Today on the site, I’m delighted to welcome author and gay blogging pioneer Lee Wind to the site to reveal the cover of A Different Kind of Brave, a romantic YA adventure releasing March 5, 2024 from Duet Books! Here’s the story:
Nicolas “Nico” Hall is sixteen when he escapes from Dr. H’s religious gay reprogramming institute in California. On his own, he assumes one identity after another to avoid recapture as he flees south to Peru, and then Mexico.
Seven days younger than Nico, Samuel “Sam” Jonas Solomon is a privileged Upper West Side only child who idolizes James Bond. When his heart is broken, he vows that, like Bond, he’s never going to trust in love again. Then he meets Nico, and his heart won’t listen to any logic.
Nico’s survived by living only for himself—until his love for Sam has him risking his freedom for others. And as much as Sam wants to be like 007, he discovers that James Bond is a terrible role model.
Together, Nico and Sam set out to free the other teens trapped in Dr. H’s Institute, plunging readers into a globe-trotting, high stakes adventure with the heroic courage of the James Bond movies and the ongoing romance (and queer group of friends) of Heartstopper.
Lee Wind is not currently a spy, but he did spend fourteen years undercover (what most people call “in the closet”). Today he writes the books that would have changed his life as a young gay kid. He is the author of the nonfiction Junior Library Guild Gold Standard selection No Way, They Were Gay? and the novel Publisher’s Weekly named a Top Five Independently Published Young Adult Book of 2018, Queer as a Five-Dollar Bill. He also runs the popular blog I’m Here. I’m Queer. What the Hell Do I Read?—words his teenage self only dreamed of saying. Lee lives in Los Angeles with his husband of more than twenty-five years, and they have a grown daughter. Visit Lee online at leewind.org.
Talia Samuels‘s THE CHRISTMAS SWAP, a queer Christmas romcom featuring a woman who fake dates her friend in order for him to bring someone home for the holidays, only to fall for his sister, to Melissa Rechter at Alcove Press, in a nice deal, for publication in October 2023, by Sarah Scarlett at Penguin Random House UK (NA).
Lyla Lee‘s LOVE IN FOCUS, an adult debut, featuring a sapphic second chance rom com pitched for fans of Delilah Green Doesn’t Care, in which a relationship advice columnist in her late 20s finds herself re-evaluating her own past after an unexpected breakup, when she’s forced to work with an ex-girlfriend who inexplicably abandoned her during college, the two must pair up to work on a career defining piece about modern love that could not only potentially save the protagonist’s job, but also maybe her heart, to Junessa Viloria at Forever, at auction, in a two-book deal, for publication in summer 2025, by Penny Moore at Aevitas Creative Management (NA).
Kelli Storm‘s CHALLENGE ACCEPTED, in which a small town business owner challenges her teenage boyband crush–and local hero–to save the town Main Street from a big business takeover and figures out her own happily ever after while navigating her mother’s dementia, asexuality, and sudden viral fame, to Megan Broderick at Harlequin Special Edition, in a two-book deal, by Jill Marsal at Marsal Lyon Literary Agency (world).
Author of FOR HER CONSIDERATION Amy Spalding’s next two novels in the Out in Hollywood series, to Norma Perez-Hernandez at Kensington, in an exclusive submission, in a two-book deal, for publication in winter 2025 and 2026, by Kate Schafer Testerman at kt literary (world).
Jem Zero‘s A SPARK IN HIS HAND, in which a vulnerable man stripped of his memories yearns for independence when forced to perform unpaid labor to earn his keep, and runs away to begin an affair with a shy, handsome politician who holds information about his true identity, to Lisa Green at City Owl Press, in a nice deal, for publication in June 2024 (US).
NYU graduate and ex-movie marketer Phil Melanson’s THE FIGUREHEAD, a queer historical novel set in Renaissance Florence, pitched as WOLF HALL meets THE SONG OF ACHILLES, in which the bloody feud between the ruling Medici family and the pope’s court in Rome forever alters the career of a young, gay painter, known today as Leonardo da Vinci, to Gina Iaquinta at Liveright, at auction, by Chad Luibl at Janklow & Nesbit (NA).
Laura Piper Lee’s ZOE BRENNAN, FIRST CRUSH, a sapphic rom-com about a Georgia vineyard owner who’s forced to team up with her childhood crush turned Napa vintner snob to win a prestigious wine festival’s local showcase and save her family’s vineyard, again to Laura Schreiber at Union Square & Co, by Carrie Pestritto at Laura Dail Literary Agency (world).
D.L. Sims’s EVERYTHING IS JUST FINE, a contemporary LGBTQIA+ love story following a college freshman who develops feelings for not one, but two of his classmates, to Anna Todd at Frayed Pages, for publication in fall 2024 (world).
Author of THE SHADOW CABINET Juno Dawson’s QUEEN B, a prequel to HER MAJESTY’S ROYAL COVEN, sweeping us to the reign of Henry VIII and the origins of the coven under the beautiful and bewitching Anne Boleyn, to Nidhi Pugalia at Penguin, by Katelyn Dougherty at Paradigm (NA).
Kamilah Cole’s THE SINISTER ELITE, a speculative dark academia thriller about a college freshman haunted by a sense of deja vu that turns deadly when she finds a message scrawled on her skin written in her own hand that simply says REMEMBER, to Mary Altman at Poisoned Pen Press, in a two-book deal, for publication in summer 2025, by Emily Forney at BookEnds (world).
Nebula, Lambda, and Hugo Award finalist Lee Mandelo, ed.’s AMPLITUDES: STORIES OF QUEER AND TRANS FUTURITY, a short fiction anthology about how we can imagine better worlds as an act of literary resistance during a time of rising threats against queer and trans people, to Diana Pho at Erewhon, in a nice deal, for publication in summer 2025, by Tara Gilbert at Jennifer De Chiara Literary Agency (world).
2017 PEN/Robert J. Dau Short Story Prize winner Laura Chow Reeve’s A SMALL APOCALYPSE, a debut collection of stories in which human bodies shape shift, queer ghosts haunt their friends, a young woman pickles memories with her Chinese grandmother, and a movie theater floods during an apocalyptic movie marathon, pitched for fans Carmen Maria Machado and Karen Russell, to Marisa Siegel at Northwestern University Press, for publication in spring 2024, by Soumeya Bendimerad Roberts at HG Literary (NA).
Briony Cameron’s THE BALLAD OF JACQUOTTE DELAHAYE, an epic tale pitched as based on the legend of a woman of color from colonial Haiti as she becomes one of the few infamous female pirate captains to sail the Caribbean in the 17th century, with a queer love story at its heart, in an exploration of human connection, friendship, and the search for freedom and home, to Natalie Hallak at Atria, in a good deal, in a pre-empt, by Rebecca Wearmouth at PFD, on behalf of Laurie Robertson (NA).
