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Seventeen-year-old gaymer Noah Mitchell only has one friend left: the wonderful, funny, strictly online-only MagePants69. After years playing RPGs together, they know everything about each other, except anything that would give away their real life identities. And Noah is certain that if they could just meet in person, they would be soulmates. Noah would do anything to make this happen―including finally leaving his gaming chair to join a community theater show that he’s only mostly sure MagePants69 is performing in. Noah has never done anything like theater―he can’t sing, he can’t dance, and he’s never willingly watched a musical―but he’ll have to go all in to have a chance at love.
With Noah’s mum performing in the lead role, and former friends waiting in the wings to sabotage his reputation, his plan to make MagePants69 fall in love with him might be a little more difficult than originally anticipated.
And the longer Noah waits to come clean, the more tangled his web of lies becomes. By opening night, he will have to decide if telling the truth is worth closing the curtain on his one shot at true love.
Welcome to England, where the Protectorate enforces the Public Good. Here, there are rules for everything – what to eat, what to wear, what to do, what to say, what to read, what to think, who to obey, who to hate, who to love. Your safety is assured, so long as you follow the rules.
Gabriel is a natural born rule-breaker. And his biggest crime of all? Being gay.
Gabriel knows his sexuality must be kept secret from all but his closest friends, not only to protect himself, but to protect his boyfriend. Because Eric isn’t just the boy who has stolen Gabriel’s heart. He’s the son of the chief inspector at Degenerate Investigations - the man who poses the single biggest threat to Gabriel’s life.
And the Protectorate are experts at exposing secrets.
“It’s not every day you get to put the fear of Medusa into a god.”
Emma Stone, medusa, is the groundskeeper for Olson College of Extensive Education, a place where everyone is welcome, from the mythical to the magical. When her selkie best friend loses her skin in Fresher’s week, the race is on to find it before someone uses it against her.
The search brings Emma face to face with her oldest enemy – and forces her to confront the worst nightmares of her past.
Sky Baker may be openly gay, but in his small, insular town, making sure he was invisible has always been easier than being himself. Determined not to let anything ruin his senior year, Sky decides to make a splash at his high school’s annual beach bum party by asking his crush, Ali, to prom—and he has thirty days to do it.
What better way to start living loud and proud than by pulling off the gayest promposal Rock Ledge, Michigan, has ever seen?
Then, Sky’s plans are leaked by an anonymous hacker in a deeply homophobic e-blast that quickly goes viral. He’s fully prepared to drop out and skip town altogether—until his classmates give him a reason to fight back by turning his thirty-day promposal countdown into a school-wide hunt to expose the e-blast perpetrator.
But what happens at the end of the thirty days? Will Sky get to keep his hard-won visibility? Or will his small-town blues stop him from being his true self?
When Otto and Xavier Shin declare their love, an aunt gifts them a trip on a sleeper train to mark their new commitment—and to get them out of her house. Setting off with their pet mongoose, Otto and Xavier arrive at their sleepy local train station, but quickly deduce that The Lucky Day is no ordinary locomotive. Their trip on this former tea-smuggling train has been curated beyond their wildest imaginations, complete with mysterious and welcoming touches, like ingredients for their favorite breakfast. They seem to be the only people onboard, until Otto discovers a secretive woman who issues a surprising message. As further clues and questions pile up, and the trip upends everything they thought they knew, Otto and Xavier begin to see connections to their own pasts, connections that now bind them together.
Lark spent the first twenty-four years, nine months, and three days of his life training for a righteous quest: to rid the world of monsters. Alongside his partner Kane, he wore the cage and endured the scourge in order to develop his innate magic. He never thought that when Kane left, he’d next see him in the company of FBI agents and a SWAT team. He never dreamed that the leader of the Fellowship of the Anointed would be brought up on charges of abuse and assault.
He never expected the government would tell him that the monsters aren’t real–that there is no magic, and all the pain was for nothing.
Lark isn’t ready to give up. He is determined to fulfill his quest, to defeat the monsters he was promised. Along the way he will grapple with the past, confront love, and discover his long-buried truth.
JD Scott conjures up unruly personae that are propelled by queer fantasies, youthful regrets, incantations, and apocryphal parables. Mask for Mask is a kaleidoscopic poetry collection, one that is both formally innovative and an imaginative descent into LGBTQ+ undergrounds and underworlds.
Seventeen-year-old Pakistani immigrant Zara Hossain has been leading a fairly typical life in Corpus Christi, Texas, since her family moved there for her father to work as a pediatrician. While dealing with the Islamophobia that she faces at school, Zara has to lay low, trying not to stir up any trouble and jeopardize their family’s dependent visa status while they await their green card approval, which has been in process for almost nine years.
But one day her tormentor, star football player Tyler Benson, takes things too far, leaving a threatening note in her locker, and gets suspended. As an act of revenge against her for speaking out, Tyler and his friends vandalize Zara’s house with racist graffiti, leading to a violent crime that puts Zara’s entire future at risk. Now she must pay the ultimate price and choose between fighting to stay in the only place she’s ever called home or losing the life she loves and everyone in it.
Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real and imagined queer and trans communities.
In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and healthcare practice, sex worker activism, and much more. Accompanying the narratives are Rose’s startling and sinuous images that brings these leaders’ words to visual life.
Our Work Is Everywhere is a graphic nonfiction book that underscores the brilliance and passion of queer and trans resistance.
Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
“History” sounds really official. Like it’s all fact. Like it’s definitely what happened.
But that’s not necessarily true. History was crafted by the people who recorded it. And sometimes, those historians were biased against, didn’t see, or couldn’t even imagine anyone different from themselves.
That means that history has often left out the stories of LGBTQIA+ people: men who loved men, women who loved women, people who loved without regard to gender, and people who lived outside gender boundaries. Historians have even censored the lives and loves of some of the world’s most famous people, from William Shakespeare and Pharaoh Hatshepsut to Cary Grant and Eleanor Roosevelt.
Join author Lee Wind for this fascinating journey through primary sources―poetry, memoir, news clippings, and images of ancient artwork―to explore the hidden (and often surprising) Queer lives and loves of two dozen historical figures.
Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.
You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after.
Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world.
Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
Tina never worries about being “ordinary”—she doesn’t have to, since she’s known practically forever that she’s not just Tina Mains, average teenager and beloved daughter. She’s also the keeper of an interplanetary rescue beacon, and one day soon, it’s going to activate, and then her dreams of saving all the worlds and adventuring among the stars will finally be possible. Tina’s legacy, after all, is intergalactic—she is the hidden clone of a famed alien hero, left on Earth disguised as a human to give the universe another chance to defeat a terrible evil.
