Tag Archives: Rebecca Mix

Fave Five: LGBTQIA YA About Plagues

At the End of Everything by Marieke Nijkamp

All That’s Left in the World by Erik J. Brown

Spellhacker by M.K. England

Sweet & Bitter Magic by Adrienne Tooley

The Names We Take by Trace Kerr

Bonus: Coming up in November, The Ones We Burn by Rebecca Mix

Happy Lesbian Visibility Day 2022!

This post only includes books that were not featured in past posts. For even more visibly lesbian goodness, check out posts from 2021, 2020, and 2019, too!

Books to Read Now

D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins

56918560. sy475 Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.

D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.

All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.

But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.

Buy it: Bookshop | Amazon | IndieBound

Continue reading Happy Lesbian Visibility Day 2022!

January 2022 Deal Announcements

Adult Fiction and Poetry

C.E. McGill‘s OUR HIDEOUS PROGENY, pitched as a queer take on the Mary Shelley classic, in which an aspiring paleontologist and great-niece of Victor Frankenstein attempts to make her name in the patriarchal world of Victorian science by creating her own monster, only to reevaluate what monstrous truly means, to Wendy Wong at Harper, in a good deal, in a pre-empt, for publication in spring 2023, by Tamara Kawar at ICM, on behalf of Sue Armstrong at C+W (NA).

Author-illustrator of TURNING JAPANESE MariNaomi‘s I THOUGHT YOU LOVED ME, a mixed media forensic journey into false memory and lost queer friendship, pitched as invoking Michelle Tea and Lauren Redniss, to Michael Nava at Amble, for publication in November 2022, by Gordon Warnock at Fuse Literary (world English).

Stonewall Award winner and Lambda Literary Award finalist Lucy Jane Bledsoe‘s TELL THE REST, about the friendship between a women’s basketball coach and a poet, who are deeply connected by a church-supported conversion therapy camp for teens where they survived and their other friend disappeared, whose missions to understand the events of that summer have landed them both back in Oregon—their paths hurtling toward each other once again, to Johnny Temple at Akashic, for publication in spring 2023, by Reiko Davis at DeFiore and Company (world).

Theodore McCombs‘s EXIT ARIAS, a story collection spanning past, present, and parallel lives, using space opera, quantum physics, calculus, and ecology to explore themes of queer difference in a monstrous world, pitched as Garth Greenwell meets Ted Chiang, and a follow-up novel expanding on one of the stories, to Deborah Ghim at Astra House, in a two-book deal, for publication in spring 2023, by Kirby Kim at Janklow & Nesbit (world).

CCA professor, editor of NO STRAIGHT LINES, and cartoonist Justin Hall’s untitled graphic novel, mixing memoir and historical narratives to weave together San Francisco’s queer history with the author’s own journey as a gay man, to Charlotte Greenbaum at Abrams ComicArts, for publication in spring 2024, by Anjali Singh at Ayesha Pande Literary (world).

Jane Kindred’s KING OF THIEVES, the second in her queer Demons Of Elysium series set in a Russian-inspired heaven, to Rachel Haimowitz at Riptide Publishing, in an exclusive submission, for publication in April 2022, by Sara Megibow at kt literary.

Scholar, critic, and poet Stephanie Burt’s 30 SUPER GAY POEMS, an anthology of LGBTQ+ poetry celebrating queer love, sex, visibility, and joy, alongside expository essays, to Sharmila Sen at Harvard University Press, by Matt McGowan at Frances Goldin Literary Agency (world).

Lambda Literary and Columbia MFA teaching fellow Javier Fuentes’s COUNTRIES OF ORIGIN, a queer, international, cross-class romance centered on a young, undocumented New York pastry chef forced to return to Spain, where he struggles to adapt to his new home and finds shelter with a wealthy, charming, and troubled man, who suffers major shocks of his own, to Shelley Wanger at Pantheon, for publication in 2023, by Maria Cardona at Pontas Literary & Film Agency (world English).

NEA, Stegner, and Fulbright fellow, Lambda Literary Award finalist, and author of INTO EACH ROOM WE ENTER WITHOUT KNOWING Charif Shanahan’s TRACE EVIDENCE, a poetry collection that explores the liminality of mixed-race identity, the tension of queer longing and desire, the difficulty of being present in a divided social world, and the violent legacy of anti-Blackness in the contemporary U.S. and abroad, to Alyssa Ogi at Tin House Books, for publication in winter 2023, by Annie Hwang at Ayesha Pande Literary (NA).

