I must confess that other than YA anthologies, I’m not much of a short story person, but I was really intrigued by Rainbow Rainbow by Lydia Conklin and decided to pick it up, figuring I’d read a couple of stories. Of course, I ended up devouring it and all its beautifully messy stories about gender and sexuality, falling in love with it, and blogging about it for Buzzfeed, and now I’m passing that love along to you in the hopes you’ll pick it up too (it releases May 31st from Catapult), whether or not you think you’re a short story reader!
In this delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes.
In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-colored cocktail. In another, a fifth-grader explores gender identity by dressing as an ox—instead of a matriarch—for a class Oregon Trail reenactment. Meanwhile a nonbinary person on the eve of top surgery dangerously experiments with an open relationship during the height of the COVID crisis.
With insight and compassion, debut author Lydia Conklin takes their readers to a meeting of a queer feminist book club and to a convention for trans teenagers, revealing both the dark and lovable sides of their characters. The stories in RainbowRainbow will make you laugh and wince, sometimes at the same time.
Today on the site we’re revealing the extremely cute cover of Jude Saves the World by Ronnie Riley, a nonbinary middle grade contemporary with lots of varied queer rep that releases from Scholastic on April 18, 2023! Here’s the story:
Jude Winters might be in over their head. Maybe. But they’ll never admit it.
They befriend the ex-popular girl, Stevie Morgan, create an all-ages safe space at their local library with their best friend, Dallas Knight, and come out as nonbinary to their grandparents.
When the club becomes an overnight success, friendships crumble, and their grandparents act like they’re stuck in the Stone Age, Jude fights to keep their world from tearing itself apart. But a twelve-year-old can only handle so much.
And here’s the cover, designed by Maeve Norton with art by Ricardo Bessa!
Ronnie Riley (they/them) is a queer, nonbinary, neurodivergent, disabled author living with their partner in Ontario, Canada. They love tea, chocolate, and a cat (or six) nearby while they are writing or reading.
“Under the Gaydar” features books you might not realize have queer content but do! And definitely belong on your radar.
This edition is dedication to YA with trans and/or nonbinary main characters, with the aim of helping readers find books that explore gender identity and can more safely be read in unsafe spaces. Please note that most of these have some potentially triggering content, including transphobia and abuse, so I do encourage reading reviews, if that’s helpful to you. (And please do read the notes below as well.)
When the Moon Was Ours by Anna-Marie McLemore – This absolutely lovely m/f romance steeped in magical realism includes trans boy Sam as one half of the couple.
Pet by Akwaeke Emezi – This was a Backlist Book of the Month on the site in 2021, so you can read a lot more about it here. For the sake of this post, I’ll just mention that the protagonist is a trans girl and that’s not in the copy.
I Was Born for Thisby Alice Oseman – Note: this is only under the gaydar with the British copy; the copy on the version coming out in the US in October 2022 does state that Jimmy is trans. You can get the UK version via Book Depository, Waterstones, or Blackwell’s.
The Mermaid, the Witch, and the Sea by Maggie Tokuda-Hall – Note: This blurb can be read as Sapphic, so do read it carefully and consider your environment, but there’s no visible nod to the fact that the main character is either genderfluid or bigender.
Even if We Break by Marieke Nijkamp – In this gaming-themed thriller, there are five POVs, one of which belongs to a trans boy and another of which belongs to a nonbinary kid. The copy is 100% thriller-centric with no descriptions of the POVs to be found. (You can also find hidden nonbinary rep in one of the three POVs of Nijkamp’s newest YA thriller,At the End of Everything.)
For a books with gender questioning as a non-central element, check out This is How We Fly by Anna Meriano. (This is also true of And They Lived… by Steven Salvatore, though obviously that book is not under the gaydar. Feels like I should mention it, though, in case this is a thing someone is looking for where it’s not mentioned on the cover.)
Non-queer-specific anthologies are also great resources for hidden trans and/or nonbinary rep. You can find trans stories in:
Today on the site we’re welcoming Honni van Rijswijk, author of dystopian thriller Breeder, which just released on Tuesday from Blackstone publishing! Honni’s here to talk about the writing process for their novel, the “dark/bleak” elements that dominate it, and why such fiction can be kinda cheering, actually, regarding both their queer sexuality and nonbinary identity. But before we get to that, here’s a little more on the book:
Will Meadows is a seemingly average fifteen-year-old Westie, who lives and works in Zone F, the run-down outermost ring of the Corporation. In the future state of the Corp, a person’s value comes down to productivity: the right actions win units, the wrong ones lose them. If Will is unlucky and goes into unit debt, there’s only one place to go: the Rator. But for Zone F Breeders, things are much worse–they’re born into debt and can only accrue units through reproduction.
Every day in Zone F is a struggle, especially for Will who is fighting against time for access to an illegal medical drug, Crystal 8. Under the cover of night, Will travels to the Gray Zone, where life is less regulated and drugs–and people–are exchanged for gold. There, Will meets Rob, a corrupt member of the Corporation running a Breeder smuggling operation. Will also meets Alex, another teen whom he quickly recognizes as a Breeder in disguise.
Suddenly, Will has an illicit job and money, access to Crystal, and a real friend. As the pair grows closer, Alex shares her secret: she is part of the Response, an uprising to overthrow the Corporation. Caught up in the new friendship, Will and Alex become careless as the two covertly travel into Zone B for a day of adventure. Nothing goes as planned and Will’s greatest fear is realized. Will his true identity be revealed?
My novel Breeder is set in a bleak world. It takes place after a catastrophic environmental apocalypse, where an avaricious corporation has taken control of all resources, and treats all people (except its shareholders) as resources to be used and then discarded. Part of its violence involves the ways it controls people through rigid gender norms–boys/men are only used for labor, and girls/women are only used for reproduction. The main character, a 15-year-old called Will, has to navigate this extreme world and readers witness Will doing so in ways that are often ethically problematic. Why did I want to set up this world, as an author, and what do we gain, as readers, from bleak possibilities and morally gray characters?