But when the beacon activates, it turns out that Tina’s destiny isn’t quite what she expected. Things are far more dangerous than she ever assumed–and everyone in the galaxy is expecting her to actually be the brilliant tactician and legendary savior Captain Thaoh Argentian, but Tina….is just Tina. And the Royal Fleet is losing the war, badly–the starship that found her is on the run and they barely manage to escape Earth with the planet still intact.
Luckily, Tina is surrounded by a crew she can trust, and her best friend Rachel, and she is still determined to save all the worlds. But first she’ll have to save herself.
After years of trying to break into New York City’s literary scene, Madeline Slaughter is emotionally and physically exhausted. When a friend offers her a safe haven as the live-in companion to reclusive, bestselling novelist Victor Hallowell she jumps at the chance to escape the city.
Madeline expects to find rest and quiet in the forests of Upstate New York. Instead, she finds Victor, handsome and intensely passionate, and Audrey Coffin, Victor’s mysterious and beautiful neighbor.
When Victor offers her a kiss and the promise of more Madeline allows herself to become entangled even as Audrey is also claiming her heart. The only problem is that Audrey and Victor are ex-lovers with plenty of baggage between them. As Madeline finds herself opening up and falling in love with both she starts to wonder, can there be a future for all three?
When twin heirs are born in Tourin, their fates are decided at a young age. While Izaveta remained at court to learn the skills she’d need as the future queen, Asya was taken away to train with her aunt, the mysterious Firebird, who ensured magic remained balanced in the realm.
But before Asya’s training is completed, the ancient power blooms inside her, which can mean only one thing: the queen is dead, and a new ruler must be crowned.
As the princesses come to understand everything their roles entail, they’ll discover who they can trust, who they can love—and who killed their mother.
Derek is LitenVärld’s most loyal employee. He lives and breathes the job, from the moment he wakes up in a converted shipping container at the edge of the parking lot to the second he clocks out of work 18 hours later. But after taking his first ever sick day, his manager calls that loyalty into question. An excellent employee like Derek, an employee made to work at LitenVärld, shouldn’t need time off.
To test his commitment to the job, Derek is assigned to a special inventory shift, hunting through the store to find defective products. Toy chests with pincers and eye stalks, ambulatory sleeper sofas, killer mutant toilets, that kind of thing. Helping him is the inventory team—four strangers who look and sound almost exactly like him. Are five Dereks better than one?
Piper Kitts is spending the summer living with her grandmother, training at the barn of a former Olympic horseback rider, and trying to get over her ex-girlfriend. Much to Piper’s dismay, her grandmother is making her face her fear of driving head-on by taking lessons from a girl in town.
Kat Pearson has always suspected that she likes girls but fears her North Carolina town is too small to color outside the lines. But when Piper’s grandmother hires Kat to give her driving lessons, everything changes.
Piper’s not sure if she’s ready to let go of her ex. Kat’s navigating uncharted territory with her new crush. With the summer running out, will they be able to unlock a future together?
It’s the summer before middle school and eleven-year-old Bug’s best friend Moira has decided the two of them need to use the next few months to prepare. For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn’t particularly want to spend more time trying to understand how to be a girl. Besides, there’s something more important to worry about: A ghost is haunting Bug’s eerie old house in rural Vermont…and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they’re trying to say, an altogether different truth comes to light—Bug is transgender.
Prince Tal has long awaited his coming-of-age tour. After spending most of his life cloistered behind palace walls as he learns to keep his forbidden magic secret, he can finally see his family’s kingdom for the first time. His first taste of adventure comes just two days into the journey, when their crew discovers a mysterious prisoner on a burning derelict vessel.
Tasked with watching over the prisoner, Tal is surprised to feel an intense connection with the roguish Athlen. So when Athlen leaps overboard and disappears, Tal feels responsible and heartbroken, knowing Athlen could not have survived in the open ocean.
That is, until Tal runs into Athlen days later on dry land, very much alive, and as charming—and secretive—as ever. But before they can pursue anything further, Tal is kidnapped by pirates and held ransom in a plot to reveal his rumored powers and instigate a war. Tal must escape if he hopes to save his family and the kingdom. And Athlen might just be his only hope…
With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop.
At the Five-Hop One-Stop, long-haul spacers can stretch their legs (if they have legs, that is), and get fuel, transit permits, and assorted supplies. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.
When a freak technological failure halts all traffic to and from Gora, three strangers—all different species with different aims—are thrown together at the Five-Hop. Grounded, with nothing to do but wait, the trio—an exiled artist with an appointment to keep, a cargo runner at a personal crossroads, and a mysterious individual doing her best to help those on the fringes—are compelled to confront where they’ve been, where they might go, and what they are, or could be, to each other.
After an embarrassing loss to her ex-girlfriend in their first basketball game of the season, seventeen-year-old Scottie Zajac gets into a fender bender with the worst possible person: her nemesis, Irene Abraham, head cheerleader for the Fighting Reindeer.
Irene is as mean as she is beautiful, so Scottie makes a point to keep her distance. When the accident sends Irene’s car to the shop for weeks’ worth of repairs and the girls are forced to carpool, their rocky start only gets bumpier.
But when an opportunity arises for Scottie to get back at her toxic ex—and climb her school’s social ladder—she bribes Irene into an elaborate fake- dating scheme that threatens to reveal some very real feelings.
Broken taillights, faulty dishwashers, you name it. There are very few things I can’t make brand-new again. If it’s broken, malfunctioning, or just in need of a hand, it lands in my lap. That’s how Trey ended up in front of me, an unexpected stranger in my kitchen.
Only, he’s not broken.
Far from it. He’s gentle, creative, compassionate, and bright, all wrapped up in this timid, cagey package of blond curls and shy smiles. He’s been dealt a bad hand, running from someone that hurt him more than just physically, and he needs my help. My protection.
But Trey is different from every other guy.
He makes me feel things I don’t quite comprehend. Things I didn’t know were buried inside. No matter how hard I try to keep them quiet, I can’t ignore the way his attention quickens my heartbeat or how his soft eyes and even softer lips stir up desires I’ve never had before, and now that he’s this close to me, I’m not letting anything or anyone take him away.
Jetta is in the center of a war. With her magical power, she could save everyone, save her country… or she could destroy it all.
Jetta’s home is spiraling into civil war. Le Trépas—the deadly necromancer—has used his blood magic to wrest control of the country, and Jetta has been without treatment for her malheur for weeks. Meanwhile, Jetta’s love interest, brother, and friend are intent on infiltrating the palace to stop the Boy King and find Le Trépas to put an end to the unleashed chaos.
The sweeping conclusion to Heidi Heilig’s ambitious trilogy takes us to new continents, introduces us to new gods, flings us into the middle of palace riots and political intrigue, and asks searching questions about power and corruption. As in the first two books, the story is partly told in ephemera, including original songs, myths, play scripts, and various forms of communication.
That’s a well-established fact among his tight-knit friend group, and they love him anyway.
