If Jane Austen and Sholem Aleichem (Fiddler on the Roof) schemed in an elevator, this just might be their pitch. Ari is Elizabeth and Itche is Jane–and this Jewish, queer, New York City retelling of Pride and Prejudice is for everyone.
Ari Wexler, a trans guy in his late 20s, is barely scraping by. His family life is a mess, he feels like a failure when it comes to love, and his job at a music library is on the rocks. His relationship with Itche Mattes, his doting best friend, helps him get through the days. Then a famous actress comes to town and sweeps Itche off his feet, leaving her dreadful sidekick to step on Ari’s toes.
As Ari’s despair grows, a fascinating music project falls into his lap, and he s faced with a choice: to remain within his comfort zone, however small and stifling, or to take a risk that could bring meaning and joy to his life.
Dedicated to trans women everywhere, this inspirational collection of letters written by successful trans women shares the lessons they learnt on their journeys to womanhood, celebrating their achievements and empowering the next generation to become who they truly are.
Written by politicians, scientists, models, athletes, authors, actors, and activists from around the world, these letters capture the diversity of the trans experience and offer advice from make-up and dating through to fighting dysphoria and transphobia.
By turns honest and heartfelt, funny and furious or beautiful and brave, these letters send a clear message of hope to their sisters: each of these women have gone through the struggles of transition and emerged the other side as accomplished, confident women; and if we made it sister, so can you!
Cecily lost her soulmate years ago, leaving her with nothing but the clockwork heart that once beat in Caroline’s chest. They say it’s impossible to bring back the dead, yet Cecily’s resurrection spell is nearly complete and grows more powerful by the day.
But when a cowboy she barely knows is fatally injured, the only way to save him is by sacrificing an essential piece of the resurrection spell—and all possibility of seeing her lover again.
Bells Broussard thought he had it made when his superpowers manifested early. Being a shapeshifter is awesome. He can change his hair whenever he wants, and if putting on a binder for the day is too much, he’s got it covered. But that was before he became the country’s most-wanted villain.
After discovering a massive cover-up by the Heroes’ League of Heroes, Bells and his friends Jess, Emma, and Abby set off on a secret mission to find the Resistance. Meanwhile, power-hungry former hero Captain Orion is on the loose with a dangerous serum that renders meta-humans powerless, and a new militarized robotic threat emerges. Everyone is in danger. Between college applications and crushing on his best friend, will Bells have time to take down a corrupt government?
Sometimes, to do a hero’s job, you need to be a villain.
In this extraordinary debut novel by the author of the Lambda Literary Award-winning story collection A Safe Girl to Love, Wendy Reimer is a thirty-year-old trans woman who comes across evidence that her late grandfather–a devout Mennonite farmer–might have been transgender himself. At first she dismisses this revelation, having other problems at hand, but as she and her friends struggle to cope with the challenges of their increasingly volatile lives–from alcoholism, to sex work, to suicide–Wendy is drawn to the lost pieces of her grandfather’s life, becoming determined to unravel the mystery of his truth. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.
For Angel Rahimi, life is only about one thing: The Ark – a pop-rock trio of teenage boys who are currently taking the world by storm. Being part of The Ark’s fandom has given her everything – her friendships, her dreams, her place in the world.
Jimmy Kaga-Ricci owes everything to The Ark too. He’s their frontman – and playing in a band is all he’s ever dreamed of doing. It’s just a shame that recently everything in his life seems to have turned into a bit of a nightmare.
Because that’s the problem with dreaming – eventually, inevitably, real life arrives with a wake-up call. And when Angel and Jimmy are unexpectedly thrust together, they will discover just how strange and surprising facing up to reality can be.
All historical, all queer, all out! This new anthology, edited by Saundra Mitchell, just released from Harlequin Teen and contains a host of queer historical stories by so many faves! (And also me!) Thankfully, many of those faves agreed to share a little about their stories here, so check it out, make good use of those buy links, and enjoy!
(Photographs are mine.)
Take a journey through time and genres and discover a past where queer figures live, love and shape the world around them. Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens.
From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.
“Roja” began as a reimagining of the story of Leonarda Emilia, better known as La Carambada, the legendary Mexican outlaw who flashed her breasts at the rich men she robbed, so they would know without a doubt that they’d been bested by a woman. But along the way, my imagining of La Carambada wandered, as my stories often do, into the realm of fairy tale. My Emilia became a Mexican version of Little Red Riding Hood. The Wolf emerged as a transgender French soldier who garners his own fierce reputation. The forbidding woods became the hills of Mexico in the 1870s, a country in the aftermath of a brutal war.
