Adult Fiction

Emmy-nominated writer, actor, and producer of Netflix’s Special Ryan O’Connell‘s JUST BY LOOKING AT HIM, in which a gay TV writer with cerebral palsy who, despite his perfect boyfriend, can’t stop cheating with a sex worker while in search of something bigger, to Michelle Herrera Mulligan at Atria, at auction, for publication in spring 2022, by Kent Wolf at Neon Literary (NA).

Alexis Hall‘s ROUGH RIDE and FOOL’S GOLD, the next two installments in the award-winning SPIRES series, along with the first four previously-published books and LOOKING FOR GROUP, as well as HUSBAND MATERIAL and THE AMNESIA PLOT, two additional LGBTQIA+ romances in the BOYFRIEND MATERIAL universe, to Mary Altman at Sourcebooks Casablanca, by Courtney Miller-Callihan at Handspun Literary.

Montana MFA Jules Ohman‘s BODY GRAMMAR, pitched as a queer SWEETBITTER set against the backdrop of the glamorous but grueling modeling industry, in which a young woman discovers herself, what it means to live in her body, and how to let herself find love, to Anna Kaufman at Vintage, in an exclusive submission, by Dan Conaway at Writers House (NA).

Author of ON HELL and the nonfiction collection MINERVA THE MISCARRIAGE OF THE BRAIN, artist, and musician Johanna Hedva‘s YOUR LOVE IS NOT GOOD, set in the Berlin and Los Angeles art worlds, following a queer biracial Korean American painter on the precipice of success as she struggles to reconcile her ambitions, her growing debt, and her complicated relationship to whiteness with her support for a boycott of museums and galleries for their racist and imperialist practices, to Jeremy Davies at And Other Stories, by Clare Mao at Europa Content (world English).

Lambda Award and Charles Johnson Fiction Award-winning author of the story collection BLUE TALK AND LOVE Mecca Jamilah Sullivan‘s MORE OF EVERYTHING, about an African American girl growing up in 1990s Harlem, grappling with the stigma of obesity passed down through three generations of women in her family, who comes to terms with her self-image and her sexuality against the backdrop of Harlem’s changing landscape, pitched as a fictional counterpart to Roxanne Gay’s HUNGER, to Gina Iaquinta at Liveright, at auction, for publication in summer 2022, by Janet Silver at Aevitas Creative Management (NA).

Griffin Prize winner Billy-Ray Belcourt’s A MINOR CHORUS, in which a queer Indigenous doctoral student steps away from his dissertation to conduct research in his northern hometown for what he hopes will be a novel about how to live a beautiful life; he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to Mo Crist at Norton, at auction, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (US).

KJ Charles‘s THE DOOMSDAY BOOKS, a duo of gay Regency romances about aristocrats, smugglers, and spies on the Kent coast, to Mary Altman at Sourcebooks, in a two-book deal, by Courtney Miller-Callihan at Handspun Literary (world).

Maya Deane’s WRATH GODDESS SING, an #OwnVoices trans women’s literary epic fantasy pitched as reimagining of the Iliad, wherein Athena recruits the young trans heroine Achilles to defeat the omnipotent Helen and her Olympian enablers before she drowns the world in human sacrifice, pitched as a mash-up of N.K. Jemisin’s Inheritance trilogy and Madeline Miller’s SONG OF ACHILLES, to David Pomerico at William Morrow, by Jason Yarn at Jason Yarn Literary Agency (world).

Paulette Kennedy‘s PARTING THE VEIL, in which a scandalous Gilded Age heiress marries a British lord with a tragic past, only to discover dark family secrets hidden within his haunted manor, pitched in the vein of The Clockmaker’s Daughter meets the queer-inclusive fiction of Sarah Waters, to Jodi Warshaw at Lake Union Publishing, for publication in fall 2021, by Jill Marr at Sandra Dijkstra Literary Agency (world).

Caribbean-English-American writer David Santos Donaldson‘s GREENLAND, a literary ghost story in which a Black gay writer who is on an obsessive quest to get published, seeks to find his own voice while writing a novel about the forbidden real-life love affair between E.M. Forster and the young Black Egyptian train conductor Mohammed el-Adl, as he becomes gradually more and more possessed by Mohammed’s spirit which is coming alive in him as he writes, drawing on magical realism and exploring issues of racism, psychological manipulation, and identity, to Tara Parsons at Amistad, in a pre-empt, for publication in spring 2022, by Tom Miller at Liza Dawson Associates (world English).

Cornell University Press production editor and Barbara Deming Memorial Fund award recipient Jennifer Savran Kelly‘s ENDPAPERS, about a genderfluid bookbinder in 2003 New York, whose discovery of a queer love letter written on the back of an old lesbian pulp cover and hidden in the binding of a book pushes them to venture out of the safe world they’ve built as they track down the letter’s author, reexamine their own ill-fitting relationship, and use their art to explore what it means to live authentically, to Abby Muller at Algonquin, by Trevor Ketner at Ladderbird Literary Agency (world English).