I’ve always been drawn to “dark” novels and films–horror, sci-fi, and extreme realism. As readers, we gain a lot from these bleak worlds. Samara Morgan, the vengeful ghost/demon in the horror story THE RING helps us understand the brutal possibilities of the mother/daughter relationship. Serena Joy’s callous upholding of religious and gender norms in The Handmaid’s Tale reveals white women’s complicity in historical oppression. The devastating realist trauma represented in Stone Butch Blues brings home the violence experienced by gender queer people. As a nonbinary person brought up as a girl, I’ve experienced violence based on gender identity and sexuality, and I needed these dark tales as catharsis, recognition and articulation. It has always been a relief to me to see violence I’ve experienced told back to me as stories. Why is this the case? Because these bleak tales offer frameworks of recognition from places that sometimes haven’t been recognised before. They provide us a language of trauma, and also languages of responsibility and accountability–once we have these languages, we can recognise and speak to each other, we can speak back to power. These stories provide ways to call for justice, through the frameworks of revenge, tragedy and revolution.
In Breeder, the main character, Will, is nonbinary, trying to navigate a world that refuses any possibility of gender fluidity and, indeed, any lived experience outside that of being a productive cog within the Corporation. I wanted to explore this extreme world as a way to explore our current world–where we’re absolutely facing environmental collapse, hyper-capitalism and conservative backlash on reproductive freedom as well as LGBTQI rights. Through the character of Will, I wanted to explore what a young person at the intersections of these crisis might do. Will is at the bottom of the class order in the Corp; they are nonbinary, assigned AFAB, and they have no legacy Units. Structurally, everything is against them. I wanted to explore what moral choices a character might make in that situation–will they conform or will they rebel? Will they create alliances with other excluded people, or will they try to make the best of their difficult situation? In Breeder, I set up extreme versions of choices that I, and many LGBTQI people, have had to make throughout our lives. We might not always agree with the choices that Will makes, but hopefully people can empathise with why Will might make these choices. For me, as both a reader and a writer, it’s only in these extreme and bleak worlds that I see versions of my own experience reflected and so I will always seek them out!
Want your own copy of Breeder? The author is giving away two copies, and yes, this giveaway is international! Just comment below with what kind of fiction you gravitate toward for comfort and/or catharsis and we’ll pick two winners on Friday, July 23rd!
Honni van Rijswijk is a writer, lawyer, and academic. Breeder is their debut novel. Their fiction has appeared in Southerly and was short-listed for Zoetrope: All-Story. They are a Senior Lecturer in the Faculty of Law at the University of Technology Sydney, where their research focuses on intersections between law, technology, and culture. They live in Sydney, Australia, with their partner and daughter.
Today is International Nonbinary Day, so here’s a post to help you celebrate in traditional bookish fashion! This post only includes books that were not previously featured in International Nonbinary People’s Day posts, so for more, click here!
Whenever Ari’s Uncle Lior comes to visit, they ask Ari one question: “What are your words?” Some days Ari uses she/her. Other days Ari uses he/him. But on the day of the neighborhood’s big summer bash, Ari doesn’t know what words to use. On the way to the party, Ari and Lior meet lots of neighbors and learn the words each of them use to describe themselves, including pronouns like she/her, he/him, they/them, ey/em, and ze/zir. As Ari tries on different pronouns, they discover that it’s okay to not know your words right away–sometimes you have to wait for your words to find you.
Filled with bright, graphic illustrations, this simple and poignant story about finding yourself is the perfect introduction to gender-inclusive pronouns for readers of all ages.
Text: Gayle E. Pitman and
Illustration: Anne Passchier
My Maddy has hazel eyes which are not brown or green. And my Maddy likes sporks because they are not quite a spoon or a fork.
Some of the best things in the world are not one thing or the other. They are something in between and entirely their own.
Randall Ehrbar, PsyD, offers an insightful note with more information about parents who are members of gender minority communities, including transgender, gender non-binary, or otherwise gender diverse people.
The worry kept growing day by day, until… one morning Small Knight woke up to see a huge inky black monster in their room.
When Small Knight feels pressure from their parents to be a perfect princess, an anxiety monster shows up. No one else can see the monster, so Small Knight and their best friend Tiny Bear, decide that it is up to them to save themselves. They set off on a magical quest, only to discover that the answer was inside themselves all along. Turning to face the Anxiety Monster, they learn how to keep it under control.
Personal and whimsical, Manka Kasha’s debut picture book is a beautiful story about understanding your anxiety and finding the courage to face it.
Ash is no stranger to feeling like an outcast. For someone who cycles through genders, it’s a daily struggle to feel in control of how people perceive you. Some days Ash is undoubtedly girl, but other times, 100 percent guy. Daniel lacks control too—of his emotions. He’s been told he’s overly sensitive more times than he can count. He can’t help the way he is, and he sure wishes someone would accept him for it.
So when Daniel’s big heart leads him to rescue a dog that’s about to be euthanized, he’s relieved to find Ash willing to help. The two bond over their four-legged secret. When they start catching feelings for each other, however, things go from cute to complicated. Daniel thinks Ash is all girl . . . what happens when he finds out there’s more to Ash’s story?
With so much on the line—truth, identity, acceptance, and the life of an adorable pup named Chewbarka—will Ash and Daniel forever feel at war with themselves because they don’t fit into the world’s binaries? Or will their friendship help them embrace the beauty of living in between?
For fans of George and Ivy Aberdeen’s Letter to the World, a heartfelt coming of age story about a nonbinary character navigating a binary world.
Twelve-year-old Ana-Marie Jin, the reigning US Juvenile figure skating champion, is not a frilly dress kind of kid. So, when Ana learns that next season’s program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.
Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn’t correct him and finds comfort in this boyish identity when he’s around. As their friendship develops, Ana realizes that it’s tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.
Essie is a thirteen-year-old girl feeling glum about starting a new school after her professor dad takes a temporary teaching position in a different town. She has 110 days here and can’t wait for them to end. Then she meets Ollie: delicate, blue eyes, short hair, easy smile. At first, Essie thinks she has a typical crush on a beautiful boy. But as her crush blossoms, she soon realizes that Ollie is not a boy or a girl, but gender non-binary.
