Love when great books get new looks? Here are a bunch of queer books getting new faces for their paperbacks, rereleases, and/or special editions in 2023!
Middle Grade
Middletown by Sarah Moon
Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.
Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.
Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize’s cousin goes missing, Raquel starts to pay attention—especially when her own mom comes down with a mysterious illness that seems linked to the disappearances.
Raquel and Charlize team up to investigate, but they soon discover that everything is tied to a terrifying urban legend called the Echo Game. The game is rumored to trap people in a sinister world underneath the city, and the rules are based on a particularly dark chapter in New York’s past. And if the friends want to save their home and everyone they love, they will have to play the game and destroy the evil at its heart—or die trying.
Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.
Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.
Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?
Corinna “Corey” Nguyen’s life seems perfectly average for a closeted bisexual whiz kid with her eyes on college and a budding romance with her friend Kate. Sixteen years old and navigating senior year with her tight-knit group of best friends through crushes, breakups, and pregnancy scares, Corey mistakenly believes that running for valedictorian, choosing the right college, and coming out of the closet are the biggest things she has to worry about.
That is, until prom night, when she’s left alone and in shock, hiding inside a diner bathroom, the only witness to a multiple homicide.
With graduation looming and all eyes on her, the pressure is on for Corey to identify the killer and ensure the crime that has changed her life forever will not go unpunished.
Mallory is a freshman in college, reeling from her mother’s recent death, when she encounters the woman. She sees her for the first time at the university’s gym, immediately entranced. Soon, they meet, drawn by an electric tension and shared past wounds; before long, they begin sleeping together in secret. Self-possessed, successful, brilliant, and aloof—the woman is everything Mallory wants…and wants to be. Desiring not only the woman but also the idea of who she is when they’re together, Mallory retreats from the rest of the world, solidifying a sense of aloneness that has both haunted and soothed her since childhood and will continue to do so for years even after the affair ends. As an adult, Mallory must decide whether to stay safely in isolation or step fully into the world, to confront what the woman meant to her and how their relationship shaped her, for better or worse.
Mallory’s life is transformed by loss and by love and by discovering who she is while enduring both. In this enthralling debut novel, the complexities of influence, obsession, and admiration reveal how desire and its consequences can alter the trajectory of someone’s life.
“Anytime I want, I can forsake this dinner party and jump into real life.”—Eve Babitz
Eve has an adoring girlfriend, an impulsive streak, and a secret fear that she’s wasting her brief youth with just one person. So one evening she posts some nudes online. This is how Eve meets Olivia, and through Olivia the charismatic Nathan. Despite her better instincts, the three soon begin a relationship—one that disturbs Eve as much as it enthralls her.
As each act of their complicated, three-way affair unfolds across a cold and glittering New York, Eve is forced to confront the questions that most consume her: What do we bring to sex? What does it reveal of ourselves, and one another? And how do we reconcile what we want with what we think we should want?
When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.
Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.
As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.
Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.
After falling down a rabbit hole of sex, drinking, and Hollywood backstabbing, Elliott decides to limp his way towards redemption. But facing your demons is easier said than done.
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the overwhelming desire Feyi feels every time she locks eyes with the one person who is most definitely off-limits—his father. Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
Sara Foster runs away from home at sixteen, leaving behind the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern, yearning for the beauty and community her Creole grandparents cultivated but unable to commit. On a whim, she takes a job arranging flowers at the glamorous restaurant Yerba Buena.
The morning Emilie and Sara first meet at Yerba Buena, their connection is immediate. But soon Sara’s old life catches up to her, upending everything she thought she wanted, just as Emilie has finally gained her own sense of purpose. Will their love be more powerful than their pasts?
The Bennett family has a secret: They’re not just a family, they’re a pack. Wolfsong is Ox Matheson’s story.
Oxnard Matheson was twelve when his father taught him a lesson: Ox wasn’t worth anything and people would never understand him. Then his father left.
