Author of STARS COLLIDE Rachel Lacey‘s COVER STORY, a sapphic bodyguard romance featuring an A-list actress in need of extra protection who hires a female bodyguard to pose as her girlfriend in order to keep the real story under wraps, again to Lauren Plude at Montlake, by Sarah Younger at Nancy Yost Literary Agency (world).
Laura R. Samotin‘s THE SINS ON THEIR BONES, pitched as inspired by Jewish mysticism and folklore, in which two estranged husbands on opposite sides of a civil war fight for the same throne, with a daring spymaster caught in the crossfire, set in a fantastical reimagining of 19th century Eastern Europe and pitched for fans of Leigh Bardugo, C.S. Pacat, Ava Reid, and Katherine Arden, to Amanda Ferreira at Random House Canada, in a two-book deal, by Hannah VanVels Ausbury at Belcastro Agency (world).
Author of the forthcoming GLASSWORKS Olivia Wolfgang-Smith‘s THE SYNDICATE, set in New York City at the turn of the 20th century, following a lavender marriage between a soap company’s mid-level manager, an eccentric scion of New York’s social royalty, and a lesbian who builds a business empire behind her husband’s names, pitched in the vein of Hernan Diaz’s TRUST and Colm Toibin’s THE MAGICIAN, to Grace McNamee at Bloomsbury, for publication in winter 2025, by Danielle Bukowski at Sterling Lord Literistic (world English).
S. A. MacLean‘s debut THE PHOENIX KEEPER, a queer fantasy romance set in a magical zoo of mythical creatures, in which a socially anxious phoenix keeper and a hotshot griffin keeper go from academic rivals to lovers while navigating fraught zoo politics, fighting off vicious poacher attacks, and trying to save their critically endangered residents, to Priyanka Krishnan at Orbit and Bethan Morgan at Gollancz, in a good deal, in a pre-empt, in a three-book deal, for publication in summer 2024, by John Baker at Bell Lomax Moreton Agency (world).
NYT bestselling author of THE GENTLEMAN’S GUIDE TO VICE AND VIRTUE Mackenzi Lee‘s LADY LIKE, a queer regency rom-com pitched as Bridgerton starring Kate McKinnon, in which two very different women set their sights on marrying the same duke, but instead find themselves falling in love with each other, to Katy Nishimoto at Dial Press, in a pre-empt, by Laurie Liss at Sterling Lord Literistic (NA).
Author of the forthcoming JUST AS YOU ARE Camille Kellogg‘s THE NEXT CHAPTER, pitched as a queer retelling of Notting Hill, in which a butch bookseller has a meet-cute with a famous actor who just so happens to need a starter girlfriend to establish her new branding as a Queer Icon, to Katy Nishimoto at Dial Press, in a two-book deal, by Jessica Alvarez at BookEnds (world English).
NYT bestselling author Melissa Marr‘s REMEDIAL MAGIC, in which a lesbian librarian is taken away to a magical community college within an inclusive magic city where she falls for a secretive Victorian witch – only to discover that her new world is dying and her witch is a liar, to Monique Patterson at Bramble, in an exclusive submission, in a two-book deal, for publication in winter 2024, by Merrilee Heifetz at Writers House (NA).
THE TWO DOCTORS GORSKI author and LAMBDA award winner Isaac Fellman‘s AS ABOVE, SO BELOW, the story of a boy and his two adoptive parents, their transitions, their art, and the revolution they sparked in a mystical far-future state, told through the lens of the character’s memoir and autobiography, to Carl Engle-Laird at Tor, by Kate McKean at Howard Morhaim Literary Agency.
Children’s and Middle Grade Fiction
NYT-bestselling author Marieke Nijkamp‘s SPLINTER & ASH, a debut prose series in which a disabled princess and her nonbinary squire find solace and friendship in each other, only to have their mettle tested when the princess is kidnapped and secrets that could send their kingdom crumbling into war and ruin are revealed, to Martha Mihalick at Greenwillow, in a major deal, at auction, in a three-book deal, for publication in fall 2024, by Suzie Townsend at New Leaf Literary & Media (world English).
Joelle Retener’s picture book MARLEY’S PRIDE, in which a nonbinary child with big anxieties must overcome their fear of crowds when their zaza is up for an award at Pride, illustrated by DeAnn Wiley, to Lisa Rosinsky at Barefoot Books, for publication in spring 2024, by James McGowan at BookEnds for the author and the illustrator (world).
Lee Wind‘s picture book LOVE OF THE HALF-EATEN PEACH, pitched as an epic take on Yuan (Duke Ling of Wei) and his beloved Mi Zi Xia, who shared a peach circa 500 BCE, inspiring generations of people to use the expression “Love of the Half-Eaten Peach” in Chinese to describe romantic love between men, illustrated by Jieting Chen, to Wiley Blevins at Reycraft, for publication in spring 2024, by Marietta Zacker at Gallt and Zacker Literary Agency for the author, and by Alexandra Gehringer at The Bright Group for the illustrator (world).
Author-illustrator Vincent X. Kirsch‘s picture book O.K. IS GAY, which follows a boy who discovers that words cannot express the joy of loving who he loves, to Courtney Code at Abrams Children’s, in an exclusive submission, for publication in spring 2025, by Jennifer Laughran at Andrea Brown Literary Agency (world).
Young Adult Fiction
Author of ANYTHING BUT FINE and TAKE A BOW, NOAH MITCHELL Tobias Madden’s WRONG ANSWERS ONLY, about a queer teen overachiever whose life takes an unexpected turn when he’s sent to live on a cruise ship with his estranged uncle following a series of panic attacks, to Tamara Grasty at Page Street, in an exclusive submission, for publication in fall 2024, by Claire Friedman at Inkwell Management (NA).
Author of JADE FIRE GOLD June CL Tan‘s DARKER BY FOUR, pitched as The Shadowhunter Chronicles meets the Chinese underworld, where an exorcist-in-training makes a deal with a trickster death god to regain the magic she lost—and save the life of the boy who stole it, to Alice Jerman at Harper Teen, in a significant deal, in an exclusive submission, in a two-book deal, for publication in winter 2024, by Laura Rennert at Andrea Brown Literary Agency (world English).
Author of IN THE RAVENOUS DARK and the forthcoming COURT OF THE UNDYING SEASONS A.M. Strickland‘s LADY DRAGON, a sapphic romantasy where two new leaders coming of age in war-torn lands—a reluctant human princess and the favored contender for the draconic queenship—must grapple with betraying their clashing nations or their unexpected feelings for each other, to Rachel Diebel at Feiwel and Friends, for publication in spring 2025, by Hannah Bowman at Liza Dawson Associates (world).