Maybe the Frenchman the real Leonarda Emilia loved wasn’t a transgender soldier. Maybe most people don’t think of a Mexican girl when they imagine Little Red Riding Hood. But for the time it took me to write “Roja,” I got to imagine both Red and La Carambada as both queer and Latina. Writing “Roja” made these stories feel like they belonged to girls like me.
Natalie C. Parker, “The Sweet Trade”
I am a life-long fan of pirate stories, historical and fictional. As a kid, I believed that the only people who became pirates were boys and men. This was certainly what I’d learned from history—Blackbeard and Calico Jack—and definitely what was reflected in fiction—Long John Silver and Captain Hook. When I finally discovered that girls and women were also a part of the historical narrative (Anne Bonny! Madame Cheng!), I immediately wanted to find their reflection in fiction. They are there, but those who land in the adventure tend to find themselves sidetracked to the adventures of boys and are rarely queer in any way.
I wrote “The Sweet Trade” because I wanted to see queer girls choosing adventure and choosing each other. I wanted to explore the origin story of two girls breaking away from the expectations of others and striking out on their own. In that way, it’s sort of a pre-pirate story, the opening gambit in what will surely be a grand adventure.
Nilah Magruder, “And They Don’t Kiss at the End”
It’s all in the title, really. I wrote “And They Don’t Kiss at the End” because I needed a story with no kissing. Romance and sex always made me a little uncomfortable, not just in practice, but in theory. I ran from declarations of love and admiration from friends. I scrunched my face and turned away when the guy got the girl in movies. I thought I was a “late bloomer” when this aversion persisted into adulthood. I kept waiting to meet “the one” to cure my indifference, and they never came. This story is an exploration of asexuality in the 1970’s, at a time when terminology to describe asexuality was still being formed. It was a chance for me to imagine different choices than the ones I made in my youth. Getting to gush about Pride & Prejudice with roller skating as a backdrop was also a plus.
Dahlia Adler, “Molly’s Lips”
I used to fear writing short stories because I didn’t know how to make them feel like a complete story without death. I’ve grown since then, but death is still very much present in “Molly’s Lips”— specifically, that of Kurt Cobain, deceased frontman of my favorite band, Nirvana; the story is set at his big vigil in Seattle on April 10, two days after his body was found. And it isn’t about girls falling in love; they’ve already fallen. It’s about finding the voice, the confidence, the words to share those feelings, and the bravery they were given by someone who had the courage to push back against bigotry in his fandom. It’s also a love story with its own built-in soundtrack; what could be better than that?
Mackenzi Lee, “Burnt Umber”
My family is from the Netherlands–my dad grew up in a Dutch farming community in Iowa, my last name (which is not Lee) is very long and starts with a Van, and I have a fondness for all poetry from Delft. When this anthology invitation came my way, I was about to go to Amsterdam to research a different writing project. While there, my already-existing fascination with Dutch art from the Golden Age became an obsession. I wanted to know all about painting, why these paintings existed, what it took to become a master painter and the commodification surrounding art and masterpieces. Art that, in its day was considered commercial trash is now hanging in galleries people from all over the world visit. It was all a lot of information that had no place in the book about flowers I was researching, and I wasn’t sure I’d ever get to use it. But when I visited Rembrandt’s studio in Holland, I knew I wanted to write something set in the Dutch art world and this story was a perfect opportunity.
One of my favorite things to do in my writing is take the tropes of historical or genre narratives and give them to queer characters. This story is “draw me like one of your French girls” from Titanic. It’s Girl with the Pearl Earring. It’s the Vincent Van Gogh episode of Dr. Who. But it’s two boys, an artist’s studio, a significant lack of clothing, and a whole lot of awkward teenage crush.
Alex Sanchez, “The Secret Life of the Teenage Boy”
“The Secret Life of a Teenage Boy” takes place in 1969, when I was a teen bursting with romantic yearning. Although I was aware of my attraction toward other boys, I had no positive words to put to those intimate feelings—only negative slurs. People rarely spoke openly or honestly about sex. Homosexuality was considered a mental disorder. Acting on it was a criminal offense. I didn’t know of any openly gay people. The term “gay” had barely even come into use. In my teenage isolation, I fantasized for hours about a strong handsome young guy who would swoop into my life and carry me away to a place where we could be free to love each other. This story is a reminiscence of what it was like to live in that time and place, yearning for a life and a world that would take years to come.
