‘Twas the Night Before Pride by Joanna McLintick (text) and Juana Medina (illustration)
Small Town Pride by Phil Stamper (MG)
You Know Me Well by Nina LaCour and David Levithan (YA)
When You Get the Chance by Tom Ryan and Robin Stevenson (YA)
DC Pride by by Devin Grayson, Ivan Cohen, Tini Howard, Greg Lockard, Alyssa Wong, Stephanie Phillips, Danny Lore, Stephanie Williams, Jadzia Axelrod, Dani Fernandez, Kevin Conroy, Travis Moore, Ted Brandt, Ro Stein, and Nicole Maines (Comic Anthology)
It’s 1989 in New York City, and for three teens, the world is changing.
Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.
Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance…until she falls for Reza and they start dating.
Art is Judy’s best friend, their school’s only out and proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.
As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.
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New York Times bestselling author David Levithan tells the based-on-true-events story of Harry and Craig, two 17-year-olds who are about to take part in a 32-hour marathon of kissing to set a new Guinness World Record—all of which is narrated by a Greek Chorus of the generation of gay men lost to AIDS.
While the two increasingly dehydrated and sleep-deprived boys are locking lips, they become a focal point in the lives of other teen boys dealing with languishing long-term relationships, coming out, navigating gender identity, and falling deeper into the digital rabbit hole of gay hookup sites—all while the kissing former couple tries to figure out their own feelings for each other.
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Mira is just beginning her senior year of high school when she discovers her father with his male lover. Her world–and everything she thought she knew about her family–is shattered instantly. Unable to comprehend the lies, betrayal, and secrets that–unbeknownst to Mira–have come to define and keep intact her family’s existence, Mira distances herself from her sister and closest friends as a means of coping. But her father’s sexual orientation isn’t all he’s kept hidden. A shocking health scare brings to light his battle with HIV. As Mira struggles to make sense of the many fractures in her family’s fabric and redefine her wavering sense of self, she must find a way to reconnect with her dad–while there is still time.
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(And take note of two to preorder that release in May 2022)
The first thing I noticed about C.J. Gorman was his plexiglass bra.
So begins Destination Unknown — it’s 1987 in New York City, and Micah is at a dance club, trying to pretend he’s more out and outgoing than he really is. C.J. isn’t just out — he’s completely out there, and Micah can’t help but be both attracted to and afraid of someone who travels so loudly and proudly through the night.
A connection occurs. Is it friendship? Romance? Is C.J. the one with all the answers… or does Micah bring more to the relationship than it first seems? As their lives become more and more entangled in the AIDS epidemic that’s laying waste to their community, and the AIDS activism that will ultimately bring a strong voice to their demands, whatever Micah and C.J. have between them will be tested, strained, pushed, and pulled — but it will also be a lifeline in a time of death, a bond that will determine the course of their futures.
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Film fanatic Adam is seventeen and being asked out on his first date―and the guy is cute. Heart racing, Adam accepts, quickly falling in love with Callum like the movies always promised.
Fashion-obsessed Ben is eighteen and has just left his home upstate after his mother discovers his hidden stash of gay magazines. When he comes to New York City, Ben’s sexuality begins to feel less like a secret and more like a badge of honor.
Then Callum disappears, leaving Adam heartbroken, and Ben finds out his new world is more closed-minded than he thought. When Adam finally tracks Callum down, he learns the guy he loves is very ill. And in a chance meeting near the hospital where Callum is being treated, Ben and Adam meet, forever changing each other’s lives. As both begin to open their eyes to the possibilities of queer love and life, they realize sometimes the only people who can help you are the people who can really see you―in all your messy glory.
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You find the Lambda review here.
Small-town Appalachia doesn’t have a lot going for it, but it’s where Brian is from, where his family is, and where he’s chosen to return to die.
At eighteen, Brian, like so many other promising young gay men, arrived in New York City without much more than a love for the freedom and release from his past that it promised. But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.
Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, The Prettiest Star is part Dog Years by Mark Doty and part Tell the Wolves I’m Home by Carol Rifka Brunt. But it is also an urgent story now: it a novel about the politics and fragility of the body; it is a novel about sex and shame. And it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.
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Two years after his partner, Francesco, died, twenty-eight-year-old Kevin Doyle is dusting off his one good suit jacket for yet another funeral, yet another loss in their close-knit group. They had all been young, beautiful, and living the best days of their lives, though they didn’t know it. That was before New York City began to feel like a war zone, its horrors somehow invisible, and ignored by the rest of the world.
Some people might insist that Francesco is in a better place now, but Kevin definitely isn’t. He spends his days in a mind-numbing job and his evenings drunk in Francesco’s old apartment, surrounded by memories. Francesco made everything look easy, and without him, Kevin struggles to keep going. And then one night, he stops trying. When Kevin awakens in a hospital, he knows it’s time to move back home to Minnesota and figure out how to start living again—without Francesco.
With the help of a surviving partners support group and old and new friends, Kevin slowly starts to do just that. But an unthinkable family betrayal, and the news that his best friend is fighting for his life in New York, will force a reckoning and a defining choice.
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Woven into their stories is David Demchuk’s own personal history, a life lived in fear and in thrall to horror, a passion that boils over into obsession. As he tries to make sense of the relationship between queerness and horror, what it means for gay men to disappear, and how the isolation of the LGBTQ+ community has left them profoundly exposed to monsters that move easily among them, fact and fiction collide and reality begins to unravel.
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It’s 1980 in New York City, and nowhere is the city’s glamour and energy better reflected than in the burgeoning Harlem ball scene, where seventeen-year-old Angel first comes into her own. Burned by her traumatic past, Angel is new to the drag world, new to ball culture, and has a yearning inside of her to help create family for those without. When she falls in love with Hector, a beautiful young man who dreams of becoming a professional dancer, the two decide to form the House of Xtravaganza, the first-ever all-Latino house in the Harlem ball circuit. But when Hector dies of AIDS-related complications, Angel must bear the responsibility of tending to their house alone.
As the mother of the house, Angel recruits Venus, a whip-fast trans girl who dreams of finding a rich man to take care of her; Juanito, a quiet boy who loves fabrics and design; and Daniel, a butch queen who accidentally saves Venus’s life. The Xtravaganzas must learn to navigate sex work, addiction, and persistent abuse, leaning on each other as bulwarks against a world that resists them. All are ambitious, resilient, and determined to control their own fates, even as they hurtle toward devastating consequences.
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This is a new title in the Henry Rios series
Los Angeles, 1986.
A group of right-wing Christians has put an initiative on the November ballot to allow health officials to force people with HIV into quarantine camps―and it looks like it’s going to pass. Rios, now living in LA, agrees to be counsel for a group of young activists who call themselves QUEER [Queers United to End Erasure and Repression]. QUEER claims to be committed to peaceful civil disobedience. But when one of its members is implicated in the bombing of an evangelical church that kills its pastor, who publicly supported the quarantine initiative, Rios finds himself with a client suddenly facing the death penalty.
As Rios delves into the case, shocking secrets emerge about the victim, Rios’s client, QUEER, the highest echelons of the Los Angeles Police Department and the young man Rios falls in love with.
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A riveting, powerful telling of the story of the grassroots movement of activists, many of them in a life-or-death struggle, who seized upon scientific research to help develop the drugs that turned HIV from a mostly fatal infection to a manageable disease. Ignored by public officials, religious leaders, and the nation at large, and confronted with shame and hatred, this small group of men and women chose to fight for their right to live by educating themselves and demanding to become full partners in the race for effective treatments. Around the globe, 16 million people are alive today thanks to their efforts.
Not since the publication of Randy Shilts’s classic And the Band Played On has a book measured the AIDS plague in such brutally human, intimate, and soaring terms.
In dramatic fashion, we witness the founding of ACT UP and TAG (Treatment Action Group), and the rise of an underground drug market in opposition to the prohibitively expensive (and sometimes toxic) AZT. We watch as these activists learn to become their own researchers, lobbyists, drug smugglers, and clinicians, establishing their own newspapers, research journals, and laboratories, and as they go on to force reform in the nation s disease-fighting agencies.
With his unparalleled access to this community David France illuminates the lives of extraordinary characters, including the closeted Wall Street trader-turned-activist, the high school dropout who found purpose battling pharmaceutical giants in New York, the South African physician who helped establish the first officially recognized buyers club at the height of the epidemic, and the public relations executive fighting to save his own life for the sake of his young daughter.
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By the time Rock Hudson’s death in 1985 alerted all America to the danger of the AIDS epidemic, the disease had spread across the nation, killing thousands of people and emerging as the greatest health crisis of the 20th century. America faced a troubling question: What happened? How was this epidemic allowed to spread so far before it was taken seriously? In answering these questions, Shilts weaves the disparate threads into a coherent story, pinning down every evasion and contradiction at the highest levels of the medical, political, and media establishments.
Shilts shows that the epidemic spread wildly because the federal government put budget ahead of the nation’s welfare; health authorities placed political expediency before the public health; and scientists were often more concerned with international prestige than saving lives. Against this backdrop, Shilts tells the heroic stories of individuals in science and politics, public health and the gay community, who struggled to alert the nation to the enormity of the danger it faced. And the Band Played On is both a tribute to these heroic people and a stinging indictment of the institutions that failed the nation so badly.
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Every queer person lives with the trauma of AIDS, and this plays out intergenerationally. Usually we hear about two generations—the first, coming of age in the era of gay liberation, and then watching entire circles of friends die of a mysterious illness as the government did nothing to intervene. And now we hear about younger people growing up with effective treatment and prevention available, unable to comprehend the magnitude of the loss. But there is another generation between these two, one that came of age in the midst of the epidemic with the belief that desire intrinsically led to death, and internalized this trauma as part of becoming queer.
Between Certain Death and a Possible Future: Queer Writing on Growing up with the AIDS Crisis offers crucial stories from this missing generation in AIDS literature and cultural politics. This wide-ranging collection includes 36 personal essays on the ongoing and persistent impact of the HIV/AIDS crisis in queer lives. Here you will find an expansive range of perspectives on a specific generational story—essays that explore and explode conventional wisdom, while also providing a necessary bridge between experiences. These essays respond, with eloquence and incisiveness, to the question: How do we reckon with the trauma that continues to this day, and imagine a way out?
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In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world. Armed with rancor, desperation, intelligence, and creativity, it took on the AIDS crisis with an indefatigable, ingenious, and multifaceted attack on the corporations, institutions, governments, and individuals who stood in the way of AIDS treatment for all. They stormed the FDA and NIH in Washington, DC, and started needle exchange programs in New York; they took over Grand Central Terminal and fought to change the legal definition of AIDS to include women; they transformed the American insurance industry, weaponized art and advertising to push their agenda, and battled–and beat–The New York Times, the Catholic Church, and the pharmaceutical industry. Their activism, in its complex and intersectional power, transformed the lives of people with AIDS and the bigoted society that had abandoned them.
Based on more than two hundred interviews with ACT UP members and rich with lessons for today’s activists, Let the Record Show is a revelatory exploration–and long-overdue reassessment–of the coalition’s inner workings, conflicts, achievements, and ultimate fracture. Schulman, one of the most revered queer writers and thinkers of her generation, explores the how and the why, examining, with her characteristic rigor and bite, how a group of desperate outcasts changed America forever, and in the process created a livable future for generations of people across the world.
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The hidden history of a vulnerable gay man whose life and death were turned into tabloid fodder.
In the early 1990s, eight people living in a small conservative Florida town alleged that Dr. David Acer, their dentist, infected them with HIV. David’s gayness, along with his sickly appearance from his own AIDS-related illness, made him the perfect scapegoat and victim of mob mentality. In these early years of the AIDS epidemic, when transmission was little understood, and homophobia rampant, people like David were villainized. Accuser Kimberly Bergalis landed a People magazine cover story, while others went on talk shows and made front page news.
With a poet’s eulogistic and psychological intensity, Steven Reigns recovers the life and death of this man who also stands in for so many lives destroyed not only by HIV, but a diseased society that used stigma against the most vulnerable. It’s impossible not to make connections between this story and how the twenty-first century pandemic has also been defined by medical misinformation and cultural bias.
Inspired by years of investigative research into the lives of David and those who denounced him, Reigns has stitched together a hauntingly poetic narrative that retraces an American history, questioning the fervor of his accusers, and recuperating a gay life previously shrouded in secrecy and shame.
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R. Lee Fryar’s FLIPPING, pitched as an enemies-to-lovers mash-up of The Ghost and Mrs. Muir and The Money Pit, in which a gay ghost and a psychic house flipper duke it out over a haunted house with an agenda of its own, to Lisa Green at Mystic Owl, in a nice deal, for publication in November 2022.
Digital artist ‘s BLUEBIRD, in which a lesbian gunslinger fights spies in space, against her home faction, with a mysterious bounty hunter to protect her sister and the entire galaxy, to Gemma Creffield at Angry Robot, in a nice deal, for publication in February 2022, by Lauren Spieller at TriadaUS Literary Agency (world English).
Authors of THE GAY AGENDA and THE QUEER TAROT and owners of the Ash + Chess stationery store Ashley Molesso and Chess Needham’s ABC-DECONSTRUCTING GENDER, an illustrated ABC book, with each page featuring a word and then an illustration that shows that words can be neutral or not tied to one specific gender, disrupting the notion that words are typically gendered or related to either “masculine” or “feminine” associations, drawn in their singular brightly colored, risographed style, to Julie Matysik at Running Press Kids, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).
Author of A LESSON IN VENGEANCE Victoria Lee’s THE GIRL THAT TIME FORGOT, pitched as a sapphic The Umbrella Academy with time travel, in which a teenage girl, one of five adepts training in a mysterious new magic, discovers that her fellow adepts have recently murdered someone and are planning to kill again, to Krista Marino at Delacorte, for publication in spring 2023, by Holly Root and Taylor Haggerty at Root Literary (NA).
‘s STUNT GIRL, in which real-life historical figure Nell Nelson—one of the early undercover female journalists called stunt girls—investigates working conditions in the garment factories of New York City in the summer of 1888, while also falling in love with real-life historical figure and queer icon Alice Austen, the first female street photographer, illustrated by , to Andrea Colvin at Little, Brown Children’s, for publication in winter 2025, by Wendi Gu at Sanford J. Greenburger Associates for the author, and by Tanya McKinnon at McKinnon Literary for the illustrator (world).