Meanwhile, Ollie is experiencing a crush of their own . . . on Essie. As Ollie struggles to balance their passion for queer advocacy with their other interests, they slowly find themselves falling for a girl whose stay is about to come to an end. Can the two unwind their merry-go-round of feelings before it’s too late?
She can pry into folks’ memories with just a touch of their belongings. It’s something she’s always kept hidden — especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy’s job and Mama’s blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie’s gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants to ignore it. Except her new friend Fox — scratch that, her only friend, Fox — is desperate to go ghost hunting deep in the forest. And when Tennie frees even more of the spirits, trouble is exactly what she gets… and it hits close to home. The ghosts will be heard, and now Tennie must choose between keeping secrets or naming an ugly truth that could tear her family apart.
Magic and mayhem abound in this spooky story about family legacies, first friendships, and how facing the ghosts inside can sometimes mean stirring up a little bit of ruckus.
The first LGBTQ+ anthology for middle-graders featuring stories for every letter of the acronym, including realistic, fantasy, and sci-fi stories by authors like Justina Ireland, Marieke Nijkamp, Alex Gino, and more!
A boyband fandom becomes a conduit to coming out. A former bully becomes a first-kiss prospect. One nonbinary kid searches for an inclusive athletic community after quitting gymnastics. Another nonbinary kid, who happens to be a pirate, makes a wish that comes true–but not how they thought it would. A tween girl navigates a crush on her friend’s mom. A young witch turns herself into a puppy to win over a new neighbor. A trans girl empowers her online bestie to come out.
From wind-breathing dragons to first crushes, This Is Our Rainbow features story after story of joyful, proud LGBTQIA+ representation. You will fall in love with this insightful, poignant anthology of queer fantasy, historical, and contemporary stories from authors including: Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Katherine Locke, Mariama J. Lockington, Nicole Melleby, Marieke Nijkamp, Claribel A. Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and AJ Sass.
In this #OwnVoices LGBTQ young adult debut, Alex comes to realize his true identity as a young woman named Sasha Masha.
Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he’s adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. Is the missing piece a part of Alex himself?
As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: Maybe his name isn’t Alex at all. Maybe it’s Sasha Masha.
The Hazards of Love follows the story of a queer teen from Queens who makes some mistakes, gets dragged into a fantastical place, and tries to hustle their way back home.
Amparo’s deal with the talking cat was simple: a drop of blood and Amparo’s name to become a better person. Their mother and abuela would never worry about them again, and they’d finally be worthy of dating straight-A student Iolanthe. But when the cat steals their body, becoming the better person they were promised, Amparo’s spirit is imprisoned in a land of terrifying, flesh-hungry creatures known as Bright World.
With cruel and manipulative masters and a society that feeds on memories, Amparo must use their cleverness to escape, without turning into a monster like the rest. On “the other side,” Iolanthe begins to suspect the new Amparo has a secret, and after the cat in disguise vanishes, she’s left searching for answers with a no-nonsense medium from the lesbian mafia and the only person who might know the truth about Bright World.
Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.
When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.
Eva, Celeste, Gina, and Steph used to think their friendship was unbreakable. After all, they’ve been though a lot together, including the astronomical rise of Moonlight Overthrow, the world-famous queer pop band they formed in middle school, never expecting to headline anything bigger than the county fair.
But after a sudden falling out leads to the dissolution of the teens’ band, their friendship, and Eva and Celeste’s starry-eyed romance, nothing is the same. Gina and Celeste step further into the spotlight, Steph disappears completely, and Eva, heartbroken, takes refuge as a songwriter and secret online fangirl…of her own band. That is, until a storm devastates their hometown, bringing the four ex-best-friends back together. As they prepare for one last show, they’ll discover whether growing up always means growing apart.
Carey Parker dreams of being a diva, and bringing the house down with song. They can hit every note of all the top pop and Broadway hits. But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother’s spiraling dementia make it harder and harder for Carey to find their voice.
Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey’s tormentor and others in the school. It’s up to Carey, Cris, and their friends to defend their rights–and they refuse to be silenced.
When Liam Cooper’s older brother Ethan is killed in a hit-and-run, Liam has to not only learn to face the world without one of the people he loved the most, but also face the fading relationship with his two best friends.
Feeling more alone and isolated than ever, Liam finds themself sharing time with Marcus, Ethan’s best friend, and through Marcus, Liam finds the one person that seems to know exactly what they’re going through, for the better, and the worse.
This book is about grief. But it’s also about why we live. Why we have to keep moving on, and why we should.
Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.
When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle….
But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.
Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.
After an assault, bigender seventeen-year-old Aleks/Alexis is looking for a fresh start―so they voluntarily move in with their uncle, a Catholic priest. In their new bedroom, Aleks/Alexis discovers they can overhear parishioners in the church confessional. Moved by the struggles of these “sinners,” Aleks/Alexis decides to anonymously help them, finding solace in their secret identity: a guardian angel instead of a victim.
But then Aleks/Alexis overhears a confession of another priest admitting to sexually abusing a parishioner. As they try to uncover the priest’s identity before he hurts anyone again, Aleks/Alexis is also forced to confront their own abuser and come to terms with their past trauma.
For five friends, it was supposed to be one last getaway before they went their separate ways—a time to say goodbye to each other, and to the game they’ve been playing for the past 3 years. But they all have their own demons to deal with and they’re all hiding secrets.
Finn hasn’t been able to trust anyone since he was attacked a few months ago. Popular girl Liva saw it happen and did nothing to stop it. Maddy was in an accident that destroyed her sports career. Carter is drowning under the weight of his family’s expectations. Ever wants to keep the game going for as long as they can, at all costs.
And things take a deadly twist when the game turns against them.
Three different worlds. Three different Quinns. Who decides which one is real?
The first Brume is a waking nightmare, overrun by literal monsters and cutthroat survivors. For Quinn, who is openly genderqueer, the only bright side is their friendship with Lia—and the hope that there might still be a safe place to live beyond the fog.
