I am THE MOST excited to be sharing this cover reveal today, not just because I happen to adore the editors personally and not just because the cover is adorable, and not even just because the actually collection sounds incredible and so, so necessary, but because as you’ll read, I had a little hand in this one!
This is Our Rainbow is an all-LGBTQ+ Middle Grade anthology edited by Katherine Locke and Nicole Melleby, releasing from Knopf on October 19, 2021, and here to share the cover and the story behind it are the editors themselves!
This anthology has been such a joyful experience from start to finish…and it started with a tweet! Dahlia, who is no stranger to editing anthologies, tweeted that she really hoped there was a queer middle grade anthology in the works, and that she would help whoever decided to take this on however they needed. When Nicole expressed interest, Dahlia got her in touch with Katherine (who had just finished up on It’s a Whole Spiel so had the anthology editor experience).
We clicked immediately and got brainstorming. Meanwhile, our editor at Knopf, Marisa DiNovis, responded to Dahlia’s tweet, too, saying that a queer middle grade anthology was literally her dream. It’s only fitting that we’re doing the cover reveal here, on Dahlia’s blog, seeing as she helped make this whole thing possible!
So Twitter can be a force for good!
These stories are full of so much heart and joy and thoughtfulness, and we cannot wait to share each and every one of these with readers.
The first LGBTQ+ anthology for middle-graders featuring stories for every letter of the acronym, including realistic, fantasy, and sci-fi stories by authors like Justina Ireland, Marieke Nijkamp, Alex Gino, and more!
A boyband fandom becomes a conduit to coming out. A former bully becomes a first-kiss prospect. One nonbinary kid searches for an inclusive athletic community after quitting gymnastics. Another nonbinary kid, who happens to be a pirate, makes a wish that comes true–but not how they thought it would. A tween girl navigates a crush on her friend’s mom. A young witch turns herself into a puppy to win over a new neighbor. A trans girl empowers her online bestie to come out.
From wind-breathing dragons to first crushes, This Is Our Rainbow features story after story of joyful, proud LGBTQIA+ representation. You will fall in love with this insightful, poignant anthology of queer fantasy, historical, and contemporary stories from authors including: Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Katherine Locke, Mariama J. Lockington, Nicole Melleby, Marieke Nijkamp, Claribel A. Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and AJ Sass.
But today, we get to share the most glorious cover either of us have ever seen with YOU.
We are COMPLETELY obsessed with this cover with by Jes and Cin, designed by Sylvia Bi! Like, COMPLETELY OBSESSED.
Without further ado…here it is!
We LOVE this cover. Seeing such joy and pride and so many different representations on the cover of a middle grade book was a dream come true. We love that it’s so bright and happy; queer children getting to be themselves and happy and celebrating themselves was exactly what we wanted on the inside of this anthology, so we love that you can so clearly see that from this cover. And we can’t wait to share the back of the book too in a few months with more characters and more joy!
And we wanted to share more from the artists too! Here’s what Jes and Cin had to say about working on the cover:
What excited you about working on This Is Our Rainbow?
We were so excited that this was the first middle grade anthology about queer identities! We’re extremely passionate about queer representation in kids’ media, and seeing this diverse collection of stories and creatives was something we absolutely wanted (and are very honored) to be a part of.
How did you envision the cover?
The cover was a fun challenge. Fitting in all the protagonists and visualizing their flags into a book jacket is a lot! Sylvia Bi, the assistant designer, gave us some great prompts and directions to play with! We definitely wanted something bright and colorful, that showcased happy queer children celebrating themselves as individuals but also as a community. Reading the stories in this anthology really solidified how this cover would look.
What were your inspirations for the cover’s direction?
We were largely inspired by Naomi Franquiz’s cover for ToComix Press’ Shout Out Anthology! She put so much personality and individuality to the characters on that cover. We wanted the kids to interact with each other for This is Our Rainbow. Like a “warm gay hug” feeling! We also pulled from our experience going to Pride events. The many ways people joyfully expressed their identities through pins, flags, capes, and flower crowns was something we wanted to bring into the cover.
This is Our Rainbow releases on October 19th, 2021, and you can find more information and where to buy This is Our Rainbowhere!
Katherine Locke lives and writes in Philadelphia where they are ruled by their feline overlords and their addiction to chai lattes. They are the award-winning author of THE GIRL WITH THE RED BALLOON, THE SPY WITH THE RED BALLOON, editor-and-contributor to IT’S A WHOLE SPIEL, and other titles. They not-so-secretly believe most stories are fairytales in disguise. They can be found on Twitter and Instagram at @bibliogato, and on katherinelockebooks.com.
Nicole Melleby, a born-and-bred Jersey girl, is the author of HURRICANE SEASON, which was a Lambda Literary Finalist, IN THE ROLE OF BRIE HUTCHENS…, a Kirkus Reviews best book of the year, and the upcoming HOW TO BECOME A PLANET (May 2021). She lives with her partner and their cat, whose need for attention oddly aligns with Nicole’s writing schedule. Feel free to follow her on Twitter @LadyNeeko
Marigold “Goldie” Vance lives and works at the Crossed Palms Resort Hotel in Florida with a whole slew of characters: her dad, Art, the manager of the joint; Cheryl Lebeaux, the concierge and Goldie’s best friend; and Walter Tooey, the hired hotel detective. Her mom, Sylvie, works nearby at the Mermaid Club.
Prepare to be amazed by Goldie’s second middle-grade adventure! The Crossed Palms is hosting the first ever League of Magical Arts Convention, bringing the world’s most renowned and emerging magicians to the resort, including an overeager part-time magician and detective named Derek Von Thurston. When some of the magic starts to go awry, Goldie — and Derek — are on the case! Can Goldie uncover the saboteur before the final act goes live?
Based on Hope Larson and Brittney Williams’s critically acclaimed Goldie Vance comic, this thrilling novel explores a never-before-seen caper and features 8 full-color comic pages essential to unraveling the mystery.
Avery Williams can sing, but that doesn’t mean she can sing in front of people. She likes to stay backstage at her new school, which is where, to her surprise, she finds a cat tucked away into a nook. Avery names the stray Phantom and visits any time she’s feeling stressed (which is a lot these days).
As she sings to Phantom one day, her crush, Nic, overhears her and ropes Avery into auditioning for the school’s musical. Despite her nerves, Avery lands the lead role!
She knows she should be excited, but mostly Avery is terrified. Can Phantom help her through her stage fright? And what will happen if anyone finds out about her secret pet?
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
Brian has always been anxious, whether at home, or in class, or on the basketball court. His dad tries to get him to stand up for himself and his mom helps as much as she can, but after he and his brother are placed in foster care, Brian starts having panic attacks. And he doesn’t know if things will ever be “normal” again . . . Ezra’s always been popular. He’s friends with most of the kids on his basketball team—even Brian, who usually keeps to himself. But now, some of his friends have been acting differently, and Brian seems to be pulling away. Ezra wants to help, but he worries if he’s too nice to Brian, his friends will realize that he has a crush on him . . .
But when Brian and his brother run away, Ezra has no choice but to take the leap and reach out. Both boys have to decide if they’re willing to risk sharing parts of themselves they’d rather hide. But if they can be brave, they might just find the best in themselves—and each other.
Hazel Bly used to live in the perfect house with the perfect family in sunny California. But when a kayaking trip goes horribly wrong, Mum is suddenly gone forever and Hazel is left with crippling anxiety and a jagged scar on her face. After Mum’s death, Hazel, her other mother, Mama, and her little sister, Peach, needed a fresh start. So for the last two years, the Bly girls have lived all over the country, never settling anywhere for more than a few months.
When the family arrives in Rose Harbor, Maine, there’s a wildness to the small town that feels like magic. But when Mama runs into an old childhood friend—Claire—suddenly Hazel’s tight-knit world is infiltrated. To make it worse, she has a daughter Hazel’s age, Lemon, who can’t stop rambling on and on about the Rose Maid, a local 150-year-old mermaid myth.
Soon, Hazel finds herself just as obsessed with the Rose Maid as Lemon is—because what if magic were real? What if grief really could change you so much, you weren’t even yourself anymore? And what if instead you emerged from the darkness stronger than before?
For Pluto, summer has always started with a trip to the planetarium. It’s the launch to her favorite season, which also includes visits to the boardwalk arcade, working in her mom’s pizzeria, and her best friend Meredith’s birthday party. But this summer, none of that feels possible.
A month before the end of the school year, Pluto’s frightened mom broke down Pluto’s bedroom door. What came next were doctor’s appointments, a diagnosis of depression, and a big black hole that still sits on Pluto’s chest, making it too hard to do anything.
Pluto can’t explain to her mom why she can’t do the things she used to love. And it isn’t until Pluto’s dad threatens to make her move with him to the city—where he believes his money, in particular, could help—that Pluto becomes desperate enough to do whatever it takes to be the old Pluto again.
She develops a plan and a checklist: If she takes her medication, if she goes to the planetarium with her mom for her birthday, if she successfully finishes her summer school work with her tutor, if she goes to Meredith’s birthday party . . . if she does all the things that “normal” Pluto would do, she can stay with her mom in Jersey. But it takes a new therapist, a new tutor, and a new (and cute) friend with a checklist and plan of her own for Pluto to learn that there is no old and new Pluto. There’s just her.
Would-be amusement park aficionado Dalia only has two items on her summer bucket list: (1) finally ride a roller coaster and (2) figure out how to make a new best friend. But when her dad suddenly announces that he’s engaged, Dalia’s schemes come to a screeching halt. With Dalia’s future stepsister Alexa heading back to college soon, the grown-ups want the girls to spend the last weeks of summer bonding–meaning Alexa has to cancel the amusement park road trip she’s been planning for months. Luckily Dalia comes up with a new plan: If she joins Alexa on her trip and brings Rani, the new girl from her swim team, along maybe she can have the perfect summer after all. But what starts out as a week of funnel cakes and Lazy River rides goes off the rails when Dalia discovers that Alexa’s girlfriend is joining the trip. And keeping Alexa’s secret makes Dalia realize one of her own: She might have more-than-friend feelings for Rani.
Ash is no stranger to feeling like an outcast. For someone who cycles through genders, it’s a daily struggle to feel in control of how people perceive you. Some days Ash is undoubtedly girl, but other times, 100 percent guy. Daniel lacks control too—of his emotions. He’s been told he’s overly sensitive more times than he can count. He can’t help the way he is, and he sure wishes someone would accept him for it.
So when Daniel’s big heart leads him to rescue a dog that’s about to be euthanized, he’s relieved to find Ash willing to help. The two bond over their four-legged secret. When they start catching feelings for each other, however, things go from cute to complicated. Daniel thinks Ash is all girl . . . what happens when he finds out there’s more to Ash’s story?