Jack is an ass.
Jack, who’s always ready with a sly insult, who can’t have a conversation without arguing, and who Oscar may or may not have hooked up with on a strict no-commitment, one-time-only basis. Even if it was extremely hot.
Together, they’re a bickering, combative mess.
When Oscar is fired (answering phones is not for the anxiety-ridden), he somehow ends up working for Jack. Maybe while cleaning out Jack’s grandmother’s house they can stop fighting long enough to turn a one-night stand into a frenemies-with-benefits situation.
The house is an archaeological dig of love and dysfunction, and while Oscar thought he was prepared, he wasn’t. It’s impossible to delve so deeply into someone’s past without coming to understand them at least a little, but Oscar has boundaries for a reason—even if sometimes Jack makes him want to break them all down.
After all, hating Jack is less of a risk than loving him…
Dean Foster knows he’s a trans guy. He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?
A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps―and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER [Queers United to End Erasure and Repression]. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, who publicly supported the quarantine initiative, Rios finds himself with a client suddenly facing the death penalty.
At age nineteen, the queer narrator of Green Glass Ghosts steps off a bus in downtown Vancouver, a city where the faceless condo towers of the wealthy loom over the streets to the east where folks are just trying to get by, against the deceptively beautiful backdrop of snow-capped mountains and sparkling ocean. It’s the year 2000, and the world is still mostly analogue–pagers are the best way to get ahold of someone and resumes are printed out on paper and dropped off in person, and what’s this new fad called webmail?
Our hopeful hero arrives on the West Coast on the cusp of adulthood, fleeing a traumatic childhood in an unsafe family plagued by religious extremism, mental health crises, and abuse in a conservative town not known for accepting difference. They’re eager to build a new life among like-minded folks, and before they know it, they’ve got a job, an apartment, and a relationship, dancing, busking, and making out in bars, parks, art spaces, and apartments across the city. But their search for belonging and stability is buried in drinking, jealousy, and painful memories of the past, distracting the protagonist from their ultimate goal of playing live music and spurring them to an emotional crisis. If they can’t learn to care for themselves, how will they ever find true connection and community?
With haunting illustrations by Gem Hall that conjure the moody, misty urban landscape, Green Glass Ghosts is an evocation of that delicate, aching moment between youth and adulthood when we are trying, and often failing, to become the person we dream ourselves to be.
The sequel to Anna K, set over the course of the next summer, as the characters come to terms with Vronsky’s tragic death
How the mighty have fallen. Anna K, once the golden girl of Greenwich, CT, and New York City, has been brought low by a scandalous sex tape and the tragic death of her first love, Alexia Vronsky. At the beginning of the summer, her father takes her to the other side of the world, to connect with his family in South Korea and hide her away. Is Anna in exile? Or could this be her chance to figure out who she really is?
Back in the U.S., Lolly has forgiven Steven for cheating on her, and their relationship feels stronger than ever. But when Lolly meets a boy at her beloved theater camp, she has to ask herself how well Steven will ever really know her. Meanwhile, in Manhattan, everything between Kimmie and her new boyfriend, Dustin, is easy—except when it comes to finally having sex. And Bea escapes to LA, running away from her grief at her beloved cousin’s death, until a beautiful stranger steals her heart. Is Bea ready to finally forgive Anna, and let herself truly fall in love for the very first time?
Set over the course of one unforgettable summer, Jenny Lee’s Anna K Away is full of the risk, joy, heartbreak, and adventure that mark the three months between the end of one school year and the beginning of the next.
Book Riot contributor and writer of their monthly horoscopes and book recommendations column Susie Dumond‘s QUEERLY BELOVED, a queer debut rom-com set in Tulsa, Oklahoma that follows semi-closeted baker and bridesmaid-for-hire Amy’s search for Happily Ever After — with the new mysterious lesbian in town, of course, but most importantly, with herself, to Katy Nishimoto at Dial Press, in an exclusive submission, by Jamie Carr at The Book Group (world).
Liz Bowery’s COVER STORY, a hate-to-love queer rom-com pitched as The West Wing meets RED, WHITE & ROYAL BLUE by way of THE HATING GAME, in which a viral photo forces two ruthless political staffers to fake a relationship to save their presidential candidate’s campaign, to Emily Ohanjanians at Mira, by Laura Zats at Headwater Literary Management (world English).
NYU MFA graduate Lillian Fishman‘s ACTS OF SERVICE, following a young queer woman’s consuming affair with a straight couple, a dangerous arrangement that forces her to interrogate her own desire and complicity; an examination that cuts to the heart of modern sexuality, power, politics and moral responsibility, to Parisa Ebrahimi at Hogarth, in a pre-empt, by Dan Kirschen at ICM (NA).
Griffin Prize-winning poet and scholar Billy-Ray Belcourt‘s A MINOR CHORUS, about an unnamed narrator who abandons his unfinished thesis to return to his hometown, where he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to David Ross at Hamish Hamilton Canada, at auction, in a two-book deal, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (Canada).
2019 Lambda Fellow J K Chukwu‘s THE UNFORTUNATES, pitched in the vein of LUSTER, QUEENIE, and MY YEAR OF REST AND RELAXATION, about a queer, half-Nigerian college student enraged and exhausted by the racism, tokenism, and indifference to the Black experience at her elite college, who pens a no-holds barred thesis (“to my advisors: Mr. White Supremacy, Mr. Capitalism, Ms. Racism”) documenting her search for the truth about The Unfortunates, an unlucky subset of her Black classmates who keep dying at the hands of white supremacy, to Millicent Bennett at Houghton Mifflin Harcourt, in a pre-empt, for publication in spring 2022, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world, excl. UK).
Zoe Sivak’s SEASON OF ASHES, about a biracial woman who flees to Paris following the start of the Haitian Revolution and into the inner circle of Robespierre and his mistress, where she must contend with her place in both uprisings, to Jen Monroe at Berkley, in a pre-empt, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world).
Young Adult Fiction
McDuffie Diversity Award-winning author of M.F.K.Nilah Magruder‘s REEL LOVE, based on the author’s experiences embracing being asexual, the graphic novel follows a young woman who goes on a summer trip to the Blue Ridge Mountains where she develops a passion for fishing, meets a boy, and learns there’s no getting away from growing up and from facing her questions about identity and love, to Polo Orozco at Random House Children’s, in a major deal, at auction, in a two-book deal, for publication in fall 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).
Editor at ACC Art Books B.L. Radley’s STRICTLY NO HEROICS, a queer adventure love story pitched as Dumplin’ meets Deadpool, about a teen without powers trying to survive and find justice and love in a world filled with superheroes and villains, to Holly West at Feiwel and Friends, at auction, for publication in winter 2023, by Beth Marshea at Ladderbird Literary Agency.
