Will loves playing center midfield on his middle school soccer team. This year, though, Will hasn’t felt like himself; his stomach has been bothering him, and he has no energy at all. When his new doctor diagnoses him with Crohn’s disease, Will hopes that means he’ll start feeling better soon and he can get back to playing with his team before the season ends.
But Will’s new medicines come with all kinds of side effects, Forced to sit out afternoon practice, Will finds himself hanging out with a kid at school, Griffin. This could be a real problem, seeing as Griffin just asked Will’s best friend to the spring dance. As in, guy friend. What would Will’s teammates say if they knew the whole story? Not to mention Will’s friends at church.
With all these changes happening faster than he can process them, Will knows that he has a lot to figure out about who he really is on the inside.
“Welcome to the first ever Junior Irish Baking Show!”
Shireen Malik is still reeling from the breakup with her ex-girlfriend, Chris, when she receives news that she’s been accepted as a contestant on a new televised baking competition show. This is Shireen’s dream come true! Because winning will not only mean prize money, but it will also bring some much-needed attention to You Drive Me Glazy, her parents’ beloved donut shop.
Things get complicated, though, because Chris is also a contestant on the show. Then there’s the very outgoing Niamh, a fellow contestant who is becoming fast friends with Shireen. Things are heating up between them, and not just in the kitchen.
Less than a year away from graduation, seventeen-year-old Joy is too busy overachieving to be worried about relationships. She’s determined to be Caldwell Prep’s first disabled valedictorian. And she only has one person to beat, her academic rival Nathaniel.
But it’s senior year and everyone seems to be obsessed with pairing up. One of her best friends may be developing feelings for her and the other uses Caldwell’s anonymous love-letter writer to snag the girl of her dreams. Joy starts to wonder if she has missed out on a quintessential high school experience. She is asexual, but that’s no reason she can’t experience first love, right?
She writes to Caldwell Cupid to help her sort out these new feelings and, over time, finds herself falling for the mysterious voice behind the letters. But falling in love might mean risking what she wants most, especially when the letter-writer turns out to be the last person she would ever expect.
When David quit his band, he missed his shot at fame. For the past two years, he’s been trapped in an ordinary Seattle high school life, working summers for his dad’s construction business while his former best friends Chance and Eli became the hottest teen pop act in America.
Then Eli dies. Suddenly David and Chance are thrown back into contact, forcing David to rediscover all the little things that once made the two of them so close, even as he continues to despise the singer’s posturing and attention-hogging. As old wounds break open, an unexpected kiss leads the boys to trade frenemy status for a confusing, tentative romance―one Chance is desperate to keep out of the spotlight. Though hurt by Chance’s refusal to acknowledge him publicly, David decides their new relationship presents a perfect opportunity for him to rejoin the band and claim the celebrity he’s been denied. But Chance is all too familiar with people trying to use him.
As the mixture of business and pleasure becomes a powder keg, David will have to choose: Is this his second chance at glory? Or his second chance at Chance?
As the daughter of a Library god, Freida has spent her whole life exploring the Library’s ever-changing tunnels and communing with the gods. Her unparalleled access makes her unique – and dangerous.
When Freida meets Joshua, a mortal boy desperate to save his people, and Nergüi, a Disciple from a persecuted religious minority, Freida is compelled to break ranks with the gods and help them. But in order to do so, she will have to venture deeper into the Library than she has ever known. There she will discover the atrocities of the past, the truth of her origins, and the impossibility of her future…
With the world at the brink of war, Freida embarks on a journey to fulfill her destiny, one that pits her against an ancient war god. Her mission is straightforward: Destroy the god before he can rain hellfire upon thousands of innocent lives – if he doesn’t destroy her first.
1. Blueberries
2. Art show in ShoeHorn
3. Lizzo concert
4. Thrift shop pop-up
5. Skinny Dipping at the lake house
6. Amusement Park Day!
7. Drew Barrymarathon
8. Paintball day
Oh, and ….
9. Fall out of love with Hailee
Andrea Williams has got this. The Best Summer Ever. Two summers ago, she spent all her time in bed, recovering from the latest surgery for her cerebral palsy. She’s waited too long for adventure and thrills to enter her life. Together with her crew of ride-or-die friends, and the best parents anyone could ask for (just don’t tell them that), she’s going to live it up.
There’s just one thing that could ruin it: Her best friend, Hailee, finding out Andrea’s true feelings. So Andrea WILL fall out of love with Hailee – even if it means dating the cute boy George who keeps showing up everywhere with a smile.
Do we want Andrea to succeed? No! Does she? We’re not telling!
Ten years ago, the Scar Squad promised each other nothing would tear them apart. They stuck together through thick and thin, late-night surf sessions and after school spodies. Even when Casey Jones Caruso lost her twin brother Sammy to an overdose, and their foursome became a threesome, the squad picked each other up. But when Casey’s feeling for the remaining members—Francesca and Benjamin—develop into romantic attraction, she worries the truth will dissolve them and vows to ignore her heart.
Then Ben kisses Casey at a summer party, and Frankie kisses another girl. Now Casey must confront all the complicated feelings she’s buried—for her friends and for her brother who she’s totally pissed at for dying. Since Sammy’s death, Casey has spilled all the things she can no longer say to him in journals, and now more than ever, she wishes he were here to help her decide whether she should guard her heart or bet it on love, before someone else makes the decision for her.
Pedro and Daniel are Mexican American brothers growing up in 1970s Ohio. Their mother resents that Pedro is a spitting image of their darker-skinned father, that Daniel likes dolls, that neither boy plays sports.
Life at home is rough, but the boys have an unbreakable bond that will last their entire lives.
Together, the brothers manage an abusive home life, coming out, first loves, first jobs, and the AIDS pandemic, in a coming-of-age story unlike any other.
This is the US release; the book is already out in the UK.
Barney’s a shoo-in for his school’s LGBTQ+ Society President at the club’s next election. But when the vote is opened up to the entire student body, the whole school starts paying attention. How low will the candidates go to win? Buckle up for some serious shade, scandals and sleazy shenanigans. It isn’t long before it’s National Coming Out Day – for everyone’s secrets!
But when the group faces an unexpected threat – and a big opportunity – can the club members put politics aside and stand united?
Porta Bella Magiculinary Academy is the finest school for the art of cooking with magic, and Basil Eyres is determined to be the top student. On the first day of her senior year, Arabella Oregano, the daughter of a renowned chef, joins the academy for her senior year as well. The two are instantly smitten with each other, but Basil senses there’s something Arabella is hiding from her. Still, the two work together to stand out from the class as the end of year culinary festival approaches. But when Arabella’s secret is reveled, Basil is faced with the hardest decision of her life, which has the potential to throw her future aspirations in jeopardy.
Northranger by Rey Terciero (text) and Bre Indigo (art)
Cade has always loved to escape into the world of a good horror movie. After all, horror movies are scary—but to Cade, a closeted queer Latino teen growing up in rural Texas—real life can be way scarier.
When Cade is sent to spend the summer working as a ranch hand to help earn extra money for his family, he is horrified. Cade hates everything about the ranch, from the early mornings to the mountains of horse poop he has to clean up. The only silver lining is the company of the two teens who live there—in particular, the ruggedly handsome and enigmatic Henry.
But as unexpected sparks begin to fly between Cade and Henry, things get…complicated. Henry is reluctant to share the details of his mother’s death, and Cade begins to wonder what else he might be hiding. Inspired by the gothic romance of Jane Austen’s Northanger Abbey and perfect for fans of Heartstopper and Bloom comes a modern love story so romantic it’s scary.
A prestigious school for young magicians, the Galileo Academy has recently undergone a comprehensive overhaul, reinventing itself as a roaming academy in which students of all cultures and identities are celebrated. In this new Galileo, every pupil is welcome, but Professor Septimius Dropwort—everyone’s least favorite professor—is among those who aren’t so happy with the academy’s transformation. When the stodgy old professor is found dead on school grounds with a mysterious note clenched in his fist, the students must solve the murder themselves . . . because everyone’s a suspect.
Newly-out trans artist’s assistant Sammie is invited to an old friend’s bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean’s international waters—think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie’s college buddies haven’t quite gotten the message—as evidenced by their formerly closest friend Adam asking them to be his “best man.”
Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom’s pals—all met with zero pushpack from supposed “nice guy” Adam. But also, they seem to be the only one who’s noticed the mysterious cult that’s also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god.
Part satire, part horror, Boys Weekend explores what it’s like to exist as a transfemme person in a man’s world, the difficulty of maintaining friendships through transition, and the more cult-like effects of masculinity, “hustle” culture, and capitalism—all through the vibrant lens of a surreal, scary, and immensely imaginative romp.
Qven was created to be a Presger translator. The pride of their Clade, they always had a clear path before them: learn human ways, and eventually, make a match and serve as an intermediary between the dangerous alien Presger and the human worlds. The realization that they might want something else isn’t “optimal behavior”. I’s the type of behavior that results in elimination.
But Qven rebels. And in doing so, their path collides with those of two others. Enae, a reluctant diplomat whose dead grandmaman has left hir an impossible task as an inheritance: hunting down a fugitive who has been missing for over 200 years. And Reet, an adopted mechanic who is increasingly desperate to learn about his genetic roots—or anything that might explain why he operates so differently from those around him.
As a Conclave of the various species approaches—and the long-standing treaty between the humans and the Presger is on the line—the decisions of all three will have ripple effects across the stars.
The year is 1909, and Artie Quick—an ambitious, unorthodox and inquisitive young Bostonian—wants to learn about crime. By day she holds down a job as a salesgirl in women’s accessories at Filene’s; by night she disguises herself as a man to pursue studies in Criminal Investigation at the YMCA’s Evening Institute for Younger Men.
Eager to put theory into practice, Artie sets out in search of something to investigate. She’s joined by her pal Theodore, an upper-crust young bachelor whose interest in Boston’s occult counterculture has drawn him into the study of magic. Together, their journey into mystery begins on Boston Common—where the tramps and the groundskeepers swap rumors about unearthly screams and other unsettling anomalies—but soon Artie and Theodore uncover a series of violent abductions that take them on an adventure from the highest corridors of power to the depths of an abandoned mass transit tunnel, its excavation suspiciously never completed.
Will Theodore ever manage to pull off a successful spell? Is Artie really wearing that men’s suit just for disguise or is there something more to it? And what chance do two mixed-up young people stand up against the greatest horror Boston has ever known, an ancient, deranged evil that feeds on society’s most vulnerable?
Alex is a young man in the employ of James McCain, founder of McCain Applied Computing and old family friend. But when their trade show models fall ill just days before the event that could make or break the company, someone has to step in and fill their shoes… and their dresses.
Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy.
Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life–he’s never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he’ll make an ass of himself and hate every second of it.
Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can’t deny. But what feels possible in secret–this fragile, tender thing between them–seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they’re willing to fight.
A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting the welfare of a nearby homeless encampment, observing obnoxious hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience. “I have so much language in my brain,” our lion says, “and nowhere to put it.”
When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief, while scrambling to avoid earthquakes, floods, and the noise of their own conflicted psyche. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one?
Quito Cruz might be a genius piano player and composer in New York City now but it doesn’t mean that he’s any closer to his Broadway dream. Although Quito knows what the problem is. Or rather who. Because ever since that night in college—with pretty-boy jock Emmett Aoki—his inspiration has been completely MIA…
Now Quito’s dad wants him to put on a charity performance in his hometown. And there’s one hella big string attached: convince Emmett—now one of Hollywood’s hottest celebrities—to perform.
It’s all shaping up to be the biggest musical fiasco of Quito’s life. Especially when Emmett agrees to attend, and Quito realizes that undeniable vibe between them is stronger than ever. Because there’s nothing simple about falling for a movie star… even when he’s pitch-perfect.
Bertha Mellish, “the most peculiar, quiet, reserved girl” at Mount Holyoke College, is missing. One cold November morning the junior is spotted walking through the Massachusetts woods; then, she vanishes.
As a search team dredges the pond where she might have drowned, Bertha’s panicked father and sister arrive at the campus desperate to find some clue as to her fate or state of mind. Bertha’s best friend, Agnes, a scholarly loner studying medicine, might know the truth, but she is being unhelpfully tight-lipped, inciting the suspicions of Bertha’s family, her classmates, and the private investigator hired by the Mellish family doctor. As secrets from Agnes and Bertha’s lives come to light, so do the competing agendas driving each person who is searching for Bertha.
Where did Bertha go? Who would want to hurt her? And could she still be alive?
The rumor went through the Nightingale like a flood, quietly rising, whispers hovering on lips in pockets of silence.
Life as a working-class girl in Prohibition-era New York isn’t safe or easy. But Vivian Kelly has a new job at the Nightingale, an underground speakeasy where the jazz is hot and the employees look out for each other in a world that doesn’t care about them. Things are finally looking up for her and her sister Florence… until the night Vivian learns that her friend Bea’s uncle, a bouncer at the Nightingale, has died.
His death is ruled a suicide, but Bea isn’t so convinced. She knew her uncle was keeping a secret: a payoff from a mob boss that was going to take him out of the tenements and into a better life. Now, the money is missing.
Though her better judgment tells her to stay out of it, Vivian agrees to help Bea find the truth about her uncle’s death. But they uncover more than they expected when rumors surface of a mysterious letter writer, blackmailing Vivian’s poorest neighbors for their most valuable possessions, threatening poison if they don’t comply.
Death is always a heartbeat away in Jazz Age New York, where mob bosses rule the back alleys and cops take bootleggers’ hush money. But whoever is targeting Vivian’s poor and unprotected neighbors is playing a different game. With the Nightingale’s dangerously lovely owner, Honor, worried for her employees’ safety and Bea determined to discover who is responsible for her uncle’s death, Vivian once again finds herself digging through a dead man’s past in hopes of stopping a killer.
Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic.
Together, the two embark on a uniquely managed romance that spans half a century. They are inseparable—except for the many years when they are apart. Moving from the ivy-covered bastion of Yale to New York City, Los Angeles, and eventually all over the world, Farrell and Nate experience the tremendous upheaval and social change of the last fifty years. From the freedom of gay life in 1970s Manhattan to the Hollywood closet, the AIDS epidemic, and the profound strides of the LGBTQ+ movement, this witty and moving novel shows how the world changes around us while we’re busy doing other things. A story of chances lost and found (and sometimes just temporarily misplaced), with an epic reach, it reminds us that there is always the possibility of undiluted, unbridled, unstoppable happiness, if, as Farrell says, “You know where to look.” Style has its limits, love does not.