Rhodes Scholar and filmmaker Eli Zuzovsky’s MAZELTOV, an offbeat coming-of-age debut centered on a closeted gay boy in Israel, who on the day of his bar mitzvah must wrestle with lust and longing as he confronts the forces of family neurosis and national dysfunction, pitched as Philip Roth for millennials, to Riva Hocherman at Holt, in a nice deal, by Jessica Kasmer-Jacobs at Deborah Harris Agency (NA).
Children’s and Middle Grade Fiction Ben Kahn and Jeremy Whitley’s graphic novel THE DASHING SCHOOL FOR WAYWARD PRINCES, the story of a supposed prince who knows that, deep down, she’s really a princess; despite the school’s rigid and outdated gender norms, the princess and her newfound misfit friends find the courage to embrace themselves and stand up to anyone who says otherwise, illustrated by Melissa Capriglione, to Julia McCarthy at Atheneum, for publication in summer 2025, by Moe Ferrara at BookEnds for the authors, and by Laurel Symonds at kt literary for the illustrator (world).
Young Adult Fiction
Pushcart and Discovery/The Nation prize-winning poet, critic, and editor Rebecca Stafford’s RABBIT AND JULIET, a starstruck queer story about a grieving girl in a small Georgia town who meets the enigmatic daughter of a world-famous actor and embarks on a revenge plot to hold local boys accountable for a series of assaults, to Alyssa Miele at Quill Tree, in a pre-empt, in a two-book deal, for publication in fall 2024, by Marcy Posner at Folio Literary Management (NA).
Debut author-illustrator Mars Lauderbaugh’s HOLLOW MAGIC, in which a 17-year-old witch, searching for ways to understand her magic, meets an intriguing knight full of secrets, and, with their help, must find a way to lift the curse from an ancient castle or lose the chance to learn the truth about her lineage forever, to Rachel Diebel at Feiwel and Friends, for publication in fall 2026, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
Cass Biehn’s debut VESUVIUS, a queer YA historical fantasy pitched as THEY BOTH DIE AT THE END by way of THE SONG OF ACHILLES, set in Pompeii days before the eruption of Mount Vesuvius in which two boys must grapple with their closely guarded secrets and untangle their fates to make it out of the burning city alive, to Zoie Konneker at Peachtree Teen, in a nice deal, for publication in summer 2025, by Annalise Errico at Ladderbird Literary Agency (world).
Author of QUEER AS A FIVE-DOLLAR BILL Lee Wind’s A DIFFERENT KIND OF BRAVE, an adventure romance in which two gay teens—one who has escaped from a gay reprogramming institute in California, and the other, a privileged New Yorker who idolizes James Bond—come together to save each other and free the other teens trapped in the institute, to Jerome Pohlen at Chicago Review Press, for publication in March 2024, by Marietta Zacker at Gallt and Zacker Literary Agency (world).
Author of THE BEST LIARS IN RIVERVIEW and THE HOUSE THAT WHISPERS Lin Thompson’s THE REAPER’S GLASS, pitched as Our Flag Means Death meets THE GENTLEMAN’S GUIDE TO VICE AND VIRTUE, a queer/trans historical duology about three teens who set sail to face down a secret magical society in 1840s New England, to Camille Kellogg at Bloomsbury Children’s, in a two-book deal, for publication in spring 2025, by Beth Phelan at Gallt and Zacker Literary Agency (world).
Author of KINGS, QUEENS AND IN-BETWEENS Tanya Boteju’s MESSY PERFECT, exploring questions of faith, sexuality, and responsibility in the story of an overachieving teen’s efforts to run an underground gender and sexuality alliance and the complications that arise—because not only does she attend a Catholic high school, she also happens to be closeted, to Jennifer Ung at Quill Tree, in a good deal, in a two-book deal, for publication in summer 2025, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Brazilian author Clara Alves’s LONDON ON MY MIND, originally published in Brazil as ROMANCE REAL, translated into English by Nina Perrotta, in which a girl moves from Rio de Janeiro to London to live with her estranged father and his new family, and strikes up an unexpected romance with a beautiful and mysterious girl who is clearly hiding something about her connection to the royal family, to Orlando Dos Reis at Scholastic, for publication in summer 2024, by Danielle Burby and Alba Milena at Mad Woman Literary Agency, on behalf of Seguinte (world English).
Non-Fiction and Poetry
Illustrator, cartoonist, and author Lonnie Mann’s GAYTHEIST: COMING OUT OF MY ORTHODOX CHILDHOOD, a coming-of-age graphic memoir about growing up gay in an Orthodox Jewish community, to Liz Frances at Street Noise, with Matt Madden editing, in a nice deal, in an exclusive submission, for publication in February of 2024 (world).
Grammy Award-nominated, Mercury Prize-winning singer, songwriter, and poet Arlo Parks’s THE MAGIC BORDER, a collection of poetry exploring the queer experience, blackness, grief, trauma, and love, featuring photographs by Daniyel Lowden and the complete lyrics to her sophomore album My Soft Machine, to Stuart Roberts at Dey Street Books, at auction, for publication in September 2023, by Meredith Miller at UTA (NA).
Author of RAINBOW: A FIRST BOOK OF PRIDE Michael Genhart’s picture book biography EDIE FOR EQUALITY: EDIE WINDSOR STANDS UP FOR MARRIAGE EQUALITY, about the LGBTQ icon whose landmark case before the Supreme Court paved the way for marriage equality, illustrated by Cheryl Thuesday, to Jessica Echeverria at Lee and Low, for publication in spring 2025, by Nicole Geiger at Full Circle Literary (world).
Author of QUEERING THE TAROT, QUEERING YOUR CRAFT, and LESSONS FROM THE EMPRESS Cassandra Snow’s TAROT: IN OTHER WORDS, an anthology of essential writing by leading queer tarot writers and community leaders about their tarot practice and its relevance to LGBTQ+ issues, with contributions from Charlie Claire Burgess, Meg Jones Wall, Siri Vincent Plouff, Asalie Earthwork, Rebecca Scolnick, Maria Minnis, Nick Kepley, and others, to Peter Turner at Weiser Books, in an exclusive submission, for publication in spring 2025, by Kelly Van Sant at kt literary (world English).
Poet charles theonia’s GAY HEAVEN IS A DANCE FLOOR BUT I CAN’T RELAX, a poetry collection where poetic citation assumes the form of cross-generational conversation between queer and trans artists and writers, with methodologies and forms promiscuous (not limited to pop songs, paintings, a sexological study, and AIDS activist agitprop), variable in their structure, and invested in intergenerational queer connectivity, to Nicodemus Nicoludis at Archway Editions, for publication in spring 2024 (world English).