Author of forthcoming THE ALCHEMY OF MOONLIGHT David Ferraro‘s A VILE SEASON, pitched as Bridgerton meets Interview with a Vampire, in which a jaded vampire who has lost his immortality is tasked with wooing the young heir to a dukedom in order to regain his eternal life, but the secrets and scandals of British high society and an intriguing surprise suitor provide obstacles that force him to reevaluate his quest and his heart, to Tamara Grasty at Page Street, in a nice deal, in an exclusive submission, for publication in fall 2024, by Eva Scalzo at Speilburg Literary Agency (world English).
Author of I’LL BE THE ONE and FLIP THE SCRIPT Lyla Lee‘s THE CUFFING GAME, pitched as a K-drama take on Pride and Prejudice, but if Elizabeth and Darcy were forced to work together on a LGBTQ-friendly Love Island-esque reality TV show, the story follows a bisexual film student, who needs a star to help generate interest for her show, so she enlists the campus heartthrob, and while whirlwind dates are happening on camera, the director and contestant realize they might be falling for one another behind the scenes, to Mabel Hsu at Katherine Tegen Books, in an exclusive submission, for publication in winter 2025, by Penny Moore at Aevitas Creative Management (NA).
Non-Fiction and Poetry
E.F. Schraeder‘s THE PRICE OF A SMALL HOT FIRE, a debut poetry collection that is a study on estrangement and loss, excavating the archetypal horrors of monstrous motherhood, from abandonment and unsteady reconciliation to the grave, giving voice to a semi-autobiographical examination of a griefscape from a queer lens, to Jennifer Barnes at Raw Dog Screaming Press, with Stephanie Wytovich editing, in a nice deal, in an exclusive submission, for publication in July 2023 (world English).
Managing editor of Brevity and coeditor of THE LYRIC ESSAY AS RESISTANCE Zoe Bossiere‘s memoir CACTUS COUNTRY, about growing up genderfluid in a trailer park outside of Tucson, Arizona, capturing the violence and poignancy of trans boyhood set against the backdrop of the Sonoran Desert, and the fraught and tender beginnings of life as a queer adult and writer, to Abby Muller at Abrams Press, at auction, by Maggie Cooper at Aevitas Creative Management (NA).
James Beard Award–winning author of THE MAN WHO ATE TOO MUCH John Birdsall‘s WHAT IS QUEER FOOD?, a historical excavation of the queer voice in food, arguing that food became a language of queer identity in post-war America, and the queer embrace of sensuality in food changed the way we cook, eat and gather around the table, to Melanie Tortoroli at Norton, by Dado Derviskadic and Steve Troha at Folio Literary Management (world English).
Western Washington University professor Carol Guess‘s INFODEMIC, focusing on contemporary queer life during the COVID-19 pandemic and the aftermath of Trump’s presidency; beginning with the memory of a thwarted kidnapping attempt and ending with musings on life after death, the author engages philosophical questions about spirituality, ethics, and politics, incorporating prose narratives with lineated poems, and capturing the humor and interconnectedness of the author’s queer chosen family, to Diane Goettel at Black Lawrence Press, for publication in July 2024.
Queer somatic therapist, known as @somaticwitch who specializes in treating trauma and PTSD specifically with the LGBTQ+ community Andrea Gutierrez-Glik LCSW’s RADICAL TRAUMA HEALING: A TRANSFORMATIVE PROGRAM FOR THE LGBTQ+ COMMUNITY AND BEYOND, addressing the specific trauma that affects the queer, trans, POC communities and all those at the margins so they can finally see themselves in the healing process, recognizing that trauma can be more than personal, it can be rooted in systemic oppression and the recovery process might be radical, loud and angry and ultimately a political act, to Meg Leder at Penguin Life, by Laura Nolan at Aevitas Creative Management (world).
Seventeen-year-old gaymer Noah Mitchell only has one friend left: the wonderful, funny, strictly online-only MagePants69. After years playing RPGs together, they know everything about each other, except anything that would give away their real life identities. And Noah is certain that if they could just meet in person, they would be soulmates. Noah would do anything to make this happen―including finally leaving his gaming chair to join a community theater show that he’s only mostly sure MagePants69 is performing in. Noah has never done anything like theater―he can’t sing, he can’t dance, and he’s never willingly watched a musical―but he’ll have to go all in to have a chance at love.
With Noah’s mum performing in the lead role, and former friends waiting in the wings to sabotage his reputation, his plan to make MagePants69 fall in love with him might be a little more difficult than originally anticipated.
And the longer Noah waits to come clean, the more tangled his web of lies becomes. By opening night, he will have to decide if telling the truth is worth closing the curtain on his one shot at true love.
This is the first US publication of the UK novella.
Absence makes the heart grow fonder… right?
Everyone knows that Nick and Charlie love their nearly inseparable life together. But soon Nick will be leaving for university, and Charlie, a year younger, will be left behind. Everyone’s asking if they’re staying together, which is a stupid question… or at least that’s what Nick and Charlie assume at first.
As the time to say goodbye gets inevitably closer, both Nick and Charlie start to question whether their love is strong enough to survive being apart. Charlie is sure he’s holding Nick back… and Nick can’t tell what Charlie’s thinking.
Things spiral from there.
Everyone knows that first loves rarely last forever. What will it take for Nick and Charlie to defy the odds?
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?
Edward Dinnissen, Crown Prince of Canada, loves getting the royal treatment at his exclusive Manhattan private school and living in a fancy mansion on Park Avenue. But despite living a royal life of luxury, Edward is unsure how to tell his parents, his expectant country, and his adoring fans that he’s gay.
Billy Boone couldn’t be happier: he loves small-town life and his family’s Montana ranch, and his boyfriend is the cutest guy at Little Timber High. But this out-and-proud cowboy is finally admitting to himself that he feels destined for more . . .
When Edward and Billy meet by chance in New York City and discover that they are long-lost twins, their lives are forever changed. Will the twin princes—“twinces”— be able to take on high school, coming out, and coronations together? Or will this royal reunion quickly become a royal disaster?
She wants a big Sweet Sixteen like her best friend, Naomi.
She wants the super-cute new girl Siobhan to like her back.
She wants a break from worrying—about money, snide remarks from white classmates, pitying looks from church ladies . . . all of it.
Then inspiration strikes: It’s too late for a Sweet Sixteen, but what if she had a coming-out party? A singing, dancing, rainbow-cake-eating celebration of queerness on her own terms.
The idea lights a fire beneath her, and soon Mahalia is scrimping and saving, taking on extra hours at her afterschool job, trying on dresses, and awkwardly flirting with Siobhan, all in preparation for the coming out of her dreams. But it’s not long before she’s buried in a mountain of bills, unfinished schoolwork, and enough drama to make her English lit teacher blush. With all the responsibility on her shoulders, will Mahalia’s party be over before it’s even begun?
A novel about finding yourself, falling in love, and celebrating what makes you you.