The second Brume is a prison with no bars. Forced by her conservative parents to “sort out” their sexuality at Camp Redemption, Quinn must also, secretly, figure out why presenting as female has never felt quite right.
The third Brume is a war zone. For Quinn, who presents as male, leading the Resistance against an authoritarian government is hard, since even the Resistance might not accept them if they knew Quinn’s truth.
As Quinn starts to realize that they might be one person alternating among these three worlds and identities, they wonder: Which world is the real one? Or do they all contain some deeper truth?
Syd (no pronouns, please) has always dealt with big, hard-to-talk-about things by baking. Being dumped is no different, except now Syd is baking at the Proud Muffin, a queer bakery and community space in Austin. And everyone who eats Syd’s breakup brownies . . . breaks up. Even Vin and Alec, who own the Proud Muffin. And their breakup might take the bakery down with it. Being dumped is one thing; causing ripples of queer heartbreak through the community is another. But the cute bike delivery person, Harley (he or they, check the pronoun pin, it’s probably on the messenger bag), believes Syd about the magic baking. And Harley believes Syd’s magical baking can fix things, too—one recipe at a time.
The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate.
Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.
The Fountains of Silence meets Spinning Silver in this rollicking tale set amid the 1956 Hungarian revolution in post-WWII Communist Budapest from Sydney Taylor Honor winner Katherine Locke.
In the middle of Budapest, there is a river. Csilla knows the river is magic. During WWII, the river kept her family safe when they needed it most–safe from the Holocaust. But that was before the Communists seized power. Before her parents were murdered by the Soviet police. Before Csilla knew things about her father’s legacy that she wishes she could forget.
Now Csilla keeps her head down, planning her escape from this country that has never loved her the way she loves it. But her carefully laid plans fall to pieces when her parents are unexpectedly, publicly exonerated. As the protests in other countries spur talk of a larger revolution in Hungary, Csilla must decide if she believes in the promise and magic of her deeply flawed country enough to risk her life to help save it, or if she should let it burn to the ground.
In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness…
In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.
When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother’s identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.
After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother’s abandoned greatness.
Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen — almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again — only this time, they’re running back to their mother.
Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease — they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured.
Dev has been with xyr service submissive Noam for seven years and xe loves them very much. Dev and Noam have built a good life together in Noam’s family home in Oakland, where they both can practice their magecraft, celebrate the high holidays in comfort, support each other as their disabilities flare, and where Noam can spend Shabbos with their beloved family ghost.
But Dev’s got a problem: xe has been in so much arthritis pain recently that xe has not been able to shield properly. As an empath, no shielding means Dev cannot safely touch Noam. That has put a strain on their relationship, and it feels like Noam is pulling away from xym. To top it off, Dev has just had an upsetting dream-vision about xyrself and Noam that caused one of the biggest meltdowns xe has had in a while. It’s only with a timely tarot reading and the help of another genderfluid mage that Dev is able to unpack the situation. Can xe figure out how to address the issues in xyr relationship with Noam before everything falls apart?
After a lifetime of failed relationships, non-binary history professor Sam Bell is committed to a new (non)romantic strategy: Thirst Only. It’s the actual drinking where things get too complicated, where Sam inevitably gets hurt.
Sam is good at being thirsty, though, especially when it’s karaoke night at The Moonlight Café, otherwise known as Moonie’s to its largely queer regulars. Moonie’s is fun. Comfortable. Safe. Except for tonight, when one by one, all of Sam’s friends abandon them. Disappointed, they prepare to leave—until their #1 karaoke crush catches their eye…
For Lily Fischer, karaoke at Moonie’s is the only time she can step outside of her quiet shell. When there’s a mic in her hand, she’s no longer merely a receptionist harboring big dreams. At Moonie’s, Lily can pretend to be someone else: someone bold, who takes what she wants. And tonight, what Lily wants is the way Sam looks at her across the room as she sings her signature opening song, like they see her exactly as she wants to be seen. Like Moonie’s Lily is real.
As the night progresses, both Sam’s and Lily’s personal fears are tested, and the real world outside of Moonie’s looms. But maybe sometimes, the real world should be a little more like karaoke. It’s not always about knowing all the right words or having the perfect voice. Maybe all Sam and Lily need is a little courage to pick up the mic, and sing anyway.
What would the future look like if we weren’t so hung up on putting people into boxes and instead empowered each other to reach for the stars? Take a ride with us as we explore a future where trans and nonbinary people are the heroes.
In worlds where bicycle rides bring luck, a minotaur needs a bicycle, and werewolves stalk the post-apocalyptic landscape, nobody has time to question gender. Whatever your identity, you’ll enjoy these stories that are both thought-provoking and fun adventures.
Featuring brand-new stories from Hugo, Nebula, and Lambda Literary Award-winning author Charlie Jane Anders, Ava Kelly, Juliet Kemp, Rafi Kleiman, Tucker Lieberman, Nathan Alling Long, Ether Nepenthes, and Nebula-nominated M. Darusha Wehm. Also featuring debut stories from Diana Lane and Marcus Woodman.
Adèle has only one goal: catch the purple-haired thief who broke into her home and stole her exocore, thus proving herself to her new police team. Little does she know, her thief is also the local baker.
Claire owns the Croissant-toi, but while her days are filled with pastries and customers, her nights are dedicated to stealing exocores. These new red gems are heralded as the energy of the future, but she knows the truth: they are made of witches’ souls.
When her twin—a powerful witch and prime exocore material—disappears, Claire redoubles in her efforts to investigate. She keeps running into Adèle, however, and whether or not she can save her sister might depend on their conflicted, unstable, but deepening relationship.
Parole is still burning. And now the day everyone has been waiting for is finally here: it’s collapsed. A lucky few managed to escape with their lives. But while their city burned, the world outside suffered its own devastating disaster. The Tartarus Zone is a deadly wasteland a thousand miles wide, filled with toxic storms, ghostly horrors, and just as many Eyes in the Sky as ever. Somehow, this new nightmare is connected to Parole. And it’s spreading.