Lambda, Stonewall, and PEN Center USA Literary award-winning author ‘s DESTINATION UNKNOWN, a story about two teen boys—one bold and headstrong, one hesitant and yearning—who find each other in 1987 New York City and try to figure out love, sex, and identity as AIDS decimates and galvanizes the gay community, to David Levithan at Scholastic, for publication in May 2022, by Linda Epstein at Emerald City Literary Agency (NA).
Composer Edward Underhill’s debut ALWAYS THE ALMOST, about a trans classical pianist who resolves to spend his junior year winning back his ex-boyfriend and defeating his arch-nemesis at the biggest piano competition of the year, only to have his carefully-laid plans in both love and music disrupted when a new boy moves to town and makes a play for his heart, pitched as for fans of Becky Albertalli and Phil Stamper, to Sylvan Creekmore at Wednesday Books, in a very nice deal, in a two-book deal, for publication in spring 2023, by Patricia Nelson at Marsal Lyon Literary Agency (world).
Minister of outreach and media strategy at Middle Church Benjamin Perry’s LEARNING TO CRY: AN INTIMATE HISTORY OF OUR TEARS–AND HOW THEY MIGHT CHANGE THE WORLD, in which a queer minister and activist explores our rich legacy of weeping, why we stopped crying, and how tears can change both our culture and our future, to Valerie Weaver-Zercher at Broadleaf, for publication in spring 2023 (world).
British journalist, editor, and artist ‘s THE TRANSGENDER ISSUE: AN ARGUMENT FOR JUSTICE, an overview of the oppression faced by transgender people, the relationship of trans rights to feminism and gay and lesbian liberation, and a call for a trans rights movement that can bring a more joyful world for us all, with a new introduction for US readers, to Jessie Kindig at Verso, in a nice deal, for publication in September 2022, by Emma Paterson at Aitken Alexander (NA).
Author of I THINK I LOVE YOU ‘s debut THE SISTER SPLIT, pitched as a reverse Parent Trap, in which a young girl teams up with her future step sister to create a plan full of hijinks that will stop their parents from getting married, so she doesn’t have to move away from the city and leave her best friend – a girl – she’s starting to develop feelings for behind, to Kelsey Horton at Delacorte, in an exclusive submission, for publication in spring 2023, by Penny Moore at Aevitas Creative Management (world).
Alex Kahler writing as K.R. Alexander’s GALLOWGATE, set in a school for banishing wayward ghosts, where a haunted boy finds forbidden magic, otherworldly foes, fierce friends, and queer romance, to David Levithan at Scholastic, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).
Hayden Stone’s AN UNEXPECTED KIND OF LOVE, pitched as Notting Hill but queer, in which an uptight bookseller stumbles headlong into a relationship with the actor whose movie is filming in his family’s struggling shop, to Heather Howland at Entangled Embrace, in a two-book deal, for publication in fall 2021 (world).
Booker winner for SHUGGIE BAIN Douglas Stuart’s YOUNG MUNGO, a portrayal of working-class life and a suspenseful story of the dangerous first love of two young men born under different stars—a Protestant and a Catholic—who should be sworn enemies if they’re to be seen as men at all, again to Peter Blackstock at Grove/Atlantic, for publication on April 5, 2022, by Anna Stein at ICM (NA).
Author of SEVEN SUSPECTS and A KIND OF JUSTICE Renee James’s BEATNIKKI’S CAFE, in which a middle-aged transgender business woman tries to keep a low profile, but when a goon assaults her business partner, she reduces him to a bloody mess—and suddenly, she and everyone close to her are targets of a revenge-minded thug who is ruthless, clever, and unbound by any moral code, to Michael Nava at Amble, in a nice deal, for publication in March 2022, by Tina Schwartz at The Purcell Agency (world English).
Bronwyn Fischer’s THE RED FERN POEM, pitched as a queer CONVERSATIONS WITH FRIENDS or a modern THE PRICE OF SALT, following a first-year university student and an older woman whose unexpected interest in her sparks an all-consuming and insidious love affair, exploring youthful self-consciousness, self-delusion, and self-definition, to Abby Muller at Algonquin, for publication in spring 2023, by Sam Hiyate at The Rights Factory (world, excl. Canada and UK).
Lambda Literary Award Finalist, GLAAD Media Award winner, and author of REAL QUEER AMERICA Samantha Allen’s PATRICIA WANTS TO CUDDLE, a contemporary horror comedy novel pitched as queer Grendel for the Instagram era, following a group of contestants on a reality television dating competition as they compete for love, and their lives, while on a remote island that’s home to an elusive and woefully misunderstood creature, to Sareena Kamath at Zando, at auction, by Leila Campoli at Stonesong (world English).
Author of HOW TO LIVE IN DETROIT WITHOUT BEING A JACKASS Aaron Foley’s BOYS COME FIRST, about the lives of 30-something Black gay men navigating love, life, and career in Detroit as they confront their evolving friendship and individual hiccups, including workplace micro-aggressions, bad Tinder dates, situationships and frenemies, while attempting to maintain their Blackness in America’s comeback city and the ever-changing expectations of homosexuality in structures largely architected by white gay men, to Anne Trubek at Belt, in a nice deal, for publication in May 2022 (US).
AJ Mason’s KLOUD 9, a queer space opera graphic novel about a lonely orphan trying to keep himself afloat with odd jobs, and an extraterrestrial star soldier who, after falling in love, are forced to go on the run and flee the solar system, joined by a motley crew, illustrated by Dominic Bustamante, to Erika Turner at IDW Publishing, in a three-book deal, for publication in 2023, by Britt Siess at Britt Siess Creative Management (world).
Author of THE CAMINO CLUB Kevin Craig’s BOOK OF DREAMS, in which a young man is given a book by a mysterious bookseller and falls into its pages, and must find an escape before he becomes a chapter in its horrific narrative; and WHERE IS ETHAN SINCLAIR, in which two young men try to solve the puzzling disappearance of a friend by studying his blog, only to unravel a mystery that sets them on a path to fight for justice for their missing friend—and hopefully bring him home safe, to Annie Harper at Duet, in a nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2022 (world). Rights: MJ Courchesne at Gryphon Publishing Consulting
Rose Szabo’s WE ALL FALL DOWN, the first book in the River City duology, about a city where magic used to thrive and four queer young people are cast as archetypal figures—the maiden, the hero, the monster, and the witch—in an age-old ritual that will revive the flow of magic, even though none of them quite fit the roles thrust upon them and in the end discover that they can only stay true to themselves, to Trisha de Guzman at Farrar, Straus Children’s, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in spring 2022, by Jennifer Azantian at Azantian Literary Agency (world English).
Author of ENTER TITLE HERE (as Rahul Kanakia) and WE ARE TOTALLY NORMAL Naomi Kanakia’s JUST HAPPY TO BE HERE, about an Indian American trans girl who transfers from her prestigious all-boys’ school to the sister school that she’s always idealized, and has to decide whether she’s content to be treated like a second-class citizen or whether to risk her place by demanding that her school live up to its own principles, to Stephanie Guerdan at Harper Teen, for publication in spring 2023, by Christopher Schelling at Selectric Artists (world).
Amanda DeWitt’s ACES WILD, in which a character pitched as a modern asexual Kaz Brekker assembles a crew of ace teens he met through fandom forums and leads them on a Las Vegas heist to prove his incarcerated mother was set up by a rival casino owner, to Ashley Hearn at Peachtree Teen, in a nice deal, for publication in fall 2022, by Cate Hart at Harvey Klinger (world).
Lambda Literary Award finalist and author of RUNNING WILD Lucy Jane Bledsoe’s NO STOPPING US NOW, pitched as Mrs. America meets A League of Their Own, where a 17-year-old girl whose chance encounter with Gloria Steinem inspires her to fight for her public school to actually follow the new Title IX law, facing a menacing coach and navigating her feelings for a fellow teammate in the process; a story about the joy of sports and the power of sisterhood based on the author’s own activism as a champion athlete in 1970s Portland, Oregon, to Kat Georges at Three Rooms Press, for publication in spring 2022 to coincide with the 50th anniversary of Title IX’s passage, by Reiko Davis at DeFiore and Company (world).
Editor of KINDRED Michael Earp, ed.’s fully illustrated untitled YA queer fairy tales anthology, which interprets original fairy tales with a queered ideology, questioning the heteronormative culture from which these traditional stories come and how that is perpetuated when left unexamined; contributors include Amie Kaufman, Mackenzi Lee, Dean Atta, Will Kostakis, Lily Wilkinson, Sophie Gonzales, Alison Evans, Alexandra Villasante, Abdi Nazemian, Gary Lonesborough, and James Brandon, to Meg Whelan at Affirm Press, by Ben Fowler at Abner Stein, on behalf of Taryn Fagerness Agency and Linda Epstein at Emerald City Literary Agency (world).
Journalist, critic, and host of Crooked Media’s podcast Keep It Ira Madison III’s PURE INNOCENT FUN, a collection of essays that explores popular culture of the 1990s and earlier through the author’s perspective and lived experience as a Black, gay TV writer and cultural critic, to Jamia Wilson at Random House, at auction, by Erin Malone at William Morris Endeavor (NA).
National Endowment for the Arts, MacDowell, Yaddo, and Michener Center for Writers fellow ‘s LEG: THE STORY OF A LIMB AND THE BOY WHO GREW FROM IT, a memoir that grapples with family, disability, illness, and coming of age in two closets–as a gay man and as a man living with cerebral palsy–while exploring with trenchant humor what it means to “transform” when there are parts of yourself you cannot change, pitched in the vein of Ryan O’Connell meets David Sedaris, to Zachary Knoll at Simon & Schuster, in a pre-empt, by Hannah Brattesani at Friedrich Agency (NA).
Slate journalist June Thomas’s WHERE ARE ALL THE LESBIANS?, a cultural history, celebration, and critical look at queer women’s communities in the second half of the 20th century, to Seal Press, at auction.
Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.
Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.
Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?
Cool for the Summer is a story of self-discovery and new love. It’s about the things we want and the things we need. And it’s about the people who will let us be who we are.
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Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
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Congregation Beth Abraham expected their newest rabbi to “sing some songs and go to an environmental rally.” But Vivian Green has other ideas. She wants her flock to engage meaningfully with their city-special mayoral elections, interfaith breakfasts, fights for affordable housing and all. Also, she would like just one night off to go dancing in the leather boots that make her look like her finest gay self.
Taking on the city’s old boys’ club is already proving difficult…but then Beth Abraham bursts into flames. Fingers get pointed, and everyone’s biases rise to the surface. It turns out that wasn’t the only fire burning in town.
Vivian sticks to her instincts, raising tensions with her boss, her community, and a certain hottie in a power suit. And she learns that knowing whodunnit is only half the battle.
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In the former United States, sixteen-year-old Noam Álvaro wakes up in a hospital bed, the sole survivor of the viral magic that killed his family and made him a technopath. His ability to control technology attracts the attention of the minister of defense and thrusts him into the magical elite of the nation of Carolinia.
The son of undocumented immigrants, Noam has spent his life fighting for the rights of refugees fleeing magical outbreaks—refugees Carolinia routinely deports with vicious efficiency. Sensing a way to make change, Noam accepts the minister’s offer to teach him the science behind his magic, secretly planning to use it against the government. But then he meets the minister’s son—cruel, dangerous, and achingly beautiful—and the way forward becomes less clear.
Caught between his purpose and his heart, Noam must decide who he can trust and how far he’s willing to go in pursuit of the greater good.
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Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting.
Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey.
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Dev has been with xyr service submissive Noam for seven years and xe loves them very much. Dev and Noam have built a good life together in Noam’s family home in Oakland, where they both can practice their magecraft, celebrate the high holidays in comfort, support each other as their disabilities flare, and where Noam can spend Shabbos with their beloved family ghost.
But Dev’s got a problem: xe has been in so much arthritis pain recently that xe has not been able to shield properly. As an empath, no shielding means Dev cannot safely touch Noam. That has put a strain on their relationship, and it feels like Noam is pulling away from xym. To top it off, Dev has just had an upsetting dream-vision about xyrself and Noam that caused one of the biggest meltdowns xe has had in a while. It’s only with a timely tarot reading and the help of another genderfluid mage that Dev is able to unpack the situation. Can xe figure out how to address the issues in xyr relationship with Noam before everything falls apart?
In a nuclear arms race, you’d use anything for an edge. Even magic.
Ilse and Wolf Klein bear many secrets. Genius Ilse is unsure if her parents will ever accept her love of physics. Her brother Wolf strives for a quiet life, though he worries that there’s no place in the world for people like him. But their deepest secret lies within their blood: with it, they can work magic.
Blackmailed into service during World War II, Ilse lends her magic to America’s newest weapon, the atom bomb, while Wolf goes behind enemy lines to sabotage Germany’s nuclear program. It’s a dangerous mission, but if Hitler were to create the bomb first, the results would be catastrophic.
When Wolf’s plane is shot down, his entire mission is thrown into jeopardy. Wolf needs Ilse’s help to develop the magic that will keep him alive, but with a spy afoot in Ilse’s laboratory, the secret letters she sends to Wolf begin to look treasonous. Can Ilse prove her loyalty—and find a way to help her brother—before their time runs out?
Loyalties and identities will be tested in this sweeping fantasy and a fast-paced thriller that bravely explores the tensions at the dawn of the nuclear age.
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In Sarahland, Sam Cohen brilliantly and often hilariously explores the ways in which traditional stories have failed us, both demanding and thrillingly providing for its cast of Sarahs new origin stories, new ways to love the planet and those inhabiting it, and new possibilities for life itself. In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving “Sarah” gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, “Sarah” will continue.
In each Sarah’s refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.
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Seventeen-year-old Amalia Yaabez and Ezra Holtz couldn’t be more different. They’ve known (and avoided) each other their whole lives; she unable to stand his buttoned-up, arrogant, perfect disposition, and he unwilling to deal with her slacker, rule-breaking way of moving through the world.