Ox was sixteen when the energetic Bennett family moved in next door, harboring a secret that would change him forever. The Bennetts are shapeshifters. They can transform into wolves at will. Drawn to their magic, loyalty, and enduring friendships, Ox feels a gulf between this extraordinary new world and the quiet life he’s known, but he finds an ally in Joe, the youngest Bennett boy.
Ox was twenty-three when murder came to town and tore a hole in his heart. Violence flared, tragedy split the pack, and Joe left town, leaving Ox behind. Three years later, the boy is back. Except now he’s a man – charming, handsome, but haunted – and Ox can no longer ignore the song that howls between them.
Randa Jarrar is a fearless voice of dissent who has been called “politically incorrect” (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer’s journey across the United States in the 1940s, she sets off from her home in California to her parents’ in Connecticut.
Coloring this road trip are journeys abroad and recollections of a life lived with daring. Reclaiming her autonomy after a life of survival–domestic assault as a child, and later, as a wife; threats and doxxing after her viral tweet about Barbara Bush–Jarrar offers a bold look at domestic violence, single motherhood, and sexuality through the lens of the punished-yet-triumphant body. On the way, she schools a rest-stop racist, destroys Confederate flags in the desert, and visits the Chicago neighborhood where her immigrant parents first lived.
Hailed as “one of the finest writers of her generation” (Laila Lalami), Jarrar delivers a euphoric and critical, funny and profound memoir that will speak to anyone who has felt erased, asserting: I am here. I am joyful.
Bonus, coming in 2022:Great or Nothing by Joy McCullough, Caroline Tung Richmond, Tess Sharpe, and Jessica Spotswood (YA, Little Women) and Epically Earnest by Molly Horan (YA, The Importance of Being Earnest)
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. For even more bi goodness, make sure to check here, here, and here!
Lara’s had eyes for exactly one person throughout her three years of high school: Chase Harding. He’s tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he’s talking to her now. On purpose and everything. Maybe…flirting, even? No, wait, he’s definitely flirting, which is pretty much the sum of everything Lara’s wanted out of life.
Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.
Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?
Cool for the Summer is a story of self-discovery and new love. It’s about the things we want and the things we need. And it’s about the people who will let us be who we are.
Eva, Celeste, Gina, and Steph used to think their friendship was unbreakable. After all, they’ve been though a lot together, including the astronomical rise of Moonlight Overthrow, the world-famous queer pop band they formed in middle school, never expecting to headline anything bigger than the county fair.
But after a sudden falling out leads to the dissolution of the teens’ band, their friendship, and Eva and Celeste’s starry-eyed romance, nothing is the same. Gina and Celeste step further into the spotlight, Steph disappears completely, and Eva, heartbroken, takes refuge as a songwriter and secret online fangirl…of her own band. That is, until a storm devastates their hometown, bringing the four ex-best-friends back together. As they prepare for one last show, they’ll discover whether growing up always means growing apart.
Ever since seventeen-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she’s equal parts excited and scared, but also ready. She’s got this.
Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. She even finds herself catching feelings for the subject of her profile, dazzling young newcomer Marius Canet. Josie’s world is expanding so rapidly, she doesn’t know whether she’s flying or falling. But when a young actress lets her in on a terrible secret, the answer is clear: she’s in over her head.
One woman’s account leads to another and another. Josie wants to expose the man responsible, but she’s reluctant to speak up, unsure if this is her story to tell. What if she lets down the women who have entrusted her with their stories? What if this ends her writing career before it even begins? There are so many reasons not to go ahead, but if Josie doesn’t step up, who will?
Morgan, an elite track athlete, is forced to transfer high schools late in her senior year after it turns out being queer is against her private Catholic school’s code of conduct. There, she meets Ruby, who has two hobbies: tinkering with her baby blue 1970 Ford Torino and competing in local beauty pageants, the latter to live out the dreams of her overbearing mother. The two are drawn to each other and can’t deny their growing feelings. But while Morgan–out and proud, and determined to have a fresh start–doesn’t want to have to keep their budding relationship a secret, Ruby isn’t ready to come out yet. With each girl on a different path toward living her truth, can they go the distance together?