Ciera Burch’s THE INEVITABILITY OF HOME, in which a Black girl is forced to meet her estranged, dying grandmother all while grappling with ancestral ghosts, a girl who wants to be more than friends, and a trove of secrets; pitched as perfect for fans of Nina LaCour and Jesmyn Ward, to Elizabeth Lee at Farrar, Straus Children’s, in a good deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).
Author of RULES FOR VANISHING Kate Alice Marshall’s THESE FLEETING SHADOWS, a queer supernatural in which a girl inherits her ancestral home, only to discover that a dark presence lurks within it—and within herself; with the help of the young woman, she must unlock the house’s secrets and her own if she wants to survive, to Maggie Rosenthal at Viking Children’s, in a good deal, in a two-book deal, for publication in 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).
Brian Kennedy’s debut A LITTLE BIT COUNTRY, in which two boys—one who wants to be the biggest openly gay country music superstar, and one who, as the grandson of a faded Nashville star, hates country music more than anything—fall for each other while working at a Dollywood-esque theme park, to Kristin Daly Rens at Balzer & Bray, in a good deal, at auction, by Lauren Spieller at TriadaUS Literary Agency (world English).
Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan’s COVEN, in which a young witch must leave sunny California for dreary upstate New York after members of her coven are murdered under mysterious circumstances, illustrated by Kit Seaton, to Stephanie Pitts at Putnam Children’s, for publication in the fall of 2022, by Brooks Sherman at Janklow & Nesbit for the author, and by Ben Grange at L. Perkins Agency for the illustrator (world).
Author of WHO I WAS WITH HER and Lambda Literary Writer’s Retreat fellow Nita Tyndall‘s THE SONG I SANG UNCARING, set during the Swingjugend movement in 1930s and 1940s Berlin, centering around a girl who finds herself swept up in the culture and the resistance while falling for another girl in the middle of it all, again to Catherine Wallace at Harper Teen, for publication in summer 2022, by Eric Smith at P.S. Literary Agency (world English).
Patrice Caldwell’s WHERE SHADOWS REIGN, set in the aftermath of a war between vampires, humans, and the gods that created them, in which a vampire princess teams up with a seer, who only has visions of death, to journey to the island of the dead—a mythical place where all souls go at their end—to save her kidnapped best friend, to Vicki Lame at Wednesday Books, in a good deal, at auction, in a two-book deal, for publication in fall 2022, by Sara Megibow at kt literary (NA).
Author of the forthcoming IN DEEPER WATERS F.T. Lukens’s HOW TO SURVIVE EVER AFTER, pitched as Dungeons & Dragons meets CARRY ON, in which a group of teenagers, having just completed a quest to save their kingdom, now need to figure out what comes next while their de facto leader is accidentally crowned king and is caught up in a curse that requires him to find his soulmate before he turns 18, to Kate Prosswimmer at Margaret K. McElderry Books, in a nice deal, in an exclusive submission, for publication in spring 2022, by Eva Scalzo at Speilburg Literary Agency.
Activist, artist, filmmaker, and scholar Tourmaline‘s MARSHA: THE BEAUTY AND DEVIANCE OF MARSHA P. JOHNSON, a biography of the legendary Black trans activist whose role in the 1969 Stonewall riots sparked the gay liberation movement, and whose fabulous, fearless life as a colorful trans woman still inspires the current wave of LGBTQ protests, to Amber Oliver at Tiny Reparations Books, at auction, for publication in fall 2022, by Georgia Frances King and Bridget Wagner Matzie at Aevitas Creative Management (world).
Culture columnist at Longreads Jeanna Kadlec’s HERETIC, a memoir in essays on life after leaving the evangelical church, queerness, and what faith looks like in the face of millennial loneliness and desire for community and meaning—all in light of the hold evangelicalism has on American politics, power structures, and pop culture, to Jenny Xu at Houghton Mifflin Harcourt, at auction, by Dana Murphy at The Book Group (world).
Former senior editor at Out Lester Fabian Brathwaite’s RAGE: THE EVOLUTION OF A BLACK QUEER BODY IN AMERICA, a collection of essays about how his search for love thrust him into the crosshairs of a potent and specific brand of racism, converting his trauma into a weapon and critiquing the evolution of his Black queer consciousness, to Amber Oliver at Tiny Reparations Books, by Robert Guinsler at Sterling Lord Literistic (world).
Columbia MFA Joss Lake’s FUTURE FEELING, set in alt-future Brooklyn and L.A., following three young trans men—a professional dog walker, a self-absorbed social media influencer, and a jaded TV writer—who must work together to remedy the disastrous effects of an ill-conceived hex at the behest of the Rhiz, the quasi-benevolent network responsible for the collective well-being of the global transgender community, to Yuka Igarashi at Soft Skull, by Chris Clemans at Janklow & Nesbit (world English).
NYT-bestselling author of PLEASE LOOK AFTER MOM and winner of the International Man Booker Prize Kyung-Sook Shin’s VIOLET, about a young woman who works in a flower shop and has been shunned by her female high school lover, which sets her apart from society and the world of Seoul, to Jisu Kim at Feminist Press, in an exclusive submission, for publication in 2021, by Barbara Zitwer at Barbara Zitwer Agency (world English).
NYT bestselling author of RED, WHITE & ROYAL BLUE Casey McQuiston‘s ONE LAST STOP, pitched as a queer Kate & Leopold, in which a 23-year-old realizes her subway crush is displaced from 1970’s Brooklyn, and she must do everything in her power to help her – and try not to fall in love with the girl lost in time – before it’s too late, to Vicki Lame at Griffin, in an exclusive submission, for publication in summer 2021, by Sara Megibow at kt literary (world English).
Sara Codair’s EARTH RECLAIMED, in which a 17-year-old non-binary mage must stop a budding war between mages and scientists before Mother Earth reclaims the world, to Zelda Knight at Aurelia Leo, in a nice deal, for publication in January 2021 (world English).
Lambda Literary Fellow and diaCRITICS.org contributor Eric Nguyen‘s A HISTORY OF LOST THINGS, set in the New Orleans housing project of Versailles and following a Vietnamese refugee mother and her two sons, one tempted by gangs and the other embracing his gay identity, as they reckon with their past losses and grapple with creating a new home, to Caitlin Landuyt at Knopf, in a very nice deal, at auction, by Julie Stevenson at Massie & McQuilkin (NA).
Author of the second installment of VERA KELLY series Rosalie Knecht‘s VERA KELLY IS NOT A MYSTERY, picking up with an ex-CIA agent after she loses her job and her girlfriend in a single day and reluctantly goes into business as a private detective, taking a case chasing a lost child through foster care and following a trail of Dominican exiles to the Caribbean, dredging up dark memories and dangerous characters from across the Cold War landscape, to Masie Cochran at Tin House Books, for publication in June 2020, by Soumeya Bendimerad Roberts at HG Literary (NA).