When they are unhappily paired on an AP Psychology project, they come across an old psychological study that posits that anyone can fall in love with anyone, if you put them through the right scientific, psychological steps. They decide to put that theory to the test for their project, matching couples from different walks of high school life to see if science really can create love.
As they go through the whirlwind of the experiment, Ezra and Amalia realize that maybe it’s not just the couples they matched who are falling for each other . . .
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Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn’t come at a worse time—threatening Emma’s promotion and Jo’s new movie.
As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment”.
With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all…but is acting on the spark between them worth fanning the gossip flames?
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Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It’s where he met his best friends. It’s where he takes to the stage in the big musical. And it’s where he fell for Hudson Aaronson-Lim – who’s only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.
This year, though, it’s going to be different. Randy has reinvented himself as ‘Del’ – buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he’s determined to get Hudson to fall for him.
But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn’t know who he truly is?
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Queen Shulamit never expected to inherit the throne of the tropical land of Perach so young. At twenty, grief-stricken and fatherless, she’s also coping with being the only lesbian she knows after her sweetheart ran off for an unknown reason. Not to mention, she’s the victim of severe digestive problems that everybody thinks she’s faking. When she meets Rivka, an athletic and assertive warrior from the north who wears a mask and pretends to be a man, she finds the source of strength she needs so desperately.
Unfortunately for her, Rivka is straight, but that’s okay — Shulamit needs a surrogate big sister just as much as she needs a girlfriend. Especially if the warrior’s willing to take her around the kingdom on the back of her dragon in search of other women who might be open to same-sex romance. The real world outside the palace is full of adventure, however, and the search for a royal girlfriend quickly turns into a rescue mission when they discover a temple full of women turned to stone by an evil sorcerer.
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Matt hasn’t eaten in days.
His stomach stabs and twists inside, pleading for a meal. But Matt won’t give in. The hunger clears his mind, keeps him sharp—and he needs to be as sharp as possible if he’s going to find out just how Tariq and his band of high school bullies drove his sister, Maya, away.
Matt’s hardworking mom keeps the kitchen crammed with food, but Matt can resist the siren call of casseroles and cookies because he has discovered something: the less he eats the more he seems to have . . . powers. The ability to see things he shouldn’t be able to see. The knack of tuning in to thoughts right out of people’s heads. Maybe even the authority to bend time and space.
So what is lunch, really, compared to the secrets of the universe?
Matt decides to infiltrate Tariq’s life, then use his powers to uncover what happened to Maya. All he needs to do is keep the hunger and longing at bay. No problem. But Matt doesn’t realize there are many kinds of hunger… and he isn’t in control of all of them.
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Intimacy has always eluded twenty-seven-year-old Maggie Krause—despite being brought up by married parents, models of domestic bliss—until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris’s will, five sealed envelopes, each addressed to a mysterious man she’s never heard of.
In an effort to run from her own grief and discover the truth about Iris—who made no secret of her discomfort with her daughter’s sexuality—Maggie embarks on a road trip, determined to hand-deliver the letters and find out what these men meant to her mother. Maggie quickly discovers Iris’s second, hidden life, which shatters everything Maggie thought she knew about her parents’ perfect relationship. What is she supposed to tell her father and brother? And how can she deal with her own relationship when her whole world is in freefall?
Told over the course of a funeral and shiva, and written with enormous wit and warmth, All My Mother’s Lovers is the exciting debut novel from fiction writer and book critic Ilana Masad. A unique meditation on the universality and particularity of family ties and grief, and a tender and biting portrait of sex, gender, and identity, All My Mother’s Lovers challenges us to question the nature of fulfilling relationships.
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Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it.
Ben thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things.
But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them?
Maybe nothing. After all, they get separated.
Maybe everything. After all, they get reunited.
But what if they can’t quite nail a first date . . . or a second first date . . . or a third?
What if Arthur tries too hard to make it work . . . and Ben doesn’t try hard enough?
What if life really isn’t like a Broadway play?
But what if it is?
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For fans of George and Ivy Aberdeen’s Letter to the World, a heartfelt coming of age story about a nonbinary character navigating a binary world.
Twelve-year-old Ana-Marie Jin, the reigning US Juvenile figure skating champion, is not a frilly dress kind of kid. So, when Ana learns that next season’s program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.
Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn’t correct him and finds comfort in this boyish identity when he’s around. As their friendship develops, Ana realizes that it’s tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.
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Senior Ariel Stone is the perfect college applicant: first chair violin, dedicated community volunteer, and expected valedictorian. He works hard – really hard – to make his life look effortless. A failed Calculus quiz is not part of that plan. Not when he’s number one. Not when his peers can smell weakness like a freshman’s body spray.
Figuring a few all-nighters will preserve his class rank, Ariel throws himself into studying. His friends will understand if he skips a few plans, and he can sleep when he graduates. Except Ariel’s grade continues to slide. Reluctantly, he gets a tutor. Amir and Ariel have never gotten along, but Amir excels in Calculus, and Ariel is out of options.
Ariel may not like Calc, but he might like Amir. Except adding a new relationship to his long list of commitments may just push him past his limit.
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I can’t believe there’s going to be a gay Jewish president.
As my mother said this, she looked at my father, who was still staring at the screen. They were shocked, barely comprehending.
Me? I sat there and beamed.
Everything seems to be going right in Duncan’s life: The candidate he’s been supporting for president has just won the election. Duncan’s boyfriend, Jimmy, is with him to celebrate. Love and kindness appear to have won the day.
But all too quickly, things start to go wrong. The election is called into question… and Duncan and Jimmy’s relationship is called into question, too. Suddenly Duncan has to decide what he’s willing to risk for something he believes in… and how far he’s willing to go to hold on to the people we hold dear.
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Abby Stein was raised in a Hasidic Jewish community in Brooklyn, isolated in a culture that lives according to the laws and practices of eighteenth-century Eastern Europe, speaking only Yiddish and Hebrew and shunning modern life. Stein was born as the first son in a dynastic rabbinical family, poised to become a leader of the next generation of Hasidic Jews.
But Abby felt certain at a young age that she was a girl. She suppressed her desire for a new body while looking for answers wherever she could find them, from forbidden religious texts to smuggled secular examinations of faith. Finally, she orchestrated a personal exodus from ultra-Orthodox manhood to mainstream femininity-a radical choice that forced her to leave her home, her family, her way of life.
Powerful in the truths it reveals about biology, culture, faith, and identity, Becoming Eve poses the enduring question: How far will you go to become the person you were meant to be?
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Goldengrove’s towers and twisted chimneys rose at the very edge of the peaceful Weald, a stone’s throw from the poisonous marshes and merciless waters of Rye Bay. Young Tabby Palethorp had been running wild there, ever since her mother grew too ill to leave her room.
I was the perfect choice to give Tabby a good English education: thoroughly respectable and far too plain to tempt her lonely father, Sir Kit, to indiscretion.
I knew better than to trust my new employer with the truth about my past. But knowing better couldn’t stop me from yearning for impossible things: to be Tabby’s mother, Sir Kit’s companion, Goldengrove’s new mistress.
All that belonged to poor Lady Palethorp. Most of all, I burned to finally catch a glimpse of her.
Surely she could tell me who had viciously defaced the exquisite guitar in the music room, why all the doors in the house were locked after dark, and whose footsteps I heard in the night…
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A deeply polarized and ungovernable United States of America has separated into two nations―the God Fearing States (GFS) and the United Progressive Regions (UPR).
Judith Braverman, a teenager living in an Orthodox Jewish community in the GFS, is not only a talented artist accomplished in the ancient craft of papercutting, she also has the gift of seeing into peoples’ souls―and can tell instantly if someone is good or evil.
Jeffrey Schwartz has no love for religion or conformity and yearns to escape to the freedom of the UPR. When he’s accepted into an experimental pen pal program and paired with Dani Fine, an openly queer girl in the UPR, he hopes that he can finally find a way out.
As danger mounts and their alarm grows, Judith embeds a secret code in her papercuts so that she and Jeffrey can tell Dani what’s happening to Jews in the GFS without raising suspicions from the government. When the three arrange a quick, clandestine meeting, Jeffrey is finally faced with the choice to flee or to stay and resist. And Judith is reeling from a pull toward Dani that is unlike anything she has ever felt before.
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When an unprecedented hurricane devastates the city of Houston, Noah Mishner finds shelter in the Dallas Mavericks’ basketball arena. Though he finds community among other queer refugees, Noah fears his trans and Jewish identities put him at risk with certain “capital-T” Texans. His fears take form when he starts seeing visions of his great- grandfather Abe, who fled Nazi Germany as a boy. As the climate crisis intensifies and conditions in the shelter deteriorate, Abe’s ghost grows more powerful. Ultimately, Noah must decide whether he can trust his ancestor — and whether he’s willing to sacrifice his identity and community in order to survive.
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Would-be amusement park aficionado Dalia only has two items on her summer bucket list: (1) finally ride a roller coaster and (2) figure out how to make a new best friend. But when her dad suddenly announces that he’s engaged, Dalia’s schemes come to a screeching halt. With Dalia’s future stepsister Alexa heading back to college soon, the grown-ups want the girls to spend the last weeks of summer bonding–meaning Alexa has to cancel the amusement park road trip she’s been planning for months. Luckily Dalia comes up with a new plan: If she joins Alexa on her trip and brings Rani, the new girl from her swim team, along maybe she can have the perfect summer after all. But what starts out as a week of funnel cakes and Lazy River rides goes off the rails when Dalia discovers that Alexa’s girlfriend is joining the trip. And keeping Alexa’s secret makes Dalia realize one of her own: She might have more-than-friend feelings for Rani.
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Lilah Silver’s a young actress who dreams of climbing out of B-list stardom. She’s been cast as the “final girl” in what could be her breakout performance…but if she wants to prove herself to everyone who ever doubted her, she’s going to need major help along the way.
Noa Birnbaum may be a brilliant makeup artist and special effects whiz-kid, but cracking into the union is more difficult than she imagined. Keeping everyone happy is a full-time job, and she’s already run ragged. And yet when the beautiful star she’s been secretly crushing on admits to fears of her own, Noa vows to do everything in her power to help Lilah shine like never before.
Long hours? Exhausting work? No problem. Together they can take the world by storm…but can the connection forged over long hours in the makeup chair ever hope to survive the glare of the spotlight?
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Chicago, 1893. For Alter Rosen, this is the land of opportunity, and he dreams of the day he’ll have enough money to bring his mother and sisters to America, freeing them from the oppression they face in his native Romania.
But when Alter’s best friend, Yakov, becomes the latest victim in a long line of murdered Jewish boys, his dream begins to slip away. While the rest of the city is busy celebrating the World’s Fair, Alter is now living a nightmare: possessed by Yakov’s dybbuk, he is plunged into a world of corruption and deceit, and thrown back into the arms of a dangerous boy from his past. A boy who means more to Alter than anyone knows.
Now, with only days to spare until the dybbuk takes over Alter’s body completely, the two boys must race to track down the killer—before the killer claims them next.
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Aster, the protector
Violet, the favorite
Tansy, the medic
Mallow, the fighter
Clementine, the catalyst
THE GOOD LUCK GIRLS
The country of Arketta calls them Good Luck Girls—they know their luck is anything but.
Sold to a “welcome house” as children and branded with cursed markings.
Trapped in a life they would never have chosen.
When Clementine accidentally kills a man, the girls risk a dangerous escape and harrowing journey to find freedom, justice, and revenge in a country that wants them to have none of those things. Pursued by Arketta’s most vicious and powerful forces, both human and inhuman, their only hope lies in a bedtime story passed from one Good Luck Girl to another, a story that only the youngest or most desperate would ever believe.
It’s going to take more than luck for them all to survive.
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Hal was once a knight, carefree and joyous, sworn to protect her future queen Banna Mora. But after a rebellion led by her own mother, Caleda, Hal is now the prince of Lionis, heir to the throne. The pressure of her crown and bloody memories of war plague her, as well as a need to shape her own destiny, no matter the cost.
Lady Hotspur, known as the Wolf of Aremoria for her temper and warcraft, never expected to be more than a weapon. She certainly never expected to fall in love with the fiery Hal or be blindsided by an angry Queen’s promise to remake the whole world in her own image—a plan Hotspur knows will lead to tragedy.
Banna Mora kept her life, but not her throne. Fleeing to Innis Lear to heal her heart and plot revenge, the stars and roots of Innis Lear will teach her that the only way to survive a burning world is to learn to breathe fire.
These three women, together or apart, are the ones who have the power to bring the once-powerful Aremoria back to life—or destroy it forever.
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Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
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Pet is here to hunt a monster. Are you brave enough to look?
There are no monsters anymore, or so the children in Lucille are taught. Jam and her best friend, Redemption, have grown up with the lesson that the city is safe for everyone. But when Jam meets Pet, a creature who some might call monstrous but, in reality, is anything but, she must reconsider what she’s been told. Pet has emerged from one of her mother’s paintings to hunt a true monster–and the shadow of something grim lurks in Redemption’s house. No one has encountered monsters in years, though, and Jam’s quest to protect her best friend and uncover the truth is met with doubt and disbelief.
This award-winning novel from a rising-star author asks: What really makes a monster, and how do you save the world from something if no one will admit it exists?
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Scarlett Clark is an exceptional English professor. But she’s even better at getting away with murder.
Every year, Dr. Clark searches for the worst man at Gorman University–professor, student, or otherwise–and plots his well-deserved demise. Thanks to her meticulous planning, she’s avoided drawing attention to herself…but as she’s preparing for her biggest kill yet, the school starts probing into the growing body count on campus. Determined to keep her enemies close, Dr. Clark insinuates herself into the investigation and charms the woman in charge. Everything’s going according to her master plan…until she loses control with her latest victim, putting her secret life at risk of exposure.
Meanwhile, Gorman student Carly Schiller is just trying to survive her freshman year. Finally free of her emotionally abusive father, all Carly wants is to focus on her studies and fade into the background. Her new roommate has other ideas. Allison Hadley is cool and confident–everything Carly wishes she could be–and the two girls quickly form an intense friendship. So when Allison is sexually assaulted at a party, Carly becomes obsessed with making the attacker pay…and turning her fantasies about revenge into a reality.