With so much on the line—truth, identity, acceptance, and the life of an adorable pup named Chewbarka—will Ash and Daniel forever feel at war with themselves because they don’t fit into the world’s binaries? Or will their friendship help them embrace the beauty of living in between?
Today on the site I am so excited to be welcoming A.J. Sass, author of the groundbreaking middle grade contemporary Ana on the Edge, which releases today from Little, Brown Young Readers. Here’s a little more about the book:
For fans of George and Ivy Aberdeen’s Letter to the World, a heartfelt coming of age story about a nonbinary character navigating a binary world.
Twelve-year-old Ana-Marie Jin, the reigning US Juvenile figure skating champion, is not a frilly dress kind of kid. So, when Ana learns that next season’s program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.
Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn’t correct him and finds comfort in this boyish identity when he’s around. As their friendship develops, Ana realizes that it’s tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.
A month after I started hormone replacement therapy, my friends threw me a “T-party” in San Francisco’s Dolores Park. I’d recently come out as trans and chosen a name that has stayed with me to this day: Andrew. And pronouns? He, him, and his, because I’m a guy, obviously.
Hold that thought.
I remember that afternoon well. It was unusually warm for a July in San Francisco, and the outing felt festive, reminiscent of a Pride Month weekend just a few weeks earlier. I was surrounded by friends who’d supported me as I navigated both my social and medical transition. My world felt full of potential. Finally, I could focus on living my life rather than on coming out to everyone and the emotional labor that entailed.
Just the same, I found myself shrugging when a friend jokingly asked if, two injections into my transition, I’d noticed any physical changes yet.
“Not yet,” I’d said. Then, a slight hesitation before I admitted, “honestly, I’m not even sure I feel like a man at this point.”
“Give it time,” my friends who’d been on testosterone (T) longer encouraged me. “It’ll happen, especially when strangers stop misgendering you.”
Their advice was well-meaning and, I suspect, a truth for many folks who’ve pursued this particular avenue of transition. So I waited, and I hoped my feelings would change on a similar trajectory with my body.
I can’t remember the first time I heard the word nonbinary. Maybe I read an interview online or it came up in a casual conversation. What I do remember is the immediate connection I felt to its definition:
Nonbinary: not relating to, composed of, or involving just two things.
That’s me. I knew instantly.
So why did it take me another four years to decide to discontinue T and even longer to publicly announce my identity? Simple: I didn’t want to be a burden. I’d just come out as a trans man to my friends and family, then had to approach my workplace’s HR department to change my name and pronouns. There was a nagging concern that I’d be inconveniencing people after I’d already asked them to use one new name and set of pronouns.
And what if I realized that different pronouns worked better for me later on? How many times could I come out to people before they got fed up?
By the time I wrote Ana on the Edge, I was more or less comfortable being seen as a man in my public life, even if it didn’t perfectly describe who I am. But, as writing often does when you’re delving into something personal, Ana’s journey to discovering her nonbinary identity brought to the surface feelings and thoughts about my own.
I created an ending to Ana’s story that left things open, one that sent readers the message that, “hey, this kid now knows she’s nonbinary, but she doesn’t have everything figured out yet, and that’s okay.” But it wasn’t until relatively late in the drafting process—after I’d revised the story enough to begin querying agents—that I realized the same logic could be applied to myself.
It was a revelation that allowed me to critically evaluate how I wanted to be seen as an author who plans to continue exploring queer themes in the kidlit space. In a way, Ana, my fictional ‘enby bean’ ice skater, taught me that not knowing everything about myself all at once is not only acceptable but something to embrace. And the individuals who might not be so enthusiastic about having to learn a new set of pronouns? They’re not people worth being concerned about. My identity—an inherent part of who I am as a living, breathing, feeling human being—is not up for debate no matter how often it happens to evolve, nor is it an inconvenience.
Near the end of Ana’s story, she reflects on the decision not to change her pronouns yet: “Uncertainty feels like less of a burden and more of an opportunity.”
I’ve held that line close to me on the lead-up to publication. Because some people know who they are when they’re young, and that’s entirely valid. But for a long time, the only trans narratives I could find in the media exclusively reflected the experience that you either know you’re trans at a young age or else you’re not really trans.
People aren’t static. Our tastes, interests, and even appearances change as we learn more about ourselves over time. Why not the understanding of our internal sense of self, as well? Instead of the shame I’m tempted to feel for inconveniencing people when I learn something new about myself, Ana helped me acknowledge that my identity is my own, even at times when I’ve been uncertain about some aspect of it.
Maybe you were twelve like Ana when you discovered your identity or well into adulthood like I was. Maybe you’re still trying to figure it out now; that’s also perfectly fine. The wonderful thing about identity is it has no expiration date. Sit back, enjoy the journey, and celebrate every new discovery.
Parties (T, tea, or otherwise) are also highly recommended.
A. J. Sass is a writer, editor, and occasional mentor. A long-time figure skater, he has passed his U.S. Figure Skating Senior Moves in the Field and Free Skate tests, medaled twice at the U.S. Synchronized Skating Championships, and currently dabbles in ice dance. When he’s not exploring the world as much as possible, A. J. lives in the San Francisco Bay Area with his boyfriend and two cats who act like dogs. Ana on the Edge is his first novel.
Magic in Appalachia? Rival families working against each other? An intersex protagonist? In Middle Grade Fantasy?? There are so many reasons to check out Cattywampus by debut author Ash van Otterloo (who already has another queer MG, A Touch of Ruckus, on the books for 2021! But first, let’s get to the book at hand!
In the town of Howler’s Hollow, conjuring magic is strictly off-limits. Only nothing makes Delpha McGill’s skin crawl more than rules. So when she finds her family’s secret book of hexes, she’s itching to use it to banish her mama’s money troubles. She just has to keep it quieter than a church mouse — not exactly Delpha’s specialty.
Trouble is, Katybird Hearn is hankering to get her hands on the spell book, too. The daughter of a rival witching family, Katy has reasons of her own for wanting to learn forbidden magic, and she’s not going to let an age-old feud or Delpha’s contrary ways stop her. But their quarrel accidentally unleashes a hex so heinous it resurrects a graveyard full of angry Hearn and McGill ancestors bent on total destruction. If Delpha and Katy want to reverse the spell in time to save everyone in the Hollow from rampaging zombies, they’ll need to mend fences and work together.
Reborn as an immortal with miraculous healing powers, Ari remembers nothing of his past life. His entire world now consists of the cold mountainside city of Serenity. Ruled with an iron fist. Violent.
I may never remember you…
Regaining the memories of who he once was seems an impossible dream, until Ari encounters Hei, a mortal come to Serenity for his own mysterious purposes. From the moment Hei literally falls into his arms, Ari is drawn to him in ways he cannot understand. Every word, every look, every touch pulls them closer together.
But I’m with you now…
As their bond deepens, so does the need to learn the truth of their past. Together they journey to find an ancient immortal who can give them what they both want: a history more entwined than Ari could have ever imagined, but which Hei has always known.
It’s the reason they will risk the world as they know it to reclaim who they used to be—and what they could be once again.
Every year on Walpurgis Night, Caldella’s Witch Queen lures a young boy back to her palace. An innocent life to be sacrificed on the full moon to keep the island city from sinking.
Convinced her handsome brother is going to be taken, sixteen-year-old Lina Kirk enlists the help of the mysterious Tomas Lin, her secret crush, and the only boy to ever escape from the palace. Working together they protect her brother, but draw the Queen’s attention. When the Queen spirits Tomas away instead, Lina blames herself and determines to go after him.
Caught breaking into the palace, the Queen offers Lina a deal: she will let Tomas go, if, of course, Lina agrees to take his place. Lina accepts, with a month before the full moon, surely she can find some way to escape. But the Queen is nothing like she envisioned, and Lina is not at all what the Queen expected. Against their will, they find themselves falling for each other. As water floods Caldella’s streets and the dark tide demands its sacrifice, they must choose who to save: themselves, each other, or the island city relying on them both.
Nora hasn’t looked back. Not since she fled Texas to start a new life. Away from her father’s volatile temper and the ever-watchful gaze of her claustrophobically conservative small town, Nora has freed herself. She can live—and love—however she wants. The only problem is that she also left behind the one woman she can’t forget. Now tragedy calls her back home to confront her past—and reconcile her future.
Sophie seems to have everything—a wonderful daughter, a successful husband and a rewarding career. Yet underneath that perfection lies an explosive secret. She still yearns for Nora—her best friend and first love—despite all the years between them. Keeping her true self hidden hasn’t been easy, but it’s been necessary. So when Sophie finds out that Nora has returned, she hopes Nora’s stay is short. The life she has built depends on it.
But they both find that first love doesn’t fade easily. Memories come to light, passion ignites and old feelings resurface. As the forces of family and intolerance that once tore them apart begin to reemerge, they realize some things may never change—unless they demand it.
She arrived with her arts, her wits, and her only friend.
In victory, her world has turned to ash.
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders.
Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.
Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?
In the town of Howler’s Hollow, conjuring magic is strictly off-limits. Only nothing makes Delpha McGill’s skin crawl more than rules. So when she finds her family’s secret book of hexes, she’s itching to use it to banish her mama’s money troubles. She just has to keep it quieter than a church mouse — not exactly Delpha’s specialty.
Trouble is, Katybird Hearn is hankering to get her hands on the spell book, too. The daughter of a rival witching family, Katy has reasons of her own for wanting to learn forbidden magic, and she’s not going to let an age-old feud or Delpha’s contrary ways stop her. But their quarrel accidentally unleashes a hex so heinous it resurrects a graveyard full of angry Hearn and McGill ancestors bent on total destruction. If Delpha and Katy want to reverse the spell in time to save everyone in the Hollow from rampaging zombies, they’ll need to mend fences and work together.
When Eris faked her death, she thought she had left her old life as the heir to the galaxy’s most ruthless empire behind. But her recruitment by the Novantaen Resistance, an organization opposed to the empire’s voracious expansion, throws her right back into the fray.
Eris has been assigned a new mission: to infiltrate a spaceship ferrying deadly cargo and return the intelligence gathered to the Resistance. But her partner for the mission, mechanic and hotshot pilot Cloelia, bears an old grudge against Eris, making an already difficult infiltration even more complicated.
When they find the ship, they discover more than they bargained for: three fugitives with firsthand knowledge of the corrupt empire’s inner workings.
Together, these women possess the knowledge and capabilities to bring the empire to its knees. But the clock is ticking: the new heir to the empire plans to disrupt a peace summit with the only remaining alien empire, ensuring the empire’s continued expansion. If they can find a way to stop him, they will save the galaxy. If they can’t, millions may die.