Author, screenwriter and playwright Paul Rudnick’s FARRELL COVINGTON AND THE LIMITS OF STYLE, the story of an absurdly handsome, fabulously wealthy young man from one of America’s most powerful, arch-conservative families and the middle-class New Jersey drama student he falls in love with at Yale, and how their tumultuous, 50-year relationship triumphs against the forces of homophobia, the Hollywood closet, AIDS, and the wrong shoes, to Peter Borland at Atria, in a pre-empt, by Esmond Harmsworth at Aevitas Creative Management (NA).

Tori Anne Martin’s THIS SPELLS DISASTER, pitched as a queer take on How to Lose a Guy in Ten Days; in which a scatterbrained witch fears she must have accidentally given her famous crush a love potion when she starts to flirt with her, and to break the spell, she must prove how wrong they are for each other, all while falling harder herself, to Sarah Blumenstock at Berkley, in an exclusive submission, for publication in 2023, by Rebecca Strauss at DeFiore and Company (world).

K.D. Casey’s FIRE SEASON, a contemporary m/m romance in which a newly sober Jewish pitcher befriends-with-benefits his team’s recently divorced, definitely straight star player; and DIAMOND RING, in which estranged former teammates reunite for one last run at a championship, fanning old resentments and old sparks between them, again to Stephanie Doig at Carina Press, in a nice deal, in a two-book deal, by Deidre Knight at The Knight Agency (world English).

Children’s and Middle Grade Fiction

Author of HOW TO BECOME A PLANET Nicole Melleby‘s SAM I AM and MARINA IN THE MIDDLE, the first two books in THE HOUSE ON SUNRISE LAGOON series, about a blended family with two moms, five daughters, and one giant dog crammed into a ramshackle seaside home in coastal New Jersey; pitched as in the spirit of The Vanderbeekers, to Krestyna Lypen at Algonquin Young Readers, in a three-book deal, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Kate Fussner’s O&E, pitched as a queer in-verse retelling of Orpheus and Eurydice, in which two middle school girls learn to love each other and themselves as they fight not to lose one another, to Sara Schonfeld at Katherine Tegen Books, in a two-book deal, for publication in summer 2023, by Eric Smith at P.S. Literary Agency (world English).

Laura Silverman, ed.‘s FIRSTS AND LASTS, an anthology including multiple genres from classic contemporary to suspense to fantasy that celebrates all of the thrilling first experiences and momentous last experiences of your teenage years, with contributions by Adi Alsaid, Keah Brown, Monica Gomez-Hira, Kika Hatzopoulou, Shaun David Hutchinson, Amanda Joy, Loan Le, Joy McCullough, Yamile Saied Mendez, Anna Meriano, Nina Moreno, Tess Sharpe, Rachel Lynn Solomon, Diana Urban, and Julian Winters, to Anuoluwapo Ohioma at Penguin Workshop, for publication in fall 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Shelley Rotner and Gwen Agna’s TRUE YOU, a picture book about trans and gender nonconforming kids that leads with inclusivity, love, and empathy, accentuating trans and genderfluid joy, with photography by Rotner, to Chris Krones at Clarion, at auction, for publication in fall 2022, by Liz Nealon at Great Dog Literary (world).

Rebecca Mix’s THE MOSSHEART’S PROMISE, when a 12-year-old sets out in search of a cure for the mold that’s eating her mother alive, she makes a horrifying discovery: her entire world is actually trapped inside of a giant, rotting terrarium they were meant to leave 100 years ago; now she has only five days to find the exit—or they’ll be trapped for good, to Kristin Daly Rens at Balzer & Bray, in a good deal, in a two-book deal, for publication in fall 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

Non-Fiction

Video essayist and activist Rowan Ellis‘s debut HERE & QUEER, an inclusive guide for all queer girls packed with advice and info about LGBTQ+ culture, relationships, history, and pride, illustrated by Jacky Sheridan, to Lucy Menzies at Quarto Books, for publication in May 2022, by Tamara Kawar at ICM (world).

Contributor to The New Yorker and The Atlantic and New York Public Library fellow Michael Waters‘s THE OTHER OLYMPIANS, uncovering the stories of several European athletes who publicly transitioned gender in the 1930s and who were widely embraced by society until the intervention of the International Olympic Committee; a largely forgotten history that provides new context to the experiences of trans and intersex athletes, and uncanny parallels to the ways we police gender today, to Jackson Howard at Farrar, Straus, in an exclusive submission, by Michael Bourret at Dystel, Goderich & Bourret (world).

Comedians and Very Gay Paint founders Nic Scheppard and Jenson Titus’s A VERY GAY BOOK, a parody textbook about how everything in history, science and the arts—from sports to statistics to soup—is gay, to Allison Adler at Andrews McMeel, for publication in spring 2023, by Adriana Stimola at Stimola Literary Studio (world).