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On the run from the FBI.
Targeted by a murderous cult.
Labeled a cyber-terrorist by the media.
Irritated texts from his best friend.
Eye contact with a nice-looking guy on the train.
Aidan has a lot to deal with, and he’s not quite sure which takes top priority.
Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—he tries to hook up with someone new. But that lapse in judgement leads to him waking up next to a dead guy, which sparks an epic case of mistaken identity that puts Aidan on the run from everyone—faceless federal agents, his eccentric family, and, naturally, a cyber-terrorist group who will stop at nothing to find him.
He soon realizes the only way to stop the chase is to deliver the object everyone wants, before he gets caught or killed. But for Aidan, the hardest part is knowing who he can trust not to betray him—including himself.
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Where Nirrim lives, crime abounds, a harsh tribunal rules, and society’s pleasures are reserved for the High Kith. Life in the Ward is grim and punishing. People of her low status are forbidden from sampling sweets or wearing colors. You either follow the rules, or pay a tithe and suffer the consequences.
Nirrim keeps her head down, and a dangerous secret close to her chest.
But then she encounters Sid, a rakish traveler from far away, who whispers rumors that the High Kith possess magic. Sid tempts Nirrim to seek that magic for herself. But to do that, Nirrim must surrender her old life. She must place her trust in this sly stranger who asks, above all, not to be trusted.
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This is a special edition with bonus material from the authors.
Who knows you well? Your best friend? Your boyfriend or girlfriend? A stranger you meet on a crazy night? No one, really?
Mark and Kate have sat next to each other for an entire year, but have never spoken. For whatever reason, their paths outside of class have never crossed.
That is until Kate spots Mark miles away from home, out in the city for a wild, unexpected night. Kate is lost, having just run away from a chance to finally meet the girl she has been in love with from afar. Mark, meanwhile, is in love with his best friend Ryan, who may or may not feel the same way.
When Kate and Mark meet up, little do they know how important they will become to each other — and how, in a very short time, they will know each other better than any of the people who are supposed to know them more.
Told in alternating points of view by Nina LaCour, author of Watch Over Me, We Are Okay, Hold Still, and The Disenchantments, and David Levithan, author of Every Day and co-author of Nick and Norah’s Infinite Playlist (with Rachel Cohn) and Will Grayson, Will Grayson (with John Green).
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Flora Calhoun has a reputation for sticking her nose where it doesn’t belong. When she gets a midnight call from her terrified ex-girlfriend Ava, she doesn’t hesitate…and arrives just in time to see Ava bleed out in a dark alleyway.
Determined to do something, Flora sets out on a path of rage and vengeance for all the dead girls whose killers were never found. Her tunnel-vision sleuthing leads to valuable clues about a shocking conspiracy involving her school and beyond, but also earns her sinister threats from the murderer. She has a choice: give up the hunt for answers, or keep digging and risk her loved ones’ lives. Either way, Flora will regret the consequences. Who’s next on the killer’s list?
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The town of Bentley holds two things dear: its football and its secrets. When star quarterback Dylan Whitley goes missing, fear grips this remote corner of Texas. Dylan’s brother, Joel, a gay man with secrets of his own, is convinced there is more to the disappearance than meets the eye, as does Sheriff’s Deputy Starsha Clark.
But their search for answers will bring them to the dark truth behind an urban legend whispered about in the locker rooms and bleachers of this All-American town.
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Pony just wants to fly under the radar during senior year. Tired from all the attention he got at his old school after coming out as transgender, he’s looking for a fresh start at Hillcrest High. But it’s hard to live your best life when the threat of exposure lurks down every hallway and in every bathroom.
Georgia is beginning to think there’s more to life than cheerleading. She plans on keeping a low profile until graduation…which is why she promised herself that dating was officially a no-go this year.
Then, on the very first day of school, the new guy and the cheerleader lock eyes. How is Pony supposed to stay stealth when he wants to get close to a girl like Georgia? How is Georgia supposed to keep her promise when sparks start flying with a boy like Pony?
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Debuting on the New York stage, Zara is unprepared — for Eli, the girl who makes the world glow; for Leopold, the director who wants perfection; or for death in the theater.
Zara Evans has come to the Aurelia Theater, home to the visionary director Leopold Henneman, to play her dream role in Echo and Ariston, the Greek tragedy that taught her everything she knows about love. When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater — and then another — especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole — and cast lantern light on two young women, finding each other on a stage set for tragedy.
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From award-winning author Mark Oshiro comes a powerful coming-of-age fantasy novel about finding home and falling in love amidst the dangers of a desert where stories come to life
Xochitl is destined to wander the desert alone, speaking her troubled village’s stories into its arid winds. Her only companions are the blessed stars above and enigmatic lines of poetry magically strewn across dusty dunes.
Her one desire: to share her heart with a kindred spirit.
One night, Xo’s wish is granted–in the form of Emilia, the cold and beautiful daughter of the town’s murderous conqueror. But when the two set out on a magical journey across the desert, they find their hearts could be a match… if only they can survive the nightmare-like terrors that arise when the sun goes down.
Fresh off of Anger Is a Gift’s smashing success, Oshiro branches out into a fantastical direction with their new YA novel, Each of Us a Desert.
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‘s READ BETWEEN THE LINES, pitched as an #OwnVoices sapphic retelling of You’ve Got Mail, featuring a bisexual bookstore owner and a property developing corporate executive with more than one secret, to Lauren Plude at Montlake, in an exclusive submission, in a two-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).
‘s LAST CALL AT THE NIGHTINGALE, an #OwnVoices queer murder mystery set in 1920s New York, where a seamstress escapes drudgery at a speakeasy, but when she discovers a body behind the club, she finds herself caught between the dangers of New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable—including her own, to Nettie Finn at Minotaur, in a two-book deal, for publication in summer 2022, by Whitney Ross at Irene Goodman Agency (NA).
2020 National Book Foundation 5 under 35 honoree and author of BESTIARY ‘s RESIDENT ALIENS, a short story collection that evokes the splendor and peculiar nature of families, the grotesque and wondrous parts of the body, and the wild and poignant battles of queer love, to Nicole Counts at One World, by Julia Kardon at HG Literary.
‘s ALL THE WHITE SPACES, set in the Heroic Age of Antarctic exploration, in which a trans man narrates the fate of an expedition as something unnamed and terrible picks off his shipmates one by one, against the backdrop of the pitch-black polar night, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Oliver Munson at A.M. Heath (NA).
‘s MY FIRST NOELLE, pitched as a queer and Jewish Hallmark-style holiday rom-com about a free-spirited bisexual artist who’s forced to return home when she inherits her family’s Christmas tree farm, and has an unexpected romance with the farm’s grumpy butch manager, to Amy Pierpont and Sam Brody at Forever, in a two-book deal, for publication in winter 2022, by Rebecca Podos at Rees Literary Agency (world).
Winner of the 60th Gunzo New Writer’s Award for Excellence in 2017 ‘s SOLO DANCE, depicting the painful coming-of-age of a gay woman in Taiwan and the salaryman’s world in Japan; an account of a person’s search for hope after trauma and depression, to Judith Uyterlinde at World Editions (Netherlands), in a nice deal, in a pre-empt, for publication in fall 2022, by Li Kangqin at New River Literary (world English).
Three-time Pushcart prize winner and Stegner fellow Lydia Conklin’s RAINBOW RAINBOW, a collection of stories exploring the complex inner lives of queer, trans, and nonbinary characters, pitched as appealing to fans of Garth Greenwell, Jenny Zhang, and Katherine Dunn, to Leigh Newman at Catapult, for publication in June 2022, by Samantha Shea at Georges Borchardt.
Center for Fiction First Novel Prize nominee Celia Laskey’s THE BRIDESMAID, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex; and UNDER THE RAINBOW, her debut novel, to Cicely Aspinall at HQ, at auction, in a two-book deal, by Jennifer Helinek at Trident Media Group, on behalf of Alexa Stark.
‘s QUEER AND HOW WE GOT HERE, in which the author blends their personal story of coming out with explorations of important moments from queer history to draw a parallel between the growth of a community and the growth of the author’s personal identity, to Andrea Colvin at Little, Brown Children’s, in an exclusive submission, for publication in early 2024, by Tanya McKinnon at McKinnon Literary (world).
‘s THE LANGUAGE OF SEABIRDS, in which a 12-year-old boy confined to two weeks at a beach house with his freshly divorced father meets a local boy and his world is flipped as he struggles find some way to share the truths flooding his heart—things he’s never spoken to anyone, not even himself, to David Levithan at Scholastic, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world).
Detroit-based illustrator and designer Oli Franey’s MONSTER CRUSH, pitched as BEETLE AND THE HOLLOWBONES meets Teen Wolf, in which a 16-year-old closes herself off from the world after her parents split, until she meets a girl; as the two of them fight off school bullies, the girl accidentally reveals her ability to transform into a monstrous beast, and reveals the world of monsters, to Brett Israel at Dark Horse, for publication in 2023, by Claire Draper at The Bent Agency (world English).
Epic Reads founder ‘s FRESH, a queer coming-of-age story that follows a freshman at Emerson College as she navigates the highs and lows of her first year away from home, to Maggie Lehrman at Abrams Children’s, at auction, for publication in fall 2021, by Joanna Volpe at New Leaf Literary & Media (world English).
Author of THE DEAD AND THE DARK Courtney Gould’s ECHO SUNSET, following two sisters who, after their mother dies, learn about her mysterious ties to an isolated Arizona town; when they decide to investigate, nothing and no one is who they seem, including the daughter of the town’s enigmatic leader, to Jennie Conway at Wednesday Books, for publication in 2022, by Claire Friedman and Jessica Mileo at Inkwell Management (NA).
Illustrator and comic artist on Tapas The Kao’s MAGICAL BOY, in which a trans man just trying to get through high school as his true self has his life turned upside down when he discovers that he is descended from a long line of magical girls tasked with defending humanity from a dark, ancient evil; with a sassy feline sidekick and loyal group of friends by his side, he must take on his destiny, save the world, and become the first magical boy, to Michael Moccio at Scholastic, for publication in fall 2021, by Liz Parker at Verve Talent & Literary (world).
Author of the #murdertrending series and GET EVEN ‘s DIG TWO GRAVES, pitched as a YA Strangers on a Train with a queer twist in which a school pariah meets her new best friend at summer camp where they jokingly fantasize about killing each other’s bullies, until those fantasies become disturbing realities and she finds herself blackmailed into committing murder, to Kieran Viola at Disney-Hyperion, in a two-book deal, by Ginger Clark at Curtis Brown (world).
Author of ACE OF SHADES and author of THE DEVOURING GRAY ‘s ALL OF US VILLAINS, set in a blood-soaked city, where seven families compete every generation in a tournament to the death for control of high magic; one powerful, villainous family has won nearly every tournament, but this year, thanks to a salacious tell-all book, each of the other families has the means to win, to Melissa Frain at Tor Teen, with Ali Fisher editing, in a major deal, at auction, in a two-book deal, for publication in fall 2021 and 2022, by Whitney Ross at Irene Goodman Agency for Foody, and by Kelly Sonnack at Andrea Brown Literary Agency for Herman (world English).
‘s THE LOOPHOLE, pitched as a speculative SIMON VS. THE HOMO SAPIENS AGENDA with a focus on identity, found family, and friendship, following a queer Indian Muslim boy traveling the world for a second chance at love after a possibly magical heiress grants him three wishes, to Claire Stetzer at Bloomsbury Children’s, in a very nice deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Natalie Lakosil at Bradford Literary Agency (world).
Cayla Keenan’s RAVENSONG, the first in a contemporary fantasy duology with Northeastern Gothic vibes, in which a 17-year-old girl is one third of a war goddess triad, sworn to slay demons with her sisters and guard the gate to hell in their coastal town, yet is stuck in high school, counting down the days until her 18th birthday, when her powers fully unlock—until she meets a girl with secrets of her own who’ll force her to choose between duty and love, to Amanda Ramirez at Simon & Schuster Children’s, in a pre-empt, in a two-book deal, for publication in spring 2023, by Patrice Caldwell at New Leaf Literary & Media (NA).
Dahlia Adler ed.’s AT THE STROKE OF MIDNIGHT, a collection of classic fairy tales reimagined by authors Melissa Albert, Tracy Deonn, Hafsah Faizal, Brigid Kemmerer, Stacey Lee, Darcie Little Badger, Malinda Lo, Alex London, Anna-Marie McLemore, Rebecca Podos, Rory Power, Meredith Russo, Justin Reynolds, and Randy Ribay, to Sarah Barley at Flatiron Books, for publication in fall 2022, by Patricia Nelson at Marsal Lyon Literary Agency (world).
Andrea Mosqueda’s debut JUST YOUR LOCAL BISEXUAL DISASTER, following a self-described romantic disaster, a bisexual Chicana living in the Rio Grande Valley, as she tries to figure out whom she wants to ask to be her escort at her little sister’s upcoming quinceanera: her charming ex-boyfriend twice over, her first crush and gorgeous best friend, or the mysterious new girl with the romantic baggage?, to Kat Brzozowski at Feiwel and Friends, for publication in 2022, by Lauren Macleod at The Strothman Agency (world English).
Saundra Mitchell’s OUT THERE, the future-set third and final anthology in a series that began with the historical ALL OUT and contemporary OUT NOW; its contributors include Kayla Ancrum, Kalynn Bayron, Z Brewer, Mason Deaver, Alechia Dow, ZR Ellor, Leah Johnson, Naomi Kanakia, Claire Kann, Alex London, Jim McCarthy, Abdi Nazemian, Emma K. Ohland, AJ Sass, Nita Tyndall, and two slots to be filled through an open call, to Natashya Wilson at Inkyard Press, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Sunday Times Young Writer of the Year finalist for his poetry collection TONGUES OF FIRE ‘s ALL DOWN DARKNESS WIDE, an excavation of the year following his partner’s suicide attempt, a confrontation with the specters of shame, and a love letter to queer literature that illuminates a path ahead, to Caroline Sydney at Penguin Press, in a pre-empt, by Adam Eaglin at The Cheney Agency on behalf of Matthew Marland at Rogers, Coleridge & White (NA).