Seventeen-year-old bisexual boy Asher remembers nothing from the night in 1968 that the police found him covered in his girlfriend’s blood. He knows he’d never hurt anyone, least of all her. But the only person who believes him is his twin sister. He’s sentenced to five years at the Dozier Reform School. And like Asher’s memory, Dozier hides violent secrets of its own.
Juvenile boys serving time for everything from truancy to murder are hidden away in the sinister School for Boys. Those who manage to escape its bounds with broken bones and scars are the lucky ones. Asher’s afraid he may end up like many of the other students buried beneath unmarked graves. Worse, his fellow inmates may become his next victims.
In hopes of recovering the events from the night of the murder, Asher visits the school’s psychiatrist. But when the memories return, he finds many aren’t his own. Thoughts, feelings, and visions from another life, and another time, slip into his mind. And each new memory brings consequences. First days disappear, then weeks. As the weeks slip away, students follow. He starts seeing his murdered girlfriend Olivia in the woods around the school. One morning, after following her ghost into the forest the night before, he wakes up outside covered in blood with no memory, and fears he’s killed someone else. On top of that, he learns that his sister—who had feared she was being stalked by a boy from their school—has disappeared. Could Asher himself somehow be responsible?
As Asher’s possible body count grows, he knows the answers he needs are trapped within his own mind, and in ghosts from the past. He needs to find out who he is and prove the murders aren’t connected to him or risk losing his sanity and freedom forever.
A hilarious and vulnerable coming-of-age story about the thrilling new experiences––and missteps––of a girl’s freshman year of college
Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.
The winter of 1997 is a tragedy waiting to happen. Small-town life isn’t easy for seventeen-year-old, bisexual and closeted Paulina, especially when her best friend Mia becomes pregnant and doesn’t want to tell the baby’s father, Paulina’s other best friend, Tesla. Meanwhile, Paulina’s secret relationship with volleyball star Ani is about to go public. One fateful night, everything changes forever.
In the winter of 2014, Perdita, bi and proud in Chicago, is weeks away from turning seventeen. She loves her two moms, but why won’t they talk about her adoption? When Perdita meets improv performer Fenton, she discovers both a kindred soul and a willing accomplice in her search for the truth. Will Perdita find what she’s looking for?
Two Winters is a contemporary YA retelling of Shakespeare’s The Winter’s Tale about birth, death, Catholic school, improv comedy and the healing nature of time.
There’s always been a hole in Gio’s life. Not because he’s into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio’s life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her … and now, just as he’s started to get his life together, she’s back.
It’s hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio’s started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio’s not sure … especially because he’s not sure what he wants from anyone right now.
There are no easy answers to love – whether it’s family love or friend love or romantic love. In Things We Couldn’t Say, Jay Coles shows us a guy trying to navigate love in all its ambiguity — hoping at the other end he’ll be able to figure out who is and who he should be.
For as long as she could remember, all Emry wanted was to be a great magician like her father, the magnificent Merlin. As a kid, she fought to be included in his magic lessons for her twin brother, Emmet, and easily outshone him with each spell she cast. But after her father’s disappearance several years ago, Emry has been feeling a little lost. Fate soon appears in the form of a royal messenger, summoning Emmet to court to serve as Prince Arthur’s right-hand wizard. With Emmett indisposed thanks to a bad spell, Emry has to disguise herself as a teen boy and pretend to be her brother at the castle until they’re able to switch.
Training as a wizard is everything Emry hoped it would be, except working so closely with the unbearably hot Arthur is a growing danger. They soon share adventures and a connection that can’t be denied, but Emry’s secret is a crime punishable by death. When royal scandals involving Lancelot, Guinevere, and Gawain threaten to reveal her truth, Emry must decide whether to stay and risk everything for a love borne out of deceit, or leave and never fulfill her potential to be Camelot’s greatest magician.
William Anson is done with relationships, thanks. He’s starting the second year of his medicine degree single, focused, and ready to mingle with purely platonic intentions.
Meeting Daniel, a barely recovered drug addict ready to start living life on his own terms, might just change that.
There are two problems.
