Moonflowers and Nightshade presents eighteen original sapphic horror stories, including works by: Alex Luceli Jiménez, Christina Ladd, G.B. Lindsey, Kat Siddle, G.E. Woods, Rae Knowles, Lowry Poletti, Cyrus Amelia Fisher, Jade Lancaster, Archita Mittra, Ali Seay, Hailey Piper, Anastasia Dziekan, E.F. Schraeder, Tiffany Morris, Nicoletta Giuseffi, Avra Margariti, and Annabeth Leong.
In this modern reimagining of Anne of Green Gables, Anne is an ABBA-loving singer/actor/writer of disco-operas, queer, Japanese-American who longs to be understood for her artistic genius. Recently relocated to middle-of-nowhere Greenville and starting at a new school, Anne has a tendency to A) fall in love quickly, deeply, and effervescently and B) fly off the handle in the face of jerks. Both personality quirks quickly come into play when the soccer team boos the premiere of her disco performance, which—in a roundabout way—introduces her to her new BFF, Berry, and she soon after meets the girl of her dreams, Gilly.
Falling quickly into that age-old trap of ignoring the best friend for the new crush, Anne soon becomes embroiled in a series of dramatic and unfortunate events, and quickly finds herself wrapped up in a love triangle she never expected. Is she MTB with Gilly? Or is Berry her true soul mate? Only time (or 304 pages) will tell.
In this prequel to #1 New York Times bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls.
It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax?
Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming.
Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident.
Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking.
Hollow by Shannon Watters and Branden Boyer-White (text), Berenice Nelle (art), and Kaitlyn Musto, Kieran Quigley, and Gonçalo Lopes (color)
Isabel “Izzy” Crane and her family have just relocated to Sleepy Hollow, the town made famous by–and obsessed with–Washington Irving’s legend of the Headless Horseman. But city slicker-skeptic Izzy has no time for superstition as she navigates life at a new address, a new school, and, with any luck, with new friends. Ghost stories aren’t real, after all…. Then Izzy is pulled into the orbit of the town’s teen royalty, Vicky Van Tassel (yes, that Van Tassel) and loveable varsity-level prankster Croc Byun. Vicky’s weariness with her family connection to the legend turns to terror when the trio begins to be haunted by the Horseman himself, uncovering a curse set on destroying the Van Tassel line. Now, they have only until Halloween night to break it–meaning it’s a totally inconvenient time for Izzy to develop a massive crush on the enigmatic Vicky. Can Izzy’s practical nature help her face the unknown–or only trip her up? As the calendar runs down to the 31st, Izzy will have to use all of her wits and work with her new friends to save Vicky and uncover the mystery of the legendary Horseman of Sleepy Hollow–before it’s too late.
An island oasis turns deadly when a terrifying legend threatens to kill off visitors one by one in this haunting novel from the highly acclaimed author of The Girl from the Well and the Bone Witch trilogy.
Pristine beaches, lush greenery, and perfect weather, the island of Kisapmata would be the vacation destination…if not for the curse. The Philippine locals speak of it in hushed voices and refuse to step foot on the island. They know the lives it has claimed. They won’t be next.
A Hollywood film crew won’t be dissuaded. Legend claims a Dreamer god sleeps, waiting to grant unimaginable powers in exchange for eight sacrifices. The producers are determined to document the evidence. And they convince Alon, a local teen, to be their guide.
Within minutes of their arrival, a giant sinkhole appears, revealing a giant balete tree with a mummified corpse entwined in its gnarled branches. And the crew start seeing strange visions. Alon knows they are falling victim to the island’s curse. If Alon can’t convince them to leave, there is no telling who will survive. Or how much the Dreamer god will destroy…
The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.
In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems—the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past—relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster?
Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, and Kai Cheng Thom.
Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He’s on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents’ charming small town hellscape. Population: who cares?
It’s bad enough he’s stuck in some festive winter wonderland—it’s even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who’s unimpressed with anything and everything Matthew does.
Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior…with Hector as his maddening plus-one. But even a Grinch can’t resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince’s heart grow three sizes this year.
Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends–one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West.Aria expects boredom, but what she finds is Steph Nichols, her grandmother’s gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable–for Aria, her family, and the working-class queer community Steph introduces her to. It’s the kind of summer that changes a life forever.