It is the year 1814, and life for a young lady of good breeding has many difficulties. There are balls to attend, fashions to follow, marriages to consider, and, of course, the tiny complication of existing in a world swarming with fairy spirits, interfering deities, and actual straight-up sorcerers.
Miss Maelys Mitchelmore finds her entry into high society hindered by an irritating curse. It begins innocuously enough with her dress slowly unmaking itself over the course of an evening at a high-profile ball, a scandal she narrowly manages to escape.
However, as the curse progresses to more fatal proportions, Miss Mitchelmore must seek out aid, even if that means mixing with undesirable company. And there are few less desirable than Lady Georgiana Landrake—a brooding, alluring young woman sardonically nicknamed “the Duke of Annadale”—who may or may not have murdered her own father and brothers to inherit their fortune. If one is to believe the gossip, she might be some kind of malign enchantress. Then again, a malign enchantress might be exactly what Miss Mitchelmore needs.
With the Duke’s help, Miss Mitchelmore delves into a world of angry gods and vindictive magic, keen to unmask the perpetrator of these otherworldly attacks. But Miss Mitchelmore’s reputation is not the only thing at risk in spending time with her new ally. For the reputed witch has her own secrets that may prove dangerous to Miss Mitchelmore’s heart—not to mention her life.
It is 2007, and twenty-four-year-old Demetrio is a celebrated pastry chef in New York at the French restaurant Le Bourrelet. This will be his seventh year as the pâtissier and the chef-owner, stern but paternal, feels he should move on. When Demetrio is offered a position as head of pastries at the Four Seasons restaurant in New York, he wants nothing more than to accept it.
But as an undocumented immigrant he is terrified that he will be found out, so Demetrio makes the difficult decision to return permanently to his homeland which he has not seen since he was a small child. It will mean leaving the only family he knows—his beloved uncle Chus who has brought him up. On his flight to Madrid, Demetrio sits next to the handsome, playful, and sensitive Jacobo, a student at NYU going home to his aristocratic, fascist family and there is an instant, unacknowledged electricity between them.
In dimly lit bars in Madrid and on pebbled beaches by the sea far outside the city, Demetrio and Jacobo’s subtle but intense relationship unfolds. Demetrio is tortured by a fear of true intimacy and by anxiety about their class difference. Both are struggling with their identities and sexuality, and they avoid their true feelings until a family tragedy sets them on a collision course back into one another’s lives.
When a sister’s casual act of betrayal awakens their father’s demons—ones spawned by his time in Vietnamese POW camps—the effects of the ensuing violence against her brother ripple out over the course of forty years, from Lubbock, to San Francisco, to Fort Lauderdale. Swept up in this arc, the members of this family and their loved ones tell their tales. A queer coming-of-age, and coming-to-terms, and a poignant exploration of all the ways we search for home, Dreaming Home is the unforgettable story of the fragmenting of an American family.
What is gender and what does it mean to you? What are ways people express their gender? What if you don’t feel like the gender everyone says you are? This new resource is here to help kids make sense of who they are and how they feel.
As you grow up, you receive lots of messages about gender. Most kids start to define their own gender identity as early as age four! But what if the messages you receive don’t seem to describe you? What if the things you like don’t match who people say you are? What if you don’t even know what gender you are?
From the illustrator behind What Are Your Words? and other books on gender and personal identity, comes a resource for all kids, of any gender. This fun, heavily illustrated chapter book explains the basics of gender identity—what it is, what it means, and how to support yourself and others no matter who you are.
“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.
With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.
As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
A former Rookie contributor and creator of the popular blog Effing Dykes investigates the disappearance of America’s lesbian bars by visiting the last few in existence.
Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream?
In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve.
Moby Dyke is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.
Told over the first ten years, And Don’t F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the show, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul’s decades-long friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance. From there, it follows the growth and evolution of the show—and its queens—through a decade of gag-worthy seasons, serving up all kinds of behind-the-scenes realness. With a history as shady and funny as it is dramatic and inspiring, And Don’t F&%k It Up shows how RuPaul’s Drag Race is a mirror reflecting the cultural and political mores of our time. Its meteoric rise to becoming a once-in-a-generation success story is explored here as never before, in intimate, exuberant, unfettered detail.
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.
When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.
Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.
As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.
Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.
After falling down a rabbit hole of sex, drinking, and Hollywood backstabbing, Elliott decides to limp his way towards redemption. But facing your demons is easier said than done.
In this exuberant, prize-winning collection, queer, trans, and gender-nonconforming characters seek love and connection in hilarious and heartrending stories that reflect the complexity of our current moment.
A nonbinary writer on the eve of top surgery enters into a risky affair during the height of COVID. A lesbian couple enlists a close friend as a sperm donor, plying him with a potent rainbow-colored cocktail. A lonely office worker struggling with their gender identity chaperones their nephew to a trans YouTube convention. And in the depths of a Midwestern winter, a sex-addicted librarian relies on her pet ferrets to help resist a relapse at a wild college fair.
Capturing both the dark and lovable sides of the human experience, Rainbow Rainbow establishes debut author Lydia Conklin as a fearless new voice for their generation.
How else do we return to ourselves but to fold The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.
The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
Janie believes there’s a best way to do everything. When she sticks to a schedule, she and her mom can tackle anything. But Janie’s perfect schedule—and her life—are getting shaken up this year. Her new stepmom, Keisha, is moving in, along with her daughter, Makayla.
Worst of all? Makayla brings a cat with her. And Janie hates cats.
Even though it’s hard, Janie tries to welcome Makayla to her new school. And honestly, she maybe does too good a job. Soon, Makayla is volunteering with Janie’s beloved Sunshine Club, and Janie’s friends all love her. The only one who pays any attention to her anymore is Makayla’s nosy cat. It feels like her new sister is taking over! What’s a gal to do with a copycat in her life?
What would you do if you forgot the love of your life ever even existed?
Stevie and Nora had a love. A secret, epic, once-in-a-lifetime kind of love. They also had a plan: to leave their small, ultra-conservative town and families behind after graduation and move to California, where they could finally stop hiding that love.
But then Stevie has a terrible fall. And when she comes to, she can remember nothing of the last two years—not California, not coming to terms with her sexuality, not even Nora. Suddenly, Stevie finds herself in a life she doesn’t quite understand, one where she’s estranged from her parents, drifting away from her friends, lying about the hours she works, dating a boy she can’t remember crushing on, and headed towards a future that isn’t at all what her fifteen-year-old self would have envisioned.
And Nora finds herself…forgotten. Can the two beat the odds a second time and find their way back together when “together” itself is just a lost memory?
Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen.
On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.
Cristina, once a talented and dedicated practitioner of Generational magic, has given up magic for good. An ancient spell is what killed their father and she was the one who cast it. For Clement, magic is his lifeline. A distraction from his anger and pain. Even better than the random guys he hooks up with.
Cristina and Clement used to be each other’s most trusted confidant and friend, now they barely speak. But if they have any hope of discovering who is coming after their family, they’ll have to find a way to trust each other and their family’s magic, all while solving the decades-old murder that sparked the still-rising tensions between the city’s magical and non-magical communities. And if they don’t succeed, New Orleans may see another massacre. Or worse.
Ben is on a train back to Ottawa after a visit with his dad in Toronto when he runs into the last person he wanted to see: Caleb, the handsome, confident boy who recently and accidentally broke Ben’s phone. Preoccupied by worrying about whether he should take a gap year, Ben has little time for Caleb’s jibes.
But when the two start talking, not only does Ben find himself won over by Caleb’s roguish charm, but he also learns his seatmate is also bisexual..
Edison Rooker isn’t sure what to expect when he enters the office of Antonia Hex, the powerful sorceress who runs a call center for magical emergencies. He doesn’t have much experience with hexes or curses. Heck, he doesn’t even have magic. But he does have a plan—to regain the access to the magical world he lost when his grandmother passed.
Antonia is…intimidating, but she gives him a job and a new name—Rook—both of which he’s happy to accept. Now all Rook has to do is keep his Spell Binder, an illegal magical detection device, hidden from the Magical Consortium. And contend with Sun, the grumpy and annoyingly cute apprentice to Antonia’s rival colleague, Fable. But dealing with competition isn’t so bad; as Sun seems to pop up more and more, and Rook minds less and less.
But when the Consortium gets wind of Rook’s Spell Binder, they come for Antonia. All alone, Rook runs to the only other magical person he knows: Sun. Except Fable has also been attacked, and now Rook and Sun have no choice but to work together to get their mentors back…or face losing their magic forever.
The knights of the round table are alive in Vancouver, but when one winds up dead, it’s clear the familiar stories have taken a left turn. Hildie, a Valkyrie and the investigator assigned to the case, wants to find the killer — and maybe figure her life out while she’s at it. On her short list of suspects is Wayne, an autistic college student and the reincarnation of Sir Gawain, who these days is just trying to survive in a world that wasn’t made for him. After finding himself at the scene of the crime, Wayne is pulled deeper into his medieval family history while trying to navigate a new relationship with the dean’s charming assistant, Burt — who also happens to be a prime murder suspect. To figure out the truth, Wayne and Hildie have to connect with dangerous forces: fallen knights, tricky runesmiths, the Wyrd Sisters of Gastown. And a hungry beast that stalks Wayne’s dreams.
All her life Kyr has trained for the day she can avenge the murder of planet Earth. Raised in the bowels of Gaea Station alongside the last scraps of humanity, she readies herself to face the Wisdom, the all-powerful, reality-shaping weapon that gave the Majoda their victory over humanity.
They are what’s left. They are what must survive. Kyr is one of the best warriors of her generation, the sword of a dead planet. But when Command assigns her brother to certain death and relegates her to the nursery to bear sons until she dies trying, she knows she must take humanity’s revenge into her own hands.
Alongside her brother’s brilliant but seditious friend and a lonely, captive alien, she escapes from everything she’s ever known into a universe far more complicated than she was taught and far more wondrous than she could have imagined.
Ten years after nuclear war devastated the United States, Hayden is used to the meager rations, recycled air, and sterile light of the bunker he’s called home since childhood. But when the administration rejects a years-in-the-making plan to emerge as supplies plummet, Hayden itches to leave.
Brita, a mysterious girl with no long-term memory, stumbles upon the bunker, proving to Hayden and the other 200 residents that the outside isn’t as hostile as the administrators let on. Hayden, Brita, and a handful of other residents sneak out in the dead of night to scavenge for supplies.
The outside world holds more life, and more danger, than they prepared for. After an outside survivor betrays them, they’re imprisoned by a military faction with the key to Brita’s identity. For Hayden to save his friends, he must uncover a past Brita would rather never remember—along with secrets the administration has sheltered them from all these years.
Wallflower janitor Emily has dreamed of being a zookeeper their entire life. But they’ve been passed over again and again for promotion. Asked out by a gay man who thinks they’re named ‘Emil,’ they feel happy for the first time in forever.
Jeremi is outgoing, friendly, driven… and his forgetfulness has lost him more boyfriends than he can count. When he meets an adorable twink at the zoo, Jeremi vows: this time will be different.
Their first date tanks.
Jeremi tries to salvage things by offering to be Emil’s job coach, yet he can’t help but want to be more than just friends.
As Emil’s egg cracks and their self-confidence grows, Emil yearns for more from Jeremi. Yet they worry they’re not what Jeremi is looking for…
This book is a quilt, piecing together memoir, history, and theory into a living portrait of an artist and an art. Within these pages, illustrated throughout with photos and original artwork, Sasha Velour illuminates drag as a unique form of expression with a rich history and a revolutionary spirit.
Each chapter strips off a new layer, removing one tantalizing glove and then another, to reveal all the twists and turns in the life of a queen. As Sasha recalls her own journey, from the women who raised her, to learning the craft of an artist, to success, disaster, and more, she also uncovers the history of queer life around the world that made it all possible.
From shamans to “fairies balls,” empresses to RuPaul’s Drag Race (and beyond), The Big Reveal chronicles and celebrates our shared queer pasts. “If we want to be seen as legendary,” writes Sasha, “we have to weave ourselves into history.”
From an iconoclastic drag queen comes an equally singular, thought-provoking manifesto that brings necessary and sparkling substance to our understanding of drag, queerness, beauty, and liberation!
When Leslie Karst learned that her offer to cook dinner for Supreme Court Justice Ruth Bader Ginsburg and her renowned tax law professor husband, Marty, had been accepted, she was thrilled—and terrified. A small-town lawyer who hated her job and had taken up cooking as a way to add a bit of spice to the daily grind of pumping out billable hours, Karst had never before thrown such a high-stakes dinner party. Could she really pull this off?
Justice is Served is Karst’s light-hearted, earnest account of the journey this unexpected challenge launched her on—starting with a trip to Paris for culinary inspiration, and ending with the dinner itself. Along the way, she imparts details of Ginsburg’s transformation from a young Jewish girl from Flatbush, Brooklyn, to one of the most celebrated Supreme Court justices in our nation’s history, and shares recipes for the mouthwatering dishes she came up with as she prepared for the big night. But this memoir isn’t simply a tale of prepping for and cooking dinner for the famous RBG; it’s also about how this event, and all the planning and preparation that went into it, created a new sort of connection between Karst, her partner, and her parents, and also inspired Karst to make life changes that would reverberate far beyond one dinner party.
A heartfelt story of simultaneously searching for delicious recipes and purpose in life, Justice is Served is an inspiring reminder that it’s never too late to discover—and follow—your deepest passion.
Mandie Mitchell will do anything to get over her toxic ex. Even sign up to the polarising reality dating show, Marry Me Juliet. But with her self-esteem in tatters, she’s not sure she’s brave enough to actually go on the show until she forms a friendship with Dylan Gilchrist at the auditions that gives her the push she needs.
Dylan is everything Mandie is not – tough, strong, and totally unafraid to speak her mind. Unfortunately, she also looks set to win, as she soon becomes the clear favourite of the Romeo, who also happens to share the same name. It’s annoying, really, just how perfect the Dylans seem for each other…
Mandie’s jealous. But it’s not because she wants to win the show. It’s because in her effort to get over her ex, she’s gone and fallen right back in love… with the wrong Dylan.
Sixteen-year-old Bianca Torre is an avid birder undergoing a gender identity crisis and grappling with an ever-growing list of fears.
Some, like Fear #6: Initiating Conversation, keep them constrained, forcing them to watch birds from the telescope in their bedroom. And, occasionally, their neighbors. When their gaze wanders from the birds to one particular window across the street, Bianca witnesses a creepy plague-masked murderer take their neighbor’s life.