One: William isn’t out.
What’s the point in telling your friends you’re bisexual when you aren’t going to date anyone?
Two: Daniel’s abusive ex-boyfriend still roams the university campus, searching for cracks in Daniel’s recovery.
No matter how quickly William falls for Daniel, their friendship is too important to risk ruining over a crush.
William is fine with being just friends for the rest of forever.
Well, not quite.
Content warning – This book includes references to abortion, PTSD, drug addiction, abusive relationships, and self-harm.
Owen Turner is a boy of too many words. For years, they all stayed inside his head and he barely spoke—until he met Lily. Lily, the girl who gave him his voice, helped him come out as bi, and settle into his ASD diagnosis. But everything unravels when someone reports Owen’s biggest secret to the school: that he was sexually assaulted at a class event.
As officials begin interviewing students to get to the bottom of things, rumors about an assault flood the school hallways. No one knows it happened to Owen, and he’s afraid of what will happen if his name gets out. He’s afraid that his classmates will call him a word he can’t stand—“victim.” He’s afraid his father, a tough-as-nails military vet, will resort to extreme methods to hunt down the name of who did it. And he’s afraid that when Lily finds out, she’ll take their relationship to a dark, dangerous place to keep Owen quiet. Then, one day, Owen’s fears all come true. And it will take everything he’s got to escape the explosion intact.
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other.
As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she’s more than her manipulative father’s shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue A.I. hunting her, Asa’s getaway ship crash-lands in the worst possible place: the neon-drenched outlaw paradise, Requiem.
Gun-slinging smuggler Riven Hawthorne is determined to claw her way up Requiem’s underworld hierarchy. A runaway rich girl is exactly the bounty Riven needs—until a nasty computer virus spreads in Asa’s wake, causing a citywide blackout and tech quarantine. To get the payout for Asa and save Requiem from the monster in its circuits, Riven must team up with her captive.
Riven breaks skulls the way Asa breaks circuits, but their opponent is unlike anything they’ve ever seen. The A.I. exploits the girls’ darkest memories and deepest secrets, threatening to shatter the fragile alliance they’re both depending on. As one of Requiem’s 154-hour nights grows darker, the girls must decide whether to fend for themselves or fight for each other before Riven’s city and Asa’s sister are snuffed out forever.
If This Gets Out by Cale Dietrich and Sophie Gonzales (December 7th)
Eighteen-year-olds Ruben Montez and Zach Knight are two members of the boy-band Saturday, one of the biggest acts in America. Along with their bandmates, Angel Phan and Jon Braxton, the four are teen heartbreakers in front of the cameras and best friends backstage. But privately, cracks are starting to form: their once-easy rapport is straining under the pressures of fame, and Ruben confides in Zach that he’s feeling smothered by management’s pressure to stay in the closet.
On a whirlwind tour through Europe, with both an unrelenting schedule and minimal supervision, Ruben and Zach come to rely on each other more and more, and their already close friendship evolves into a romance. But when they decide they’re ready to tell their fans and live freely, Zach and Ruben start to truly realize that they will never have the support of their management. How can they hold tight to each other when the whole world seems to want to come between them?
Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school–but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends.
When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart.
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the fa�ade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
Naomi Grant has built her life around going against the grain. After the sex-positive start-up she cofounded becomes an international sensation, she wants to extend her educational platform to live lecturing. Unfortunately, despite her long list of qualifications, higher ed won’t hire her.
Ethan Cohen has recently received two honors: LA Mag named him one of the city’s hottest bachelors and he became rabbi of his own synagogue. Taking a gamble in an effort to attract more millennials to the faith, the executive board hired Ethan because of his nontraditional background. Unfortunately, his shul is low on both funds and congregants. The board gives him three months to turn things around or else they’ll close the doors of his synagogue for good.
Naomi and Ethan join forces to host a buzzy seminar series on Modern Intimacy, the perfect solution to their problems–until they discover a new one–their growing attraction to each other. They’ve built the syllabus for love’s latest experiment, but neither of them expected they’d be the ones putting it to the test.
