Tag Archives: Sci-Fi

Reading and Writing Dark LGBTQ Fiction: a Guest Post by Breeder Author Honni van Rijswijk

Today on the site we’re welcoming Honni van Rijswijk, author of dystopian thriller Breeder, which just released on Tuesday from Blackstone publishing! Honni’s here to talk about the writing process for their novel, the “dark/bleak” elements that dominate it, and why such fiction can be kinda cheering, actually, regarding both their queer sexuality and nonbinary identity. But before we get to that, here’s a little more on the book:

Will Meadows is a seemingly average fifteen-year-old Westie, who lives and works in Zone F, the run-down outermost ring of the Corporation. In the future state of the Corp, a person’s value comes down to productivity: the right actions win units, the wrong ones lose them. If Will is unlucky and goes into unit debt, there’s only one place to go: the Rator. But for Zone F Breeders, things are much worse–they’re born into debt and can only accrue units through reproduction.

Every day in Zone F is a struggle, especially for Will who is fighting against time for access to an illegal medical drug, Crystal 8. Under the cover of night, Will travels to the Gray Zone, where life is less regulated and drugs–and people–are exchanged for gold. There, Will meets Rob, a corrupt member of the Corporation running a Breeder smuggling operation. Will also meets Alex, another teen whom he quickly recognizes as a Breeder in disguise.

Suddenly, Will has an illicit job and money, access to Crystal, and a real friend. As the pair grows closer, Alex shares her secret: she is part of the Response, an uprising to overthrow the Corporation. Caught up in the new friendship, Will and Alex become careless as the two covertly travel into Zone B for a day of adventure. Nothing goes as planned and Will’s greatest fear is realized. Will his true identity be revealed?

Buy it: Bookshop | Amazon | B&N

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And here’s the post!

My novel Breeder is set in a bleak world. It takes place after a catastrophic environmental apocalypse, where an avaricious corporation has taken control of all resources, and treats all people (except its shareholders) as resources to be used and then discarded. Part of its violence involves the ways it controls people through rigid gender norms–boys/men are only used for labor, and girls/women are only used for reproduction. The main character, a 15-year-old called Will, has to navigate this extreme world and readers witness Will doing so in ways that are often ethically problematic. Why did I want to set up this world, as an author, and what do we gain, as readers, from bleak possibilities and morally gray characters?

I’ve always been drawn to “dark” novels and films–horror, sci-fi, and extreme realism. As readers, we gain a lot from these bleak worlds. Samara Morgan, the vengeful ghost/demon in the horror story THE RING helps us understand the brutal possibilities of the mother/daughter relationship. Serena Joy’s callous upholding of religious and gender norms in The Handmaid’s Tale reveals white women’s complicity in historical oppression. The devastating realist trauma represented in Stone Butch Blues brings home the violence experienced by gender queer people. As a nonbinary person brought up as a girl, I’ve experienced violence based on gender identity and sexuality, and I needed these dark tales as catharsis, recognition and articulation. It has always been a relief to me to see violence I’ve experienced told back to me as stories. Why is this the case? Because these bleak tales offer frameworks of recognition from places that sometimes haven’t been recognised before. They provide us a language of trauma, and also languages of responsibility and accountability–once we have these languages, we can recognise and speak to each other, we can speak back to power. These stories provide ways to call for justice, through the frameworks of revenge, tragedy and revolution.

In Breeder, the main character, Will, is nonbinary, trying to navigate a world that refuses any possibility of gender fluidity and, indeed, any lived experience outside that of being a productive cog within the Corporation. I wanted to explore this extreme world as a way to explore our current world–where we’re absolutely facing environmental collapse, hyper-capitalism and conservative backlash on reproductive freedom as well as LGBTQI rights. Through the character of Will, I wanted to explore what a young person at the intersections of these crisis might do. Will is at the bottom of the class order in the Corp; they are nonbinary, assigned AFAB, and they have no legacy Units. Structurally, everything is against them. I wanted to explore what moral choices a character might make in that situation–will they conform or will they rebel? Will they create alliances with other excluded people, or will they try to make the best of their difficult situation? In Breeder, I set up extreme versions of choices that I, and many LGBTQI people, have had to make throughout our lives. We might not always agree with the choices that Will makes, but hopefully people can empathise with why Will might make these choices. For me, as both a reader and a writer, it’s only in these extreme and bleak worlds that I see versions of my own experience reflected and so I will always seek them out!

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Want your own copy of Breeder? The author is giving away two copies, and yes, this giveaway is international! Just comment below with what kind of fiction you gravitate toward for comfort and/or catharsis and we’ll pick two winners on Friday, July 23rd!

