The Loophole by Naz Kutub
Jaya and Rasa by Sonia Patel
What a Desi Girl Wants by Sabina Khan
We Are Totally Normal by Naomi Kanakia
All the Yellow Suns by Malavika Kannan
Bonus: There’s no official pub date yet, but keep an eye out for Just Happy to Be Here by Naomi Kanakia
Double Bonus: While Scavenge the Stars by Tara Sim is set in a secondary world, Amaya’s father is from a country modeled on India. You can read more about that here.
The Spy With the Red Balloon by Katherine Locke
The Sound of Stars by Alechia Dow
Foul Lady Fortune by Chloe Gong
Little Thieves by Margaret Owen
Scavenge the Stars by Tara Sim
Captive in the Underworld by Lianyu Tan (Amz)
King of Immortal Tithe by Ben Alderson (Amz)
The God in the Field by VVBG (Tapas)
The Dark Wife by Sarah Diemer (Amz)
Drag Me Up by R.M. Virtues (Amz)
Bonus: Check out Tara Sim‘s story “Death and the Maiden” in the YA anthology Color Outside the Lines, ed. by Sangu Mandanna (Amz)
***
Now that college is over, English graduate Ben Cook is on the job hunt looking for something…anything…related to his passion for reading and writing. But interview after interview, hiring committee after hiring committee, Ben soon learns getting the dream job won’t be as easy as he thought. Proofreading? Journalism? Copywriting? Not enough experience. It turns out he doesn’t even have enough experience to be a garbage collector! But when Ben stumbles upon a “Now Hiring—No Experience Necessary” sign outside a restaurant, he jumps at the chance to land his first job. Plus, he can keep looking for a writing job in the meantime. He’s actually not so bad in the kitchen, but he will have to pass a series of cooking tests to prove he’s got the culinary skills to stay on full-time. But it’s only temporary…right?
When Ben begins developing a crush on Liam, one of the other super dreamy chefs at the restaurant, and when he starts ditching his old college friends and his old writing job plans, his career path starts to become much less clear.
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For more takes on Pride and Prejudice, click here.
A Clash of Steel by C.B. Lee (YA, Treasure Island)
The Wife in the Attic by Rose Lerner (Jane Eyre)
Scavenge the Stars by Tara Sim (YA, The Count of Monte Cristo)
Written in the Stars by Alexandria Bellefleur (Pride and Prejudice)
Fresh by Margot Wood (YA, Emma)
Bonus, coming in 2022: Great or Nothing by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood (YA, Little Women) and Epically Earnest by Molly Horan (YA, The Importance of Being Earnest)
“Under the Gaydar” features books you might not realize have queer content but do! And definitely belong on your radar.
This edition is dedicated to YA Fantasy with bi protags, with a bonus of three of them also having POV characters on the ace spectrum. As ever in this series, this fact isn’t shown on the cover or in the copy, so those who need safer choices to bring home can rely on these for the quietly queer content you need.
Beneath the Citadel by Destiny Soria – A personal favorite, this fantasy’s got you hooked alllll the way up: gay, bi, and ace protags make up 3/4 of the cast, including a very cute m/m relationship. Great choice if you’re a fan of “friends on a quest”-type fantasy.
The Spy with the Red Balloon by Katherine Locke – This is, as the blurb suggests, a sibling-centric Historical Fantasy…but those siblings happen to consist of a bi girl and a demisexual boy in love with his (male) best friend. Great for Jewish rep, too!
Scavenge the Stars by Tara Sim – a demisexual girl and bisexual boy anchor this fantasy adventure take on The Count of Monte Cristo!
Labyrinth Lost by Zoraida Cordova – or, in five words, Bi Brooklyn Bruja in Wonderland! Yes, it looks extremely heterosexual from the blurb, which works very nicely in our favor, because it is not.
It Ends in Fire by Andrew Shvarts – here for your Queer MC at Magic School needs, this standalone stars bisexual Alka Chelrazi as she infiltrates a prestigious academy to get her revenge. My official blurb: “An addictive and invigorating tale of romance, revenge, and rebellion. Alka Chelrazi is a heroine I’d gladly follow to the ends of the earth.”
Girl, Serpent, Thorn by Melissa Bashardoust – What luck that maybe my favorite YA standalone fantasy also happens to be a bisexual f/f YA? Based on Persian mythology and exploring monstrousness in the most glorious way, I cannot advocate harder for adding this one to your shelf. (Bookshop) – reposted from Under the Gaydar: F/F YA Fantasy
The Impostor Queen by Sarah Fine – This book about a girl who’s supposed to become a queen with massive powers and then just …doesn’t is pretty epic on its own, but the main character is also quite besotted with her handmaiden. As per usual in Fantasy, the word “bisexual” isn’t used, but the differentiation of her feelings from simply being friendly is done clearly, and the guy she ends up with never feels like a romance she settled for. It’s followed by The Cursed Queen, which is also bi, but f/f, and caps off with The True Queen, which brings together the MCs of the first two books. – paraphrased from Under the Gaydar: YA Fantasy Worlds
Fire With Fire by Destiny Soria – Yup, we’re gonna open and close with the same author, because why not! Dragons! Sisters, one of whom is bisexual! Honestly, what more do you need?
Lambda finalist author of Camp Lev AC Rosen’s LAVENDER HOUSE, pitched as Knives Out meets Carol, following a police inspector in 1950s San Francisco, who after being caught in a raid on a gay bar and fired, is hired by a mysterious widow to investigate a death at a wealthy household with more than a few secrets to hide, to Kristin Sevick at Forge, at auction, in a two-book deal, by Joy Tutela at David Black Literary Agency.
Charlotte Anne Hamilton’s LITTLE LOSS OF INNOCENCE, in which a Scottish woman travels to America on the Titanic and unexpectedly falls for the exhilarating woman she has to share a cabin with, to Jen Bouvier at Entangled Embrace, for publication in summer 2021 (world).
Author of the Out in Portland series ‘s ADULTS ONLY, about a director of feminist adult films and her newly hired personal assistant who is looking for a change; as the two women sort out their past relationships and professional challenges, they find themselves falling for each other, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).
University of Wisconsin-Madison MFA graduate ‘s FRUITING BODIES, comprising mostly queer, often genre-bending stories ranging from the fantastical to the Gothic to the eerily realistic, seeking to answer the call for a new age of storytelling in the face of insufficient myths and fairy tales, to Jill Bialosky at Norton, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (NA).