Following the recipe is the key to a successful bake. Rosaline Palmer has always lived by those rules—well, except for when she dropped out of college to raise her daughter, Amelie. Now, with a paycheck as useful as greaseproof paper and a house crumbling faster than biscuits in tea, she’s teetering on the edge of financial disaster. But where there’s a whisk there’s a way . . . and Rosaline has just landed a spot on the nation’s most beloved baking show.
Winning the prize money would give her daughter the life she deserves—and Rosaline is determined to stick to the instructions. However, more than collapsing trifles stand between Rosaline and sweet, sweet victory. Suave, well-educated, and parent-approved Alain Pope knows all the right moves to sweep her off her feet, but it’s shy electrician Harry Dobson who makes Rosaline question her long-held beliefs—about herself, her family, and her desires.
Rosaline fears falling for Harry is a guaranteed recipe for disaster. Yet as the competition—and the ovens—heat up, Rosaline starts to realize the most delicious bakes come from the heart.
Cynical twenty-three-year old August doesn’t believe in much. She doesn’t believe in psychics, or easily forged friendships, or finding the kind of love they make movies about. And she certainly doesn’t believe her ragtag band of new roommates, her night shifts at a 24-hour pancake diner, or her daily subway commute full of electrical outages are going to change that.
But then, there’s Jane. Beautiful, impossible Jane.
All hard edges with a soft smile and swoopy hair and saving August’s day when she needed it most. The person August looks forward to seeing on the train every day. The one who makes her forget about the cities she lived in that never seemed to fit, and her fear of what happens when she finally graduates, and even her cold-case obsessed mother who won’t quite let her go. And when August realizes her subway crush is impossible in more ways than one―namely, displaced in time from the 1970s―she thinks maybe it’s time to start believing.
Danica Waterhouse is a fully modern witch―daughter, granddaughter, cousin, and co-owner of the Fix-It Witches, a magical tech repair shop. After a messy breakup that included way too much family “feedback,” Danica made a pact with her cousin: they’ll keep their hearts protected and have fun, without involving any of the overly opinionated Waterhouse matriarchs. Danica is more than a little exhausted navigating a long-standing family feud where Gram thinks the only good mundane is a dead one and Danica’s mother weaves floral crowns for anyone who crosses her path.
Three blocks down from the Fix-It Witches, Titus Winnaker, owner of Sugar Daddy’s bakery, has family trouble of his own. After a tragic loss, all he’s got left is his sister, the bakery, and a lifetime of terrible luck in love. Sure, business is sweet, but he can’t seem to shake the romantic curse that’s left him past thirty and still a virgin. He’s decided he’s doomed to be forever alone.
Until he meets Danica Waterhouse. The sparks are instant, their attraction irresistible. For him, she’s the one. To her, he’s a firebomb thrown in the middle of a family war. Can a modern witch find love with an old-fashioned mundane who refuses to settle for anything less than forever?
Graphic designer Michelle Amato, after burning out in her corporate marketing career, has now built a thriving freelance business. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago.
Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him.
Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
The first time Daisy Ellery killed a man with a pie, it was an accident. Now, it’s her calling. Daisy bakes sweet vengeance into her pastries, which she and her dog Zoe deliver to the men who’ve done dirty deeds to the town’s women. But if she can’t solve the one crime that’s not of her own baking, she’ll be out of the pie pan and into the oven.
Parking her Pies Before Guys mobile bakery van outside the local diner, Daisy is informed by Frank, the crusty diner owner, that someone’s been prowling around the van—and not just to inhale the delectable aroma. Already on thin icing with Frank, she finds a letter on her door, threatening to reveal her unsavory secret sideline of pie a la murder.
Blackmail? But who whipped up this half-baked plot to cut a slice out of Daisy’s business? Purple-haired campus do-gooder Melly? Noel, the tender—if flaky—farm boy? Or one of the abusive men who prefer their pie without a deadly scoop of payback?
The upcoming statewide pie contest could be Daisy’s big chance to help wronged women everywhere…if she doesn’t meet a sticky end first. Because Daisy knows the blackmailer won’t stop until her business is in crumbles.