February 2021 Deal Announcements

Adult Fiction

Emmy-nominated writer, actor, and producer of Netflix’s Special Ryan O’Connell‘s JUST BY LOOKING AT HIM, in which a gay TV writer with cerebral palsy who, despite his perfect boyfriend, can’t stop cheating with a sex worker while in search of something bigger, to Michelle Herrera Mulligan at Atria, at auction, for publication in spring 2022, by Kent Wolf at Neon Literary (NA).

Alexis Hall‘s ROUGH RIDE and FOOL’S GOLD, the next two installments in the award-winning SPIRES series, along with the first four previously-published books and LOOKING FOR GROUP, as well as HUSBAND MATERIAL and THE AMNESIA PLOT, two additional LGBTQIA+ romances in the BOYFRIEND MATERIAL universe, to Mary Altman at Sourcebooks Casablanca, by Courtney Miller-Callihan at Handspun Literary.

Montana MFA Jules Ohman‘s BODY GRAMMAR, pitched as a queer SWEETBITTER set against the backdrop of the glamorous but grueling modeling industry, in which a young woman discovers herself, what it means to live in her body, and how to let herself find love, to Anna Kaufman at Vintage, in an exclusive submission, by Dan Conaway at Writers House (NA).

Author of ON HELL and the nonfiction collection MINERVA THE MISCARRIAGE OF THE BRAIN, artist, and musician Johanna Hedva‘s YOUR LOVE IS NOT GOOD, set in the Berlin and Los Angeles art worlds, following a queer biracial Korean American painter on the precipice of success as she struggles to reconcile her ambitions, her growing debt, and her complicated relationship to whiteness with her support for a boycott of museums and galleries for their racist and imperialist practices, to Jeremy Davies at And Other Stories, by Clare Mao at Europa Content (world English).

Lambda Award and Charles Johnson Fiction Award-winning author of the story collection BLUE TALK AND LOVE Mecca Jamilah Sullivan‘s MORE OF EVERYTHING, about an African American girl growing up in 1990s Harlem, grappling with the stigma of obesity passed down through three generations of women in her family, who comes to terms with her self-image and her sexuality against the backdrop of Harlem’s changing landscape, pitched as a fictional counterpart to Roxanne Gay’s HUNGER, to Gina Iaquinta at Liveright, at auction, for publication in summer 2022, by Janet Silver at Aevitas Creative Management (NA).

Griffin Prize winner Billy-Ray Belcourt’s A MINOR CHORUS, in which a queer Indigenous doctoral student steps away from his dissertation to conduct research in his northern hometown for what he hopes will be a novel about how to live a beautiful life; he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to Mo Crist at Norton, at auction, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (US).

KJ Charles‘s THE DOOMSDAY BOOKS, a duo of gay Regency romances about aristocrats, smugglers, and spies on the Kent coast, to Mary Altman at Sourcebooks, in a two-book deal, by Courtney Miller-Callihan at Handspun Literary (world).

Maya Deane’s WRATH GODDESS SING, an #OwnVoices trans women’s literary epic fantasy pitched as reimagining of the Iliad, wherein Athena recruits the young trans heroine Achilles to defeat the omnipotent Helen and her Olympian enablers before she drowns the world in human sacrifice, pitched as a mash-up of N.K. Jemisin’s Inheritance trilogy and Madeline Miller’s SONG OF ACHILLES, to David Pomerico at William Morrow, by Jason Yarn at Jason Yarn Literary Agency (world).

Paulette Kennedy‘s PARTING THE VEIL, in which a scandalous Gilded Age heiress marries a British lord with a tragic past, only to discover dark family secrets hidden within his haunted manor, pitched in the vein of The Clockmaker’s Daughter meets the queer-inclusive fiction of Sarah Waters, to Jodi Warshaw at Lake Union Publishing, for publication in fall 2021, by Jill Marr at Sandra Dijkstra Literary Agency (world).

Caribbean-English-American writer David Santos Donaldson‘s GREENLAND, a literary ghost story in which a Black gay writer who is on an obsessive quest to get published, seeks to find his own voice while writing a novel about the forbidden real-life love affair between E.M. Forster and the young Black Egyptian train conductor Mohammed el-Adl, as he becomes gradually more and more possessed by Mohammed’s spirit which is coming alive in him as he writes, drawing on magical realism and exploring issues of racism, psychological manipulation, and identity, to Tara Parsons at Amistad, in a pre-empt, for publication in spring 2022, by Tom Miller at Liza Dawson Associates (world English).

Cornell University Press production editor and Barbara Deming Memorial Fund award recipient Jennifer Savran Kelly‘s ENDPAPERS, about a genderfluid bookbinder in 2003 New York, whose discovery of a queer love letter written on the back of an old lesbian pulp cover and hidden in the binding of a book pushes them to venture out of the safe world they’ve built as they track down the letter’s author, reexamine their own ill-fitting relationship, and use their art to explore what it means to live authentically, to Abby Muller at Algonquin, by Trevor Ketner at Ladderbird Literary Agency (world English).