Kate Scelsa, “The Coven”
Since I started working on my theater company’s adaptation of Hemingway’s “The Sun Also Rises” back in 2010, I’ve done a lot of reading about Hemingway and his peers in Paris in the 20’s, and something that’s always fascinated me was Hemingway’s relationship with Gertrude Stein and this whole community of lesbians that he used to hang out with. The vision of Gertrude Stein as a kind of den mother has always appealed to me, so I wanted to give her that role with two young women who were still figuring out who they were to each other. And then of course Hemingway himself needed to make an appearance. And, yes, there are witches.
Tess Sharpe, “The Girl With the Blue Lantern”
I grew up in Gold Rush country, in the shadow of a mountain that has many stories and myths attached to it. I also grew up writing Sci-Fi and Fantasy instead of the contemporary mysteries and thrillers I write now, so being able to create a historical fantasy piece was a special treat.
People still make a living pulling gold from the water and dirt in my childhood county. I’ve panned little flakes and tiny nuggets out of the creek that snakes through our homestead myself. Gold has been a strong motivator for many things throughout our history: war, destruction, greed, murder, exploitation, exploration, colonization.
But in “The Girl with the Blue Lantern,” gold leads us to a very different place: love. A story of escape and acceptance, of gold sprites, and of one very silly dog named Virgil.
Kody Keplinger, “Walking After Midnight”
“Walking After Midnight”is, at it’s core, a love letter to the trope of “two strangers meet and walk around talking all night.” I’m a sucker for stories like Before Sunrise, and I thought it would be fun to explore that sort of narrative between two young queer women. Betsey is an actress who hasn’t quite made the leap from child star to leading lady the way someone like Elizabeth Taylor did. Laura is a waitress at her family’s diner and isn’t sure she’ll ever escape her small town. I loved exploring these girls’ opposing situations, their hopes and fears. And getting to write about Betsey, whom I’d describe as gray-asexual, was a joy. Plus, I mean, I got to use all the things I’ve learned from the You Must Remember This podcast to good use!
Tessa Gratton, “Three Witches”
As a queer “recovering” Catholic and occasionally practicing witch, I’ve for years been aware of the threads of desire that can be found in medieval Catholic writing. Usually it’s desire for heaven or Christ’s touch, especially to the nuns considered to be “married” to Christ, but often this desire surpasses the flesh in queer ways, especially in the writings of the female mystics like St. Teresa of Avila. In “Three Witches” I wanted to explore the desire embedded in the prayers and explorations of medieval nuns, as well as the inherent conflict between desire and purity in the imagery and words associated with the Virgin Mary. The Inquisition was the strongest political force in Spain during the 15th century, hunting predominantly Jewish people and Muslims, but also available to excise anything unwanted from the Church. Including “unnatural” desire.
That’s all to say: I wanted to write a sexy, difficult story about two girls falling in love (and in lust) while grappling with what they’re told they should desire. And I wanted to write about witches.
Sara Farizan, “The End of the World as We Know It”
I know 1999 is a year that should not belong in a historical fiction anthology, but it was almost twenty years ago! I wanted to write a story that took place at the end of the twentieth century and encapsulated some of the hopes and fears people had going into the new century. Ezgi and Katie, two life- long best friends who have a strained relationship, also have their own hopes and fears for the future that come to light on New Year’s Eve while watching MTV’s countdown to midnight. When you think the world might come to an end, and tomorrow might mean the end of civilization as you know it (Y2K, man. What a trip), you have to hold on to the people you care about most, no matter how scary or daunting that may seem.
I love magic. And what’s more magical than finding love in an unexpected place? “The Inferno and the Butterfly” was a story I’ve been dying to tell. I’ve always been fascinated by stage magicians, and though Alfie and Wilhelm might be the assistants, they’re the ones performing the real magic.
Fellow fans of the enemies-to-lovers trope, this one has got to be on your to-read list. The couple is a trans woman and a bi guy, both academics, and the combination science geekery, tons of heat, serious emphasis on the “enemies” part, and the fact that they’re simultaneously clicking really well in an epistolary romance of sorts is just…*happy sigh*
Jay na Thalang is a demanding, driven genius. He doesn’t know how to stop or even slow down. The instant he lays eyes on Maria Lopez, he knows that she is a sexy distraction he can’t afford. He’s done his best to keep her at arm’s length, and he’s succeeded beyond his wildest dreams.