If Jen Winston knows one thing for sure, it’s that she’s bisexual. Or wait—maybe she isn’t? Actually, she definitely is. Unless…she’s not?
Jen’s provocative, laugh-out-loud debut takes us inside her journey of self-discovery, leading us through stories of a childhood “girl crush,” an onerous quest to have a threesome, and an enduring fear of being bad at sex. Greedy follows Jen’s attempts to make sense of herself as she explores the role of the male gaze, what it means to be “queer enough,” and how to overcome bi stereotypes when you’re the posterchild for all of them: greedy, slutty, and constantly confused.
With her clever voice and clear-eyed insight, Jen draws on personal experiences with sexism and biphobia to understand how we all can and must do better. She sheds light on the reasons women, queer people, and other marginalized groups tend to make ourselves smaller, provoking the question: What would happen if we suddenly stopped?
Greedy shows us that being bisexual is about so much more than who you’re sleeping with—it’s about finding stability in a state of flux and defining yourself on your own terms. This book inspires us to rethink the world as we know it, reminding us that Greedy was a superpower all along.
Dark Tourist by Hasanthika Sirisena (December 3rd)
Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth.
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
Tiny McAllister never thought she’d get married. Not because she didn’t want to, but because she didn’t think girls from Connecticut married other girls. Yet here she is with Caroline, the love of her life, at their destination wedding on the Bermuda coast. In attendance―their respective families and a few choice friends. The conflict-phobic Tiny hopes for a beautiful weekend with her bride-to-be. But as the weekend unfolds, it starts to feel like there’s a skeleton in every closet of the resort.
From Tiny’s family members, who find the world is changing at an uncomfortable speed, to Caroline’s parents, who are engaged in conspiratorial whispers, to their friends, who packed secrets of their own―nobody seems entirely forthcoming. Not to mention the conspicuous no-show and a tempting visit from the past. What the celebration really needs now is a monsoon to help stir up all the long-held secrets, simmering discontent, and hidden agendas.
All Tiny wanted was to get married, but if she can make it through this squall of a wedding, she might just leave with more than a wife.
After Alex’s mother dies of an accidental overdose, Alex takes leave from her job as a writer for a lifestyle magazine to return home to Maryland and join her brother Owen, a study in failure to launch, in sorting out their mother’s whimsical, often self-destructive, life. While home, Alex plans to profile Juliette Sprigg, an Eastern Shore restaurant owner and celebrity chef in the making who Alex secretly dated in high school. And when Alex enlists the help of Carolyn, the editor of the local newspaper, in finding a photographer for the article’s photo shoot, Alex struggles with the deepening, tender relationship that blossoms between them as well. To complicate matters, Alex and Owen’s “Aunt” Johanna, who has transitioned to a woman, offers to come from Seattle to help with arrangements, and all hell breaks loose when she announces she is actually Alex and Owen’s long-estranged father. Can Alex accept her mother and father for who they are, rather than who she hoped they would be? And can Alex apply the same philosophy to herself?
Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets.
Now it’s 1941 and Clem’s favorite haunt, Madame Boulette’s, is crawling with Nazis, while Clem’s people–the outsiders, the artists, and the hustlers who used to call it home–are disappearing. Clem’s first instinct is to go to ground–it’s a frigid Paris winter and she’s too old to put up a fight. But when the cabaret’s prize songbird, Zoe St. Angel, recruits Clem to steal the recipe book of a now-missing famous Parisian perfumer, she can’t say no. Her mark is Oskar Voss, a Francophile Nazi bureaucrat, who wants the book and Clem’s expertise to himself. Hoping to buy the time and trust she needs to pull off her scheme, Clem decides to tell Voss the real story of the life and loves she came to Paris to escape. But Clem doesn’t have much practice telling the truth and it turns out to be more dangerous than she could have imagined.