As a waterweaver, Nehal can move and shape any water to her will, but she’s limited by her lack of formal education. She desires nothing more than to attend the newly opened Weaving Academy, take complete control of her powers, and pursue a glorious future on the battlefield with the first all-female military regiment. But her family cannot afford to let her go—crushed under her father’s gambling debt, Nehal is forcibly married into a wealthy merchant family. Her new spouse, Nico, is indifferent and distant and in love with another woman, a bookseller named Giorgina.
Giorgina has her own secret, however: she is an earthweaver with dangerously uncontrollable powers. She has no money and no prospects. Her only solace comes from her activities with the Daughters of Izdihar, a radical women’s rights group at the forefront of a movement with a simple goal: to attain recognition for women to have a say in their own lives. They live very different lives and come from very different means, yet Nehal and Giorgina have more in common than they think. The cause—and Nico—brings them into each other’s orbit, drawn in by the group’s enigmatic leader, Malak Mamdouh, and the urge to do what is right.
But their problems may seem small in the broader context of their world, as tensions are rising with a neighboring nation that desires an end to weaving and weavers. As Nehal and Giorgina fight for their rights, the threat of war looms in the background, and the two women find themselves struggling to earn—and keep—a lasting freedom.
Shy foster kid Jonas and self-assured vlogger Shani met online, and so far, that’s where their relationship has stayed, sharing memes and baring their souls from behind their screens. Shani is eager to finally meet up, but Jonas isn’t so sure–he’s not confident Shani will like the real him . . . if he’s even sure who that is.
Jonas knows he’s trapped himself in a lie with Shani–and wants to dig himself out. But Shani, who’s been burned before, may not give him a chance: she talks her best friend Ash into playing spy and finding out the truth. When Ash falls for Jonas, too, he keeps that news from Shani, and soon they’re all keeping secrets. Will it matter that their hearts are in the right place? Coming clean will require them to figure out who they really are, which is no easy task when all the pieces of your identity go beyond easy boxes and labels.
Even though she won’t deny her love for pretty (and pricey) things, Nineve Blackmoore is almost painfully down-to-earth and sensible by Blackmoore standards. But after a year of nursing a broken heart inflicted by the fiancée who all but ditched her at the altar, the powerful witch is sick of feeling low and is ready to try something drastically different: a dating app.
At her best friend’s urging, Nina goes on a date with Morty Gutierrez, the nonbinary, offbeat soul of spontaneity and co-owner of the Shamrock Cauldron. Their date goes about as well as can be expected of most online dates—awkward and terrible. To make matters worse, once Morty discovers Nina’s last name, he’s far from a fan; it turns out that the Blackmoores have been bullishly trying to buy the Shamrock out from under Morty and his family.
But when Morty begins developing magical powers—something that usually only happens to committed romantic partners once they officially join a founding family—at the same time that Nina’s own magic surges beyond her control, Nina must manage Morty’s rude awakening to the hidden magical world, uncover its cause, and face the intensity of their own burgeoning connection. But what happens when that connection is tied to Nina’s power surge, a power she’s finding nearly as addictive as Morty’s presence in her life?
Bonnie James has built her life around her passions—cats, coffee, and community. She rejected her family’s narrow visions of success and instead chose the non-lucrative, fur-filled life of a cat café owner. So what if her decision means she works way too much to have time for true love? She has plenty of friends and cats to keep her company.
Wedding planner Taryn Ritter has a knack for making impossible dreams come true. She might not understand the appeal of getting married in a cat café, but if that’s what her clients want, then she’ll make it happen. She’s not about to let the reluctant café owner stand in her way, so she makes Bonnie an offer she can’t refuse—give her the venue for one day and she’ll find a way to get more cats adopted into happy homes.
When Bonnie and Taryn join forces to help a bunch of shelter cats find their forever homes, they just might discover forever for themselves as well.
Seventeen-year-old Theo Wright has it all figured out. His plan (well, more like his dad’s plan) is a foolproof strategy that involves exceling at his magnet school, getting scouted by college recruiters, and going to Duke on athletic scholarship. But for now, all Theo wants is a perfect prom night. After his best friend Jay dares Theo to prompose to his crush at Chloe Campbell’s party, Theo’s ready to throw caution to the wind and take his chances.
But when the promposal goes epically wrong, Theo seeks refuge in an empty bedroom while the party rages on downstairs. Having an existential crisis about who he really is with and without his so-called best friend wasn’t on tonight’s agenda. Though, as the night goes on, Theo finds he’s not as alone as he thinks when, one by one, new classmates join him to avoid who they’re supposed be outside the bedroom door. Among them, a familiar acquaintance, a quiet outsider, an old friend, and a new flame . . .
In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.
Kris is a Shadester and a new mother to a baby born with a second shadow of her own. Grieving the loss of her wife and thoroughly unprepared for the reality of raising a child alone, Kris teeters on the edge of collapse, fumbling in a daze of alcohol, shame, and self-loathing. Yet as the kid grows, Kris finds her footing, raising a child whose irrepressible spark cannot be dampened by the harsh realities of the world. She can’t forget her wife, but with time, she can make a new life for herself and the kid, supported by a community of fellow misfits who defy the Department to lift one another up in solidarity and hope.
A letter has beckoned to Raimundo since he received it decades ago from his youthful passion, handsome Cicero. But having grown up in an impoverished area of Brazil where the demands of manual labor thwarted his becoming literate, Raimundo has long been unable to read. As young men, he and Cicero fell in love, only to have Raimundo’s father brutally beat his son when he discovered their affair. Even after Raimundo succeeds in making a life for himself in the big city, he continues to be haunted by this secret missive full of longing from the distant past. Now, as an elderly man, he at last acquires a true education and the ability to access the letter. Exploring Brazil’s little-known hinterland as well its urban haunts, this is a sweeping novel of repression, violence, and shame, along with their flip side: survival, endurance, and the ultimate triumph of an unforgettable figure on society’s margins. The Words That Remain explores the universal power of the written word and language, and how they affect all our relationships.
In 1986, Tommy Gaye is in love with his best friend, budding teen poet Renaldo Calabasas. But at the height of the AIDS crisis and amidst the homophobia running rampant across America, Tommy can never share his feelings. Then, one terrible night, Renaldo is struck by lightning. And he emerges from the storm a very different boy.
In 2044, Heron High student Pris Devrees jolts awake after having a strange nightmare about a boy named Tommy and a house in the neighborhood the locals affectionally call “The Murder House.” When she ventures to the house to better understand her vivid dreams, she happens upon an old self-help book that she soon realizes is a guide to trans-dimensional travel.
As bodies and minds merge across the astral plane, Pris, Tommy, and their friends race to save Renaldo from a dangerous demon, while uncovering potent realities about love, sexuality, and friendship.
What kinds of relationship can I have as an ace person?
If you are looking for answers to these questions, Cody is here to help. Within these pages lie all the advice you need as a questioning ace teen.
Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody’s personal experience.
Whether you are ace, demi, gray-ace or not sure yet, this book will give you the courage and confidence to embrace your authentic self and live your best ace life.
“You’re just being greedy.”
“Are you sure you’re not gay?”