Maria has always been cautious. Now that her once-tiny, apocalypse-centered blog is hitting the mainstream, she’s even more careful about preserving her online anonymity. She hasn’t sent so much as a picture to the commenter she’s interacted with for eighteen months—not even after emails, hour-long chats, and a friendship that is slowly turning into more. Maybe one day, they’ll meet and see what happens.
But unbeknownst to them both, Jay is Maria’s commenter. They’ve already met. They already hate each other. And two determined enemies are about to discover that they’ve been secretly falling in love…
Valkyries have one great responsibility: to return immortals to the afterlife by slaying them. As a Valkyrie, Malin has always known that the balance of the world rests on her ability to carry out orders. But when Malin discovers that her mother spared the life of an immortal who was destined to die, her world is thrown into chaos.
Malin not only wrestles with the knowledge that her mother might not be who she thought—she’s also thrust into the path of a gorgeous blue eyed guy named Asher who needs her help slaying the rogue immortal who destroyed his family. The balance of the world is at stake. And, as Asher competes with Malin’s ex for her love and loyalty, so is her heart.
Clock mechanic Danny Hart knows he’s being watched. But by who, or what, remains a mystery. To make matters worse, clock towers have begun falling in India, though time hasn’t Stopped yet. He’d hoped after reuniting with his father and exploring his relationship with Colton, he’d have some to settle into his new life. Instead, he’s asked to investigate the attacks.
After inspecting some of the fallen Indian towers, he realizes the British occupation may be sparking more than just attacks. And as Danny and Colton unravel more secrets about their past, they find themselves on a dark and dangerous path―one from which they may never return.
This is the final book in the Impostor Queen trilogy
Now that Ansa knows she is the destined queen of Kupari, she is desperate to find a permanent home for her people, the Kriegere, in the Kupari lands. But as the small band of warriors crosses into the foreign territory, Ansa loses her fragile grip on her newly-acquired—and violent—fire and ice magic and puts everyone, including her love Thyra, in danger.
Inside the walls of Kupari, Elli maintains the facade that she is the magical queen, with her secret—that she has no magic at all—on the brink of exposure every day. But as she tries to prepare the citizens to protect themselves from another invasion, unrest spreads as wielders like her beloved Oskar begin to lose control of their powers.
As Kupari grows increasingly unstable, with the land literally crumbling beneath their feet, and a common enemy once again threatening everything, these two young women on a collision course with destiny must find a way to save the realm and their people from total destruction.
In this epic conclusion to the Impostor Queen series, Sarah Fine’s sweeping tale of two fierce leaders imbued with unimaginable power and called to unthinkable sacrifice finally answers the question: who has the strength to be the True Queen?
Days before Corey is to return home to the snow and ice of Lost Creek, Alaska, to visit her best friend, Kyra dies. Corey is devastated―and confused. The entire Lost community speaks in hushed tones about the town’s lost daughter, saying her death was meant to be. And they push Corey away like she’s a stranger.
Corey knows something is wrong. Lost is keeping secrets―chilling secrets. But piecing together the truth about what happened to her best friend may prove as difficult as lighting the sky in an Alaskan winter…
Geordi never thought so. He knows he’s lucky to have progressive parents who support him after they discover he’s gay, but when his dad gets overzealous, things go downhill. Geordi’s friend Toff is not only hurt that Geordi hid his sexuality from him—he’s also been in love with Geordi for months. Rather than further damage their relationship, Geordi goes along with a romance he doesn’t feel. When things start to get physical, though, Geordi knows it’s time to be honest with himself and his friends, no matter what the consequences. A tragedy is about to strike, and Geordi, Toff, and their friend Jess will need each other more than ever. For Geordi to find his strength, he’ll have to first find the courage to chart his own course in life—outside the control of his parents or the pressure of his peers.
Simeon Boudreaux, the New York Barons’ golden-armed quarterback, is blessed with irresistible New Orleans charm and a face to melt your mama’s heart. He’s universally adored by fans and the media. Coming out as gay in solidarity with his teammate hasn’t harmed his reputation in the least—except for some social media taunting from rival linebacker Adrián Bravo.
Though they were once teammates, Adrián views Simeon as a traitor and the number-one name on the New Jersey Predators’ shit list. When animosity between the two NFL players reaches a boiling point on the field, culminating in a dirty fist fight, they’re both benched for six games and sentenced to joint community service teaching sullen, Brooklyn teens how to play ball.