Working as a political activist in the early days of the Obama presidency, Seema still struggles with her father’s long-ago decision to exile her from the family after she came out as lesbian, forcing her to construct a new life in the West. Now, nine months pregnant and estranged from the father of her unborn son, Seema seeks reconciliation with the family that once renounced her: her ailing mother, Nafeesa, traveling alone to California from Chennai, and her devoutly religious sister, Tahera, an OB-GYN living in Texas with her husband and children.
Pushed apart and drawn together in equal measure by their often conflicting beliefs, Seema, Tahera, and Nafeesa must confront the complex yearnings in their relationships with one another—and within their innermost selves—as the events that transpire over the course of one fateful week unearth an accumulated lifetime of love, betrayal, and misunderstandings.
Told from the point of view of Seema’s child at the moment of his birth and infused with the poetry of Wordsworth, Keats, and the Quran, Radiant Fugitives is an operatic debut from a bold new voice, exploring the tensions between ideology and practicality, hope and tradition, forgiveness and retribution for one family navigating a shifting political landscape.
Courtney Gould’s thrilling debut The Dead and the Dark is about the things that lurk in dark corners, the parts of you that can’t remain hidden, and about finding home in places―and people―you didn’t expect.
The Dark has been waiting for far too long, and it won’t stay hidden any longer.
Something is wrong in Snakebite, Oregon. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and all fingers seem to point to TV’s most popular ghost hunters who have just returned to town. Logan Ortiz-Woodley, daughter of TV’s ParaSpectors, has never been to Snakebite before, but the moment she and her dads arrive, she starts to get the feeling that there’s more secrets buried here than they originally let on.
Ashley Barton’s boyfriend was the first teen to go missing, and she’s felt his presence ever since. But now that the Ortiz-Woodleys are in town, his ghost is following her and the only person Ashley can trust is the mysterious Logan. When Ashley and Logan team up to figure out who—or what—is haunting Snakebite, their investigation reveals truths about the town, their families, and themselves that neither of them are ready for. As the danger intensifies, they realize that their growing feelings for each other could be a light in the darkness.
Noa Birnbaum has just gotten a job as a makeup assistant on a movie, thanks to her roommate. She’s thrilled when she learns that Lilah Silver will be the star—she’s had a crush on the leading lady for a while. But when she meets Lilah at the studio, Noa is unimpressed – Lilah is distant and shallow, and Noa isn’t in any hurry to get to know her.
Lilah Silver is tired of being in B-rate movies and has finally landed a leading role—in a sci-fi creature feature. Worried that no one will take her seriously, she’s hidden herself behind her pageant queen persona. Lilah is awed by Noa’s self-confidence and style, but how can she convince Noa she’s not a snobby scream queen when she can’t find the right words without a script in her hands?
After getting kicked off the basketball team for a fight that was absolutely totally not her fault (okay maybe a little her fault), Mara is dying to find a new sport to play to prove to her coach that she can be a team player. A lifelong football fan, Mara decides to hit the gridiron with her brother, Noah, and best friend, Quinn-and she turns out to be a natural. But joining the team sets off a chain of events in her small Oregon town-and within her family-that she never could have predicted.
Inspired by what they see as Mara’s political statement, four other girls join the team. Now Mara’s lumped in as one of the girls-one of the girls who can’t throw, can’t kick, and doesn’t know a fullback from a linebacker. Complicating matters is the fact that Valentina, Mara’s crush, is one of the new players, as is Carly, Mara’s nemesis-the girl Mara fought with when she was kicked off the basketball team. What results is a coming-of-age story that is at once tear-jerking and funny, thought-provoking and real, as Mara’s preconceived notions about gender, sports, sexuality, and friendship are turned upside down.
Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.
A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.
The stories in Afterparties, “powered by So’s skill with the telling detail, are like beams of wry, affectionate light, falling from different directions on a complicated, struggling, beloved American community” (George Saunders).
Perched in the Catskill mountains, the centuries-old, ivy-covered campus was home until the tragic death of her girlfriend. Now, after a year away, she’s returned to graduate. She even has her old room in Godwin House, the exclusive dormitory rumored to be haunted by the spirits of five Dalloway students—girls some say were witches. The Dalloway Five all died mysteriously, one after another, right on Godwin grounds.