Honni van Rijswijk is a writer, lawyer, and academic. Breeder is their debut novel. Their fiction has appeared in Southerly and was short-listed for Zoetrope: All-Story. They are a Senior Lecturer in the Faculty of Law at the University of Technology Sydney, where their research focuses on intersections between law, technology, and culture. They live in Sydney, Australia, with their partner and daughter.

Exclusive Cover Reveal: Survive the Dome by Kosoko Jackson

Welcome to part two of the Kosoko Jackson Cover Reveal Extravaganza here on LGBTQReads! (If you missed the reveal for I’m So (Not) Over You, it’s time to remedy that immediately!) In the space of approximately no time, Jackson is jumping from contemporary adult romance to YA sci-fi thriller, and I know everyone’s along for the ride, so let’s get to showing off Survive the Dome, which releases March 1, 2022 from Sourcebooks Fire!

The Hate U Give meets Internment in this pulse-pounding thriller about an impenetrable dome around Baltimore that is keeping the residents in and information from going out during a city-wide protest.

Jamal Lawson just wanted to be a part of something. As an aspiring journalist, he packs up his camera and heads to Baltimore to document a rally protesting police brutality after another Black man is murdered.

But before it even really begins, the city implements a new safety protocol…the Dome. The Dome surrounds the city, forcing those within to subscribe to a total militarized shutdown. No one can get in, and no one can get out.

Alone in a strange place, Jamal doesn’t know where to turn…until he meets hacker Marco, who knows more than he lets on, and Catherine, an AWOL basic-training-graduate, whose parents helped build the initial plans for the Dome.

As unrest inside of Baltimore grows throughout the days-long lockdown, Marco, Catherine, and Jamal take the fight directly to the chief of police. But the city is corrupt from the inside out, and it’s going to take everything they have to survive.

And here’s the powerful cover, with art by Jeff Manning!

Preorder: Amazon | IndieBound

Kosoko Jackson is a digital media specialist, focusing on digital storytelling, email, social and SMS marketing, and a freelance political journalist. Occasionally, his personal essays and short stories have been featured on Medium, Thought Catalog, The Advocate, and some literary magazines. When not writing YA novels that champion holistic representation of black queer youth across genres, he can be found obsessing over movies, drinking his (umpteenth) London Fog, or spending far too much time on Twitter.

Backlist Book of the Month: Failure to Communicate by Kaia Sønderby

However you refer to the month of April (and I’m digging seeing Autism Pride Month start to catch on), there’s no question it’s a good time for some queer autistic rep! Failure to Communicate by Kaia Sønderby has a bi autistic protag, a spaceship, and aliens, so let’s all strap in for a good time, shall we?? (Plus the ebook is $2.99…)

As one of the only remaining autistics in the universe, Xandri Corelel has faced a lot of hardship, and she’s earned her place as the head of Xeno-Liaisons aboard the first contact ship Carpathia. But her skill at negotiating with alien species is about to be put to the ultimate test.

The Anmerilli, a notoriously reticent and xenophobic people, have invented a powerful weapon that will irrevocably change the face of space combat. Now the Starsystems Alliance has called in Xandri and the crew of the Carpathia to mediate. The Alliance won’t risk the weapon falling into enemy hands, and if Xandri can’t bring the Anmerilli into the fold, the consequences will be dire.

Amidst sabotage, assassination attempts, and rampant cronyism, Xandri struggles to convince the doubtful and ornery Anmerilli. Worse, she’s beginning to suspect that not everyone on her side is really working to make the alliance a success. As tensions rise and tempers threaten to boil over, Xandri must focus all her energy into understanding the one species that has always been beyond her: her own.

Buy it: Amazon | Gumroad | Book Depository

Book Giveaway: The Teixcalaan Duology by Arkady Martine

Today on the site, we’re doing a killer giveaway in partnership with Tor Books to celebrate the March 2nd release of A Desolation Called Peace, the second book in Arkady Martine’s Teixcalaan series! Tor is giving away five sets of both books in the space opera duology, so even if you haven’t yet read A Memory Called Empire, you’re totally covered!

A Memory Called Empire (Book One):

Winner of the 2020 Hugo Award for Best Novel
A Locus, and Nebula Award nominee for 2019
A Best Book of 2019: Library Journal, Polygon, Den of Geek
An NPR Favorite Book of 2019
A Guardian Best Science Fiction and Fantasy Book of 2019 and “Not the Booker Prize” Nominee
A Goodreads Biggest SFF Book of 2019 and Goodreads Choice Awards Nominee

A Memory Called Empire perfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it.” —Ann Leckie, author of Ancillary Justice

Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn’t an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan’s unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.