At first, they can barely stand to be in the same room, but running the camp forces them to shape up. With no choice but to work together, Simeon realizes Adrián is more than his alpha-jerk persona, and Adrián begins to question why he’s always had such strong feelings for the gorgeous QB…
Romance is not for Tara. Embittered after a college fling, she vows to never fall in love again–especially since she believes there’s no future for same-sex love in her home in urban India. Then, one rain-drenched evening, an insane decision brings the bubbly Sameen into her life and everything changes. Sameen is beautiful, a breath of fresh air…and almost certainly straight. All Tara’s carefully built-up defences start to crumble, one after the other. But is this relationship doomed before it can even start?
When widow Talia Wasserman applies for a job with the local police department, she’s shocked to discover she’ll be working for Lieutenant Eve Poe, an officer she’d met—and been attracted to—during a long-ago citizen’s police academy workshop. Fifteen years later, the spark is still there, and no one’s currently in Talia’s life or in her bed. But there’s just one teeny, tiny problem. Eve is her boss, so she’s completely off limits.
Eve feels a sizzling connection with Talia from the very first, but Talia works for her, and that’s just a bad idea. Besides, Eve needs to focus on the person sending disturbing emails to her office, and not on the woman who quickly makes herself invaluable to the department. It’s too bad her heart doesn’t agree with her.
Then Eve is badly injured in the line of duty, and Talia’s worst fears are realized. She may lose her chance at happiness with the woman she’s come to love, and she can’t survive that kind of loss twice in a lifetime.
Alice had her whole summer planned. Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting–working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she’s asexual). Alice is done with dating–no thank you, do not pass go, stick a fork in her, done.
But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).
When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.
Odessa is one of Karthia’s master necromancers, catering to the kingdom’s ruling Dead. Whenever a noble dies, it’s Odessa’s job to raise them by retrieving their souls from a dreamy and dangerous shadow world called the Deadlands. But there is a cost to being raised–the Dead must remain shrouded, or risk transforming into zombie-like monsters known as Shades. If even a hint of flesh is exposed, the grotesque transformation will begin.
A dramatic uptick in Shade attacks raises suspicions and fears among Odessa’s necromancer community. Soon a crushing loss of one of their own reveals a disturbing conspiracy: someone is intentionally creating Shades by tearing shrouds from the Dead–and training them to attack. Odessa is faced with a terrifying question: What if her necromancer’s magic is the weapon that brings Karthia to its knees?
Seventeen-year-old Evan Panos doesn’t know where he fits in. His strict Greek mother refuses to see him as anything but a disappointment. His quiet, workaholic father is a staunch believer in avoiding any kind of conflict. And his best friend Henry has somehow become distractingly attractive over the summer.
Tired, isolated, scared—Evan’s only escape is drawing in an abandoned church that feels as lonely as he is. And, yes, he kissed one guy over the summer. But it’s his best friend Henry who’s now proving to be irresistible. It’s Henry who suddenly seems interested in being more than friends. And it’s Henry who makes him believe that he’s more than his mother’s harsh words and terrifying abuse. But as things with Henry heat up, and his mother’s abuse escalates, Evan has to decide how to find his voice in a world where he has survived so long by avoiding attention at all costs.
It’s Pride Month, which means a whole lot of LGBTQIAP+ books are on sale! (And some of them are just cheap year round. Basically, this post is a collection of stuff that’s under five bucks.)
Due to my personal life being a little hectic right now (*insert wave from very cute new baby*) I’m just throwing all categories and genres together in one post, but hopefully that’ll inspire people to find something brand-spankin’-new they might not have checked out otherwise!
(Please note I’m assembling this post nearly a week in advance of its going up. It’s possible some of the sale prices will no longer apply. Sorry about that if so.)
(Just about all links are Amazon Affiliate. Money earned via these links goes back into the site.)
Please welcome to LGBTQReads Roan Parrish, whose very first m/f Romance, Small Change, just released yesterday! Here’s a little more on the book:
Ginger Holtzman has fought for everything she’s ever had—the success of her tattoo shop, respect in the industry, her upcoming art show. Tough and independent, she has taking-no-crap down to an art form. Good thing too, since keeping her shop afloat, taking care of her friends, and scrambling to finish her paintings doesn’t leave time for anything else. Which … is for the best, because then she doesn’t notice how lonely she is. She’ll get through it all on her own, just like she always does.