In the town of St. Hilaire, most make their living by talking to the dead. In the summer, the town gates open to tourists seeking answers while all activity is controlled by The Guild, a sinister ruling body that sees everything.
Dec Hampton has lived there his entire life, but ever since his parents died, he’s been done with it. He knows he has to leave before anyone has a chance to stop him.
His best friend Russ won’t be surprised when Dec leaves—but he will be heartbroken. Russ is a good medium, maybe even a great one. He’s made sacrifices for his gift and will do whatever he can to gain entry to The Guild, even embracing dark forces and contacting the most elusive ghost in town.
But when the train of Annie Krylova, the piano prodigy whose music has been Dec’s main source of solace, breaks down outside of town, it sets off an unexpected chain of events. And in St. Hilaire, there are no such things as coincidences.
Goldie, Diane, and Cheryl find themselves jetsetting to sunny Los Angeles for a break but are drawn into a deeply personal investigation in this all new original graphic novel.
CALIFORNIA HERE WE COME!
Thanks to a serendipitous conflagration of events, Goldie, Diane, and Cheryl find themselves jetsetting to sunny Los Angeles! While Cheryl pursues space dreams at JPL and Diane continues her work as a remote scout for a music label, Goldie finds her days lost in the haze of old Hollywood, becoming friendly with a silent film start long past her prime. But when she’s framed for stealing, Goldie must dive back into her secret history in Tinsel Town to get to the bottom of it!
First Sister has no name and no voice. As a priestess of the Sisterhood, she travels the stars alongside the soldiers of Earth and Mars—the same ones who own the rights to her body and soul. When her former captain abandons her, First Sister’s hopes for freedom are dashed when she is forced to stay on her ship with no friends, no power, and a new captain—Saito Ren—whom she knows nothing about. She is commanded to spy on Captain Ren by the Sisterhood, but soon discovers that working for the war effort is so much harder to do when you’re falling in love.
Lito val Lucius climbed his way out of the slums to become an elite soldier of Venus, but was defeated in combat by none other than Saito Ren, resulting in the disappearance of his partner, Hiro. When Lito learns that Hiro is both alive and now a traitor to the cause, he now has a shot at redemption: track down and kill his former partner. But when he discovers recordings that Hiro secretly made, Lito’s own allegiances are put to the test. Ultimately, he must decide between following orders and following his heart.
This is the absolutely true account of how Lansburg, Pennsylvania was invaded by aliens and the weeks of chaos that followed. There were sightings of UFOs, close encounters, and even abductions. There were believers, Truth Seekers, and, above all, people who looked to the sky and hoped for more.
Only…there were no aliens.
Gideon Hofstadt knows what really happened. When one of his science experiments went wrong, he and his older brother blamed the resulting explosion on extraterrestrial activity. And their lie was not only believed by their town―it was embraced. As the brothers go to increasingly greater lengths to keep up the ruse and avoid getting caught, the hoax flourishes. But Gideon’s obsession with their tale threatened his whole world. Can he find a way to banish the aliens before Lansburg, and his life, are changed forever?
Told in a report format and comprised of interviews, blog posts, text conversations, found documents, and so much more, It Came from the Sky is a hysterical and resonant novel about what it means to be human in the face of the unknown.
In the eerie town of ‘Allows, some people get to be magical sorceresses, while other people have their spirits trapped in the mall for all ghastly eternity.
Then there’s twelve-year-old goblin-witch Beetle, who’s caught in between. She’d rather skip being homeschooled completely and spend time with her best friend, Blob Glost. But the mall is getting boring, and B.G. is cursed to haunt it, tethered there by some unseen force. And now Beetle’s old best friend, Kat, is back in town for a sorcery apprenticeship with her Aunt Hollowbone. Kat is everything Beetle wants to be: beautiful, cool, great at magic, and kind of famous online. Beetle’s quickly being left in the dust.
But Kat’s mentor has set her own vile scheme in motion. If Blob Ghost doesn’t escape the mall soon, their afterlife might be coming to a very sticky end. Now, Beetle has less than a week to rescue her best ghost, encourage Kat to stand up for herself, and confront the magic she’s been avoiding for far too long. And hopefully ride a broom without crashing.
After being swept up into the brutal Vathek court, Amani, the ordinary girl forced to serve as the half-Vathek princess’s body double, has been forced into complete isolation. The cruel but complex princess, Maram, with whom Amani had cultivated a tenuous friendship, discovered Amani’s connection to the rebellion and has forced her into silence, and if Amani crosses Maram once more, her identity – and her betrayal – will be revealed to everyone in the court.
Amani is desperate to continue helping the rebellion, to fight for her people’s freedom. But she must make a devastating decision: will she step aside, and watch her people suffer, or continue to aid them, and put herself and her family in mortal danger? And whatever she chooses, can she bear to remain separated, forever, from Maram’s fiancé, Idris?
At the start of summer, Jack and Nate find themselves dumped as their respective exes, Dylan and Tariq, start up a new relationship together. Not only that, their exes start posting pics on social media, showing the whole world how fabulous their new life together is!
Jack and Nate are reeling. Not to be outdone, they decide to create their own ‘highlights reel’ and show their exes that they’re having an even better time.
But between the depressing motorway service station motels, damp campsites, and an ultimate showdown with the exes, something epic really is happening: Jack and Nate are learning to get over their heartache and open themselves up to new possibilities for love.
Becks is into girls but didn’t come out because she was never in. She lives with her mum, stepdad and eighteen-year-old Silva, her stepdad’s daughter. Becks and Silva are opposites, but bond over their mutual obsession with K-pop.
When Becks’ mum and stepdad go on honeymoon to Japan, Becks and Silva are left alone. Except, Silva disappears. Becks ventures into the forbidden territory of Silva’s room and finds the first of eight clues that help her discover her sister’s secret life.
Meanwhile, Silva is on a journey. A journey to make someone love her. He says he doesn’t, but he’s just joking. All she has to do is persuade him otherwise …
While his friends prepare to head off to university, Robin is looking at a pile of rejection letters from drama schools up and down the country, and facing a future without the people he loves the most. Everything seems like it’s ending, and Robin is scrabbling to find his feet.
Unsure about what to do next and whether he has the talent to follow his dreams, he and his best friends go and drown their sorrows at a local drag show, where Robin realises there might be a different, more sequinned path for him . . .
With a mother who won’t stop talking, a boyfriend who won’t acknowledge him and a best friend who is dying to cover him in glitter make up, there’s only one thing for Robin to do: bring it to the runway.
The beaches of Grand-Barachois had been Kat’s summer home for years. There, she created her own world with her “summer friends,” full of possibilities and free from expectation. But one summer, everything changed, and she ran from the life she’d created.
Now seventeen and on the brink of attending college, Kat is full of regret. She’s broken a friendship beyond repair, and she’s dated possibly the worst person in the world. Six months after their break-up, he still haunts her nightmares. Confused and scared, she returns to Grand-Barachois to sort out her feelings.
When she arrives, everything is different yet familiar. Some of her friends are right where she left them, while some are nowhere to be found. There are so many things they never got to do, so many words left unsaid.
And then there’s Tristan.
He wasn’t supposed to be there. He was just a guy from Kat’s youth orchestra days. When the two meet again, they become fast friends. Tristan has a few ideas to make this summer the best one yet. Together, they build a master list of all the things Kat and her friends wanted to do but never could. It’s finally time to live their wildest childhood dreams.
But the past won’t let Kat go. And while this may be a summer to remember, there’s so much she wants to forget.
The dream of a queer separatist town. The life of a gay and Jewish Nazi-fighter. A gender reveal party that tears apart reality. These are the just some of the comics you’ll find in this massive queer comics anthology from The Nib.
Be Gay, Do Comics is filled with dozens of comics about LGBTQIA experiences, ranging from personal stories to queer history to cutting satire about pronoun panic and brands desperate to co-opt pride. Brimming with resilience, inspiration, and humor, an incredible lineup of top indie cartoonists takes you from the American Revolution through Stonewall to today’s fights for equality and representation.
Featuring more than 30 cartoonists including Hazel Newlevant, Joey Alison Sayers, Maia Kobabe, Matt Lubchansky, Breena Nuñez, Sasha Velour, Shing Yin Khor, Levi Hastings, Mady G, Bianca Xunise, Kazimir Lee, and many, many more!
The hunt is over. After fifteen years of lies and sacrifice, Baru Cormorant has the power to destroy the Imperial Republic of Falcrest that she pretends to serve. The secret society called the Cancrioth is real, and Baru is among them.
But the Cancrioth’s weapon cannot distinguish the guilty from the innocent. If it escapes quarantine, the ancient hemorrhagic plague called the Kettling will kill hundreds of millions…not just in Falcrest, but all across the world. History will end in a black bloodstain.
Is that justice? Is this really what Tain Hu hoped for when she sacrificed herself?
Baru’s enemies close in from all sides. Baru’s own mind teeters on the edge of madness or shattering revelation. Now she must choose between genocidal revenge and a far more difficult path — a conspiracy of judges, kings, spies and immortals, puppeteering the world’s riches and two great wars in a gambit for the ultimate prize.
If Baru had absolute power over the Imperial Republic, she could force Falcrest to abandon its colonies and make right its crimes.
Joan Washington just got the gig of a lifetime – lead guitarist for Jordan King. She packed her bags, moved to the big city, and has decided to be single for the first time in a long time. No romantic distractions – just the music.
Jordan King was once known as boy band royalty. Now he’s moving on, releasing a solo album. His new band is nothing like his old one, and he definitely won’t be making the same mistake this time around by dating someone in it.
Of course, his label has different plans.
After a single picture shows up in the tabloids of Jordan and his ex-boyfriend, his manager throws Joan and Jordan into a PR relationship.
It’s fake, though. Totally fake.
They definitely won’t fall in love with each other.
Long ago, Queen Mirantha vanished. King Karolje claimed it was an assassination by a neighboring king, but everyone knew it was a lie. He had Disappeared her himself.
But after finding the missing queen’s diary, Anza—impassioned by her father’s unjust execution and inspired by Mirantha’s words—joins the resistance group to overthrow the king. When an encounter with Prince Esvar thrusts her into a dangerous game of court politics, one misstep could lead to a fate worse than death.
Esvar is the second son to an evil king. Trapped under his thumb and desperate for a way out, a chance meeting with Anza gives him the opportunity to join the resistance. Together, they might have the leverage to move against the king—but if they fail, their deaths could mean a total loss of freedom for generations to follow.
Raina Petree is crushing her senior year, until her boyfriend dumps her, the drama club (basically) dumps her, the college of her dreams slips away, and her arch-nemesis triumphs.
Things aren’t much better for Millie Goodwin. Her father treats her like a servant, and the all-boy Mock Trial team votes her out, even after she spent the last three years helping to build its success.