NYT- and USA Today-bestselling author Chelsea Cameron‘s THE GIRL NEXT DOOR, in which one woman’s plans for escaping her parents’ house and the confines of small town life are waylaid by the lobsterwoman next door, to Kerri Buckley at Carina Press Adores, for publication in June 2020 (world).
Morgan Rogers‘s HONEY GIRL, pitched for fans of RED, WHITE & ROYAL BLUE, an #OwnVoices debut that follows a young black woman just finishing her PhD in astronomy who impulsively gets married in Vegas and decides to leave her perfectly ordered life for a summer in New York with the wife she barely knows, to Laura Brown at Park Row Books, by Holly Root at Root Literary (NA).
Sunmi’s FIREBIRD, a debut graphic novel that follows a girl as she crushes on an older girl she tutors, and their friendship through their varied experiences as queer children of Asian-American immigrants, to Clarissa Wong at Harper Alley, at auction, in a two-book deal, for publication in 2022, by Susan Graham at Einstein Literary Management (world).
Miel Moreland’s IT GOES LIKE THIS, an #OwnVoices story about a former queer pop band, the (messy) fallout of their globally mourned breakup, and the devastating hometown storm that brings the teens back together, leaving each member to wonder if they can rebuild more than just the town, to Rachel Diebel at Feiwel and Friends, for publication in spring 2021, by Jessica Errera at Jane Rotrosen Agency (NA).
Author of ONLY MOSTLY DEVASTATED Sophie Gonzales‘s THE EX-GIRLFRIEND GETTER-BACKER EXPERIMENT, in which a bisexual girl who gives out anonymous love advice at her high school is blackmailed by the hot guy in her class into helping him get his ex-girlfriend back, and the unintended consequences of her advice end up affecting everyone, including herself, pitched as THE DUFF meets TO ALL THE BOYS I’VE LOVED BEFORE, to Sylvan Creekmore at Wednesday Books, in an exclusive submission, for publication in 2021, by Moe Ferrara at BookEnds (world).
Kate Prosswimmer at S&S/McElderry has acquired IN DEEPER WATERS by F.T. Lukens. Pitched as A Gentleman’s Guide to Vice & Virtue meets Pirates of the Caribbean, this high seas fantasy features a prince with secret magic who is kidnapped during his coming-of-age tour and must rely on a mysterious young man to save him. Publication is slated for spring 2021; Eva Scalzo at Speilburg Literary Agency did the deal.
STRANGE GRACE author Tessa Gratton‘s NIGHT SHINE, pitched as a dark, queer Howl’s Moving Castle, in which the crown prince is kidnapped, and only an orphan knows enough of his secrets to seek him in a demon-haunted fortress, to Karen Wojtyla at Margaret K. McElderry Books, in an exclusive submission, for publication in fall 2020, by Laura Rennert at Andrea Brown Literary Agency (world English).
Maya MacGregor‘s THE MANY HALF-LIVED LIVES OF SAM SYLVESTER, about an autistic genderqueer protagonist who leaves an intolerant school for a new high school with the support of their loving father, finding a Rainbow Club and accepting friends, all of whom must come together to solve the decades-old mystery of the murder of a teenage boy and confront the child’s own fears of early death, to Jes Negron at Boyds Mills Press, for publication in fall 2020, by Sara Megibow at kt literary (world English).
Jake Maia Arlow‘s ALMOST FLYING, in which a 13-year-old takes part in a summer road trip to several amusement parks and celebrates found family, first queer crushes, and the singular delight of roller coasters, to Ellen Cormier at Dial, in a good deal, at auction, in a two-book deal, for publication in summer 2021, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Emmy, Grammy, and Tony Award-winning actor, singer, dancer, writer, and advocate Billy Porter‘s untitled picture book, to Courtney Code at Abrams Children’s, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Contributor to Tin House and Granta Krys Malcolm Belc’s THE NATURAL MOTHER OF THE CHILD, about bodily autonomy and parenthood, from a transmasculine parent who identifies as neither mother nor father to his gestational son and the two children his partner carried, to Dan Smetanka at Counterpoint, with Jennifer Alton editing, by Ashley Lopez at Waxman Literary Agency (NA).
Trans activist, storyteller, and Director of Family Formation at Family Equality Trystan Angel Reese‘s TENDER MOMENTS AND TOUGH LESSONS: THE JOURNEY THROUGH ADOPTION, TRANS PREGNANCY, AND LGBTQ PARENTHOOD, a memoir of Trystan and his partner Biff’s route to parenthood, from adopting two kids in need to becoming pregnant as a man and candid reflections on it all, interwoven with universal lessons for those facing obstacles to parenthood, to Batya Rosenblum at The Experiment, for publication in spring 2021, by Myrsini Stephanides at Carol Mann Agency (world).
Emmy, Grammy, and Tony Award-winning actor, singer, dancer, writer, and advocate Billy Porter‘s UNPROTECTED, a memoir of childhood trauma, creative struggle, public courage, and triumph, to Jamison Stoltz at Abrams Press, in a pre-empt; also, an untitled picture book, to Courtney Code at Abrams Children’s, by Jim McCarthy at Dystel, Goderich & Bourret (world).
I mean, that headline is probably already the best thing I’ll read today, but once you read that, how can you not go on to read about F.T. Lukens’s delightful research exploits when writing her The Rules series, including the recently released Monster of the Week, which just came out from Duet Books on October 15? Obviously, you must read more, so first, check out the book, and let’s just keep weirding out from there!
Spring semester of Bridger Whitt’s senior year of high school is looking great. He has the perfect boyfriend, a stellar best friend, and an acceptance letter to college. He also has this incredible job as an assistant to Pavel Chudinov, an intermediary tasked with helping cryptids navigate the modern world. His days are filled with kisses, laughs, pixies, and the occasional unicorn. Life is awesome. But as graduation draws near, Bridger’s perfect life begins to unravel. Uncertainties about his future surface, his estranged dad shows up out of nowhere, and, perhaps worst of all, a monster-hunting television show arrives in town to investigate the series of strange events from last fall. The show’s intrepid host will not be deterred, and Bridger finds himself trapped in a game of cat and mouse that could very well put the myth world at risk. Again.
And now here’s the guest post from author F.T. Lukens!
Most writers have joked about being on a government watch list due to the things we research when writing a novel. Myself, as well as many of my author friends, have talked, tweeted, and written about what our defense would be when we are carted away. “No, really, officer, I needed to know the best way to hide a body for my novel! I swear!” (To be completely accurate and honest this was not the last thing I googled for my current work in progress. That honor goes to ‘best way to administer a cure in the case of a pandemic resulting in space zombies.’) I’m sure, if you follow any authors on Twitter, you’ve seen a similar sentiment.