“Pick a side.”
Being a bisexual man isn’t easy – something Vaneet Mehta knows all too well. After spending more than a decade figuring out his identity, Vaneet’s coming out was met with questioning, ridicule and erasure. This experience inspired Vaneet to create the viral #BisexualMenExist campaign, combatting the hate and scepticism m-spec (multi-gender attracted spectrum) men encounter, and helping others who felt similarly alone and trapped.
This powerful book is an extension of that fight. Navigating a range of topics, including coming out, dating, relationships and health, Vaneet shares his own lived experience as well as personal stories from others in the community to help validate and uplift other bisexual men. Discussing the treatment of m-spec men in LGBTQ+ places, breaking down stereotypes and highlighting the importance of representation and education, this empowering book is a rallying call for m-spec men everywhere.
Trapped between a homicidal brother and a homophobic podcaster eager to reveal her lesbian romance novels, a seventy-year-old grandmother seeks help in Clear, Alaska.
Suffocating in a loveless marriage and lonely existence, Taylor MacKenzie lives only through her writing, using the pen name Brooke Skipstone, her best friend in college and lover before her death in 1974.
Afraid of being murdered before anyone in her family or community knows her life story, Taylor writes an autobiography about her time with Brooke and shares it with those closest to her, hoping for understanding and acceptance.
Accused of promoting the queering and debasement of America by a local podcaster, Taylor embroils the conservative community in controversy but fights back with the help of a new, surprising friend.
Can she endure the attacks from haters and gaslighters? Can she champion the queering she represents?
Penny and Tate have always clashed. Unfortunately, their mothers are lifelong best friends, so the girls’ bickering has carried them through playdates, tragedy, and more than one rom-com marathon with the Moms. When Penny’s mother decides to become a living donor to Tate’s mom, ending her wait for a liver transplant, things go from clashing to cataclysmic. Because in order to help their families recover physically, emotionally, and financially, the Moms combine their households the summer before senior year.
So Penny and Tate make a pact: They’ll play nice. Be the drama-free daughters their mothers need through this scary and hopeful time. There’s only one little hitch in their plan: Penny and Tate keep almost kissing.
It’s just this confusing thing that keeps happening. You know, from time to time. For basically their entire teenaged existence.
They’ve never talked about it. They’ve always ignored it in the aftermath. But now they’re living across the hall from each other. And some things—like their kisses—can’t be almosts forever.
Fifteen-year-old Kermit Sanders knows grief and its all-encompassing shadows. After losing his beloved older sister in a tragic car accident, nothing quite punctures through the feelings of loss. Everywhere Kermit goes, he is reminded of her.
But then Kermit finds a mysterious invitation in his locker, signed anonymously with “-1.” He has no idea what he’s in for, but he shows up to find out. Dubbed the “Minus-One Club,” a group of his schoolmates has banded together as a form of moral support. The members have just one thing in common—they have all suffered the tragic loss of someone they loved.
The usual dividing lines between high school classes and cliques don’t apply inside the Minus-One Club, and Kermit’s secret crush, the handsome and happy-go-lucky Matt (and only out gay student at school), is also a part of the group. Slowly, Matt’s positive headstrong approach to life helps relieve Kermit of his constant despair.
But as Kermit grows closer to Matt, the light of his new life begins to show the cracks beneath the surface. When Matt puts himself in danger by avoiding his feelings, Kermit must find the strength to not only lift himself back up but to help the rest of the group from falling apart.
“The first thing we did was change our names. We were going to be Sappho,” so begins this intrepid debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths: in 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes: “I want to make life fuller and fuller.”
Writing in cascading vignettes, Selby Wynn Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives. A luminous meditation on creativity, education, and identity, After Sappho announces a writer as ingenious as the trailblazers of our past.
In This Unlikely Soil, prize-winning writer Andrea Routley delivers stories of queer women navigating love and life against the lush, isolated backdrop of Canada’s West Coast.
A dog that bites, a bear suffering from a hemorrhoid, an aggressive willow tree, berried-up Dungeness crabs and erotic mussels… The dense West-Coast landscape of This Unlikely Soil echoes the fraught search for connection of the rural-dwelling queer characters in this quintet of novellas. Finalist for the Malahat Review Novella Prize, this sophomore collection from Lambda Literary Award-finalist Andrea Routley explores the queer state of wandering, violence, and loss with surprising humour and compassion.
Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.
Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.
No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t fact the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.
Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her.
But Tinsley has an agenda, too.
Everyone loved Nova. And sometimes, love is exactly what gets you killed.
When Nar’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or wealthy engineer who catches her eye—it’s Erebuni, a woman as equally immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on Nar’s double life, though—the closing event banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave, determined to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
This is the sequel to Cameron Battle and the Hidden Kingdoms
After his first adventure as the Descendant, Cameron can’t sit through seventh grade classes. Especially when his mother is still trapped in Chidani and his father is still missing. But he encounters a particularly nasty bully in his new school, and it doesn’t take long for Cameron and his trusty friends Zion and Aliyah to realize that the troubles of Chidani won’t stay away for long.
With the Book to guide them, Cameron and his crew end up transported to Chidani sooner than anticipated–and the gods and goddesses they encounter don’t intend to make Cameron’s journey easy. Can he finally outwit and outlast the villainous god set on destroying their worlds?
Acclaimed novelist and scholar Daniel Black has spent a career writing into the unspoken, fleshing out, through storytelling, pain that can’t be described.
Now, in his debut essay collection, Black gives voice to the experiences of those who often find themselves on the margins. Tackling topics ranging from police brutality to the AIDS crisis to the role of HBCUs to queer representation in the Black church, Black on Black celebrates the resilience, fortitude and survival of Black people in a land where their body is always on display.
As Daniel Black reminds us, while hope may be slow in coming, it always arrives, and when it does, it delivers beyond the imagination. Propulsive, intimate and achingly relevant, Black on Black is cultural criticism at its openhearted best.
Sixteen-year-old Baylee has never been kissed, but she wants to do way more than that. She’s had a huge crush on her gorgeous best friend and neighbor, Freddie, for years, but since she doesn’t look like the type he normally dates, the judgmental voice in her head tells her he’ll never see her as more than a friend.
Then Baylee meets Alex online and she starts to fall for this sweet, funny barista who likes her just as she is. But when Freddie makes a move on Baylee and a virus shuts the world down, Baylee will find herself torn as everything starts happening at once and she navigates the messy waters of love and desire. It helps that she’s observed her friends’ relationship drama, so she knows exactly what mistakes not to make . . . right?
Business consultant Rose Josten might not have officially reached “pug lady” middle age, but she’s already got the pugs—along with their little Gucci coats and trash-lovin’ appetites. Still, life is good, with her work, her sisters, and a secret hobby creating incredibly tactile (if surprisingly sexy) mindfulness videos. So why does it feel like it’s not quite enough? Which is exactly when Ash Stewart enters camera left, and Rose’s world suddenly goes full technicolor . . .