But then, an advice columnist unexpectedly helps Raina find new purpose in a pair of knitting needles and a politically active local yarn store. This leads to an unlikely meeting in the girls’ bathroom, where Raina inspires Millie to start a rival team. The two join together and recruit four other angry girls to not only take on Mock Trial, but to smash the patriarchy in the process.
Even the Wild Man of Greenhollow can’t ignore a summons from his mother, when that mother is the indomitable Adela Silver, practical folklorist. Henry Silver does not relish what he’ll find in the grimy seaside town of Rothport, where once the ancient wood extended before it was drowned beneath the sea—a missing girl, a monster on the loose, or, worst of all, Tobias Finch, who loves him.
Though for Zoe Cooper and Amelia Hughes, it’s the very first step toward their happy ending.
It’s been a year since Zoe Cooper packed up her daughter and fled her abusive husband with only the clothes on her back. But life as a waitress, food blogger, and “roommate” to her supportive mother has turned into a holding pattern, and her dream of launching her own catering company and cooking school feels like just another fairy tale ending–when she’s no Cinderella.
Until the newest cooking competition comes to town, and suddenly magic just might be at Zoe’s fingertips with the chance to audition for Heating Up the Kitchen.
If only she can beat Amelia.
Fresh out of a disastrous relationship and determined to prove her ex wrong, Amelia’s got a chip on her shoulder and is ready for a grudge match in the kitchen. When she locks horns with Amelia, there’s more steaming than their buns as the two competitive young chefs vie for the top spot on the show…
…and the top spot in each others’ hearts.
There’s more cooking in this kitchen than the food, and romance is on the menu. When hatred turns to heat and threatens to boil over, their rivalry might just end in disaster.
Or Zoe and Amelia might just find the future they need in each other–in between stolen hugs and quiches.
During her career, Caro was one of the best defense players in women’s hockey. These days, she keeps to herself. Her all-girls hockey camp is her life, and she hopes it’ll be her legacy. Sure, her new summer hire is charming and magnetic, but Caro keeps her work and personal life strictly separate.
Amy Schwarzbach lives life out loud.
Amy’s as bright and cheerful as her lavender hair, and she uses her high-profile position in women’s hockey to advocate for the things she believes in. Ten weeks in Chicago coaching a girls’ training camp is the perfect opportunity to mentor the next generation before she goes back to Boston.
Letting love in means putting yourself out there.
When the reticent head coach offers to help Amy get in shape for next season, her starstruck crush on Caro quickly blossoms into real chemistry. As summer comes to an end, neither of them can quite let go of this fling—but Amy can’t afford a distraction, and Caro can’t risk her relationship becoming public and jeopardizing the one thing that’s really hers.
Darius Kellner is having a bit of a year. Since his trip to Iran this past spring, a lot has changed. He’s getting along with his dad, and his best friend Sohrab is only a Skype call away. Between his first boyfriend, Landon, his varsity soccer practices, and his internship at his favorite tea shop, Darius is feeling pretty okay. Like he finally knows what it means to be Darius Kellner.
Then, of course, everything changes. Darius’s grandmothers are in town for a long visit while his dad is gone on business, and Darius isn’t sure whether they even like him. The internship isn’t what Darius thought it would be, and now he doesn’t know about turning tea into his career. He was sure he liked Landon, but when he starts hanging out with Chip–soccer teammate and best friend of Trent Bolger, epic bully–well, he’s just not so sure about Landon anymore, either.
Darius thought he knew exactly who he was and what he wanted, but maybe he was wrong. Maybe he deserves better.
Now that the city of Atrine has been destroyed and Relos Var’s plan to free the dark god Vol Karoth has been revealed—the end of the world is closer than ever.
To buy time for humanity, Kihrin, Janel, and Thurvishar must convince the king of the Manol vané to perform an ancient ritual that will strip the vané of their immortality—a ritual that certain vané will do anything to prevent. Including assassinating the ones bringing the news.
Worse, Kihrin must come to terms with the horrifying possibility that his connection to Vol Karoth is steadily growing in strength. How can Kihrin hope to save anyone when he might turn out to be the greatest threat of them all?
The multiverse business is booming, but there’s just one catch: no one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying–from diseases, from turf wars, from vendettas they couldn’t outrun.But on this earth, Cara’s survived. And she’s reaping the benefits, thanks to the well-heeled Wiley City scientists who ID’d her as an outlier and plucked her from the dirt.Now she’s got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she’s always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls.But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined–and reveal her own role in a plot that endangers not just her world, but the entire multiverse.
It’s not long before their pet-centric arrangement sparks a person-centric desire…Simon Burke has always preferred animals to people. When the countdown to adopting his own dog is unexpectedly put on hold, Simon turns to the PetShare app to find the fluffy TLC he’s been missing. Meeting a grumpy children’s book illustrator who needs a dog walker isn’t easy for the man whose persistent anxiety has colored his whole life, but Jack Matheson’s menagerie is just what Simon needs.Four dogs, three cats and counting. Jack’s pack of rescue pets is the only company he needs. But when a bad fall leaves him with a broken leg, Jack is forced to admit he needs help. That the help comes in the form of the most beautiful man he’s ever seen is a complicated, glorious surprise.Being with Jack–talking, walking, making out–is a game changer for Simon. And Simon’s company certainly…eases the pain of recovery for Jack. But making a real relationship work once Jack’s cast comes off will mean compromise, understanding and lots of love.
Imagine an America very similar to our own. It’s got homework, best friends, and pistachio ice cream.
There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day.
Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. But she is going to do more than pry. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family.
For the past nine years, ever since a bunch of those evil Tinkerbells abducted her mother, cursed her father, and forced her family into hiding, Bryn has devoted herself to learning everything she can about killing the Fae. Now it’s time to put those lessons to use.
Then the Court Fae finally show up, and Bryn realizes she can’t handle this on her own. Thankfully, three friends offer to help: Gwen, a kindhearted water witch; Dom, a new foster kid pulled into her world; and Jasika, a schoolmate with her own grudge against the Fae.
But trust is hard-won, and what little Bryn has gained is put to the test when she uncovers a book of Fae magic that belonged to her mother. With the Fae threat mounting every day, Bryn must choose between faith in her friends and power from a magic that could threaten her very humanity.
This is the second book in the Will Darling Adventures
It’s been two months since Will Darling saw Kim Secretan, and he doesn’t expect to see him again. What do a rough and ready soldier-turned-bookseller and a disgraced shady aristocrat have to do with each other anyway?
But when Will encounters a face from the past in a disreputable nightclub, Kim turns up, as shifty, unreliable, and irresistible as ever. And before Will knows it, he’s been dragged back into Kim’s shadowy world of secrets, criminal conspiracies, and underhand dealings.
This time, though, things are underhanded even by Kim standards. This time, the danger is too close to home. And if Will and Kim can’t find common ground against unseen enemies, they risk losing everything.
I’m so thrilled to have Nicole Melleby back on the site today, especially after reading the wonderful In the Role of Brie Hutchens…, their new heartwarming, adorable, romantic, and soap opera-centric Middle Grade contemporary set at a Catholic School, releasing today from Algonquin Books! Come check out a little more about the book, which made me cry and relive my love for As the World Turns:
Introducing Brie Hutchens: soap opera super fan, aspiring actor, and so-so student at her small Catholic school. Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has. Worse, Brie has almost no chance to get the job, which always goes to a top student.
Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.
To understand why I wrote my second book, In the Role of Brie Hutchens… you need to know two things about me.
One: I went to Catholic school.
From kindergarten through 8th grade, I was a St. Mary’s Saint. For high school, I was a Mater Dei Seraph.
(We didn’t know what a Seraph was at first either.)
I wore a school uniform. My only two detentions were actually because of that uniform. One because my skirt was rolled too short (we all rolled our skirts; you only got caught if it was less than two inches from your fingertips.) Two because I had a gray shirt on under my blouse instead of a white one.
Yeah, I know.
This was also a school that banned Harry Potter because JK Rowling was a satanist.
The girls wore boxers under their skirts, to keep the guys from looking up them as we climbed the stairs. Senior year, we got to wear pants…as a privilege. Those privileges could be taken away.
They often were threatened to be taken away.
We went to church every week, which was only exciting because on those days, we came back from mass to shortened class periods. There was only so much the teachers could do in twenty minutes.
Sometimes we cut class and hung out in the chapel. You couldn’t get in trouble if you got caught. Not if you said you just needed a moment with Jesus.
I wonder if they thought I needed that many moments with Jesus. They probably wish I took those moments for real now.
Health class consisted of our gym teacher yelling ABSTAIN at us. In class, in the hallways, at school dances.
We didn’t abstain.
We didn’t have the vocabulary or understanding of everything we were doing.
I didn’t have the vocabulary or understanding of everything I was feeling.
How could I even begin to explore my sexuality behind walls where they didn’t tell me it was possible?
The second thing you need to know about me is that I. LOVE. Soap Operas.
As a writer, I know what storyline tropes to avoid.
As a soap fan, I know what storyline tropes I absolutely goddamn ADORE.
There’s just something magical about discovering that two characters are pregnant at the same time.
Why? Because there’s definitely a baby swap coming.
If there’s a wedding planned during sweeps month?
It’s definitely going to go up in flames. (And not always metaphorical ones.)
If a beloved character dies? Or a classic villain?
Well, don’t worry too much. They’ll probably be back. Resurrected from the dead, recast with a new actor. (Lots of plastic surgery.)
There’s something so enjoyable about the narration over an old character with a new face, “The role of so and so is now being played by…” as the storyline itself doesn’t miss a single beat.
There’s something awe inspiring (something breathtaking) about a character, in the middle of the afternoon, in broad daylight, on a show that you watch with your mom (that so many moms watch) saying, “Mom, I’m gay.”
My mom was my 8th grade teacher at that Catholic school.
We drove home together at the end of the day.
We turned on our soaps when we got home.
We watched them together.
We watched as Erica Kane’s daughter (Erica Fricken Kane!!) said the words, “I’m gay.”
What you should know is that I didn’t come out to my own mom until much (much) later.
I felt seen that afternoon, anyway.
In the first printing of In the Role of Brie Hutchens… there’s an error in my acknowledgements. A mistake happened as mistakes tend to do, and the last paragraph of those acknowledgements were left out.
In those acknowledgements I thanked Agnes Nixon. For writing those characters. For creating Bianca and writing that storyline where that brave young woman came out to her mom, Erica Kane.
What you should know is that Agnes Nixon made me feel less alone. Agnes Nixon made me feel seen.
I can only hope that, for some reader, somewhere, In the Role of Brie Hutchens… can do the same.
Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. Her debut novel, HURRICANE SEASON, was a Lambda Literary Award Finalist. When she’s not writing, Nicole can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea.