When writing The Rules and Regulations for Mediating Myths & Magic and the sequel, Monster of the Week, I had the absolute pleasure of researching the weirdest, hilarious, most grotesque, horrifying, yet quaint aspects of North American folklore ever. I now have the best answer for the inevitable audience question of “What’s the weirdest thing you’ve ever researched for a book?” My answer can be any number of local cryptids and folklore, but for the foreseeable future my favorite is ‘The Lizard Man of Scape Ore Swamp’ solely for the pure joy and lyricism of the name. Well, that, and the story is amazing. Seriously. There’s even a local festival dedicated to the Lizard Man in South Carolina, and that’s a festival I want to visit.
We’ve all heard of Sasquatch, the Loch Ness Monster, The Jersey Devil, and the Mothman (And if you haven’t, how? At least two of these have roller coasters named after them.) Along with a few others, those are the big names in cryptozoology, and take up their fair share of the public consciousness when it comes to weird creatures. But have you heard of the Pope Lick Goat Man? How about the Beast of Bray Road? Or the Fouke County Monster? The Richmond Vampire? The Ozark Howler? No? You’re missing out, my friends.
Peppered across North America are hundreds of local cryptids rooted in the myth and traditions of small towns and big cities from coast to coast. I’ve read all about goat men (shockingly, there’s more than one) who sometimes lure unsuspecting victims onto railroad tracks by song, and other times, chase them with axes. I’ve read about massive animals with glowing red eyes and dark, shaggy fur, that run as fast as cars on all fours, have the curled horns of a ram on their heads, and bugle like elks but look like bears. I’ve read about ghost lights (a ton of places have a local floating light. Check yours out today!), vampires in big cities, werewolves in Wisconsin, giant salamanders in California, blood-sucking big cats in North Carolina, even lake monsters in New York. I’ve jumped at sounds when walking my dog after reading a few of the more sinister accounts of terrifying things that bump in the night. I’ve laughed with my brother about some of the random creatures who lurk on lonely roads and haunt deserted seashores. (We have our own cryptid story about giant migrating crabs on Ocracoke Island. It’s hilarious, and well worth the fifteen minutes it takes us to recount it between laughs.) The point, and there is one, is that the more I researched, the more I realized that cryptids are everywhere.
While Wikipedia is a resource my middle-schooler is not allowed to cite in a research paper, it’s a great starting place for your very own cryptid research adventure. In a mere few hours, you too can fall down a rabbit hole of clicks, and find yourself using the way back machine to read a geocities page that has a first-hand account of how someone’s cousin’s best friend’s aunt’s son happened to overhear a story when having lunch at the little diner down on third (you know the one with the chicken wings to die for), about a creature that stood on its furred hind legs, had the chest of a man but the head of a dog, and howled. After, you can watch a video on YouTube of shaky cam footage, or a video on the top ten weird things in your neighborhood.
Call me quirky, and some people do, but I love a good cryptid story, especially ones that spawn festivals. Here in western North Carolina, there’s an annual Bigfoot festival, complete with a 5k called—wait for it—The Bigfoot Chase. I’m in love. The thought makes me want to find out what other races are out there based on cryptids. Is there Ogopogo swim? A skunk ape triathlon?
Whether you’re a believer or a skeptic, there’s a lot of weird and wonderful out there to explore, either in the relative safety of your own home via your computer or one of many monster hunting TV shows on various streaming platforms. You may even venture into your own community. If you do and you happen to come across something strange, please stay safe, take video footage and immediately upload it to the cloud in case you drop your phone during your hasty escape, and in the case of giant migrating crabs, try not to hit them with your car.
* * *
F.T. Lukens is an award-winning author of young adult fiction who holds degrees in Psychology and English Literature. A cryptid enthusiast, F.T. loves folklore and myths, specifically the weird and wonderful creatures of North America. She also enjoys sci-fi and fantasy television shows, superhero movies, and writing. F.T. lives in the mountains of North Carolina, a perfect area for sasquatch sightings, with her husband, three kids, and three cats.
Her novel, The Rules and Regulations for Mediating Myths & Magic, won several awards, including the 2017 Foreword INDIES Gold Award for Young Adult Fiction and the 2017 IPBA Benjamin Franklin Gold Award for Best Teen Fiction.
In a nuclear arms race, you’d use anything for an edge. Even magic.
Ilse and Wolf Klein bear many secrets. Genius Ilse is unsure if her parents will ever accept her love of physics. Her brother Wolf strives for a quiet life, though he worries that there’s no place in the world for people like him. But their deepest secret lies within their blood: with it, they can work magic.
Blackmailed into service during World War II, Ilse lends her magic to America’s newest weapon, the atom bomb, while Wolf goes behind enemy lines to sabotage Germany’s nuclear program. It’s a dangerous mission, but if Hitler were to create the bomb first, the results would be catastrophic.
When Wolf’s plane is shot down, his entire mission is thrown into jeopardy. Wolf needs Ilse’s help to develop the magic that will keep him alive, but with a spy afoot in Ilse’s laboratory, the secret letters she sends to Wolf begin to look treasonous. Can Ilse prove her loyalty—and find a way to help her brother—before their time runs out?
Loyalties and identities will be tested in this sweeping fantasy and a fast-paced thriller that bravely explores the tensions at the dawn of the nuclear age.
Felicity Montague is through with pretending she prefers society parties to books about bone setting—or that she’s not smarter than most people she knows, or that she cares about anything more than her dream of becoming a doctor.
A year after an accidentally whirlwind tour of Europe, which she spent evading highwaymen and pirates with her brother Monty, Felicity has returned to England with two goals in mind—avoid the marriage proposal of Callum Doyle, a lovestruck suitor from Edinburgh; and enroll in medical school. However, her intellect and passion will never be enough in the eyes of the administrators, who see men as the sole guardians of science.
But then a small window of hope opens. Doctor Alexander Platt, an eccentric physician that Felicity idolizes, is looking for research assistants, and Felicity is sure that someone as forward thinking as her hero would be willing to take her on. However, Platt is in Germany, preparing to wed Felicity’s estranged childhood friend Johanna. Not only is Felicity reluctant to opening old wounds, she also has no money to make the trip.
Luckily, a mysterious young woman is willing to pay Felicity’s way, so long as she’s allowed to travel with Felicity disguised as her maid. In spite of her suspicions, Felicity agrees, but once the girl’s true motives are revealed, Felicity becomes part of a perilous quest that will lead her from the German countryside to the promenades of Zurich to secrets lurking beneath the Atlantic.
Plunged into a crumbling world of foreign politics that is desperate for a leader, Eros chooses a loyal prince to help him navigate the hostile sands of Safara. But not everyone is happy to see a half-blood become the most powerful person on the planet. A queen must restore her nation.
In power once more, Kora faces new challenges and a difficult decision that puts someone close to her in mortal danger. The wrong choice could destroy her relationships, her right to rule, and her life.