Now Parole’s only hope lies in the hands of three teenagers reunited by their long-lost friend Gabriel – in their dreams. Growing up outside Parole, Shiloh Cole always had to keep xir energetic powers a secret, except from xir parents, Parole’s strategist-hero Garrett, and Tartarus expert Maureen. When Parole collapsed, all contact was lost. Now, connected by Gabriel and their colliding pasts, xie joins collapse survivor Annie and the enigmatic, charismatic Chance on a desperate cross-country race, carrying a disc of xir mother’s vital plans, whose encrypted contents may be Parole’s salvation. First they’ll board the FireRunner, a ship full of familiar faces that now sails through Tartarus’ poison storms. Together, they’ll survive Tartarus’ hazards, send a lifeline to lost Parole – and uncover the mystery connecting every one of them.
The world outside Parole isn’t the one they remember, and it didn’t want them back. But they’ll save it just the same. It’s what heroes do.
In this queer polyamorous m/f romance novella, two metamours realize they have crushes on each other while planning their shared partner’s birthday party together.
Ernest, a Jewish autistic demiromantic queer fat trans man submissive, and Nora, a Jewish disabled queer fat femme cis woman switch, have to contend with an age gap, a desire not to mess up their lovely polyamorous dynamic as metamours, the fact that Ernest has never been attracted to a cis person before, and the reality that they are romantically attracted to each other, all while planning their dominant’s birthday party and trying to do a really good job.
Sohmeng Par is sick of being treated like a child. Ever since a tragic accident brought her mountain community’s coming-of-age ritual to a halt, she’s caused nothing but trouble in her impatience to become an adult. But when she finally has the chance to prove herself, she’s thrown from her life in the mountains and into the terror of the jungle below.
Cornered by a colony of reptilian predators known as the sãoni, Sohmeng is rescued by Hei, an eccentric exile with no shortage of secrets. As likely to bite Sohmeng as they are to cook her breakfast, this stranger and their family of lizards are like nothing she’s ever seen before. If she wants to survive, she must find a way to adapt to the vibrant, deadly world of the rainforest and the creatures that inhabit it—including Hei themself. But Sohmeng has secrets of her own, and sharing them could mean losing everything a second time.
The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
Lower YA is still a wildly underrepresented subcategory in queer YA, so I’m thrilled to be revealing the cover for a new one entitled Chase: the Boy Who Hid by Z. Jeffries, which is a sci-fi releasing digitally on October 15 and starring a bisexual hero and nonbinary love interest. Here’s a little more on the book:
Don’t hide from your feelings. Hide from the giant robot trying to kill you.
I always knew I’d inherited my grandad’s mind for science and technology, but when he goes missing, I get his spot in a top-secret government game of hide and seek. The military camouflage challenge, DARPA’s game where shapeshifters, mechs, and telepaths hide from a robot seeker, is where Grandad vanished.
To find out what happened to him, I’ll play along- gain the team’s trust, master the tech, and avoid catching feelings for the team navigator. If I can do all that, then maybe I can survive the dangerous game. But if it comes down to winning or finding Grandad, I’ll ditch the game and betray my team in a millisecond. Even if it means I go missing, too.
Book One in the Hide & Seek Series, the action-packed coming of age stories of STEM-minded queer kids getting their hands on the tech of the future.
And here’s the cover, compliments of Mikki Noble of Paracoze Designs!
Z Jeffries (left) can’t wait for you to read his debut YA novel. A son of an English teacher, one of his earliest memories was after a day at kindergarten, sitting in the back of his mom’s classroom and listening to her describe Dr. Jekyll reeling from the violence of Mr. Hyde. Under various names, he’s written, produced, and directed theatre in Chicago and along the east coast, as well as published several adult short stories. His interests include space travel, cheese, and whether cheese will be allowed during space travel. He lives in American suburbia with his wife, daughter, dog, and garden. Visit ZJeffries.com just for the heck of it.
Today on the site I’m pleased to present the cover for Queens of Noise, the newest in Neon Hemlock‘s 2020 novella series, releasing on March 25th. It’s got a nonbinary protag, tons of queer rep, and a battle of the bands, so by law, it absolutely has to rock. Here’s the gist:
In Queens of Noise, Mixi fronts the Mangy Rats, a motley found family of queers, crust punks and werecoyotes. Mixi and their band know they’re gonna win the Battle of the Bands final showdown, no matter what it takes. But to make that happen, they’ll also have to contend with poser goths, murderous chickens, and a bullshit corporate takeover ruining the best bar in town.
Leigh Harlen is a queer, non-binary writer who lives and works in Seattle with their partner, a very goofy dog named Anya, and a mischief of rats. Their short fiction has appeared in several magazines and anthologies including Pseudopod, Lost Films, and Shoreline of Infinity. Their non-writing hobbies include petting strangers’ dogs and enthusing about bats. Find them online at www.leighharlen.com or follow them on Twitter @LeighHarlen.
Their novella Queens of Noise is part of Neon Hemlock’s 2020 Novella Series.
I’m so thrilled to be featuring this groundbreaking anthology on the site today, along with eleven notes by queer contributors on their entries! The representation in this book is so wonderfully varied, and it’s great to have so many authors here to talk about it! So here’s The (Other) F Word: A Celebration of the Fat & Fierce ed. by the fabulous Angie Manfredi.
Chubby. Curvy. Fluffy. Plus-size. Thick. Fat. The time has come for fat people to tell their own stories. The (Other) F Word combines personal essays, prose, poetry, fashion tips, and art to create a relatable and attractive guide about body image and body positivity. This YA crossover anthology is meant for people of all sizes who desire to be seen and heard in a culture consumed by a narrow definition of beauty. By combining the talents of renowned fat YA and middle-grade authors, as well as fat influencers and creators, The (Other) F Word offers teen readers and activists of all ages a guide for navigating our world with confidence and courage.
“I’ve always had a weird relationship with clothes. I feel like it’s something that a lot of fat trans people deal with. Already clothing and fashion is hard to navigate when you’re fat, this industry doesn’t like you, it doesn’t want to see you be fashionable. It also wants to make you pay extra for daring to have a body. But when you’re trans on top of all of that? It can feel like the weight of the world is on your shoulders. It’s so much harder to find clothing as a fat trans person, clothing that can literally save your life, or make you feel like the person you truly are.