Note: As you may have noticed, a lot of pub dates are doing some last-minute changes due to the global pandemic. We’re doing our best to keep up with the moves but the photo collage was made far in advance and does not reflect the most up-to-date pub schedules. (It’s possible the post does not either, but it’s certainly a closer fit.)
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Bitty is heading to junior year of college and though he has overcome his fear of getting ‘checked’ on the ice, he and Jack now face new challenges. They must navigate their new relationship while being apart and also decide how they want to reveal their relationship to those around them. Not only that, but Jack and the Falconers are now a big part of the NHL—and Bitty’s life! It’s a hockey season filled with victories and losses.
A collection of the second half of the mega-popular webcomic series of the same name, Check, Please!: Sticks and Scones is the last in a hilarious and stirring two-volume coming-of-age story about hockey, bros, and trying to find yourself during the best four years of your life.
Before Quinn Ryan was in love with Jamie Rudawski, she loved Jamie Rudawski, who was her best friend. But when Jamie dumps Quinn a month before their senior year, Quinn is suddenly girlfriend-less and best friend-less.
Enter a new crush: Ruby Ocampo, the gorgeous and rich lead singer of the popular band Sweets, who’s just broken up with her on-again, off-again boyfriend. Quinn’s always only wanted to be with Jamie, but if Jamie no longer wants to be with her, why can’t Quinn go all in on her crush on Ruby? But the closer Quinn grows to Ruby, the more she misses Jamie, and the more (she thinks) Jamie misses her. Who says your first love can’t be your second love, too?
In this epic sequel to Once & Future, to save the future, Ari and her Rainbow knights pull off a heist…thousands of years in the past.
Ari Helix may have won her battle against the tyrannical Mercer corporation, but the larger war has just begun. Ari and her cursed wizard Merlin must travel back in time to the unenlightened Middle Ages and steal the King Arthur’s Grail—the very definition of impossible.
It’s imperative that the time travelers not skew the timeline and alter the course of history. Coming face-to-face with the original Arthurian legend could produce a ripple effect that changes everything. Somehow Merlin forgot that the past can be even more dangerous than the future…
A young pilot risks everything to save his best friend–the man he trusts most and might even love–only to learn that he’s secretly the heir to a brutal galactic empire.
Ettian Nassun’s life was shattered when the merciless Umber Empire invaded. He’s spent seven years putting himself back together under its rule, joining an Umber military academy and becoming the best pilot in his class. Even better, he’s met Gal Veres–his exasperating and infuriatingly enticing roommate who’s made the Academy feel like a new home.
But when dozens of classmates spring an assassination plot on Gal, a devastating secret comes to light: Gal is the heir to the Umber Empire. Ettian barely manages to save his best friend and flee the compromised Academy unscathed, rattled both that Gal stands to inherit the empire that broke him and that there are still people willing to fight back against Umber rule. As they piece together a way to deliver Gal safely to his throne, Ettian finds himself torn in half by an impossible choice. Does he save the man who’s won his heart and trust that Gal’s goodness could transform the empire? Or does he throw his lot in with the brewing rebellion and fight to take back what’s rightfully theirs?
After an assault, bigender seventeen-year-old Aleks/Alexis is looking for a fresh start―so they voluntarily move in with their uncle, a Catholic priest. In their new bedroom, Aleks/Alexis discovers they can overhear parishioners in the church confessional. Moved by the struggles of these “sinners,” Aleks/Alexis decides to anonymously help them, finding solace in their secret identity: a guardian angel instead of a victim.
But then Aleks/Alexis overhears a confession of another priest admitting to sexually abusing a parishioner. As they try to uncover the priest’s identity before he hurts anyone again, Aleks/Alexis is also forced to confront their own abuser and come to terms with their past trauma.
Indigo, the newest collection by Ellen Bass, merges elegy and praise poem in an exploration of life’s complex grey areas. Whether her subject is oysters, high heels, a pork chop, a beloved dog, or a wife’s return to health, Bass pulls us in with exquisite immediacy. Her lush and precisely observed descriptions allow us to feel the sheer primal pleasure of being alive in our own “succulent skin,” the pleasure of the gifts of hunger, desire, touch. In this book, joy meets regret, devotion meets dependence, and most importantly, the poet so in love with life and living begins to look for the point where the price of aging overwhelms the rewards of staying alive. Bass is relentless in her advocacy for the little pleasures all around her. Her gaze is both expansive and hyperfocused, celebrating (and eulogizing) each gift as it is given and taken, while also taking stock of the larger arc. She draws the lines between generations, both remembering her parents’ lives and deaths and watching her own children grow into the space that she will leave behind. Indigo shows us the beauty of this cycle, while also documenting the deeply human urge to resist change and hang on to the life we have, even as it attempts to slip away.
Nadya doesn’t trust her magic anymore. Serefin is fighting off a voice in his head that doesn’t belong to him. Malachiasz is at war with who–and what–he’s become.
As their group is continually torn apart, the girl, the prince, and the monster find their fates irrevocably intertwined. They’re pieces on a board, being orchestrated by someone… or something. The voices that Serefin hears in the darkness, the ones that Nadya believes are her gods, the ones that Malachiasz is desperate to meet—those voices want a stake in the world, and they refuse to stay quiet any longer.
In her dramatic follow-up to Wicked Saints, the first book in her Something Dark and Holy trilogy, Emily A. Duncan paints a Gothic, icy world where shadows whisper, and no one is who they seem, with a shocking ending that will leave you breathless.
A cocktail-spitting, norm-pinching dive into everyday queer life in the twenty-first century—a hilarious, moving memoir
Life’s a drag . . . Why not be a queen?
When you peel off the sequins and lashes, wipe away the lipstick and mascara, open your heart and your eyes—what does the life of a drag queen really look like? Crystal (and Tom) Rasmussen tell all in this outrageous, raunchy, moving, naked (in more ways than one) memoir about life on and off the stage.
Born into a loving working-class family in northern England, Crystal finds her way to London, to a coveted, soul-crushing job in New York fashion, and back again. Searching for good sex, good stories, and “the one,” she shags men of all kinds from all sorts of platforms, sells cider to tourists, and performs with her college drag band, DENIM. She learns about true love from her mum and falls in love with her best friend. Charting her day-to-day adventures over the course of a year, we encounter tucks, twists, and unfiltered sexy bits, heinous overspending, body shame and self-love, and endless nights sprinting from snag to snafu in a full face of makeup.
In these pages the previously unspeakable becomes the everyday and the celebrated, and Crystal makes sure we feel every single thing along the way. A full-hearted, full-throated, full-disclosure portrayal of the queer experience that makes you laugh and cry and wish for understanding, Diary of a Drag Queen is a dazzling, true performance of a real, flawed, extraordinary life.
Tattoo artist Jamie Winston is used to caring for others. Between her assistant manager position at a tattoo parlor, single-parenting her twelve-year-old daughter and supporting her alcoholic parents, Jamie rarely prioritizes her own needs—unless Sierra Clark is in her chair. The bubbly younger woman somehow manages to make Jamie feel like the carefree teenager she never got to be, making anything seem possible.
For Sierra, time with Jamie is a much-needed escape. She takes her work as a social worker seriously, but with budget cuts threatening her job, there’s a lot riding on the fund-raiser she’s planning with Jamie. The fact that it means working closely with the sexy older tattooist is a bonus—a deliciously tempting bonus. Sierra isn’t one for relationships, but she’s never felt such a strong desire to mix business with pleasure.
Sizzling chemistry quickly erodes Jamie’s fears of being too old for Sierra, but navigating a romance with someone who’s at such a different stage in life is no easy task. They’ve each come to rely on themselves more than anyone else, but having a future together will mean letting their guards down and accepting each other as a safe place to fall.
Tom Rastrelli is a survivor of clergy-perpetrated sexual abuse who then became a priest in the early days of the Catholic Church’s ongoing scandals. Confessions of a Gay Priest divulges the clandestine inner workings of the seminary, providing an intimate and unapologetic look into the psychosexual and spiritual dynamics of celibacy and lays bare the “formation” system that perpetuates the cycle of abuse and cover-up that continues today.
Under the guidance of a charismatic college campus minister, Rastrelli sought to reconcile his homosexuality and childhood sexual abuse. When he felt called to the priesthood, Rastrelli began the process of “priestly discernment.” Priests welcomed him into a confusing clerical culture where public displays of piety, celibacy, and homophobia masked a closeted underworld in which elder priests preyed upon young recruits.
From there he ventured deeper into the seminary system seeking healing, hoping to help others, and striving not to live a double life. Trained to treat sexuality like an addiction, he and his brother seminarians lived in a world of cliques, competition, self-loathing, alcohol, hidden crushes, and closeted sex. Ultimately, the “formation” intended to make Rastrelli a compliant priest helped to liberate him.
She’s never crashed a party, never stayed out too late. She’s never even been kissed. And it’s not just because she’s gay. It’s because she and her two best friends, Maritza and JaKory, spend more time in her basement watching Netflix than engaging with the outside world.
So when Maritza and JaKory suggest crashing a party, Codi is highly skeptical. Those parties aren’t for kids like them. They’re for cool kids. Straight kids.
But then Codi stumbles upon one of those cool kids, Ricky, kissing another boy in the dark, and an unexpected friendship is formed. In return for never talking about that kiss, Ricky takes Codi under his wing and draws her into a wild summer filled with late nights, new experiences, and one really cute girl named Lydia.
The only problem? Codi never tells Maritza or JaKory about any of it.
Rick’s never questioned much. He’s gone along with his best friend Jeff even when Jeff’s acted like a bully and a jerk. He’s let his father joke with him about which hot girls he might want to date even though that kind of talk always makes him uncomfortable. And he hasn’t given his own identity much thought, because everyone else around him seemed to have figured it out.
But now Rick’s gotten to middle school, and new doors are opening. One of them leads to the school’s Rainbow Spectrum club, where kids of many genders and identities congregate, including Melissa, the girl who sits in front of Rick in class and seems to have her life together. Rick wants his own life to be that … understood. Even if it means breaking some old friendships and making some new ones.
Jubilee has it all together. She’s an elite cellist, and when she’s not working in her stepmom’s indie comic shop, she’s prepping for the biggest audition of her life.
Ridley is barely holding it together. His parents own the biggest comic-store chain in the country, and Ridley can’t stop disappointing them–that is, when they’re even paying attention.
They meet one fateful night at a comic convention prom, and the two can’t help falling for each other. Too bad their parents are at each other’s throats every chance they get, making a relationship between them nearly impossible . . . unless they manage to keep it a secret.