A rebellion is brewing.
With their world collapsing around them, new threats spreading across the globe, and their loved ones at risk, the people of Safara―Sepharon and human alike―depend on Eros and Kora to fix their bleeding world. But with generations of hate stacked against them, the two young monarchs may be doomed to fail.
An epic graphic novel about a girl who travels to the ends of the universe to find a long lost love, from acclaimed author Tillie Walden.
Throughout the deepest reaches of space, a crew rebuilds beautiful and broken-down structures, painstakingly putting the past together. As Mia, the newest member, gets to know her team, the story flashes back to her pivotal year in boarding school, where she fell in love with a mysterious new student. When Mia grows close to her new friends, she reveals her true purpose for joining their ship—to track down her long-lost love.
An inventive world, a breathtaking love story, and stunning art come together in this new work by award-winning artist Tillie Walden.
Inspired by real historical evidence that Abraham Lincoln was in love—romantic love—with another man, this debut YA novel was too controversial for traditional publishing. Crowdfunded in six days with a successful Kickstarter campaign that ultimately 182 backers supported, QUEER AS A FIVE-DOLLAR BILL asks LGBTQ teens (and everyone else), What if you knew a secret from history that could change the world?
Wyatt is 15, and nobody in his homophobic small town of Lincolnville, Oregon, knows that he’s Gay. Not even his best friend (and accidental girlfriend) Mackenzie. Then he discovers a secret from actual history: Abraham Lincoln was in love with another guy! Since everyone loves Lincoln, Wyatt’s sure that if the world knew about it, they would treat Gay people differently and it would solve everything about his life. So Wyatt outs Lincoln online, triggering a media firestorm that threatens to destroy everything he cares about—and he has to pretend more than ever that he’s straight. . . . Only then he meets Martin, who is openly Gay and who just might be the guy Wyatt’s been hoping to find.
In this heartwarming picture book, a big sister realizes that her little sister, Jackie, doesn’t like dresses or fairies-she likes ties and bugs! Will she be able to accept that Jackie identifies more as “Jack”?
Susan thinks her little sister Jackie has the best giggle! She can’t wait for Jackie to get older so they can do all sorts of things like play forest fairies and be explorers together. But as Jackie grows, she doesn’t want to play those games. She wants to play with mud and be a super bug! Jackie also doesn’t like dresses or her long hair, and she would rather be called Jack.
Readers will love this sweet story about change and acceptance.
Alan Cole is not a coward. Not since he stood up to his brother. Not since he let his friends Zack and Madison into his world. And deﬁnitely not since he came out at his school.
But Alan’s got a new host of problems to face. His biggest one: Ron McCaughlin. Ever since Alan revealed he’s gay, Ron has been bullying Alan with relentless fury. Yet Alan can’t tell his parents why he’s really coming home with bruises — because they still don’t know the truth. And now Alan’s father wants him to take June Harrison to the upcoming Winter Dance. Never mind that he has two left feet, does not like girls, and might be developing feelings for a new boy at school.
Between trying to understand the complex art of text ﬂirting, learning how to subdue his bullies, and ﬁnding his identity beyond the labels people put on him, Alan has a lot to sort through — and lay out — on the dance ﬂoor.
In this follow-up novel to Alan Cole Is Not A Coward, Eric Bell returns to the Unstable Table with Alan and his friends as they tackle middle school in another poignant and laugh-out-loud tale about friendship, family, and the many meanings of bravery.
Since she was a child, the divine empress O Shizuka has believed she was an untouchable god. When her uncle, ruler of the Hokkaran Empire, sends her on a suicide mission as a leader of the Imperial Army, the horrors of war cause her to question everything she knows.
Thousands of miles away, the exiled and cursed warrior Barsalyya Shefali undergoes trials the most superstitious would not believe in order to return to Hokkaran court and claim her rightful place next to O Shizuka.
As the distance between disgraced empress and blighted warrior narrows, a familiar demonic force grows closer to the heart of the empire. Will the two fallen warriors be able to protect their home?
The biggest lie of all is the story you think you already know.
The del Cisne girls have never just been sisters; they’re also rivals, Blanca as obedient and graceful as Roja is vicious and manipulative. They know that, because of a generations-old spell, their family is bound to a bevy of swans deep in the woods. They know that, one day, the swans will pull them into a dangerous game that will leave one of them a girl, and trap the other in the body of a swan.
But when two local boys become drawn into the game, the swans’ spell intertwines with the strange and unpredictable magic lacing the woods, and all four of their fates depend on facing truths that could either save or destroy them. Blanca & Roja is the captivating story of sisters, friendship, love, hatred, and the price we pay to protect our hearts.
Courtney “Coop” Cooper
Dumped. Again. And normally I wouldn’t mind. But right now, my best friend and source of solace, Jupiter Sanchez, is ignoring me to text some girl.
Rae Evelyn Chin
I assumed “new girl” would be synonymous with “pariah,” but Jupiter and Courtney make me feel like I’m right where I belong. I also want to kiss him. And her. Which is . . . perplexing.
The only thing worse than losing the girl you love to a boy is losing her to your boy. That means losing him, too. I have to make a move. . . .
When James’s boyfriend killed himself, no one questioned what happened. A foster kid with a checkered past and a history of suicide attempts, Ash was just another number in a system that failed him. But to James, Ash was never just a number, and the facts around his death no longer stack up so neatly.
Now James has plenty of questions, and the one person who might have held the answers—Ash’s older brother, Elliot—has left town. And if anyone knows where he is, they aren’t talking. As James searches for Elliot and uncovers the tangle of lies and false alibis he left in his wake, he grows suspicious of what really happened on Ash’s last day.
In the aftermath of her mother’s death, Angela struggles to recover and re-enter the world. When she meets Steve, who works in the café across the street, she feels able to take a step out of her grief-filled home. With Steve, she hopes to do D/s as a way to take a break from the pain consuming her, but discovers that in doing kink, you bring all of who you are with you, including grief.
Then Steve’s best friend is in a tragic car accident, and winds up in a coma, and Angela longs to offer support to Steve, as well as receive it.
In the city of Eldra, people are ruled by ancient prophecies. For centuries, the high council has stayed in power by virtue of the prophecies of the elder seers. After the last infallible prophecy came to pass, growing unrest led to murders and an eventual rebellion that raged for more than a decade.
In the present day, Cassa, the orphaned daughter of rebels, is determined to fight back against the high council, which governs Eldra from behind the walls of the citadel. Her only allies are no-nonsense Alys, easygoing Evander, and perpetually underestimated Newt, and Cassa struggles to come to terms with the legacy of rebellion her dead parents have left her — and the fear that she may be inadequate to shoulder the burden. But by the time Cassa and her friends uncover the mystery of the final infallible prophecy, it may be too late to save the city — or themselves.