Author of STARS COLLIDE Rachel Lacey‘s COVER STORY, a sapphic bodyguard romance featuring an A-list actress in need of extra protection who hires a female bodyguard to pose as her girlfriend in order to keep the real story under wraps, again to Lauren Plude at Montlake, by Sarah Younger at Nancy Yost Literary Agency (world).
Laura R. Samotin‘s THE SINS ON THEIR BONES, pitched as inspired by Jewish mysticism and folklore, in which two estranged husbands on opposite sides of a civil war fight for the same throne, with a daring spymaster caught in the crossfire, set in a fantastical reimagining of 19th century Eastern Europe and pitched for fans of Leigh Bardugo, C.S. Pacat, Ava Reid, and Katherine Arden, to Amanda Ferreira at Random House Canada, in a two-book deal, by Hannah VanVels Ausbury at Belcastro Agency (world).
Author of the forthcoming GLASSWORKS Olivia Wolfgang-Smith‘s THE SYNDICATE, set in New York City at the turn of the 20th century, following a lavender marriage between a soap company’s mid-level manager, an eccentric scion of New York’s social royalty, and a lesbian who builds a business empire behind her husband’s names, pitched in the vein of Hernan Diaz’s TRUST and Colm Toibin’s THE MAGICIAN, to Grace McNamee at Bloomsbury, for publication in winter 2025, by Danielle Bukowski at Sterling Lord Literistic (world English).
S. A. MacLean‘s debut THE PHOENIX KEEPER, a queer fantasy romance set in a magical zoo of mythical creatures, in which a socially anxious phoenix keeper and a hotshot griffin keeper go from academic rivals to lovers while navigating fraught zoo politics, fighting off vicious poacher attacks, and trying to save their critically endangered residents, to Priyanka Krishnan at Orbit and Bethan Morgan at Gollancz, in a good deal, in a pre-empt, in a three-book deal, for publication in summer 2024, by John Baker at Bell Lomax Moreton Agency (world).
NYT bestselling author of THE GENTLEMAN’S GUIDE TO VICE AND VIRTUE Mackenzi Lee‘s LADY LIKE, a queer regency rom-com pitched as Bridgerton starring Kate McKinnon, in which two very different women set their sights on marrying the same duke, but instead find themselves falling in love with each other, to Katy Nishimoto at Dial Press, in a pre-empt, by Laurie Liss at Sterling Lord Literistic (NA).
Author of the forthcoming JUST AS YOU ARE Camille Kellogg‘s THE NEXT CHAPTER, pitched as a queer retelling of Notting Hill, in which a butch bookseller has a meet-cute with a famous actor who just so happens to need a starter girlfriend to establish her new branding as a Queer Icon, to Katy Nishimoto at Dial Press, in a two-book deal, by Jessica Alvarez at BookEnds (world English).
NYT bestselling author Melissa Marr‘s REMEDIAL MAGIC, in which a lesbian librarian is taken away to a magical community college within an inclusive magic city where she falls for a secretive Victorian witch – only to discover that her new world is dying and her witch is a liar, to Monique Patterson at Bramble, in an exclusive submission, in a two-book deal, for publication in winter 2024, by Merrilee Heifetz at Writers House (NA).
THE TWO DOCTORS GORSKI author and LAMBDA award winner Isaac Fellman‘s AS ABOVE, SO BELOW, the story of a boy and his two adoptive parents, their transitions, their art, and the revolution they sparked in a mystical far-future state, told through the lens of the character’s memoir and autobiography, to Carl Engle-Laird at Tor, by Kate McKean at Howard Morhaim Literary Agency.
Children’s and Middle Grade Fiction
NYT-bestselling author Marieke Nijkamp‘s SPLINTER & ASH, a debut prose series in which a disabled princess and her nonbinary squire find solace and friendship in each other, only to have their mettle tested when the princess is kidnapped and secrets that could send their kingdom crumbling into war and ruin are revealed, to Martha Mihalick at Greenwillow, in a major deal, at auction, in a three-book deal, for publication in fall 2024, by Suzie Townsend at New Leaf Literary & Media (world English).
Joelle Retener’s picture book MARLEY’S PRIDE, in which a nonbinary child with big anxieties must overcome their fear of crowds when their zaza is up for an award at Pride, illustrated by DeAnn Wiley, to Lisa Rosinsky at Barefoot Books, for publication in spring 2024, by James McGowan at BookEnds for the author and the illustrator (world).
Lee Wind‘s picture book LOVE OF THE HALF-EATEN PEACH, pitched as an epic take on Yuan (Duke Ling of Wei) and his beloved Mi Zi Xia, who shared a peach circa 500 BCE, inspiring generations of people to use the expression “Love of the Half-Eaten Peach” in Chinese to describe romantic love between men, illustrated by Jieting Chen, to Wiley Blevins at Reycraft, for publication in spring 2024, by Marietta Zacker at Gallt and Zacker Literary Agency for the author, and by Alexandra Gehringer at The Bright Group for the illustrator (world).
Author-illustrator Vincent X. Kirsch‘s picture book O.K. IS GAY, which follows a boy who discovers that words cannot express the joy of loving who he loves, to Courtney Code at Abrams Children’s, in an exclusive submission, for publication in spring 2025, by Jennifer Laughran at Andrea Brown Literary Agency (world).
Young Adult Fiction
Author of ANYTHING BUT FINE and TAKE A BOW, NOAH MITCHELL Tobias Madden’s WRONG ANSWERS ONLY, about a queer teen overachiever whose life takes an unexpected turn when he’s sent to live on a cruise ship with his estranged uncle following a series of panic attacks, to Tamara Grasty at Page Street, in an exclusive submission, for publication in fall 2024, by Claire Friedman at Inkwell Management (NA).
Author of JADE FIRE GOLD June CL Tan‘s DARKER BY FOUR, pitched as The Shadowhunter Chronicles meets the Chinese underworld, where an exorcist-in-training makes a deal with a trickster death god to regain the magic she lost—and save the life of the boy who stole it, to Alice Jerman at Harper Teen, in a significant deal, in an exclusive submission, in a two-book deal, for publication in winter 2024, by Laura Rennert at Andrea Brown Literary Agency (world English).
Author of IN THE RAVENOUS DARK and the forthcoming COURT OF THE UNDYING SEASONS A.M. Strickland‘s LADY DRAGON, a sapphic romantasy where two new leaders coming of age in war-torn lands—a reluctant human princess and the favored contender for the draconic queenship—must grapple with betraying their clashing nations or their unexpected feelings for each other, to Rachel Diebel at Feiwel and Friends, for publication in spring 2025, by Hannah Bowman at Liza Dawson Associates (world).