Author of PETITE MORT Beatrice Hitchman‘s ALL OF YOU EVERY SINGLE ONE, set in a queer bohemian enclave of Vienna in 1910-1946, about three women and the lengths they’ll go to protect the ones they love, to Chelsea Cutchens at Overlook, for publication in January 2022, by Laura Macdougall at United Agents (NA).

Children’s/Middle Grade Fiction

Queer mixed media artist from Washington and #DVpit success story Ashley Ferguson‘s Middle Grade graphic novel MY GIRLFRIEND THE WITCH, in which the narrator has disappeared into fanfiction ever since coming out as queer, and escapes to a magical world, finding it easier than making new friends or dealing with “supportive” parents who don’t “get” him, to Michele McAvoy at Blue Bronco, in a nice deal, for publication in fall 2023 (world).

Debut author Katryn Bury‘s DREW LECLAIR GETS A CLUE, pitched as a modern-day, queer HARRIET THE SPY, in which a true crime-obsessed girl decides to catch a cyberbully by profiling all of the bullies in her grade, and discovers that family, friendship, and sexual identity are the hardest mysteries to solve, to Emilia Rhodes at Houghton Mifflin Harcourt Children’s, in a pre-empt, in a two-book deal, for publication in spring 2022, by Chelsea Eberly at Greenhouse Literary Agency (NA).

Young Adult Fiction

Mason Deaver‘s THE FEELING OF FALLING IN LOVE, in which a boy’s non-relationship ends right before his mother’s latest wedding so he enlists the prep school roommate he barely tolerates to pose as his boyfriend only for their temporary alliance to turn into something much more, to David Levithan and Jeffrey West at Scholastic, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (NA).

Author of BEYOND THE BLACK DOOR and the forthcoming IN THE RAVENOUS DARK AdriAnne Strickland‘s COURT OF THE UNDYING SEASONS, about a reluctant initiate to a school for vampires trying to survive the deadly politics of her kingdom’s blood-drinking rulers, her sexy-but-hostile mentor, and a string of student murders, to Rachel Diebel at Feiwel and Friends, for publication in 2023, by Hannah Bowman at Liza Dawson Associates (world).

Rebecca Mix‘s debut THE ONES WE BURN, a Sapphic YA fantasy in which a blood witch’s mission to assassinate the prince she is betrothed to is compromised by the discovery of a deadly plague—and by the beautiful princess intent on stopping it, to Alyza Liu at Margaret K. McElderry Books, in a nice deal, for publication in fall 2022, by Kiana Nguyen at Donald Maass Literary Agency (world English).

Author of GHOST WOOD SONG and the forthcoming THE RIVER HAS TEETH Erica Waters‘s THE RESTLESS DARK, in which two girls join forces in a macabre true crime contest to find the missing bones of a killer in the nightmarish fogs of Cloudkiss Canyon, but when their search morphs into a hunt for a monster in their midst, the girls must ask themselves—is the fog to blame for what’s happening in the canyon, or are they?, to Alice Jerman at Harper Teen, in a good deal, in a two-book deal, for publication in fall 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).

Author of REVERIE and BE DAZZLED Ryan La Sala‘s THE HONEYS, pitched as Heathers meets Midsommar set at an exclusive overnight camp in the Catskills, to Zack Clark at Scholastic, in a good deal, at auction, in a pre-empt, in a two-book deal, for publication in summer 2022, by Veronica Park at Fuse Literary (world English).

Non-Fiction

Married writer/photographer team Hannah Murphy and Billie Winter’s QUEER POWER COUPLES, a photographic celebration of queer intimacy and excellence, to Natalie Butterfield at Chronicle, for publication in spring 2023 (world).

LGBTQ human rights activist Angeline Jackson and Susan McClelland’s THE POWER OF ONE PERSON, with its title chosen from President Obama’s public address about Jackson’s ordeal and efforts, the true story from Jackson’s POV as a young girl and rape survivor, coming to terms with her sexuality and forging ahead to create safe spaces and unprecedented support for LGBTQ communities in Jamaica, to Scott Fraser at Dundurn Press, in a nice deal, for publication in the fall of 2022, by Rob Firing at Transatlantic Literary Agency (world).

NEA fellow and author of three poetry collections Emma Bolden’s THE TIGER AND THE CAGE, a debut memoir connecting a personal narrative of endometriosis, chronic pain, and asexuality to a long history of women being treated as curiosities and hysterical unreliable narrators of their own bodies and experiences, to Sarah Lyn Rogers at Soft Skull, for publication in fall 2022, by Cassie Mannes Murray at Howland Literary (world).