In Northern Alberta, a queer Indigenous doctoral student steps away from his dissertation to write a novel. He is adrift, caught between his childhood on the reservation and this new life of the urban intelligentsia. Billy-Ray Belcourt’s unnamed narrator chronicles a series of encounters: a heart-to-heart with fellow doctoral student River over the mounting pressure placed on marginalized scholars; a meeting with Michael, a closeted adult from his hometown whose vulnerability and loneliness punctuate the realities of queer life on the fringe. Amid these conversations, the narrator is haunted by memories of Jack, a cousin caught in the cycle of police violence, drugs, and survival. Jack’s life parallels the narrator’s own; the possibilities of escape and imprisonment are left to chance with colonialism stacking the odds.
Faltas: Letters to Everyone in My Hometown Who Isn’t My Rapist by Cecilia Gentilli
In these hilarious and heartbreaking letters, Cecilia Gentili reinvents the trans memoir, putting the confession squarely between the writer and her enemies, paramours and friends. Is she here for revenge, or forgiveness? Both! And more! A story of sex, theft, murder, motherhood, and outrageous fashion choices, FALTAS is a beautiful, messy meditation on what it takes to heal, and even grow.
After immigrating from Jamaica to the United States, Prince Shakur’s family is rocked by the murder of Prince’s biological father in 1995. Behind the murder is a sordid family truth, scripted in the lines of a diary by an outlawed uncle hell-bent on avenging the murder of Prince’s father. As Shakur begins to unravel his family’s secrets, he must navigate the strenuous terrain of conquering one’s inner self while confronting the steeped complexities of the Afro-diaspora.
When They Tell You to Be Good charts Prince Shakur’s political coming of age from closeted queer kid in a Jamaican family to radicalized adult traveler, writer, and anarchist in Obama and Trump’s America. Shakur journeys from France, the Philippines, South Korea, and more to discover the depths of the Black experience, and engages in deep political questions while participating in movements like Black Lives Matter and Standing Rock. By the end, Shakur reckons with his identity, his Jamaican family’s immigration to the US before his birth, and the intergenerational impacts of patriarchal and colonial violence.
Born in a carnival trailer, Leah Fern begins her life as the “The Youngest and Very Best Fortuneteller in the World,” taking strangers’ hands and feeling the depths of their emotions. Her mother Jeannie Starr is a captivating magician, but not always an attentive mother, and when Leah is six, Jeannie upends their carnival life with an unexpected exit. With little fanfare and no explanation, she leaves her daughter at the home of Edward Murphy, a kindly older man with whom Leah shares one fierce wish: that Jeannie Starr will return to them.
After fifteen years as a small-town outcast , Leah decides to end her life on the occasion of her twenty-first birthday. But the intricate death ritual she has devised is interrupted by a surprise knock on her door. Her mysterious neighbor, the curmudgeonly and reclusive art photographer Essie East, has died and left Leah a very strange inheritance. Through a series of letters, Essie will posthumously lead Leah on a journey to nine points on the map, spanning from South Carolina to Canada to the Arctic Circle—a journey that, the first note promises, will reveal the story of Leah’s mother.
Driven by a ferocious resurgence of hope, Leah embarks on this bizarre treasure hunt, Essie’s ashes in a jeweled urn in the passenger seat of her truck. Along her way, she visits islands, libraries, diners, and defunct ice cream parlors, meeting a charming cast of eccentric characters and immersing herself in wonders of the natural world.
Hesper Stallides and Felix Morlan have been best friends for as long as they can remember, bonding over their troubled home lives. When a horrible sports injury derails Felix’s promising career and results in the loss of his scholarship, Hesper offers a proposition: a year-long marriage of convenience so he can get free tuition at the college where she works.
It isn’t supposed to be complicated…until they fall in love for real. When Hesper reveals that she’s asexual, Felix must reassess everything he thinks about love, and ask himself what he’s willing to sacrifice for a future with Hesper—before the past she’s spent her life running from can take her away from him forever.
Through the lens of horror—from “Halloween” to “Hereditary”—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.
“It Came from the Closet” features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on “Jennifer’s Body”, Jude Ellison S. Doyle on “In My Skin”, Addie Tsai on “Dead Ringers”, and many more, these conversations convey the rich reciprocity between queerness and horror.
Jessi Hempel was raised in a seemingly picture-perfect, middle-class American family. But the truth was far from perfect. Her father was constantly away from home, traveling for work, while her stay-at-home mother became increasingly lonely and erratic. Growing up, Jessi and her two siblings struggled to make sense of their family, their world, their changing bodies, and the emotional turmoil each was experiencing. And each, in their own way, was hiding their true self from the world.