When Ren wakes from his life-threatening injury on the Star Stream, he learns that Asher has left with the Phoenix Corps and that the Corps believes Ren to be dead. Despite the opportunity to disappear, Ren is determined to fix his mistakes. He convinces the crew to join him for one last mission—find Asher, free Liam, and escape from the Corps’ reach. But a war is brewing between two formidable armies, and, despite his wish to flee, Ren is drawn into the conflict. With his friends by his side, Ren must make a choice, and it will affect the future of his found family and the cluster forever.
The deepest of them make up intricately interconnected stories. Damaged survivors finding each other, stitching their lives together in the harshest of places, forging precious bonds amidst the flames. Gradually growing trust, love, and understanding between found families. But there’s no escaping this place, its deadly realities, or its predators. A brutal capture. A hellish withdrawal and fragile recovery. A harrowing escape. A breakneck sprint across a haunted, poisoned wasteland.
Life and death, trust and betrayal, choking smoke and breaths of fresh air—all of these are just part of life within Parole.
Literary, lyrical, and cuttingly satiric, Mother India is a brilliantly original novel about Jews who go to India to find transformation and eternal release from the sufferings of life. Narrated in luminous prose by Meena, a Jewish American lesbian who has claimed India as her home, the novel is vividly populated by the darkly comic universe of three generations of women along with other family members, as well as by the Indians whose world they seek to penetrate. There is Meena’s religiously observant mother, Ma, whose desire to remove herself from the wheel of life plays out in a Faulknerian funeral procession and cremation on the banks of the holy river Ganges; Meena’s daughter, Maya, a misunderstood child coming of age in an emotionally treacherous household; her ex-wife, Geeta, a privileged and hedonistic Indian woman who enters their world with devastating consequences; Meena’s twin brother, Shmelke, a charismatic rabbi turned guru and international fugitive; and the Indian servant, Manika, whose loyalty to the family both sustains and shackles them.
ldentifying with the humanity of its characters, the reader is drawn into a vast, tragicomic, and fascinating epic, Homeric in scope, drama, discovery, and surprise. Universal yet intimate, brutal yet tender, satiric yet sympathetic, Mother India evokes reactions–intellectual, emotional, visceral–that are complex, even contradictory, containing the might and bite that our current cultural hubris and self-involvement deserve. In Mother India, Reich offers us her most poignant and astonishing novel to date.
Princess Galina’s father has set her a difficult task: persuade a peasant named Elena to reveal the secrets behind her magical powers. Difficult, and maybe impossible, given that Elena is stubborn to a fault and has no respect for authority—especially the kind that wears a crown. And the more time passes, the less Galina cares about doing her duty and more about simply Elena herself.
The relationship between two goddesses, one the embodiment of a galactic creation and the other of cosmic destruction, is tempestuous at best. They create and they destroy and then they do it all over again. Seya and Mia use their divine magic to make pulsars and nebula, to set planets spinning around stars and bind a galaxy together with a central black hole.
But when one of Seya’s favorite stars goes missing, she blames Mia. What was once a symbiotic cycle of life and death becomes a game of broken hearts and promises betrayed. These tensions and insecurities are explored in sonnets and villanelles; the arc of their love tracked in meter and verse. These poems touch on queer love, betrayal, trust, acceptance, and forgiveness cast against a backdrop of stardust and celestial detritus.
Benjamin Lewis has created a life for himself as one of the most respected silversmiths and engravers in New York City. For Benjamin, his work is his passion and he has never sought out companionship beyond the close ties of family. Stumbling across dresses sew by his late mother, however, reawakens painful memories from his past. Now he is determined to forge something beautiful from the remains of the life and identity he left behind. In the process, he discovers stunning and fiercely intelligent Miss Quincy who might just have the power to tempt him out of his quiet isolation.
Remembrance Quincy’s talent is as undeniable as her needlework is exquisite. She has made a name for herself crafting quilts and embroidery pieces for all the wealthiest ladies in the city. When soft-spoken, yet charming, Mr. Lewis comes to her with a particular project in mind she is intrigued both by his artistic design and by the man himself. He treats her like an equal, values her work and makes her smile, but Remembrance already gave her heart away once, now can she risk doing it again?
For Teodora DiSangro, a mafia don’s daughter, family is fate.
All her life, Teodora has hidden the fact that she secretly turns her family’s enemies into music boxes, mirrors, and other decorative objects. After all, everyone in Vinalia knows that stregas—wielders of magic—are figures out of fairytales. Nobody believes they’re real.
Then the Capo, the land’s new ruler, sends poisoned letters to the heads of the Five Families that have long controlled Vinalia. Four lie dead and Teo’s beloved father is gravely ill. To save him, Teo must travel to the capital as a DiSangro son—not merely disguised as a boy, but transformed into one.
Enter Cielo, a strega who can switch back and forth between male and female as effortlessly as turning a page in a book. Teo and Cielo journey together to the capital, and Teo struggles to master her powers and to keep her growing feelings for Cielo locked in her heart. As she falls in love with witty, irascible Cielo, Teo realizes how much of life she’s missed by hiding her true nature. But she can’t forget her mission, and the closer they get to the palace, the more sinister secrets they uncover about what’s really going on in their beloved country—and the more determined Teo becomes to save her family at any cost.
A fresh, charming rom-com perfect for fans of Simon vs. the Homo Sapiens Agenda and Boy Meets Boy about Nathan Bird, who has sworn off happy endings but is sorely tested when his former best friend, Ollie, moves back to town.
Nathan Bird doesn’t believe in happy endings.
Although he’s the ultimate film buff and an aspiring screenwriter, Nate’s seen the demise of too many relationships to believe that happy endings exist in real life.
Playing it safe to avoid a broken heart has been his MO ever since his father died and left his mom to unravel—but this strategy is not without fault. His best-friend-turned-girlfriend-turned-best-friend-again, Florence, is set on making sure Nate finds someone else. And in a twist that is rom-com-worthy, someone does come along: Oliver James Hernández, his childhood best friend.
After a painful mix-up when they were little, Nate finally has the chance to tell Ollie the truth about his feelings. But can Nate find the courage to pursue his own happily ever after?
Pretty Little Liars meets Dan Savage in this modern, fresh, YA debut about an unapologetically queer teen working to uncover a blackmailer threatening him back into the closet.
Jack has a lot of sex–and he’s not ashamed of it. While he’s sometimes ostracized, and gossip constantly rages about his sex life, Jack always believes that “it could be worse.”
But then, the worse unexpectedly strikes: When Jack starts writing a teen sex advice column for an online site, he begins to receive creepy and threatening love letters that attempt to force Jack to curb his sexuality and personality. Now it’s up to Jack and his best friends to uncover the stalker–before their love becomes dangerous.