Cultural historian, performer, Leverhulme Early Career Fellow in English at the University of Cambridge, and BBC New Generation Thinker Diarmuid Hester’s NOTHING EVER JUST DISAPPEARS: A NEW HISTORY OF QUEER CULTURE THROUGH ITS SPACES, a history of queer identity from the late 1800s to the present, following seven artists and writers whose lives and work are inextricable from a sense of place, including E.M. Forster, Josephine Baker, Claude Cahun, James Baldwin, and Derek Jarman; interweaving their stories with the author’s own experiences as a queer person, arguing for the centrality of place in the formation of identity, culture, and politics, while showing all that is lost when queer spaces are forgotten, to Maria Bedford at Allen Lane, at auction, for publication in November 2022, by Matthew Marland at Rogers, Coleridge & White (world English).
Sibling duo, journalist, and archivist Alison Nastasi and PJ Nastasi’s QUEER ICONS AND THEIR CATS, a celebration of LGBTQ+ icons past and present, and their furry feline friends, to Bridget Watson Payne at Chronicle, with Natalie Butterfield editing, for publication in May 2021 (world).
LGBTQReads is an Amazon, IndieBound, and Apple affiliate, which means purchasing through those links will bring a small percentage of income back to the site. Please use them if you have the means!
Hal was once a knight, carefree and joyous, sworn to protect her future queen Banna Mora. But after a rebellion led by her own mother, Caleda, Hal is now the prince of Lionis, heir to the throne. The pressure of her crown and bloody memories of war plague her, as well as a need to shape her own destiny, no matter the cost.
Lady Hotspur, known as the Wolf of Aremoria for her temper and warcraft, never expected to be more than a weapon. She certainly never expected to fall in love with the fiery Hal or be blindsided by an angry Queen’s promise to remake the whole world in her own image—a plan Hotspur knows will lead to tragedy.
Banna Mora kept her life, but not her throne. Fleeing to Innis Lear to heal her heart and plot revenge, the stars and roots of Innis Lear will teach her that the only way to survive a burning world is to learn to breathe fire.
These three women, together or apart, are the ones who have the power to bring the once-powerful Aremoria back to life—or destroy it forever.
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A resentful member of a high school Quiz Bowl team with an unrequited crush.
A Valentine’s Day in the life of Every Day‘s protagonist “A.”
A return to the characters of Two Boys Kissing.
19 Love Songs, from New York Times bestselling author David Levithan, delivers all of these stories and more. Born from Levithan’s tradition of writing a story for his friends each Valentine’s Day, this collection brings all of them to his readers for the first time. With fiction, nonfiction, and a story in verse, there’s something for every reader here.
Witty, romantic, and honest, teens (and adults) will come to this collection not only on Valentine’s Day, but all year round.
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Told in dual timelines—half of the chapters moving forward in time and half moving backward—We Used to Be Friends explores the most traumatic breakup of all: that of childhood besties. At the start of their senior year in high school, James (a girl with a boy’s name) and Kat are inseparable, but by graduation, they’re no longer friends. James prepares to head off to college as she reflects on the dissolution of her friendship with Kat while, in alternating chapters, Kat thinks about being newly in love with her first girlfriend and having a future that feels wide open. Over the course of senior year, Kat wants nothing more than James to continue to be her steady rock, as James worries that everything she believes about love and her future is a lie when her high-school sweetheart parents announce they’re getting a divorce.
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When Amaya rescues a mysterious stranger from drowning, she fears her rash actions have earned her a longer sentence on the debtor ship where she’s been held captive for years. Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide. Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one…
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This is the sequel to The Brilliant Death
By turns thrilling, witty, and heartbreaking, this dramatic conclusion to the Brilliant Death duet transports us to a Vinalia on the verge of transformation and radiates with the electric power of love.
With her power over magic finally in hand, and her love for Cielo at last confessed, Teodora di Sangro should be on top of the world. But the country of Vinalia is in chaos as the dictator like Capo threatens to plunge them all into war and capture every strega in the land–including Teo and Cielo.
Teo knows she can’t take down the Capo alone. She must convince a small band of streghe who have been hiding in plain sight to join her in the cause. But as she struggles to bring them together, she discovers a far deadlier enemy than the Capo has been hunting her all along. Now everyone–especially Cielo–is in danger. What lengths will Teo go to in order to unite her country and save the one she loves?
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Ever since Amelia woke up in the hospital, recovering from a near-death fall she has no memory of, she’s been suspicious. Her friends, family, and doctors insist it was an accident, but Amelia is sure she remembers being pushed. Then another girl is found nearby — one who fell, but didn’t survive. Amelia’s fears suddenly feel very real, and with the help of her new boyfriend, Liam, she tries to investigate her own horrific ordeal. But what is she looking for, exactly? And how can she tell who’s trustworthy, and who might be — must be — lying to her?
The closer Amelia gets to the truth, the more terrifying her once orderly, safe world becomes. She’s determined to know what happened, but if she doesn’t act fast, her next accident might be her last.
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After a terrible political coup usurps their noble house, Hawke and Grayson flee to stay alive and assume new identities, Hanna and Grayce. Desperation and chance lead them to the Communion of Blue, an order of magical women who spin the threads of reality to their will.
As the twins learn more about the Communion, and themselves, they begin to hatch a plan to avenge their family and retake their royal home.While Hawke wants to return to his old life, Grayce struggles to keep the threads of her new life from unraveling, and realizes she wants to stay in the one place that will allow her to finally live as a girl.
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This is the 5th book in the Wayward Children series
When Jack left Eleanor West’s School for Wayward Children she was carrying the body of her deliciously deranged sister―whom she had recently murdered in a fit of righteous justice―back to their home on the Moors.
But death in their adopted world isn’t always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.
Eleanor West’s “No Quests” rule is about to be broken.
Again.
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Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
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“Like most of the dead, I want to be remembered.”
Robin Voigt is dead. If Leslie had arrived at her sister’s cramped Las Vegas apartment just hours earlier, this would have been their first reunion in a decade. In the years since Robin ran away from home as a teenager, Leslie has stayed in New Mexico, taking care of their dying father even as she began building a family of her own. But when their father passed away, Leslie received a rude awakening: She and Robin would receive the inheritance he left them together—or not at all. Now her half of the money may be beyond her grasp. And unbeknownst to anyone, even her husband, Leslie needs it desperately.
When she meets a charismatic young woman who bears an uncanny resemblance to Robin—and has every reason to leave her past behind—the two make a reckless bargain: Mary will impersonate Robin for a week in exchange for Robin’s half of the cash. But neither realizes how high the stakes will become when Mary takes a dead woman’s name. Even as Mary begins to suspect Leslie is hiding something, and Leslie realizes the stranger living in her house, babysitting her newborn son, and charming her husband has secrets of her own, Robin’s wild, troubled legacy threatens to eclipse them both.
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Growing up in New York, brothers Emil and Brighton always idolized the Spell Walkers—a vigilante group sworn to rid the world of specters. While the Spell Walkers and other celestials are born with powers, specters take them, violently stealing the essence of endangered magical creatures.
Brighton wishes he had a power so he could join the fray. Emil just wants the fighting to stop. The cycle of violence has taken a toll, making it harder for anyone with a power to live peacefully and openly. In this climate of fear, a gang of specters has been growing bolder by the day.
Then, in a brawl after a protest, Emil manifests a power of his own—one that puts him right at the heart of the conflict and sets him up to be the heroic Spell Walker Brighton always wanted to be.
Brotherhood, love, and loyalty will be put to the test, and no one will escape the fight unscathed.
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This is the final book in the Worldbreaker Saga
The Dhai nation has broken apart under the onslaught of the Tai Kao, invaders from a parallel world. With the Dhai in retreat, Kirana, leader of the Tai Kao, establishes a base in Oma’s temple and instructs her astrologers to discover how they can use the ancient holy place to close the way between worlds. With all the connected worlds ravaged by war and Oma failing, only one world can survive. Who will be sacrificed, and what will the desperate people of these worlds do to protect themselves?
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Summer, 1518. A strange sickness sweeps through Strasbourg: women dance in the streets, some until they fall down dead. As rumors of witchcraft spread, suspicion turns toward Lavinia and her family, and Lavinia may have to do the unimaginable to save herself and everyone she loves.
Five centuries later, a pair of red shoes seal to Rosella Oliva’s feet, making her dance uncontrollably. They draw her toward a boy who knows the dancing fever’s history better than anyone: Emil, whose family was blamed for the fever five hundred years ago. But there’s more to what happened in 1518 than even Emil knows, and discovering the truth may decide whether Rosella survives the red shoes.
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Rosamund is miserable and lonely, on the run from a foreign king and queen because she wouldn’t help them scheme against each other. A dashing knife juggler whose physical skills complement her magical prowess might be the right man to make her feel alive again.
Trina Goldberg-Oneka is a trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity calling itself The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.
Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seep-tech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.
Heartbroken and deep into an alcoholic binge, Trina chases after a young boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.
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In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive.
Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever.
But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.
No pressure.
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Robyn Hood didn’t set out to rob the rich, but in Nottingham, nothing ever goes according to plan….
After a fateful hunting accident sends her on the run from the law, Robyn finds herself deep in the heart of Sherwood Forest. All she really wants to do is provide for her family and stay out of trouble, but when the Sheriff of Nottingham levies the largest tax in the history of England, she’s forced to take matters into her own hands. Relying on the help of her band of merry women and the Sheriff’s intriguing—and off limits—daughter, Marian, Robyn must find a way to pull off the biggest heist Sherwood has ever seen.
With both heart and freedom at stake, just how much will she risk to ensure the safety of the ones she loves?
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Homie is Danez Smith’s magnificent anthem about the saving grace of friendship. Rooted in the loss of one of Smith’s close friends, this book comes out of the search for joy and intimacy within a nation where both can seem scarce and getting scarcer. In poems of rare power and generosity, Smith acknowledges that in a country overrun by violence, xenophobia, and disparity, and in a body defined by race, queerness, and diagnosis, it can be hard to survive, even harder to remember reasons for living. But then the phone lights up, or a shout comes up to the window, and family—blood and chosen—arrives with just the right food and some redemption. Part friendship diary, part bright elegy, part war cry, Homie is the exuberant new book written for Danez and for Danez’s friends and for you and for yours.
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Jason is sure his sister, Becca, was murdered, but he’s the only one who thinks so. After finding a photograph Becca kept hidden, he decides to infiltrate a boxing gym to prove that she didn’t die accidentally. As a transgender kid, Jason’s been fighting for as long as he can remember, and those skills are going to come in handy as he investigates. Quickly invited into the inner circle, Jason must balance newfound friendships with the burning hate that drives him. Jason soon feels torn between two worlds, determined to discover what happened to his sister but struggling with the fact that this is the first time he’s ever felt like he belonged somewhere.
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Becoming a Man is the striking memoir of P. Carl’s journey to become the man he always knew himself to be. For fifty years, he lived as a girl and a queer woman, building a career, a life, and a loving marriage, yet still waiting to realize himself in full. As Carl embarks on his gender transition, he takes us inside the complex shifts and questions that arise throughout—the alternating moments of arrival and estrangement. He writes intimately about how transitioning reconfigures both his own inner experience and his closest bonds—his twenty-year relationship with his wife, Lynette; his already tumultuous relationships with his parents; and seemingly solid friendships that are subtly altered, often painfully and wordlessly.
Carl blends the remarkable story of his own personal journey with incisive cultural commentary, writing brilliantly about gender, power, and inequality in America. His transition occurs amid the rise of the Trump administration and the #MeToo movement—a transition point in America’s own story, when transphobia and toxic masculinity are under fire even as they thrive in the highest halls of power. Carl’s quest to become himself and to reckon with his masculinity mirrors, in many ways, the challenge before the country as a whole, to imagine a society where every member can have a vibrant, livable life. Here, through this brave and deeply personal work, Carl brings an unparalleled new voice to this conversation.
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When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation. Nick and Clay are running away from their turbulent lives in New York City, each desperate for a happier, freer future someplace else. Their method of escape? Selling a collection of counterfeit antiques to a brash, unsuspecting American living out his retirement years in a grand palazzo. With Clay’s smarts and Nick’s charm, their scheme is sure to succeed.
As it turns out, tricking a millionaire out of money isn’t as easy as it seems, especially when Clay and Nick let greed get the best of them. As Nick falls under the spell of the city’s decrepit magic, Clay comes to terms with personal loss and the price of letting go of the past. Their future awaits, but it is built on disastrous deceits, and more than one life stands in the way of their dreams.
A Beautiful Crime is a twisty grifter novel with a thriller running through its veins. But it is also a meditation on love, class, race, sexuality, and the legacy of bohemian culture. Tacking between Venice’s soaring aesthetic beauty and its imminent tourist-riddled collapse, Bollen delivers another “seductive and richly atmospheric literary thriller” (New York Times Book Review).
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When Jackson’s 18-year-old son born through surrogacy came out to him, the successful producer, now in his 50s, was compelled to reflect on his experiences and share his wisdom on life for LGBTQ Americans over the past half-century.
Gay Like Me is a celebration of gay identity and parenting, and a powerful warning for his son, other gay men and the world. Jackson looks back at his own journey as a gay man coming of age through decades of political and cultural turmoil.
Jackson’s son lives in a seemingly more liberated America, and Jackson beautifully lays out how far we’ve come since Stonewall — the increased visibility of gay people in society, the legal right to marry, and the existence of a drug to prevent HIV. But bigotry is on the rise, ignited by a president who has declared war on the gay community and fanned the flames of homophobia. A newly constituted Supreme Court with a conservative tilt is poised to overturn equality laws and set the clock back decades. Being gay is a gift, Jackson writes, but with their gains in jeopardy the gay community must not be complacent.
As Ta-Nehisi Coates awakened us to the continued pervasiveness of racism in America in Between the World and Me, Jackson’s rallying cry in Gay Like Me is an eye-opening indictment to straight-lash in America. This book is an intimate, personal exploration of our uncertain times and most troubling questions and profound concerns about issues as fundamental as dignity, equality, and justice.