Worse, the death is ruled a suicide, forcing Bianca to make a choice—succumb to their long list of fears (including #3 Murder and #55 Breaking into a Dead Guy’s Apartment), or investigate what happened.
Bianca enlists the help of their friend Anderson Coleman, but the two have more knowledge of anime than true crime. As Bianca and Anderson dig deeper into the murder with a little help from Bianca’s crush and fellow birding aficionado, Elaine Yee (#13 Beautiful People, #11 Parents Discovering They’re a Raging Lesbian), the trio uncover a conspiracy much larger—and weirder—than imagined. But when the killer catches wind of the investigation, Bianca’s #1 fear of public speaking doesn’t sound so bad under the threat of being silenced for good.
Tina Mains was once just another human stuck on earth–but as the secret clone of a valorous alien leader, she always had expected to grow into greatness.
Now, after a harsh awakening about the fate of the universe and the reality of dangers from a past she can’t remember, Tina is on the run with a group of ragtag rebels, including her beloved ex-space-princess-in-training Elza, and is faced with the ultimate test: should she give up her own life to live the one that was meant to be?
Could I one day inspire happiness in others, the same way he seemed to do in me?
It’s 2005 and Harley has dropped out of college to move home, back to rural England where he works a dead-end job at a movie theater. Estranged from his father and finding every attempt at happiness futile, he is on the verge of making a devastating final decision. Fortunately for him, things don’t go according to plan, and his attempt on his own life is interrupted by his new roommate, Muddy.
Muddy is everything Harley is not: white, ostensibly heterosexual, freewheeling, confident in his masculinity. Despite their differences, a deep friendship blossoms between them when Muddy takes Harley under his wing and shows him everything that, in his eyes, makes life worth living: birdwatching, karaoke, rugby, and the band Oasis.
But this newfound friendship is complicated. It has enormous repercussions for the pair’s romantically entangled friend group—with Chelsea, an overbearing striver whose generosity they begrudgingly rely on; with Finlay, her raffish and uncouth boyfriend; and with Noria, who despite her simmering confidence is smarting from a series of unreturned affections. And then there’s the violent affair with an older man that Harley finds himself slipping back into…
Jake Fischer has been here before: pitching for the Oakland Elephants, hiding his worries behind a smile, hoping to win it all. Ten years ago, it didn’t turn out the way he wanted. Nothing in his life did. But now he’s back—and so is the one teammate tied inexorably to his past.
It doesn’t matter how many times catcher Alex Angelides replays that moment during the Fall Classic over in his mind, the outcome never changes. He’s not sure what happened to make that pitch glance off his glove, or what happened with his relationship with Jake—and he’s not going to be the one to ask.
A whole lot may have changed in the last decade, but some things have stayed the same. Jake and Alex still can’t stay out of each other’s faces on the field, or out of each other’s beds off of it. They’ve got a second chance to win it all…but only if they realize what they lost.
She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. With three years of sobriety, she is determined to stay clean and regain custody of her two children.
My name is Ranita, and I’m an addict, she has said again and again at recovery meetings. But who else is she? Who might she choose to become? As she claims the story housed within her pomegranate-like heart, she is determined to confront the weight of the past and discover what might lie beyond mere survival.
Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently. Now she must steer clear of the temptations that have pulled her down, while atoning for her missteps and facing old wounds. With a fierce, smart, and sometimes funny voice, Ranita reveals how rocky and winding the path to wellness is for a Black woman, even as she draws on family, memory, faith, and love in order to choose life.
Peggy Delancey’s not at all ready to move on from her former flame, Arabella Tarleton. But Belle has her own plans for a love match, and she needs Peggy’s help to make those plans a reality. Still hung up on her feelings and unable to deny Belle what she wants, Peggy reluctantly agrees to help her woo the famous and flamboyant opera singer Orfeo.
She certainly doesn’t expect to find common ground with a celebrated soprano, but when Peggy and Orfeo meet, a whole new flame is ignited that she can’t ignore. Peggy finds an immediate kinship with Orfeo, a castrato who’s just as nonconforming as she is—and just as affected by their instant connection.
They’ve never been able to find their place in the world, but as the pair walks the line between friendship, flirtation, and something more, they may just find their place with each other.
Jude Winters might be in over their head. Maybe. But they’ll never admit it.
They befriend the ex-popular girl, Stevie Morgan, create an all-ages safe space at their local library with their best friend, Dallas Knight, and come out as nonbinary to their grandparents.
When the club becomes an overnight success, friendships crumble, and their grandparents act like they’re stuck in the Stone Age, Jude fights to keep their world from tearing itself apart. But a twelve-year-old can only handle so much.
After breaking school rules the last time she solved a mystery, Drew Leclair has a new mission: get good grades, stay under the radar, and do not get suspended.
But when Drew finds out that there’s a thief breaking into the P.E. lockers and leaving behind cryptic ransom notes, it’s hard to resist cracking a new case. Especially when one of the victims is her best friend Shrey’s crush, and he’s practically begging her to get involved.
Can Drew catch the thief red-handed while staying out of trouble? And what does it mean when everyone around Drew is obsessing over crushes and the upcoming Wonderland dance, and Drew would rather work on her latest crime board?
For some reason, Clark has woken up and relived the same monotonous Monday 309 times. Until Day 310 turns out to be…different. Suddenly, his usual torturous math class is interrupted by an anomaly—a boy he’s never seen before in all his previous Mondays.
When shy, reserved Clark decides to throw caution to the wind and join effusive and effervescent Beau on a series of “errands” across the Windy City, he never imagines that anything will really change, because nothing has in such a long time. And he definitely doesn’t expect to fall this hard or this fast for someone in just one day.
There’s just one problem: how do you build a future with someone if you can never get to tomorrow?
Eighteen-year-old Kyla Bell dreams of one day being a professional musician… but gets little to no support from her parents. Still, she practices every day and performs locally, harboring her own secret hopes. One night, her dreams are answered in the form of sultry rocker Ruby Sky, the magnetic frontwoman of her favorite band, Glitter Tears. Ruby hears Kyla perform and asks her to join the band on keys for their upcoming tour.
In order to accept, Kyla must drop out of her Western Massachusetts high school and move to Los Angeles immediately to live with a renowned yet highly volatile producer who has agreed to put her through “rock star boot camp” in a matter of weeks. Blindsided by her emerging feelings for Ruby Sky, Kyla tumbles through the lights and shadows of the 90s music scene in Los Angeles.
Tansy Adams’ greatest love is her family’s bookstore, passed down from her late father. But when it comes to actual romance… Tansy can’t get past the first chapter. Tired of her stepfamily’s questions about her love life, Tansy invents Gemma, a fake girlfriend inspired by the stunning cover model on a bestselling book. They’ll never actually meet, so what’s the harm in a little fib? Yet when real-life Gemma crosses Tansy’s path, her white lie nearly implodes.
Gemma van Dalen is a wild child, the outcast of her wealthy family, and now the latest heir to Van Dalen Publishing. But the title comes with one tiny condition: she must be married in order to inherit. When Gemma discovers a beautiful stranger has been pretending to date her for months, she decides to take the charade one step further—and announces their engagement.
Gemma needs a wife to meet the terms of her grandfather’s will and Tansy needs money to save her struggling bookstore. A marriage could be mutually beneficial, if they can fool everyone into thinking it’s a love match. Unexpected sparks fly as Tansy and Gemma play the role of affectionate fiancées, and suddenly the line between convenient arrangement and real feelings begins to blur. But the scheming Van Dalen family won’t give up the company without a fight, and Gemma and Tansy’s newfound happiness might get caught in the fallout…
When an attempt to kiss his best friend becomes a prom night disaster, Elliot Dove’s confusion surrounding his sexuality is thrown into overdrive. Desperate for some clarity, Elliot turns to GlimpseTech, a company offering all over-sixteens a 44-second glimpse of what lies ahead. But Elliot’s Glimpse only makes him more confused, showing him in an intimate moment with Sebastian Glass, the ‘one gay kid’ in his year at school.
Seb, meanwhile, hates Glimpses, and blames the technology for his dad’s absence. But unlike the protesters picket-lining GlimpseTech headquarters, Seb has other things to worry about, like his mum’s depression and the man showing up at his house demanding money. Then he bumps into Elliot, and bumps into him again, until it seems the universe is pulling them together.
Despite the vast differences in their lives, Elliot and Seb find something they were missing in each other, and soon friendship blooms into something more. But tensions are growing in the outside world. Rumors of the so-called ‘Last Day’–the day beyond which no one has seen in their Glimpse–are causing widespread panic. With the end of the world an increasingly real prospect, a seemingly uncrossable class divide, and the secret of Elliot’s Glimpse a ticking time bomb, the universe may have other plans for Elliot and Seb.
For aspiring cinematographer Luna Roth, coming out as bisexual at twenty-four is proving more difficult than she anticipated. Sure, her best friend and fellow queer Romy is thrilled for her—but she has no interest in coming out to her backwards parents, she wouldn’t know how to flirt with a girl if one fell at her feet, and she has no sexual history to build off. Not to mention she really needs to focus her energy on escaping her emotionally-abusive-but-that’s-Hollywood talent manager boss and actually get working under a real director of photography anyway.
When she meets twenty-eight-year-old A-list actress Valeria Sullivan around the office, Luna thinks she’s found her solution. She’ll use Valeria’s interest in her cinematography to get a PA job on the set of Valeria’s directorial debut—and if Valeria is as gay as Luna suspects, and she happens to be Luna’s route to losing her virginity, too . . . well, that’s just an added bonus. Enlisting Romy’s help, Luna starts the juggling act of her life—impress Valeria’s DP to get another job after this one, get as close to Valeria as possible, and help Romy with her own career moves.
But when Valeria begins to reciprocate romantic interest in Luna, the act begins to crumble—straining her relationship with Romy and leaving her job prospects precarious. Now Luna has to figure out if she can she fulfill her dreams as a filmmaker, keep her best friend, and get the girl. . . or if she’s destined to end up on the cutting room floor.
The Republic of Chaonia fleets, under the joint command of Princess Sun and her formidable mother, Queen-Marshal Eirene, have defeated and driven out an invading fleet of the Phene Empire, though not without heavy losses. But the Empire remains undeterred. While Chaonia scrambles to rebuild its military, the Empire’s rulers are determined to squash Chaonia once and for all. They believe their military might is strong enough to defeat the enemy, but they also secure a secret alliance with a deadly religious sect skilled in the use of assassination and covert ops, to destabilize the republic.
On the eve of Eirene’s bold attack on the rich and populous Karnos System, an unexpected tragedy strikes the republic. Sun must take charge or lose the throne. Will Sun be content with the pragmatic path laid out by her mother for Chaonia’s future? Or will she choose to forge her own legend? Can she succeed despite all the forces arrayed against her?
Juno Loves Legs is the story of two teens labeled as delinquents. Juno and “Legs” grow up on the same housing estate in Dublin, where spirited, intelligent Juno is ostracized for her poverty and Legs is persecuted for his sexuality; they find safety only in each other.
Set against the backdrop of Dublin in the 1980s, a place of political, social and religious change, the friends yearn for an unbound life and together they begin to fight to take up the space of who they truly are. As their defiance reverberates through their lives, the children are further alienated from their surrounding society through acts of bravery and cowardice, both their own and others’. Finding themselves as outsiders, they are feared, coveted and watched, but rarely truly seen.
Told through the eyes of Juno, we see the pair begin to navigate the political and oftentimes confusing adult world with honesty and intuition. A country emerging from a dark Catholicism into the wider world of possibilities. Who is invited into modernity and gentrification and who is left behind?
Caught between the rich depth of her intellect and the harsh reality of her life, we follow Juno as she begins to understand how divergent a life lived and a life thought can be.
Attorney Marc Mendes, the estranged son of a prominent rabbi and a burned-out lawyer with addiction issues, plots his exit from the big city to a more peaceful life in idyllic Napa Valley. But before he can realize his dream, the US government summons his Salvadoran life-partner Isaac Perez to immigration court, threatening him with deportation.
As Marc battles to save Isaac, his world is further upended by a dark and alluring client, who aims to tempt him away from his messy life. Torn between his commitment to Isaac and the pain-numbing escapism offered by his client, Marc is forced to choose between the lesser of two evils while confronting his twin demons of past addiction and guilt over the death of his first lover.
I never looked forward to coming into work at the Common Grounds coffee shop and seeing Tenley Hill sitting at her usual table with her laptop. The most popular girl from high school always seemed to harass me and try to get a free latte and was more infuriatingly pretty than ever.
Then one day she comes in and she’s a total wreck. I make the massive mistake of asking her what’s wrong. Turns out her boyfriend dumped her and all wants to do is try and get him back. Tenley pours her heart out to me and, for the first time, I see her as a person and not just the woman who annoys me every day. That moment of weakness causes me to agree to do something I never would have done under normal circumstances: date her. Well, pretend to date her. In public, wherever her ex will see us.
At first I hate the role of being a fake girlfriend, but soon I find myself flirting with Tenley and dreaming of her kisses. She’s nothing like how I expected and before I know it, I’m falling for my fake girlfriend and I have absolutely no idea what the hell I’m going to do about it.
In the quaint religious town of Seagate, abstaining from food brings one closer to God.
But Beatrice Bolano is hungry. She craves the forbidden: butter, flambé, marzipan. As Seagate takes increasingly extreme measures to regulate every calorie its citizens consume, Beatrice must make a choice: give up her secret passion for cooking or leave the only community she has known.
Elsewhere, Reiko Rimando has left her modest roots for a college tech scholarship in the big city. A flawless student, she is set up for success…until her school pulls her funding, leaving her to face either a mountain of debt or a humiliating return home. But Reiko is done being at the mercy of the system. She forges a third path—outside of the law.
With the guidance of a mysterious cookbook written by a kitchen maid centuries ago, Beatrice and Reiko each grasp for a life of freedom—something more easily imagined than achieved in a world dominated by catastrophic corporate greed.
When you’re a geriatric armed with nothing but gumption and knitting needles, stopping a sorcerer from wiping out an entire dragon-fighting organization is a tall order. No one understands why 83-year-old Edna Fisher is the Chosen One, destined to save the Knights from a dragon-riding sorcerer bent on their destruction. After all, Edna has never handled a magical weapon, faced down a dragon, or cast a spell. And everyone knows the Council of Wizards always chooses a teenager—like the vengeful girl ready to snatch Edna’s destiny from under her nose.