Author of forthcoming THE ALCHEMY OF MOONLIGHT David Ferraro‘s A VILE SEASON, pitched as Bridgerton meets Interview with a Vampire, in which a jaded vampire who has lost his immortality is tasked with wooing the young heir to a dukedom in order to regain his eternal life, but the secrets and scandals of British high society and an intriguing surprise suitor provide obstacles that force him to reevaluate his quest and his heart, to Tamara Grasty at Page Street, in a nice deal, in an exclusive submission, for publication in fall 2024, by Eva Scalzo at Speilburg Literary Agency (world English).
Author of I’LL BE THE ONE and FLIP THE SCRIPT Lyla Lee‘s THE CUFFING GAME, pitched as a K-drama take on Pride and Prejudice, but if Elizabeth and Darcy were forced to work together on a LGBTQ-friendly Love Island-esque reality TV show, the story follows a bisexual film student, who needs a star to help generate interest for her show, so she enlists the campus heartthrob, and while whirlwind dates are happening on camera, the director and contestant realize they might be falling for one another behind the scenes, to Mabel Hsu at Katherine Tegen Books, in an exclusive submission, for publication in winter 2025, by Penny Moore at Aevitas Creative Management (NA).
Non-Fiction and Poetry
E.F. Schraeder‘s THE PRICE OF A SMALL HOT FIRE, a debut poetry collection that is a study on estrangement and loss, excavating the archetypal horrors of monstrous motherhood, from abandonment and unsteady reconciliation to the grave, giving voice to a semi-autobiographical examination of a griefscape from a queer lens, to Jennifer Barnes at Raw Dog Screaming Press, with Stephanie Wytovich editing, in a nice deal, in an exclusive submission, for publication in July 2023 (world English).
Managing editor of Brevity and coeditor of THE LYRIC ESSAY AS RESISTANCE Zoe Bossiere‘s memoir CACTUS COUNTRY, about growing up genderfluid in a trailer park outside of Tucson, Arizona, capturing the violence and poignancy of trans boyhood set against the backdrop of the Sonoran Desert, and the fraught and tender beginnings of life as a queer adult and writer, to Abby Muller at Abrams Press, at auction, by Maggie Cooper at Aevitas Creative Management (NA).
James Beard Award–winning author of THE MAN WHO ATE TOO MUCH John Birdsall‘s WHAT IS QUEER FOOD?, a historical excavation of the queer voice in food, arguing that food became a language of queer identity in post-war America, and the queer embrace of sensuality in food changed the way we cook, eat and gather around the table, to Melanie Tortoroli at Norton, by Dado Derviskadic and Steve Troha at Folio Literary Management (world English).
Western Washington University professor Carol Guess‘s INFODEMIC, focusing on contemporary queer life during the COVID-19 pandemic and the aftermath of Trump’s presidency; beginning with the memory of a thwarted kidnapping attempt and ending with musings on life after death, the author engages philosophical questions about spirituality, ethics, and politics, incorporating prose narratives with lineated poems, and capturing the humor and interconnectedness of the author’s queer chosen family, to Diane Goettel at Black Lawrence Press, for publication in July 2024.
Queer somatic therapist, known as @somaticwitch who specializes in treating trauma and PTSD specifically with the LGBTQ+ community Andrea Gutierrez-Glik LCSW’s RADICAL TRAUMA HEALING: A TRANSFORMATIVE PROGRAM FOR THE LGBTQ+ COMMUNITY AND BEYOND, addressing the specific trauma that affects the queer, trans, POC communities and all those at the margins so they can finally see themselves in the healing process, recognizing that trauma can be more than personal, it can be rooted in systemic oppression and the recovery process might be radical, loud and angry and ultimately a political act, to Meg Leder at Penguin Life, by Laura Nolan at Aevitas Creative Management (world).
Welcome to England, where the Protectorate enforces the Public Good. Here, there are rules for everything – what to eat, what to wear, what to do, what to say, what to read, what to think, who to obey, who to hate, who to love. Your safety is assured, so long as you follow the rules.
Gabriel is a natural born rule-breaker. And his biggest crime of all? Being gay.
Gabriel knows his sexuality must be kept secret from all but his closest friends, not only to protect himself, but to protect his boyfriend. Because Eric isn’t just the boy who has stolen Gabriel’s heart. He’s the son of the chief inspector at Degenerate Investigations - the man who poses the single biggest threat to Gabriel’s life.
And the Protectorate are experts at exposing secrets.
“It’s not every day you get to put the fear of Medusa into a god.”
Emma Stone, medusa, is the groundskeeper for Olson College of Extensive Education, a place where everyone is welcome, from the mythical to the magical. When her selkie best friend loses her skin in Fresher’s week, the race is on to find it before someone uses it against her.
The search brings Emma face to face with her oldest enemy – and forces her to confront the worst nightmares of her past.
Sky Baker may be openly gay, but in his small, insular town, making sure he was invisible has always been easier than being himself. Determined not to let anything ruin his senior year, Sky decides to make a splash at his high school’s annual beach bum party by asking his crush, Ali, to prom—and he has thirty days to do it.
What better way to start living loud and proud than by pulling off the gayest promposal Rock Ledge, Michigan, has ever seen?
Then, Sky’s plans are leaked by an anonymous hacker in a deeply homophobic e-blast that quickly goes viral. He’s fully prepared to drop out and skip town altogether—until his classmates give him a reason to fight back by turning his thirty-day promposal countdown into a school-wide hunt to expose the e-blast perpetrator.
But what happens at the end of the thirty days? Will Sky get to keep his hard-won visibility? Or will his small-town blues stop him from being his true self?
When Otto and Xavier Shin declare their love, an aunt gifts them a trip on a sleeper train to mark their new commitment—and to get them out of her house. Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people onboard, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together.
Lark spent the first twenty-four years, nine months, and three days of his life training for a righteous quest: to rid the world of monsters. Alongside his partner Kane, he wore the cage and endured the scourge in order to develop his innate magic. He never thought that when Kane left, he’d next see him in the company of FBI agents and a SWAT team. He never dreamed that the leader of the Fellowship of the Anointed would be brought up on charges of abuse and assault.
He never expected the government would tell him that the monsters aren’t real–that there is no magic, and all the pain was for nothing.
Lark isn’t ready to give up. He is determined to fulfill his quest, to defeat the monsters he was promised. Along the way he will grapple with the past, confront love, and discover his long-buried truth.
JD Scott conjures up unruly personae that are propelled by queer fantasies, youthful regrets, incantations, and apocryphal parables. Mask for Mask is a kaleidoscopic poetry collection, one that is both formally innovative and an imaginative descent into LGBTQ+ undergrounds and underworlds.
Seventeen-year-old Pakistani immigrant Zara Hossain has been leading a fairly typical life in Corpus Christi, Texas, since her family moved there for her father to work as a pediatrician. While dealing with the Islamophobia that she faces at school, Zara has to lay low, trying not to stir up any trouble and jeopardize their family’s dependent visa status while they await their green card approval, which has been in process for almost nine years.