Gay Like Me is a blueprint for our time that bridges the knowledge gap of what it’s like to be gay in America. This is a cultural manifesto that will stand the test of time. Angry, proud, fierce, tender, it is powerful letter of love from a father to a son that holds lasting insight for us all.
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There’s a New Queer Year upon us, and so much goodness within it can hardly be contained in a single post! Below are 72 (!) new US and UK YA titles releasing in the next six months, filled with representation across genres and genders, races and orientations.
If you’re looking for trends and landmarks, as I always do, you might notice the continued rise of queer (and especially Sapphic) YA fantasy, or the record-setting number of trans guy protags, or the first traditionally published bigender and demiboy MCs in YA. You might notice that a significant number of these books are set outside the US (yes, even the ones publishing there), and that you know some of these authors names quite well but have never seen them write queer YA before. You might notice that these covers are particularly phenomenal, so a huge shoutout to everyone responsible for them. (You can find info on a bunch of them here.)
(You also might notice that this post was a ton of work, so please do avail yourself of those affiliate links for Amazon and especially IndieBound and preorder yourself some goodness while also helping financially support the site!)
Moving on from her m/m fantasy series with a bang, Sim tackles a retelling of The Count of Monte Cristo with a literal vengeance, alternating between the points of view of Amaya, who’s been in servitude on a debtors’ ship for way too long, and Cayo, who’s in a similarly precarious though far more privileged situation, especially when someone he cares about is harmed. When she finds an opportunity for revenge and he falls into her crosshairs, sparks fly in all the ways, which is perhaps inconveniently timed for all the betrayal going on around them. (Amz|B&N|IB)
Relationship breakups may be heavily covered in YA, but friendship breakup stories are still few and far between. Enter the story of James and Kat, two girls who were once beyond close and now watch their friendship unravel as college nears. Things are complicated for both girls: James’s mother has left her and her father for another guy, and she doesn’t know how to talk about it, not even to Kat or her still-too-present ex, Logan. Kat’s discovering that her feelings for her new friend Quinn aren’t strictly “friendly,” and in fact, she’s realizing she’s bisexual and falling head over heels for a girl. It’s a bittersweet story to be sure, and while it definitely has its fun scenes, close moments, painful familial interactions, and tingly romance (what Spalding book doesn’t??), you’ll spend much of the book wishing you could push the characters together and say “Just talk already”…but isn’t that exactly how life goes? (Amz|B&N|IB)
If you’re a fan of queer YA, it’s a pretty safe bet you’re familiar with this particular pioneer of it, which will make this short story collection all the sweeter. Want to revisit “A” of the Every Day series? How about the characters of Two Boys Kissing? Or would you rather meet some new romantics entirely? Perhaps some non-fiction? Maybe even verse? This book inspired by Levithan’s tradition of his writing his friends a story each Valentine’s Day has got a little something for everybody, whether or not you’ll find a paper heart on your desk come February 14. (Amz|B&N|IB)
The author who brought you lesbians surviving a bloody apocalypse is back with a main character named Amelia who’s questioning a whole lot more than her sexuality (though there is that too); when she wakes up in the hospital in recovery from a fall, she doesn’t remember a thing…except that she was pushed, no matter how hard everyone else tries to deny it. The only person she can trust to help her find the truth is her new boyfriend, Liam, but maybe she doesn’t want the truth…or maybe trying to find it will be the last thing she ever does. (Amz|B&N|IB)
This newest McLemore title will make their fourth queer book in four years, and I think I can safely speak on behalf of the entire queer community when I say we are emphatically lucky for it. (And that there’s no sign of them letting up, either, with at least two more queer books slated for the next couple of years.) While McLemore generally writes with a sort of timelessness, this romantic and magical dual-timeline narrative is half set in 1518 Strasbourg, inspired by the dancing plague, where it stars a Romani cis girl in love with a trans boy, and half set in modern day, where centuries later, dancing fever threatens to return to Rosella Oliva, who happens to have the affectionate of attention of Emil, descendant of that same Romani family and the only one who might know how to help her. (Amz|B&N|IB)
That’s right, your contemporary (and so lightly speculative it’s basically contemporary) fave is diving headfirst into magical fantasy with his fifth book, and while it’s definitely a departure, there’s plenty you’ll recognize, including characters from the Bronx, diverse racial representation, and, of course, queer main characters. And yes, that’s an intentional plural! There are four points of view in this series opener: brothers Emil (who’s gay) and Brighton, who are obsessed with the powerful Spell Walkers and anxiously awaiting the discovery of whether or not they’ll be among them when their eighteenth birthday hits; Maribelle, who’s already a super well-known Spell Walker, and Ness, who’s…complicated. (And bisexual, as is Maribelle.) The Spell Walkers aren’t the only magical game in town, though, and having to watch their backs from the magic-siphoning Specters is getting both tiring and violent. When one of the twins’ (and only one’s) powers manifest during a fight, it rocks their world, especially when it turns out his powers are greater than anyone could’ve imagined, and it’s about to land them both in an all-out war. (Amz|B&N|IB)
If you dig SFF with a heavy dose of shenanigans, England is your author. Here they’re jumping from sci-fi over to fantasy but maintaining the zany, troublesome cast, led by Diz, who, together with her three best friends, make their cash the less-than-legal way by siphoning highly illegal maz, aka magic, which used to be free to all but has now gone the way of the drug trade. When they uncover an explosive new strain, it’s up to Diz and her gang to dig into the conspiracy behind it and save the world as they know it. Is there also a little time for kissing with one of those friends, nonbinary spellweaver Remi? There might be. Theeeeeere might be. (Amz|B&N|IB)
Finally, ’tis the year for trans guy main characters, and Canada’s kicking us off with this intense contemporary thriller about a grieving trans boy named Jason who’s out to prove his sister’s death was no accident. When a clue leads him to a boxing gym, Jason finds not just a mystery but a pastime he actually enjoys, especially given he’s got plenty of experience fighting. But balancing his (actually pretty wonderfully affirming) new friendships with his deadly quest might be more than he can handle. This is a hi-lo title, meaning it’s specifically designed for “high-interest, low-reading level” book lovers, and it definitely delivers when it comes to pacing, action, mystery, and representation. (Amz|B&N|IB)
This f/f YA horror set in 17th century Hungary recounts the story of a scullery maid working for Countess Elizabeth Báthory, which is just about the most awesome damn thing I’ve ever heard. (I am here for allll the horrifying and bloody Sapphic villains, to be clear.) But Anna doesn’t stay a scullery maid for long, because when Elizabeth takes a shine to her, she promotes her to chambermaid and keeps her, uh, pretty close. Close enough that Anna is drifting completely away from her old life to be absorbed into the countess’s, until she realizes she’s nothing more than a prisoner. And there’s nothing to keep a prisoner safe from becoming a serial killer’s next victim. (Amz|B&N|IB)
Fresh off one of my favorite YA fantasy duologies of all time, queer or otherwise (though it is most definitely queer), Miller is back with another magic-filled fantasy with a dual-POV, one of which belongs to a biromantic ace girl named Annette who comes from humble beginnings but gets a chance to shed them and pursue her love of the Midnight Arts when our other heroine, the aristocratic Emilie, begs her to do an identity swap so she can run off to become one of the few female students of medicine. (And might there be an attractive, charming, and intelligent trans guy at that school? There might.) As the land around them tilts toward revolution, both Emilie and Annette will have to figure out their places and how to work together to bring peace and justice. (Amz|B&N|IB)
This is a lovely and bighearted debut chock full of space nerdery, big dreams, new beginnings, and social media scandal. Cal’s life is completely uprooted when his dad shocks them all by being chosen for a space mission, something his family had never taken seriously as a lifelong dream. Worst of all, he’s forbidden from documenting life in the new compound, forcing him to leave his massive social media following behind. On the bright side, there’s Leon, son of another astronaut on the program and immediate thief of Cal’s heart. But when things go awry in the program and secrets are revealed, Cal will have to decide exactly what he’s willing to do to get the truth out there, and who he’s willing to lose. (Amz|B&N|IB)
The post-apocalyptic zombie-filled UK YA debut stars Peter, a resident of a community called Wranglestone that’s survived thus far by living in a national park surrounded by water that serves as a barrier to the Dead. But when winter comes and the water ices over, the water can no longer save them…and Peter puts them all in grave danger by bringing in a stranger. Now he’s been exiled, and all he can do is help Cooper, the rancher he’s been crushing on forever, herd the dead before the lake completely ices over. But as the two work together and fall for each other, they uncover a dark secret that’ll change everything. (The Book Depository)
Celia and Anna are “inklings,” Profeta devotees who use magic to tattoo flowers that represent the will of the Divine and steer the inked to action. Once upon a time they believed like everyone else that it was a noble calling, but now they know the truth: that their marks strip away free will and the temple is actually a prison. When they finally get a chance to escape, it seems like a bright future is ahead…until the very deity they sought to escape comes a-calling. (Amz|B&N|IB)
Janelle “Ellie” Baker is a Black demisexual girl living in a center in NYC controlled by the Ilori, aliens who invaded Earth two years earlier and who keep all humans in fear of death by punishing emotional transgressions by death. All manners of art are illegal, but Ellie flouts the rules with a secret library…a library from which a book disappears, putting her life on the line. In fact, lab-born M0Rr1S is sent to bring her to her death, but he has his own “moral failing”: he’s obsessed with human music. Together, they bond over their love of the forbidden arts and embark on a dangerous road trip, armed with books and music, toward a destination thousands of miles away that may be their only hope for salvation. (Amz|B&N|IB)
The Inn at Havenfall has protected refugees for generations, with one major rule: if you disrupt the peace, you are never to come back. Maddie loves it at the inn, where her uncle serves at innkeeper, as she will too someday; it’s an escape from her traumatic family, the place where she fell in love with soldier boy Brekken, and her future. But then the peace is completely shattered by a murder, and now her uncle is injured, Brekken is missing, and Maddie is in charge, which means she’s the one who has to learn the truth of what’s happened…together with Taya, a new staff member at the inn who’s both way too compelling and knows too much. (Amz|B&N|IB)
The Winner’s Curse happens to be my favorite YA fantasy series, so I am especially thrilled to see Rutkoski return with a new one that’s f/f! It stars Nirrim, who lives in a shady society with strict rules for all but those of high status; someone like Nirrim isn’t allowed to enjoy so much as a cupcake. Then she meets Sid, a charming traveler who encourages her to seek out the same magic the High Caste enjoys. It’ll mean giving up her old life, and on the suggestion of someone who probably can’t be trusted. But both the head and heart want what they want… (Amz|B&N|IB)
Grease goes gay YA in this rom-com about two boys whose dreamy summer fling comes crashing into a harsh reality when our lead, Oliver, transfers to Will’s school thanks to a family crisis-driven move, only to find out Will isn’t Out and isn’t about to be. As Ollie finds his own ways to settle in, he can’t seem to shake Will’s presence. But whether there’s a future for them remains to be seen. This sophomore novel is warmly delightful and delightfully warm, with some tears on the side for the aforementioned family crisis, and some hard-earned queer solidarity is the icing on the cake. (Amz|B&N|IB)
2019 and 2020 are truly the years of the Sapphic YA witches, and we are here for every single one. Latimer’s debut utilizes ancient Celtic mythology in its story of Dayna, a girl with somatic OCD who’s just been outed as bi in her conservative Irish town and seen her long-lost mom return. But the only things she really wants to focus on is that she about to finally become a full witch, at least until another coven comes to town and gets in her way. Worst of all is the granddaughter of the coven’s leader, Meiner King, who’s charming, maddening, and Dayna’s only hope at helping her find a serial killer who’s returned to targeting witches. (Amz|B&N|IB)
Ekata lives in perpetual danger, but when her brother is named heir to the dukedom of Kylma Above, she’ll finally be able to leave her deadly family for good, even if it means leaving behind everything else she loves. Then her entire family falls under a mysterious sleeping sickness, and Ekata alone is left to be duke and to find a cure. At least it comes with one perk: she also gets her brother’s warrior bride, which will have to make up for the fact that the rest of her life is now filled with diplomacy, war, power, war, and magic she’s never wanted and will now have to learn to use to her advantage if she’s going to survive. (Amz|B&N|IB)
What do you do when you’re conquering the hell out of adult SFF? If you’re Gailey, who barely seems to need to breathe before authoring another critically acclaimed novel of awesomeness, you come to the place the real magic happens: YA! Their debut young adult novel brings together a group of magical girls who accidentally kill a boy on prom night and have to work together to fix it. Unfortunately, it’s not going so well, and it makes things a little more complicated each time they fail, which sucks since things were already a little complicated what with Alexis being in love with her best friend and all. Yikes all around? Yikes all around. (Amz|B&N|IB)
This bi YA may not be new to the UK, but it’s newly jumping over the pond to the US this year, and I am very grateful for that! It stars sixteen-year-old Vetty, who’s kept things pretty close to the vest since her mom died and her family relocated. But now, four years later, they’re moving back to their old neighborhood, and that means Vetty just might start to get her life back. Item one on the agenda? Reconnecting with Pez, her childhood best friend. But Pez has changed a lot in the last four years, and it isn’t easy to find who he was beneath who he’s become. It is, unfortunately, easy to fall for March, who happens to be Pez’s girlfriend. (Amz|B&N|IB)
Speaking of UK YA by authors who’ve crossed into the US (though not with this title yet, so hint hint, American publishers!), Steven’s first queer YA is a bi rom-com about a physics genius named Caro who’s crushing it at school but not so much at romance. Then she figures out how to use her academic skills to help her love life, and finds herself in a new sort of mess: juggling her new relationship with her longtime crush (and whether or not the feelings are real) with the fact that she’s suddenly into her female best friend. How much is the experiment and how much is her heart? Can’t wait to find out! (The Book Depository)