Still, Edna leaps at the chance to leave the nursing home. With her son long dead in the Knights’ service, she’s determined to save dragon-fighters like him and to ensure other mothers don’t suffer the same loss she did. But as Edna learns about the abuse in the ranks and the sorcerer’s history as a Knight, she questions if it’s really the sorcerer that needs stopping—or the Knights she’s trying to save.
When Harleen Quinzel wakes up in a hospital bed with no recollection of the past few months, she scrambles to pick up the pieces of her life.
As she starts classes at Gotham University and an internship at Arkham Asylum, Harleen is determined to make her mark, getting paired with the most high-profile female inmate at Arkham–the notorious Talia al Ghūl. Talia is brilliant and fascinating, and as they spend more time together, the lines between good and bad begin to blur for Harleen. When she starts to see Talia less as a patient and more as a mentor, all of Harleen’s dark and dangerous pieces begin finding their way to the surface again. The only way to stop the terror that haunts the halls of Arkham Asylum may be to let her darkness out. . . .
Follow Harleen’s rise from anxious college student to ravenous, chaotic feminist icon in the second installment of the Harley Quinn origin story.
If only Mark Davis hadn’t put on a dress for the talent show. It was a joke—other guys did it too—but when his boyfriend saw Mark in that dress, everything changed.
And now, fresh on the heels of high school heartbreak, Mark has given up on love. Maybe some people are just too much for this world—too weird, too wild, too feminine, too everything. Thankfully, his older brother Eric always knows what to say to keep Mark from spinning into self-loathing. “Be yourself! Your full sequin-y self.”
But Mark starts to notice signs that his perfect older brother has problems of his own.
When tragedy capsizes the Davis family, the source of Mark’s strength suddenly becomes the source of his greatest pain, and the path back to happiness seems impossible. Searing for a way out, Mark slips into a dress to just, briefly, become someone else, live a different life.
His escape, however, becomes an unexpected outlet for his grief—a path to authentic connection, and a provocation to finally see other people as fully as he wants to be seen.
Beautifully written, heart-wrenching, and ultimately uplifting, Dan Clay’s Becoming a Queen is a stunning story about love, loss, and the ineffable power of a purple princess dress.
Lydia Jones and her younger sister Penny have had it with boy drama. Last year was marred by relationship disasters for both of them, threatening Lydia’s standing with her school’s theater tech club and Penny’s perfect GPA. Penny has, naturally, diagnosed the problem and prescribed a drastic solution: a summer off from boys.
Lydia and Penny decide to stay with their Aunt Grace and her boyfriend Oscar in Los Angeles while their parents are off on a European cruise. Penny follows her future-business-school dreams with an internship at Oscar’s office, and Lydia gets a part-time job at Grace’s neighborhood coffeeshop, Grounds Control.
Even when they spent hours, days, weeks dissecting their various boy drama, Lydia’s never felt this connected to her sister before, and it makes her wonder what else in her life could be different. She finds herself drawn to a group of friends she meets through her Grounds Control coworker, Margaret, as well as an intriguing customer, Fran, an aspiring filmmaker and—while not the first girl Lydia finds herself attracted to—the first girl who has mutual feelings for her. But she’s not breaking her pledge to Penny, right? That was just about boys. Even though in her heart Lydia knows she’s bending the rules, she hasn’t had a connection with anyone as strong as her connection with Fran, so she thinks it can’t be wrong. And Penny won’t mind as long as she’s happy . . . Right?
Robin and her four Misfits—Little John, White Rabbit, Daisy Chain, and Skillet—have run away from their families in order to live off the grid on their own terms. For a while, they’re hidden, safe, and happy as they commit petty crimes that provide enough to get by. All that matters is keeping their small clan alive. Then, one mission proposed by an unfriendly associate from their past reminds them of their former lives and motivates the group to a new purpose. The five Misfits develop into a league of strong individuals united by a fresh goal: do whatever it takes to help queer girls rise above oppressive laws and attitudes.
Three years ago, the melting of arctic permafrost released a pathogen of unknown origin into the atmosphere, causing a small percentage of people to undergo a transformation that became known as the Hollowing. Those impacted slowly became intolerant to normal food and were only able to gain sustenance by consuming the flesh of other human beings. Those who went without flesh quickly became feral, turning on their friends and family. However, scientists were able to create a synthetic version of human meat that would satisfy the hunger of those impacted by the Hollowing. As a result, humanity slowly began to return to normal, albeit with lasting fear and distrust for the people they’d pejoratively dubbed ghouls.
Zoey, Celeste, Valeria, and Jasmine are all ghouls living in Southern California. As a last hurrah before their graduation they decided to attend a musical festival in the desert. They have a cooler filled with hard seltzers and SynFlesh and are ready to party.
But on the first night of the festival Val goes feral, and ends up killing and eating a boy. As other festival guests start disappearing around them the girls soon discover someone is drugging ghouls and making them feral. And if they can’t figure out how to stop it, and soon, no one at the festival is safe.
Liz Baker and her three roommates work at The Nether Fields, a queer magazine in New York that’s on the verge of shutting down—until it’s bought at the last minute by two wealthy lesbians. Even though Liz is eager to leave listicles behind for more meaningful writing, she knows that she’s lucky to still have a paycheck. But it’s hard to feel grateful with minority investor Daria Fitzgerald slashing budgets, cancelling bagel Fridays, and password protecting the color printer to prevent “frivolous use.” When Liz overhears Daria scoffing at her articles, she knows that it’s only a matter of her time before her impulsive mouth tells Daria off and gets herself fired.
But as Liz and Daria get thrown together more and more, Liz starts to see a softer side to Daria—she’s funny, surprisingly helpful, and actually seems to like that Liz’s gender presentation varies between butch and femme. Even as the evidence that Liz can’t trust Daria piles up, it starts getting harder and harder to keep hating Daria—and harder and harder to resist her.
In a Pacific Northwest hospital far from the Rummani family’s ancestral home in Palestine, the heart of a stillborn baby begins to beat and her skin turns a vibrant, permanent cobalt blue. On the same day, the Rummanis’ centuries-old soap factory in Nablus is destroyed in an air strike. The family matriarch and keeper of all Rummani lore, Aunt Nuha, believes that the blue girl embodies their sacred history, harkening to a time when the Rummanis were among the wealthiest soap-makers and their blue soap was a symbol of a legendary love.
Decades later, Betty returns to her Aunt Nuha’s gravestone, faced with a difficult decision: Should she stay in the only country she’s every known or should she follow her heart for the woman she loves, perpetuating her family’s cycle of exile? Betty finds her answer in partially translated notebooks that reveal her aunt’s complex life and struggle with her own sexuality, which Nuha hid to help the family emigrate to the U.S. But as Betty soon discovers, her aunt hid much more than that.
Elsie is a sexy, funny, and fiercely independent woman in south London. But, at just 28, she is also tired. Though she spends her days writing tender poetry in her journal, her nights are spent working long hours for minimum wage at a neighborhood dive bar. Not even sleeping with her alluring coworker, Bea, can quell her existential dread. The difficulty of being estranged from her family, struggle of being continually rejected from jobs, and fear of never making money doing what she loves is too great. But Elsie is determined to keep the faith, for a little longer at least. Things will surely turn around. They have to.
But when Elsie is suddenly evicted from her social housing, her fragile foundations threaten to collapse entirely. With nowhere left to go, Elsie turns to her childhood friend, Juliet, for help.
Among Juliet’s mismatched cushions and shelves lined with trinkets, Elsie is able to breathe for the first time in years. But between their reruns of Drag Race and nights smoking on the balcony, something else soon begins to glimmer in Elsie’s heart . . . Sometimes what you’ve been searching for has been there all along. Can Elsie see it in time?
In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe.
The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans.
When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe. Gio is captured and taken back to his old laboratory in the City of Electric Dreams. So together, the rest of Vic’s assembled family must journey across an unforgiving and otherworldly country to rescue Gio from decommission, or worse, reprogramming.
Along the way to save Gio, amid conflicted feelings of betrayal and affection for Hap, Vic must decide for himself: Can he accept love with strings attached?
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
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In the summer of 1894, John Addington and Henry Ellis begin writing a book arguing that what they call “inversion,” or homosexuality, is a natural, harmless variation of human sexuality. Though they have never met, John and Henry both live in London with their wives, Catherine and Edith, and in each marriage there is a third party: John has a lover, a working class man named Frank, and Edith spends almost as much time with her friend Angelica as she does with Henry. John and Catherine have three grown daughters and a long, settled marriage, over the course of which Catherine has tried to accept her husband’s sexuality and her own role in life; Henry and Edith’s marriage is intended to be a revolution in itself, an intellectual partnership that dismantles the traditional understanding of what matrimony means.
Shortly before the book is to be published, Oscar Wilde is arrested. John and Henry must decide whether to go on, risking social ostracism and imprisonment, or to give up the project for their own safety and the safety of the people they love. Is this the right moment to advance their cause? Is publishing bravery or foolishness? And what price is too high to pay for a new way of living?
Note: This is the first book in a new series that has four books releasing on this date.
It’s book week at school, and nonbinary fourth grader Riley and their best friends craft hard for the Dress Like Your Favorite Character Day. Colorful fabric! Paint! Glitter! They are ready to make the biggest and best group costume ever! But most of the other kids are having trouble coming up with costumes. Riley is ready to use their creativity and vision to help as many kids as possible so dress-up day will be a big success!
Love, Violet by Charlotte Sullivan Wild (Text) and Charlene Chua (Illustrations) (4th)
There’s only one person in Violet’s class she wants to go on adventures with: Mira, the girl with the cheeriest laugh and who races like the wind. So Violet has made Mira a very special Valentine.
Because Mira is magnificent.
But what if she thinks Violet isn’t? Violet is afraid that Mira won’t want to go on adventures together, and in order to share her feelings, she must overcome her fears—and maybe a snow flurry or two—to tell Mira how she truly feels, and ask, Want to go on an adventure?
All Luis Gonzalez wants is to go to prom with his boyfriend, something his “progressive” school still doesn’t allow. Not after what happened with Chaz Wilson. But that was ages ago, when Luis’s parents were in high school; it would never happen today, right? He’s determined to find a way to give his LGBTQ friends the respect they deserve (while also not risking his chance to be prom king, just saying…).
When a hit on the head knocks him back in time to 1985 and he meets the doomed young Chaz himself, Luis concocts a new plan-he’s going to give this guy his first real kiss. Though it turns out a conservative school in the ’80s isn’t the safest place to be a gay kid. Especially with homophobes running the campus, including Gordo (aka Luis’s estranged father). Luis is in over his head, trying not to make things worse-and hoping he makes it back to present day at all.
Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
In All Daughters Rise, a young witch must challenge everything she believes to be true and somehow cooperate with her ex-girlfriend in order to carry out her mother’s secret legacy and save the world.
Sabrine, a Greenwitch, has grown up thinking that the female, winged warriors known as the Daughters were unrepentant killers, gleefully slaughtering all humans who stood in their way. This all changes when her ex, vampire Lora Walker, resurfaces with a shocking revelation–Sabrine’s mother was once the feared leader of the Daughters. Sabrine has unknowingly been groomed to be her mother’s assistant.
Now Sabrine needs to reevaluate everything she thinks she knows, and she needs to do it fast, because the barrier that separates the magical world from the world of the humans is cracking open, and nobody knows why. And the only person she can rely on is the last person she wants to deal with: her ex-girlfriend.
To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor…
Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings.
Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face.
Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy.
Best friends since second grade, Fiona Lin and Jane Shen explore the lonely freeways and seedy bars of Los Angeles together through their teenage years, surviving unfulfilling romantic encounters, and carrying with them the scars of their families’ tumultuous pasts. Fiona was always destined to leave, her effortless beauty burnished by fierce ambition–qualities that Jane admired and feared in equal measure. When Fiona moves to New York and cares for a sick friend through a breakup with an opportunistic boyfriend, Jane remains in California and grieves her estranged father’s sudden death, in the process alienating an overzealous girlfriend. Strained by distance and unintended betrayals, the women float in and out of each other’s lives, their friendship both a beacon of home and a reminder of all they’ve lost.
In stories told in alternating voices, Jean Chen Ho’s debut collection peels back the layers of female friendship–the intensity, resentment, and boundless love–to probe the beating hearts of young women coming to terms with themselves, and each other, in light of the insecurities and shame that holds them back.
Spanning countries and selves, Fiona and Jane is an intimate portrait of a friendship, a deep dive into the universal perplexities of being young and alive, and a bracingly honest account of two Asian women who dare to stake a claim on joy in a changing, contemporary America.
Reaching far beyond the confines of traditional erotica, prepare to explore the intersections of ace and kink, of pan and submissive, of exquisite torment and explicit consent.
In the sixth stunning and representative volume, Sinclair Sexsmith once again offers a dazzling array of voices, perspectives, and persuasions navigating boundaries and identities in truly inventive narratives. These twenty-three steamy stories are meant not just to titillate, but to validate—spanning past the pulsing power of desire to make pleasure and trembling release both a healing and radical act.
Find and then lose yourself as you traverse the complexities of full-spectrum sexuality, one delectable story at a time.
Wychwood, the realm of the fey prepare for war against the humans who hate, hunt and kill them for coin. Aided by the unclaimed, destructive power of the murdered, forgotten Winter Court, they ready their numbers for complete domination of the human realm.
All until Robin Vale reveals himself to be the last Icethorn heir. A hope for the humans he has grown up amongst, but to the detriment of many who would see him dead before ruining their years of preparation.
Robin finds allies during his discovery of a realm he has long since feared. Gideon, a fey warrior who aids as a distraction during the long nights. Althea, a stern princess hellbent on stopping the human hunters from killing her kind.
Thrust into a world of betrayal, murder and lies he must survive long enough to have the choice; listen to fate and claim his families power, or let it wreak havoc on a realm that turned its back on him for becoming who he was truly meant to be.
But a dark evil is brewing, monsters have returned and the scales of power are being forced by a hand who longs for revenge.
A debut memoir about coming of age as a gay, Latinx man, High-Risk Homosexual opens in the ultimate anti-gay space: Gomez’s uncle’s cockfighting ring in Nicaragua, where he was sent at thirteen years old to become a man. Readers follow Gomez through the queer spaces where he learned to love being gay and Latinx, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual.”
With vulnerability, humor, and quick-witted insights into racial, sexual, familial, and professional power dynamics, Gomez shares a hard-won path to taking pride in the parts of himself he was taught to keep hidden. His story is a scintillating, beautiful reminder of the importance of leaving space for joy.
Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
When dying alien ships materialized across the Earth, their nanite infection knocked Deneve Wilder out cold. She woke up with the ability to see the future. Determined to keep anyone from using her visions for evil, she took to the road. Giving up everything was a small price to pay for freedom.
The ship that hit Jolie Betancourt’s town gave her the power to set things on fire. It was safer to start over in a new city. Then one terrible mistake demonstrated far too clearly that for her, solitude is safer. For everyone.
So when Deneve shows up after a vision of Jolie being kidnapped, Jolie wants little to do with the frustratingly attractive drifter. Deneve’s surprised by how much she wants to thaw the pretty shopkeeper’s chilly attitude, but the idea of staying in one place sets off her alarm bells.
If they can’t evade whoever’s abducting people with powers, however, the growing connection they both feel anyway might be the least of their problems.
Fi is a bookish treasure hunter with a knack for ruins and riddles, who definitely doesn’t believe in true love.
Shane is a tough-as-dirt girl warrior from the north who likes cracking skulls, pretty girls, and doing things her own way.
Briar Rose is a prince under a sleeping curse, who’s been waiting a hundred years for the kiss that will wake him.
Cursed princes are nothing but ancient history to Fi–until she pricks her finger on a bone spindle while exploring a long-lost ruin. Now she’s stuck with the spirit of Briar Rose until she and Shane can break the century-old curse on his kingdom.
Dark magic, Witch Hunters, and bad exes all stand in her way–not to mention a mysterious witch who might wind up stealing Shane’s heart, along with whatever else she’s after. But nothing scares Fi more than the possibility of falling in love with Briar Rose.
Ryann is thrilled when her friend Stuart asks her to help him plan his last-minute wedding. He moved across the country over a year ago, and she misses him like crazy. As an executive with event planning experience, Ryann’s the best person to help him fulfill his wildest wedding dreams.
However, things in Colorado are not what she expects, especially Maddie, the maid of honor for the other groom. Maddie is attractive, and while she’s certainly Ryann’s type, she has some different ideas about the wedding. Also, flirting with her is incredibly distracting, especially when Ryann just wants to keep things professional. With just two weeks to the big event on Valentine’s Day, can Ryann help Stuart to wedded bliss, and avoid his well-intentioned attempts to set her up with Maddie?
Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery–from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love.
Three very different American families form the heart of Lost & Found the one that made Schulz’s father, a charming, brilliant, absentminded Jewish refugee; the one that made her partner, an equally brilliant farmer’s daughter and devout Christian; and the one she herself makes through marriage. But Schulz is also attentive to other, more universal kinds of conjunction: how private happiness can coexist with global catastrophe, how we get irritated with those we adore, how love and loss are themselves unavoidably inseparable. The resulting book is part memoir, part guidebook to living in a world that is simultaneously full of wonder and joy and wretchedness and suffering–a world that always demands both our gratitude and our grief.
Fun is the one thing Elsie Webb takes seriously. Though she’d be having a lot more of it if Haelstrom Media paid her enough to actually get out of debt. She’s determined to hold out on contract negotiations for her kids’ television show Fangley Heights until she gets what she deserves. There’s only one problem, the head of the network just died and left her future more uncertain than ever.
Forty-eight hours and one funeral–that’s all Jones Haelstrom has to get through before she can return to her life in LA that’s as ordered and sparse as an IKEA showroom. When she steps in as CEO of her father’s media company, Elsie Webb is her first problem to deal with. Elsie ends up challenging Jones in ways she never could have predicted, starting with an attraction neither can avoid.
As their attraction teeters on the edge of something more both agree to keep it casual. A no-strings agreement and disclosure to HR should be enough to keep things between Jones and Elsie from getting tangled, right?
Melanie Gate is a foundling with a peculiar talent for opening the unopenable—any lock releases at the touch of her hand. One night, her orphanage is visited by Traveler, a gearling automaton there on behalf of his magical mistress, who needs an apprentice pronto. When Melanie is selected because of her gift, her life changes in a flash, and in more ways than she knows—because Traveler is not at all what he seems. But then, neither is Melanie Gate.
So begins an epic adventure sparkling with magic, wit, secret identities, stinky cats, fierce orphan girls, impostor boys, and a foundling and gearling hotly pursued by the most powerful and dangerous wizard in the land.
Seventeen-year-old Mickey James III is a college freshman, a brother to five sisters, and a hockey legacy. With a father and a grandfather who have gone down in NHL history, Mickey is almost guaranteed the league’s top draft spot.
The only person standing in his way is Jaysen Caulfield, a contender for the #1 spot and Mickey’s infuriating (and infuriatingly attractive) teammate. When rivalry turns to something more, Mickey will have to decide what he really wants, and what he’s willing to risk for it.
This is a story about falling in love, finding your team (on and off the ice), and choosing your own path.
The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
Everyone in their village has magic in their bones, and Preet is the strongest of them all. Without any power of her own, how can Valissa ever be worthy of Preet’s love? When their home is attacked, Valissa has a chance to prove herself, but that means leaving Preet behind. On her own for the first time Preet breaks the village’s most sacred laws, and is rejected from the only home she’s ever known and sent into a new world.
Divided by different paths, insecurities, and distance, will Valissa and Preet be able to find their way back to each other?
This is the second book in the Page & Sommers series.
England, 1948: Semi-retired spy Leo Page and country doctor James Sommers team up to solve a decades-old mystery.
When James learns that an uncle he hasn’t heard from in ages has left him something in his will, he figures that the least he can do is head down to Cornwall for a weekend to honor the old man’s parting wishes. He finds the family home filled with half-remembered guests and unwanted memories, but more troubling is that his uncle has tasked his heirs with uncovering the truth behind a woman’s disappearance twenty years earlier.
Leo doesn’t like any of it. He’s just returned from one of his less pleasant missions and maybe he’s slightly paranoid about James’s safety, but he’s of the opinion that rich people aren’t to be trusted where wills are concerned. So he does what any sensible spy would do and infiltrates the house party.
Together they unravel a mystery that exposes long-standing family secrets and threatens to involve James more than either of them would like.
Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
A daring, category-confounding, and ruthlessly funny novel from National Book Award honored author Edmund White that explores polyamory and bisexuality, ageing and love.
Sicilian aristocrat and musician, Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two alternate reading the memoirs they’ve written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he’s had with men and women across his lifetime-most importantly his passionate affair with the author Edmund White.
Sweeping outward from the isolated Swiss ski chalet where the couple reads to travel through Europe and the United States, White’s new novel pushes for a broader understanding of sexual orientation and pairs humor and truth to create his most fascinating and complex characters to date. As in all of White’s earlier novels, this is a searing, scintillating take on physical beauty and its inevitable decline. But in this experimental new mode-one where the author has laid himself bare as a secondary character-White explores the themes of love and age through numerous eyes, hearts and minds.
Seventeen-year-old Brynn Riley is perfect. She’s on a hundred committees, has earned teacher’s pet in practically every class she’s ever taken, and is on track to make valedictorian—salutatorian if she REALLY slacks off, which, please.
But one night, Brynn makes a mistake.
A big one.
Why wouldn’t the cops show up on the one night she’s ever cut loose in her life? Why wouldn’t she be assigned community service for one tiny mistake (something she would DIE over if word ever got out)? And why, of all things, wouldn’t a boy from school happen to work at the pitbull rescue she chooses to do her community service hours at?
Oliver West’s dad owns the rescue. And Oliver works there as his second in command. And Brynn and Oliver both know that she absolutely screwed him out of a major opportunity at school not twenty-four hours before she shows up for her community service.
If Brynn doesn’t want her secret spilled and her sterling reputation ruined, she’d better start taking Oliver seriously. He’ll keep quiet if she helps him land this project (since she ruined it, after all), which requires Brynn to give up her own spot in the running.
As the two get closer, the stakes begin to shift. Brynn starts to want Oliver for more than the community service checkmark, and Oliver, as it turns out, takes Brynn Riley very, very seriously. But, well…you know what they say.
Nothing brings people together like blackmail, pit bulls, and court-ordered community service.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
Emanuela has finally gotten what she’s always wanted. Since escaping her catacomb prison, she’s become the supreme ruler of everything under the veils. Finally, she has the power to throw aside senseless, old traditions and run things exactly the way they should be.
But when cracks in her magic start to show, Emanuela begrudgingly allies herself with her enemies, including her frustratingly alluring archnemesis, Verene. Together, they discover deeper truths about the mysterious blood magic Emanuela and Verene both wield. There is a higher, otherworldly authority outside the veils, and in order to save Occhia and the other realms, Emanuela may just have to rip another crown off someone’s head.
Sixteen-year-old Dylan Highmark thought his winter was going to be full of boring shifts at the Dairy Queen, until he finds himself in love with a boy who’s literally too hot to handle.
Dylan has always wanted a boyfriend, but the suburbs surrounding Philadelphia do not have a lot in the way of options. Then, in walks Jordan, a completely normal (and undeniably cute) boy who also happens to run at a cool 110 degrees Fahrenheit. When the boys start spending time together, Dylan begins feeling all kinds of ways, and when he spikes a fever for two weeks and is suddenly coughing flames, he thinks he might be suffering from something more than just a crush. Jordan forces Dylan to keep his symptoms a secret. But as the pressure mounts and Dylan becomes distant with his closest friends and family, he pushes Jordan for answers. Jordan’s revelations of why he’s like this, where he came from, and who’s after him leaves Dylan realizing how much first love is truly out of this world. And if Earth supports life that breathes oxygen, then love can only keep Jordan and Dylan together for so long.
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.
The move goes so well that Stevie starts her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. She rekindles a romance with her high school sweetheart, Brad. Things are better than ever—except for the complicated past Stevie can’t seem to outrun.
Who was responsible for the high school scandal that caused her life to take a nosedive 20 years earlier? Why is she so secretive about the circumstances of her father’s death? Why are her feelings for her ex-friend Chris so mystifying? Is she gay? Is she an alcoholic? If she’s done drinking, then why can’t she declutter the wine bottles from her car?
The second book in a feminist space opera duology that follows the team of seven rebels who will free the galaxy from the ruthless Tholosian Empire–or die trying.
After an ambush leaves the Novantae resistance in tatters, the survivors scatter across the galaxy. Wanted by two great empires, the bounty on any rebel’s head is enough to make a captor filthy rich. And the seven devils? Biggest score of them all. To avoid attacks, the crew of Zelus scavenge for supplies on long-abandoned Tholosian outposts.
Not long after the remnants of the rebellion settle briefly on Fortuna, Ariadne gets a message with unimaginable consequences: the Oracle has gone rogue. In a planned coup against the Empire’s new ruler, the AI has developed a way of mass programming citizens into mindless drones. The Oracle’s demand is simple: the AI wants One’s daughter back at any cost.
Time for an Impossible to Infiltrate mission: high chance of death, low chance of success. The devils will have to use their unique skills, no matter the sacrifice, and pair up with old enemies. Their plan? Get to the heart of the Empire. Destroy the Oracle. Burn it all to the ground.
A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.
What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations.
Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a “category” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose life, work, and activism drive home that very category.
At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX’s Pose, Tucker’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
Set in Vienna from 1910 to 1946, All of You Every Single One is an atmospheric, original, and deeply moving novel about family, freedom, and how true love might survive impossible odds. Julia Lindqvist, a woman unhappily married to a famous Swedish playwright, leaves her husband to begin a passionate affair with a female tailor named Eve. The pair run away together and settle in the more liberal haven of Vienna, where they fall in love, navigate the challenges of their newfound independence, and find community in the city’s Jewish quarter. But Julia’s yearning for a child throws their fragile happiness into chaos and threatens to destroy her life and the lives of those closest to her. Ada Bauer’s wealthy industrialist family have sent her to Dr. Freud in the hope that he can cure her mutism—and do so without a scandal. But help will soon come for Ada from an unexpected place, changing many lives irrevocably.
Through the lives of her queer characters, and against the changing backdrop of one of the greatest cities of the age, Hitchman asks what it’s like to live through oppression, how personal decisions become political, and how far one will go to protect the ones they love. Moving across Europe and through decades, Hitchman’s sophomore novel is an intensely poignant portrait of life and love on the fringes of history.
When bookish young American Sylvia Beach opens Shakespeare and Company on a quiet street in Paris in 1919, she has no idea that she and her new bookstore will change the course of literature itself.
Shakespeare and Company is more than a bookstore and lending library: Many of the prominent writers of the Lost Generation, like Ernest Hemingway, consider it a second home. It’s where some of the most important literary friendships of the twentieth century are forged—none more so than the one between Irish writer James Joyce and Sylvia herself. When Joyce’s controversial novel Ulysses is banned, Beach takes a massive risk and publishes it under the auspices of Shakespeare and Company.
But the success and notoriety of publishing the most infamous and influential book of the century comes with steep costs. The future of her beloved store itself is threatened when Ulysses‘ success brings other publishers to woo Joyce away. Her most cherished relationships are put to the test as Paris is plunged deeper into the Depression and many expatriate friends return to America. As she faces painful personal and financial crises, Sylvia—a woman who has made it her mission to honor the life-changing impact of books—must decide what Shakespeare and Company truly means to her.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Originally published in the UK, this is the US version.
Dundalk—The Town, to locals—took Aoife in when she left home at eighteen. Now she’s gone from a small-time slinger of hash to a bona fide player in Dundalk’s criminal underworld. Aoife’s smart, savvy, and cool under pressure. Except, that is, when it comes to Annie. Annie is mysterious and compelling, and Aoife is desperate to impress her and keep her close.
Unfortunately, not everyone in The Town shares Aoife’s opinion of Annie. So much so that when Aoife’s friend and associate, the Rat King, approaches her about off-loading ten kilos of stolen coke, he specifically tells her to keep Annie out of it. Aoife doesn’t want to do the job without Annie, though, so she lands on an idea. Annie has contacts in the UK, and sure it’d be better to get the coke as far away from Dundalk as possible. At first, everything goes to plan. But when Annie decides she’d like to stay in the UK, Aoife makes a decision that changes everything, and finds her whole world turned upside down.
The first openly nonbinary contestant on America’s favorite cooking show falls for their clumsy competitor in this delicious romantic comedy debut “that is both fantastically fun and crack your heart wide open vulnerable.” (Rosie Danan, author of The Roommate)
Recently divorced and on the verge of bankruptcy, Dahlia Woodson is ready to reinvent herself on the popular reality competition show Chef’s Special. Too bad the first memorable move she makes is falling flat on her face, sending fish tacos flying—not quite the fresh start she was hoping for. Still, she’s focused on winning, until she meets someone she might want a future with more than she needs the prize money.