By the time Jessi reached adulthood, everyone in her family had come out: Jessi as gay, her sister as bisexual, her father as gay, her brother as transgender, and her mother as a survivor of a traumatic experience with an alleged serial killer. Yet coming out was just the beginning, starting a chain reaction of other personal revelations and reckonings that caused each of them to question their place in the world in new and ultimately liberating ways.
Emmy-nominated writer, actor, and producer of Netflix’s Special Ryan O’Connell‘s JUST BY LOOKING AT HIM, in which a gay TV writer with cerebral palsy who, despite his perfect boyfriend, can’t stop cheating with a sex worker while in search of something bigger, to Michelle Herrera Mulligan at Atria, at auction, for publication in spring 2022, by Kent Wolf at Neon Literary (NA).
Alexis Hall‘s ROUGH RIDE and FOOL’S GOLD, the next two installments in the award-winning SPIRES series, along with the first four previously-published books and LOOKING FOR GROUP, as well as HUSBAND MATERIAL and THE AMNESIA PLOT, two additional LGBTQIA+ romances in the BOYFRIEND MATERIAL universe, to Mary Altman at Sourcebooks Casablanca, by Courtney Miller-Callihan at Handspun Literary.
Montana MFA Jules Ohman‘s BODY GRAMMAR, pitched as a queer SWEETBITTER set against the backdrop of the glamorous but grueling modeling industry, in which a young woman discovers herself, what it means to live in her body, and how to let herself find love, to Anna Kaufman at Vintage, in an exclusive submission, by Dan Conaway at Writers House (NA).
Author of ON HELL and the nonfiction collection MINERVA THE MISCARRIAGE OF THE BRAIN, artist, and musician Johanna Hedva‘s YOUR LOVE IS NOT GOOD, set in the Berlin and Los Angeles art worlds, following a queer biracial Korean American painter on the precipice of success as she struggles to reconcile her ambitions, her growing debt, and her complicated relationship to whiteness with her support for a boycott of museums and galleries for their racist and imperialist practices, to Jeremy Davies at And Other Stories, by Clare Mao at Europa Content (world English).
Lambda Award and Charles Johnson Fiction Award-winning author of the story collection BLUE TALK AND LOVEMecca Jamilah Sullivan‘s MORE OF EVERYTHING, about an African American girl growing up in 1990s Harlem, grappling with the stigma of obesity passed down through three generations of women in her family, who comes to terms with her self-image and her sexuality against the backdrop of Harlem’s changing landscape, pitched as a fictional counterpart to Roxanne Gay’s HUNGER, to Gina Iaquinta at Liveright, at auction, for publication in summer 2022, by Janet Silver at Aevitas Creative Management (NA).
Griffin Prize winner Billy-Ray Belcourt’s A MINOR CHORUS, in which a queer Indigenous doctoral student steps away from his dissertation to conduct research in his northern hometown for what he hopes will be a novel about how to live a beautiful life; he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to Mo Crist at Norton, at auction, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (US).
Maya Deane’s WRATH GODDESS SING, an #OwnVoices trans women’s literary epic fantasy pitched as reimagining of the Iliad, wherein Athena recruits the young trans heroine Achilles to defeat the omnipotent Helen and her Olympian enablers before she drowns the world in human sacrifice, pitched as a mash-up of N.K. Jemisin’s Inheritance trilogy and Madeline Miller’s SONG OF ACHILLES, to David Pomerico at William Morrow, by Jason Yarn at Jason Yarn Literary Agency (world).
Paulette Kennedy‘s PARTING THE VEIL, in which a scandalous Gilded Age heiress marries a British lord with a tragic past, only to discover dark family secrets hidden within his haunted manor, pitched in the vein of The Clockmaker’s Daughter meets the queer-inclusive fiction of Sarah Waters, to Jodi Warshaw at Lake Union Publishing, for publication in fall 2021, by Jill Marr at Sandra Dijkstra Literary Agency (world).
Caribbean-English-American writer David Santos Donaldson‘s GREENLAND, a literary ghost story in which a Black gay writer who is on an obsessive quest to get published, seeks to find his own voice while writing a novel about the forbidden real-life love affair between E.M. Forster and the young Black Egyptian train conductor Mohammed el-Adl, as he becomes gradually more and more possessed by Mohammed’s spirit which is coming alive in him as he writes, drawing on magical realism and exploring issues of racism, psychological manipulation, and identity, to Tara Parsons at Amistad, in a pre-empt, for publication in spring 2022, by Tom Miller at Liza Dawson Associates (world English).