A fascinating space opera debut novel, Arkady Martine’s A Memory Called Empire is an interstellar mystery adventure.

Buy it: Bookshop | Macmillan

 A Desolation Called Peace (Book Two):

A Desolation Called Peace is the spectacular space opera sequel to Arkady Martine’s genre-reinventing, Hugo Award–winning debut, A Memory Called Empire.

An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.

In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity.

Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction—and allow the empire to continue its rapacious expansion.

Or it might create something far stranger…

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No purchase necessary. The giveaway is open to residents of the United States and Canada (excluding Quebec) 18 and older. Entry period begins at 12:00 p.m. EST on 3/1/21 and ends at 11:59 p.m. EST on 3/7/21. Void where prohibited.

To enter, tell us your favorite queer sci-fi novel in the comments! Winners will be notified on Monday, March 8th!

Authors in Conversation: Tessa Gratton and Rebecca Coffindaffer

Today on the site, we’re celebrating two more authors of brand-new queer YAs: Tessa Gratton, whom you might know from Strange Grace, Lady Hotspur, or any other number of queer books, and whose most recent queer YA is a standalone fantasy called Night Shinestarring a panromantic questioning protagonist and genderfluid, lesbian, and gay love interestswhich released on September 8th, and debut Rebecca Coffindaffer, whose space opera, Crownchasers, stars a panromantic and pansexual protag and demisexual love interest in an m/f pairing and releases on September 29th! Make sure you check out September’s New Releases post for info and links to both books! And now, here are the authors!

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TESSA: Hi! I’m Tessa Gratton, author of both YA and adult SFF novels. My new release is Night Shine, which I’m pitching as a dark, queer Howl’s Moving Castle. It comes out September 8th from McElderry Books, and as luck would have it, one of my longest-term writer friends, Rebecca Coffindaffer, has her debut novel coming out the same month. It’s called Crownchasers, and is the opening of a wild, intense space opera series. Think gender-bent Indiana Jones in space, with lots of twisty politics, a deadly scavenger hunt, and a both sweet and hot slow burn friends-to-lovers romance.

Becca—Tell me what inspired you to write Crownchasers!


BECCA: I’d say the main character, Alyssa Farshot. Her voice and this concept of sort of a gender-bent Han Solo or Indiana Jones kind of character—someone who flies fast, talks fast, takes tons of risk—all that definitely came first. And once I had her, it just became a matter of exploring everything I’ve always loved about science fiction. I grew up on Star Trek and Star Wars, I had a deep and abiding love affair with the rebooted Battlestar Galactica…I mean, if there is a book or movie or TV show set in space, I will eat it up, and I wanted to write a space opera story that embraced and combined all of my favorite tropes of the genre in some new, fun ways.

Okay, Tessa, talk to me about the initial spark behind the story that became Night Shine and how it evolved from original concept to the book that hits shelves in September.

TESSA: Here is something wild: I don’t remember the initial spark for Night Shine! The first five pages have been sitting in my “ideas” folder since about 2011, and I’ve been trying to remember what triggered them. I can’t, and it’s extremely frustrating, LOL. What I do know is why I picked now to actually write the book. It was September 2018 and Strange Grace had launched, so I wanted to try and sell a new YA. I pulled out all my in-progress notebooks and went through my ideas folder to pick something that might speak to me, that felt ready in that amorphous creative way. I landed on Night Shine because it was the only idea that felt light and fun. That’s what I needed, because I was going to be working on it during long days at the hospital while my mom was dying. Night Shine had the space for me to throw in everything I love, tropes and archetypes that delight me—with nothing to make me sad. I made the four MCs my favorite love interest/villain tropes: dark maybe-evil sorcerer; sexy wicked prince; demon in disguise; loyal beleaguered bodyguard. And I made everybody queer. I gave them unicorns and dragons, demon familiars and a spirit-infested rainforest. Volcanoes and heart-stealing and really complicated relationships. I gave them magic that is definitively non-binary.

tl;dr: the inspiration behind Night Shine was to write a joyful story for myself, for my genderqueer, shapeshifting self, in order to stay grounded and creative during a very tough time.

You mention some of your favorite SFF shows, but is there a current show you’re addicted to right now?