After announcing their pronouns on national television, London Parker has enough on their mind without worrying about the klutzy competitor stationed in front of them. They’re there to prove the trolls—including a fellow contestant and their dad—wrong, and falling in love was never part of the plan.
As London and Dahlia get closer, reality starts to fall away. Goodbye, guilt about divorce, anxiety about uncertain futures, and stress from transphobia. Hello, hilarious shenanigans on set, wedding crashing, and spontaneous dips into the Pacific. But as the finale draws near, Dahlia and London’s steamy relationship starts to feel the heat both in and outside the kitchen—and they must figure out if they have the right ingredients for a happily ever after.
It’s 1999, and Samantha has danced for years at the Lovely Lady strip club. She’s not used to taking anyone under her wing―after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident―but find only one body.
Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love.
The Falcon and the Foe by A.J. Truman (January 24th)
Two single dads. One huge grudge. And one tiny tent.
It’s hard enough balancing two jobs with raising my son solo. Forget dating. I barely have time for laundry.
But when my son’s scouting troop The Falcons needed a co-scout leader, I couldn’t say no. There’s just one ginormous problem: the other scout leader Russ.
To all other parents, he’s #DadGoals, Mr. Sexy Widower who lords over the drop off line.
To me? He’s the bane of my picket-fenced existence – stuck up, anal (not in the fun way), and definitely the person who got me booted from the Parent Teacher Association. I can’t let him wrest control of The Falcons and have history repeat itself – no matter how hot he looks in his khaki uniform.
Thing is, the more we work together, the more I glimpse the caring man lurking under the cold exterior. Maybe he isn’t the completely wretched human being I thought.
We’d both sworn off romance to focus on fatherhood, and nothing’s going to change that, not even sharing a too-small tent in the wilderness.
When Alex and Elana move from small-town Virginia to El Paso, they are just a young married couple, each the other’s best friend, intent on a new beginning. Born in Mexico but adopted by white American Pentecostal parents, Alex is hungry to learn about the place where he was born. He spends every free moment across the border in Juárez—perfecting his Spanish, hanging with a collective of young activists, and studying Mexican professional wrestling, “lucha libre,” for his graduate work in sociology. Though Elana has enrolled at the local university as well, she feels disillusioned by academia and struggles to find her place in their new home. She also has no idea that Alex has fallen in love with Mateo, a lucha libre fighter.
When Alex goes missing and Elana can’t determine whether he left of his own accord or was kidnapped, it’s clear that neither of them is able to face who they really are. Spanning their journey from Virginia to Texas to Mexico, Mesha Maren’s thrilling and fiercely intelligent follow-up to Sugar Run takes us from missionaries to wrestling matches to a luxurious cartel compound, and deep into the psychic choices that shape our identities.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
At thirty-seven years old, Stevie Green has had it with binge drinking and sleeping with strange men. When her mother asks her to return to her hometown of La Jolla, California, to help her move into a new house, she’s desperate enough to say yes.
The move goes so well that Stevie starts her own decluttering business. She stops drinking. She hires her formerly estranged sister, Bonnie, to be her business partner. She rekindles a romance with her high school sweetheart, Brad. Things are better than ever—except for the complicated past Stevie can’t seem to outrun.
Who was responsible for the high school scandal that caused her life to take a nosedive 20 years earlier? Why is she so secretive about the circumstances of her father’s death? Why are her feelings for her ex-friend Chris so mystifying? Is she gay? Is she an alcoholic? If she’s done drinking, then why can’t she declutter the wine bottles from her car?
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
Valentine Layton, the Duke of Malvern, has twin problems: literally.
It was always his father’s hope that Valentine would marry Miss Arabella Tarleton. But, unfortunately, too many novels at an impressionable age have caused her to grow up…romantic. So romantic that a marriage of convenience will not do and after Valentine’s proposal she flees into the night determined never to set eyes on him again.
Arabella’s twin brother, Mr. Bonaventure “Bonny” Tarleton, has also grown up…romantic. And fully expects Valentine to ride out after Arabella and prove to her that he’s not the cold-hearted cad he seems to be.
Despite copious misgivings, Valentine finds himself on a pell-mell chase to Dover with Bonny by his side. Bonny is unreasonable, overdramatic, annoying, and…beautiful? And being with him makes Valentine question everything he thought he knew. About himself. About love. Even about which Tarleton he should be pursuing.
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
Two years ago, Csorwe and Shuthmili risked the anger of the wizard Belthandros Sethennai to gain their freedom. Now, they make their living exploring relic worlds of the ancient serpent empire of Echentyr. They think they’re prepared for anything―but when one of their expeditions releases an Echentyri soldier who has slept undisturbed since the fall of her homeland, they are thrown back into a conflict that has lain dormant for thousands of years. Shuthmili will give anything to protect the woman and the life that she loves, but as events spiral out of control, she is torn between clinging to her humanity and embracing her eldritch power.
Meanwhile, Tal Charossa returns to Tlaanthothe to find that Sethennai has gone missing. Tal wants nothing to do with his old boss and former lover, so when a magical catastrophe befalls the city, Tal tries to run rather than face his past―but he soon learns that something even worse may lurk in the future. Throughout the worlds of the Echo Maze, fragments of an undead goddess begin to awaken, and not all confrontations can be put off forever . . .
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.
Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
When shy, sensitive Laura Stearns arrives at St. Dunstan’s Academy in Maine, she dreams that life there will echo her favorite novel, All Before Them, the sole surviving piece of writing by Byronic “prep school prophet” (and St. Dunstan’s alum) Sebastian Webster, who died at nineteen, fighting in the Spanish Civil War. She soon finds the intensity she is looking for among the insular, Webster-worshipping members of the school’s chapel choir, which is presided over by the charismatic, neurotic, overachiever Virginia Strauss. Virginia is as fanatical about her newfound Christian faith as she is about the miles she runs every morning before dawn. She expects nothing short of perfection from herself—and from the members of the choir.
Virginia inducts the besotted Laura into a world of transcendent music and arcane ritual, illicit cliff-diving and midnight crypt visits: a world that, like Webster’s novels, finally seems to Laura to be full of meaning. But when a new school chaplain challenges Virginia’s hold on the “family” she has created, and Virginia’s efforts to wield her power become increasingly dangerous, Laura must decide how far she will let her devotion to Virginia go.
Chef’s Kiss by Jarrett Melendez (Author), Danica Brine (Illustrator), Hank Jones (Colorist), Hassan Otsmane-Elhaou (Letterer) (March 1st)
Now that college is over, English graduate Ben Cook is on the job hunt looking for something…anything…related to his passion for reading and writing. But interview after interview, hiring committee after hiring committee, Ben soon learns getting the dream job won’t be as easy as he thought. Proofreading? Journalism? Copywriting? Not enough experience. It turns out he doesn’t even have enough experience to be a garbage collector! But when Ben stumbles upon a “Now Hiring—No Experience Necessary” sign outside a restaurant, he jumps at the chance to land his first job. Plus, he can keep looking for a writing job in the meantime. He’s actually not so bad in the kitchen, but he will have to pass a series of cooking tests to prove he’s got the culinary skills to stay on full-time. But it’s only temporary…right?
When Ben begins developing a crush on Liam, one of the other super dreamy chefs at the restaurant, and when he starts ditching his old college friends and his old writing job plans, his career path starts to become much less clear.
When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
It’s four in the morning, and our narrator is walking home from the club when they realise that it’s February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago.
Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal.
A story of idealism, activism, and systemic corruption, centered on a naïve young woman’s quest for agency in a world ravaged by climate change.
Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever.
And then she finds a book in Sylvia’s library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group’s leader, author Roy Adams, is missing, and the compound’s public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope’s mission—but at what cost?
1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride.
1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful–a woman to be shunned, beaten, and much worse.
With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.
On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
With its riveting and audacious vision, My Volcano is a tapestry on fire, a distorted and cinematic new work from the fiercely talented John Elizabeth Stintzi.
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers.
When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn mapsof the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them.
In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape…
As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father’s recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his twenty-year high school reunion, where he runs into the long-lost characters of his youth.
Jeremy, his first love, is now married with two children after having been incarcerated and recovering from addiction. Paul, who Andrés has long suspected of having killed a man in a homophobic attack, is now an Evangelical minister and father of five. And Simone, Andrés’s best friend, is in a psychiatric institution following a diagnosis of schizophrenia. During this short stay, Andrés confronts these relationships, the death of his brother, and the many sacrifices his parents made to offer him a better life.
The Four Realms—Life, Death, Light, and Darkness—all converge on the city of dusk. For each realm there is a god, and for each god there is an heir.
But the gods have withdrawn their favor from the once vibrant and thriving city. And without it, all the realms are dying.
Unwilling to stand by and watch the destruction, the four heirs—Risha, a necromancer struggling to keep the peace; Angelica, an elementalist with her eyes set on the throne; Taesia, a shadow-wielding rogue with rebellion in her heart; and Nik, a soldier who struggles to see the light— will sacrifice everything to save the city.
On Crow Island, people whisper, real magic lurks just below the surface. New to the idyllic summer getaway, Annie Mason is confident those are only rumors. Magic—the kind that leaves soldiers shell shocked and families heartbroken—has been prohibited since the war ended. Now, the closest anyone gets are party tricks designed for the rich and aimless.
Neither real magic nor faux magic interests Annie. Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one.
Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor.
Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of Crow Island’s extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.
Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they fall in love, they dream of finding somewhere they belong, while Mungo works hard to hide his true self from all those around him, especially from his big brother Hamish, a local gang leader with a brutal reputation to uphold. But the threat of discovery is constant and the punishment unspeakable. And when several months later Mungo’s mother sends him on a fishing trip to a loch in Western Scotland, together with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to try to get back to a place of safety, a place where he and James might still have a future.
In 1966, Sissily travels across Kansas with an older man, the father of one of her schoolfriends. On their way to California to begin a life together, he insists on stopping at his family ranch to see his mother. This family reunion is a painful reminder for Sissily about the truth about her own heritage, but she also sees a woman who, decades later, is still scarred by the great depression.
In 1947, Nella’s family relocates to Kansas from Milwaukee, and during the summer before her senior year, begins an interracial relationship with a white man called Lucky. They can only meet in secret, or as Lucky is in a wheelchair sometimes Nella pretends to be his nurse. When three white men stumble upon “Nurse Nella” one catastrophic afternoon, the violence of a racist society forces Nella to face the reality of their situation.
In 1933, at the height of the dust bowl and brutal jackrabbit roundups, surrounded by violence and starvation, Greta finds love with another farm woman. Their clandestine encounters will be unsustainable for obvious reasons but will have consequences for generations. A novel told in three parts, New to Liberty showcases the growth and strength of three unforgettable women as they evolve in a society that refuses to. In lustrous prose, DeMisty Bellinger brings the quiet, but treacherous landscape to life, offering a snapshot of mid-century America and keeping readers guessing until the end as to how these three women are connected.
Lia Harris is tired of being the odd one out. She’s never quite fit in with her uptight family, and now that her roommates have all found love, she’s starting to feel like a third wheel in her own apartment. Fed up with her mother’s constant meddling in her love life, Lia drops hints about a girlfriend she doesn’t have. But with her brother’s London nuptials approaching, she needs to find a date to save face. Lia turns to her best friend, Rosie, for help, and Rosie delivers–with the fun, gorgeous Grace Poston.
Grace loves to have a good time, hiding her insecurities behind a sunny smile. Her recent move to London has provided her with a much-needed fresh start. Grace isn’t looking for love, and she hates weddings, having weathered more than her fair share of heartache. Friendships are different, though, so for Rosie’s sake, she reluctantly agrees to pose as Lia’s adoring girlfriend for the wedding festivities.
Both Grace and Lia are prepared for an awkward weekend, complete with prying family members and a guest room with only one bed. As it turns out, they get along well–spectacularly, in fact. Before they know it, the chemistry they’re faking feels all too real. But is their wedding weekend a fleeting performance or the rehearsal for a love that’s meant to last?
She left all she knew to find who she could be . . .
She grows up in the wild wood, in a cave with her mother, but visions of a faraway lake drift to her on the spring breeze, scented with promise. And when she hears a traveler speak of Artos, king of Caer Leon, she decides her future lies at his court. So, brimming with magic and eager to test her strength, she breaks her covenant with her mother and sets out on her bony gelding for Caer Leon.
With her stolen hunting spear and mended armour, she is an unlikely hero, not a chosen one, but one who forges her own bright path. Aflame with determination, she begins a journey of magic and mystery, love, lust and fights to death. On her adventures, she will steal the hearts of beautiful women, fight warriors and sorcerers, and make a place to call home.
After twelve years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person.
Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more out of love—she begins to question: What if the love of her life isn’t the man she married. What if it’s Jane?
There are three things you need to know about Preston “PK” Kingsley:
He’s a writer, toiling in obscurity as an editorial assistant at a New York City publishing house.
He is not a cliché. No, really.
He’s been secretly in love with his best friend, Art, since they once drunkenly kissed in college.
When Art moves in with PK following a bad breakup, PK hopes this will be the moment when Art finally sees him as more than a friend. But Art seems to laugh off the very idea of them in a relationship, so PK returns to his writing roots—in fiction, he can say all the things he can’t say out loud.
In his book, PK can be the perfect boyfriend.
Before long, it seems like the whole world has a crush on the fictionalized version of him, including Art, who has no idea that the hot new book everyone’s talking about is PK’s story. But when his brilliant plan to win Art over backfires, PK might lose not just his fantasy book boyfriend, but his best friend.
Mallory is a freshman in college, reeling from her mother’s recent death, when she encounters the woman. She sees her for the first time at the university’s gym, immediately entranced. Soon, they meet, drawn by an electric tension and shared past wounds; before long, they begin sleeping together in secret. Self-possessed, successful, brilliant, and aloof—the woman is everything Mallory wants…and wants to be. Desiring not only the woman but also the idea of who she is when they’re together, Mallory retreats from the rest of the world, solidifying a sense of aloneness that has both haunted and soothed her since childhood and will continue to do so for years even after the affair ends. As an adult, Mallory must decide whether to stay safely in isolation or step fully into the world, to confront what the woman meant to her and how their relationship shaped her, for better or worse.
Mallory’s life is transformed by loss and by love and by discovering who she is while enduring both. In this enthralling debut novel, the complexities of influence, obsession, and admiration reveal how desire and its consequences can alter the trajectory of someone’s life.