Clothing is a life-line for both of us, for fat people, and for trans people. It has the magic to make us feel like our real selves, to be more confident in who we are. I’d never seen anything talk about this connection, ever, so I wanted to say my piece. Because it’s a hard world to navigate, and I want teenagers dealing with the same feelings to know that they aren’t alone with them.”
S. Qiouyi Lu, “Fat, And”
I wrote “Fat, And” because I’ve often been frustrated by fat spaces that focus on fatness to the exclusion of other identities and experiences. As not only a fat person, but a nonbinary person of color, I wanted to represent the complexity of a multilayered identity: Each layer influences the others and is inextricable from the whole. I hope I can inspire people to see themselves as a whole instead of a collection of parts, especially considering how often we’re forced to turn our bodies into parts (my stomach, my arms, my legs, etc.) in a body-negative culture.
Jess Walton, “Losing My Religion”
As a teenager, I came out and found a beautiful, vibrant community that accepted and celebrated me as a bisexual person. Having that community around me helped me stand up to hateful bigotry over the years.
I did not find disability and fat pride and community until my thirties, so ableism and anti-fatness have had a lot more time to do me harm. I wrote ‘Losing my Religion’ because joining Weight Watchers as a teenager was formative and extremely damaging to the way I felt about myself. It led to an adulthood focused on weight loss and ‘fixing’ my body. I was so ashamed of the way I looked – I felt undesirable and unloveable. Every time I managed to lose weight, I would be congratulated and told how good I looked, which reinforced the idea that I needed to lose weight, and that fat bodies were bad, failed bodies. For me, disability and fat pride are closely linked. They’re both about saying my body is not a failed body. I can be proud of who I am instead of ashamed. I can reject those who hate the fat and disabled parts of me, just as I reject those who hate the queer part of me.
I also wrote ‘Losing My Religion’ because Weight Watchers still exists, and is still doing serious harm to fat people, including kids. In fact, they’re targeting kids and teens with their kurbo app. They can try rebranding themselves as ‘Wellness that Works’, but I’ll always see them for what they are – a harmful, predatory, profit driven cult.
I’m honoured to be a part of this anthology; it’s one of the books I really needed as a fat, queer, disabled teen. I’m so, so relieved that it exists in the world now.
Alex Gino, “Body Sovereignty: This Fat Trans Flesh is Mine”
I have the right to change my transgender body. I do not have an obligation to change my fat body. Body sovereignty, the idea that I am the decision-maker over my very self, holds these two statements in balance. It’s also the idea at the heart of my essay Body Sovereignty: This Fat, Trans Flesh is Mine. Like the title, this piece mixes a touch of radical body theory with a practical look at how transgender and fat bodies are treated, and why it’s so important to claim and reclaim control over how and whether our bodies are altered. There’s even a little chart! I can only imagine the hard roads I could have skipped down a little more easily if someone had slipped an essay like this, as part of a book like this, into my hands when I was a teen, and I’m delighted to be able to do that for others, especially for fat queer, trans, and nonbinary youth.
Jiji Knight, “Brighter Than Starlight”
This book is everything I wish I had when I was growing up fat and struggling to answer the the question “What is normal?”
No one ever assures you that yes! You are the norm. Your body is the norm. Body positivity is still such a foreign movement to some people – hell – most people. The very concept that fat people are reclaiming the word ‘fat’ and celebrating their curves, their bodies, is exhilarating.
I am fat. I am bisexual. I am an artist. And I am proud to have been a part of such a wonderful amalgamation of beautiful contributors.
Miguel M. Morales, “50 Tips from a Fat and Fabulous Elder”
The pieces I submitted to the anthology revealed themselves as I walked in the park near my home in Kansas. I wanted to build up stamina for all the walking I’d be doing on an upcoming trip to Hawai’i. I’d never been that far from home and I wanted to do, see, and taste so much. I also wanted to make sure I didn’t push my body too hard all at once. My secret unspoken goal was to hike Diamond Head.
At the park, I listened to music to help me set a pace for the hike. That’s when I noticed changes in my body’s movement; in its rhythm. I noticed the beauty of nature’s largeness and how society celebrates this grandeur yet blames ours on weakness. I wondered if we amused the trees by hastily moving on a circular path going nowhere, trying to get smaller while we admired their size.
I found my relationship my clothes began to change. Instead of tugging at my shirts desperate for them to hang loose on me, I allowed them to caress my curves. Instead of pulling up my shorts constantly afraid I’d display plumber’s crack, I allowed them to gently settle and rest comfortably on my hips without a worry.
I thought about the anthology and advice I’d want to share. Things my oldness and my queerness and my brownness has taught me about being fat. I remembered those who’ve helped me learn not only to operate this body but to love it.
I’m thrilled this anthology features four of my pieces. I’m eager to write more about intersectional fatness.
Oh, I did hike Diamond Head. I got passed up on the trail by some elderly people and some children, but it was amazing. I was amazing. You should have seen me.
Laina Spencer, “To All the Pizzas I’ve Loved Before”
Funnily enough, I don’t normally write non-fiction, but when Angie approached me about writing as essay for The (Other) F Word, I was so excited that I couldn’t say no. I kept thinking about myself as a teenager, and what it would have meant to read something like this. And because I’m always thinking about books and representation, and especially YA books, that’s what I decided to write about that.
And as someone who’s aroace, I wanted to talk about how I don’t necessarily relate to certain narratives, and how it feels sometimes to be aroace in fat spaces, and vice versa. Hopefully I did that pretty well!
Hillary Monahan, “Fatness & Horror: The Match Made in Not Heaven”
“When Angie asked me to talk about fatness in my genre of choice–horror–I was delighted. It was something I’d ranted and railed about in my private circles for years. How can we exist in a world, take up space in the world, people the world and be either completely absent from stories OR be “punished” for our fatness by making comedic, convenient victim fodder? I want none of that–as a fat fan and as a fat creator.”