BECCA: I feel like you’re asking me this question because you highly suspect what my answer will be, given that you and Natalie had a hand in creating my latest scifi show obsession! 😀 The truth is, we’re living in an amazing Star Trek resurgence right now—a Star Trek renaissance. A Trek-aissance, if you will. I recently consumed the first two seasons of Discovery and the first season of Picard, all in pretty quick succession after I hit my latest deadline, and it’s absolutely my favorite thing ever to see the evolution of this universe. It’s so much more diverse, the plots are twisty and complex, they really dig into the depth of the characters, but the central driving idea behind Star Trek—that there’s hope and goodness and potential in our wildly flawed selves and in our wildly flawed society that is worth holding on to—that is still a fixed point in the stories they’re telling. They really ground all the pew-pew starship action in these characters you just love and you root for and you want to watch them connect and grow and hurt and heal as a crew together. It’s the same reason I come back to another scifi show, The Expanse—the characters bring you back and make it real, even when you’re transporting onto planets that are wildly different than Earth.

Every time you talk about Night Shine, I’m only more desperate for September to get here so I can get my hands on it. What was your process of building your magic system outside the binary and what challenges, if any, you encountered in creating it?

TESSA: YES Discovery is the BEST. I wish everybody was watching it, if only so I can talk more about how Michael Burnham is the greatest hero in modern television. (BECCA: *interjecting loudly* YES SHE IS!) Also to any fans of Amos from The Expanse in particular: you’re gonna love Hell Monkey in Crownchasers.

When it comes to the Night Shine magic system, it’s more accurate to say I built it inside the binary. I wanted the magic itself to be explicitly non-binary, to exist in between dualities like night and day, life and death, “man” and “woman,” and I started by making a culture that emphasizes and appreciates contrast in all things. From cuisine to architecture, fashion and religion. Their fashion, for example, insists upon stark contrast—colors that clash impressively, and if you have light skin you might dye your hair black or maroon, if you have dark skin you might use pale makeup, and manipulating contrasts to draw attention to your beauty. The dualities they adhere to aren’t valued against each other, so this isn’t a place where women or men are devalued, or day and night preferred, it’s the binary that matters. Anything non-binary is marked as Other, whether that’s the priests in their pastel robes or witches in shades of gray, both of whom work with forces dangerously outside life and death. This is why the Empress has two consorts, a man and a woman, and when there’s an Emperor, he also has two consorts, a man and a woman, so as not to put value on one gender over the other. This brings me to the magic! I wanted magic to be the way to challenge dualities—to prove binary thinking is flawed. So I made magic an energy that connects everything—like shadows, like dawn and dusk, like tendons. In order to use it, a person must step outside of contrast and duality in some way, to exist near liminal space, either becoming a priest (who deals with ghosts and gods) or a witch (who deals with spirits and demons). But the greatest magic uses are the rare sorcerers, who must break entirely free of duality and binary thinking in order to exist entirely AS liminality. They move beyond life and death (usually with the aid of a great spirit or great demon familiar), beyond physical form, becoming literal shapeshifters themselves.

The biggest challenge was language! Moving beyond binary thinking is a struggle when the language you’re using is inherently gendered. Modern English has it baked into the core—did you know that Old English had gendered nouns? Masc, fem, AND neutral. Anyway, while I’ve written books with a variety of gender indicators and pronouns both English and fantastical, in this book the various nonbinary and genderfluid people and creatures stick with he, she, and they pronouns (with the occasional demonic it) because I wanted Night Shine to have the same problems as English. That’s the work: challenging binary thinking (in myself and) in this world.

Ok, Becca, next time lob me an easy one! But first tell me your favorite and least favorite things about working with a whole galaxy of world building.

BECCA: Hey, I didn’t come to play here. I signed on for VERY SERIOUS discussions about OUR BOOKS.

I feel like my favorite and least favorite things are kind of tied up together because I loved brainstorming different planets for my main character Alyssa to visit and different peoples she can encounter—what do they look like? how do they interact with their planet or with the empire? what customs do they have and how do they fit in the wider universe? I could really burn weeks just fleshing out all of these questions, and that’s definitely fun for me. I like playing with those sorts of questions. At the same time—and I guess this is where we get to the least favorite thing and almost a self-critique of sorts—it’s very easy to default to shortcuts when imagining other species and other planets and it’s a challenge to push your brain beyond those limitations. It’s kind of the Star Trek effect, right? Where you go to all these “strange new worlds,” but it turns out most of them are peopled by bipedal humanoid creatures that breathe and have blood and generally share mammalian characteristics. We do this because it’s pulling from what we know, what’s familiar, and also because it makes adapting it for film a lot easier! But one thing I want to keep working on in my writing is breaking down those familiar shortcuts in my brain and challenging myself to conceptualize stuff what outside the realms of our own human society.

All right, here’s one that’s (maybe) a little less intense than my last: Which character in Night Shine was your favorite to write? And which do you most relate to? Or maybe are they the same character?