Dear (never-been-quite-over-you) Crush,
It’s been a few years since we were together,
but I can’t stop thinking about the time we almost…
Wren Roland has never been kissed, but he wants that movie-perfect ending more than anything. Feeling nostalgic on the eve of his birthday, he sends emails to all the boys he (ahem) loved before he came out. Morning brings the inevitable Oh God What Did I Do?, but he brushes that panic aside. Why stress about it? None of his could-have-beens are actually going to read the emails, much less respond. Right?
Enter Derick Haverford, Wren’s #1 pre-coming-out-crush and his drive-in theater’s new social media intern. Everyone claims he’s coasting on cinematic good looks and his father’s connections, but Wren has always known there’s much more to Derick than meets the eye. Too bad he doesn’t feel the same way about the infamous almost-kiss that once rocked Wren’s world.
Whatever. Wren’s no longer a closeted teenager; he can survive this. But as their hazy summer becomes consumed with a special project that may just save the struggling drive-in for good, Wren and Derick are drawn ever-closer…and maybe, finally, Wren’s dream of a perfect-kiss-before-the-credits is within reach.
Life is going well for Greg Kelly. He’s married to the handsome and kind Cristian, a Spanish-born artist who is also a talented cook. Greg’s work as a translator for an IT startup allows them to live comfortably in a stylish Bushwick two bedroom and enjoy just about all NYC has to offer―including sleeping with other men, since Greg and Cristian’s marriage has been open for the past few years. This arrangement has been particularly appealing to Greg and his exceptional sexual appetite. Now approaching their mid-thirties, fatherhood calls and they enlist a friend to act as surrogate.
In order to focus on building a family, Greg and Cristian decide to close up the marriage when the baby arrives. Greg is going to miss his hookups, but at least he has the summer for one last hurrah. He methodically plans his hookups via Grindr and Tinder, carefully coordinates train routes for quick lunchtime hookups, and scouts potential candidates anywhere, anytime, like an old time Hollywood casting director.
As their baby’s due date draws closer, anxiety sets in over Greg’s impending parental responsibilities, the loss of his sexual freedom, and even his marriage to Cristian. But before he can sort out his feelings, a spurned hook-up reappears―Russell, an arrogant tv producer, who had wanted a relationship with Greg. And the problem is, Russell just won’t go away, infiltrating himself into Greg’s life in the worst ways possible, threatening his marriage and sanity. Greg is left asking, what does it mean to find happiness but still crave more?
If sex is a truth-teller, Eve—a young, queer woman in Brooklyn—is looking for answers. On an evening when she is feeling particularly impulsive, she posts some nude photos of herself online. This is how Eve meets Olivia, and through Olivia, the charismatic Nathan—and soon the three begin a relationship that disturbs Eve as much as it delights her. As each act of the affair unfolds, Eve is left to ask: to whom is she responsible? And to what extent do our desires determine who we are?
Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish and chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. However, a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “antiquated” terms of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well.
Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant non-binary artist whom he’s known since childhood, and their extravagant group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to face the demons he’s spent his entire life trying to repress. Is he really fine, after all?
“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart.
Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash.
Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become?
Morgan Flowers just wants to hide. Raised by their neurodivergent father, Morgan has grown up haunted by the absence of their mysterious mother Zoe, especially now, as they navigate their gender identity and the turmoil of first love. Their father Julian has raised Morgan with care, but he can’t quite fill the gap left by the dazzling and destructive Zoe, who fled to Europe on Morgan’s first birthday. And when Zoe is dumped by her girlfriend Brigid, she suddenly comes crashing back into Morgan and Julian’s lives, poised to disrupt the fragile peace they have so carefully cultivated.
Through it all, Julian and Brigid have become unlikely pen-pals and friends, united by the knowledge of what it’s like to love and lose Zoe; they both know that she hasn’t changed. Despite the red flags, Morgan is swiftly drawn into Zoe’s glittering orbit and into a series of harmful missteps, and Brigid may be the only link that can pull them back from the edge.
Two years ago, Miss Viola Carroll seized the chance to live as her true self—at the cost of cutting nearly all ties to her past. Presumed to have died at the battle of Waterloo, she instead has taken a position as a lady’s companion. Yet when she discovers her childhood companion, the Duke of Gracewood, blames himself for her death, she realizes that history cannot be so neatly set aside. She barely recognizes the darkly brooding man Gracewood has become . . . but beneath his guilt and shame, she sees the ghost of her old friend.
Only now an incendiary attraction burns between them . . .
Justin de Vere, Duke of Gracewood, lost everything when his best friend died: his health, his faith, and his joy in the world. But when family machinations bring Viola Carroll back into his life, he begins believing that his heart is far from dead. He is desperate to prove himself capable of providing Viola with the life she deserves, but after losing so much of himself to grief, he fears he has nothing left to give.
If they are to embrace a future together, Gracewood must move past his grief. But if there is one truth Viola knows, it is the precariousness of desire. Can they both put aside their fear and heartache and nurture a new love from the ashes of their old friendship?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
In this delightful debut collection of prize-winning stories, queer, gender-nonconforming, and trans characters struggle to find love and forgiveness, despite their sometimes comic, sometimes tragic mistakes.
In one story, a young lesbian tries to have a baby with her lover using an unprofessional sperm donor and a high-powered, rainbow-colored cocktail. In another, a fifth-grader explores gender identity by dressing as an ox—instead of a matriarch—for a class Oregon Trail reenactment. Meanwhile a nonbinary person on the eve of top surgery dangerously experiments with an open relationship during the height of the COVID crisis.
With insight and compassion, debut author Lydia Conklin takes their readers to a meeting of a queer feminist book club and to a convention for trans teenagers, revealing both the dark and lovable sides of their characters. The stories in RainbowRainbow will make you laugh and wince, sometimes at the same time.
Suddenly jobless and single after a devastating layoff followed by a breakup with his cheating ex, advertising copywriter Dominick Gibson flees Hell’s Kitchen and finds himself trying get his life back on track in his hometown of Detroit, where he’s got one objective in mind: To exit the shallow gay dating pool ASAP and be married by 35—and he’s only got two years left.
Dom’s best friend Troy Clements, an idealistic teacher who never left the Motor City, finds himself at odds with all the men in his life: A troubled boyfriend he’s desperate to hold onto, a perpetually dissatisfied father, and his other best friend, Remy. Remy Patton is a rags-to-riches real estate agent in town with his own problems—namely choosing between making it work with a long-distance paramour or settling with a local Mr. Right Now that’s not quite Mr. Right—but his friendship with Troy may be compromised over his latest high-stakes deal.
Follow these three men as they confront their evolving friendship, but also individual hiccups—workplace microaggressions, bad Tinder dates, situationships, frenemies, learning the Tamia hustle—while attempting to navigate the new and changing Detroit.
When Sara Foster runs away from home at sixteen, she leaves behind the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern, yearning for the beauty and community her Creole grandparents cultivated but unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena and embarks on an affair with the married owner.
The morning Emilie and Sara first meet at Yerba Buena, their connection is immediate. But the damage both women carry, and the choices they have made, pulls them apart again and again. When Sara’s old life catches up to her, upending everything she thought she wanted just as Emilie has finally gained her own sense of purpose, they must decide if their love is more powerful than their pasts.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
Robin and Ellie have been best friends since childhood. When Robin came out, Ellie was there for her. When Ellie’s father died, Robin had her back. But when Ellie asks Robin to be her maid of honor, she is reluctant. A queer academic, Robin is dubious of the elaborate wedding rituals now sweeping the nation, which go far beyond champagne toasts and a bouquet toss. But loyalty wins out, and Robin accepts.
Yet, as the wedding weekend approaches, a series of ominous occurrences lead Robin to second-guess her decision. It seems that everyone in the bridal party is out to get her. Perhaps even Ellie herself.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
At her day job in a Christian bakery and with her conservative family, Amy plays the role of a straight, church-going young woman—exactly what’s expected in mid-2010s Tulsa, Oklahoma, the “Buckle of the Bible Belt.” But at night, she tends bar at the only place in town that truly feels like home: Ruby Red’s, a lovably grungy queer bar with a group of regulars who have become her chosen family. Amy’s spent a lifetime learning how to walk this fine line, placing others before herself so effortlessly that she doesn’t even realize she’s lost touch with her own needs and desires.
Still, everything seems more than fine, especially when Amy falls into a whirlwind romance with Charley, a charming newcomer to Tulsa. But then Amy is suddenly outed and subsequently fired from her bakery job. When a new friend begs her to fill in for one of the bridesmaids at her wedding—and offers to pay Amy more than she makes in a single night at Ruby Red’s—she can’t afford to turn it down. As her relationship with Charley heats up, this one-off opportunity turns into a full-time business, thanks to Amy’s baking talents, crafting skills, and expert ability to become whatever other people need her to be.
Between weddings, bachelorette parties, bridal showers, and dress fittings, Amy’s in her element, her years of watching rom-coms and Say Yes to the Dress finally paying off. But at what cost? Gay marriage is not legal, yet she’s playing the role of a straight girl, working hard to facilitate strangers’ special days even while she’s secretly dreaming of her own potential wedding day with Charley. When Amy’s precarious balancing act strains her relationships to a breaking point, she must decide what it looks like to be true to herself—and if she has the courage to try.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.
At the dawn of their adolescence, on the eve of the summer solstice, four young girls–Helena, Leonie, Niamh and Elle–took the oath to join Her Majesty’s Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is now the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she’s a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.
To her own dismay, Lou is a natural model: tall, thin, captivatingly androgynous, and with a striking look. Out of nowhere, every agent in the Portland area wants to represent her. But Lou doesn’t care for fashion, nor does she wish to be seen. Fresh out of high school, Lou’s plan is to spend the summer taking photographs and hoping to catch the attention of Ivy, her close friend and secret crush.
But when an afternoon hiking trip ends in a tragic accident, Lou finds herself lost, ridden with guilt, and unsure how to connect with her friends. Determined to find a purpose, Lou steps into the dizzying world of modeling auditions, commercial shoots, shockingly expensive haute couture, and runways in New York, Paris, and Milan. It’s a whirlwind of learning how to walk, how to command her body and its movements, and how to manage her newfound fame. But in the dazzling flash of the camera and the thrill of seeing her face giant-size on billboards, Lou begins to worry that she’s losing her identity-as a person, as an artist, and as a young woman still in love with the girl she left behind.
If you’ve been searching for smutty, fearless, gender diverse erotica written by affirming own-voices folks who get it, then this is the book you’ve been looking for Packed with explicit erotic stories from trans and nonbinary gender diverse writers, Heckin’ Lewd celebrates sexual nonconformity, queerness, nontraditional relationship structures, and unrestrained lust, pleasure, and kink.
In the first book of a visionary African- and Arabian-inspired fantasy trilogy, three womenband together against a cruel empire that divides people by blood.
Red is the blood of the elite, of magic, of control. Blue is the blood of the poor, of workers, of the resistance. Clear is the blood of the slaves, of the crushed, of the invisible.
Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.
Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But dust always rises in a storm.
Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution.
As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn.
Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court–the body-father of the queen’s new child–in an altercation which results in his humiliation.
To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin.
The world is ending, and down-and-out sadist Lee spends their days working for a big corporation and their nights wandering the streets of Brooklyn listening to true crime podcasts. But everything changes when Lee is dragged to a warehouse party by their best friend, where they find themself in the clutches of the seductive and bloodthirsty X. When Lee seeks her out again, she’s nowhere to be found.
Amid the steady constriction of civil rights and the purging of migrants and refugees, the U.S. government has recently begun encouraging the semi-voluntary “exporting” of undesirable citizens—the radicalized, the dissident, and the ungovernable. Word has it that X may be among those leaving. If Lee doesn’t track her down soon, she may be gone forever.
Amy Chambers: restaurant owner, micromanager, control freak.
Amy will do anything to revive her ailing restaurant, including hiring a former reality-show finalist with good connections and a lot to prove. But her hopes that Sophie’s skills and celebrity status would bring her restaurant back from the brink of failure are beginning to wane…
Sophie Brunet: grump in the kitchen/sunshine in the streets, took thirty years to figure out she was queer.
Sophie just wants to cook. She doesn’t want to constantly post on social media for her dead-in-the-water reality TV career, she doesn’t want to deal with Amy’s take-charge personality and she doesn’t want to think about what her attraction to her boss might mean…
Then, an opportunity: a new foodie TV show might provide the exposure they need. An uneasy truce is fine for starters, but making their dreams come true means making some personal and painful sacrifices and soon, there’s more than just the restaurant at stake.
With the horrors of the summer and the Girl Killer behind her, Louise Lloyd is eager to usher in her 28th year with her girlfriend and best friend by her side.
When Nora Davies, one of the girls Louise was kidnapped with, reintroduces herself, Louise is wary to connect. By the next morning, Nora will be dead, Rosa Maria Moreno covered in her blood, and no one can remember what happened.
With Rosa Maria’s freedom on the line, Louise must get to the bottom of Nora’s death before time runs out.
Red White & Royal Blue meets Jonathan Strange and Mr. Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies.
Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known.
Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it—not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.
Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles—and a secret that more than one person has already died to keep.
Canadian goalie Maisy Goode is wary of American Jen Donato and her dirty playing. She’s been on the receiving end of Jen’s aggressive style and doesn’t like it one bit. Now that they’re on the same women’s pro team, keeping her eyes off Jen is a struggle.
Jen signed up to win it all with the Boston Ice. Her very public clashes with their hot goalie aren’t going to derail her championship plans. Jen’s a professional. But there’s just something about Maisy that gets under her skin.
The media loves the tension, but the more time Maisy and Jen are forced to spend together, the more they discover what’s between them isn’t entirely hostile.
At all.
Banter turns into flirting, and flirting turns into more. The closer they get to the playoffs, the more pressure weighs on the team—and the couple. Maisy needs Jen’s support. Jen needs to know Maisy’s all in. And it all needs to get sorted out before the season—and their relationship—closes out.
When Jay starts eighth grade with a few pimples he doesn’t think much of it at first…except to wonder if the embarrassing acne will disappear as quickly as it arrived. But when his acne goes from bad to worse, Jay’s prescribed a powerful medication that comes with some serious side effects. Regardless, he’s convinced it’ll all be worth it if clear skin is on the horizon!
Meanwhile, school isn’t going exactly as planned. All of Jay’s friends are in different classes; he has no one to sit with at lunch; his best friend, Brace, is avoiding him; and–to top it off–Jay doesn’t understand why he doesn’t share the same feelings two of his fellow classmates, a boy named Mark and a girl named Amy, have for him.
