Love at First Set by Jennifer Dugan
Best Men by Sidney Karger
All are Welcome by Liz Parker
Big Gay Wedding by Byron Lane
D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins
All links are Bookshop (or, where out of stock there, Amazon) affiliate. Using them to purchase a book earns a small percentage of income for the site (and, if Bookshop, for indie bookstores).
Happy Black History Month! Like the other eleven months, it’s an excellent time to buy queer books by Black authors! (Want even more recs? Check out previous posts!)
Please note that this post contains titles published by HarperCollins. Please note that the HarperCollins Union has been on strike since 11/10/22 to get a fair contract for their workers, and this site very much supports that effort. Visit the HarperCollins Union linktree to learn how you can support their fight for a fair contract: linktr.ee/hcpunion.
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
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This is the sequel to Cameron Battle and the Hidden Kingdoms
After his first adventure as the Descendant, Cameron can’t sit through seventh grade classes. Especially when his mother is still trapped in Chidani and his father is still missing. But he encounters a particularly nasty bully in his new school, and it doesn’t take long for Cameron and his trusty friends Zion and Aliyah to realize that the troubles of Chidani won’t stay away for long.
With the Book to guide them, Cameron and his crew end up transported to Chidani sooner than anticipated–and the gods and goddesses they encounter don’t intend to make Cameron’s journey easy. Can he finally outwit and outlast the villainous god set on destroying their worlds?
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Give in to this irresistible paranormal romance anthology filled with tales of the mortal and the monstrous. In Eternally Yours, fifteen of today’s bestselling writers explore love in its many forms . . .
Contributors include Kalynn Bayron, Kendare Blake, Kat Cho, Melissa de la Cruz, Hafsah Faizal, Sarah Gailey, Chloe Gong, Alexis Henderson, Adib Khorram, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Akshaya Raman, Marie Rutkoski, and Julian Winters.
Vampires and merpeople, angels and demons—the stories in this anthology imagine worlds where the only thing more powerful than the supernatural, is love.
A girl in a graveyard goes on an unexpected date, a shipwrecked sailor makes a connection on a forbidden island, a piano melody summons a soul mate. Creatures of folktales and legend, of land and sea, of centuries past and life after life, all wrapped into one spellbinding compendium. Once you sink into its pages, it’ll never let you go.
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Mahalia Harris wants.
She wants a big Sweet Sixteen like her best friend, Naomi.
She wants the super-cute new girl Siobhan to like her back.
She wants a break from worrying—about money, snide remarks from white classmates, pitying looks from church ladies . . . all of it.
Then inspiration strikes: It’s too late for a Sweet Sixteen, but what if she had a coming-out party? A singing, dancing, rainbow-cake-eating celebration of queerness on her own terms.
The idea lights a fire beneath her, and soon Mahalia is scrimping and saving, taking on extra hours at her afterschool job, trying on dresses, and awkwardly flirting with Siobhan, all in preparation for the coming out of her dreams. But it’s not long before she’s buried in a mountain of bills, unfinished schoolwork, and enough drama to make her English lit teacher blush. With all the responsibility on her shoulders, will Mahalia’s party be over before it’s even begun?
A novel about finding yourself, falling in love, and celebrating what makes you you.
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Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
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Real or imaginary, geekdom is where it’s at in this multi-genre YA anthology that celebrates “the geek,” with stories by some of today’s top bestselling, critically acclaimed Black authors.
Contributors include Amerie, Kalynn Bayron, Terry J. Benton-Walker, Roseanne A. Brown, Elise Bryant, Tracy Deonn, Desiree S. Evans, Isaac Fitzsimons, Lamar Giles, Jordan Ifueko, Leah Johnson, Amanda Joy, Kwame Mbalia, Tochi Onyebuchi, Shari B. Pennant, K. Arsenault Rivera, Julian Winters, and Ibi Zoboi.
A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school’s production of The Sound of Music; a misunderstood magician of sorts with a power she doesn’t quite understand.
These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters. From contemporary to historical, fantasy to sci-fi, magical to realistic, and with contributions from a powerhouse list of self-proclaimed geeks and bestselling, award-winning authors, this life-affirming anthology celebrates and redefines the many facets of Blackness and geekiness—both in the real world and those imagined.
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Seventeen-year-old Theo Wright has it all figured out. His plan (well, more like his dad’s plan) is a foolproof strategy that involves exceling at his magnet school, getting scouted by college recruiters, and going to Duke on athletic scholarship. But for now, all Theo wants is a perfect prom night. After his best friend Jay dares Theo to prompose to his crush at Chloe Campbell’s party, Theo’s ready to throw caution to the wind and take his chances.
But when the promposal goes epically wrong, Theo seeks refuge in an empty bedroom while the party rages on downstairs. Having an existential crisis about who he really is with and without his so-called best friend wasn’t on tonight’s agenda. Though, as the night goes on, Theo finds he’s not as alone as he thinks when, one by one, new classmates join him to avoid who they’re supposed be outside the bedroom door. Among them, a familiar acquaintance, a quiet outsider, an old friend, and a new flame . . .
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Fifteen-year-old Kermit Sanders knows grief and its all-encompassing shadows. After losing his beloved older sister in a tragic car accident, nothing quite punctures through the feelings of loss. Everywhere Kermit goes, he is reminded of her.
But then Kermit finds a mysterious invitation in his locker, signed anonymously with “-1.” He has no idea what he’s in for, but he shows up to find out. Dubbed the “Minus-One Club,” a group of his schoolmates has banded together as a form of moral support. The members have just one thing in common—they have all suffered the tragic loss of someone they loved.
The usual dividing lines between high school classes and cliques don’t apply inside the Minus-One Club, and Kermit’s secret crush, the handsome and happy-go-lucky Matt (and only out gay student at school), is also a part of the group. Slowly, Matt’s positive headstrong approach to life helps relieve Kermit of his constant despair.
But as Kermit grows closer to Matt, the light of his new life begins to show the cracks beneath the surface. When Matt puts himself in danger by avoiding his feelings, Kermit must find the strength to not only lift himself back up but to help the rest of the group from falling apart.
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Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.
Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.
No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t fact the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.
Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her.
But Tinsley has an agenda, too.
Everyone loved Nova. And sometimes, love is exactly what gets you killed.
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For most of her life, Aaliyah’s home situation hasn’t been great, but she’s at least had her childhood best friend and role as a cross-country star to balance it out. But once she got outed by a church elder last spring, everything came undone — including Aaliyah.
Now, senior year is about to start and she is determined to come back faster and wiser. No more letting other people define her. No more losing herself to their expectations.
Except… well, with new friends, old flames, nosy school counselors, and teammates who don’t trust her yet, the route already feels rough. And what’s with the new girl, Tessa, who gives Aaliyah butterflies every time she looks at her? Regardless, she’ll be fine. Because this is the year to prove to everyone―and most of all, herself―that she’s more than her mistakes. After all, even Aaliyah can’t outrun everything.
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Xavier Reynolds is doing less than stellar. He just got dumped, was passed over for a prestigious fellowship, and to top it all off he’s right back home in Harper’s Cove, Maine (population: 9,000). The last thing he wants to do is to work as a prep chef in the kitchen of the hip new restaurant in town, The Wharf. Especially since the hot, single-father chef who owns it can’t delegate to save his life.
Logan O’Hare doesn’t understand Xavier or why every word out of his mouth is dipped in sarcasm. Unfortunately, he has no choice but to hire him—he needs more help in the kitchen and his tween daughter, Anne, can only mince so many onions. It might be a recipe for disaster, but Logan doesn’t have many options besides Xavier.
Stuck between a stove and a hot place, Logan and Xavier discover an unexpected connection. But when the heat between them threatens to top the Scoville scale, they’ll have to decide if they can make their relationship work or if life has seasoned them too differently.
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In Feels Right, Kemi Adeyemi presents an ethnography of how black queer women in Chicago use dance to assert their physical and affective rights to the city. Adeyemi stages the book in queer dance parties in gentrifying neighborhoods, where good feelings are good business. But feeling good is elusive for black queer women whose nightlives are undercut by white people, heterosexuality, neoliberal capitalism, burnout, and other buzzkills. Adeyemi documents how black queer women respond to these conditions: how they destroy DJ booths, argue with one another, dance slowly, and stop partying altogether. Their practices complicate our expectations that life at night, on the queer dance floor, or among black queer community simply feels good. Adeyemi’s framework of “feeling right” instead offers a closer, kinesthetic look at how black queer women adroitly manage feeling itself as a complex right they should be afforded in cities that violently structure their movements and energies. What emerges in Feels Right is a sensorial portrait of the critical, black queer geographies and collectivities that emerge in social dance settings and in the broader neoliberal city.
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London, 1885. Gabriel Utterson, a 17-year-old law clerk, has returned to London for the first time since his life― and that of his dearest friend, Henry Jekyll―was derailed by a scandal that led to his and Henry’s expulsion from the London Medical School. Whispers about the true nature of Gabriel and Henry’s relationship have followed the boys for two years, and now Gabriel has a chance to start again.
But Gabriel doesn’t want to move on, not without Henry. His friend has become distant and cold since the disastrous events of the prior spring, and now his letters have stopped altogether. Desperate to discover what’s become of him, Gabriel takes to watching the Jekyll house.
In doing so, Gabriel meets Hyde, a a strangely familiar young man with white hair and a magnetic charisma. He claims to be friends with Henry, and Gabriel can’t help but begin to grow jealous at their apparent closeness, especially as Henry continues to act like Gabriel means nothing to him.
But the secret behind Henry’s apathy is only the first part of a deeper mystery that has begun to coalesce. Monsters of all kinds prowl within the London fog―and not all of them are out for blood…
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Janie believes there’s a best way to do everything. When she sticks to a schedule, she and her mom can tackle anything. But Janie’s perfect schedule—and her life—are getting shaken up this year. Her new stepmom, Keisha, is moving in, along with her daughter, Makayla.