Ash never looks at anyone. Not since her ex ripped her heart from her chest in Spielberg-esque style, crushing Ash’s reputation, dreams, and career in one brutal blow. But Rose is altogether different. She’s curvy, beautiful, and just so damn put together. And her business expertise might be Ash’s best bet for getting her last film—and her last chance—financed. Now if they can just keep their attraction under wraps, Ash’s lost dream could finally come true. But are they creating the perfect pitch . . . or setting the stage for disaster?
Love, Violet by Charlotte Sullivan Wild (Text) and Charlene Chua (Illustrations) (4th)
There’s only one person in Violet’s class she wants to go on adventures with: Mira, the girl with the cheeriest laugh and who races like the wind. So Violet has made Mira a very special Valentine.
Because Mira is magnificent.
But what if she thinks Violet isn’t? Violet is afraid that Mira won’t want to go on adventures together, and in order to share her feelings, she must overcome her fears—and maybe a snow flurry or two—to tell Mira how she truly feels, and ask, Want to go on an adventure?
All Luis Gonzalez wants is to go to prom with his boyfriend, something his “progressive” school still doesn’t allow. Not after what happened with Chaz Wilson. But that was ages ago, when Luis’s parents were in high school; it would never happen today, right? He’s determined to find a way to give his LGBTQ friends the respect they deserve (while also not risking his chance to be prom king, just saying…).
When a hit on the head knocks him back in time to 1985 and he meets the doomed young Chaz himself, Luis concocts a new plan-he’s going to give this guy his first real kiss. Though it turns out a conservative school in the ’80s isn’t the safest place to be a gay kid. Especially with homophobes running the campus, including Gordo (aka Luis’s estranged father). Luis is in over his head, trying not to make things worse-and hoping he makes it back to present day at all.
Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
In All Daughters Rise, a young witch must challenge everything she believes to be true and somehow cooperate with her ex-girlfriend in order to carry out her mother’s secret legacy and save the world.
Sabrine, a Greenwitch, has grown up thinking that the female, winged warriors known as the Daughters were unrepentant killers, gleefully slaughtering all humans who stood in their way. This all changes when her ex, vampire Lora Walker, resurfaces with a shocking revelation–Sabrine’s mother was once the feared leader of the Daughters. Sabrine has unknowingly been groomed to be her mother’s assistant.
Now Sabrine needs to reevaluate everything she thinks she knows, and she needs to do it fast, because the barrier that separates the magical world from the world of the humans is cracking open, and nobody knows why. And the only person she can rely on is the last person she wants to deal with: her ex-girlfriend.
To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor…
Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings.
Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face.
Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy.
Best friends since second grade, Fiona Lin and Jane Shen explore the lonely freeways and seedy bars of Los Angeles together through their teenage years, surviving unfulfilling romantic encounters, and carrying with them the scars of their families’ tumultuous pasts. Fiona was always destined to leave, her effortless beauty burnished by fierce ambition–qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father’s sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other’s lives, their friendship both a beacon of home and a reminder of all they’ve lost.
In stories told in alternating voices, Jean Chen Ho’s debut collection peels back the layers of female friendship–the intensity, resentment, and boundless love–to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.
Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.
Reaching far beyond the confines of traditional erotica, prepare to explore the intersections of ace and kink, of pan and submissive, of exquisite torment and explicit consent.
In the sixth stunning and representative volume, Sinclair Sexsmith once again offers a dazzling array of voices, perspectives, and persuasions navigating boundaries and identities in truly inventive narratives. These twenty-three steamy stories are meant not just to titillate, but to validate—spanning past the pulsing power of desire to make pleasure and trembling release both a healing and radical act.
Find and then lose yourself as you traverse the complexities of full-spectrum sexuality, one delectable story at a time.
Wychwood, the realm of the fey prepare for war against the humans who hate, hunt and kill them for coin. Aided by the unclaimed, destructive power of the murdered, forgotten Winter Court, they ready their numbers for complete domination of the human realm.
All until Robin Vale reveals himself to be the last Icethorn heir. A hope for the humans he has grown up amongst, but to the detriment of many who would see him dead before ruining their years of preparation.
Robin finds allies during his discovery of a realm he has long since feared. Gideon, a fey warrior who aids as a distraction during the long nights. Althea, a stern princess hellbent on stopping the human hunters from killing her kind.
Thrust into a world of betrayal, murder and lies he must survive long enough to have the choice; listen to fate and claim his families power, or let it wreak havoc on a realm that turned its back on him for becoming who he was truly meant to be.
But a dark evil is brewing, monsters have returned and the scales of power are being forced by a hand who longs for revenge.
A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.”
With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.
Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
When dying alien ships materialized across the Earth, their nanite infection knocked Deneve Wilder out cold. She woke up with the ability to see the future. Determined to keep anyone from using her visions for evil, she took to the road. Giving up everything was a small price to pay for freedom.
The ship that hit Jolie Betancourt’s town gave her the power to set things on fire. It was safer to start over in a new city. Then one terrible mistake demonstrated far too clearly that for her, solitude is safer. For everyone.
So when Deneve shows up after a vision of Jolie being kidnapped, Jolie wants little to do with the frustratingly attractive drifter. Deneve’s surprised by how much she wants to thaw the pretty shopkeeper’s chilly attitude, but the idea of staying in one place sets off her alarm bells.
If they can’t evade whoever’s abducting people with powers, however, the growing connection they both feel anyway might be the least of their problems.
Fi is a bookish treasure hunter with a knack for ruins and riddles, who definitely doesn’t believe in true love.
Shane is a tough-as-dirt girl warrior from the north who likes cracking skulls, pretty girls, and doing things her own way.
Briar Rose is a prince under a sleeping curse, who’s been waiting a hundred years for the kiss that will wake him.
Cursed princes are nothing but ancient history to Fi–until she pricks her finger on a bone spindle while exploring a long-lost ruin. Now she’s stuck with the spirit of Briar Rose until she and Shane can break the century-old curse on his kingdom.
Dark magic, Witch Hunters, and bad exes all stand in her way–not to mention a mysterious witch who might wind up stealing Shane’s heart, along with whatever else she’s after. But nothing scares Fi more than the possibility of falling in love with Briar Rose.
Ryann is thrilled when her friend Stuart asks her to help him plan his last-minute wedding. He moved across the country over a year ago, and she misses him like crazy. As an executive with event planning experience, Ryann’s the best person to help him fulfill his wildest wedding dreams.
However, things in Colorado are not what she expects, especially Maddie, the maid of honor for the other groom. Maddie is attractive, and while she’s certainly Ryann’s type, she has some different ideas about the wedding. Also, flirting with her is incredibly distracting, especially when Ryann just wants to keep things professional. With just two weeks to the big event on Valentine’s Day, can Ryann help Stuart to wedded bliss, and avoid his well-intentioned attempts to set her up with Maddie?
Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery–from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love.
Three very different American families form the heart of Lost & Found the one that made Schulz’s father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer’s daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering–a world that always demands both our gratitude and our grief.
Fun is the one thing Elsie Webb takes seriously. Though she’d be having a lot more of it if Haelstrom Media paid her enough to actually get out of debt. She’s determined to hold out on contract negotiations for her kids’ television show Fangley Heights until she gets what she deserves. There’s only one problem, the head of the network just died and left her future more uncertain than ever.
Forty-eight hours and one funeral–that’s all Jones Haelstrom has to get through before she can return to her life in LA that’s as ordered and sparse as an IKEA showroom. When she steps in as CEO of her father’s media company, Elsie Webb is her first problem to deal with. Elsie ends up challenging Jones in ways she never could have predicted, starting with an attraction neither can avoid.
As their attraction teeters on the edge of something more both agree to keep it casual. A no-strings agreement and disclosure to HR should be enough to keep things between Jones and Elsie from getting tangled, right?
Melanie Gate is a foundling with a peculiar talent for opening the unopenable—any lock releases at the touch of her hand. One night, her orphanage is visited by Traveler, a gearling automaton there on behalf of his magical mistress, who needs an apprentice pronto. When Melanie is selected because of her gift, her life changes in a flash, and in more ways than she knows—because Traveler is not at all what he seems. But then, neither is Melanie Gate.
So begins an epic adventure sparkling with magic, wit, secret identities, stinky cats, fierce orphan girls, impostor boys, and a foundling and gearling hotly pursued by the most powerful and dangerous wizard in the land.
Seventeen-year-old Mickey James III is a college freshman, a brother to five sisters, and a hockey legacy. With a father and a grandfather who have gone down in NHL history, Mickey is almost guaranteed the league’s top draft spot.
The only person standing in his way is Jaysen Caulfield, a contender for the #1 spot and Mickey’s infuriating (and infuriatingly attractive) teammate. When rivalry turns to something more, Mickey will have to decide what he really wants, and what he’s willing to risk for it.
This is a story about falling in love, finding your team (on and off the ice), and choosing your own path.
The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
Everyone in their village has magic in their bones, and Preet is the strongest of them all. Without any power of her own, how can Valissa ever be worthy of Preet’s love? When their home is attacked, Valissa has a chance to prove herself, but that means leaving Preet behind. On her own for the first time Preet breaks the village’s most sacred laws, and is rejected from the only home she’s ever known and sent into a new world.
Divided by different paths, insecurities, and distance, will Valissa and Preet be able to find their way back to each other?
This is the second book in the Page & Sommers series.
England, 1948: Semi-retired spy Leo Page and country doctor James Sommers team up to solve a decades-old mystery.
When James learns that an uncle he hasn’t heard from in ages has left him something in his will, he figures that the least he can do is head down to Cornwall for a weekend to honor the old man’s parting wishes. He finds the family home filled with half-remembered guests and unwanted memories, but more troubling is that his uncle has tasked his heirs with uncovering the truth behind a woman’s disappearance twenty years earlier.
Leo doesn’t like any of it. He’s just returned from one of his less pleasant missions and maybe he’s slightly paranoid about James’s safety, but he’s of the opinion that rich people aren’t to be trusted where wills are concerned. So he does what any sensible spy would do and infiltrates the house party.
Together they unravel a mystery that exposes long-standing family secrets and threatens to involve James more than either of them would like.
Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
A daring, category-confounding, and ruthlessly funny novel from National Book Award honored author Edmund White that explores polyamory and bisexuality, ageing and love.
Sicilian aristocrat and musician, Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two alternate reading the memoirs they’ve written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he’s had with men and women across his lifetime-most importantly his passionate affair with the author Edmund White.
Sweeping outward from the isolated Swiss ski chalet where the couple reads to travel through Europe and the United States, White’s new novel pushes for a broader understanding of sexual orientation and pairs humor and truth to create his most fascinating and complex characters to date. As in all of White’s earlier novels, this is a searing, scintillating take on physical beauty and its inevitable decline. But in this experimental new mode-one where the author has laid himself bare as a secondary character-White explores the themes of love and age through numerous eyes, hearts and minds.
Seventeen-year-old Brynn Riley is perfect. She’s on a hundred committees, has earned teacher’s pet in practically every class she’s ever taken, and is on track to make valedictorian—salutatorian if she REALLY slacks off, which, please.
But one night, Brynn makes a mistake.
A big one.
Why wouldn’t the cops show up on the one night she’s ever cut loose in her life? Why wouldn’t she be assigned community service for one tiny mistake (something she would DIE over if word ever got out)? And why, of all things, wouldn’t a boy from school happen to work at the pitbull rescue she chooses to do her community service hours at?
Oliver West’s dad owns the rescue. And Oliver works there as his second in command. And Brynn and Oliver both know that she absolutely screwed him out of a major opportunity at school not twenty-four hours before she shows up for her community service.
If Brynn doesn’t want her secret spilled and her sterling reputation ruined, she’d better start taking Oliver seriously. He’ll keep quiet if she helps him land this project (since she ruined it, after all), which requires Brynn to give up her own spot in the running.
As the two get closer, the stakes begin to shift. Brynn starts to want Oliver for more than the community service checkmark, and Oliver, as it turns out, takes Brynn Riley very, very seriously. But, well…you know what they say.
Nothing brings people together like blackmail, pit bulls, and court-ordered community service.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
Emanuela has finally gotten what she’s always wanted. Since escaping her catacomb prison, she’s become the supreme ruler of everything under the veils. Finally, she has the power to throw aside senseless, old traditions and run things exactly the way they should be.
But when cracks in her magic start to show, Emanuela begrudgingly allies herself with her enemies, including her frustratingly alluring archnemesis, Verene. Together, they discover deeper truths about the mysterious blood magic Emanuela and Verene both wield. There is a higher, otherworldly authority outside the veils, and in order to save Occhia and the other realms, Emanuela may just have to rip another crown off someone’s head.
Sixteen-year-old Dylan Highmark thought his winter was going to be full of boring shifts at the Dairy Queen, until he finds himself in love with a boy who’s literally too hot to handle.
Dylan has always wanted a boyfriend, but the suburbs surrounding Philadelphia do not have a lot in the way of options. Then, in walks Jordan, a completely normal (and undeniably cute) boy who also happens to run at a cool 110 degrees Fahrenheit. When the boys start spending time together, Dylan begins feeling all kinds of ways, and when he spikes a fever for two weeks and is suddenly coughing flames, he thinks he might be suffering from something more than just a crush. Jordan forces Dylan to keep his symptoms a secret. But as the pressure mounts and Dylan becomes distant with his closest friends and family, he pushes Jordan for answers. Jordan’s revelations of why he’s like this, where he came from, and who’s after him leaves Dylan realizing how much first love is truly out of this world. And if Earth supports life that breathes oxygen, then love can only keep Jordan and Dylan together for so long.