But one day her tormentor, star football player Tyler Benson, takes things too far, leaving a threatening note in her locker, and gets suspended. As an act of revenge against her for speaking out, Tyler and his friends vandalize Zara’s house with racist graffiti, leading to a violent crime that puts Zara’s entire future at risk. Now she must pay the ultimate price and choose between fighting to stay in the only place she’s ever called home or losing the life she loves and everyone in it.
Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real and imagined queer and trans communities.
In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and healthcare practice, sex worker activism, and much more. Accompanying the narratives are Rose’s startling and sinuous images that brings these leaders’ words to visual life.
Our Work Is Everywhere is a graphic nonfiction book that underscores the brilliance and passion of queer and trans resistance.
Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
“History” sounds really official. Like it’s all fact. Like it’s definitely what happened.
But that’s not necessarily true. History was crafted by the people who recorded it. And sometimes, those historians were biased against, didn’t see, or couldn’t even imagine anyone different from themselves.
That means that history has often left out the stories of LGBTQIA+ people: men who loved men, women who loved women, people who loved without regard to gender, and people who lived outside gender boundaries. Historians have even censored the lives and loves of some of the world’s most famous people, from William Shakespeare and Pharaoh Hatshepsut to Cary Grant and Eleanor Roosevelt.
Join author Lee Wind for this fascinating journey through primary sources―poetry, memoir, news clippings, and images of ancient artwork―to explore the hidden (and often surprising) Queer lives and loves of two dozen historical figures.
Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.
You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after.
Utter nonsense.
Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world.
Nonsense again.
Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
Tina never worries about being “ordinary”—she doesn’t have to, since she’s known practically forever that she’s not just Tina Mains, average teenager and beloved daughter. She’s also the keeper of an interplanetary rescue beacon, and one day soon, it’s going to activate, and then her dreams of saving all the worlds and adventuring among the stars will finally be possible. Tina’s legacy, after all, is intergalactic—she is the hidden clone of a famed alien hero, left on Earth disguised as a human to give the universe another chance to defeat a terrible evil.
But when the beacon activates, it turns out that Tina’s destiny isn’t quite what she expected. Things are far more dangerous than she ever assumed–and everyone in the galaxy is expecting her to actually be the brilliant tactician and legendary savior Captain Thaoh Argentian, but Tina….is just Tina. And the Royal Fleet is losing the war, badly–the starship that found her is on the run and they barely manage to escape Earth with the planet still intact.
Luckily, Tina is surrounded by a crew she can trust, and her best friend Rachel, and she is still determined to save all the worlds. But first she’ll have to save herself.
After years of trying to break into New York City’s literary scene, Madeline Slaughter is emotionally and physically exhausted. When a friend offers her a safe haven as the live-in companion to reclusive, bestselling novelist Victor Hallowell she jumps at the chance to escape the city.
Madeline expects to find rest and quiet in the forests of Upstate New York. Instead, she finds Victor, handsome and intensely passionate, and Audrey Coffin, Victor’s mysterious and beautiful neighbor.
When Victor offers her a kiss and the promise of more Madeline allows herself to become entangled even as Audrey is also claiming her heart. The only problem is that Audrey and Victor are ex-lovers with plenty of baggage between them. As Madeline finds herself opening up and falling in love with both she starts to wonder, can there be a future for all three?
When twin heirs are born in Tourin, their fates are decided at a young age. While Izaveta remained at court to learn the skills she’d need as the future queen, Asya was taken away to train with her aunt, the mysterious Firebird, who ensured magic remained balanced in the realm.
But before Asya’s training is completed, the ancient power blooms inside her, which can mean only one thing: the queen is dead, and a new ruler must be crowned.
As the princesses come to understand everything their roles entail, they’ll discover who they can trust, who they can love—and who killed their mother.
Derek is LitenVärld’s most loyal employee. He lives and breathes the job, from the moment he wakes up in a converted shipping container at the edge of the parking lot to the second he clocks out of work 18 hours later. But after taking his first ever sick day, his manager calls that loyalty into question. An excellent employee like Derek, an employee made to work at LitenVärld, shouldn’t need time off.
To test his commitment to the job, Derek is assigned to a special inventory shift, hunting through the store to find defective products. Toy chests with pincers and eye stalks, ambulatory sleeper sofas, killer mutant toilets, that kind of thing. Helping him is the inventory team—four strangers who look and sound almost exactly like him. Are five Dereks better than one?
Piper Kitts is spending the summer living with her grandmother, training at the barn of a former Olympic horseback rider, and trying to get over her ex-girlfriend. Much to Piper’s dismay, her grandmother is making her face her fear of driving head-on by taking lessons from a girl in town.
Kat Pearson has always suspected that she likes girls but fears her North Carolina town is too small to color outside the lines. But when Piper’s grandmother hires Kat to give her driving lessons, everything changes.
Piper’s not sure if she’s ready to let go of her ex. Kat’s navigating uncharted territory with her new crush. With the summer running out, will they be able to unlock a future together?
It’s the summer before middle school and eleven-year-old Bug’s best friend Moira has decided the two of them need to use the next few months to prepare. For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn’t particularly want to spend more time trying to understand how to be a girl. Besides, there’s something more important to worry about: A ghost is haunting Bug’s eerie old house in rural Vermont…and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they’re trying to say, an altogether different truth comes to light—Bug is transgender.
Prince Tal has long awaited his coming-of-age tour. After spending most of his life cloistered behind palace walls as he learns to keep his forbidden magic secret, he can finally see his family’s kingdom for the first time. His first taste of adventure comes just two days into the journey, when their crew discovers a mysterious prisoner on a burning derelict vessel.
Tasked with watching over the prisoner, Tal is surprised to feel an intense connection with the roguish Athlen. So when Athlen leaps overboard and disappears, Tal feels responsible and heartbroken, knowing Athlen could not have survived in the open ocean.
That is, until Tal runs into Athlen days later on dry land, very much alive, and as charming—and secretive—as ever. But before they can pursue anything further, Tal is kidnapped by pirates and held ransom in a plot to reveal his rumored powers and instigate a war. Tal must escape if he hopes to save his family and the kingdom. And Athlen might just be his only hope…
With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop.
At the Five-Hop One-Stop, long-haul spacers can stretch their legs (if they have legs, that is), and get fuel, transit permits, and assorted supplies. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.
When a freak technological failure halts all traffic to and from Gora, three strangers—all different species with different aims—are thrown together at the Five-Hop. Grounded, with nothing to do but wait, the trio—an exiled artist with an appointment to keep, a cargo runner at a personal crossroads, and a mysterious individual doing her best to help those on the fringes—are compelled to confront where they’ve been, where they might go, and what they are, or could be, to each other.
After an embarrassing loss to her ex-girlfriend in their first basketball game of the season, seventeen-year-old Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, Irene Abraham, head cheerleader for the Fighting Reindeer.