K.D. Casey’s UNWRITTEN RULES, a contemporary male/male romance in which a struggling Jewish catcher and his superstar ex-boyfriend work to reconcile after they unexpectedly reunite at the MLB all-star game, to Stephanie Doig at Carina Press, in a nice deal, by Deidre Knight at The Knight Agency (world English).
Verity Lowell’s MEET ME IN MADRID, an #OwnVoices BIPOC f/f romantic comedy, in which a museum courier is unexpectedly reunited with her grad school crush, an art historian who provides shelter in a Spanish blizzard, and then ends up chasing her back to the States to try to solve the two-body problem of long distance life, love, and work, to Kerri Buckley at Carina Press Adores, for publication in November 2021, by Jessica Alvarez at BookEnds.
Electric Literature associate editor Alyssa Songsiridej’s LITTLE RABBIT, about a queer writer’s unexpectedly intense involvement with an older choreographer; a book about power, desire, and patronage, to Callie Garnett at Bloomsbury, in a good deal, at auction, by Kate Johnson at MacKenzie Wolf (NA).
Sid Karger’s BEST MEN, pitched as a gay spin on Bridesmaids or My Best Friend’s Wedding, about a man who thinks he has everything figured out, until his best friend announces her engagement, forcing him to navigate his shared wedding party duties with the groom’s charming, infuriating, and (really, really) hot gay brother, and not make his best friend’s wedding all about himself, to Cindy Hwang at Berkley, at auction, in a two-book deal, by Daniel Lazar at Writers House (NA).
Author of LET’S TALK ABOUT LOVE Claire Kann’s THE ROMANTIC AGENDA, her debut adult rom-com, about a young, Black, ace woman who decides to finally let her best friend know she is in love with him during a romantic weekend trip that goes awry, to Kristine Swartz at Berkley, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Carrie Pestritto at Laura Dail Literary Agency (world).
R.A. Frumkin’s CONFIDENCE, a humorous takedown of the American Dream, featuring two con men, lifelong friends and sometimes lovers, who attempt to pull off a major global scheme on the scale of Theranos or Herbalife, pitched in the vein of Succession meets Patricia Highsmith’s Ripley series; and BUGSY, a collection of transgressive, radical, and darkly humorous stories that are considerations of mental illness, sexuality, and Kimye, to Zachary Knoll at Simon & Schuster, in a pre-empt, in a two-book deal, by Ross Harris at Stuart Krichevsky Agency (world).
British Eritrean Ethiopian author of SILENCE IS MY MOTHER TONGUE and THE CONSEQUENCES OF LOVE Sulaiman Addonia’s THE SEERS, exploring an Eritrean unaccompanied minor refugee’s first weeks in London, giving a glimpse into the U.K. asylum system and what it does to the mental health of young refugees, and how the intergenerational history of colonization affects intimate relationships; also detailing the sexual conquests of young queer African immigrants in London, who are fluid, trans and androgynous, to Fiona McCrae and Steve Woodward at Graywolf, in a nice deal, in an exclusive submission, for publication in spring 2023, by Jessica Craig at Craig Literary (NA).
TJ Alexander’s CHEF’S KISS, an #OwnVoices LGBTQ+ rom-com starring a type-A pastry chef whose professional goals are interrupted by not only a career transition, but the introduction of her wildly attractive nonbinary kitchen manager, who happens to be undergoing a transition of their own, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2022, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world).
Poet and co-editor of COLONIZE THIS: YOUNG WOMEN OF COLOR ON TODAY’S FEMINISM ‘s ROSES IN THE MOUTH OF A LION, about female friendships and queer love within a Pakistani community in Corona, Queens, pitched as combining the structure of Sandra Cisneros’s A House on Mango Street with the lyricism of Ocean Vuong’s On Earth We’re Briefly Gorgeous, to Caroline Bleeke at Flatiron Books, in a pre-empt, for publication in summer 2022, by Ayesha Pande at Ayesha Pande Literary (world).
‘s debut LEAD ME ASTRAY, a LGBTQIA+ paranormal, polyamorous romance following a newly dead medium who can see her ghost and a P.I. werewolf who band together to solve the mysterious circumstances surrounding her death, all while falling for each other, to Deanna McFadden at Wattpad, in a nice deal, for publication in winter 2022 (world).
New Yorker fiction contributor Taymour Soomro’s OTHER NAMES FOR LOVE, on legacy, queerness, and violence in Pakistan, about a young man whose sexual and intellectual awakening in the feudal lands leads to an estrangement from his family and a difficult reunion after several decades, to Mitzi Angel at Farrar, Straus, at auction, by Adam Eaglin at The Cheney Agency, on behalf of Natasha Fairweather at Rogers, Coleridge & White (NA).
Tara Sim’s THE CITY OF DUSK, the first in an adult epic fantasy trilogy, in which the four heirs of four noble houses, each gifted with a divine power, must form a tenuous alliance to keep their kingdom from descending into a realm-shattering war, to Priyanka Krishnan at Orbit, in a three-book deal, for publication in spring of 2022, by Victoria Marini at Irene Goodman Agency (world).
Juno Dawson’s HER MAJESTY’S ROYAL COVEN, about a covert supernatural government department established by Queen Elizabeth I, as their oracle foretells the genocide of all witches, and conflict over how to tackle the prophecy threatens to tear apart a group of lifelong friends; exploring gender, feminism, the patriarchy, and the corrupting nature of power, to Margaux Weisman at Penguin, at auction, in a three-book deal, by Alyssa Reuben and Katelyn Dougherty at Paradigm, on behalf of Sallyanne Sweeney at MMB Creative (NA).
Author of THE HENNA WARS and HANI AND ISHU’S GUIDE TO FAKE DATING Adiba Jaigirdar’s DONUT FALL FALL IN LOVE, about a Bangladeshi Irish girl still healing from a breakup with her ex-girlfriend, and who can think of nothing batter than to win the Junior Irish Baking Show, a Great British Bake Off-style reality competition; even if it means competing against her ex and another contestant that she may be falling for, to Foyinsi Adegbonmire at Feiwel and Friends, for publication in spring 2023, by Uwe Stender at TriadaUS Literary Agency (NA).