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.
The move goes so well that Stevie starts her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. She rekindles a romance with her high school sweetheart, Brad. Things are better than ever—except for the complicated past Stevie can’t seem to outrun.
Who was responsible for the high school scandal that caused her life to take a nosedive 20 years earlier? Why is she so secretive about the circumstances of her father’s death? Why are her feelings for her ex-friend Chris so mystifying? Is she gay? Is she an alcoholic? If she’s done drinking, then why can’t she declutter the wine bottles from her car?
The second book in a feminist space opera duology that follows the team of seven rebels who will free the galaxy from the ruthless Tholosian Empire–or die trying.
After an ambush leaves the Novantae resistance in tatters, the survivors scatter across the galaxy. Wanted by two great empires, the bounty on any rebel’s head is enough to make a captor filthy rich. And the seven devils? Biggest score of them all. To avoid attacks, the crew of Zelus scavenge for supplies on long-abandoned Tholosian outposts.
Not long after the remnants of the rebellion settle briefly on Fortuna, Ariadne gets a message with unimaginable consequences: the Oracle has gone rogue. In a planned coup against the Empire’s new ruler, the AI has developed a way of mass programming citizens into mindless drones. The Oracle’s demand is simple: the AI wants One’s daughter back at any cost.
Time for an Impossible to Infiltrate mission: high chance of death, low chance of success. The devils will have to use their unique skills, no matter the sacrifice, and pair up with old enemies. Their plan? Get to the heart of the Empire. Destroy the Oracle. Burn it all to the ground.
A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.
What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.
Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose life, work, and activism drive home that very category.
At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
Iowa Writers’ Workshop graduate and Caine Prize finalist Arinze Ifeakandu‘s GOD’S CHILDREN ARE LITTLE BROKEN THINGS, a debut story collection set in Nigeria united by the theme of queer male intimacy, to Brigid Hughes at A Public Space Books, by Jin Auh and Austin Mueller at The Wylie Agency (world English).
Author of WILLA & HESPER Amy Feltman‘s ALL THE THINGS WE DON’T TALK ABOUT, a queer family drama, following a diverse cast of characters whose lives are upended by the sudden reappearance of their self-destructive mother; grappling with betrayal and addiction alongside queer love and joy, to Maddie Caldwell at Grand Central, in an exclusive submission, by Stephanie Delman at Sanford J. Greenburger Associates (world English)
Center for Fiction First Novel Prize nominee Celia Laskey‘s THE BRIDESMAID, about two women, one gay and one straight, whose longstanding friendship spirals violently out of control over the course of one’s wedding weekend, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex, to John Glynn at Hanover Square Press, at auction, by Alexa Stark at Trident Media Group (NA).
A BIG SHIP AT THE EDGE OF THE UNIVERSE and ALIEN: THE COLD FORGE author Alex White‘s STAR TREK: REVENANT, a new adventure set during the fourth season of Star Trek: Deep Space Nine, about a terrible secret at the heart of the Trill Symbiosis Commission that forces Jadzia Dax to reckon further with the past lives of the Dax symbiont, particularly her immediate predecessor Curzon and the psychopathic murderer Joran, in the first treatment of Star Trek’s groundbreaking genderfluid Trill species by a nonbinary or genderqueer writer, to Ed Schlesinger at Pocket, by Connor Goldsmith at Fuse Literary (world English).
PEN/Robert W Bingham Finalist and physician-writer Chaya Bhuvaneswar‘s WHITE DANCING ELEPHANTS, debut collection of short stories of the #MeToo and survival of queer women of color, to Blackstone Audio, by Lane Zachary at Aevitas Inc.
Author of THE EARTHQUAKE ROOM Davey Davis’s X, a queer noir set in a near-future New York that follows a down-and-out sadomasochist drawn from their post-breakup desolation into the pursuit of pure pleasure after a chance encounter, to Alicia Kroell at Catapult, by Julia Kardon at HG Literary (world English).
Printz Award-winning author of WE ARE OKAY and the forthcoming WATCH OVER ME Nina LaCour’s YERBA BUENA, following two women on a star-crossed journey toward one another, across the expanse of California—from a drug-soaked town in the redwoods to an elegant Los Angeles restaurant—as one finds refuge in her family’s past and the other struggles against the dark secrets she’d rather leave behind; also, an untitled multigenerational family saga inspired by the author’s grandparents, following their journey from New Orleans to Los Angeles, and what they gained and left behind, to Caroline Bleeke at Flatiron Books, in a major deal, at auction, in a two-book deal, for publication in Winter 2022, by Sara Crowe at Pippin Properties (NA).
Anita Kelly’s debut RECIPES FOR A DELICIOUS DISASTER, a romantic comedy in which the first openly nonbinary contestant on America’s favorite cooking show becomes distracted by their beautiful, clumsy competitor, but when the couple starts exploring their chemistry, they’re tested by heat outside of the kitchen, to Junessa Viloria at Forever, in a three-book deal, by Kim Lionetti at BookEnds.
Alison Cochrun‘s debut THE CHARM OFFENSIVE, a queer rom-com about a reality dating show producer tasked with helping the show’s tech wunderkind star find his true love among 30 women, but when their off-screen chemistry overshadows what happens in front of the cameras, they may have to rewrite happily ever after, pitched in the vein of RED, WHITE & ROYAL BLUE and ONE TO WATCH, to Kaitlin Olson at Atria, in a nice deal, for publication in fall 2021, by Bibi Lewis at Ethan Ellenberg Agency (world).
Columbia MFA graduate Khashayar Joshua Khabushani’s‘s OUR NEW NAMES, about the powerful bonds that make and break an Iranian American family, and the journey a son must make in order to find his place in the world, from San Fernando Valley to Iran and eventually to New York, examining boyhood and brotherhood, violence and tenderness, and queer identity and belonging in America, to Parisa Ebrahimi at Hogarth, at auction, by Bill Clegg at The Clegg Agency (NA).
Children’s/Middle Grade Fiction
Katherine Locke’s WHAT ARE YOUR WORDS?, introducing and celebrating gender-inclusive pronouns as a child explores both their neighborhood and which “words” fit them and their neighbors best today, illustrated by Anne Passchier, to Regan Winter at Little, Brown Children’s, for publication in summer 2021, by Lara Perkins at Andrea Brown Literary Agency for the author, and by Anne Moore Armstrong at The Bright Group for the illustrator (world).
Actor, activist, and author Nico Tortorella‘s picture book OLIVETTE IS YOU, an inclusive message about celebrating different gender identities, to Emily Easton at Crown Children’s, by Sarah Passick at Park & Fine Literary and Media.
Transgender Korean American author, athlete, and activist Schuyler Bailar‘s Middle Grade debut OBIE IS MAN ENOUGH, about a transgender tween who looks to prove he’s one of the fastest boys in the pool as he contends with new teammates, bullies, and his biggest competition: himself, to Phoebe Yeh at Crown Children’s, for publication in fall 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (world English).