Cornell University Press production editor and Barbara Deming Memorial Fund award recipient Jennifer Savran Kelly‘s ENDPAPERS, about a genderfluid bookbinder in 2003 New York, whose discovery of a queer love letter written on the back of an old lesbian pulp cover and hidden in the binding of a book pushes them to venture out of the safe world they’ve built as they track down the letter’s author, reexamine their own ill-fitting relationship, and use their art to explore what it means to live authentically, to Abby Muller at Algonquin, by Trevor Ketner at Ladderbird Literary Agency (world English).
Queer mixed media artist from Washington and #DVpit success story Ashley Ferguson‘s Middle Grade graphic novel MY GIRLFRIEND THE WITCH, in which the narrator has disappeared into fanfiction ever since coming out as queer, and escapes to a magical world, finding it easier than making new friends or dealing with “supportive” parents who don’t “get” him, to Michele McAvoy at Blue Bronco, in a nice deal, for publication in fall 2023 (world).
Debut author Katryn Bury‘s DREW LECLAIR GETS A CLUE, pitched as a modern-day, queer HARRIET THE SPY, in which a true crime-obsessed girl decides to catch a cyberbully by profiling all of the bullies in her grade, and discovers that family, friendship, and sexual identity are the hardest mysteries to solve, to Emilia Rhodes at Houghton Mifflin Harcourt Children’s, in a pre-empt, in a two-book deal, for publication in spring 2022, by Chelsea Eberly at Greenhouse Literary Agency (NA).
Young Adult Fiction
Mason Deaver‘s THE FEELING OF FALLING IN LOVE, in which a boy’s non-relationship ends right before his mother’s latest wedding so he enlists the prep school roommate he barely tolerates to pose as his boyfriend only for their temporary alliance to turn into something much more, to David Levithan and Jeffrey West at Scholastic, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (NA).
Rebecca Mix‘s debut THE ONES WE BURN, a Sapphic YA fantasy in which a blood witch’s mission to assassinate the prince she is betrothed to is compromised by the discovery of a deadly plague—and by the beautiful princess intent on stopping it, to Alyza Liu at Margaret K. McElderry Books, in a nice deal, for publication in fall 2022, by Kiana Nguyen at Donald Maass Literary Agency (world English).
Author of GHOST WOOD SONG and the forthcoming THE RIVER HAS TEETH Erica Waters‘s THE RESTLESS DARK, in which two girls join forces in a macabre true crime contest to find the missing bones of a killer in the nightmarish fogs of Cloudkiss Canyon, but when their search morphs into a hunt for a monster in their midst, the girls must ask themselves—is the fog to blame for what’s happening in the canyon, or are they?, to Alice Jerman at Harper Teen, in a good deal, in a two-book deal, for publication in fall 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).
Author of REVERIE and BE DAZZLEDRyan La Sala‘s THE HONEYS, pitched as Heathers meets Midsommar set at an exclusive overnight camp in the Catskills, to Zack Clark at Scholastic, in a good deal, at auction, in a pre-empt, in a two-book deal, for publication in summer 2022, by Veronica Park at Fuse Literary (world English).
Married writer/photographer team Hannah Murphy and Billie Winter’s QUEER POWER COUPLES, a photographic celebration of queer intimacy and excellence, to Natalie Butterfield at Chronicle, for publication in spring 2023 (world).
LGBTQ human rights activist Angeline Jackson and Susan McClelland’s THE POWER OF ONE PERSON, with its title chosen from President Obama’s public address about Jackson’s ordeal and efforts, the true story from Jackson’s POV as a young girl and rape survivor, coming to terms with her sexuality and forging ahead to create safe spaces and unprecedented support for LGBTQ communities in Jamaica, to Scott Fraser at Dundurn Press, in a nice deal, for publication in the fall of 2022, by Rob Firing at Transatlantic Literary Agency (world).
NEA fellow and author of three poetry collections Emma Bolden’s THE TIGER AND THE CAGE, a debut memoir connecting a personal narrative of endometriosis, chronic pain, and asexuality to a long history of women being treated as curiosities and hysterical unreliable narrators of their own bodies and experiences, to Sarah Lyn Rogers at Soft Skull, for publication in fall 2022, by Cassie Mannes Murray at Howland Literary (world).