SURRENDER YOUR SONS author ‘s THE 99 BOYFRIENDS OF MICAH SUMMERS, in which an artsy teen who posts sketches of his imaginary boyfriends to Instagram finally has a meet cute with the much-anticipated Boy 100, but when it turns into a missed connection, he embarks on a Prince Charming-like quest throughout Chicago to find true love, to Kelsey Murphy at Philomel, in a six-figure deal, at auction, in a two-book deal, for publication in fall 2022 and fall 2023, by Chelsea Eberly at Greenhouse Literary Agency on behalf of Dovetail Fiction/Working Partners and Eric Smith at P.S. Literary Agency (NA).
Sonora Reyes’s debut THE LESBIANA’S GUIDE TO CATHOLIC SCHOOL, following a 16-year-old who has just started at a new Catholic school after being outed by her ex-best friend and crush at her old school; her new goals: make her mom proud, keep her brother out of trouble, and most importantly, don’t fall in love, but that’s not easy when the only openly queer girl at school is so funny, cute, and seems like she might be interested, to Alessandra Balzer at Balzer & Bray, in a good deal, at auction, in a two-book deal, for publication in spring 2022, by Alexandra Levick at Writers House (NA).
Author of THE HENNA WARS and HANI AND ISHU’S GUIDE TO FAKE DATING Adiba Jaigirdar’s A MILLION TO ONE, a high-stakes romantic heist novel set on the Titanic, in which four girls team up to steal a priceless jewel-encrusted book, to Claudia Gabel at Harper Children’s, for publication in spring 2022, by Uwe Stender at TriadaUS Literary Agency (world).
Leslie Vedder’s debut THE BONE SPINDLE, an #OwnVoices LGBTQ fantasy pitched as a gender-flipped retelling of Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up in the treasure hunt of a lifetime to save a lost prince, to Arianne Lewin at Putnam Children’s, in a pre-empt, in a two-book deal, for publication in spring 2022, by Carrie Hannigan and Ellen Goff at HG Literary (NA).
Advocate for LGBTQ+ issues and gun violence prevention, and survivor of the 2016 Pulse Nightclub shooting Brandon Wolf’s SAFE SPACE, recounting how the support of the greater Orlando community inspired him towards activism in the wake of that tragic night, and exploring the struggles he faced to find a sense of belonging, the resiliency required to maintain it in an increasingly chaotic and fearful world, and the essential role that community has in effecting positive social change during times of crisis, to Selena James at Little A, in a pre-empt, by Jud Laghi at Jud Laghi Agency (world).
Lambda Literary Fellow Lamya H’s MARYAM IS A DYKE, a memoir in essays about her experience as a queer hijabi Muslim immigrant seeking to make sense of herself, her faith, and her place in the world through the lens of radical, lyrical interpretations of the Quran, to Katy Nishimoto at Dial, at auction, by Julia Kardon at HG Literary (NA).
Author of the 2021 PEN Open Book Award finalist and NAACP Image Award-nominated poetry collection UN-AMERICAN, and literary agent at Janklow & Nesbit Hafizah Geter’s THE BLACK PERIOD: ON PERSONHOOD, RACE & ORIGIN, a genre-bending memoir that explores how the origin stories we inherit can be remade by delving into the author’s personal and political experiences with Blackness, queerness, Islamophobia, shame, and grief as they cross continents from Nigeria and Gambia to the U.S., to Jamia Wilson at Random House, at auction, by Ayesha Pande at Ayesha Pande Literary (NA).
One of nineteen children in a blended family, Hari Ziyad was raised by a Hindu Hare Kṛṣṇa mother and a Muslim father. Through reframing their own coming-of-age story, Ziyad takes readers on a powerful journey of growing up queer and Black in Cleveland, Ohio, and of navigating the equally complex path toward finding their true self in New York City. Exploring childhood, gender, race, and the trust that is built, broken, and repaired through generations, Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them.
Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad’s vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future.
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Honor your oath, destroy your country.
Wren Southerland is the most talented healer in the Queen’s Guard, but her reckless actions have repeatedly put her on thin ice with her superiors. So when a letter arrives from a reclusive lord, asking Wren to come to his estate to cure his servant from a mysterious disease, she seizes the chance to prove herself.
When she arrives at Colwick Hall, Wren realizes that nothing is what it seems. Particularly when she discovers her patient is actually Hal Cavendish, the sworn enemy of her kingdom.
As the snowy mountains make it impossible to leave the estate, Wren and Hal grow closer as they uncover a sinister plot that could destroy everything they hold dear. But choosing love could doom both their kingdoms.
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This is the sequel to Infinity Son
Emil and Brighton Rey defied the odds. They beat the Blood Casters and escaped with their lives–or so they thought. When Brighton drank the Reaper’s Blood, he believed it would make him invincible, but instead the potion is killing him.
In Emil’s race to find an antidote that will not only save his brother but also rid him of his own unwanted phoenix powers, he will have to dig deep into the very past lives he’s trying to outrun. Though he needs the help of the Spell Walkers now more than ever, their ranks are fracturing, with Maribelle’s thirst for revenge sending her down a dangerous path.
Meanwhile, Ness is being abused by Senator Iron for political gain, his rare shifting ability making him a dangerous weapon. As much as Ness longs to send Emil a signal, he knows the best way to keep Emil safe from his corrupt father is to keep him at a distance.
The battle for peace is playing out like an intricate game of chess, and as the pieces on the board move into place, Emil starts to realize that he may have been competing against the wrong enemy all along.
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Arch-nemeses Emma, a die-hard romantic, and more-practical minded Sophia find themselves competing against one another for a coveted first-prize trip to a film festival in Los Angeles . . . what happens if their rivalry turns into a romance? For fans of Becky Albertalli’s Leah on the Offbeat, full of laugh-out-loud humor and make-your-heart-melt moments.
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This is the sequel to A Memory Called Empire
An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.
In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity.
Whether they succeed or fail could change the fate of Teixcalaan forever.
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CeCe Ross is kind of a big deal. She and her girlfriend, Silvie, are social media influencers with zillions of fans and followers, known for their cute outfits and being #relationshipgoals.
So when Silvie breaks up with her, CeCe is devastated. She’s lost her first love, and now she can’t help but wonder if she’ll lose her followers as well.