Author of PETITE MORT Beatrice Hitchman‘s ALL OF YOU EVERY SINGLE ONE, set in a queer bohemian enclave of Vienna in 1910-1946, about three women and the lengths they’ll go to protect the ones they love, to Chelsea Cutchens at Overlook, for publication in January 2022, by Laura Macdougall at United Agents (NA).

Children’s/Middle Grade Fiction

Queer mixed media artist from Washington and #DVpit success story Ashley Ferguson‘s Middle Grade graphic novel MY GIRLFRIEND THE WITCH, in which the narrator has disappeared into fanfiction ever since coming out as queer, and escapes to a magical world, finding it easier than making new friends or dealing with “supportive” parents who don’t “get” him, to Michele McAvoy at Blue Bronco, in a nice deal, for publication in fall 2023 (world).

Debut author Katryn Bury‘s DREW LECLAIR GETS A CLUE, pitched as a modern-day, queer HARRIET THE SPY, in which a true crime-obsessed girl decides to catch a cyberbully by profiling all of the bullies in her grade, and discovers that family, friendship, and sexual identity are the hardest mysteries to solve, to Emilia Rhodes at Houghton Mifflin Harcourt Children’s, in a pre-empt, in a two-book deal, for publication in spring 2022, by Chelsea Eberly at Greenhouse Literary Agency (NA).

Young Adult Fiction

Mason Deaver‘s THE FEELING OF FALLING IN LOVE, in which a boy’s non-relationship ends right before his mother’s latest wedding so he enlists the prep school roommate he barely tolerates to pose as his boyfriend only for their temporary alliance to turn into something much more, to David Levithan and Jeffrey West at Scholastic, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (NA).

Author of BEYOND THE BLACK DOOR and the forthcoming IN THE RAVENOUS DARK AdriAnne Strickland‘s COURT OF THE UNDYING SEASONS, about a reluctant initiate to a school for vampires trying to survive the deadly politics of her kingdom’s blood-drinking rulers, her sexy-but-hostile mentor, and a string of student murders, to Rachel Diebel at Feiwel and Friends, for publication in 2023, by Hannah Bowman at Liza Dawson Associates (world).

Rebecca Mix‘s debut THE ONES WE BURN, a Sapphic YA fantasy in which a blood witch’s mission to assassinate the prince she is betrothed to is compromised by the discovery of a deadly plague—and by the beautiful princess intent on stopping it, to Alyza Liu at Margaret K. McElderry Books, in a nice deal, for publication in fall 2022, by Kiana Nguyen at Donald Maass Literary Agency (world English).

Author of GHOST WOOD SONG and the forthcoming THE RIVER HAS TEETH Erica Waters‘s THE RESTLESS DARK, in which two girls join forces in a macabre true crime contest to find the missing bones of a killer in the nightmarish fogs of Cloudkiss Canyon, but when their search morphs into a hunt for a monster in their midst, the girls must ask themselves—is the fog to blame for what’s happening in the canyon, or are they?, to Alice Jerman at Harper Teen, in a good deal, in a two-book deal, for publication in fall 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).

Author of REVERIE and BE DAZZLED Ryan La Sala‘s THE HONEYS, pitched as Heathers meets Midsommar set at an exclusive overnight camp in the Catskills, to Zack Clark at Scholastic, in a good deal, at auction, in a pre-empt, in a two-book deal, for publication in summer 2022, by Veronica Park at Fuse Literary (world English).

Non-Fiction

Married writer/photographer team Hannah Murphy and Billie Winter’s QUEER POWER COUPLES, a photographic celebration of queer intimacy and excellence, to Natalie Butterfield at Chronicle, for publication in spring 2023 (world).

LGBTQ human rights activist Angeline Jackson and Susan McClelland’s THE POWER OF ONE PERSON, with its title chosen from President Obama’s public address about Jackson’s ordeal and efforts, the true story from Jackson’s POV as a young girl and rape survivor, coming to terms with her sexuality and forging ahead to create safe spaces and unprecedented support for LGBTQ communities in Jamaica, to Scott Fraser at Dundurn Press, in a nice deal, for publication in the fall of 2022, by Rob Firing at Transatlantic Literary Agency (world).

NEA fellow and author of three poetry collections Emma Bolden’s THE TIGER AND THE CAGE, a debut memoir connecting a personal narrative of endometriosis, chronic pain, and asexuality to a long history of women being treated as curiosities and hysterical unreliable narrators of their own bodies and experiences, to Sarah Lyn Rogers at Soft Skull, for publication in fall 2022, by Cassie Mannes Murray at Howland Literary (world).