Worst of all? Makayla brings a cat with her. And Janie hates cats.
Even though it’s hard, Janie tries to welcome Makayla to her new school. And honestly, she maybe does too good a job. Soon, Makayla is volunteering with Janie’s beloved Sunshine Club, and Janie’s friends all love her. The only one who pays any attention to her anymore is Makayla’s nosy cat. It feels like her new sister is taking over! What’s a gal to do with a copycat in her life?
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Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen.
On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.
Cristina, once a talented and dedicated practitioner of Generational magic, has given up magic for good. An ancient spell is what killed their father and she was the one who cast it. For Clement, magic is his lifeline. A distraction from his anger and pain. Even better than the random guys he hooks up with.
Cristina and Clement used to be each other’s most trusted confidant and friend, now they barely speak. But if they have any hope of discovering who is coming after their family, they’ll have to find a way to trust each other and their family’s magic, all while solving the decades-old murder that sparked the still-rising tensions between the city’s magical and non-magical communities. And if they don’t succeed, New Orleans may see another massacre. Or worse.
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Ranita Atwater is “getting short.”
She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. With three years of sobriety, she is determined to stay clean and regain custody of her two children.
My name is Ranita, and I’m an addict, she has said again and again at recovery meetings. But who else is she? Who might she choose to become? As she claims the story housed within her pomegranate-like heart, she is determined to confront the weight of the past and discover what might lie beyond mere survival.
Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently. Now she must steer clear of the temptations that have pulled her down, while atoning for her missteps and facing old wounds. With a fierce, smart, and sometimes funny voice, Ranita reveals how rocky and winding the path to wellness is for a Black woman, even as she draws on family, memory, faith, and love in order to choose life.
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Could I one day inspire happiness in others, the same way he seemed to do in me?
It’s 2005 and Harley has dropped out of college to move home, back to rural England where he works a dead-end job at a movie theater. Estranged from his father and finding every attempt at happiness futile, he is on the verge of making a devastating final decision. Fortunately for him, things don’t go according to plan, and his attempt on his own life is interrupted by his new roommate, Muddy.
Muddy is everything Harley is not: white, ostensibly heterosexual, freewheeling, confident in his masculinity. Despite their differences, a deep friendship blossoms between them when Muddy takes Harley under his wing and shows him everything that, in his eyes, makes life worth living: birdwatching, karaoke, rugby, and the band Oasis.
But this newfound friendship is complicated. It has enormous repercussions for the pair’s romantically entangled friend group—with Chelsea, an overbearing striver whose generosity they begrudgingly rely on; with Finlay, her raffish and uncouth boyfriend; and with Noria, who despite her simmering confidence is smarting from a series of unreturned affections. And then there’s the violent affair with an older man that Harley finds himself slipping back into…
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Elsie is a sexy, funny, and fiercely independent woman in south London. But, at just 28, she is also tired. Though she spends her days writing tender poetry in her journal, her nights are spent working long hours for minimum wage at a neighborhood dive bar. Not even sleeping with her alluring coworker, Bea, can quell her existential dread. The difficulty of being estranged from her family, struggle of being continually rejected from jobs, and fear of never making money doing what she loves is too great. But Elsie is determined to keep the faith, for a little longer at least. Things will surely turn around. They have to.
But when Elsie is suddenly evicted from her social housing, her fragile foundations threaten to collapse entirely. With nowhere left to go, Elsie turns to her childhood friend, Juliet, for help.
Among Juliet’s mismatched cushions and shelves lined with trinkets, Elsie is able to breathe for the first time in years. But between their reruns of Drag Race and nights smoking on the balcony, something else soon begins to glimmer in Elsie’s heart . . . Sometimes what you’ve been searching for has been there all along. Can Elsie see it in time?
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Ellie Engle doesn’t stand out. Not at home, where she’s alone with her pet fish since her dad moved away and her mom has to work around the clock . Not at the bakery, where she helps out old Mr. Walker on the weekends. And definitely not at school, where her best friend Abby—the coolest, boldest, most talented girl in the world—drags Ellie along on her never-ending quest to “make her mark.” To someone else, a life in the shadows might seem boring, or lonely. But not to Ellie. As long as she has Abby by her side and a comic book in her hand, she’s quite content.
Too bad life didn’t bother checking in with Ellie. Because when a freak earthquake hits her small town, Ellie wakes up with the power to bring anything back to life with just her touch. And when a video of her using her powers suddenly goes viral, Ellie’s life goes somewhere she never imagined—or wanted: straight into the spotlight.
Surviving middle school is hard enough. Surviving middle school when paparazzi are camped out on your front lawn and an international pop singer wants you to use your powers on live tv and you might be in love with your best friend but she doesn’t know it? Absolutely impossible.
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Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, it seems like she might finally get the chance to prove herself–until she finds out she’s being replaced.
Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is–including the uncertainty of her relationship–she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.
Back home, Mickey is seduced by the simplicity of her old life–and the flirtation of a former flame–but her life in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted–isn’t it?
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THE BSE (Best Summer Ever) LIST!
1. Blueberries
2. Art show in ShoeHorn
3. Lizzo concert
4. Thrift shop pop-up
5. Skinny Dipping at the lake house
6. Amusement Park Day!
7. Drew Barrymarathon
8. Paintball day
Oh, and ….
9. Fall out of love with Hailee
Andrea Williams has got this. The Best Summer Ever. Two summers ago, she spent all her time in bed, recovering from the latest surgery for her cerebral palsy. She’s waited too long for adventure and thrills to enter her life. Together with her crew of ride-or-die friends, and the best parents anyone could ask for (just don’t tell them that), she’s going to live it up.
There’s just one thing that could ruin it: Her best friend, Hailee, finding out Andrea’s true feelings. So Andrea WILL fall out of love with Hailee – even if it means dating the cute boy George who keeps showing up everywhere with a smile.
Do we want Andrea to succeed? No! Does she? We’re not telling!
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In 2019, R.K. Russell broke the mold when he came out as bisexual in an essay for ESPN that ignited the sports world. Now, in his powerful memoir, The Yards Between Us, he shares his story and explores his love of football, men and women, walking the devastating tightrope of keeping his sexuality secret, the tension between his private and public lives, and the importance of crashing through barriers.
Told through the people and moments that have shaped him, Russell traces the highs and lows of his life in and out of football, from his early life as a shy kid struggling with the expectations on a Black boy and the pull between his quiet nature and his athletic ability, to being drafted by his hometown team the Dallas Cowboys, and then on to seasons with the Tampa Bay Buccaneers and Buffalo Bills. And as his time in the sport comes into full bloom, Russell realizes that keeping his secret in the NFL is easier than in college when life and football are so much more connected to social worlds.
Through being cut, injured, and frustrating setbacks, Russell’s confidence lags as the secret of his sexuality weighs heavier and heavier. And when that frustration is combined with the devastating loss of his best friend and sole confidant, the darkness that follows also brings a deep understanding that perhaps it’s time to make a change. In Los Angeles, against the backdrop of the swaying palm trees and warm sands of Malibu, Russell falls in love and it’s the final push he needs to stand up for every part of himself—a professional athlete, a writer, a son, a friend, a lover, a bisexual Black man. In The Yards Between Us, R.K. Russell shows us the life-changing power of embracing who you are and fighting to make space so others can do the same.
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Transness is as varied and colorful as magic can be. In Transmogrify!, you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration.
Featuring stories from:
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I’m safe here.
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
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In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.
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Unlike her private school classmates, 17-year-old and Yale-bound Kennedy Devon wasn’t born into a life of privilege. In fact, Kennedy and her mother are homeless. Kennedy refuses to be pitied, so she hides her secret from her friends and her girlfriend, Gwen Clark.
Kennedy’s secret is discovered when Senator Clark, her girlfriend’s father, finds out she’s homeless. Kennedy blackmails him into giving her a home and then some because she wants power and opportunity, to be a future President. He agrees that if she becomes his summer intern and excels, he’ll mentor her through the world of politics.
Only, at her internship, she discovers that Senator Clark is hiding a scandal so explosive it could tarnish his legacy.
Now Kennedy is caught between being loyal to the girl she loves, the senator who can wreck her life, and the country she hopes to serve. Because somebody’s life is going to implode, and she needs to make sure it’s not her own.
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Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business.
But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after. Is there is more to the story of Mirror Lake and its dangerous past than Charity ever suspected?
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Peaches Monroe and Jamie Hunt are core members of their Texas friend squad and have so much in common. They’re successful at their careers in personal care. They take Austin’s “Keep It Weird” vibe to heart, each leaning into their own unique talents and sense of style. And they’re both ready to go on to even bigger things. Is pushing past the boundaries of friendship into something deeper one of them? The red-hot fantasy is there…but so is real life.
Jamie’s college dreams will take her far from her hometown. She’s already road-tripping to possibilities from San Antonio to Houston. And Peaches has obligations of her own. Not only is she planning to expand her business, but she’s taking care of her family after her mother’s passing, leaving her overwhelmed and under pressure.
No matter how perfect Jamie and Peaches are for each other, is this the right time for romance? Finding their true selves comes first. Only then can they hope to pursue a future of lasting love—together.
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Heavy is the crown James has been born to wear, especially as the first Black heir to the British throne. But with his father’s recent passing, and with a new boyfriend to hide, James is woefully unprepared for the sudden shine of public scrutiny.
When his secrets come spilling forth across tabloid pages and the man he thought he loved has suddenly disappeared, James finds himself on the precipice of ruin. As every detail of his life becomes public knowledge, his sense of safety is shattered and the people he trusts the most become the likeliest suspects.
What dangers lurk behind the palace walls—and will the new king find out before it’s too late?
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Don’t go outside past dark. Come straight home after church. And above all—never, ever, go into Red Wood.