Book Riot contributor and writer of their monthly horoscopes and book recommendations column Susie Dumond‘s QUEERLY BELOVED, a queer debut rom-com set in Tulsa, Oklahoma that follows semi-closeted baker and bridesmaid-for-hire Amy’s search for Happily Ever After — with the new mysterious lesbian in town, of course, but most importantly, with herself, to Katy Nishimoto at Dial Press, in an exclusive submission, by Jamie Carr at The Book Group (world).
Liz Bowery’s COVER STORY, a hate-to-love queer rom-com pitched as The West Wing meets RED, WHITE & ROYAL BLUE by way of THE HATING GAME, in which a viral photo forces two ruthless political staffers to fake a relationship to save their presidential candidate’s campaign, to Emily Ohanjanians at Mira, by Laura Zats at Headwater Literary Management (world English).
NYU MFA graduate Lillian Fishman‘s ACTS OF SERVICE, following a young queer woman’s consuming affair with a straight couple, a dangerous arrangement that forces her to interrogate her own desire and complicity; an examination that cuts to the heart of modern sexuality, power, politics and moral responsibility, to Parisa Ebrahimi at Hogarth, in a pre-empt, by Dan Kirschen at ICM (NA).
Griffin Prize-winning poet and scholar Billy-Ray Belcourt‘s A MINOR CHORUS, about an unnamed narrator who abandons his unfinished thesis to return to his hometown, where he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to David Ross at Hamish Hamilton Canada, at auction, in a two-book deal, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (Canada).
2019 Lambda Fellow J K Chukwu‘s THE UNFORTUNATES, pitched in the vein of LUSTER, QUEENIE, and MY YEAR OF REST AND RELAXATION, about a queer, half-Nigerian college student enraged and exhausted by the racism, tokenism, and indifference to the Black experience at her elite college, who pens a no-holds barred thesis (“to my advisors: Mr. White Supremacy, Mr. Capitalism, Ms. Racism”) documenting her search for the truth about The Unfortunates, an unlucky subset of her Black classmates who keep dying at the hands of white supremacy, to Millicent Bennett at Houghton Mifflin Harcourt, in a pre-empt, for publication in spring 2022, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world, excl. UK).
Zoe Sivak’s SEASON OF ASHES, about a biracial woman who flees to Paris following the start of the Haitian Revolution and into the inner circle of Robespierre and his mistress, where she must contend with her place in both uprisings, to Jen Monroe at Berkley, in a pre-empt, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world).
Young Adult Fiction
McDuffie Diversity Award-winning author of M.F.K.Nilah Magruder‘s REEL LOVE, based on the author’s experiences embracing being asexual, the graphic novel follows a young woman who goes on a summer trip to the Blue Ridge Mountains where she develops a passion for fishing, meets a boy, and learns there’s no getting away from growing up and from facing her questions about identity and love, to Polo Orozco at Random House Children’s, in a major deal, at auction, in a two-book deal, for publication in fall 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).
Editor at ACC Art Books B.L. Radley’s STRICTLY NO HEROICS, a queer adventure love story pitched as Dumplin’ meets Deadpool, about a teen without powers trying to survive and find justice and love in a world filled with superheroes and villains, to Holly West at Feiwel and Friends, at auction, for publication in winter 2023, by Beth Marshea at Ladderbird Literary Agency.
Ciera Burch’s THE INEVITABILITY OF HOME, in which a Black girl is forced to meet her estranged, dying grandmother all while grappling with ancestral ghosts, a girl who wants to be more than friends, and a trove of secrets; pitched as perfect for fans of Nina LaCour and Jesmyn Ward, to Elizabeth Lee at Farrar, Straus Children’s, in a good deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).
Author of RULES FOR VANISHING Kate Alice Marshall’s THESE FLEETING SHADOWS, a queer supernatural in which a girl inherits her ancestral home, only to discover that a dark presence lurks within it—and within herself; with the help of the young woman, she must unlock the house’s secrets and her own if she wants to survive, to Maggie Rosenthal at Viking Children’s, in a good deal, in a two-book deal, for publication in 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).
Brian Kennedy’s debut A LITTLE BIT COUNTRY, in which two boys—one who wants to be the biggest openly gay country music superstar, and one who, as the grandson of a faded Nashville star, hates country music more than anything—fall for each other while working at a Dollywood-esque theme park, to Kristin Daly Rens at Balzer & Bray, in a good deal, at auction, by Lauren Spieller at TriadaUS Literary Agency (world English).
Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan’s COVEN, in which a young witch must leave sunny California for dreary upstate New York after members of her coven are murdered under mysterious circumstances, illustrated by Kit Seaton, to Stephanie Pitts at Putnam Children’s, for publication in the fall of 2022, by Brooks Sherman at Janklow & Nesbit for the author, and by Ben Grange at L. Perkins Agency for the illustrator (world).
Author of WHO I WAS WITH HER and Lambda Literary Writer’s Retreat fellow Nita Tyndall‘s THE SONG I SANG UNCARING, set during the Swingjugend movement in 1930s and 1940s Berlin, centering around a girl who finds herself swept up in the culture and the resistance while falling for another girl in the middle of it all, again to Catherine Wallace at Harper Teen, for publication in summer 2022, by Eric Smith at P.S. Literary Agency (world English).
Patrice Caldwell’s WHERE SHADOWS REIGN, set in the aftermath of a war between vampires, humans, and the gods that created them, in which a vampire princess teams up with a seer, who only has visions of death, to journey to the island of the dead—a mythical place where all souls go at their end—to save her kidnapped best friend, to Vicki Lame at Wednesday Books, in a good deal, at auction, in a two-book deal, for publication in fall 2022, by Sara Megibow at kt literary (NA).
Author of the forthcoming IN DEEPER WATERS F.T. Lukens’s HOW TO SURVIVE EVER AFTER, pitched as Dungeons & Dragons meets CARRY ON, in which a group of teenagers, having just completed a quest to save their kingdom, now need to figure out what comes next while their de facto leader is accidentally crowned king and is caught up in a curse that requires him to find his soulmate before he turns 18, to Kate Prosswimmer at Margaret K. McElderry Books, in a nice deal, in an exclusive submission, for publication in spring 2022, by Eva Scalzo at Speilburg Literary Agency.
Activist, artist, filmmaker, and scholar Tourmaline‘s MARSHA: THE BEAUTY AND DEVIANCE OF MARSHA P. JOHNSON, a biography of the legendary Black trans activist whose role in the 1969 Stonewall riots sparked the gay liberation movement, and whose fabulous, fearless life as a colorful trans woman still inspires the current wave of LGBTQ protests, to Amber Oliver at Tiny Reparations Books, at auction, for publication in fall 2022, by Georgia Frances King and Bridget Wagner Matzie at Aevitas Creative Management (world).
Culture columnist at Longreads Jeanna Kadlec’s HERETIC, a memoir in essays on life after leaving the evangelical church, queerness, and what faith looks like in the face of millennial loneliness and desire for community and meaning—all in light of the hold evangelicalism has on American politics, power structures, and pop culture, to Jenny Xu at Houghton Mifflin Harcourt, at auction, by Dana Murphy at The Book Group (world).
Former senior editor at Out Lester Fabian Brathwaite’s RAGE: THE EVOLUTION OF A BLACK QUEER BODY IN AMERICA, a collection of essays about how his search for love thrust him into the crosshairs of a potent and specific brand of racism, converting his trauma into a weapon and critiquing the evolution of his Black queer consciousness, to Amber Oliver at Tiny Reparations Books, by Robert Guinsler at Sterling Lord Literistic (world).
Yep, it’s a brand-new feature celebrating book deals! This is a combination of deal announcements that have been submitted through the site and copied from Publisher’s Marketplace and Publishers Weekly, with some minor editing. If you’d like to submit a deal, you can do so here.
Rob Sanders’s BLING BLAINE, about a child who is all about bling and glitter until complaints pour in and bling is banned from school, but then allies come to the rescue, illustrated by Letizia Rizzo, to Christina Pulles formerly at Sterling Children’s, with Eve Adler editing, for publication in fall 2020, by Rubin Pfeffer at Rubin Pfeffer Content for the author, and by Emily Coggins at Astound US for the illustrator (world).
Vicki Lame at Wednesday Books has acquired LGBTQ Reads founder Dahlia Adler’s YA novel, COOL FOR THE SUMMER, about a girl named Lara who finally lands the guy of her dreams, only to have her unexpected(ly female) summer fling transfer to her school for their senior year. Publication is slated for summer 2021; DongWon Song at Howard Morhaim Literary Agency brokered the two-book deal for North American rights.