Things get even messier when CeCe meets Josh, a new boy in town who is very much Not Online. CeCe isn’t surprised to be falling for a guy; she’s always known she’s bi. And Josh is sweet and smart and has excellent taste in donuts… but he has no idea that CeCe is internet-famous. And CeCe sort of wants to keep it that way.
But when CeCe’s secrets catch up to her, she finds herself in the middle of an online storm, where she’ll have to confront the blurriness of public vs. private life, and figure out what it really means to speak her truth.
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Life in rural Colorado after the second U.S. Civil War is perilous. Van and his girlfriend Hadas only recovered from the attack that killed Van’s wife because their community helped them heal. The warmth Van and Hadas share isn’t the love he lost, but it’s precious. He’s content.
Clark survived the war, but his family fractured and now his relationships are in ruins… which must be his fault, or everyone wouldn’t say so. Figuring he can’t destroy ties he doesn’t create, he relocates to start over, zero interpersonal complications welcome.
When Van and Clark meet, though, it’s nothing but complicated. Clark can’t stop wanting quiet, loyal Van no matter how the electricity between them misfires, and Van craves more than hookups from the charismatic newcomer. Hadas and others start coaxing Clark out of his emotional isolation, but when violence threatens the town, Van and Hadas must leave him behind to defend it.
To bring them safely home, Clark must decide whether Van’s love, Hadas’s friendship, and the belonging he’s found are enough to overcome his fear of once again letting down those he cares about.
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Everyone in school knows about Locker 89. If you slip a letter in outlining your relationship woes, along with a fiver, an anonymous source will email you with the best advice you’ve ever gotten.
Darcy Phillips, a quiet, sweet junior, is safe in the knowledge no one knows she’s the genius behind locker 89. Until Brougham, a senior, catches her.
The deal Brougham offers is tempting: in exchange for his silence–and a generous coach’s fee to sweeten the deal–Darcy can become Brougham’s personal dating coach to help him get his ex-girlfriend back.
And as for Darcy, well, she has a fairly good reason to want to keep her anonymity. Because she has another secret. Not too long ago, she abused locker 89 to sabotage the budding romance of her best friend, Brooke. Brooke, who Darcy’s been in love with for a year now.
Yeah. Brooke can’t find out about that. No matter what.
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Sixteen-year-old Nate is a GEM—a Genetically Engineered Medical Surrogate—created by Gathos City scientists as a cure for the elite from the fatal lung rot ravaging the population. As a child, Nate was smuggled out of the laboratory where he was held captive and into the Withers—a quarantined, lawless region. He manages to survive by becoming a Tinker, fixing broken tech in exchange for food or a safe place to sleep. When he meets Reed, a kind and fiercely protective boy that makes his heart race, and his misfit gang of scavengers, Nate finds the family he’s always longed for—even if he can’t risk telling them what he is.
But Gathos created a genetic failsafe in their GEMs—a flaw in their DNA that causes their health to rapidly deteriorate as they age unless they are regularly dosed with medication controlled by Gathos City. When violence erupts across the Withers, Nate’s illegal supply of medicine is cut off, and a vicious attack on Reed threatens to expose his secret. With time running out, Nate is left with only two options: work for a shadowy terrorist organization that has the means to keep him alive, or stay—and die—with the boy he loves.
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This is the second book in the Higher Education companion series
Carlton Monroe is finally getting his groove back. After a year playing dad to his nephew and sending him safely off to college, it’s back to his bachelor ways. But when his teenaged niece shows up on his doorstep looking for a permanent home, his plan comes to a screeching halt. Family is everything, and in the eyes of social services, a couple makes a better adoptive family than an overworked bachelor father. A fake relationship with his closest friend is the best way to keep his family together.
If things between him and Deion are complicated, well, it only needs to last until the end of the semester.
Living with Carlton is a heartbreak waiting to happen, and once the adoption goes through, Deion’s out. He’s waited two decades for Carlton to realize they’re meant for each other, and he’s done. It’s time to make a clean break. But it’s hard to think of moving away when keeping up the act includes some very real perks like kissing, cuddling and sharing a bed.
Even the best charades must come to an end, though. As the holidays and Deion’s departure date loom, the two men must decide whether playing house is enough for them—or if there’s any chance they could be a family for real.
Carey Parker dreams of being a diva, and bringing the house down with song. They can hit every note of all the top pop and Broadway hits. But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother’s spiraling dementia make it harder and harder for Carey to find their voice.
Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey’s tormentor and others in the school. It’s up to Carey, Cris, and their friends to defend their rights–and they refuse to be silenced.
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From spoken word poet Jasmine Mans comes an unforgettable poetry collection about race, feminism, and queer identity.
With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America—and the painful, joyous path to adulthood as a young, queer Black woman.
Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.
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On wealthy Commodore Island, Fern is watching and waiting–for summer, for college, for her childhood best friend to decide he loves her. Then Ivy Avila lands on the island like a falling star. When Ivy shines on her, Fern feels seen. When they’re together, Fern has purpose. She glimpses the secrets Ivy hides behind her fame, her fortune, the lavish parties she throws at her great glass house, and understands that Ivy hurts in ways Fern can’t fathom. And soon, it’s clear Ivy wants someone Fern can help her get. But as the two pull closer, Fern’s cozy life on Commodore unravels: drought descends, fires burn, and a reckless night spins out of control. Everything Fern thought she understood–about her home, herself, the boy she loved, about Ivy Avila–twists and bends into something new. And Fern won’t emerge the same person she was.
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Tamsin is the most powerful witch of her generation. But after committing the worst magical sin, she’s exiled by the ruling Coven and cursed with the inability to love. The only way she can get those feelings back—even for just a little while—is to steal love from others.
Wren is a source—a rare kind of person who is made of magic, despite being unable to use it herself. Sources are required to train with the Coven as soon as they discover their abilities, but Wren—the only caretaker to her ailing father—has spent her life hiding her secret.
When a magical plague ravages the queendom, Wren’s father falls victim. To save him, Wren proposes a bargain: if Tamsin will help her catch the dark witch responsible for creating the plague, then Wren will give Tamsin her love for her father.