These are the rules Latavia’s aunt tells her as soon as she arrives in Sanctum, Alabama for the summer. Weird, but Latavia isn’t here to solve any scary small town mysteries; she’s here for six weeks and six weeks only, and then she’s off to college and won’t look back. Still, Sanctum has its perks—mainly, the cute girl who works at the local ice cream shop.
But Latavia can’t ignore how strange her aunt’s tiny town is. The residents are suspicious of her and at times hostile, and it’s clear she’s some kind of outsider. That’s proven when Latavia is dragged out of her house in the dead of night, into the forbidden Red Wood, and presented as a human sacrifice to an ancient monster.
Latavia won’t be eaten without a fight. She’ll do whatever she has to do to survive—even if that includes making a deal with the monster, endangering her crush and family, and even risk turning into a monster herself.
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This is the third and final book in the Nightmare-verse
Alice and her crew are doing their best to recover from the last boss battle, but some of them keep having these. . . dreams: visions of a dark past―and an even darker future. Sadly, the evil in Wonderland may not be as defeated as they’d hoped.
Attacked by Nightmares unlike any they’ve ever seen, Alice will have to step between the coming darkness and the mortal world once more. But this time is different. This time, the monsters aren’t waiting for her on the other side of the Veil.
They’re in her own back yard.
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Alex Wise feels like his world is ending. His best friend, Loren, is leaving town for the summer, his former friend and maybe sort of crush Sky hasn’t spoken to him since he ditched Alex on first day of sixth grade, and now his mom is sending him and his annoying younger sister, Mags, on a cruise with the dad who abandoned them. And, as if things couldn’t get worse, a creepy shadow monster may or may not be stalking him.
But none of this could prepare Alex for the actual end of the world. Too bad that is exactly what’s coming, after the definitely-real Shadow Man kidnaps Mags and she is possessed by the ancient spirit of Death—one of the Four Horsemen of the Apocalypse. Luckily (depending on who you ask), Alex is possessed as well by a powerful god who imbues Alex with their powers in an effort to stop the Horsemen…if he can figure out how to use them. So begins an epic battle between good and evil: Alex, Loren, a grumpy demi-god, and Alex’s fourth grade teacher vs. Death, Pestilence, Famine, War, and the waves of chaos and destruction they bring to LA and soon the rest of the globe. Just your average summer vacation.
Alex is more used to being left behind than leading the way, but now he’s the only one who can save his sister—and the world. That is, if he can unlock his new powers and and see himself as the hero he is.
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Regent Academy has a long and storied history in the small, sleepy town of Winslow, Vermont. But so does the vast, dense forest that surrounds its campus. While the prestigious school is known for molding teens into world leaders, its history is far more nefarious—and far more entangled with the forest—than anyone could begin to suspect.
Seventeen-year-old Douglas Jones wants nothing to do with Regent’s king-making; he’s just trying to forget his past and survive his present. But then a student is killed and, by the next day, no one remembers him ever exiting, except for Douglas and the groundskeeper’s son, Everett Everley. As Douglas begins to research what he finds to be a centuries-long curse in the town, he and Everett awaken a horror hidden within the forest. And to save the town, and the school, the forest wants more blood as payment. The question is, will Douglas and Everett be able to pay the debt?
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Delphine’s life is made up of secrets. About her job, her sexual identity, and even her past.
She coasts along on a tide of half-truths until a familiar “straight” woman splashes deeper into her world, threatening her tenuous peace of mind.
This woman wants to be everything Delphine has never had before – a confidant, a seductress, a trusted lover. By giving in to this siren, is Delphine setting herself up for heartbreak?
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It’s like I keep stumbling into a dark room, searching for the switch to make things bright again. To make me remember. But the switch isn’t there. Was it there before?
Sade Hussein is starting her third year of high school, this time at the prestigious Alfred Nobel Academy boarding school. After being home-schooled all her life and feeling like a magnet for misfortune, she’s not sure what will happen. What she doesn’t expect though is for her roommate Elizabeth to disappear after Sade’s first night. Or for people to think she had something to do with it.
With rumors swirling around her, Sade catches the attention of the most popular girls in school – collectively known as the ‘Unholy Trinity’ – and they bring her into their fold. Between learning more about them – especially Persephone, who Sade finds herself drawn to – playing catch-up in class, and trying to figure out what happened to Elizabeth, Sade has a lot on her plate. It doesn’t help that she’s already dealing with grief from the many tragedies in her family.
And then a student is found dead.
The more Sade investigates, the more she realizes there’s more to Alfred Nobel Academy and its students than she realized. Secrets lurk around every corner and beneath every surface…secrets that rival even her own.
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Author of the forthcoming THE ROMANCE RECIPE and HOT COPY ‘s THE LEARNING CURVE, where a bi, down-on-his-luck ex-firefighter joins a cross-disciplinary academic study teaching millennials how to make friends as adults, but an unexpected flirtation with an earnest people-pleasing female participant jeopardizes the study and their hearts, to Stephanie Doig at Carina Adores, for publication in winter 2024, by Kiana Nguyen at Donald Maass Literary Agency (world).
D’VAUGHN AND KRIS PLAN A WEDDING author Chencia C. Higgins’s untitled novel, set in a woman-owned, queer-friendly adult entertainment club, in which a teddy bear stud music producer breaks her own rules and romances her BFF, the club’s highest earning dancer and a devoted single mom, pitched as BROWN SUGAR meets P-Valley, to Kerri Buckley at Carina Adores, in a two-book deal, for publication in summer 2023, by Keisha Mennefee at Honey Magnolia Media (world).
Sim Kern’s THE FREE PEOPLE’S VILLAGE, following a queer punk band in Houston swept up in an anti-capitalist revolution, in an alternate timeline where President Al Gore declared a War on Climate Change, transforming U.S. cities into solarpunk paradises—but only for wealthy white neighborhoods, to Irene Vazquez at Levine Querido, by Rebecca Podos at Rees Literary Agency (world).
Author-illustrator of the LA Times Book Award finalist HONOR GIRL Maggie Thrash’s adult debut RAINBOW BLACK, part murder mystery, part gay international fugitive love story, part meditation on queerness and identity, set against the ’90s Satanic Panic and spanning 20 years in the life of a young woman pulled into its undertow, to Noah Eaker at Harper Perennial, for publication in spring 2024, by Stephen Barr at Writers House (NA).
Eugenio Volpe’s I, CARAVAGGIO, pitched as a postmodern retelling of the bisexual, street-fighting godfather of modern painting, to Christoph Paul at Clash, in a nice deal, in an exclusive submission, for publication in July 2023 (world English).
Writer, performance artist, and community healer Kai Cheng Thom’s LOVE LETTERS TO LOST SOULS, a collection of prose poems promising to uplift queer and marginalized people, show grace to those seemingly beyond saving, and affirm the imperfect yet sacred humanity in us all, to Katy Nishimoto at Dial Press, in a pre-empt, by Leonicka Valcius and Marilyn Biderman at Transatlantic Literary Agency (world, excl. Canada). Rights also to David Ross at Penguin Canada.
Audiobook narrator Travis Baldree’s LEGENDS & LATTES, in which an orc mercenary hopes to make a new start in life, opening the first coffee shop in Thune, to Lindsey Hall at Tor, in a good deal, in a two-book deal, for publication in fall 2022, by Jon Mitchell at Pan Macmillan.
I’M SO NOT OVER YOU author Kosoko Jackson’s WRANGLED AND ENTANGLED, a gay rom-com set on a family ranch in Montana, where a city boy licking his wounds post-breakup finds himself falling for the cowboy who never wanted his family legacy reduced to a tourist attraction in the first place, to Kristine Swartz and Mary Baker at Berkley, for publication in spring 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Rachel Runya Katz’s THANK YOU FOR SHARING, pitched for readers of Casey McQuiston, following two biracial former Jewish sleepaway camp crushes (and rivals) as they’re forced put aside their baggage to save their careers and work together 14 years later, only to realize that they can’t ignore their shared history or their growing feelings for each other, to Vicki Lame at Griffin, in a two-book deal, for publication in fall 2023, by Jessica Mileo at Inkwell Management (NA).
Lebanon Valley College Director of Creative Writing Holly M. Wendt’s HEADING NORTH, pitched for fans of THE ART OF FIELDING and the BEARTOWN series, tracking a season in which a gay Russian ice hockey player must rebuild his life in the NHL after tragedy and his general manager wrestles for team control while her marriage deteriorates, in a novel about grief and social change on the global stage of professional sport, to Jeffrey Condran at Braddock Avenue Books, in a nice deal, for publication in November 2023 (NA).
Meredith Mooring’s REDSIGHT, a debut science fantasy with positive bisexual and disability representation that follows a blind priestess who powers warships for the galactic military by manipulating spacetime; when the captain of her ship is murdered by a pirate with a dark past, the priestess must choose between a painful life of service or a chance at freedom with the galaxy’s most wanted criminal, to Amy Borsuk at Rebellion, in a nice deal, for publication in spring 2024, by Ernie Chiara at Fuse Literary (world).
A.K. Mulford’s THE FIVE CROWNS OF OKRITH series, a queer fantasy romance series, the first of which is popular on TikTok, to David Pomerico at Voyager, in a major deal, for seven figures, in a five-book deal, for publication in October 2022, by Jessica Watterson at Sandra Dijkstra Literary Agency (world English).
Sheila Connolly’s BLACK SAILS TO SUNWARD, the first in series in which a woman joins the Martian Imperial Navy to save her family’s waning fortunes but somehow ends up sucked into piracy with her ex-girlfriend instead, to Cate Pearce at Hansen, with Elizabeth Jeannel editing, in a nice deal, in a three-book deal, for publication in July 2023.