Author of PRIDE MUST BE A PLACE and BURN BABY BURN BABY, and board member of the Ontario Writer’s Conference Kevin Craig’s THE CAMINO CLUB, in which six wayward teens are given an ultimatum after getting in trouble with the law: serve time in juvenile detention for their crimes, or walk the Camino de Santiago pilgrimage route across Spain; when it becomes clear the long walk isn’t really all that much of an option, they set out on a journey that will either make or break who they are and who they are to become, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in October 2020.
Rights: Mary Jo Courchesne, Gryphon Publishing Consulting
Jess Verdi’s‘s FOLLOW YOUR ARROW, after breaking up with her long-term girlfriend and falling for the new guy in town, an openly queer social media influencer faces blowback from her fans and is forced to define what it means to be bi—to the world, and to herself, to Aimee Friedman at Scholastic, by Kate McKean at Howard Morhaim Literary Agency.
Maggie Tokuda-Hall‘s SQUAD, about a clique of teen girls whose favorite pastime is to get dressed up; go to parties; target entitled, date-rapey bros; turn into wolves; and eat them, illustrated by Lisa Sterle, to Martha Mihalick at Greenwillow, for publication in fall 2021, by Jennifer Laughran at Andrea Brown Literary Agency (NA).
Alexandra Cooper at HarperTeen has acquired, at auction, Laurel Flores Fantauzzo’s THE HEARTBREAK OF CORAZON TAGUBIO. Cory Tagubio is an outcast at her all-girls Catholic high school. In the wake of an accident, Cory grows close to her history teacher, Ms. Holden, but when the crush turns into something more, Cory is shipped off to her half-brother in the Philippines, leaving her to discover how her family and their country have shaped her past and how they might change her future. Publication is set for winter 2021; Andrea Morrison at Writers House sold world English rights.
Jessica Garrison at Dial has bought, on exclusive submission, Stephanie Oakes’s THE MEADOWS, which centers on a queer girl who has pretended to “reform” following years in a government-sanctioned conversion therapy center, but can’t forget the girl she left behind, and resolves to find her. Publication is set for fall 2021; Jennifer Laughran at Andrea Brown Literary Agency handled the deal for world rights.
Daniel Ehrenhaft at Soho Teen has bought Carly Heath’s debut YA novel, THE HEATHENS OF MUSKOX HOLLOW. Set in 1904 Norway, the novel follows a trio of queer teens—two boys and their best friend, Asta—who decide to defy the expectations of their rural Scandinavian village by leaving their families, living on their own, and challenging the town’s patriarch in the region’s annual winter horse race. Publication is set for fall 2021; Steven Chudney at the Chudney Agency brokered the deal for North American English rights.
Cassandra Rose Clarke‘s FORGET THIS EVER HAPPENED, queer speculative fiction set in a run-down Southern town where space and time are inconsistent, to Mora Couch at Holiday House, for publication in fall 2020, by Stacia Decker at Dunow, Carlson & Lerner (world).
Diana Pinguicha‘s A MIRACLE OF ROSES, pitched as an f/f #ownvoices retelling of the Portuguese miracle of the same name, where the Princess of Aragon enters a bargain with an Enchanted Moura so she can reverse her gift that turns all the food she touches into flowers, to Lydia Sharp at Entangled Teen, by Travis Pennington at The Knight Agency (world).
Brianna Shrum‘s 13 WAYS TO START A FOREST FIRE, in which a 17-year-old girl is trapped by a freak mudslide and, in order to survive the cruel Rockies in the dead of winter, decides to trust the one boy she knows she shouldn’t, to Nicole Frail at Sky Pony Press, by Steven Salpeter at Curtis Brown.
Deya Muniz’s THE PRINCESS AND THE GRILLED CHEESE SANDWICH, in which a lady, a denizen of the Kingdom of Fromage, must disguise herself as a man in order to inherit her father’s estate, but her secret becomes difficult to keep once she falls in love with a royal princess, to Andrea Colvin at Little, Brown Children’s, in a two-book deal, for publication in spring 2021 (world).
SashaLaurens’s A WICKED MAGIC, the story of two teens and new witches whose friendship comes to an abrupt end when a spell they foolishly cast summons an ancient force that steals one of the girls’ boyfriends; they are then forced to work together with a new friend who is harboring a magical secret of her own to rescue him, to Ruta Rimas at Razorbill, in a nice deal, for publication in fall 2020, by Jennifer Udden at New Leaf Literary & Media (world English). Publication is set for July 27, 2020.