Of course, love bargains are a tricky thing, and these two have a long, perilous journey ahead of them—that is, if they don’t kill each other first…
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The Secret Gospel of Mark is a powerful dynamo of a story that delicately weaves the author’s experiences with an appreciation for seven great literary touchstones: Elizabeth Bishop, Sylvia Plath, Emily Dickinson, James Merrill, Mark Strand, George Herbert, and Gerard Manley Hopkins. In speaking to the beauty these poets’ works inspire in him, Reece finds the beauty of his own life’s journey, a path that runs from coming of age as a gay teenager in the 1980s, Yale, alcoholism, a long stint as a Brooks Brothers salesman, Harvard Divinity School, and leads finally to hard-won success as a poet, reconciliation with his family, and the fulfillment of finding his life’s work as an Episcopal priest. Reece’s writing approaches the truth and beauty of the writers who have influenced him; elliptical and direct, always beautifully rendered.
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This is the sequel to Scavenge the Stars
For seven long years, while she was imprisoned on a debtor’s ship, Amaya Chandra had one plan: to survive. But now, survival is not enough. She has people counting on her; counting on her for protection, for leadership, for vengeance. And after escaping Moray by the skin of her teeth, she’s determined to track down the man who betrayed her and her friends.
Cayo Mercado has lost everything: his money, his father, his reputation. Everything except his beloved sister. But he’s well on his way to losing her, too, with no way to afford the treatment for her deadly illness. In a foreign empire also being consumed by ash fever, Cayo has no choice but to join Amaya in uncovering the mystery of the counterfeit currency, the fever, and how his father was involved in their creation. But Cayo still hasn’t forgiven Amaya for her earlier deception, and their complicated feelings for each other are getting harder and harder to ignore.
Through glittering galas, dazzling trickery, and thrilling heists, Cayo and Amaya will learn that the corruption in Moray goes far deeper than they know, and in the end the only people they can trust are each other.
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The Townhouse Bar, midtown, July 1992: The piano player seems to know every song ever written, the crowd belts out the lyrics to their favorites, and a man standing nearby is drinking a Scotch and water. The man strikes the piano player as forgettable.
He looks bland and inconspicuous. Not at all what you think a serial killer looks like. But that’s what he is, and tonight, he has his sights set on a gray haired man. He will not be his first victim.
Nor will he be his last.
The Last Call Killer preyed upon gay men in New York in the ‘80s and ‘90s and had all the hallmarks of the most notorious serial killers. Yet because of the sexuality of his victims, the skyhigh murder rates, and the AIDS epidemic, his murders have been almost entirely forgotten.
This gripping true-crime narrative tells the story of the Last Call Killer and the decades-long chase to find him. And at the same time, it paints a portrait of his victims and a vibrant community navigating threat and resilience.
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By day, Luckmonkey is a struggling punk band playing in record stores and taco joints; by night, its members are anti-capitalist agitators, breaking into homes and businesses, each time stealing one possession and leaving something different in its place. Squatting in an abandoned building without electricity or heat, they scrounge a patched-together life as a raucous, mismatched family of queer, trans and first-gen social activists.
But when one of them steals a wind-up monkey toy and brings it home, things begin to deteriorate into squabbles and bad decisions, until an arrest forces the group to weigh the hard work of political resistance against their individual needs for stability and safety.
Set in the margins of Pittsburgh in the early aughts, Luckmonkey barrels into the defiant lives of social outsiders working to change the world.
Buy it: Interlude | IndieBound | Amazon | Book Depository
As winemaker at Tangle Valley Vineyard, Madison LeGrange relies on science and logic to make the best vintage possible. It’s also how she manages her life. But with her career in its prime, her accountant thinks it’s time she diversifies her income. Not a problem because her favorite caf, the Bacon and Biscuit, is up for sale. What she didn’t plan on was the time she’d spend with Clementine, who has her feeling anything but logical.
Clementine Monroe loves her job managing the Bacon and Biscuit Caf . In fact, after escaping a difficult past, it’s all she has. When Clementine is offered the opportunity to step out from behind the counter and buy the place, her longtime dream is about to come true. That is until it’s snatched out from under her by the very same girl she crushed on in high school. Old habits are hard to break, but Clementine has no plans to forgive Madison anytime soon.
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Fifteen acclaimed YA writers put their modern spin on William Shakespeare’s celebrated classics!
West Side Story. 10 Things I Hate About You. Kiss Me, Kate. Contemporary audiences have always craved reimaginings of Shakespeare’s most beloved works. Now, some of today’s best writers for teens take on the Bard in these 15 whip-smart and original retellings!
Contributors include Dahlia Adler (reimagining The Merchant of Venice), Kayla Ancrum (The Taming of the Shrew), Lily Anderson (As You Like It), Melissa Bashardoust (A Winter’s Tale), Patrice Caldwell (Hamlet), Amy Rose Capetta and Cori McCarthy (Much Ado About Nothing), Brittany Cavallaro (Sonnet 147), Joy McCullough (King Lear), Anna-Marie McLemore (Midsummer Night’s Dream), Samantha Mabry (Macbeth), Tochi Onyebuchi (Coriolanus), Mark Oshiro (Twelfth Night), Lindsay Smith (Julius Caesar), Kiersten White (Romeo and Juliet), and Emily Wibberley and Austin Siegemund-Broka (The Tempest).
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One night, three women go to the theater to see a play. Wildfires are burning in the hills outside, but inside the theater it is time for the performance to take over.
Margot is a successful, flinty professor on the cusp of retirement, distracted by her fraught relationship with her adult son and her ailing husband. After a traumatic past, Ivy is is now a philanthropist with a seemingly perfect life. Summer is a young drama student, an usher at the theater, and frantically worried for her girlfriend whose parents live in the fire zone.
While the performance unfolds on stage, so does the compelling trajectory that will bring these three women together, changing them all. Deliciously intimate and yet emotionally wide-ranging, The Performance is a novel that both explores the inner lives of women as it underscores the power of art and memory to transform us.
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To Daya Wijesinghe, a bruise is a mixture of comfort and control. Since her parents died in an accident she survived, bruises have become a way to keep her pain on the surface of her skin so she doesn’t need to deal with the ache deep in her heart.
So when chance and circumstances bring her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids. But the opportunities to bruise are countless, and Daya realizes that if she’s going to keep her emotional pain at bay, she’ll need all the opportunities she can get.