“Write Something Fat” by Sarah Hollowell
When I wrote my first book in high school, it never occurred to me that my characters could be anything other than skinny. I didn’t understand then how much damage I was internalizing from a lack of positive representation – not just feeling bad about myself, but erasing myself at every opportunity.
I wasn’t just erasing my fatness. Finding out that bisexuality existed as an option was an amazing, freeing moment in my life. I wanted to shout it from the rooftops, but most of the reactions I got were that it was a phase or I was trying to be trendy. I also went to a high school in southern Indiana in the early 2000s – not a lot of out-and-proud queer people there! It was mostly me, my gay best friend, the girl who was my first kiss, the one other out gay kid, and the ones we suspected were closeted.
I wasn’t seeing queer people like me in the media, I wasn’t seeing them in my life, and even well-meaning people around me seemed to think I’d grow out of it. I didn’t write a queer story until I was in college. I was erasing myself, again.
“Write Something Fat” is about giving myself permission to not erase myself. I wrote it to the teenage version of me, but I also wrote it to the current version of me who wonders if now I write too many fat bisexual girls.
But here’s the thing: If other authors can write dozens of books about straight skinny characters, then I can sure as hell write as many as I want about the fat queer ones. And you can, too.
Jon Higgins, Ed.D., “Black, Fat, Fem: The Weight of a Queen”
As soon as I heard about this anthology, the fat 16 year old queer kid inside of me jumped for joy. After reaching out and learning that my work had been accepted, I not only felt validated, but that my work and journey would in turn help someone who might really need the reassurance that they are seen and valued.
Working on this project reminded me that I am my ancestor’s wildest dreams. I am fat, Black and queer and I am leaving behind seeds of my experiences to help other people grow. What’s even more riveting is knowing that I, in my own way, got to share a narrative that is often overlooked and undervalued in my own voice and in my own experience.
Working on this project reminded me of why I began writing in the first place. Why I felt the need to continue to remind others that their lives and their experiences need to be heard and more, that these stories will be the ones that change the lives of those who need it most. I am so grateful for the opportunity and I can’t wait for the world to engage in the greater context of this book and it’s many chapters of knowledge, hope and resistance.
“You Are Loved” by Ady Del Valle
I wrote the chapter “You Are Loved” because these are words we don’t get told often but also words we don’t tell ourselves often. I wanted to be able to write something real and meaningful for this amazing and inspiring book, while relating it to myself ans what I do in the industry to do mt part. “You Are Loved” is a chapter of self-love with fashion or without, no matter your size or how you identify you are worthy in more ways the one. The “Other” F Word: A Celebration of the Fat and Fierce is a book that will speak to so many in many ways that we all can relate to, its real words form real people. I hope my chapter and the book as whole helps and inspires anyone who flips through the pages no matter who they are and give them motivation to love who they are as they are.
Angie Manfredi is a librarian and writer who owns every season of Law and Order on DVD and sends over 150 handwritten Valentines every year. She has spent the last 11 years working directly with children and teens of all ages in a public library and now works in library consulting on all things youth services. Angie is fat and not sorry about it. She is a passionate advocate for literacy, diversity, and decolonizing the discourse surrounding children’s literature. Her latest book is The (Other) F Word: A Celebration of the Fat & Fierce.
A big-hearted romantic comedy in which First Son Alex falls in love with Prince Henry of Wales after an incident of international proportions forces them to pretend to be best friends…
First Son Alex Claremont-Diaz is the closest thing to a prince this side of the Atlantic. With his intrepid sister and the Veep’s genius granddaughter, they’re the White House Trio, a beautiful millennial marketing strategy for his mother, President Ellen Claremont. International socialite duties do have downsides—namely, when photos of a confrontation with his longtime nemesis Prince Henry at a royal wedding leak to the tabloids and threaten American/British relations.
The plan for damage control: staging a fake friendship between the First Son and the Prince. Alex is busy enough handling his mother’s bloodthirsty opponents and his own political ambitions without an uptight royal slowing him down. But beneath Henry’s Prince Charming veneer, there’s a soft-hearted eccentric with a dry sense of humor and more than one ghost haunting him.
As President Claremont kicks off her reelection bid, Alex finds himself hurtling into a secret relationship with Henry that could derail the campaign and upend two nations. And Henry throws everything into question for Alex, an impulsive, charming guy who thought he knew everything: What is worth the sacrifice? How do you do all the good you can do? And, most importantly, how will history remember you?
“‘We were sun children chasing an eternal summer.’ This boisterous chronicle of a summer in Montauk sees a group of 20-something housemates who’ll grow to know, to love, and care for one another. They work hard during the week, party hard on weekends, and each will face heartthrob and heartbreak. A coming out story told with feeling and humor and above all with the razor-sharp skill of a delicate and highly gifted writer.” -Andre Aciman, New York Times bestselling author of Call Me by Your Name They call Montauk the end of the world, a spit of land jutting into the Atlantic. The house was a ramshackle split-level set on a hill, and each summer thirty one people would sleep between its thin walls and shag carpets. Against the moonlight the house’s octagonal roof resembled a bee’s nest. It was dubbed The Hive.
In 2013, John Glynn joined the share house. Packing his duffel for that first Memorial Day Weekend, he prayed for clarity. At 27, he was crippled by an all-encompassing loneliness, a feeling he had carried in his heart for as long as he could remember. John didn’t understand the loneliness. He just knew it was there. Like the moon gone dark.
OUT EAST is the portrait of a summer, of the Hive and the people who lived in it, and John’s own reckoning with a half-formed sense of self. From Memorial Day to Labor Day, The Hive was a center of gravity, a port of call, a home. Friendships, conflicts, secrets and epiphanies blossomed within this tightly woven friend group and came to define how they would live out the rest of their twenties and beyond. Blending the sand-strewn milieu of George Howe Colt’s The Big House, the radiant aching of Olivia Liang’s The Lonely City, OUT EAST is a keenly wrought story of love and transformation, longing and escape in our own contemporary moment.