Karelia Stetz-Waters‘s untitled book, in which two very different women find themselves running a sex toy shop that one of them inherited and soon fall in love as the business struggles for survival and family obligations threaten to tear them apart, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).
Juliette Wade’s sci-fi MAZES OF POWER, in which a fever strikes the cavern city of Pelismara, and Tagaret must represent his Family in the competition for Heir to the Throne, but a power struggle and an exploitative brother stand in his way, to Sheila Gilbert at DAW by Kristopher O’Higgins at Scribe Agency (NA). Publication is set for February 4, 2020.
Anbara Salam’s BELLADONNA, a story of friendship and obsession set in the 1950s, following two schoolgirls from Connecticut whose lives are changed forever when they travel to a silent convent in northern Italy to study art for a year, to Amanda Bergeron at Berkley by Catherine Drayton at Inkwell Management, on behalf of Hattie Grunewald at Blake Friedmann, now at The Blair Partnership (NA). Publication is set for June 9, 2020.
University of Louisiana in Lafayette PhD candidate Caitlin Vance’s THE PAPER GARDEN, a darkly humorous, gothic, and speculative story collection that explores contemporary queer romances, mother-daughter relationships, and mental illness by reimagining fairy tales or myths, to Hasanthika Sirisena at 7.13 Books, for publication in spring 2021.
Director of Creative Writing at University of Nebraska-Lincoln, and author of five books Timothy Schaffert‘s THE PERFUME THIEF, about a queer American expat with an infamous past as a thief of rare scents who retires to Paris to become a legitimate perfumer, crafting unique scents scents for the city’s cabaret performers and sex workers, until the Nazis occupy the city and seek her expertise for a sinister purpose, to Margo Shickmanter at Doubleday, in a good deal, for publication in 2021, by Alice Tasman at Jean V. Naggar Literary Agency (world English).
Kristen Arnett‘s SAMSON, a novel of motherhood, expectations, and toxic masculinity within a queer household, and WITH FOXES, a diverse, blackly humorous story collection, to Cal Morgan at Riverhead, in a major deal, at auction, in a two-book deal, by Serene Hakim at Ayesha Pande Literary (NA).
Griffin Poetry Prize winner Billy-Ray Belcourt’s A HISTORY OF MY BRIEF BODY, a meditation on grief, joy, love, and sex at the intersection of indigeneity and queerness, to Eric Obenauf at Two Dollar Radio, by Stephanie Sinclair at Transatlantic Literary Agency (US).
University of Georgia MFA in narrative nonfiction and Lamba Literary fellow Martin Padgett’s MIDNIGHT AT THE OASIS: A DECADE OF DRAG, DRUGS AND DISCO AT THE SWEET GUM HEAD, following the intersecting journeys of drag queen John Greenwell, also known as Rachel Wells, and civil rights activist Bill Smith through the gay rights movement and drag culture in 1970s Atlanta, to Amy Cherry at Norton, in a nice deal, for publication in fall 2021, by Beth Marshea at Ladderbird Literary Agency (NA).
Jacqueline Carey‘s KUSHIEL’S LEGACY series, which spans three epic trilogies set in Terre d’Ange and deals with a remarkable courtesan who saves her nation, the adventures of her adopted son, and ultimately, the trials of Moirin, a descendant of the legendary ruling house, to Lionsgate, with Dan Hadl producing, by Jane Dystel at Dystel, Goderich & Bourret.
K.D. Edwards‘s THE LAST SUN, a queer tarot-inspired fantasy, to Escape Artists, by Kim Yau at Paradigm, on behalf of Sara Megibow at kt literary.
Tom Ryan‘s KEEP THIS TO YOURSELF, in which a group of lifelong friends is shattered when a serial killer strikes their small town and claims one of their own; one year later, unable to let go, a teen finds himself investigating new clues, and begins to wonder if he can trust anything, including his feelings for his best friend, the boy who died, optioned by Robert Munic of Pull the Pin Productions and Cheryl Bayer of Living Popups, with Munic and Baker producing, by Kim Yau at Paradigm, on behalf of Eric Smith of P.S. Literary Agency.
Adiba Jaigirdar‘s THE HENNA WARS, to Emily Parliman at Listening Library, by Brent Taylor at Triada US, on behalf of Uwe Stender.