Young Adult Fiction
Philline Harms’s debut NEVER KISS YOUR ROOMMATE, in which a girl arrives at a boarding school, and a mysterious and alluring girl is assigned to be her roommate, but as their relationship goes from cold to red hot, the roommate’s dangerous past resurfaces and tests the strength of their budding romance, to Deanna McFadden at Wattpad, for publication in spring 2021.
NYT-bestselling author of WILDER GIRLS Rory Power‘s THE WORLD ENDS HERE, a speculative thriller following ex-girlfriends raised at a remote, icy research institute, and what happens when they uncover the nightmarish discovery their families are protecting there, to Krista Marino at Delacorte, in a six-figure deal, in a two-book deal, for publication in fall 2021, by Kim Witherspoon and Jessica Mileo at Inkwell Management (NA).
Molly Horan‘s EPICALLY EARNEST, pitched as a queer contemporary wink to Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST, in which a high school senior must decide who she wants to be and where she fits in as graduation approaches, all the while finding the time to fall in love with the girl of her dreams, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, for publication in spring 2022, by Elle Thompson and Uwe Stender at TriadaUS Literary Agency (world).
Author of the forthcoming ALMOST FLYING Jake Maia Arlow’s WINTER BREAK, a contemporary rom-com about two Jewish girls falling in love reluctantly at Christmastime, a hate-to-love romance pitched as “like a Hallmark Christmas movie—if a Hallmark Christmas movie ever starred sexually frustrated lesbian Jews,” to Stephanie Guerdan at Harper Teen, in a good deal, in a pre-empt, in a two-book deal, for publication in fall 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Eric Geron’s debut A TALE OF TWO PRINCES, about a closeted crown prince newly established in Canada and an out-and-proud Montana cowboy who meet by chance and turn out to be long-lost twin brothers, forced to navigate coming out, coronations, and high school together, to Rebecca Kuss at Inkyard Press, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world English).
Maggie Tokuda-Hall‘s untitled sequel to THE MERMAID, THE WITCH, AND THE SEA, in which a number of characters from the first book reunite to destroy the Nipran Empire; with a siren, a dragon, and some familiar mermaids, this motley group may finally have what they need to end imperialism in their world once and for all, to Karen Lotz at Candlewick, in an exclusive submission, by Jennifer Laughran at Andrea Brown Literary Agency (world).
Peyton Thomas‘s debut BOTH SIDES NOW, featuring a trans protagonist taking his competitive high school debate circuit by storm, pitched as for fans of SIMON VS. THE HOMO SAPIENS AGENDA and RED, WHITE & ROYAL BLUE, to Ellen Cormier at Dial, at auction, for publication in fall 2021, by Brooks Sherman at Janklow & Nesbit (US).
Tobias Madden’s ANYTHING BUT FINE, about a teenage ballet dancer who breaks his foot and begins to question everything he once took for granted, including his relationship with the dreamy, perfect-in-every-way, and seemingly straight captain of the rowing team, to Zoe Walton at Penguin Random House Australia, at auction, for publication in 2021, by Claire Friedman at Inkwell Management (Australia and New Zealand).
Faridah Abike-Iyimide‘s ACE OF SPADES, pitched as Gossip Girl meets Get Out, in which a mysterious source spreads rumors about a prestigious private school’s only two Black students, who must fight for their reputations—and for their lives, to Foyinsi Adegbonmire at Feiwel and Friends, in a major deal, in a seven-figure deal, in a pre-empt, in a two-book deal, for publication in summer 2021, by Molly Ker Hawn at The Bent Agency, on behalf of Zoe Plant at The Bent Agency (NA).
Cartoonist Alex Combs‘s TRANS HISTORY: A GRAPHIC NOVEL, presenting an introduction to transgender identity and history in the U.S. and beyond, to Andrea Tompa at Candlewick, at auction, for publication in 2023, by Zabe Ellor at Jennifer De Chiara Literary Agency (world English).
Professor of Victorian literature at Berkeley and intellectual Grace Lavery’s PLEASE MISS, a speculative memoir of gender transition and recovery from addiction, refracted through pop culture, queer theory, film, TV, literature, and (what feels like) stand-up comedy, pitched as THE ARGONAUTS caught in a hall of mirrors, with a lot more sex and humor, to Claire Potter at Seal Press, in a six-figure deal, at auction, by Alison Lewis at Zoe Pagnamenta Agency.
Podcast host, and creator of the LGBTQ+ blog TheShitneySpears David Olshanetsky’s COMING OUT ALIVE, a guide to coming out of the closet, combining personal anecdotes with how-to guides; queer history lessons you won’t get in school; and conversations with LGBTQ+ celebrities, including international pop music sensation Pabllo Vittar, activist and Broadway trailblazer Peppermint, and writer and performer Stephen Fry about their own journeys, to Sylvan Creekmore at Wednesday Books, in a good deal, for publication in June 2022, by Connor Goldsmith at Fuse Literary (world English).
Supergirl actress, transgender rights activist, and subject of the book BECOMING NICOLE Nicole Maines’s coming-of-age memoir, about learning how to be OK with not always being OK, aiming to correct some of the most insidious messaging absorbed by queer kids and all young women—from the idea that any one thing can (or should) ever really “fix” you to wondering what’s wrong with you when things don’t always feel better—by providing an intimate look at the author’s life and all the lessons she’s learned along the way, to Caitlin McKenna at Dial, in an exclusive submission, by Lauren MacLeod and Wendy Strothman at The Strothman Agency.
Writing professor and former professional dominatrix Chris Belcher’s PRETTY BABY, an examination of gender, power, violence, and intimacy, following the author’s coming-of-age as a queer woman in rural Appalachia, to adulthood in Los Angeles as a female academic and sex worker, to Carolyn Kelly at Avid Reader Press, by Jade Wong-Baxter at Massie & McQuilkin (NA).
Author of the Lambda Literary Award- and Prix JDD France Inter-winning THE FACT OF A BODY: A MURDER AND A MEMOIR Alex Marzano-Lesnevich’s BOTH AND NEITHER, a genre- and gender-bending work of memoir, history, cultural analysis, trans reimaginings, and international road trip about life beyond the binary, to Margo Shickmanter at Doubleday, at auction, by PJ Mark at Janklow & Nesbit.
Longtime birder and social activist Christian Cooper‘s BETTER LIVING THROUGH BIRDING, reflecting on a life lived at the intersections of race and queerness; equal parts memoir, travelogue, and call to action, exploring the lifetime of experience that prepared the author for his now-infamous encounter with racist white aggression in Central Park, on the very day that the police killing of George Floyd in Minneapolis sent the country over the edge, spurring protests in the streets and inspiring calls for change, to Chayenne Skeete at Random House, with Mark Warren editing, at auction, by Gail Ross at Ross Yoon Agency (world).