Eighth grade can be tough, but Jay has to believe everything’s going to be a-okay…right?
To save the Library of the Unwritten in Hell, former librarian Claire and her allies may have to destroy it first.
Claire, rakish Hero, angel Rami, and muse-turned-librarian Brevity have accomplished the impossible by discovering the true nature of unwritten books. But now that the secret is out, in its quest for power Hell will be coming for every wing of the Library.
To protect the Unwritten Wing and stave off the insidious reach of Malphas, one of Hell’s most bloodthirsty generals, Claire and her friends will have to decide how much they’re willing to sacrifice to keep their vulnerable corner of the afterlife. Succeeding would mean rewriting the nature of the Library, but losing would mean obliteration. Their only chance at survival lies in outwitting Hell and writing a new chapter for the Library. Luckily, Claire and her friends know how the right story, told well, can start a revolution.
Faith Herbert can finally admit that she’s not a regular teen. Thankfully, her two best friends, Matt and Ches, are now in on her superhero secret. But after the chaos of her first semester, Faith just wants to end her senior year on a normal note—enjoying all the hallmarks of graduating high school—like prom! And, possibly, getting to attend college in the fall.
A new teacher has taken over journalism class, and Faith is only occasionally reminded of the empty spot left by Colleen Bristow, the quiet nerd-turned-supervillain. That is, until Faith hears from Peter that other psiots have been going missing, and he suspects that her old classmate is somehow involved. Faith decides the only way to get to the bottom of it is to find Colleen—before enemies can get to her first.
As her search starts to collide with the memorable senior year she’s been hoping for, Faith learns that you gotta have faith…that sometimes fate will point you in the right direction.
In Borealis, Aisha Sabatini Sloan observes shorelines, mountains, bald eagles, and Black fellow travelers while feeling menaced by the specter of nature writing. She considers the meaning of open spaces versus enclosed ones and maps out the web of queer relationships that connect her to this quaint Alaskan town. Triangulating the landscapes she moves through with glacial backdrops in the work of Black conceptual artists and writers, Sabatini Sloan complicates tropes of Alaska to suggest that the excitement, exploration, and possibility of myth-making can also be twinned by isolation, anxiety, and boredom.
Borealis is the first book commissioned for the Spatial Species series, edited by Youmna Chlala and Ken Chen. The series investigates the ways we activate space through language. In the tradition of Georges Perec’s An Attempt at Exhausting a Place in Paris, Spatial Species titles are pocket-sized editions, each keenly focused on place. Instead of tourist spots and public squares, we encounter unmarked, noncanonical spaces: edges, alleyways, diasporic traces. Such intimate journeying requires experiments in language and genre, moving travelogue, fiction, or memoir into something closer to eating, drinking, and dreaming.
Grace Carter, a “source” of magic, has spent the last nine months searching for Maggie Mulvaney, her “catalyst.” The joy of reuniting with her partner—and her lover—is thwarted by her worst fear: Maggie doesn’t remember Grace or their life together. Grace blames the Order of Saint Teresa, the centuries-old organization that trained them to be the strongest demon-hunting duo in generations. But why has the Order done this?
As Maggie and Grace begin to piece their lives back together, they discover that their memories have been masked by someone within the Order, a demon who has been running their realm since Saint Teresa defeated the demon lord Ammemnion. Should the demon succeed in reviving Ammemnion, those in the Order who have committed their lives to slay worldly demons will be relegated to little more than minions as he enslaves humans completely.
Now, Grace and Maggie must sacrifice everything, possibly even their lives, as they take on the demon lord in an all-out battle to save humanity.
When Claire Draper’s fictional love story goes viral in the wake of a pandemic, the line between reality and fiction is blurred. But will she be able to tell the difference?
Claire is a junior in high school when a worldwide pandemic strikes, and she’s in the epicenter of it all in New York City. Suddenly, Claire is forced to isolate with her family indefinitely, which means she won’t be able to see her friends or even her girlfriend, Vanessa, in person for a long time.
At first it’s not so bad, but the longer the pandemic lasts, the more Claire feels her priorities changing. That’s when she looks outside her bedroom window and notices something new: A girl who lives in the building across the street sitting on her fire escape.
So Claire starts writing a story online about a girl who falls for the girl across the street. To Claire’s surprise, the story goes viral-and it seems people think it’s true. But how true is true? And what if Vanessa finds out? Will Claire be able to manage her newfound internet fame before everything spirals out of control?
In Eating Lightbulbs and Other Essays, Steve Fellner traces the seriocomic absurdities of his own mind, obsessed with family, mental illness, film, poetry, and gay sex. He’s in search of love wherever he can find it: An imaginary 1970s Cineplex movie theatre. Amoebas. A letter penned to the ghost of an environmental activist who killed himself. PrEP. Lava lamps. A famous queer poet who didn’t know he existed. The AIDS quilt. A book he wrote for his mother who was never able to read it. A co-ed sexual abuse support group. A baby shower. Fellner is always ready to subvert victim narratives even if he has to commit a few (or more than a few) acts of betrayal along the way. With both laugh out loud funny moments and refreshingly honest glimpses into the moments in life most of us would rather forget, Eating Lightbulbs appeals to our sense of self-preservation and the inherently flawed way we live and love.
It’s 1904 on an island just west of Norway, and Asta Hedstrom doesn’t want to marry her odious betrothed, Nils. But her mother believes she should be grateful for the possibility of any domestic future, given her single-sided deafness, unconventional appearance, and even stranger notions. Asta would rather spend her life performing in the village theater with her fellow outcasts: her best friend Gunnar Fuglestad and his secret boyfriend, wealthy Erlend Fournier.
But the situation takes a dire turn when Nils lashes out in jealousy—gravely injuring Gunnar. Shunning marriage for good, Asta moves with Gunnar and Erlend to their secluded cabin above town. With few ties left to their families, they have one shot at gaining enough kroner to secure their way of life: win the village’s annual horse race.
Despite Gunnar’s increasing misgivings, Asta and Erlend intend to prove this unheard-of arrangement will succeed. Asta trains as a blacksmith; Erlend cares for recovering Gunnar. But as race day approaches, the villagers’ hateful ignorance only grows stronger. With this year’s competition proving dangerous for the trio, Asta and Erlend soon find they face another equally deadly peril: the possibility of losing Gunnar, and their found family, forever.
Love in the Big City is the English-language debut of Sang Young Park, one of Korea’s most exciting young writers. A runaway bestseller, the novel hit the top five lists of all the major bookstores and went into nine printings. Both award-winning for its unique literary voice and perspective, and particularly resonant with young readers, it has been a phenomenon in Korea and is poised to capture a worldwide readership.
Told in four parts that recall the structure of Han Kang’s The Vegetarian, Love in the Big City is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.
A brilliantly written novel filled with powerful sensory descriptions and both humor and emotion, Love in the Big City is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Tao Lin, and Cho Nam-Joo.
After the publication of a salacious tell-all book, the remote city of Ilvernath is thrust into worldwide spotlight. Tourists, protesters, and reporters flock to its spellshops and ruins to witness an ancient curse unfold: every generation, seven families name a champion among them to compete in a tournament to the death. The winner awards their family exclusive control over the city’s high magick supply, the most powerful resource in the world.
In the past, the villainous Lowes have won nearly every tournament, and their champion is prepared to continue his family’s reign. But this year, thanks to the influence of their newfound notoriety, each of the champions has a means to win. Or better yet–a chance to rewrite their story.
Calvin by JR and Vanessa Ford, ill. by Kayla Harren (9th)
Calvin has always been a boy, even if the world sees him as a girl. He knows who he is in his heart and in his mind but he hasn’t yet told his family. Finally, he can wait no longer: I’m not a girl, he tells his family. I’m a boy–a boy in my heart and in my brain. Quick to support him, his loving family takes Calvin shopping for the swim trunks he’s always wanted and back-to-school clothes and a new haircut that helps him look and feel like the boy he’s always known himself to be. As the first day of school approaches, he’s nervous and the what-ifs gather up inside him. But as his friends and teachers rally around him and he tells them his name, all his what-ifs begin to melt away.
Inspired by the authors’ own transgender child and accompanied by warm and triumphant illustrations, this authentic and personal text promotes kindness and empathy, offering a poignant and inclusive back-to-school message: all should feel safe, respected, and welcomed.
When up-and-coming true crime podcaster Liza and her corporate financier wife Hanna head to a luxurious hotel in the Scottish Highlands, they’re hoping for a chance to rekindle their marriage – not to find themselves trapped in the middle of an Agatha Christie-esque murder mystery with no way home. But who better to take on the case than someone whose entire profession relies on an obsession with all things mysterious and macabre? Though some of her fellow guests may consider her an interfering new media hack, Liza knows a thing or two about crime and – despite Hanna’s preference for waiting out the chaos behind a locked door – might be the only one capable of discovering the killer. As the bodies rack up and the stakes rise, can they save their marriage — and their lives?
Born in Paris, Kentucky, and raised on her gram’s favorite country music, Cline Alden is a girl with big dreams and a heart full of song. When she finds out about a young musicians’ workshop a few towns over, Cline sweet-talks, saves, and maybe fibs her way into her first step toward musical stardom.
But her big dreams never prepared her for the butterflies she feels surrounded by so many other talented kids—especially Sylvie, who gives Cline the type of butterflies she’s only ever heard about in love songs.
As she learns to make music of her own, Cline begins to realize how much of herself she’s been holding back. But now, there’s a new song taking shape in her heart—if only she can find her voice and sing it.
Lena has a secret: the touch of her skin can kill. Cursed by a witch before she was born, Lena has always lived in fear and isolation. But after a devastating mistake, she and her father are forced to flee to a village near the Silence, a mysterious forest with a reputation for luring people into the trees, never to be seen again…
Until the night an enigmatic girl stumbles out of the Silence and into Lena’s sheltered world. Miranda comes from the Gather, a city in the forest brimming with magic. She is on a quest to wake a sleeping princess believed to hold the key to liberating the Gather from its tyrannical ruler—and she offers Lena a bargain. If Lena assists her on her journey, Miranda will help her break the curse.
Mesmerized by Miranda and her promise of a new life, Lena jumps at the chance. But the deeper into the Silence she goes, the more she suspects she’s been lied to—about her family’s history, her curse, and her future. As the shadows close in, Lena must choose who to trust and decide whether it’s more important to have freedom…or power.
Allison Hale had always played second fiddle. She didn’t win the science fair, have a million friends, or become the world’s best mom. That was her sister, Betsy. However, Ally’s managed to do something her sister couldn’t, connect her family’s failing business to the wealthy Carmichaels through her engagement to their son, Brent. All she has to do is plan the wedding of the century with the hottest wedding planner in town, Megan Kinkaid. How could she have ever guessed that Megan and her zest for life would threaten everything she’d carefully planned?
Megan Kinkaid knows how to produce a wedding for the history books and she’s not about to miss out on the chance to tackle high-profile Brent Carmichael’s. His fiancée, however, is not who Megan imagined for shiny Brent. Ally Hale is beautiful, earnest, selfless, and fun. She’s also everything Megan ever wanted for herself, and their chemistry hovers in the stratosphere. But can she make Ally see that there’s more to life than making others happy before it’s too late?
Nina is a Lipan girl in our world. She’s always felt there was something more out there. She still believes in the old stories.
Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he’s been cast from home. He’s found a new one on the banks of the bottomless lake.
Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli’s best friend, will drive their worlds together in ways they haven’t been in centuries.
And there are some who will kill to keep them apart.
Darcie Little Badger introduced herself to the world with Elatsoe. In A Snake Falls to Earth, she draws on traditional Lipan Apache storytelling structure to weave another unforgettable tale of monsters, magic, and family. It is not to be missed.
Seventeen-year-old Dinah runs her family’s farm in the Ozarks. When she finds her grief-stricken mother dead in the living room with wealthy rancher Gabriel Gates standing over her, Dinah’s life narrows to a single point: kill Gabriel Gates.
But Gates has built his wealth giving out bad loans and surrounds himself with bodyguards. Dinah’s mountains are now one giant foreclosure, including her own farm. It all belongs to him. Once he puts a ten-thousand-dollar reward on Dinah’s head, everyone in the starving county wants a piece of her.
Homeless and alone in the woods, all she has is Johnny, the moonshining bootlegger at home in the caves. He begs her to leave the mountains, to start over with a new life. But Dinah is hell-bent on sparking a county revolution. She’ll lose her life to see this killer dead.
Struggling with anxiety after witnessing a harrowing instance of gun violence, Manuel Soto copes through photography, using his cell-phone camera to find anchors that keep him grounded. His days are a lonely, latchkey monotony until he’s teamed with his classmates, Sebastian and Caysha, for a group project.
Sebastian lives on a grass-fed cattle farm outside of town, and Manuel finds solace in the open fields and in the antics of the newborn calf Sebastian is hand-raising. As Manuel aides his new friends in their preparations for the local county fair, he learns to open up, confronts his deepest fears, and even finds first love.
Lin Sukai finally sits on the throne she won at so much cost, but her struggles are only just beginning. Her people don’t trust her. Her political alliances are weak. And in the northeast of the Empire, a rebel army of constructs is gathering, its leader determined to take the throne by force.
Yet an even greater threat is on the horizon, for the Alanga – the powerful magicians of legend – have returned to the Empire. They claim they come in peace, and Lin needs their help to defeat the rebels and restore order.
This is the third and final book in the Girls of Paper and Fire trilogy.
The final pages of Girls of Storm and Shadow brought a jaw-dropping conclusion that had the fates of Lei and Wren hanging in uncertainty. But one thing was certain – the Hidden Palace was the last place that Lei would ever consider home. The trauma and tragedy she suffered behind those opulent walls would plague her forever. She could not be trapped there with the sadistic king again, especially without Wren.
The last Lei saw of the girl she loved, Wren was fighting an army of soldiers in a furious battle to the death. With the two girls torn apart and each in terrorizing peril, will they find each other again or have their destinies diverged forever?
All Mason wants to do is fall in love, get married and live happily ever after.
The hunt is beginning to wear him down…until he meets (slightly) famous fashion designer Diego. Everything sparks between them—the banter, the sex, the fiery eye contact across a crowded room.
There’s just one thing: Diego is already married and living his happily-ever-after, which luckily (or not) for Mason includes outside courtships.
But not quite in the way he’d always imagined.
Mason thought he knew what would make him happy, but it turns out the traditional life he’d expected has some surprises in store.