Then again, the feud between their families may be the least of their problems. As Ridley’s anxiety spirals, Jubilee tries to help but finds her focus torn between her fast-approaching audition and their intensifying relationship. What if love can’t conquer all? What if each of them needs more than the other can give?
What does it mean to be non-binary in the 21st Century? Our gender identity is impacted by our personal histories; the cultures, communities and countries we are born into; and the places we go and the people we meet. But the representation of contemporary non-binary identities has been limited, until now. Pushing the narrative around non-binary identities further than ever before, this powerful collection of essays represents the breadth of non-binary lives, across the boundaries of race, class, age, sexuality, faith and more. Leading non-binary people share stories of their intersecting lives; how it feels to be non-binary and neurodiverse, the challenges of being a non-binary pregnant person, what it means to be non-binary within the Quaker community, the joy of reaching gender euphoria. This thought-provoking anthology shows that there is no right or wrong way to be non-binary.
Though the Beast is seemingly subdued for now, a new threat looms in Four Paths: a corruption seeping from the Gray into the forest. And with the other Founders preoccupied by their tangled alliances and fraying relationships, only May Hawthorne seems to realize the danger. But saving the town she loves means seeking aid from the person her family despises most–her and Justin’s father.
May’s father isn’t the only newcomer in town–Isaac Sullivan’s older brother has also returned, seeking forgiveness for the role he played in Isaac’s troubled past. But Isaac isn’t ready to let go of his family’s history, especially when that history might hold the key that he and Violet Saunders need to destroy the Gray and the monster within it.
Harper Carlisle isn’t ready to forgive, either. Two devastating betrayals have left her isolated from her family and uncertain who to trust. As the corruption becomes impossible to ignore, Harper must learn to control her newfound powers in order to protect Four Paths. But the only people who can help her do that are the ones who have hurt her the most.
With the veil between the Gray and the town growing ever thinner, all of the Founder descendants must put their grievances with one another aside to stop the corruption and kill the Beast once and for all.
But maybe the monster they truly need to slay has never been the Beast…
When university student Ludwik meets Janusz at a summer agricultural camp, he is fascinated yet wary of this handsome, carefree stranger. But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.
Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.
Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren’t Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson’s emotionally frank style of writing will appeal directly to young adults.
Bunny Lampert is the princess of North Shore—beautiful, tall, blond, with a rich real-estate-developer father and a swimming pool in her backyard. Michael—with a ponytail down his back and a septum piercing—lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father’s escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny’s futures—and of their friendship.
Welcome back to another Authors in Conversation post on LGBTQReads! If you’ve been following LGBTQA MG, you know it’s been blowing up in the most gorgeous way these past couple of years, and here are two of the authors responsible for that: Kit Rosewater (L), author of The Derby Daredevils, a brand-new illustrated series that kicks off with Kenzie Kickstarts a Team today(!), and Nicole Melleby (R), author of last year’s Hurricane Season, next month’s In the Role of Brie Hutchens…, and at least two more queer MGs after that! (Not to mention co-editor with Katherine Locke of the upcoming all-queer MG anthology This is Our Rainbow!)
Kit and Nicole are here to talk about their new books, what’s up next, and more, so pull up a seat and listen in!
Nicole: Hey Kit! I’m excited to get to do this interview with you! I’m a pretty easy sell when it comes to queer kid lit, but The Derby Daredevils is such a special addition to LGBTQ+ middle grade shelves. It made me want to go dust off my skates, which I haven’t used in, like, a decade. (It’s like riding a bike, though, right?) For those who weren’t lucky enough to get their hands on it before its March 24th release, why don’t you tell us a little bit about it?
Kit: Thank you so much Nicole! I literally dusted off my childhood skates as I researched and wrote The Derby Daredevils! (My feet didn’t grow much after fifth grade.) Book 1 of the illustrated series, Kenzie Kickstarts a Team, follows best friends Kenzie and Shelly as they set out to expand their Dynamic Duo into a whole team of roller derby skaters so they can play together on the Austin junior league. But for every potential new player they recruit, more and more tension gets wound into their own friendship… until Kenzie’s not sure she wants the Dynamic Duo to change at all. As the cast of characters slowly builds, the story shifts, and a big turning point comes when Shelly tries to get Kenzie’s secret crush to join the crew.
You should also tell us about your upcoming middle grade, In the Role of Brie Hutchens! I love how you’ve infused this in-depth history of soap operas and coming out scenes with Brie’s personal story. The way Brie sees the world is so darn relatable, and I have to admit that I slipped right back into my days of first girl crushes as I read along.
Nicole:In the Role of Brie Hutchens is what I keep referring to as Love, Simon meets Lady Bird. Brie is a soap opera obsessed Catholic school girl (much like myself) who has a complicated relationship with her mom, which is only further complicated by her mom’s strong faith and Brie’s first crush on another girl. Nothing seems to really go Brie’s way, especially when her mom walks in on Brie googling inappropriate photos of Brie’s favorite soap opera actress, and to divert her mom’s attention, Brie lies and says she’s been chosen to play the big role in her 8th grades religious May Crowning ceremony…which she obviously hasn’t been. So, to make that actually happen, Brie decides to ask the smartest girl in her class (who happens to be Brie’s crush) for help.
I’m excited we both have queer middle grade novels out this year, especially ones that deal with that awkwardness of a first crush (and those poor decisions you sometimes make because of them!) Kenzie Kickstarts a Team is your debut, and I know you’ll be following up with a sequel later in the year. Would you tell us a bit about your journey to publishing queer middle grade? Did you face any roadblocks or fears when you started?
Kit: I love that both our books explore first queer crushes too! Honestly, this was a subject that until a few years ago, I didn’t realize I was allowed to write about. I was a pretty escapist kid, always trying to disappear into worlds I made up in my head, and my earliest manuscripts were mostly fantasy. I experienced A LOT of typical roadblocks in my publishing journey, from moving between agents to having various projects not make it out of revisions. But the biggest roadblock for publishing queer middle grade was ultimately… me. For so long I had looked back on my first girl crushes in 5th and 6th grade with absolute shame–the same kind I get when I think about accidentally wrecking my mom’s car as a 16-yr-old. It took a long time to realize I could “escape” into positive queer middle grade stories. Now I never want to stop writing about kids who are queer and not cloaked with the type of shame I felt.
There is so much room for all kinds of queer stories in the middle grade canon, and I love every type of story out there–the coming out stories, the unrequited feelings stories, the found families stories, the happy ending stories–all of them! While reading Brie Hutchens, I was so impressed at the way you handled some hefty topics like reconciling being queer within a heavily religious setting. You said that like Brie, you were a Catholic school girl. Would you mind sharing your experience with writing some details from your own childhood into Brie’s story?
Nicole: It’s actually funny–I said earlier that In the Role of Brie Hutchens could be comped to the movie Lady Bird. I actually walked out of the theater after seeing Lady Bird and said, “I want to write about a coming of age queer middle grade story based on my experience in Catholic school.” Only, when I sat down to write that story, I realized that the experiences of middle grade readers now are much different than when I was that age. In big part thanks to the internet (I sound about a thousand years old right now), today’s middle grade readers have access to and an understanding of queer identities and vocabulary that I had no idea existed until I was in my twenties. I had to find a way to tell the story I wanted to tell, but for today’s audience. Brie is exactly like I was: dramatic, confused, a little self-centered, questioning the idea of faith and religion. But Brie knows that she has feelings for girls and doesn’t really struggle with understanding what that means–just what to do about it.
Speaking about main characters–Kenzie (or should I say Kenzilla?) was likeable and relatable right from the start. She’s determined to start her own team, and even with her mistakes along the way, I was rooting for her to succeed while maintaining her changing friendship with Shelly. Can you tell us more about Kenzie, and who she is as a character? Are there any similarities between Kenzie and your younger self?
Kit: Thank you so much! As much as I try not to get personally attached to reader’s opinions… it’s such a relief to know that Kenzie is relatable, because this girl is basically me. I tend to enfold myself into almost every character I write, and because The Derby Daredevils series has rotating protagonists, I wanted a huge chunk of my personality in each team member. But Kenzie feels especially close to home. At her best, Kenzie’s a leader, and she cares deeply about dynamics and how everyone works together. Whenever I’m thriving in a group setting, whether it’s a writers meeting or a school project, it’s because I’m taking on that same role. At her worst, well… Kenzie can be a bit exclusionary. And so was I. I’m embarrassed about how often I bristled when a new person came into my friend group. Maybe I was worried they would replace me in some way. Or maybe, like Kenzie, I was just scared of change. As an adult I try to be really conscientious of including others, but I can still be a bit of a butt about it from time to time. I was one of those kids who always pined for one best friend, and that kind of pining relies on exclusion to some extent.
Brie’s friendship with Parker really tugged on my heartstrings in the best way over the course of their relationship in the book. I love the moments of disconnect they have because they’re such different girls, but the ultimate reassurance that their friendship is one built on mutual support and care. Did you have a close friend like Parker growing up? Were there allies in your life as you explored various parts of your identity?
Nicole: I was actually the kid who was friends with everyone, so I had different groups of friends and different best friends throughout the years. What I wanted to do with Parker was a couple of things. Like I said above, I wanted to tell a coming of age Catholic school queer story for contemporary readers, and Parker played a big role in that. She’s understanding and supportive, because kids are full of empathy and understanding in ways that I didn’t always have growing up. She doesn’t question Brie’s sexuality; they have the knowledge and vocabulary to have a conversation about it. When I was Brie’s age, I remember turning to a friend of mine and saying, “Do you ever just…really like the way another girl’s face looks??” I had no idea I was talking about attraction! I also wanted Parker to be completely boy crazy–because some eighth grade girls are, and there’s nothing wrong with that!–so that I could have Brie encounter those awkward moments and feelings and conversations I was used to. Those ones where a friend says, “Which guy are you crushing on?” and you have to decide, “Am I going to lie?”
As an adult, when I knew I needed to fully come out of the closet, I did have important allies, though, which is why I put a lot of people in Brie’s corner. Teachers, friends, even some family members…it was important for me to build Brie’s support system, because my support system was the only thing that got me through my whole coming out process. I had friends who bought me ice cream and beer the night I came out to my parents, and I had a mentor who listened and helped me get to a point where I was ready to come out at all. Without all that, I don’t know what I would have done. So while not everything goes well for Brie, I wanted some things to go well, too.
What I really liked about Kenzie’s story is that she wasn’t new to the idea of queer identities either–Kenzie even has a transgender parent. It’s another one of those contemporary queer stories–our audience has queer friends and families and are discovering their queer identities themselves openly and in a way queer middle grade books are starting to reflect. Could you tell us more about your decision to write Kenzie’s dad’s identity, along with her own budding sexuality?