Melissa Karibian’s A CHORUS OF ASHES AND SHADOWS, the sequel to A SONG OF SILVER AND GOLD, to Elizabeth Jeannel at Hansen, for publication in June 2023.
Chinese Canadian writer, musician, and filmmaker, and author of THIS CITY IS A MINEFIELD Aaron Chan’s THE BROKEN HEART, a picture book pitched with identity-inspired LGBTQ2S+ themes, the story of a young girl who likes to fix things, and who sets out to help her brother mend his heart after his relationship with his boyfriend has ended, illustrated by Josiane Vlitos, to Lauri Hornik at Rocky Pond Books, for publication in spring 2024, by Emmy Nordstrom Higdon at Westwood Creative Artists (world).
Author of IF YOU CHANGE YOUR MIND Robby Weber’s WHAT IS THIS FEELING?, a rom-com in which a high school theater star just wants to win a scavenger hunt and meet his Broadway idol on the drama club trip to New York City, but when he finds himself stuck sharing a room with his polar opposite, the snarky loner from the tech department, the last thing he expects is to form a friendship—and maybe more, to Connolly Bottum while at Inkyard Press, in a very nice deal, in a two-book deal, for publication in summer 2024, by Kristy Hunter at The Knight Agency (world English).
Kamilah Cole’s SO LET THEM BURN, pitched as “Jamaican Joan of Arc” and inspired by Zendaya’s 2018 Met Gala look, following a 17-year-old girl who once wielded the magic of the gods to save her island from dragon-riding colonizers and must now save her sister from the same enemy—even if it means bargaining with a long-forgotten god and ending the world, to Alexandra Hightower at Little, Brown Children’s, in a six-figure deal, in a pre-empt, in a two-book deal, for publication in winter 2024, by Emily Forney at BookEnds (world).
Debut author Carolyn Hill’s MASK OF CELIBACY, a 1990s-set novel featuring two heteroromantic ace characters, to Rebecca Sands at Wattpad, for publication in summer 2024 (world).
Author of YOU’RE NEXT Kylie Schachte’s HEARTS OF GOLD, a queer action-adventure pitched as Our Flag Means Death meets modern-day Indiana Jones, in which the daughter of an archeologist must team up with her archnemesis to uncover the truth about a legendary gang of female pirates—and find their long-lost treasure, to Samantha Gentry at Little, Brown Children’s, for publication in fall 2023, by Margaret Sutherland Brown at Folio Literary Management (world).
Cohost of the Queer Kids Stuff YouTube series and TED speaker ‘s HOORAY FOR HE, SHE, ZE, AND THEY!, a celebration of pronouns and gender euphoria, illustrated by , to Celia Lee at Simon & Schuster Children’s, for publication in 2024, by Claire Draper at The Bent Agency for the author, and by Mandy Suhr at Miles Stott Agency for the illustrator (world).
Professor of history at Eastern Michigan University ‘s THE PARSON IS A BUGGERER: HOMOSEXUALITY AND THE AMERICAN REVOLUTION, the story of the trial of Lieutenant Robert Newburgh, placing LGBTQ+ presence at the founding of the United States, to Laura Davulis at Johns Hopkins University Press, by Christopher Rogers at Dunow, Carlson & Lerner (world).
Artist, publisher, and founder of Hello Mr. magazine Ryan Fitzgibbon’s untitled compendium of queer storytelling, collecting material from the magazine’s archives alongside new material from today’s emerging queer artists and writers, contextualizing the magazine’s lasting impact while celebrating a new generation of LGBTQ+ creators, to Zachary Knoll at Abrams, in an exclusive submission, by Michael Bourret at Dystel, Goderich & Bourret (world).
National Book Critics Circle Award-winning author of GAY BAR Jeremy Atherton Lin’s DEEP HOUSE, a pre- and post-Obergefell love story weaving the author’s decades-long, transnational romance into a larger inquiry into the many ways queer couples lived and loved before gay marriage became legal, to Jean Garnett at Little, Brown, in a good deal, by Laura Macdougall at United Agents (NA).
Love & Other Disasters by Anita Kelly (f/nb)
D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins (f/f)
True Brit by Con Riley (m/m)
The Final Rose by Eliza Lentzski (f/f)
The Charm Offensive by Alison Cochrun (m/m)
Bonus: Coming in December, Never Ever Getting Back Together by Sophie Gonzales (f/f YA)
D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins (F/F)
I’m So (Not) Over You by Kosoko Jackson (M/M)
Stud Like Her by Fiona Zedde (F/F)
Crimes of Passion by Jack Harbon (M/M)
If You Love Something by Jayce Ellis* (M/M)
*Yes this technically came out in 2021, but it was December 28th, so we’re gonna let it slide
Bonus: These are all adult, but for YA, check out The Kindred by Alechia Dow (M/F Sci-Fi) and Right Where I Left You by Julian Winters (M/M)
Double Bonus: For already published titles, make sure you check out this guest post by Katrina Jackson on Finding Queer Black Love in Literature
There’s only one person in Violet’s class she wants to go on adventures with: Mira, the girl with the cheeriest laugh and who races like the wind. So Violet has made Mira a very special Valentine.
Because Mira is magnificent.
But what if she thinks Violet isn’t? Violet is afraid that Mira won’t want to go on adventures together, and in order to share her feelings, she must overcome her fears—and maybe a snow flurry or two—to tell Mira how she truly feels, and ask, Want to go on an adventure?
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All Luis Gonzalez wants is to go to prom with his boyfriend, something his “progressive” school still doesn’t allow. Not after what happened with Chaz Wilson. But that was ages ago, when Luis’s parents were in high school; it would never happen today, right? He’s determined to find a way to give his LGBTQ friends the respect they deserve (while also not risking his chance to be prom king, just saying…).
When a hit on the head knocks him back in time to 1985 and he meets the doomed young Chaz himself, Luis concocts a new plan-he’s going to give this guy his first real kiss. Though it turns out a conservative school in the ’80s isn’t the safest place to be a gay kid. Especially with homophobes running the campus, including Gordo (aka Luis’s estranged father). Luis is in over his head, trying not to make things worse-and hoping he makes it back to present day at all.
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Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
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In All Daughters Rise, a young witch must challenge everything she believes to be true and somehow cooperate with her ex-girlfriend in order to carry out her mother’s secret legacy and save the world.
Sabrine, a Greenwitch, has grown up thinking that the female, winged warriors known as the Daughters were unrepentant killers, gleefully slaughtering all humans who stood in their way. This all changes when her ex, vampire Lora Walker, resurfaces with a shocking revelation–Sabrine’s mother was once the feared leader of the Daughters. Sabrine has unknowingly been groomed to be her mother’s assistant.
Now Sabrine needs to reevaluate everything she thinks she knows, and she needs to do it fast, because the barrier that separates the magical world from the world of the humans is cracking open, and nobody knows why. And the only person she can rely on is the last person she wants to deal with: her ex-girlfriend.
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To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor…
Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings.
Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face.
Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy.
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Best friends since second grade, Fiona Lin and Jane Shen explore the lonely freeways and seedy bars of Los Angeles together through their teenage years, surviving unfulfilling romantic encounters, and carrying with them the scars of their families’ tumultuous pasts. Fiona was always destined to leave, her effortless beauty burnished by fierce ambition–qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father’s sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other’s lives, their friendship both a beacon of home and a reminder of all they’ve lost.
In stories told in alternating voices, Jean Chen Ho’s debut collection peels back the layers of female friendship–the intensity, resentment, and boundless love–to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.
Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.
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Reaching far beyond the confines of traditional erotica, prepare to explore the intersections of ace and kink, of pan and submissive, of exquisite torment and explicit consent.
In the sixth stunning and representative volume, Sinclair Sexsmith once again offers a dazzling array of voices, perspectives, and persuasions navigating boundaries and identities in truly inventive narratives. These twenty-three steamy stories are meant not just to titillate, but to validate—spanning past the pulsing power of desire to make pleasure and trembling release both a healing and radical act.
Find and then lose yourself as you traverse the complexities of full-spectrum sexuality, one delectable story at a time.
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![A Betrayal of Storms by [Ben Alderson]](https://i0.wp.com/m.media-amazon.com/images/I/51rL0o9SePS.jpg?w=230&ssl=1)
Wychwood, the realm of the fey prepare for war against the humans who hate, hunt and kill them for coin. Aided by the unclaimed, destructive power of the murdered, forgotten Winter Court, they ready their numbers for complete domination of the human realm.
All until Robin Vale reveals himself to be the last Icethorn heir. A hope for the humans he has grown up amongst, but to the detriment of many who would see him dead before ruining their years of preparation.
Robin finds allies during his discovery of a realm he has long since feared. Gideon, a fey warrior who aids as a distraction during the long nights. Althea, a stern princess hellbent on stopping the human hunters from killing her kind.
Thrust into a world of betrayal, murder and lies he must survive long enough to have the choice; listen to fate and claim his families power, or let it wreak havoc on a realm that turned its back on him for becoming who he was truly meant to be.
But a dark evil is brewing, monsters have returned and the scales of power are being forced by a hand who longs for revenge.
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A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.”
With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.
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Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
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When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
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In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
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Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
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![If I Were A Weapon (All These Gifts Book 1) by [Skye Kilaen]](https://i0.wp.com/m.media-amazon.com/images/I/51WEKENG9YL.jpg?w=217&ssl=1)
When dying alien ships materialized across the Earth, their nanite infection knocked Deneve Wilder out cold. She woke up with the ability to see the future. Determined to keep anyone from using her visions for evil, she took to the road. Giving up everything was a small price to pay for freedom.
The ship that hit Jolie Betancourt’s town gave her the power to set things on fire. It was safer to start over in a new city. Then one terrible mistake demonstrated far too clearly that for her, solitude is safer. For everyone.