The deeper Daya immerses herself into the world of roller derby, though, the more she realizes it’s not the simple physical pain-fest she was hoping for. Her rough-and-tumble teammates and their fans push her limits in ways she never imagined, bringing Daya to big truths about love, loss, strength, and healing.
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Touraine is a soldier. Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought.Buy it: Bookshop | Amazon | IndieBound
This work of graphic nonfiction, told in the style of an illustrated diary, begins as an affectionate reminiscence of the author’s ’90s teenage infatuation with the late actor River Phoenix but morphs into a remarkable, sprawling account of the city of Portland and state of Oregon’s dark history of white nationalism. Murphy details the relationship between white supremacist Tom Metzger (former KKK Grand Wizard and founder of the White Aryan Resistance) and the “Rose City” street kids like Ken Death that infiltrated Van Sant’s films. Murphy brilliantly weaves ’90s alternative culture, from Kurt Cobain and William Burroughs to Keanu Reeves and the Red Hot Chili Peppers, with two centuries of the Pacific Northwest’s shameful history as a hotbed for white nationalism. In Murphy’s personal reflections on their evolving gender identity and heart-racing descriptions of scenes like infamous campfire kiss in My Own Private Idaho, the artist’s story becomes a moral anchor to a deeply amoral regional history and marks the incredible debut of a talented new voice to the graphic medium.
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This is the book’s UK publication. It releases in the US on Sept. 7.
Oto leaves for boarding school with one plan: excel and escape his cruel home. Falling in love with his roommate was certainly not on the agenda, but fear and shame force him to hide his love and true self.
Back home, weighed down by the expectations of their wealthy and powerful family, the love of Oto’s twin sister wavers and, as their world begins to crumble around them, Oto must make drastic choices that will alter the family’s lives for ever.
Richly imagined with art, proverbs and folk tales, this moving and modern novel follows Oto through life at home and at boarding school in Nigeria, through the heartbreak of living as a boy despite their profound belief they are a girl, and through a hunger for freedom that only a new life in the United States can offer.
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The summer is winding down in San Diego. Veronica is bored, caustically charismatic, and uninspired in her photography. Nico is insatiable, subversive, and obsessed with chaotic performance art. They’re artists first, best friends second. But that was before Mick. Delicate, lonely, magnetic Mick: the perfect subject, and Veronica’s dream girl. The days are long and hot — full of adventure — and soon they are falling in love. Falling so hard, they never imagine what comes next. One fire. Two murders. Three drowning bodies. One suspect…one stalker. This is a summer they won’t survive.
Inspired by The Picture of Dorian Gray, this sexy psychological thriller explores the intersections of love, art, danger, and power.
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After a public meltdown over her breakup from her cheating musician boyfriend, Cherisse swore off guys in the music industry, and dating in general for a while, preferring to focus on growing her pastry chef business.
When Cherisse’s younger sister reveals she’s getting married in a few months, Cherisse hopes that will distract her mother enough to quit harassing her about finding a guy, settling down and having kids. But her mother’s matchmaking keeps intensifying.
Cherisse tries to humour her mother, hoping if she feigns interest in the eligible bachelors she keeps tossing her way, she’ll be off the hook, but things don’t quite go as planned. Turns out for the first time in ages, she and Keiran King, the most annoying man ever, are on the island at the same time. Avoiding him is impossible, especially when Keiran’s close friend is the one marrying her sister, and he’s the best man to her maid of honour.
Keiran doesn’t know what to make of Cherisse now. They’ve always butted heads. To him she’s always been a stuck-up brat who seeks attention, even while he secretly harbored a crush on her. Now with Cherisse’s sister marrying one of his good friends he can’t escape her as the wedding activities keep throwing them together.
When things turn heated after a rainy night of bedroom fun, they both have to figure out if they can survive the countdown to wedding day, without this turning into a recipe for disaster.
Poppy Adams doesn’t have a perfect life, and she wasn’t ready for the positive test. An unexpected baby—Poppy’s unexpected baby—won’t exactly have her family doing cartwheels. But she’s making the right choice.
Right?
Poppy’s totally got this. She just needs a little encouragement, and a knitting group is the perfect place to start. Baby blankets, booties, tiny little hats–small steps toward her new life. But she feels like she’s already dropped a stitch when she discovers the knitting group is led by the charismatic Rhiannon.
It’s not exactly a great time to meet the woman who might just be the love of her life. While the group easily shuffles around to make room for Poppy, it’s not so easy fitting her life and Rhiannon’s together. With the weeks counting down until her baby arrives, Poppy’s going to have to decide for herself what truly makes a family.
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Hal was once a knight, carefree and joyous, sworn to protect her future queen Banna Mora. But after a rebellion led by her own mother, Caleda, Hal is now the prince of Lionis, heir to the throne. The pressure of her crown and bloody memories of war plague her, as well as a need to shape her own destiny, no matter the cost.
Lady Hotspur, known as the Wolf of Aremoria for her temper and warcraft, never expected to be more than a weapon. She certainly never expected to fall in love with the fiery Hal or be blindsided by an angry Queen’s promise to remake the whole world in her own image—a plan Hotspur knows will lead to tragedy.
Banna Mora kept her life, but not her throne. Fleeing to Innis Lear to heal her heart and plot revenge, the stars and roots of Innis Lear will teach her that the only way to survive a burning world is to learn to breathe fire.
These three women, together or apart, are the ones who have the power to bring the once-powerful Aremoria back to life—or destroy it forever.
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A resentful member of a high school Quiz Bowl team with an unrequited crush.
A Valentine’s Day in the life of Every Day‘s protagonist “A.”
A return to the characters of Two Boys Kissing.
19 Love Songs, from New York Times bestselling author David Levithan, delivers all of these stories and more. Born from Levithan’s tradition of writing a story for his friends each Valentine’s Day, this collection brings all of them to his readers for the first time. With fiction, nonfiction, and a story in verse, there’s something for every reader here.
Witty, romantic, and honest, teens (and adults) will come to this collection not only on Valentine’s Day, but all year round.
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Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends explores the most traumatic breakup of all: that of childhood besties. At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce.
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When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one…
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This is the sequel to The Brilliant Death
By turns thrilling, witty, and heartbreaking, this dramatic conclusion to the Brilliant Death duet transports us to a Vinalia on the verge of transformation and radiates with the electric power of love.