Kit: Absolutely! I wrote the queer themes in Kenzie Kickstarts a Teamboth as a queer/bisexual author and also as an ally to the transgender community. Someone very close in my life came out to friends and family as transgender in 2017. They were in the midst of seeking help for anxiety and depression, and the process of coming out was long and fraught with a lot of emotional speed bumps and roadblocks. As their primary support and contact, I spent so many days crying on the phone with this person, sending notes, contacting other people in our network to buffer negative reactions or intercept inappropriate questions… I couldn’t get any writing done during that time. I finally reached out to my agent and said I just wasn’t interested in continuing to work on the darker middle grade project we’d had in revisions for months. I needed to write a different story, one where being transgender was normalized and celebrated, and where being queer in general was normalized and celebrated. I had gotten into the Austin roller derby scene a few months earlier, and it was like all the pieces fell into place. Once I started writing through Kenzie’s lens, I knew I wanted her to explore her sexuality in a positive and open environment. The only queer stories I’d been exposed to as a kid were tragic ones! I wanted young readers–especially young queer readers–to know there is nothing inherently negative about the queer identity. If people react negatively, that’s 100% ON THEM.
Brie ends up dealing with a variety of reactions–both immediate and eventual reactions–as she explores her own sexuality. I absolutely loved the complexity in her dynamics within each of those relationships. There wasn’t a cliché bigot villain or hero ally, which allows Brie the agency and freedom to navigate the coming out process in her own beautiful, messy way. What would you say is the number one takeaway you hope young readers get from reading Brie’s story?
Nicole: My goal in having Brie come out again, and again, and again… throughout the novel, to a variety of responses, was to show that “coming out” isn’t one moment. It’s a lifetime of moments. And it sucks, it does. It’s frustrating for Brie as much as it is freeing. But I wanted to balance the bad reactions with the good ones. I wanted to show that, despite the struggle and the pain, there is good, there is hope. The soap opera scene that Brie consistently goes back to, the one where the character Bianca comes out to her mom, Erica Kane, is this sweet, heartbreaking scene where Bianca begs her mom to see her. “Can’t you see who I am? I want you to see who I am.” That’s exactly what Brie wants throughout her whole process, too. She wants to be seen, she wants her mom to see her. My number one takeaway I’ve always wanted my young readers to get from this story (and every story I write) is that *I* see them, regardless of the rest.
I think that’s so important in queer middle grade especially–for us to give our readers hope. I think you do that especially beautifully with Kenzie’s story, with the queerness being so celebrated and normalized. I know you have a sequel coming out, too. Could you give us a sneak preview of what we can expect from this continuing story? Are you working on anything else at the moment?
Kit: Book 2 of the Daredevils series is called Shelly Struggles to Shine, and follows Kenzie’s best friend Shelly as the Daredevils team gears up for their first roller derby tournament! Shelly’s story is an artist’s story as she tries to figure out how being creative fits into a sport setting… which it absolutely does in derby! But finding that “in” is tricky. Shelly doesn’t identify as queer, but I wanted to keep the loving and open queer community ongoing in this book. Kenzie’s crush continues to flourish. Shelly’s friend and mentor in art class is non-binary. And many characters from Book 1 make some surprising guest appearances!
Apart from the Daredevils series, I have an upper middle grade WIP with characters closer to Brie’s age. There is a fair bit of queerness in there… with some of my favorite cheesy tropes! One pivotal scene chases my two lead characters, who are camp enemies with secret hots for each other (f/f) up a tree and leaves them stranded. I love the camp setting and the bickering, and am having so much fun with the whole project. My biggest hope is that eventually it will make its way onto shelves and be comped to In the Role of Brie Hutchens!
Nicole, thank you so much for joining me in chatting about our upcoming releases. I’ve been a huge fan of yours since Hurricane Season, and couldn’t be more thrilled to sit down and gab about queer middle grade and the long and drawn out process of coming out! Thank you Dahlia at LGBTQ Reads for hosting us!
Kit Rosewater writes books for children. She lives in Albuquerque, New Mexico with her spouse and a border collie who takes up most of the bed. Before she was an author, Kit taught middle school theatre and high school English, then worked as a children’s bookseller. She has a master’s degree in Children’s Literature and a knack for finding her characters in clouds, ceiling plaster, and Cheetos. Books 1 & 2 of her debut series THE DERBY DAREDEVILS rolls out in 2020 through Abrams.
Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. When she’s not writing, she can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea.
The City of a Thousand Feelings doesn’t let certain people inside its walls. It’s a place where emotions can become visible, but it flees the approach of a makeshift army who want to enter. Two of the trans women in this army forge a deep, complicated, and at times contentious friendship spanning thirty years. They must come to terms with not only the City’s literal and figurative gatekeeping, but also other, even more sinister forces that use necromancy against them. As the narrator and her friend’s lives are sundered apart, they must come to terms with what it means to not have a home, and what it means to be queer and aching for such a home. A sword and sorcery tale with emotional resonance, City of a Thousand Feelings brims with both the visceral and the allegorical, allowing the two trans women at the center of the story to claim their own space.
For just one moonlit, memorable night, Thornfell College of Magic has flung open its doors, inviting guests from around the nation to an outdoor ball intended to introduce the first-ever class of women magicians to society…but one magician and one invited guest have far more pressing goals of their own for the night.
Quietly brilliant Juliana Banks is determined to win back the affections of her secret fiancée, rising politician Caroline Fennell, who has become inexplicably distant. If Juliana needs to use magic to get her stubborn fiancée to pay her attention…well, then, as the top student in her class, she is more than ready to take on that challenge!
Unbeknownst to Juliana, though, Caroline plans to nobly sacrifice their betrothal for Juliana’s own sake – and no one has ever accused iron-willed Caroline Fennell of being easy to deter from any goal.
Their path to mutual happiness may seem tangled beyond repair…but when they enter the fey-ruled woods that border Thornfell College, these two determined women will find all of their plans upended in a night of unexpected and magical possibilities.
As a successful social media journalist with half a million followers, seventeen-year-old Cal is used to sharing his life online. But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus.
Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.
Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live down by the bayou in their small Louisiana town. Khalid still visits in dreams, and King must keep these secrets to himself as he watches grief transform his family.
It would be easier if King could talk with his best friend, Sandy Sanders. But just days before he died, Khalid told King to end their friendship, after overhearing a secret about Sandy-that he thinks he might be gay. “You don’t want anyone to think you’re gay too, do you?”
But when Sandy goes missing, sparking a town-wide search, and King finds his former best friend hiding in a tent in his backyard, he agrees to help Sandy escape from his abusive father, and the two begin an adventure as they build their own private paradise down by the bayou and among the dragonflies. As King’s friendship with Sandy is reignited, he’s forced to confront questions about himself and the reality of his brother’s death.
Emilie des Marais is more at home holding scalpels than embroidery needles and is desperate to escape her noble roots to serve her country as a physician. But society dictates a noble lady cannot perform such gruesome work.
Annette Boucher, overlooked and overworked by her family, wants more from life than her humble beginnings and is desperate to be trained in magic. So when a strange noble girl offers Annette the chance of a lifetime, she accepts.
Emilie and Annette swap lives—Annette attends finishing school as a noble lady to be trained in the ways of divination, while Emilie enrolls to be a physician’s assistant, using her natural magical talent to save lives.
But when their nation instigates a frivolous war, Emilie and Annette must work together to help the rebellion end a war that is based on lies.
“That girl’s got more wrong notions than a barn owl’s got mean looks.”
Esther is a stowaway. She’s hidden herself away in the Librarian’s book wagon in an attempt to escape the marriage her father has arranged for her—a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda. The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.
At least, that’s how the rumor goes. But in reality, Jacks is just a crocks-wearing, internet-savvy old lady who sells roadkill skeletons online—after doing a little ritual to put their spirits to rest. It’s creepy, sure, but Snap thinks it’s kind of cool, too.
They make a deal: Jacks will teach Snap how to take care of the baby opossums that Snap rescued, and Snap will help Jacks with her work. But as Snap starts to get to know Jacks, she realizes that Jacks may in fact have real magic—and a connection with Snap’s family’s past.
The sequel to the New York Times bestselling epic Dread Nation is an unforgettable journey of revenge and salvation across a divided America.
After the fall of Summerland, Jane McKeene hoped her life would get simpler: Get out of town, stay alive, and head west to California to find her mother.
But nothing is easy when you’re a girl trained in putting down the restless dead, and a
devastating loss on the road to a protected village called Nicodemus has Jane questioning everything she thought she knew about surviving in 1880s America.
What’s more, this safe haven is not what it appears—as Jane discovers when she sees familiar faces from Summerland amid this new society. Caught between mysteries and lies, the undead, and her own inner demons, Jane soon finds herself on a dark path of blood and violence that threatens to consume her.
But she won’t be in it alone.
Katherine Deveraux never expected to be allied with Jane McKeene. But after the hell she has endured, she knows friends are hard to come by—and that Jane needs her too, whether Jane wants to admit it or not.
Watching Jane’s back, however, is more than she bargained for, and when they both reach a breaking point, it’s up to Katherine to keep hope alive—even as she begins to fear that there is no happily-ever-after for girls like her.
Ever since the witch cursed Babs, she turns invisible sometimes. She has her mum and her dog, but teachers and classmates barely notice her. Then, one day, Iris can see her. And Iris likes what they see. Babs is made of fire.
Iris grew from a seed in the ground. They have friends, but not human ones. Not until they meet Babs. The two of them have a lot in common: they speak to dryads and faeries, and they’re connected to the magic that’s all around them.
There’s a new boy at school, a boy who’s like them and who hasn’t found his real name. Soon the three of them are hanging out and trying spellwork together. Magic can be dangerous, though. Witches and fae can be cruel. Something is happening in the other realm, and despite being warned to stay away, the three friends have to figure out how to deal with it on their own terms.
Winter was the only season every Lake-Lander feared…
In a post-apocalyptic America, a community survives in a national park, surrounded by water that keeps the Dead at bay. But when winter comes, there’s nothing to stop them from crossing the ice.
Then homebody Peter puts the camp in danger by naively allowing a stranger to come ashore and he’s forced to leave the community of Wranglestone. Now he must help rancher Cooper, the boy he’s always watched from afar, herd the Dead from their shores before the lake freezes over.
But as love blossoms, a dark discovery reveals the sanctuary’s secret past. One that forces the pair to question everything they’ve ever known.
In this volume we’ll see the Heartstopper gang go on a school trip to Paris! Not only are Nick and Charlie navigating a new city, but also telling more people about their relationship AND learning more about the challenges each other are facing in private…
Meanwhile Tao and Elle will face their feelings for each other, Tara and Darcy share more about their relationship origin story, and the teachers supervising the trip seem… rather close…?
Finnmark, Norway, 1617. Twenty-year-old Maren Magnusdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Arctic town of Vardø must fend for themselves.
Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband’s authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God, and flooded with a mighty evil.
As Maren and Ursa are drawn to one another in ways that surprise them both, the island begins to close in on them, with Absalom’s iron rule threatening Vardø’s very existence.
Inspired by the real events of the Vardø storm and the 1621 witch trials, The Mercies is a story of love, evil, and obsession, set at the edge of civilization.
Dame Grace Hensley helped her brother Miles undo the atrocity that stained her nation, but now she has to deal with the consequences. With the power out in the dead of winter and an uncontrollable sequence of winter storms on the horizon, Aeland faces disaster. Grace has the vision to guide her parents to safety, but a hostile queen and a ring of rogue mages stand in the way of her plans. There’s revolution in the air, and any spark could light the powder. What’s worse, upstart photojournalist Avia Jessup draws ever closer to secrets that could topple the nation, and closer to Grace’s heart.
Can Aeland be saved without bloodshed? Or will Kingston die in flames, and Grace along with it?
Throughout this striking debut collection we meet characters who have lied, who have sometimes created elaborate falsehoods, and who now must cope with the way that those deceptions eat at the very fabric of their lives and relationships. In the title story, the narrator, desperate to save a love affair on the rocks, hires an actor to play a friend he invented in order to seem less lonely, after his boyfriend catches on to his compulsion for lying and demands to know this friend is real; in “Aim for the Heart”, a man’s lies about a hunting habit leave him with an unexpected deer carcass and the need to parse unsettling high school memories; in “Rorschach”, a theater producer runs a show in which death row inmates are crucified in an on-stage rendering of the New Testament, while being haunted daily by an unrequited love and nightly by ghosts of his own creation.
In I Know You Know Who I Am, Kispert deftly explores deception and performance, the uneasiness of reconciling a queer identity with the wider world, and creates a sympathetic, often darkly humorous, portrait of characters searching for paths to intimacy, desperate for connection.
Celia Sand and her best friend, Anya Burtoni, are inklings for the esteemed religion of Profeta. Using magic, they tattoo followers with beautiful images that represent the Divine’s will and guide the actions of the recipients. It’s considered a noble calling, but ten years into their servitude Celia and Anya know the truth: Profeta is built on lies, the tattooed orders strip away freedom, and the revered temple is actually a brutal, torturous prison.
Their opportunity to escape arrives with the Rabble Mob, a traveling theater troupe. Using their inkling abilities for performance instead of propaganda, Celia and Anya are content for the first time . . . until they realize who followed them. The Divine they never believed in is very real, very angry, and determined to use Celia, Anya, and the Rabble Mob’s now-infamous stage to spread her deceitful influence even further.
To protect their new family from the wrath of a malicious deity and the zealots who work in her name, Celia and Anya must unmask the biggest lie of all—Profeta itself.
Sometimes you just have to yell. New York Times bestselling author of Texts from Jane Eyre Daniel Mallory Ortberg has mastered the art of “poetic yelling,” a genre surely familiar to fans of his cult-favorite website The Toast.
In this irreverent essay collection, Ortberg expands on this concept with in-depth and hilarious studies of all things pop culture, from the high to low brow. From a thoughtful analysis on the beauty of William Shatner to a sinister reimagining of HGTV’s House Hunters, Something That May Shock and Discredit You is a laugh-out-loud funny and whip-smart collection for those who don’t take anything—including themselves—much too seriously.
Csorwe does—she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.
But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard’s loyal sword. Topple an empire, and help him reclaim his seat of power.
But Csorwe will soon learn—gods remember, and if you live long enough, all debts come due.
R. Eric Thomas didn’t know he was different until the world told him so. Everywhere he went—whether it was his rich, mostly white, suburban high school, his conservative black church, or his Ivy League college in a big city—he found himself on the outside looking in.
In essays by turns hysterical and heartfelt, Eric redefines what it means to be an “other” through the lens of his own life experience. He explores the two worlds of his childhood: the barren urban landscape where his parents’ house was an anomalous bright spot, and the verdant school they sent him to in white suburbia. He writes about struggling to reconcile his Christian identity with his sexuality, about the exhaustion of code-switching in college, accidentally getting famous on the internet (for the wrong reason), and the surreal experience of covering the 2016 election as well as the seismic change that came thereafter. Ultimately, Eric seeks the answer to the ever more relevant question: Is the future worth it? Why do we bother when everything seems to be getting worse? As the world continues to shift in unpredictable ways, Eric finds the answers to these questions by re-envisioning what “normal” means, and in the powerful alchemy that occurs when you at last place yourself at the center of your own story.
For fans of Samantha Irby, Michael Arceneaux, and David Sedaris, Here for It will resonate deeply and joyfully with everyone who has ever felt pushed to the margins, struggled with self-acceptance, or wished to shine more brightly in a dark world. Stay here for it—the future may surprise you.
In his fourth collection, 13th Balloon, Mark Bibbins turns his candid eye to the American AIDS crisis. With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred― amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, “For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say.” And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing―through both joy and grief―to wonder.
A Queer anthology featuring stories inspired by magic and the cosmos, a vast and beautiful place where planets, stars, comets, entire galaxies even, live without borders, specifications or binaries. Stories will span science fiction, science fantasy, contemporary, fabulism and magical realism.
When she arrives for a working vacation, shy photographer Trisha Ivy doesn’t expect much from Cherrywood Grove. Then she runs into beautiful, confident Gabi Gonzalez, a caterer working all the same weddings… and also the daughter of Trisha’s favorite childhood TV star. Trisha can’t resist getting to know her. After all, she’s only in town for the summer, and Gabi is straight. What harm could it do?
But as it turns out, Gabi’s easy charm is a facade. Since the sudden death of her father, Gabi has been pulling away from her family and what she really wants, weighed down by secrets she can’t express. Trisha might be the perfect person to help her, but is getting so involved in Gabi’s life really the right choice?
A novel of rare emotional power that excavates the social intricacies of a late-summer weekend–and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends–some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community.
Adda Karpe and Iridian Nassir are on the run—both from the authorities who want to imprison them and the artificial intelligence that want to control their minds. Trapped on a desolate black-market space station on the edge of Jupiter, they’re nearly out of allies—and out of luck.
Now, they have one last shot to find a safe haven where they can live together in peace—across the interstellar bridge to another galaxy. Getting onto that mission will take everything they’ve got and more. But on the other side of that bridge lies the life they’ve always dreamed of…if they can survive long enough to reach it.
Eis has lived on a solar powered outpost in a tundra covered land all zir life.
After zir parents passing, Eis is left to maintain the outpost alone, struggling to do so between chronic pain flare ups, waiting for the day a traveler might come in need of a warm bed and a meal. A day Eis thinks might never come, until a mysterious craft crashes into one of the solar panels.
Eis never expected a traveler to come out of the craft, or for him to be so captivating and beautiful. Everything Eis knows could change with the coming of this traveler, and yet the greatest travesty would be never knowing what else is out there, beyond the tundra, beyond the skies.
A comic style children’s book that tells the story of Stephie, a 7-year-old transgender girl, whose Dad is still struggling to recognize and accept her gender. It portrays a powerful message for children aged 6-9, that no one else other than ourselves gets to decide who we are.
‘My Dad thinks I’m a boy named Stephen who likes wrestling and fishing. But that’s what my Dad likes.’
Stephie is 7 years old. She likes bugs, books and spaghetti. Also, she’s a girl… which should be pretty easy to understand, right? Well, not for her Dad! He’s been mistaking her for a boy since she was born and struggles to see her for who she is.
This powerful and uplifting comic book for primary age children and their families humorously portrays a situation that is often too common, where a trans child is forced to negotiate between their true self and their parents’ love.
With amusing illustrations, and a useful guide for adults, it’s the perfect book to help show children that no one else than ourselves gets to decide who we are.
In this nail-biting sequel to Tehlor Kay Mejia’s critically acclaimed fantasy novel We Set the Dark on Fire, La Voz operative Carmen is forced to choose between the girl she loves and the success of the rebellion she’s devoted her life to. Perfect for fans of The Handmaid’s Tale and Anna-Marie McLemore.
Being a part of the resistance group La Voz is an act of devotion and desperation. On the other side of Medio’s border wall, the oppressed class fights for freedom and liberty, sacrificing what little they have to become defenders of the cause.
Carmen Santos is one of La Voz’s best soldiers. She spent years undercover, but now, with her identity exposed and the island on the brink of a civil war, Carmen returns to the only real home she’s ever known: La Voz’s headquarters.
There she must reckon with her beloved leader, who is under the influence of an aggressive new recruit, and with the devastating news that her true love might be the target of an assassination plot. Will Carmen break with her community and save the girl who stole her heart—or fully embrace the ruthless rebel she was always meant to be?
When an elderly customer at a big box furniture store slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional swashbuckling would be hard enough, but our two unfortunate souls broke up a week ago.
Can friendship blossom from the ashes of a relationship? In infinite dimensions, all things are possible.
When sixth grader Silas Wade does a school presentation on former Major Leaguer Glenn Burke, it’s more than just a report about the irrepressible inventor of the high five. Burke was a gay baseball player in the 1970s–and for Silas, the presentation is his own first baby step toward revealing a truth about himself he’s tired of hiding. Soon he tells his best friend, Zoey, but the longer he keeps his secret from his baseball teammates, the more he suspects they know something’s up–especially when he stages one big cover-up with terrible consequences..
Queer Middle Grade has seriously been picking up the past couple of years, and I’m especially excited to see expanding into different genres! Pepper’s Rules for Secret Sleuthing by Briana McDonald is an MG mystery starring amateur detective Pepper Blouse, who’s got a case to solve and a crush on a girl, and it releases from Simon & Schuster BFYR on September 29, 2020. Here’s the story:
Amateur detective Pepper Blouse has always held true to this rule, even if it meant pushing people away. But when the results of Pepper’s latest case cost her any hope of the girl she likes returning her feelings, she decides that maybe she should lay low for a while.
That is, until her Great Aunt Florence passes away under mysterious circumstances. And even though her dad insists there’s nothing to investigate, Pepper can’t just ignore rule fourteen: Trust your gut.
But there’s nothing in the rulebook that could’ve prepared her for this.
Maybe it’s time to stop playing by the rules.
And here’s the cover, designed by Krista Vossen and illustrated by Aveline Stokart!
Briana McDonald’s debut middle grade novel, Pepper’s Rules for Secret Sleuthing, will be available through Simon and Schuster Books for Young Readers in Fall 2020. Her fiction has appeared in several university presses and journals. She reviews prose at The Literary Review and a reader for CLMP’s Firecracker Awards.
When she’s not writing, Briana works as an Academic Advisor at Columbia University.