Claire is a superhero fangirl, a card-carrying member of Warrior Nation. And when she finds an unexpected way (with some unexpected help) into winning an internship with the Chicago WarNat branch, it should be everything she’s ever dreamed of. But that unexpected help is proving very difficult to work with; it’s in the form of Girl Power (aka Joy), the newest hero and a pain in Claire’s butt. A very, very cute pain in Claire’s butt. But distraction or no distraction, Claire’s determined to prove herself, especially when she and Bridgette, a WarNat, who’s tired of being “the girlfriend” to an even more famous hero, decides to mentor her and they end up having to be exactly the heroes Chicago needs. (Amz|B&N|IB)
The cover of Sproul’s historical (Yep, 1999 counts as that now) debut may be dreamy, but having a crush on your best friend? Is kind of a nightmare. Such is the situation for Taylor, who’s queen of her high school both literally and figuratively, but isn’t interested in settling for a cozy life of 2.5 kids and a dental hygienist job with a homecoming king. The time has come for Taylor to move the hell on from her school, her town, her boyfriend, and Susan…but how? (Amz| B&N|IB)
Lulu may be a bit of a social media celebrity, but That Video wasn’t meant for public consumption, and it certainly wasn’t meant for her boyfriend to see. But anyway, it’s all happened and then suddenly there’s Cass, a girl who doesn’t care about Lulu’s online fame, or about online fame at all. She only cares about getting to know Lulu at The Hotel, and Old Hollywood-style spot that’s become Lulu’s dream getaway from it all. But can she really get out of the spotlight, or is she doomed to become a social media cautionary tale? What will it take for Lulu to get her own life back? (Amz|B&N|IB)
One of my favorite things about how much queer YA we get these years is that we’re finally allowed to have the messy stuff, the representation that isn’t the neatest and most pristine and clear cut and dare I say the whitest? In no 2020 YA that I’ve read is this more evident than in Kanakia’s sophomore, about a boy named Nandan who surprises everyone, including himself, by hooking up with new boy Dave. But what starts with him being pretty chill about this development starts to increase his anxiety about what it means that he’s now with a guy. Is he bisexual? Is he in it to be more interesting? Is he always going to be “different” now, even more than before? So many questions and no great answers, but exploring the complexity of it all is the beauty of this book. (Amz|B&N|IB)
Talley is one of queer YA’s most prolific genre jumpers, but she seems to be making herself beautifully at home in historical with this follow-up to 2018’s Pulp, again set amid a context of vital queer American history. This time around, it’s 1977, and Tammy Larson would love more than anything to come out of the closet as a lesbian, but that’s a major no-go where she lives. Her only outlet is to write “letters” to the activist Harvey Milk, at least until she’s matched with a pen pal to whom she can write letters for real. Sharon makes for a much better companion than Tammy’s diary, and she can sympathize, given her brother is gay and feeling all the same misery in the wake of Anita Bryant’s leading to a successful repeal of their protections. Together they’ll find their own brand of activism and learn to fight back against a world of hate. (Amz|B&N|IB)
Oseman’s crossed the pond before with Radio Silence, so this American’s fingers are crossed she’ll do it again with her newest, about a girl named Georgia who’s struggling with the fact that she’s eighteen and has never had so much as a crush. She’s sick of people thinking she’s broken or weird, and it isn’t like she isn’t into romance; she’s just not into it for herself. When she gets to university, she thinks maybe she can “fix” things with her roommate’s help. But what if it turns out there’s nothing to fix, and Georgia’s great and perfectly capable of happiness just as she is? (The Book Depository)
This f/f standalone fantasy stars Lia, a teenage queen, and Xania, the spymaster she brings in who, unbeknownst to her, actually agrees to the job as part of a plot to avenge her father and figure out who killed him. It’s a tricky situation full of secrets, treason, betrayal, and, oh yes, romance. At present it’s publishing strictly in Ireland, but thankfully, we have ways of getting our hands on it anyway because seriously, who could pass up an f/f queen/spymaster romance?? Not I, said the person who preordered this book while writing this blurb! Not I. (The Book Depository)
You know we’ve gotta sound the airhorn whenever a First for traditionally published queer lit is involved, so step up and take note of its first on-page bigender main character! That character is Aleks/Alexis, who gets a fresh start by moving in with their uncle, who happens to be a priest. But their new home provides something they definitely didn’t anticipate: an earful of confessionals, which inspires them to want to help these “sinners.” But all the enjoyment of finding a goodwill mission crumbles when they overhear a confession that rocks them to their bones and brings back the very trauma they’re escaping, trauma they’ll have no choice but to face now. (Want a sneak peek? Click here for the entire first chapter!) (Amz|B&N|IB|Lerner)
Breaking up is hard to do, but breaking up with your best friend is even harder, and when your school’s got slim pickins in terms of out queer kids? Well. Let’s just say Quinn is not taking it all that great, especially when she suspects Jamie might be recovering much faster than she is. But when sexy, heretofore-thought-unattainable Ruby Ocampo suddenly comes back on the market and turns out to be bi, it looks like Quinn might just get her second chance at happiness. But what if that second chance is happening with the wrong person? This YA debut is sweet, funny, and heartbreaking in all the right places. (Amz|B&N|IB)
When this was originally published in the UK in early 2019, it sounded so good I begged to know when it was coming over. Turns out I got both my answer and my confirmation that yes, this is an A+ queer thriller. It stars a girl named Sydney who’s not just grieving the death of her dad, but investigating it; it seems impossible he just went off the road like that, and the creepy texts she’s been getting since his funeral seem to confirm that. Another mystery? Why June, the most popular girl in school, with the most perfect relationship, seems to be one of her dad’s top mourners. That’s a mystery more easily solved when she reveals she was one of Sydney’s dads psychological patients, but why she’s still hanging around Sydney? That’s another story. (B&N|IB)
Think The Never Tilting World by Rin Chupeco meets The Good Luck Girls by Charlotte Nicole Davis plus a little John Steinbeck (yeah, I said what I said) and you’ll have something like this fantasy about an experimental town in mid-20th-century Oklahoma led by a witch and created at the whim of the goddesses. Our (seemingly unwitting?) Sapphic, Sal, has been the town outcast ever since she predicted a rain that never came, but she’s making up for it now that she’s been chosen at the successor to Mother Morevna, the witch who runs the entirety of Elysium and makes all its rules. Of course, the job isn’t all what she imagined, and the arrival of Asa, a demon disguised as a human who has his own wild powers, just makes things even more confusing. When Sal and Asa screw up and find themselves exiled into the Desert, they’ll have to join up with a girl gang led by a fellow exile and do whatever they can to halt the inevitable apocalypse. (Amz|B&N|IB)
To traditional publishing, Quindlen is a debut, but those of us who’ve been following queer-girl YA for a while know she’s behind one of its biggest indie titles, the Catholic Louisiana-set best friends-to-lovers romance Her Name in the Sky. Whether you knew her before or not, though, you’re definitely gonna wanna get on board for this deeply felt and highly relatable one about a girl trying to find her way forward out of late-bloomerdom and into happiness. Codi’s never been kissed, which doesn’t put her too far behind her best friends Maritza and JaKory, but far enough that despite all of them being late bloomers, she’s the one they both seem to agree is hopeless. So when she stumbles into a new social circle, one in which she’s valued and no one knows her as a dork, she decides to keep it all for herself, even if it means not telling her best friends she’s falling in love. But Codi doesn’t want to abandon them, so what’s she supposed to now that she’s been lying for weeks? Is there a way to have everything she wants with just the right amount of who she used to be? (Amz|B&N|IB)
Dugan debuted with one of my absolute favorite queer YA rom-coms (seriously, if you haven’t yet read Hot Dog Girl, do yourself a favor), so I’m thrilled to see her returning with another one, this one an m/f pairing where both halves of the couple are bi (or, more accurately, one is bi and one is still figuring it out). Juliette is an elite cellist with a major audition coming up and a side job working at her stepmom’s indie comic shop. Ridley works at his parents’ comic shop too, only theirs is a big chain, and no friend to the little guy. Which makes it a little difficult when the two meet at a comic-con prom and immediately hit it off, despite their family feud. I’ll take Romeo & Juliet with a much happier ending and heaps of bisexuality any day, wouldn’t you? (Amz|B&N |IB)
The one non-fiction entry on this list is a memoir-manifesto by noted queer Black activist and journalist George M. Johnson, about his life from childhood through college in New Jersey and Virginia, including bullying, sexual relationships, and other ups and downs. Intended to serve as “a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color,” clearly this is a book that is not to be missed. (Amz|B&N|IB)
One of the things I’m often asked to recommend is books that feature mlm and wlw solidarity, and I especially love giving answers that show it not just in characters but in authorship. Here, two Canadian rock stars of queer YA come together with a story about cousins named Mark and Talia who are reunited from their respective Canadian coasts after a death in the family and decide to take a road trip together to Toronto so Talia can see her non-binary partner and Mark can get to Pride. The two don’t have much in common, and they’ll have to let Mark’s little sister tag along, but they both know some kind of magic awaits them in TO, and they can’t wait to get there. (Amz|B&N|IB)
Whether you’re a fan of queer pirate novels, queer witch novels, or just dreamy, adventurous romance, this just might be the book of your dreams. Flora knows the only way to get by on the pirate ship she calls home is to be the merciless Florian to everybody else, but when she’s charged with guarding a beautiful passenger on a voyage that will see all its ticket holders turned into hostages, she hits her limit. There’s no way she can destroy Evelyn’s life like this, which means the two have no choice but to escape and find a notorious witch who might be able to help them. But the witch has plots of her own, and no one is safe in this tremendous journey of the unexpected. This is one of the most breathlessly romantic and adventurous queer fantasies I’ve ever read, and also one of the best explorations of gender fluidity I’ve read in YA. (Amz|B&N|IB)
Klune’s doing double duty this year (or maybe even more? Damn, it’s hard to keep up), following up an adult contemporary fantasy with his first entry into YA, about a boy named Nick who happens to be the Extraordinaries fandom’s most popular fanfic writer, and who aims to be even more extraordinary when he meets the hero he’s been crushing on. (But maybe he’s in love with his best friend, Seth? It’s complicated. It’s always complicated.) (Amz|B&N|IB)
I swear Kat Dunn must’ve been reading my dream journal to come up with an f/f fantasy set during the French Revolution. It stars Camille, the daughter of a revolutionary who’s a rebel in her own right, leading a group of misfits under the banner of the Battalion des Morte. But when they save a girl who isn’t the aristocrat-in-hiding she seemed to be, they all have questions: what is up with her dangerous powers and why are people on both sides of the revolution hunting her? (The Book Depository)
Allen’s been a personal favorite of mine since her subversive feminist debut, 17 First Kisses, and I’m thrilled to see her releasing her first queer YA, which basically looks like a gay Traveling Pants except not all the girls actually wanna be spending the summer together at the lake house where their moms became besties. Most of them can’t even stand their moms right now. All of them have secrets. And two of them…well, two of them are in love with each other, so one way or another it’s gonna be a hell of a summer. (Amz|B&N|IB)
Callender is having a monster of a publication year, having released both an adult fantasy (Queen of the Conquered) and a queer Middle Grade contemporary (King and the Dragonflies) in the last six months. Now they’re capping it off with this extraordinary trans YA about a boy (usually, which is another part of the story, and one that I will happily spoil results in trad-pubbed YA having it’s first on-page demiboy) named Felix who’s hell-bent on getting revenge against a transphobe at school, only to find the person he assumed was the culprit might actually be the exact person he needed in his life. (Amz|B&N|IB)
You may have already heard me talking about this sophomore novel by the author of Girls Made of Snow and Glass as maybe my new favorite f/f YA fantasy, and if not, lemme tell you right now, if you haven’t heard me say it before, you’re gonna wanna hear it now: do not miss this Persian mythology-inspired book. It stars a girl named Soraya who’s been cursed from birth to poison anyone she touches, and who finally emerges into the public on the day of her brother’s wedding, setting off a chain of events that have her finding love, acceptance, and power in the most unexpected of places. (Amz|B&N|IB)
Eliopulos has brought you some of your queer faves as an editor, but thrillingly, this is his first time bringing the rainbow goodness on the author side of the desk. Sam and his best friends, James and Delia, live in a small Georgia town where magic is frowned upon, but their school provides a respite in the form of a magic club. Then Sam realizes he might be in love with James, Delia’s getting tired of the club, and James has accidentally screwed them all over by getting involved with some shady magickers over the summer. So much for a great senior year… (Amz|B&N|IB)
It’s New Year’s Eve, 1929 at the Cloak & Dagger in the French Quarter, and Millie’s serving as the speakeasy’s MC while her best friend, Marion, aka “The Boy in the Red Dress,” stars in the show. Then a fancy stranger sashays in with a mouth full of questions a photo of a boy who happens to look just like Marion. When she’s found dead in the back alley, Marion becomes the prime suspect, which Millie will not let stand. While she pursues proof that her best friend is innocent, she’s also got two other attractive distractions: waitress Olive and bootlegger Bennie, the latter of whom promises to help her on her quest. Can she find who’s framing Marion before time runs out for them both? (Amz|B&N|IB)
Sideways is a misfit lesbian witch, which sounds awesome to you and me but less so to the West High social food chain. At least until three of its most popular girls pay her cash to cast a spell at their Halloween party, luring her into their clique and forming a coven. She never expected to become best friends with these girls, but they’ll all have to learn to count on each other if they’re going to save themselves from fundamentalist witch hunters! (And yes, this is the first in a trilogy!) (Amz|B&N|IB)
Okay, so get this: Enemies-to-lovers. With rival henna businesses. Set in Ireland. And both protags are WoC. (I KNOW.) Our heroine, Nishat, is a Bengali lesbian who’s maybe not quite as artistically talented as our love interest, the gifted and new-to-school Afro-Brazilian Flávia, with whom Nishat reunites at a Desi wedding after going to school together as kids. The girls have instant chemistry, but they also have a pretty instant problem, as Flávia not only creates a competing henna business for their class project, but sees no problem with having appropriated a cultural custom of Nishat’s to do it. (Not to mention that her partner is the school’s most notorious racist.) So now Nishat’s gotta contend with Feelings she really doesn’t wanna have, competition with a business that shouldn’t even exist, the fact that her coming out to her family didn’t go so well…but wait, there’s more! Is there possibly a happily ever after to be found amid all the drama? (Amz|B&N|IB)