With her power over magic finally in hand, and her love for Cielo at last confessed, Teodora di Sangro should be on top of the world. But the country of Vinalia is in chaos as the dictator like Capo threatens to plunge them all into war and capture every strega in the land–including Teo and Cielo.
Teo knows she can’t take down the Capo alone. She must convince a small band of streghe who have been hiding in plain sight to join her in the cause. But as she struggles to bring them together, she discovers a far deadlier enemy than the Capo has been hunting her all along. Now everyone–especially Cielo–is in danger. What lengths will Teo go to in order to unite her country and save the one she loves?
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Ever since Amelia woke up in the hospital, recovering from a near-death fall she has no memory of, she’s been suspicious. Her friends, family, and doctors insist it was an accident, but Amelia is sure she remembers being pushed. Then another girl is found nearby — one who fell, but didn’t survive. Amelia’s fears suddenly feel very real, and with the help of her new boyfriend, Liam, she tries to investigate her own horrific ordeal. But what is she looking for, exactly? And how can she tell who’s trustworthy, and who might be — must be — lying to her?
The closer Amelia gets to the truth, the more terrifying her once orderly, safe world becomes. She’s determined to know what happened, but if she doesn’t act fast, her next accident might be her last.
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After a terrible political coup usurps their noble house, Hawke and Grayson flee to stay alive and assume new identities, Hanna and Grayce. Desperation and chance lead them to the Communion of Blue, an order of magical women who spin the threads of reality to their will.
As the twins learn more about the Communion, and themselves, they begin to hatch a plan to avenge their family and retake their royal home.While Hawke wants to return to his old life, Grayce struggles to keep the threads of her new life from unraveling, and realizes she wants to stay in the one place that will allow her to finally live as a girl.
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This is the 5th book in the Wayward Children series
When Jack left Eleanor West’s School for Wayward Children she was carrying the body of her deliciously deranged sister―whom she had recently murdered in a fit of righteous justice―back to their home on the Moors.
But death in their adopted world isn’t always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.
Eleanor West’s “No Quests” rule is about to be broken.
Again.
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Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
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“Like most of the dead, I want to be remembered.”
Robin Voigt is dead. If Leslie had arrived at her sister’s cramped Las Vegas apartment just hours earlier, this would have been their first reunion in a decade. In the years since Robin ran away from home as a teenager, Leslie has stayed in New Mexico, taking care of their dying father even as she began building a family of her own. But when their father passed away, Leslie received a rude awakening: She and Robin would receive the inheritance he left them together—or not at all. Now her half of the money may be beyond her grasp. And unbeknownst to anyone, even her husband, Leslie needs it desperately.
When she meets a charismatic young woman who bears an uncanny resemblance to Robin—and has every reason to leave her past behind—the two make a reckless bargain: Mary will impersonate Robin for a week in exchange for Robin’s half of the cash. But neither realizes how high the stakes will become when Mary takes a dead woman’s name. Even as Mary begins to suspect Leslie is hiding something, and Leslie realizes the stranger living in her house, babysitting her newborn son, and charming her husband has secrets of her own, Robin’s wild, troubled legacy threatens to eclipse them both.
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Growing up in New York, brothers Emil and Brighton always idolized the Spell Walkers—a vigilante group sworn to rid the world of specters. While the Spell Walkers and other celestials are born with powers, specters take them, violently stealing the essence of endangered magical creatures.
Brighton wishes he had a power so he could join the fray. Emil just wants the fighting to stop. The cycle of violence has taken a toll, making it harder for anyone with a power to live peacefully and openly. In this climate of fear, a gang of specters has been growing bolder by the day.
Then, in a brawl after a protest, Emil manifests a power of his own—one that puts him right at the heart of the conflict and sets him up to be the heroic Spell Walker Brighton always wanted to be.
Brotherhood, love, and loyalty will be put to the test, and no one will escape the fight unscathed.
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This is the final book in the Worldbreaker Saga
The Dhai nation has broken apart under the onslaught of the Tai Kao, invaders from a parallel world. With the Dhai in retreat, Kirana, leader of the Tai Kao, establishes a base in Oma’s temple and instructs her astrologers to discover how they can use the ancient holy place to close the way between worlds. With all the connected worlds ravaged by war and Oma failing, only one world can survive. Who will be sacrificed, and what will the desperate people of these worlds do to protect themselves?
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Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes.
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Rosamund is miserable and lonely, on the run from a foreign king and queen because she wouldn’t help them scheme against each other. A dashing knife juggler whose physical skills complement her magical prowess might be the right man to make her feel alive again.
Trina Goldberg-Oneka is a trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity calling itself The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.
Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seep-tech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.
Heartbroken and deep into an alcoholic binge, Trina chases after a young boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.
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In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive.
Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever.
But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.
No pressure.
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Robyn Hood didn’t set out to rob the rich, but in Nottingham, nothing ever goes according to plan….
After a fateful hunting accident sends her on the run from the law, Robyn finds herself deep in the heart of Sherwood Forest. All she really wants to do is provide for her family and stay out of trouble, but when the Sheriff of Nottingham levies the largest tax in the history of England, she’s forced to take matters into her own hands. Relying on the help of her band of merry women and the Sheriff’s intriguing—and off limits—daughter, Marian, Robyn must find a way to pull off the biggest heist Sherwood has ever seen.
With both heart and freedom at stake, just how much will she risk to ensure the safety of the ones she loves?
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Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family—blood and chosen—arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.
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Jason is sure his sister, Becca, was murdered, but he’s the only one who thinks so. After finding a photograph Becca kept hidden, he decides to infiltrate a boxing gym to prove that she didn’t die accidentally. As a transgender kid, Jason’s been fighting for as long as he can remember, and those skills are going to come in handy as he investigates. Quickly invited into the inner circle, Jason must balance newfound friendships with the burning hate that drives him. Jason soon feels torn between two worlds, determined to discover what happened to his sister but struggling with the fact that this is the first time he’s ever felt like he belonged somewhere.
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Becoming a Man is the striking memoir of P. Carl’s journey to become the man he always knew himself to be. For fifty years, he lived as a girl and a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly.
Carl blends the remarkable story of his own personal journey with incisive cultural commentary, writing brilliantly about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.