So when Deneve shows up after a vision of Jolie being kidnapped, Jolie wants little to do with the frustratingly attractive drifter. Deneve’s surprised by how much she wants to thaw the pretty shopkeeper’s chilly attitude, but the idea of staying in one place sets off her alarm bells.
If they can’t evade whoever’s abducting people with powers, however, the growing connection they both feel anyway might be the least of their problems.
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Fi is a bookish treasure hunter with a knack for ruins and riddles, who definitely doesn’t believe in true love.
Shane is a tough-as-dirt girl warrior from the north who likes cracking skulls, pretty girls, and doing things her own way.
Briar Rose is a prince under a sleeping curse, who’s been waiting a hundred years for the kiss that will wake him.
Cursed princes are nothing but ancient history to Fi–until she pricks her finger on a bone spindle while exploring a long-lost ruin. Now she’s stuck with the spirit of Briar Rose until she and Shane can break the century-old curse on his kingdom.
Dark magic, Witch Hunters, and bad exes all stand in her way–not to mention a mysterious witch who might wind up stealing Shane’s heart, along with whatever else she’s after. But nothing scares Fi more than the possibility of falling in love with Briar Rose.
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Ryann is thrilled when her friend Stuart asks her to help him plan his last-minute wedding. He moved across the country over a year ago, and she misses him like crazy. As an executive with event planning experience, Ryann’s the best person to help him fulfill his wildest wedding dreams.
However, things in Colorado are not what she expects, especially Maddie, the maid of honor for the other groom. Maddie is attractive, and while she’s certainly Ryann’s type, she has some different ideas about the wedding. Also, flirting with her is incredibly distracting, especially when Ryann just wants to keep things professional. With just two weeks to the big event on Valentine’s Day, can Ryann help Stuart to wedded bliss, and avoid his well-intentioned attempts to set her up with Maddie?
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Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery–from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love.
Three very different American families form the heart of Lost & Found the one that made Schulz’s father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer’s daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering–a world that always demands both our gratitude and our grief.
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![No Strings: A Novel by [Lucy Bexley]](https://i0.wp.com/m.media-amazon.com/images/I/41V4osckeWL.jpg?w=217&ssl=1)
Fun is the one thing Elsie Webb takes seriously. Though she’d be having a lot more of it if Haelstrom Media paid her enough to actually get out of debt. She’s determined to hold out on contract negotiations for her kids’ television show Fangley Heights until she gets what she deserves. There’s only one problem, the head of the network just died and left her future more uncertain than ever.
Forty-eight hours and one funeral–that’s all Jones Haelstrom has to get through before she can return to her life in LA that’s as ordered and sparse as an IKEA showroom. When she steps in as CEO of her father’s media company, Elsie Webb is her first problem to deal with. Elsie ends up challenging Jones in ways she never could have predicted, starting with an attraction neither can avoid.
As their attraction teeters on the edge of something more both agree to keep it casual. A no-strings agreement and disclosure to HR should be enough to keep things between Jones and Elsie from getting tangled, right?
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Melanie Gate is a foundling with a peculiar talent for opening the unopenable—any lock releases at the touch of her hand. One night, her orphanage is visited by Traveler, a gearling automaton there on behalf of his magical mistress, who needs an apprentice pronto. When Melanie is selected because of her gift, her life changes in a flash, and in more ways than she knows—because Traveler is not at all what he seems. But then, neither is Melanie Gate.
So begins an epic adventure sparkling with magic, wit, secret identities, stinky cats, fierce orphan girls, impostor boys, and a foundling and gearling hotly pursued by the most powerful and dangerous wizard in the land.
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Seventeen-year-old Mickey James III is a college freshman, a brother to five sisters, and a hockey legacy. With a father and a grandfather who have gone down in NHL history, Mickey is almost guaranteed the league’s top draft spot.
The only person standing in his way is Jaysen Caulfield, a contender for the #1 spot and Mickey’s infuriating (and infuriatingly attractive) teammate. When rivalry turns to something more, Mickey will have to decide what he really wants, and what he’s willing to risk for it.
This is a story about falling in love, finding your team (on and off the ice), and choosing your own path.
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The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
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It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
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Preet is magic.
Valissa is not.
Everyone in their village has magic in their bones, and Preet is the strongest of them all. Without any power of her own, how can Valissa ever be worthy of Preet’s love? When their home is attacked, Valissa has a chance to prove herself, but that means leaving Preet behind. On her own for the first time Preet breaks the village’s most sacred laws, and is rejected from the only home she’s ever known and sent into a new world.
Divided by different paths, insecurities, and distance, will Valissa and Preet be able to find their way back to each other?
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This is the second book in the Page & Sommers series.
![The Missing Page (Page & Sommers Book 2) by [Cat Sebastian]](https://i0.wp.com/m.media-amazon.com/images/I/41yRbigN5jL.jpg?w=217&ssl=1)
England, 1948: Semi-retired spy Leo Page and country doctor James Sommers team up to solve a decades-old mystery.
When James learns that an uncle he hasn’t heard from in ages has left him something in his will, he figures that the least he can do is head down to Cornwall for a weekend to honor the old man’s parting wishes. He finds the family home filled with half-remembered guests and unwanted memories, but more troubling is that his uncle has tasked his heirs with uncovering the truth behind a woman’s disappearance twenty years earlier.
Leo doesn’t like any of it. He’s just returned from one of his less pleasant missions and maybe he’s slightly paranoid about James’s safety, but he’s of the opinion that rich people aren’t to be trusted where wills are concerned. So he does what any sensible spy would do and infiltrates the house party.
Together they unravel a mystery that exposes long-standing family secrets and threatens to involve James more than either of them would like.
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![The Falcon and the Foe (Single Dads Club Book 1) by [A.J. Truman]](https://i0.wp.com/m.media-amazon.com/images/I/41PTyZVxJ5L.jpg?w=217&ssl=1)
Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
Right?
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When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
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The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
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A daring, category-confounding, and ruthlessly funny novel from National Book Award honored author Edmund White that explores polyamory and bisexuality, ageing and love.
Sicilian aristocrat and musician, Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two alternate reading the memoirs they’ve written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he’s had with men and women across his lifetime-most importantly his passionate affair with the author Edmund White.
Sweeping outward from the isolated Swiss ski chalet where the couple reads to travel through Europe and the United States, White’s new novel pushes for a broader understanding of sexual orientation and pairs humor and truth to create his most fascinating and complex characters to date. As in all of White’s earlier novels, this is a searing, scintillating take on physical beauty and its inevitable decline. But in this experimental new mode-one where the author has laid himself bare as a secondary character-White explores the themes of love and age through numerous eyes, hearts and minds.
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Seventeen-year-old Brynn Riley is perfect. She’s on a hundred committees, has earned teacher’s pet in practically every class she’s ever taken, and is on track to make valedictorian—salutatorian if she REALLY slacks off, which, please.
But one night, Brynn makes a mistake.
A big one.
Why wouldn’t the cops show up on the one night she’s ever cut loose in her life? Why wouldn’t she be assigned community service for one tiny mistake (something she would DIE over if word ever got out)? And why, of all things, wouldn’t a boy from school happen to work at the pitbull rescue she chooses to do her community service hours at?
Oliver West’s dad owns the rescue. And Oliver works there as his second in command. And Brynn and Oliver both know that she absolutely screwed him out of a major opportunity at school not twenty-four hours before she shows up for her community service.
If Brynn doesn’t want her secret spilled and her sterling reputation ruined, she’d better start taking Oliver seriously. He’ll keep quiet if she helps him land this project (since she ruined it, after all), which requires Brynn to give up her own spot in the running.
As the two get closer, the stakes begin to shift. Brynn starts to want Oliver for more than the community service checkmark, and Oliver, as it turns out, takes Brynn Riley very, very seriously. But, well…you know what they say.
Nothing brings people together like blackmail, pit bulls, and court-ordered community service.
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This is the second book in the Erin McCabe Mysteries series
![Survivor's Guilt (An Erin McCabe Legal Thriller Book 2) by [Robyn Gigl]](https://i0.wp.com/m.media-amazon.com/images/I/51YXn9oVE-S.jpg?w=224&ssl=1)
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
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Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
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Emanuela has finally gotten what she’s always wanted. Since escaping her catacomb prison, she’s become the supreme ruler of everything under the veils. Finally, she has the power to throw aside senseless, old traditions and run things exactly the way they should be.
But when cracks in her magic start to show, Emanuela begrudgingly allies herself with her enemies, including her frustratingly alluring archnemesis, Verene. Together, they discover deeper truths about the mysterious blood magic Emanuela and Verene both wield. There is a higher, otherworldly authority outside the veils, and in order to save Occhia and the other realms, Emanuela may just have to rip another crown off someone’s head.
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Sixteen-year-old Dylan Highmark thought his winter was going to be full of boring shifts at the Dairy Queen, until he finds himself in love with a boy who’s literally too hot to handle.
Dylan has always wanted a boyfriend, but the suburbs surrounding Philadelphia do not have a lot in the way of options. Then, in walks Jordan, a completely normal (and undeniably cute) boy who also happens to run at a cool 110 degrees Fahrenheit. When the boys start spending time together, Dylan begins feeling all kinds of ways, and when he spikes a fever for two weeks and is suddenly coughing flames, he thinks he might be suffering from something more than just a crush. Jordan forces Dylan to keep his symptoms a secret. But as the pressure mounts and Dylan becomes distant with his closest friends and family, he pushes Jordan for answers. Jordan’s revelations of why he’s like this, where he came from, and who’s after him leaves Dylan realizing how much first love is truly out of this world. And if Earth supports life that breathes oxygen, then love can only keep Jordan and Dylan together for so long.
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The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
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![Something Fabulous by [Alexis Hall]](https://i0.wp.com/m.media-amazon.com/images/I/51-KTm-jXtL.jpg?w=230&ssl=1)
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
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At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.Buy it: Bookshop | Amazon | IndieBound
This is the sequel to Seven Devils
The second book in a feminist space opera duology that follows the team of seven rebels who will free the galaxy from the ruthless Tholosian Empire–or die trying.