Irene is as mean as she is beautiful, so Scottie makes a point to keep her distance. When the accident sends Irene’s car to the shop for weeks’ worth of repairs and the girls are forced to carpool, their rocky start only gets bumpier.
But when an opportunity arises for Scottie to get back at her toxic ex—and climb her school’s social ladder—she bribes Irene into an elaborate fake- dating scheme that threatens to reveal some very real feelings.
Broken taillights, faulty dishwashers, you name it. There are very few things I can’t make brand-new again. If it’s broken, malfunctioning, or just in need of a hand, it lands in my lap. That’s how Trey ended up in front of me, an unexpected stranger in my kitchen.
Only, he’s not broken.
Far from it. He’s gentle, creative, compassionate, and bright, all wrapped up in this timid, cagey package of blond curls and shy smiles. He’s been dealt a bad hand, running from someone that hurt him more than just physically, and he needs my help. My protection.
But Trey is different from every other guy.
He makes me feel things I don’t quite comprehend. Things I didn’t know were buried inside. No matter how hard I try to keep them quiet, I can’t ignore the way his attention quickens my heartbeat or how his soft eyes and even softer lips stir up desires I’ve never had before, and now that he’s this close to me, I’m not letting anything or anyone take him away.
Jetta is in the center of a war. With her magical power, she could save everyone, save her country… or she could destroy it all.
Jetta’s home is spiraling into civil war. Le Trépas—the deadly necromancer—has used his blood magic to wrest control of the country, and Jetta has been without treatment for her malheur for weeks. Meanwhile, Jetta’s love interest, brother, and friend are intent on infiltrating the palace to stop the Boy King and find Le Trépas to put an end to the unleashed chaos.
The sweeping conclusion to Heidi Heilig’s ambitious trilogy takes us to new continents, introduces us to new gods, flings us into the middle of palace riots and political intrigue, and asks searching questions about power and corruption. As in the first two books, the story is partly told in ephemera, including original songs, myths, play scripts, and various forms of communication.
That’s a well-established fact among his tight-knit friend group, and they love him anyway.
Jack is an ass.
Jack, who’s always ready with a sly insult, who can’t have a conversation without arguing, and who Oscar may or may not have hooked up with on a strict no-commitment, one-time-only basis. Even if it was extremely hot.
Together, they’re a bickering, combative mess.
When Oscar is fired (answering phones is not for the anxiety-ridden), he somehow ends up working for Jack. Maybe while cleaning out Jack’s grandmother’s house they can stop fighting long enough to turn a one-night stand into a frenemies-with-benefits situation.
The house is an archaeological dig of love and dysfunction, and while Oscar thought he was prepared, he wasn’t. It’s impossible to delve so deeply into someone’s past without coming to understand them at least a little, but Oscar has boundaries for a reason—even if sometimes Jack makes him want to break them all down.
After all, hating Jack is less of a risk than loving him…
Dean Foster knows he’s a trans guy. He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?
A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps―and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER [Queers United to End Erasure and Repression]. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, who publicly supported the quarantine initiative, Rios finds himself with a client suddenly facing the death penalty.
At age nineteen, the queer narrator of Green Glass Ghosts steps off a bus in downtown Vancouver, a city where the faceless condo towers of the wealthy loom over the streets to the east where folks are just trying to get by, against the deceptively beautiful backdrop of snow-capped mountains and sparkling ocean. It’s the year 2000, and the world is still mostly analogue–pagers are the best way to get ahold of someone and resumes are printed out on paper and dropped off in person, and what’s this new fad called webmail?
Our hopeful hero arrives on the West Coast on the cusp of adulthood, fleeing a traumatic childhood in an unsafe family plagued by religious extremism, mental health crises, and abuse in a conservative town not known for accepting difference. They’re eager to build a new life among like-minded folks, and before they know it, they’ve got a job, an apartment, and a relationship, dancing, busking, and making out in bars, parks, art spaces, and apartments across the city. But their search for belonging and stability is buried in drinking, jealousy, and painful memories of the past, distracting the protagonist from their ultimate goal of playing live music and spurring them to an emotional crisis. If they can’t learn to care for themselves, how will they ever find true connection and community?
With haunting illustrations by Gem Hall that conjure the moody, misty urban landscape, Green Glass Ghosts is an evocation of that delicate, aching moment between youth and adulthood when we are trying, and often failing, to become the person we dream ourselves to be.
The sequel to Anna K, set over the course of the next summer, as the characters come to terms with Vronsky’s tragic death
How the mighty have fallen. Anna K, once the golden girl of Greenwich, CT, and New York City, has been brought low by a scandalous sex tape and the tragic death of her first love, Alexia Vronsky. At the beginning of the summer, her father takes her to the other side of the world, to connect with his family in South Korea and hide her away. Is Anna in exile? Or could this be her chance to figure out who she really is?
Back in the U.S., Lolly has forgiven Steven for cheating on her, and their relationship feels stronger than ever. But when Lolly meets a boy at her beloved theater camp, she has to ask herself how well Steven will ever really know her. Meanwhile, in Manhattan, everything between Kimmie and her new boyfriend, Dustin, is easy—except when it comes to finally having sex. And Bea escapes to LA, running away from her grief at her beloved cousin’s death, until a beautiful stranger steals her heart. Is Bea ready to finally forgive Anna, and let herself truly fall in love for the very first time?
Set over the course of one unforgettable summer, Jenny Lee’s Anna K Away is full of the risk, joy, heartbreak, and adventure that mark the three months between the end of one school year and the beginning of the next.
In a nuclear arms race, you’d use anything for an edge. Even magic.
Ilse and Wolf Klein bear many secrets. Genius Ilse is unsure if her parents will ever accept her love of physics. Her brother Wolf strives for a quiet life, though he worries that there’s no place in the world for people like him. But their deepest secret lies within their blood: with it, they can work magic.
Blackmailed into service during World War II, Ilse lends her magic to America’s newest weapon, the atom bomb, while Wolf goes behind enemy lines to sabotage Germany’s nuclear program. It’s a dangerous mission, but if Hitler were to create the bomb first, the results would be catastrophic.
When Wolf’s plane is shot down, his entire mission is thrown into jeopardy. Wolf needs Ilse’s help to develop the magic that will keep him alive, but with a spy afoot in Ilse’s laboratory, the secret letters she sends to Wolf begin to look treasonous. Can Ilse prove her loyalty—and find a way to help her brother—before their time runs out?
Loyalties and identities will be tested in this sweeping fantasy and a fast-paced thriller that bravely explores the tensions at the dawn of the nuclear age.
Felicity Montague is through with pretending she prefers society parties to books about bone setting—or that she’s not smarter than most people she knows, or that she cares about anything more than her dream of becoming a doctor.