TESSA: They are not the same! My favorite character to write was Esrithalan the unicorn. As I mentioned above, I really gave myself permission in Night Shine to throw in everything I wanted. To only write fun stuff. So at a certain point I needed a story beat, I wasn’t sure what, to connect two important scenes. It had to be a delight, or I couldn’t do it. That was the rule. I was playing around with various types of riddle-demons or the weirdest air spirit I could think of, when I remembered a throw-away line from one of the characters’ origin stories: it involved a unicorn. OBVIOUSLY that was the answer. A unicorn. Only, I was going to make it a little gremlin of a unicorn. Small, hairy, wise, disinterested in the problems of teenaged maybe-girls, with flashes of beauty. It’s an avatar of the Queens of Heaven so of course it has to be strange. It was only one scene, but I relished every second of it.

I relate the most to Kirin Dark-Smile. He’s ambitious, but driven by love—all his greatest moments and biggest mistakes stem from that. He’s also genderfluid, and comfortable being so—at least when he’s alone—while at the same time he’s spent most of his life hiding his gender for both politics and his ambition. I relate most strongly to the fact that he knows exactly who he is, but that doesn’t make it easier to share himself with the world, or with his loved ones.

Where did you put the most of yourself into Crownchasers?

BECCA: I’m so down for all of this, but especially please let this usher in more unicorns in YA. All the unicorns. Many and sundry unicorns.

I think where I put the most of myself is in Alyssa Farshot’s voice and her internal narrative. To be honest, there is not a lot that she and I have in common on the surface—she’s pansexual and I’m very much gray asexual, she’s a major risk taker and I am professionally risk averse, she’s an explorer and I’m a homebody, she’s extremely brave and confrontational and I wouldn’t credit myself with either of those qualities. But writing her came so easily—she’s got a wry, often self-deprecating sense of humor that is very much like mine and she often reaches for a joke to deflect from herself. And while I didn’t necessarily grow up in a floating imperial spaceship or anything, I did grow up fairly sheltered and so did she. There’s a naiveté underneath all her snark and fast-talking, and a lot of her arc—this unspooling awareness of the bigger picture around her, her awareness of it, her realization of her own power and responsibility within it—definitely mimics my own experience in early adulthood. It helped me a lot to ground her character and give her depth beyond the initial concept of “fast-talking hotshot ace pilot.”

LIGHTNING ROUND!

TESSA: Dragons or space ships???

BECCA: Spaceships by a millimeter. Which would you rather have in your house: the Enterprise computer or Calcifer?

TESSA: I have so many questions about how Calcifer got into my house. Favorite childhood book:

BECCA: The Redwall books. Favorite current TV show:

TESSA: Star Trek: Discovery, LOL! Flight or Telepathy?

BECCA: HA! I can’t even handle climbing ladders, so telepathy. Han Solo or Poe Dameron?

TESSA:

Before we descend fully into gifs maybe we should pull this thing together! Thank you so much for chatting with me! I can’t wait for my copy of Crownchasers. Coming to all of us September 29th!

BECCA: This was a lot of fun—thanks, Tessa! And everyone, don’t miss out on claiming a copy of Night Shine for your very own, out Sept. 8th!

Exclusive Cover Reveal: Chase: The Boy Who Hid by Z. Jeffries

Lower YA is still a wildly underrepresented subcategory in queer YA, so I’m thrilled to be revealing the cover for a new one entitled Chase: the Boy Who Hid by Z. Jeffries, which is a sci-fi releasing digitally on October 15 and starring a bisexual hero and nonbinary love interest. Here’s a little more on the book:

Don’t hide from your feelings. Hide from the giant robot trying to kill you.

I always knew I’d inherited my grandad’s mind for science and technology, but when he goes missing, I get his spot in a top-secret government game of hide and seek. The military camouflage challenge, DARPA’s game where shapeshifters, mechs, and telepaths hide from a robot seeker, is where Grandad vanished.

To find out what happened to him, I’ll play along- gain the team’s trust, master the tech, and avoid catching feelings for the team navigator. If I can do all that, then maybe I can survive the dangerous game. But if it comes down to winning or finding Grandad, I’ll ditch the game and betray my team in a millisecond. Even if it means I go missing, too.

Book One in the Hide & Seek Series, the action-packed coming of age stories of STEM-minded queer kids getting their hands on the tech of the future.

And here’s the cover, compliments of Mikki Noble of Paracoze Designs!

Preorder here!