After an ambush leaves the Novantae resistance in tatters, the survivors scatter across the galaxy. Wanted by two great empires, the bounty on any rebel’s head is enough to make a captor filthy rich. And the seven devils? Biggest score of them all. To avoid attacks, the crew of Zelus scavenge for supplies on long-abandoned Tholosian outposts.
Not long after the remnants of the rebellion settle briefly on Fortuna, Ariadne gets a message with unimaginable consequences: the Oracle has gone rogue. In a planned coup against the Empire’s new ruler, the AI has developed a way of mass programming citizens into mindless drones. The Oracle’s demand is simple: the AI wants One’s daughter back at any cost.
Time for an Impossible to Infiltrate mission: high chance of death, low chance of success. The devils will have to use their unique skills, no matter the sacrifice, and pair up with old enemies. Their plan? Get to the heart of the Empire. Destroy the Oracle. Burn it all to the ground.
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A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.
What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.
Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose life, work, and activism drive home that very category.
At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
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All release dates and covers are for titles’ US publication.
Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
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When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
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In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
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Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
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The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
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It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
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Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
Right?
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When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
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This is the second book in the Erin McCabe Mysteries series
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Buy it: Bookshop | Amazon | IndieBound
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
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At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.Buy it: Bookshop | Amazon | IndieBound
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
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Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
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![Base Notes by [Lara Elena Donnelly]](https://i0.wp.com/m.media-amazon.com/images/I/41am7uKisYL.jpg?w=230&ssl=1)
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?
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Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
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![Stud Like Her: A Lesbian Romance by [Fiona Zedde]](https://i2.wp.com/m.media-amazon.com/images/I/41Koag6hrMS._SY346_.jpg?w=208&ssl=1)
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
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This is the sequel to The Unspoken Name
Two years ago, Csorwe and Shuthmili risked the anger of the wizard Belthandros Sethennai to gain their freedom. Now, they make their living exploring relic worlds of the ancient serpent empire of Echentyr. They think they’re prepared for anything―but when one of their expeditions releases an Echentyri soldier who has slept undisturbed since the fall of her homeland, they are thrown back into a conflict that has lain dormant for thousands of years. Shuthmili will give anything to protect the woman and the life that she loves, but as events spiral out of control, she is torn between clinging to her humanity and embracing her eldritch power.
Meanwhile, Tal Charossa returns to Tlaanthothe to find that Sethennai has gone missing. Tal wants nothing to do with his old boss and former lover, so when a magical catastrophe befalls the city, Tal tries to run rather than face his past―but he soon learns that something even worse may lurk in the future. Throughout the worlds of the Echo Maze, fragments of an undead goddess begin to awaken, and not all confrontations can be put off forever . . .
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Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.
Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.
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This is the sequel to Black Leopard, Red Wolf
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
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Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
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Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
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It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
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Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
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When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
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When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the members of the choir.
Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go.
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Now that college is over, English graduate Ben Cook is on the job hunt looking for something…anything…related to his passion for reading and writing. But interview after interview, hiring committee after hiring committee, Ben soon learns getting the dream job won’t be as easy as he thought. Proofreading? Journalism? Copywriting? Not enough experience. It turns out he doesn’t even have enough experience to be a garbage collector! But when Ben stumbles upon a “Now Hiring—No Experience Necessary” sign outside a restaurant, he jumps at the chance to land his first job. Plus, he can keep looking for a writing job in the meantime. He’s actually not so bad in the kitchen, but he will have to pass a series of cooking tests to prove he’s got the culinary skills to stay on full-time. But it’s only temporary…right?
When Ben begins developing a crush on Liam, one of the other super dreamy chefs at the restaurant, and when he starts ditching his old college friends and his old writing job plans, his career path starts to become much less clear.
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When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
Buy it: Bookshop | Amazon | Indiebound | WVU Press
![At Certain Points We Touch by [Lauren John Joseph]](https://i0.wp.com/m.media-amazon.com/images/I/41cdmDgPuxS.jpg?w=217&ssl=1)
It’s four in the morning, and our narrator is walking home from the club when they realise that it’s February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago.
Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal.
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A story of idealism, activism, and systemic corruption, centered on a naïve young woman’s quest for agency in a world ravaged by climate change.
Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever.
And then she finds a book in Sylvia’s library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group’s leader, author Roy Adams, is missing, and the compound’s public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope’s mission—but at what cost?
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1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.
1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful–a woman to be shunned, beaten, and much worse.
With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
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On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.
Buy it: Two Dollar Radio (US) | Arsenal Pulp Press (Can) | Amazon
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers.
When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn maps of the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them.
In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape…
As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
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When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father’s recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his twenty-year high school reunion, where he runs into the long-lost characters of his youth.
Jeremy, his first love, is now married with two children after having been incarcerated and recovering from addiction. Paul, who Andrés has long suspected of having killed a man in a homophobic attack, is now an Evangelical minister and father of five. And Simone, Andrés’s best friend, is in a psychiatric institution following a diagnosis of schizophrenia. During this short stay, Andrés confronts these relationships, the death of his brother, and the many sacrifices his parents made to offer him a better life.
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The Four Realms—Life, Death, Light, and Darkness—all converge on the city of dusk. For each realm there is a god, and for each god there is an heir.
But the gods have withdrawn their favor from the once vibrant and thriving city. And without it, all the realms are dying.
Unwilling to stand by and watch the destruction, the four heirs—Risha, a necromancer struggling to keep the peace; Angelica, an elementalist with her eyes set on the throne; Taesia, a shadow-wielding rogue with rebellion in her heart; and Nik, a soldier who struggles to see the light— will sacrifice everything to save the city.
But their defiance will cost them dearly.
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On Crow Island, people whisper, real magic lurks just below the surface. New to the idyllic summer getaway, Annie Mason is confident those are only rumors. Magic—the kind that leaves soldiers shell shocked and families heartbroken—has been prohibited since the war ended. Now, the closest anyone gets are party tricks designed for the rich and aimless.
Neither real magic nor faux magic interests Annie. Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one.
Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor.
Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of Crow Island’s extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.
Buy it: Amazon | Waterstones | Blackwells | Book Depository
Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. And when several months later Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, together with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.
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In 1966, Sissily travels across Kansas with an older man, the father of one of her schoolfriends. On their way to California to begin a life together, he insists on stopping at his family ranch to see his mother. This family reunion is a painful reminder for Sissily about the truth about her own heritage, but she also sees a woman who, decades later, is still scarred by the great depression.Buy it: Bookshop | Amazon | IndieBound
Lia Harris is tired of being the odd one out. She’s never quite fit in with her uptight family, and now that her roommates have all found love, she’s starting to feel like a third wheel in her own apartment. Fed up with her mother’s constant meddling in her love life, Lia drops hints about a girlfriend she doesn’t have. But with her brother’s London nuptials approaching, she needs to find a date to save face. Lia turns to her best friend, Rosie, for help, and Rosie delivers–with the fun, gorgeous Grace Poston.
Grace loves to have a good time, hiding her insecurities behind a sunny smile. Her recent move to London has provided her with a much-needed fresh start. Grace isn’t looking for love, and she hates weddings, having weathered more than her fair share of heartache. Friendships are different, though, so for Rosie’s sake, she reluctantly agrees to pose as Lia’s adoring girlfriend for the wedding festivities.
Both Grace and Lia are prepared for an awkward weekend, complete with prying family members and a guest room with only one bed. As it turns out, they get along well–spectacularly, in fact. Before they know it, the chemistry they’re faking feels all too real. But is their wedding weekend a fleeting performance or the rehearsal for a love that’s meant to last?
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She left all she knew to find who she could be . . .
She grows up in the wild wood, in a cave with her mother, but visions of a faraway lake drift to her on the spring breeze, scented with promise. And when she hears a traveler speak of Artos, king of Caer Leon, she decides her future lies at his court. So, brimming with magic and eager to test her strength, she breaks her covenant with her mother and sets out on her bony gelding for Caer Leon.
With her stolen hunting spear and mended armour, she is an unlikely hero, not a chosen one, but one who forges her own bright path. Aflame with determination, she begins a journey of magic and mystery, love, lust and fights to death. On her adventures, she will steal the hearts of beautiful women, fight warriors and sorcerers, and make a place to call home.
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After twelve years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person.
Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more out of love—she begins to question: What if the love of her life isn’t the man she married. What if it’s Jane?
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There are three things you need to know about Preston “PK” Kingsley:
When Art moves in with PK following a bad breakup, PK hopes this will be the moment when Art finally sees him as more than a friend. But Art seems to laugh off the very idea of them in a relationship, so PK returns to his writing roots—in fiction, he can say all the things he can’t say out loud.
In his book, PK can be the perfect boyfriend.
Before long, it seems like the whole world has a crush on the fictionalized version of him, including Art, who has no idea that the hot new book everyone’s talking about is PK’s story. But when his brilliant plan to win Art over backfires, PK might lose not just his fantasy book boyfriend, but his best friend.
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Mallory’s life is transformed by loss and by love and by discovering who she is while enduring both. In this enthralling debut novel, the complexities of influence, obsession, and admiration reveal how desire and its consequences can alter the trajectory of someone’s life.
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Dear (never-been-quite-over-you) Crush,
It’s been a few years since we were together,
but I can’t stop thinking about the time we almost…
Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Feeling nostalgic on the eve of his birthday, he sends emails to all the boys he (ahem) loved before he came out. Morning brings the inevitable Oh God What Did I Do?, but he brushes that panic aside. Why stress about it? None of his could-have-beens are actually going to read the emails, much less respond. Right?