A year after an accidentally whirlwind tour of Europe, which she spent evading highwaymen and pirates with her brother Monty, Felicity has returned to England with two goals in mind—avoid the marriage proposal of Callum Doyle, a lovestruck suitor from Edinburgh; and enroll in medical school. However, her intellect and passion will never be enough in the eyes of the administrators, who see men as the sole guardians of science.
But then a small window of hope opens. Doctor Alexander Platt, an eccentric physician that Felicity idolizes, is looking for research assistants, and Felicity is sure that someone as forward thinking as her hero would be willing to take her on. However, Platt is in Germany, preparing to wed Felicity’s estranged childhood friend Johanna. Not only is Felicity reluctant to opening old wounds, she also has no money to make the trip.
Luckily, a mysterious young woman is willing to pay Felicity’s way, so long as she’s allowed to travel with Felicity disguised as her maid. In spite of her suspicions, Felicity agrees, but once the girl’s true motives are revealed, Felicity becomes part of a perilous quest that will lead her from the German countryside to the promenades of Zurich to secrets lurking beneath the Atlantic.
Plunged into a crumbling world of foreign politics that is desperate for a leader, Eros chooses a loyal prince to help him navigate the hostile sands of Safara. But not everyone is happy to see a half-blood become the most powerful person on the planet. A queen must restore her nation.
In power once more, Kora faces new challenges and a difficult decision that puts someone close to her in mortal danger. The wrong choice could destroy her relationships, her right to rule, and her life.
A rebellion is brewing.
With their world collapsing around them, new threats spreading across the globe, and their loved ones at risk, the people of Safara―Sepharon and human alike―depend on Eros and Kora to fix their bleeding world. But with generations of hate stacked against them, the two young monarchs may be doomed to fail.
An epic graphic novel about a girl who travels to the ends of the universe to find a long lost love, from acclaimed author Tillie Walden.
Throughout the deepest reaches of space, a crew rebuilds beautiful and broken-down structures, painstakingly putting the past together. As Mia, the newest member, gets to know her team, the story flashes back to her pivotal year in boarding school, where she fell in love with a mysterious new student. When Mia grows close to her new friends, she reveals her true purpose for joining their ship—to track down her long-lost love.
An inventive world, a breathtaking love story, and stunning art come together in this new work by award-winning artist Tillie Walden.
Inspired by real historical evidence that Abraham Lincoln was in love—romantic love—with another man, this debut YA novel was too controversial for traditional publishing. Crowdfunded in six days with a successful Kickstarter campaign that ultimately 182 backers supported, QUEER AS A FIVE-DOLLAR BILL asks LGBTQ teens (and everyone else), What if you knew a secret from history that could change the world?
Wyatt is 15, and nobody in his homophobic small town of Lincolnville, Oregon, knows that he’s Gay. Not even his best friend (and accidental girlfriend) Mackenzie. Then he discovers a secret from actual history: Abraham Lincoln was in love with another guy! Since everyone loves Lincoln, Wyatt’s sure that if the world knew about it, they would treat Gay people differently and it would solve everything about his life. So Wyatt outs Lincoln online, triggering a media firestorm that threatens to destroy everything he cares about—and he has to pretend more than ever that he’s straight. . . . Only then he meets Martin, who is openly Gay and who just might be the guy Wyatt’s been hoping to find.
Jack (Not Jackie)by Erica Silverman, illustrated by Holly Hatam (9th)
In this heartwarming picture book, a big sister realizes that her little sister, Jackie, doesn’t like dresses or fairies-she likes ties and bugs! Will she be able to accept that Jackie identifies more as “Jack”?
Susan thinks her little sister Jackie has the best giggle! She can’t wait for Jackie to get older so they can do all sorts of things like play forest fairies and be explorers together. But as Jackie grows, she doesn’t want to play those games. She wants to play with mud and be a super bug! Jackie also doesn’t like dresses or her long hair, and she would rather be called Jack.
Readers will love this sweet story about change and acceptance.
Alan Cole is not a coward. Not since he stood up to his brother. Not since he let his friends Zack and Madison into his world. And definitely not since he came out at his school.
But Alan’s got a new host of problems to face. His biggest one: Ron McCaughlin. Ever since Alan revealed he’s gay, Ron has been bullying Alan with relentless fury. Yet Alan can’t tell his parents why he’s really coming home with bruises — because they still don’t know the truth. And now Alan’s father wants him to take June Harrison to the upcoming Winter Dance. Never mind that he has two left feet, does not like girls, and might be developing feelings for a new boy at school.
Between trying to understand the complex art of text flirting, learning how to subdue his bullies, and finding his identity beyond the labels people put on him, Alan has a lot to sort through — and lay out — on the dance floor.
In this follow-up novel to Alan Cole Is Not A Coward, Eric Bell returns to the Unstable Table with Alan and his friends as they tackle middle school in another poignant and laugh-out-loud tale about friendship, family, and the many meanings of bravery.
Since she was a child, the divine empress O Shizuka has believed she was an untouchable god. When her uncle, ruler of the Hokkaran Empire, sends her on a suicide mission as a leader of the Imperial Army, the horrors of war cause her to question everything she knows.
Thousands of miles away, the exiled and cursed warrior Barsalyya Shefali undergoes trials the most superstitious would not believe in order to return to Hokkaran court and claim her rightful place next to O Shizuka.
As the distance between disgraced empress and blighted warrior narrows, a familiar demonic force grows closer to the heart of the empire. Will the two fallen warriors be able to protect their home?
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them a girl, and trap the other in the body of a swan.
But when two local boys become drawn into the game, the swans’ spell intertwines with the strange and unpredictable magic lacing the woods, and all four of their fates depend on facing truths that could either save or destroy them. Blanca & Roja is the captivating story of sisters, friendship, love, hatred, and the price we pay to protect our hearts.
Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it.
Ben thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.
But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?
Maybe nothing. After all, they get separated.
Maybe everything. After all, they get reunited.
But what if they can’t quite nail a first date . . . or a second first date . . . or a third?
What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?
Courtney “Coop” Cooper
Dumped. Again. And normally I wouldn’t mind. But right now, my best friend and source of solace, Jupiter Sanchez, is ignoring me to text some girl.
Rae Evelyn Chin
I assumed “new girl” would be synonymous with “pariah,” but Jupiter and Courtney make me feel like I’m right where I belong. I also want to kiss him. And her. Which is . . . perplexing.
Jupiter Charity-Sanchez
The only thing worse than losing the girl you love to a boy is losing her to your boy. That means losing him, too. I have to make a move. . . .
When James’s boyfriend killed himself, no one questioned what happened. A foster kid with a checkered past and a history of suicide attempts, Ash was just another number in a system that failed him. But to James, Ash was never just a number, and the facts around his death no longer stack up so neatly.
