquieting as it gets.
You’re asking, okay, yeah, why go back then?
The answer is opening the door.
Dana Mele is a Pushcart-nominated writer based in the Catskills. A graduate of Wellesley College, Dana holds degrees in theatre, education, and law. Dana’s debut, PEOPLE LIKE US, was published in 2018 and shortlisted for the 2019 ITW Thriller Award for Best Young Adult Novel. A second YA thriller, SUMMER’S EDGE, is forthcoming from Simon & Schuster in Summer 2022, followed by TRAGIC, a graphic novel retelling of Hamlet from Legendary Comics.
“Under the Gaydar” features books you might not realize have queer content but do! And definitely belong on your radar.
This edition is dedicated to YA Fantasy with bi protags, with a bonus of three of them also having POV characters on the ace spectrum. As ever in this series, this fact isn’t shown on the cover or in the copy, so those who need safer choices to bring home can rely on these for the quietly queer content you need.
Beneath the Citadel by Destiny Soria – A personal favorite, this fantasy’s got you hooked alllll the way up: gay, bi, and ace protags make up 3/4 of the cast, including a very cute m/m relationship. Great choice if you’re a fan of “friends on a quest”-type fantasy.
The Spy with the Red Balloon by Katherine Locke – This is, as the blurb suggests, a sibling-centric Historical Fantasy…but those siblings happen to consist of a bi girl and a demisexual boy in love with his (male) best friend. Great for Jewish rep, too!
Scavenge the Starsby Tara Sim– a demisexual girl and bisexual boy anchor this fantasy adventure take on The Count of Monte Cristo!
Labyrinth Lost by Zoraida Cordova – or, in five words, Bi Brooklyn Bruja in Wonderland! Yes, it looks extremely heterosexual from the blurb, which works very nicely in our favor, because it is not.
It Ends in Fire by Andrew Shvarts – here for your Queer MC at Magic School needs, this standalone stars bisexual Alka Chelrazi as she infiltrates a prestigious academy to get her revenge. My official blurb: “An addictive and invigorating tale of romance, revenge, and rebellion. Alka Chelrazi is a heroine I’d gladly follow to the ends of the earth.”
Girl, Serpent, Thorn by Melissa Bashardoust – What luck that maybe my favorite YA standalone fantasy also happens to be a bisexual f/f YA? Based on Persian mythology and exploring monstrousness in the most glorious way, I cannot advocate harder for adding this one to your shelf. (Bookshop) – reposted from Under the Gaydar: F/F YA Fantasy
The Impostor Queen by Sarah Fine – This book about a girl who’s supposed to become a queen with massive powers and then just …doesn’t is pretty epic on its own, but the main character is also quite besotted with her handmaiden. As per usual in Fantasy, the word “bisexual” isn’t used, but the differentiation of her feelings from simply being friendly is done clearly, and the guy she ends up with never feels like a romance she settled for. It’s followed by The Cursed Queen, which is also bi, but f/f, and caps off with The True Queen, which brings together the MCs of the first two books. – paraphrased from Under the Gaydar: YA Fantasy Worlds
Fire With Fire by Destiny Soria – Yup, we’re gonna open and close with the same author, because why not! Dragons! Sisters, one of whom is bisexual! Honestly, what more do you need?
Today on the site, we’ve got the cover for Maria Romasco-Moore’s upcoming bi contemporary YA fantasy I am the Ghost in Your House, which releases April 19, 2022 from Underlined/Random House! Here’s the story:
Pie is the ghost in your house.
She is not dead, she is invisible.
The way she looks changes depending on what is behind her. A girl of glass. A girl who is a window. If she stands in front of floral wallpaper she is full of roses.
For Pie’s entire life it’s been Pie and her mother. Just the two of them, traveling across America. They have slept in trains, in mattress stores, and on the bare ground. They have probably slept in your house.
But Pie is lonely. And now, at seventeen, her mother’s given her a gift. The choice of the next city they will go to. And Pie knows exactly where she wants to go. Pittsburgh—where she fell in love with a girl who she plans to find once again. And this time she will reveal herself.
Only how can anyone love an invisible girl?
A magnificent story of love, and friendship, and learning to see yourself in a world based on appearances, I Am the Ghost in Your House is a brilliant reflection on the importance of how much more there is to our world than what meets the eye.
And here’s the marvelously unsettling cover, with art by Alex Garant!
Maria Romasco Moore is the author of Some Kind of Animal, a novel, and Ghostographs, an interconnected collection of flash fiction inspired by vintage photographs. She teaches writing at Columbus College of Art and Design.
It’s been a year since this ridiculously fun, delightful, romantic, and inspiring YA released, and if you’re looking for the perfect bit of joy to extend Pride month, you’ve found it in Lyla Lee’s K-Pop bi/bi m/f romance, I’ll Be the One! (Or, if you’d rather wait for the paperback, that’ll be out on December 21st!)
Skye Shin has heard it all. Fat girls shouldn’t dance. Wear bright colors. Shouldn’t call attention to themselves. But Skye dreams of joining the glittering world of K-Pop, and to do that, she’s about to break all the rules that society, the media, and even her own mother, have set for girls like her.
She’ll challenge thousands of other performers in an internationally televised competition looking for the next K-pop star, and she’ll do it better than anyone else.
When Skye nails her audition, she’s immediately swept into a whirlwind of countless practices, shocking performances, and the drama that comes with reality TV. What she doesn’t count on are the highly fat-phobic beauty standards of the Korean pop entertainment industry, her sudden media fame and scrutiny, or the sparks that soon fly with her fellow competitor, Henry Cho.
But Skye has her sights on becoming the world’s first plus-sized K-pop star, and that means winning the competition—without losing herself.