Enter Derick Haverford, Wren’s #1 pre-coming-out-crush and his drive-in theater’s new social media intern. Everyone claims he’s coasting on cinematic good looks and his father’s connections, but Wren has always known there’s much more to Derick than meets the eye. Too bad he doesn’t feel the same way about the infamous almost-kiss that once rocked Wren’s world.
Whatever. Wren’s no longer a closeted teenager; he can survive this. But as their hazy summer becomes consumed with a special project that may just save the struggling drive-in for good, Wren and Derick are drawn ever-closer…and maybe, finally, Wren’s dream of a perfect-kiss-before-the-credits is within reach.
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Life is going well for Greg Kelly. He’s married to the handsome and kind Cristian, a Spanish-born artist who is also a talented cook. Greg’s work as a translator for an IT startup allows them to live comfortably in a stylish Bushwick two bedroom and enjoy just about all NYC has to offer―including sleeping with other men, since Greg and Cristian’s marriage has been open for the past few years. This arrangement has been particularly appealing to Greg and his exceptional sexual appetite. Now approaching their mid-thirties, fatherhood calls and they enlist a friend to act as surrogate.
In order to focus on building a family, Greg and Cristian decide to close up the marriage when the baby arrives. Greg is going to miss his hookups, but at least he has the summer for one last hurrah. He methodically plans his hookups via Grindr and Tinder, carefully coordinates train routes for quick lunchtime hookups, and scouts potential candidates anywhere, anytime, like an old time Hollywood casting director.
As their baby’s due date draws closer, anxiety sets in over Greg’s impending parental responsibilities, the loss of his sexual freedom, and even his marriage to Cristian. But before he can sort out his feelings, a spurned hook-up reappears―Russell, an arrogant tv producer, who had wanted a relationship with Greg. And the problem is, Russell just won’t go away, infiltrating himself into Greg’s life in the worst ways possible, threatening his marriage and sanity. Greg is left asking, what does it mean to find happiness but still crave more?
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If sex is a truth-teller, Eve—a young, queer woman in Brooklyn—is looking for answers. On an evening when she is feeling particularly impulsive, she posts some nude photos of herself online. This is how Eve meets Olivia, and through Olivia, the charismatic Nathan—and soon the three begin a relationship that disturbs Eve as much as it delights her. As each act of the affair unfolds, Eve is left to ask: to whom is she responsible? And to what extent do our desires determine who we are?
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Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish and chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. However, a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “antiquated” terms of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well.
Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant non-binary artist whom he’s known since childhood, and their extravagant group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to face the demons he’s spent his entire life trying to repress. Is he really fine, after all?
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“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
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This is the sequel to Malice
The Dark Grace is dead.
Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart.
Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash.
Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become?
Or is true love only for fairy tales?
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Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father Julian has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives, poised to disrupt the fragile peace they have so carefully cultivated.
Through it all, Julian and Brigid have become unlikely pen-pals and friends, united by the knowledge of what it’s like to love and lose Zoe; they both know that she hasn’t changed. Despite the red flags, Morgan is swiftly drawn into Zoe’s glittering orbit and into a series of harmful missteps, and Brigid may be the only link that can pull them back from the edge.
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Two years ago, Miss Viola Carroll seized the chance to live as her true self—at the cost of cutting nearly all ties to her past. Presumed to have died at the battle of Waterloo, she instead has taken a position as a lady’s companion. Yet when she discovers her childhood companion, the Duke of Gracewood, blames himself for her death, she realizes that history cannot be so neatly set aside. She barely recognizes the darkly brooding man Gracewood has become . . . but beneath his guilt and shame, she sees the ghost of her old friend.
Only now an incendiary attraction burns between them . . .
Justin de Vere, Duke of Gracewood, lost everything when his best friend died: his health, his faith, and his joy in the world. But when family machinations bring Viola Carroll back into his life, he begins believing that his heart is far from dead. He is desperate to prove himself capable of providing Viola with the life she deserves, but after losing so much of himself to grief, he fears he has nothing left to give.
If they are to embrace a future together, Gracewood must move past his grief. But if there is one truth Viola knows, it is the precariousness of desire. Can they both put aside their fear and heartache and nurture a new love from the ashes of their old friendship?
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Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
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In this delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes.
In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-colored cocktail. In another, a fifth-grader explores gender identity by dressing as an ox—instead of a matriarch—for a class Oregon Trail reenactment. Meanwhile a nonbinary person on the eve of top surgery dangerously experiments with an open relationship during the height of the COVID crisis.
With insight and compassion, debut author Lydia Conklin takes their readers to a meeting of a queer feminist book club and to a convention for trans teenagers, revealing both the dark and lovable sides of their characters. The stories in Rainbow Rainbow will make you laugh and wince, sometimes at the same time.
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Suddenly jobless and single after a devastating layoff followed by a breakup with his cheating ex, advertising copywriter Dominick Gibson flees Hell’s Kitchen and finds himself trying get his life back on track in his hometown of Detroit, where he’s got one objective in mind: To exit the shallow gay dating pool ASAP and be married by 35—and he’s only got two years left.
Dom’s best friend Troy Clements, an idealistic teacher who never left the Motor City, finds himself at odds with all the men in his life: A troubled boyfriend he’s desperate to hold onto, a perpetually dissatisfied father, and his other best friend, Remy. Remy Patton is a rags-to-riches real estate agent in town with his own problems—namely choosing between making it work with a long-distance paramour or settling with a local Mr. Right Now that’s not quite Mr. Right—but his friendship with Troy may be compromised over his latest high-stakes deal.
Follow these three men as they confront their evolving friendship, but also individual hiccups—workplace microaggressions, bad Tinder dates, situationships, frenemies, learning the Tamia hustle—while attempting to navigate the new and changing Detroit.
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When Sara Foster runs away from home at sixteen, she leaves behind the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern, yearning for the beauty and community her Creole grandparents cultivated but unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner.
The morning Emilie and Sara first meet at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara’s old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.
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The gods wanted blood. She fought for love.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
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In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
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Yet, as the wedding weekend approaches, a series of ominous occurrences lead Robin to second-guess her decision. It seems that everyone in the bridal party is out to get her. Perhaps even Ellie herself.
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Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
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At her day job in a Christian bakery and with her conservative family, Amy plays the role of a straight, church-going young woman—exactly what’s expected in mid-2010s Tulsa, Oklahoma, the “Buckle of the Bible Belt.” But at night, she tends bar at the only place in town that truly feels like home: Ruby Red’s, a lovably grungy queer bar with a group of regulars who have become her chosen family. Amy’s spent a lifetime learning how to walk this fine line, placing others before herself so effortlessly that she doesn’t even realize she’s lost touch with her own needs and desires.
Still, everything seems more than fine, especially when Amy falls into a whirlwind romance with Charley, a charming newcomer to Tulsa. But then Amy is suddenly outed and subsequently fired from her bakery job. When a new friend begs her to fill in for one of the bridesmaids at her wedding—and offers to pay Amy more than she makes in a single night at Ruby Red’s—she can’t afford to turn it down. As her relationship with Charley heats up, this one-off opportunity turns into a full-time business, thanks to Amy’s baking talents, crafting skills, and expert ability to become whatever other people need her to be.
Between weddings, bachelorette parties, bridal showers, and dress fittings, Amy’s in her element, her years of watching rom-coms and Say Yes to the Dress finally paying off. But at what cost? Gay marriage is not legal, yet she’s playing the role of a straight girl, working hard to facilitate strangers’ special days even while she’s secretly dreaming of her own potential wedding day with Charley. When Amy’s precarious balancing act strains her relationships to a breaking point, she must decide what it looks like to be true to herself—and if she has the courage to try.
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Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
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If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.
At the dawn of their adolescence, on the eve of the summer solstice, four young girls–Helena, Leonie, Niamh and Elle–took the oath to join Her Majesty’s Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she’s a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.
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To her own dismay, Lou is a natural model: tall, thin, captivatingly androgynous, and with a striking look. Out of nowhere, every agent in the Portland area wants to represent her. But Lou doesn’t care for fashion, nor does she wish to be seen. Fresh out of high school, Lou’s plan is to spend the summer taking photographs and hoping to catch the attention of Ivy, her close friend and secret crush.
But when an afternoon hiking trip ends in a tragic accident, Lou finds herself lost, ridden with guilt, and unsure how to connect with her friends. Determined to find a purpose, Lou steps into the dizzying world of modeling auditions, commercial shoots, shockingly expensive haute couture, and runways in New York, Paris, and Milan. It’s a whirlwind of learning how to walk, how to command her body and its movements, and how to manage her newfound fame. But in the dazzling flash of the camera and the thrill of seeing her face giant-size on billboards, Lou begins to worry that she’s losing her identity-as a person, as an artist, and as a young woman still in love with the girl she left behind.
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If you’ve been searching for smutty, fearless, gender diverse erotica written by affirming own-voices folks who get it, then this is the book you’ve been looking for Packed with explicit erotic stories from trans and nonbinary gender diverse writers, Heckin’ Lewd celebrates sexual nonconformity, queerness, nontraditional relationship structures, and unrestrained lust, pleasure, and kink.
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In the first book of a visionary African- and Arabian-inspired fantasy trilogy, three women band together against a cruel empire that divides people by blood.
Red is the blood of the elite, of magic, of control.
Blue is the blood of the poor, of workers, of the resistance.
Clear is the blood of the slaves, of the crushed, of the invisible.
Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.
Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But dust always rises in a storm.
Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution.
As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn.
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Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court–the body-father of the queen’s new child–in an altercation which results in his humiliation.
To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin.
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The world is ending, and down-and-out sadist Lee spends their days working for a big corporation and their nights wandering the streets of Brooklyn listening to true crime podcasts. But everything changes when Lee is dragged to a warehouse party by their best friend, where they find themself in the clutches of the seductive and bloodthirsty X. When Lee seeks her out again, she’s nowhere to be found.