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Z Jeffries (left) can’t wait for you to read his debut YA novel. A son of an English teacher, one of his earliest memories was after a day at kindergarten, sitting in the back of his mom’s classroom and listening to her describe Dr. Jekyll reeling from the violence of Mr. Hyde. Under various names, he’s written, produced, and directed theatre in Chicago and along the east coast, as well as published several adult short stories. His interests include space travel, cheese, and whether cheese will be allowed during space travel. He lives in American suburbia with his wife, daughter, dog, and garden. Visit ZJeffries.com just for the heck of it.

Backlist Book of the Month: The Last 8 by Laura Pohl

With sequel The First 7 releasing on March 7th, now is the perfect time to grab this alien sci-fi with a queer cast, including aromantic bisexual lead Clover. I am not typically a sci-fi reader, and this one had me on the edge of my seat the entire time and dying to see what comes next, so if you’re even on the fence because it isn’t your typical read, rest assured it’s the perfect choice to yank you out of your comfort zone a little bit without really doing that at all, especially if you love found family vibes!

The Last 8 by Laura Pohl

The Last 8 (The Last 8, #1)A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave 

Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.

When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.

Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.

Buy it: B&N | Amazon

Exclusive Cover Reveal: The Names We Take by Trace Kerr

Today we’re thrilled to welcome Trace Kerr to the site to reveal the cover for her upcoming post-apocalyptic YA debut, The Names We Take, releasing from Ooligan Press on May 19th, 2020! Here’s a little more about the book:

When she takes in twelve-year-old Iris in the aftermath of a modern-day plague, seventeen-year-old Pip has no way of knowing what this decision entails. A tragedy forces the two to flee Spokane, dodging slave traders, gangs, and worse. Along the way, they meet Fly, an older girl, and the three find a family in each other. As their situation grows more perilous, they must grapple with their identities in this dangerous new world.

Preorder: Amazon | B&N | IndieBound

And here’s the gorgeous cover, designed by Des Hewson!

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Trace Kerr (she/her) is a lifelong Pacific Northwesterner who never uses an umbrella when it rains. When she’s not prowling the shelves of indie bookstores in Spokane, she co-hosts the Brain Junk podcast and writes books about undaunted queer teens and magic. Trace is a former bookfair coordinator and a published short-story author. The Names We Take is her first novel.

Follow her on Twitter at @teakerr or online at www.TraceKerr.com.

October Book Deal Announcements

Yep, it’s a brand-new feature celebrating book deals! This is a combination of deal announcements that have been submitted through the site and copied from Publisher’s Marketplace and Publishers Weekly, with some minor editing. If you’d like to submit a deal, you can do so here.

Children’s/YA Fiction

Rob Sanders’s BLING BLAINE, about a child who is all about bling and glitter until complaints pour in and bling is banned from school, but then allies come to the rescue, illustrated by Letizia Rizzo, to Christina Pulles formerly at Sterling Children’s, with Eve Adler editing, for publication in fall 2020, by Rubin Pfeffer at Rubin Pfeffer Content for the author, and by Emily Coggins at Astound US for the illustrator (world).

Vicki Lame at Wednesday Books has acquired LGBTQ Reads founder Dahlia Adler’s YA novel, COOL FOR THE SUMMER, about a girl named Lara who finally lands the guy of her dreams, only to have her unexpected(ly female) summer fling transfer to her school for their senior year. Publication is slated for summer 2021; DongWon Song at Howard Morhaim Literary Agency brokered the two-book deal for North American rights.

Author of PRIDE MUST BE A PLACE and BURN BABY BURN BABY, and board member of the Ontario Writer’s Conference Kevin Craig’s THE CAMINO CLUB, in which six wayward teens are given an ultimatum after getting in trouble with the law: serve time in juvenile detention for their crimes, or walk the Camino de Santiago pilgrimage route across Spain; when it becomes clear the long walk isn’t really all that much of an option, they set out on a journey that will either make or break who they are and who they are to become, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in October 2020.
Rights: Mary Jo Courchesne, Gryphon Publishing Consulting

Jess Verdi’s‘s FOLLOW YOUR ARROW, after breaking up with her long-term girlfriend and falling for the new guy in town, an openly queer social media influencer faces blowback from her fans and is forced to define what it means to be bi—to the world, and to herself, to Aimee Friedman at Scholastic, by Kate McKean at Howard Morhaim Literary Agency.

Maggie Tokuda-Hall‘s SQUAD, about a clique of teen girls whose favorite pastime is to get dressed up; go to parties; target entitled, date-rapey bros; turn into wolves; and eat them, illustrated by Lisa Sterle, to Martha Mihalick at Greenwillow, for publication in fall 2021, by Jennifer Laughran at Andrea Brown Literary Agency (NA).