When Ben De Backer comes out to their parents as nonbinary, they’re thrown out of their house and forced to move in with their estranged older sister, Hannah, and her husband, Thomas, whom Ben has never even met. Struggling with an anxiety disorder compounded by their parents’ rejection, they come out only to Hannah, Thomas, and their therapist and try to keep a low profile in a new school.
But Ben’s attempts to survive the last half of senior year unnoticed are thwarted when Nathan Allan, a funny and charismatic student, decides to take Ben under his wing. As Ben and Nathan’s friendship grows, their feelings for each other begin to change, and what started as a disastrous turn of events looks like it might just be a chance to start a happier new life.
At turns heartbreaking and joyous, I Wish You All the Best is both a celebration of life, friendship, and love, and a shining example of hope in the face of adversity.
The spellbinding tale of six queer witches forging their own paths, shrouded in the mist, magic, and secrets of the ancient California redwoods.
Danny didn’t know what she was looking for when she and her mother spread out a map of the United States and Danny put her finger down on Tempest, California. What she finds are the Grays: a group of friends who throw around terms like queer and witch like they’re ordinary and everyday, though they feel like an earthquake to Danny. But Danny didn’t just find the Grays. They cast a spell that calls her halfway across the country, because she has something they need: she can bring back Imogen, the most powerful of the Grays, missing since the summer night she wandered into the woods alone. But before Danny can find Imogen, she finds a dead boy with a redwood branch through his heart. Something is very wrong amid the trees and fog of the Lost Coast, and whatever it is, it can kill.
Lush, eerie, and imaginative, Amy Rose Capetta’s tale overflows with the perils and power of discovery — and what it means to find your home, yourself, and your way forward.
Being a teenager is difficult enough, but having to go through puberty whilst realising you’re in the wrong body means dealing with a whole new set of problems: bullying, self-doubt and in some cases facing a physical and medical transition.
Alex is an ordinary teenager: he likes pugs, donuts, retro video games and he sleeps with his socks on. He’s also transgender, and was born female. He’s been living as a male for the past few years and he has recently started his physical transition.
Throughout this book, Alex will share what it means to be in his shoes, as well as his personal advice to other trans teens. Above all, he will show you that every step in his transition is another step towards happiness. This is an important and positive book, a heart-warming coming-of-age memoir with a broad appeal.
Aristotle and Dante Discover the Secrets of the Universe meets I’ll Give You the Sun in an exhilarating and emotional novel about the growing relationship between two teen boys, told through the letters they write to one another.
Jonathan Hopkirk and Adam “Kurl” Kurlansky are partnered in English class, writing letters to one another in a weekly pen pal assignment. With each letter, the two begin to develop a friendship that eventually grows into love. But with homophobia, bullying, and devastating family secrets, Jonathan and Kurl struggle to overcome their conflicts and hold onto their relationship…and each other.
For Ari Silverman, the past has never really passed. After 20 years, the trauma from a childhood assault resurfaces as he grapples with the fate of his ex-husband, a colleague accused of sexually harassing a student. To gain perspective, Ari arranges to reconnect with his high school crush, Justin Jackson, a bold step which forces him to reflect on their relationship in the segregated suburbs of Detroit during the 1990s and the secrets they still share. An honest story about recovery and coping with both past and present, framed by the meteoric rise and fall of the band Nirvana and the wide-reaching scope of the #metoo movement, NIRVANA IS HERE explores issues of identity, race, sex, and family with both poignancy and unexpected humor. Deftly told intertwining stories with rich, real characters are reminiscent of the sensuality and haunting nostalgia of André Aciman’s Call Me by Your Name blended with the raw emotion of Kurt Cobain’s lyrics.
Written by award-winning writer Aaron Hamburger, Nirvana Is Here is “a wonder of a book,” according to acclaimed novelist Lauren Grodstein (Our Short History). “As a Jewish Gen-Xer, the novel reminded me exactly of who I once was—and all that I still want to be. A brilliant accomplishment.”
This book is about the Stonewall Riots, a series of spontaneous, often violent demonstrations by members of the gay (LGBTQ+) community in reaction to a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn in the Greenwich Village neighborhood of Manhattan, New York City. The Riots are attributed as the spark that ignited the LGBTQ+ movement. The author describes American gay history leading up to the Riots, the Riots themselves, and the aftermath, and includes her interviews of people involved or witnesses, including a woman who was ten at the time. Profusely illustrated, the book includes contemporary photos, newspaper clippings, and other period objects. A timely and necessary read, The Stonewall Riots helps readers to understand the history and legacy of the LGBTQ+ movement.
Fresh out of college and back on his older sister’s couch, Kit expected his days to return to the way they’d always been. He anticipated spending his days perusing Netflix with one hand on the remote and the other in a box of pizza, but when he’s given the opportunity for a job at one of New York City’s newest advertising agencies, there’s no way he can turn the offer down. Unfortunately for Kit, this job might be more than he bargained for.
Not only does Roman – his handsome yet ruthless new boss – let his wandering eye linger just a little too long, Kit can’t seem to shake the feeling that the glitzy personal assistant gig he just landed might be a bit shadier than he imagined. Before he’s even able to make a reservation for Roman’s dinner at Le Bernardin, Kit’s professional and personal life become one, and he finds himself forced to somehow separate business from pleasure.
Easier said than done, especially when it’s his job to take care of Roman’s every need.
The white picket fence.
That life was never meant for him.
For years he’s been bouncing from city to city—from one cage fight to another.
That’s his outlet. That’s pain Erik can control.
But in Seattle, everything changed.
River’s an artist.
He’s a pretty boy.
He does yoga.
Someone so soft shouldn’t be intrigued by Erik’s rough edges.
His life was quiet. He had a simple routine.
Designing tattoos, avoiding drama. Well, mostly.
Then Erik comes along—scarred and dangerous, shrouded in mystery.
A mystery River can’t resist trying to solve.
Maybe a secret as dark as his own.
Neither of them expected a relationship so complicated, so intense.
Neither of them expected…each other.
Erik and River are both trying to escape a shadowed past.
But the thing about shadows is: the faster you run, the faster they chase you.