Amid the steady constriction of civil rights and the purging of migrants and refugees, the U.S. government has recently begun encouraging the semi-voluntary “exporting” of undesirable citizens—the radicalized, the dissident, and the ungovernable. Word has it that X may be among those leaving. If Lee doesn’t track her down soon, she may be gone forever.
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Amy Chambers: restaurant owner, micromanager, control freak.
Amy will do anything to revive her ailing restaurant, including hiring a former reality-show finalist with good connections and a lot to prove. But her hopes that Sophie’s skills and celebrity status would bring her restaurant back from the brink of failure are beginning to wane…
Sophie Brunet: grump in the kitchen/sunshine in the streets, took thirty years to figure out she was queer.
Sophie just wants to cook. She doesn’t want to constantly post on social media for her dead-in-the-water reality TV career, she doesn’t want to deal with Amy’s take-charge personality and she doesn’t want to think about what her attraction to her boss might mean…
Then, an opportunity: a new foodie TV show might provide the exposure they need. An uneasy truce is fine for starters, but making their dreams come true means making some personal and painful sacrifices and soon, there’s more than just the restaurant at stake.
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This is the followup to Dead Dead Girls
Harlem, 1927
With the horrors of the summer and the Girl Killer behind her, Louise Lloyd is eager to usher in her 28th year with her girlfriend and best friend by her side.
When Nora Davies, one of the girls Louise was kidnapped with, reintroduces herself, Louise is wary to connect. By the next morning, Nora will be dead, Rosa Maria Moreno covered in her blood, and no one can remember what happened.
With Rosa Maria’s freedom on the line, Louise must get to the bottom of Nora’s death before time runs out.
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Author of the Booker Prize-shortlisted REAL LIFE ‘s THE LATE AMERICANS, exploring the tension between inner lives and projected selves within a creative community in Iowa City; and GROUP SHOW, about five striving assistants navigating the straits of desire, complicity, and belief behind the scenes at a regional art museum, to Cal Morgan at Riverhead, in a significant deal, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world).
Author of SOCIAL CREATURE and STRANGE RITES: NEW RELIGIONS FOR A GODLESS WORLD ‘s THE WORLD CANNOT GIVE, a coming-of-age novel about queer desire, religious zealotry, and the hunger for transcendence among the devoted members of a cultic chapel choir in a prestigious Maine boarding school, and the obsessively ambitious, terrifyingly charismatic girl that rules over them, to Carina Guiterman at Simon & Schuster, in an exclusive submission, in a two-book deal, by Emma Parry at Janklow & Nesbit (world).
‘s READY, SET, WED!, in which two women thrown together on a reality show that’s never produced a permanent couple fight with everything they’ve got to get to the altar—before the quest for TV ratings keeps them from turning something fake into forever, to Kerri Buckley at Carina Press Adores, for publication in early 2022.
‘s debut OVER THE RIVER AND THROUGH THE WOODS, pitched as a LGBTQ+ romantic comedy that blends the riches-to-rags humor of Schitt’s Creek with the feel-good romance of a Hallmark Christmas movie, to Mary Altman at Sourcebooks Casablanca, in an exclusive submission, in a two-book deal, for publication in fall 2023, by Kevin O’Connor at O’Connor Literary Agency (world).
Iowa Writers Workshop Rona Jaffe Fellow, Best American Short Stories 2020 contributor, and mutual aid organizer ‘s ALL THIS COULD BE DIFFERENT, following a young woman fresh out of college as she tries to forge a new life in Milwaukee during Obama’s second term—navigating precarious employment, queerness, immigration, a dizzying romance with a ballet dancer, and the pulls of blood and chosen family—and unfolding a story that circles the question of how a better world might be, to Lindsey Schwoeri at Viking, at auction, by Bill Clegg at The Clegg Agency (NA).
Author of WHO IS VERA KELLY and VERA KELLY IS NOT A MYSTERY Rosalie Knecht’s third installment in the Vera Kelly series, exploring issues of gender, sexuality, and class, set in the early 1970s, in which a private investigator travels to meet her girlfriend’s family at their extravagant Los Angeles estate, and in the process finds herself with a new high-stakes case: the search for her missing girlfriend, to Masie Cochran at Tin House Books, for publication in summer 2022, by Soumeya Bendimerad Roberts at HG Literary (NA).
and ‘s STRANGE COMPANY, a collection of queer horror short stories and original music, to Steve Feldberg at Audible Originals, in an exclusive submission, by Courtney Miller-Callihan at Handspun Literary (world).
‘s retelling of THE GREAT GATSBY, featuring Gatsby as a transgender young man, amid all the glamour and sparkle of the 1920s; part of the upcoming Remixed Classics series, to Emily Settle at Feiwel and Friends, for publication in fall 2022, by Taylor Martindale Kean at Full Circle Literary (world).
THE FELL OF DARK author ‘s untitled book, pitched as bringing a queer perspective to ROMEO AND JULIET, to Emily Settle at Feiwel and Friends, for publication in winter 2023, by Rosemary Stimola at Stimola Literary Studio (world).
‘s WHEN THE ANGELS LEFT THE OLD COUNTRY, pitched as having a voice reminiscent of a (queer) Isaac Bashevis Singer story, about an angel and a demon, centuries-long study partners in their small shtetl, who decide to travel to America (a place that turns out to be more complicated than they expect) with two young women who are deeply connected, to Arthur Levine at Levine Querido, in a pre-empt, for publication in fall 2022, by Rena Rossner at Deborah Harris Agency (world).
‘s debut A TYPE OF BLEEDING, about a trans teenager who joins his town’s LGBTQ+ support group where he meets a cute boy, sparking a friendship that upends his life and challenges his ideas of love, family, and friendship, to Karen Chaplin at Quill Tree, in a good deal, in a two-book deal, for publication in summer 2022, by Pete Knapp at Park & Fine Literary and Media (world English).
‘s debut HAZEL HAYES IS GONNA WIN THIS ONE, a humorous friendship story that follows a feisty 12-year-old girl who, after one of her classmates is harassed online, devises a plan to take down the school’s golden boy and hopefully win her beloved public speaking competition, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, at auction, for publication in fall 2022, by Claire Friedman at Inkwell Management (NA).
Lambda Literary and MacDowell Fellow ‘s WE DESERVE MONUMENTS, following a queer, Black, biracial teen who moves to small-town Georgia to live with her estranged grandmother and becomes entangled in a web of family secrets, the town’s racist history, and her growing feelings for the girl next door, to Mekisha Telfer at Roaring Brook Press, in a pre-empt, in a two-book deal, for publication in summer 2022, by Suzie Townsend at New Leaf Literary & Media (world English).
NYT-bestselling author ‘s debut FRANKIE & BUG, about the friendship between a feisty 10-year-old girl who feels abandoned when her older brother decides he’d rather hang out with his friends than with her, and an 11-year-old trans boy who is spending the summer with his gay uncle and only wants to have the chance to be who he is, to Kristin Gilson at Aladdin, for publication in fall 2021, by Michael Bourret at Dystel, Goderich & Bourret (world English).
‘s NOTHING BURNS AS BRIGHT AS YOU, a novel-in-verse that tells the story of a tumultuous romance between two girls in nonlinear chapters, anchored by a single day where they set a fire and their relationship spirals out of control, to Margaret Raymo at Versify, in a significant deal, in a pre-empt, for publication in spring 2022, by Beth Phelan at Gallt and Zacker Literary Agency (world).
‘s debut THE CIVIL WAR OF AMOS ABERNATHY, in which a 12-year-old openly gay historical reenactor sets out to prove to himself and his closeted crush that queer people always have and always will exist in American history; the story is told partly in letters to Albert D.J. Cashier, the Union soldier his research uncovers, who becomes his confidant and historical queer icon, to Stephanie Stein at Harper Children’s, in a pre-empt, in a two-book deal, for publication in summer 2022, by Sara Crowe at Pippin Properties (NA).
Author of DAMAGED GOODS and PROBLEMATIC ‘s THEY/THEM, part memoir, part gender theory, examining the emergence and history of nonbinary gender, including interviews with gender nonconforming individuals and experts on gender affirming care, along with the author’s own story, to Lisa Kloskin at Broadleaf, in a nice deal, for publication in fall 2022, by Hannah Bowman at Liza Dawson Associates (world).
Author of the NYT Editor’s Choice CONFESSIONS OF THE FOX ‘s THE DAY UNRAVELS WHAT THE NIGHT HAS WOVEN, an exploration of transgender sexuality, Jewish assimilation, and the author’s difficult relationship with his mother—an accomplished bargain-hunter, committed homophobe, and dazzling old world yenta—weaved throughout with fictional vignettes of the author’s mother’s life, as well as her imagined retellings of landmarks of leftist philosophy, to Nicole Counts at One World, by Rob McQuilkin at Massie & McQuilkin (world).
Comedian, TV writer, and The Lesbian Agenda host ‘s THE ONE YOU WANT TO MARRY (AND OTHER IDENTITIES I’VE HAD), a memoir of growing up an army brat and the daughter of a Filipino and Spanish lieutenant colonel and strong Southern nurse, about the author’s search—through pee-wee football, puberty, pageant life, and University of Alabama sorority sisterhood—to embrace her identity as a proud lesbian comedian, to Hafizah Geter at Topple Books, with Laura Van der Veer editing, by Jack Greenbaum at The Arlook Group (world).
So Forward by Mina V. Esguerra (bi m/f contemporary romance, $1.99)
Things Hoped For by Chencia C. Higgins (f/f contemporary romance, $2.99)
Set the Stage by Daniel De Lorne (m/m contemporary romance, $3.99)
The Care and Feeding of Waspish Widows by Olivia Waite (f/f historical romance, $3.99)
Trouble & Strife by Lara Kinsey (bi m/f historical romance, $3.99)
Hairpin Curves by Elia Winters (Contemporary f/f Romance, $4.99)
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