Alexandra Cooper at HarperTeen has acquired, at auction, Laurel Flores Fantauzzo’s THE HEARTBREAK OF CORAZON TAGUBIO. Cory Tagubio is an outcast at her all-girls Catholic high school. In the wake of an accident, Cory grows close to her history teacher, Ms. Holden, but when the crush turns into something more, Cory is shipped off to her half-brother in the Philippines, leaving her to discover how her family and their country have shaped her past and how they might change her future. Publication is set for winter 2021; Andrea Morrison at Writers House sold world English rights.

Jessica Garrison at Dial has bought, on exclusive submission, Stephanie Oakes’s THE MEADOWS, which centers on a queer girl who has pretended to “reform” following years in a government-sanctioned conversion therapy center, but can’t forget the girl she left behind, and resolves to find her. Publication is set for fall 2021; Jennifer Laughran at Andrea Brown Literary Agency handled the deal for world rights.

Daniel Ehrenhaft at Soho Teen has bought Carly Heath’s debut YA novel, THE HEATHENS OF MUSKOX HOLLOW. Set in 1904 Norway, the novel follows a trio of queer teens—two boys and their best friend, Asta—who decide to defy the expectations of their rural Scandinavian village by leaving their families, living on their own, and challenging the town’s patriarch in the region’s annual winter horse race. Publication is set for fall 2021; Steven Chudney at the Chudney Agency brokered the deal for North American English rights.

Cassandra Rose Clarke‘s FORGET THIS EVER HAPPENED, queer speculative fiction set in a run-down Southern town where space and time are inconsistent, to Mora Couch at Holiday House, for publication in fall 2020, by Stacia Decker at Dunow, Carlson & Lerner (world).

Diana Pinguicha‘s A MIRACLE OF ROSES, pitched as an f/f #ownvoices retelling of the Portuguese miracle of the same name, where the Princess of Aragon enters a bargain with an Enchanted Moura so she can reverse her gift that turns all the food she touches into flowers, to Lydia Sharp at Entangled Teen, by Travis Pennington at The Knight Agency (world).

Brianna Shrum‘s 13 WAYS TO START A FOREST FIRE, in which a 17-year-old girl is trapped by a freak mudslide and, in order to survive the cruel Rockies in the dead of winter, decides to trust the one boy she knows she shouldn’t, to Nicole Frail at Sky Pony Press, by Steven Salpeter at Curtis Brown.

Deya Muniz’s THE PRINCESS AND THE GRILLED CHEESE SANDWICH, in which a lady, a denizen of the Kingdom of Fromage, must disguise herself as a man in order to inherit her father’s estate, but her secret becomes difficult to keep once she falls in love with a royal princess, to Andrea Colvin at Little, Brown Children’s, in a two-book deal, for publication in spring 2021 (world).

Sasha Laurens’s A WICKED MAGIC, the story of two teens and new witches whose friendship comes to an abrupt end when a spell they foolishly cast summons an ancient force that steals one of the girls’ boyfriends; they are then forced to work together with a new friend who is harboring a magical secret of her own to rescue him, to Ruta Rimas at Razorbill, in a nice deal, for publication in fall 2020, by Jennifer Udden at New Leaf Literary & Media (world English). Publication is set for July 27, 2020.

Adult Fiction

Karelia Stetz-Waters‘s untitled book, in which two very different women find themselves running a sex toy shop that one of them inherited and soon fall in love as the business struggles for survival and family obligations threaten to tear them apart, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).

Juliette Wade’s sci-fi MAZES OF POWER, in which a fever strikes the cavern city of Pelismara, and Tagaret must represent his Family in the competition for Heir to the Throne, but a power struggle and an exploitative brother stand in his way, to Sheila Gilbert at DAW by Kristopher O’Higgins at Scribe Agency (NA). Publication is set for February 4, 2020.

Anbara Salam’s BELLADONNA, a story of friendship and obsession set in the 1950s, following two schoolgirls from Connecticut whose lives are changed forever when they travel to a silent convent in northern Italy to study art for a year, to Amanda Bergeron at Berkley by Catherine Drayton at Inkwell Management, on behalf of Hattie Grunewald at Blake Friedmann, now at The Blair Partnership (NA). Publication is set for June 9, 2020.

University of Louisiana in Lafayette PhD candidate Caitlin Vance’s THE PAPER GARDEN, a darkly humorous, gothic, and speculative story collection that explores contemporary queer romances, mother-daughter relationships, and mental illness by reimagining fairy tales or myths, to Hasanthika Sirisena at 7.13 Books, for publication in spring 2021.