Christopher Lucen opened a coffee and sandwich joint in South Philly because he wants to be part of a community after years of running from place to place, searching for something he could never quite name. Now, he relishes the familiarity of knowing what his customers want, and giving it to them. But what he really wants now is love.
When they meet, Christopher is smitten, but Ginger … isn’t quite so sure. Christopher’s gorgeous, and kind, and their opposites-attract chemistry is off the charts. But hot sex is one thing—truly falling for someone? Terrifying. When her world starts to crumble around her, Ginger has to face the fact that this fight can only be won by being vulnerable—this fight, she can’t win on her own.
Ginger Holtzman started out as a secondary character in In the Middle of Somewhere, an m/m romance. She was the main character Daniel’s best friend, and through his eyes, we saw her romance with Christopher begin to play out in the background. One of the things I heard most from readers was that they wanted Ginger to get her own story. And although I never explicitly said Ginger was queer in In the Middle of Somewhere, she always was in my head. I knew that part of her backstory with Daniel was that they had been part of the same community of queer artists and musicians back in Philadelphia. But because the person she started dating was a dude, there was no explicit signifier of her queerness in In the Middle of Somewhere.
When I started writing Small Change, then, one of the things that mattered most to me was that Ginger’s queerness be legible while she was falling in love with a straight man.
The long history of the romance genre sets up the expectation that m/f romance = heterosexual romance. Not because there isn’t room on the page for characters to have complex desires, but because genres are structured by rules that are assumed unless they are explicitly negated.
Now we have a much more diverse spectrum of desires represented in romance than we did twenty years ago. But from a publishing perspective, the fact that queer romance is a genre in its own standing actually underscores the separation between queer romance and m/f romance. Even though m/f and queerness are not at all mutually exclusive, there is still comparatively little representations of queerness on the pages of m/f romance, and very little expectation of it.
So it was very important to me that Ginger’s romance with Christopher not erase her queerness. Indeed, her queerness is important in everything from her past dating experiences, to her business practices, to her politics. But I also didn’t want queer legibility to be The Struggle of Ginger and Christopher’s relationship. That is, I didn’t want queerness to be a stumbling block to love, and I didn’t want it to be something that Ginger needed to educate Christopher about in order for them to have a relationship. I wanted it to be a part of their love because it’s a part of Ginger.
For this to work, Christopher’s character had to be someone who knew what the hell was going on, because Ginger would never be attracted to a dude who was clueless about politics or queerness or social justice. That is, this book takes place in a world where queerness is visible, for all involved. Christopher wonders if Ginger dates men when they first meet, and wants to find out because he’s attracted to her, and this interaction is pretty indicative of their attitudes:
Christopher asks, “Do you date men?”
Ginger, self deprecating as always, answers, “Uh, yeah. Well, I mean, not very successfully, but yes, in theory.”
And that’s what’s important: who Ginger would, in theory, be interested in, not the idea that who is currently dating is a barometer of her identity.
Roan Parrish is the author of the Middle of Somewhere series. Her debut m/f novel, Small Change, is out now.
“Under the Gaydar” features books you might not realize have queer content but do! And definitely belong on your radar.
This edition is dedicated to YAs coming up in 2017 with bi main characters but no hint of queerness in their blurbs – extra key for collections that need for whatever reason to remain a little more discreet!
Top Ten by Katie Cotugno – the blurb from Cotugno’s excellent fourth novel focuses on the main relationship in the book, i.e. the BFFs-maybe-turned-more situation between Gabby and Ryan, but inside the book, Gabby is not only openly bi, but still in touch with (and flashing back to) her ex-girlfriend, Shay.
That Inevitable Victorian Thing by E.K. Johnston – all I know about this one is that there’s definitely main bi and intersex rep, it sounds killer, it’s got a gorgeous cover, and everyone I know who’s read it thinks it’s freaking fantastic. So, there’s that.
They Both Die at the Endby Adam Silvera– of course, if you’re at all familiar with Adam Silvera, you know all of his books have main characters under the rainbow umbrella, but this is his first with a bi MC, and spoiler: it’s great.
Wild Beauty by Anna-Marie McLemore – as with her past books, this one is m/f with a female main character who is clearly interested in more than one gender but doesn’t use the word on the page. I must bitterly admit I haven’t read it yet, but if there’s anyone I trust to do everything from rep to prose gorgeously, it’s the author of When the Moon Was Ours.