If this book looks like the cutest, fluffiest, most make-you-melt kind of romance, it’s because it is…at least in the little romantic bubble that ensued when when Kai took advantage of a dare that requires Bryson Keller to agree to date the first person to ask him out every Monday morning for that week. But outside the bubble, the world is still wondering who Bryson Keller’s mystery girlfriend is, the one person not to shout from the rooftops that she’s got the guy. And Kai isn’t gonna be the one to tell them it isn’t a girl at all; his spontaneous request made Bryson the first and only person he’s ever come out to. But when both the answer and Kai himself are forcibly outed, he and the boy he’s come to fall for, the boy who’s only just realized he himself is gay, will have to band together and put their relationship through the ultimate test. (Amz|B&N|IB)
This post-apocalyptic debut set in the aftermath of a modern-day plague has trans, intersex, bisexual seventeen-year-old Pip taking fellow survivor twelve-year-old Iris under her wing. Together, the two are forced to flee Spokane to avoid slave traders, gangs, and all manners of violence, but they do find a third member of their new found family in a brave older girl named Fly. Now they must all work together to survive in their terrifying new reality. (Amz|B&N|IB)
Fresh out of UK YA’s 2019 lineup, this coming-of-age novel-in verse tells the story of a mixed-race (half Jamaican, half Greek Cypriot) gay kid named Michael who’s struggling to balance his identities and being different from other kids while growing up in London. It isn’t until he heads off to university that he finally finds his identity and style as a drag artist named The Black Flamingo. (Amz|B&N|IB)
Rosen already has one of my favorite queer YAs of all time with Jack of Hearts, but he managed to deliver another one packed with heart and important conversations in this wonderful love letter to queer spaces. When Randy returns to Camp Outland as Del in the hopes of finally landing The Guy (who happens to be an athlete, and who would never be caught dead with nail polish on his fingers), he’s convinced that if he can just land Hudson, the object of his long-time affection will fall in love with not just who he’s pretending to be that summer, but who he really is. It…goes about as well as you’d expect! But it also sets up an important exploration of masc4masc culture and what it means to change yourself for someone else. (Amz|B&N|IB)
The subtitle of this follow up to the All Out anthology is “Queer We Go Again,” and if that’s not the best thing you’ve ever heard than we are very different people. This time around, the collection is going contemporary, with voices like Julian Winters (How to Be Remy Cameron), Katherine Locke (The Spy With the Red Balloon), CB Lee (Not Your Sidekick), Candice Montgomery (By Any Means Necessary), Caleb Roehrig (Death Prefers Blondes), Mark Oshiro (Anger is a Gift), and more taking a variety of genres set in the here and now and with one major thing in common: every main character is queer and/or trans. (Amz|B&N|IB)
This coming-of-age debut stars a trans boy named Pony who’s keeping his transness under wraps in his new school, exhausted with how much attention it garnered at his old one. Still, it’s hard not to stay on his guard, especially when he meets Georgia, a gorgeous cheerleader who’s ready to put her “keep a low profile” plans on hold when sparks fly with the new boy. The chemistry between them is utterly adorable, and Pony knows he can’t enter a physical relationship without telling her. He’ll have to decide whether she’s worth the risk, and whether his heart can take it if she isn’t. (Amz|B&N|IB)
Mashing romance with the unexpected is kinda Dietrich’s thing, for those who haven’t read The Love Interest, and here it’s romance and thriller that are going head to head. What happens when the son of a mobster and the son of a police commissioner realize they’ve got a thing for each other? Probably nothing neat and easy, but that’s the problem facing Matt and Jason, even if they don’t know it yet. (Amz|B&N|IB)
Sign me the hell up for literally every enemies-to-lovers f/f rom-com, but especially this one, where the girls who hate each other at Alabama’s Conservatory for the Arts have no idea they’re falling for each other online as they collaborate on a graphic novel for a fanfic site under their online identities. That’s…everything I love in book? Yep, pretty much! (Amz|B&N|IB)
Ami’s been living in seclusion her whole life at Heavenly Shepherd, her family’s survival compound. And it’s been fine, and even lucky, or so she thought. But then her grandfather arranges a marriage for her, and Ami realizes she’s not ready to live out her “destiny” to procreate, even if she’s one of the last few at the compound who can. And so she escapes on a search for her long-lost mother, and meets people her age for the very first time, including a girl she hadn’t even known she was capable of wanting. (Amz|B&N|IB)
Dylan and Ellis’s relationship is a secret, or at least it was until it was exposed online. Now Dylan’s been forced out, but is pleased to find the reception to his news is surprisingly positive. Wasn’t it? Because something has to explain why Ellis’s personality has suddenly changed, and why he lost control of the car. Something has to explain why Dylan lost Ellis to the lake that night. And as he mourns the loss of the boy he loved, Dylan is determined to figure out what it was, no matter how much it hurts. (The Book Depository)
Sapphic witches meets enemies-to-lovers in this bi f/f YA fairy tale about a girl named Lina who gives herself up to the queen in order to save the boy she loves from Caldella’s annual custom of sacrificing a boy to the full moon to save the city from the deadly tide. Queen Eva gladly accepts Lina’s sacrifice; as long as someone dies and the city is saved, that’s all that matters. Until they spend time together waiting for the full moon to come. Until Lina and Eva start to fall for each other. Until the streets begin to fill with water. Until a choice must be made whether to save themselves or their city. (Amz|IB)
Sage and Charlie are that non-couple, the one everyone things are destined for love, if only they’d figure it out. But Charlie isn’t the Carmichael twin Sage is into (that’d be his brother, Nick), and Charlie’s more interested in new boy Luke, something he isn’t comfortable with anybody knowing. As Charlie worries his secret relationship will get out and Sage stresses about things with Nick moving too fast, the two will have to find solace in each other and their friendship to make things work with their respective boyfriends. (Amz|B&N|IB)
When an earthquake quite literally rocks Sasha’s world, it leaves her effectively orphaned and living with her estranged grandparents, who have a vision of exactly how to turn Sasha into the perfect girl. But Sasha isn’t interested in their plans, including a relationship with the boy of their choosing; all she can do is try to make it work and find solace in the time she spends with Lily, a new friend who gives Sasha a serious case of Feelings. Being with Lily is definitely not The Right Path, but can Sasha put herself first even if it means upsetting the last family she has left? (Amz|B&N|IB)
Attending Pennington College and becoming a doctor has always been Liz’s plan for getting out of her small town, but when her financial aid falls through, the one thing she wanted most now looks impossible. Of course, there’s one shot at winning a scholarship, but that would mean winning becoming prom queen, and there’s no way she can deal with all the crap that involves, is there? With her eyes on the prize, Liz shoves her fear of the spotlight, trolls, and all the rest to the side, determined to one thing crown, and soon, there’s only one thing in the way: the fact that she’s falling for her competition. (Amz|B&N|IB)
Queer YA that discusses HIV are few and far between, but the slow climb has been one of the best trends of the past couple of years. Adding to that conversation in a big way is this Brazilian import set in Rio, and revolving around three boys: Ian, who was recently diagnosed positive; Victor, who was recently diagnosed negative, and Henrique, who’s been living with HIV for three years. Victor and Henrique are boyfriends, but Victor is seriously pissed to have learned of Henrique’s positive status only after they had sex. But when he meets Ian while they’re both getting tested and Ian’s test comes back positive, he knows Henrique’s guidance is too invaluable not to connect him with Ian, even if it means staying in his life. (Amz|B&N|IB)
Kisner is three for three in putting gloriously queer YA on shelves, and I am in love with the idea of this newest, which takes the famous “Twelve Angry Men” and situates it in Mock Trial with an ace lead. Raina’s killing it at life, until suddenly she isn’t. Millie’s in a similar spot, having just been ousted from the all-male Mock Trial team. When the two pair up to start a rival girls’ team, it isn’t just their opponents they’re gunning for—it’s the whole motherfluffin’ patriarchy. (Amz|B&N|IB)
‘Tis the year for political YAs, for obvious reasons, and this contemporary romance also does double duty of being a touching demisexual coming out story that happens to take place across the aisle. (The political aisle, that is.) When Dean, the son the of the Republican candidate, and Dre, son of the Democratic candidate, find themselves locked in close quarters, they’re surprised to find that they quite enjoy the company of someone else who knows what it’s like to be in the junior spotlight. Soon, romance sparks, which is a bit of problem considering the whole “opponents” thing, not to mention Dean still trying to figure out how to deal with and discuss the fact that he’s demisexual. But someone out there seems determined to make their problem much, much bigger, and they’ll have to figure out who wants their relationship outed, how they can make it work, and how they can reconcile a future. (Amz|B&N|IB)
Alex Sanchez is the author of the first gay YA I ever read, so it’s very cool to see him and Blue is the Warmest Color illustrator Julie Maroh picking up the pens for DC’s Aqualad. Set in Truth or Consequences, New Mexico, our hero Jake is decidedly not a swimmer, but he still loves the ocean and dreams of going to college on the coast. And so he secretly applies to Miami University, against the wishes of both his mother and his best friend. Hell, he’s already living dangerously just by having a crush on the rebellious swim team captain, Kenny. And there’s also the small matter of the blue marks on his skin that light up when they touch water…what’s the deal with those, anyway? (Amz|B&N|IB)
Love books that make you laugh, swoon, and cry? Then you are going to fall head over heels for Smyth’s debut, an Ireland-set romantic contemporary about a girl named Saiorse who’s losing her mother to early-onset dementia and is determined never to get involved with anyone as a result…until she meets Ruby, and all bets are off. The girls agree to a no-strings-attached summer of just the good parts of romance, the movie montage where the couple does all sorts of fun things as they fall in love. But when the end of the summer comes, will they be able to let go? (Amz|B&N|IB)
Yadriel’s family isn’t buying that he’s a boy, leaving him just one choice: prove that he’s a real brujo by finding and freeing the ghost of his murdered cousin. The only problem is that whoops, he’s accidentally summoned Julian Diaz, school bad boy, instead, and Julian isn’t having it, not without solving the mystery behind his death first, even if it means dragging Yadriel along as an unwilling participant. But the more time the boys spend together, the less, uh, “unwilling” their hanging out gets to be in this paranormal trans Latinx debut that promises to have your heart flip-flopping all over the damn place. (Also, let the record show that Thomas has another book releasing next year, and though it isn’t queer, that’s still pretty badass.) (Amz|B&N|IB)
Duet Books, the all-queer publisher responsible for Summer Love, among many other wonderful queer titles, is back with another short collection, this one populated by Julia Ember (The Seafarer’s Kiss), Jude Sierra (Idlewild), Tom Wilinsky and Jen Sternick (Snowsisters), and Kate Fierro (Love Starved). For more info on the book and the stories within it, click here. (Amz|IB|Book Depository)
In this queer retelling of Snow White and Rose Red, Ivory and Rosie have been on the road for years with their mother’s circus, and finally, they’re returning to Port End. But it’s a different Port End from what they remember, filled with preachers and fundamentalists and portents of doom. Still, they prepare a dazzling homecoming show, but when Rosie’s tightrope act goes wrong, Ivory and the magician she loves will have to find an evil priest and save their family. (Amz|B&N|IB)
This YA sci-fi Dystopian stars Nate, a genetically engineered medical surrogate (GEM) who was created to be a cure for the elite of Gathos City to help with the rapidly traveling fatal lung rot and was smuggled out of the lab as a child and kept prisoner in the lawless region of the Withers. There, he becomes a Tinker, fixing broken technology for room and board, and he meets and falls for the sweet Reed, who comes with a gang of misfits that feels like the first group Nate could ever call family. But as a GEM, Nate is reliant on a medication controlled by the city in order to stop from aging, and violence in the Withers cuts off his supply and harms Reed. Now Nate has to make a choice, whether he’s going to join a terrorist group to get the meds he needs to stay alive, or remain in the Withers with Reed and watch their lives ebb into nothing. (Amz|B&N|IB)
2020 is seriously Lee’s year, debuting with an MG series (yes, series—you can already preorder three of them) and with this bi K-pop that’s got one of my favorite covers ever and also happens to have a sequel in the works. Skye Shin knows no one thinks she or any other fat girl has any business on stage, but she doesn’t care what they say; she cares about becoming a K-Pop star. When a successful audition allows her to do just that, it’s a dream come true, even as trolls and fatphobes do their best to turn it into a nightmare. And then there’s Henry, who’s supposed to be Skye’s competitor, so why does she want nothing more than to, uh, make beautiful music with him? (Amz|B&N|IB)
Queer thrillers are having a fabulous day in the sun, and if you’re as big a fan of the genre as I am, then check out this one starring a bi girl named Flora who’s haunted by having found a classmate’s body years earlier and has all that pain brought to the forefront when a text from her old flame, Ava, has her showing up just in time to see her die. Now Flora’s on a determined mission to find not only who shot Ava, but who’s responsible for the deaths of all the girls whose killers have never been found and brought to justice. But she doesn’t expect the massive conspiracy she uncovers, and threats from the killer aren’t helping. If she gives up the hunt, she’ll never get justice. But if she doesn’t, she might not live to see another day. (Amz|B&N|IB)
But wait, there’s more! Stay tuned for a separate post on upcoming queer sequels! And until then, tell me: what YA are you dying to read in 2020?
Here at LGBTQReads the sole non-donation income that keeps the site running does come from a certain website’s affiliate links, but don’t let that fool you into thinking we don’t love indies, especially the ones that carry small-press/self-pub queer books! To celebrate those very stores, here are a bunch of links to celebrate indie bookstore day the best way possible and get some amazing books in the process!
This will be an annual feature, so if a bookstore you love isn’t on this year’s list, it may be on next year’s! I obviously couldn’t feature every store or every book, but if this post sells a few books and even helps people find some signed copies of their faves, I feel good about it!
Note: I did not list a book as signed if the *listing* for the book did not say it, but many of these books were pulled from “Signed Books” lists on the sites. If you want a signed copy, double check!
YA
Adult
PB
MG/YA
Adult
Non-Fiction
YA
Adult
PB
MG
YA
Adult
YA
PB
MG
YA
Adult
YA
NA/Adult
YA
Adult
YA
Adult
YA
Adult
MG
YA
Adult
YA
YA
Adult
Poetry
MG/YA
Adult
MG/YA
NA/Adult
YA
PB
YA
NA/Adult
YA
Adult
PB
MG
YA
Adult
Nonfiction
Poetry
YA
Adult
YA
Adult