Director of Creative Writing at University of Nebraska-Lincoln, and author of five books Timothy Schaffert‘s THE PERFUME THIEF, about a queer American expat with an infamous past as a thief of rare scents who retires to Paris to become a legitimate perfumer, crafting unique scents scents for the city’s cabaret performers and sex workers, until the Nazis occupy the city and seek her expertise for a sinister purpose, to Margo Shickmanter at Doubleday, in a good deal, for publication in 2021, by Alice Tasman at Jean V. Naggar Literary Agency (world English).

Kristen Arnett‘s SAMSON, a novel of motherhood, expectations, and toxic masculinity within a queer household, and WITH FOXES, a diverse, blackly humorous story collection, to Cal Morgan at Riverhead, in a major deal, at auction, in a two-book deal, by Serene Hakim at Ayesha Pande Literary (NA).

Adult Non-Fiction

Griffin Poetry Prize winner Billy-Ray Belcourt’s A HISTORY OF MY BRIEF BODY, a meditation on grief, joy, love, and sex at the intersection of indigeneity and queerness, to Eric Obenauf at Two Dollar Radio, by Stephanie Sinclair at Transatlantic Literary Agency (US).

University of Georgia MFA in narrative nonfiction and Lamba Literary fellow Martin Padgett’s MIDNIGHT AT THE OASIS: A DECADE OF DRAG, DRUGS AND DISCO AT THE SWEET GUM HEAD, following the intersecting journeys of drag queen John Greenwell, also known as Rachel Wells, and civil rights activist Bill Smith through the gay rights movement and drag culture in 1970s Atlanta, to Amy Cherry at Norton, in a nice deal, for publication in fall 2021, by Beth Marshea at Ladderbird Literary Agency (NA).

Film/TV

Jacqueline Carey‘s KUSHIEL’S LEGACY series, which spans three epic trilogies set in Terre d’Ange and deals with a remarkable courtesan who saves her nation, the adventures of her adopted son, and ultimately, the trials of Moirin, a descendant of the legendary ruling house, to Lionsgate, with Dan Hadl producing, by Jane Dystel at Dystel, Goderich & Bourret.

K.D. Edwards‘s THE LAST SUN, a queer tarot-inspired fantasy, to Escape Artists, by Kim Yau at Paradigm, on behalf of Sara Megibow at kt literary.

Tom Ryan‘s KEEP THIS TO YOURSELF, in which a group of lifelong friends is shattered when a serial killer strikes their small town and claims one of their own; one year later, unable to let go, a teen finds himself investigating new clues, and begins to wonder if he can trust anything, including his feelings for his best friend, the boy who died, optioned by Robert Munic of Pull the Pin Productions and Cheryl Bayer of Living Popups, with Munic and Baker producing, by Kim Yau at Paradigm, on behalf of Eric Smith of P.S. Literary Agency.

Audio

Adiba Jaigirdar‘s THE HENNA WARS, to Emily Parliman at Listening Library, by Brent Taylor at Triada US, on behalf of Uwe Stender.

Exclusive Cover Reveal: Fragile Remedy by Maria Ingrande Mora

Don’t you love the smell of new cover reveals? Today brings to us Fragile Remedy by Maria Ingrande Mora, a YA sci-fi dystopian novel that centers around 16-year-old Nate, a GEM (genetically engineered medical surrogate) who must choose to save himself or the life of the boy he loves. Fragile Remedy releases from Flux on June 16, 2020, and here’s the story:

Sixteen-year-old Nate is a GEM—a Genetically Engineered Medical Surrogate—created by Gathos City scientists as a cure for the elite from the fatal lung rot ravaging the population. As a child, Nate was smuggled out of the laboratory where he was held captive and into the Withers—a quarantined, lawless region. He manages to survive by becoming a Tinker, fixing broken tech in exchange for food or a safe place to sleep. When he meets Reed, a kind and fiercely protective boy that makes his heart race, and his misfit gang of scavengers, Nate finds the family he’s always longed for—even if he can’t risk telling them what he is.

But Gathos created a genetic failsafe in their GEMs—a flaw in their DNA that causes their health to rapidly deteriorate as they age unless they are regularly dosed with medication controlled by Gathos City. When violence erupts across the Withers, Nate’s illegal supply of medicine is cut off, and a vicious attack on Reed threatens to expose his secret. With time running out, Nate is left with only two options: work for a shadowy terrorist organization that has the means to keep him alive, or stay—and die—with the boy he loves.

And here’s the striking cover, designed by Jake Nordby!

Buy it: Amazon | B&N | IndieBound