Now James has plenty of questions, and the one person who might have held the answers—Ash’s older brother, Elliot—has left town. And if anyone knows where he is, they aren’t talking. As James searches for Elliot and uncovers the tangle of lies and false alibis he left in his wake, he grows suspicious of what really happened on Ash’s last day.
In the aftermath of her mother’s death, Angela struggles to recover and re-enter the world. When she meets Steve, who works in the café across the street, she feels able to take a step out of her grief-filled home. With Steve, she hopes to do D/s as a way to take a break from the pain consuming her, but discovers that in doing kink, you bring all of who you are with you, including grief.
Then Steve’s best friend is in a tragic car accident, and winds up in a coma, and Angela longs to offer support to Steve, as well as receive it.
In the city of Eldra, people are ruled by ancient prophecies. For centuries, the high council has stayed in power by virtue of the prophecies of the elder seers. After the last infallible prophecy came to pass, growing unrest led to murders and an eventual rebellion that raged for more than a decade.
In the present day, Cassa, the orphaned daughter of rebels, is determined to fight back against the high council, which governs Eldra from behind the walls of the citadel. Her only allies are no-nonsense Alys, easygoing Evander, and perpetually underestimated Newt, and Cassa struggles to come to terms with the legacy of rebellion her dead parents have left her — and the fear that she may be inadequate to shoulder the burden. But by the time Cassa and her friends uncover the mystery of the final infallible prophecy, it may be too late to save the city — or themselves.
When Ren wakes from his life-threatening injury on the Star Stream, he learns that Asher has left with the Phoenix Corps and that the Corps believes Ren to be dead. Despite the opportunity to disappear, Ren is determined to fix his mistakes. He convinces the crew to join him for one last mission—find Asher, free Liam, and escape from the Corps’ reach. But a war is brewing between two formidable armies, and, despite his wish to flee, Ren is drawn into the conflict. With his friends by his side, Ren must make a choice, and it will affect the future of his found family and the cluster forever.
The deepest of them make up intricately interconnected stories. Damaged survivors finding each other, stitching their lives together in the harshest of places, forging precious bonds amidst the flames. Gradually growing trust, love, and understanding between found families. But there’s no escaping this place, its deadly realities, or its predators. A brutal capture. A hellish withdrawal and fragile recovery. A harrowing escape. A breakneck sprint across a haunted, poisoned wasteland.
Life and death, trust and betrayal, choking smoke and breaths of fresh air—all of these are just part of life within Parole.
Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena’s twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them.
ldentifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions–intellectual, emotional, visceral–that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.
Princess Galina’s father has set her a difficult task: persuade a peasant named Elena to reveal the secrets behind her magical powers. Difficult, and maybe impossible, given that Elena is stubborn to a fault and has no respect for authority—especially the kind that wears a crown. And the more time passes, the less Galina cares about doing her duty and more about simply Elena herself.
The relationship between two goddesses, one the embodiment of a galactic creation and the other of cosmic destruction, is tempestuous at best. They create and they destroy and then they do it all over again. Seya and Mia use their divine magic to make pulsars and nebula, to set planets spinning around stars and bind a galaxy together with a central black hole.
But when one of Seya’s favorite stars goes missing, she blames Mia. What was once a symbiotic cycle of life and death becomes a game of broken hearts and promises betrayed. These tensions and insecurities are explored in sonnets and villanelles; the arc of their love tracked in meter and verse. These poems touch on queer love, betrayal, trust, acceptance, and forgiveness cast against a backdrop of stardust and celestial detritus.
Benjamin Lewis has created a life for himself as one of the most respected silversmiths and engravers in New York City. For Benjamin, his work is his passion and he has never sought out companionship beyond the close ties of family. Stumbling across dresses sew by his late mother, however, reawakens painful memories from his past. Now he is determined to forge something beautiful from the remains of the life and identity he left behind. In the process, he discovers stunning and fiercely intelligent Miss Quincy who might just have the power to tempt him out of his quiet isolation.
Remembrance Quincy’s talent is as undeniable as her needlework is exquisite. She has made a name for herself crafting quilts and embroidery pieces for all the wealthiest ladies in the city. When soft-spoken, yet charming, Mr. Lewis comes to her with a particular project in mind she is intrigued both by his artistic design and by the man himself. He treats her like an equal, values her work and makes her smile, but Remembrance already gave her heart away once, now can she risk doing it again?
For Teodora DiSangro, a mafia don’s daughter, family is fate.
All her life, Teodora has hidden the fact that she secretly turns her family’s enemies into music boxes, mirrors, and other decorative objects. After all, everyone in Vinalia knows that stregas—wielders of magic—are figures out of fairytales. Nobody believes they’re real.
Then the Capo, the land’s new ruler, sends poisoned letters to the heads of the Five Families that have long controlled Vinalia. Four lie dead and Teo’s beloved father is gravely ill. To save him, Teo must travel to the capital as a DiSangro son—not merely disguised as a boy, but transformed into one.
Enter Cielo, a strega who can switch back and forth between male and female as effortlessly as turning a page in a book. Teo and Cielo journey together to the capital, and Teo struggles to master her powers and to keep her growing feelings for Cielo locked in her heart. As she falls in love with witty, irascible Cielo, Teo realizes how much of life she’s missed by hiding her true nature. But she can’t forget her mission, and the closer they get to the palace, the more sinister secrets they uncover about what’s really going on in their beloved country—and the more determined Teo becomes to save her family at any cost.
A fresh, charming rom-com perfect for fans of Simon vs. the Homo Sapiens Agenda and Boy Meets Boy about Nathan Bird, who has sworn off happy endings but is sorely tested when his former best friend, Ollie, moves back to town.
Nathan Bird doesn’t believe in happy endings.
Although he’s the ultimate film buff and an aspiring screenwriter, Nate’s seen the demise of too many relationships to believe that happy endings exist in real life.
Playing it safe to avoid a broken heart has been his MO ever since his father died and left his mom to unravel—but this strategy is not without fault. His best-friend-turned-girlfriend-turned-best-friend-again, Florence, is set on making sure Nate finds someone else. And in a twist that is rom-com-worthy, someone does come along: Oliver James Hernández, his childhood best friend.
After a painful mix-up when they were little, Nate finally has the chance to tell Ollie the truth about his feelings. But can Nate find the courage to pursue his own happily ever after?
Pretty Little Liars meets Dan Savage in this modern, fresh, YA debut about an unapologetically queer teen working to uncover a blackmailer threatening him back into the closet.
Jack has a lot of sex–and he’s not ashamed of it. While he’s sometimes ostracized, and gossip constantly rages about his sex life, Jack always believes that “it could be worse.”
But then, the worse unexpectedly strikes: When Jack starts writing a teen sex advice column for an online site, he begins to receive creepy and threatening love letters that attempt to force Jack to curb his sexuality and personality. Now it’s up to Jack and his best friends to uncover the stalker–before their love becomes dangerous.