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When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation. Nick and Clay are running away from their turbulent lives in New York City, each desperate for a happier, freer future someplace else. Their method of escape? Selling a collection of counterfeit antiques to a brash, unsuspecting American living out his retirement years in a grand palazzo. With Clay’s smarts and Nick’s charm, their scheme is sure to succeed.
As it turns out, tricking a millionaire out of money isn’t as easy as it seems, especially when Clay and Nick let greed get the best of them. As Nick falls under the spell of the city’s decrepit magic, Clay comes to terms with personal loss and the price of letting go of the past. Their future awaits, but it is built on disastrous deceits, and more than one life stands in the way of their dreams.
A Beautiful Crime is a twisty grifter novel with a thriller running through its veins. But it is also a meditation on love, class, race, sexuality, and the legacy of bohemian culture. Tacking between Venice’s soaring aesthetic beauty and its imminent tourist-riddled collapse, Bollen delivers another “seductive and richly atmospheric literary thriller” (New York Times Book Review).
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When Jackson’s 18-year-old son born through surrogacy came out to him, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century.
Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil.
Jackson’s son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall — the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy the gay community must not be complacent.
As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice.
Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is powerful letter of love from a father to a son that holds lasting insight for us all.
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Happy new year! We’re thrilled to be kicking off 2020 with none other than Tara Sim, author of the Timekeeper series and the brand-new series opener Scavenge the Stars, which releases on January 7! Clearly, she’s someone fans of queer fantasy have got to know, so please give her a warm welcome to LGBTQReads!
Congrats on the new release! Scavenge the Stars is built around the ultimate revenge fantasy, which is just so much fun. What was your favorite part of it to right, and what was way harder than people would imagine?
Thank you! I think my favorite part to write was any situation in which Cayo was utterly useless. There’s a chapter toward the end of the book where he does something kinda stupid (I won’t spoil it, of course) and that was honestly my favorite chapter to write out of the whole book.
The thing that was hardest to write was anything involving money laundering. I know how a character should stab another in ten different fatal ways, but that was the thing that tripped me up most.
Queerness is part of Scavenge the Stars for both main characters in very different ways. Could you share a little about both Amaya and Cayo’s identities and writing them in the context of your world?
Writing queerness in fantasy books is always a little difficult when it comes to terminology, because you don’t want to throw the reader out of the setting. That being said, I wanted a world where homophobia just never came up/wasn’t an issue, so there are nonbinary and trans folks who can present however they want to without fear.
I wrote Amaya as demisexual, partly because it reflected my desire to see more demi main characters and partly because it just felt right for her. She doesn’t feel attraction for people right away; she needs time to break down her barriers and to work toward trusting the person first. On the flipside, Cayo is bisexual and not discreet about it at all. I wanted to write a character who knew how to flirt and be charming without playing into harmful bisexual tropes.
Of course, you have an entire queer fantasy series already under your belt. For those who might just be getting to know you through your new book, can you fill people in on the world of Timekeeper?
Timekeeper is my debut trilogy about an alternate Victorian world where clock towers literally control time. If a tower breaks or runs faulty, time does too. Enter Danny, my grumpy Ravenclaw gay clock mechanic, who gets assigned to an out-of-the-way clock tower only to discover a cheerful sunshine boy who has an even more curious connection to time than he does. Shenanigans and explosions ensue.
Even people who are well aware of your novels might not be aware that you have another queer story out this year, which is pretty badass! What inspired your story in Color Outside the Lines and how did you find writing short fiction compared to full-length novels?
Just another step in taking over the world, obviously.
My story in Color Outside the Lines is an f/f retelling of Hades and Persephone, which is a story I’ve wanted to tell for a long time, so I’m not entirely sure where the initial inspiration came from. Loving Greek myth, I suppose. Writing short fiction, to me, is much harder than writing long form! I tend to ramble and have chatty characters, so confining myself to just 7,000 words was a challenge.
Writing Desi identity has been a part of all your work to this point, though it takes different forms. Could you share a little about that and how your background bleeds into your work?
I’m half Indian but white passing, which has led to a lot of complicated thoughts and feelings about my identity over the years. For the longest time I was afraid to write desi characters or anything with the aesthetic because I worried people would think I had no business doing so, or that my own experience within my culture wasn’t enough.
Writing Chainbreaker, the second book in my Timekeeper trilogy, was the first time I wrote Indian characters–and wrote about India itself, for that matter. One of the main characters, Daphne, is half Indian and white passing like myself, and I poured a lot of my own turmoil into her arc.That was a doorway opening for me, making me braver in exploring my identity and how I could portray it in different ways on the page.
In Scavenge the Stars, it’s a secondary world, but Amaya’s father comes from a country I modeled after India, and most of her knowledge of that country comes from her father’s stories. In my short story in Color Outside the Lines, Persephone is called Parvani, and she comes from an India-esque kingdom suffering under a harsh ruler. I really enjoy exploring different ways for characters to interact with their identities, whether it’s diaspora or national pride.
What’s the first LGBTQIAP+ representation you recall coming across in media, for better or for worse?
You know, I think it might have been fanfiction. But in terms of mainstream media, I can’t fully recall my first instance–my memory is awful–but I do remember being impacted by Brokeback Mountain when the movie came out. I saw it in theaters and it felt like a sucker punch. Looking at the movie now just makes me sigh, but back then it meant a lot, even if I didn’t completely understand why.
As queer fantasy seems to be on the rise, what are some titles you’ve loved and some you’re especially looking forward to?
Some queer SFF I’ve loved recently are Gideon the Ninth, Wilder Girls, Crier’s War, The Never Tilting World, and Reverie. Some upcoming titles I’m excited for are Bonds of Brass (already read it but it’s great), Infinity Son, Burn Our Bodies Down, and The Unspoken Name (again, already read it but it’s great!).
What’s up next for you?
Something really cool that I can’t talk about yet (gah), as well as working on Scavenge’s sequel. Also, keep an eye out for more short stories from me in the upcoming anthologies Out Now: Queer We Go Again and WNDB’s Fantastic Worlds.
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Tara Sim is the author of SCAVENGE THE STARS (Disney-Hyperion, 2020) and the Timekeeper trilogy who can typically be found wandering the wilds of the Bay Area, California. When she’s not chasing cats or lurking in bookstores, she writes books about magic, murder, and explosions. Follow her on Twitter at @EachStarAWorld, and check out her website for fun extras at tarasim.com.