Witchcraft is woven into Dalloway’s history. The school doesn’t talk about it, but the students do. In secret rooms and shadowy corners, girls convene. And before her girlfriend died, Felicity was drawn to the dark. She’s determined to leave that behind her now; all Felicity wants is to focus on her senior thesis and graduate. But it’s hard when Dalloway’s occult history is everywhere. And when the new girl won’t let her forget.
It’s Ellis Haley’s first year at Dalloway, and she’s already amassed a loyal following. A prodigy novelist at seventeen, Ellis is a so-called “method writer.” She’s eccentric and brilliant, and Felicity can’t shake the pull she feels to her. So when Ellis asks Felicity for help researching the Dalloway Five for her second book, Felicity can’t say no. Given her history with the arcane, Felicity is the perfect resource.
And when history begins to repeat itself, Felicity will have to face the darkness in Dalloway–and in herself.
A hilarious and vulnerable coming-of-age story about the thrilling new experiences––and missteps––of a girl’s freshman year of college
Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.
Kylie and Regan have been best friends since kindergarten, supporting each other through thick and thin.
While everyone thinks they would be perfect for each other, they insist there’s no chemistry between them—and Regan should know since she’s a chemistry teacher.
To prove it, they agree to a little chemistry experiment: they’ll go on three dates with each other.
So what if their gazes start to linger and accidental touches no longer feel platonic? They chalk it up to the romantic atmosphere—until a friendly good night kiss turns passionate.
Can their friendship go back to the way it was before? Do they even want it to? Or will they risk losing what they have for a chance at love?
Avery Lindt finally opened her dream restaurant—and there’s no customers. She’s staying optimistic, though: she’s confident she can fake it till she makes it, roll with the punches, and find a way to save her luxury restaurant, Paramour.
But it gets harder when she gets restaurant mogul and star chef Mike Wallace angry, and finds herself on the other end of a campaign to shut down Paramour.
Celebrity chef Holly Mason’s show is in trouble: people are bored with her routine of helping struggling restaurants. Worse, her ex-boyfriend Mike Wallace is making backdoor deals trying to steal the starring role.
Luckily, Holly’s agent Tay has a solution: ditch her show plans for the season, throw their lot in with luxury restaurant Paramour against Mike Wallace’s racketeering operation of a restaurant partnership. The cherry on top? A fake relationship between Holly and Avery to stir up drama.
It would already be a mess if Holly and Avery weren’t already struggling to hold back their attraction for one another. Despite their promise not to date, the lines between acting and reality get awfully blurry sometimes.
Meet Ben Dane: brilliant, devastating, devoted, honest to a fault (truly, a fault). His Broadway theater baron father is dead–but by purpose or accident? The question rips him apart.
Unable to face alone his mother’s ghastly remarriage to his uncle, Ben turns to his dearest friend, Horatio Patel, whom he hasn’t seen since their relationship changed forever from platonic to something…other. Loyal to a fault (truly, a fault), Horatio is on the first flight to NYC when he finds himself next to a sly tailor who portends inevitable disaster. And who seems ominously like an architect of mayhem himself.
Meanwhile, Ben’s ex-fiancé Lia, sundered her from her loved ones thanks to her addiction recovery and torn from her art, has been drawn into the fold of three florists from New Orleans–seemingly ageless sisters who teach her the language of flowers, and whose magical bouquets hold both curses and cures. For a price.
On one explosive night these kinetic forces will collide, and the only possible outcome is death. But in the masterful hands of Lyndsay Faye, the story we all know has abundant surprises in store. Impish, captivating, and achingly romantic, this is Hamlet as you’ve never seen it before.
Annie is a smart, antisocial lesbian starting her senior year of high school who’s under pressure to join the cheerleader squad to make friends and round out her college applications. Her former friend BeeBee is a people-pleaser—a trans girl who must keep her parents happy with her grades and social life to keep their support of her transition. Through the rigors of squad training and amped up social pressures (not to mention micro aggressions and other queer youth problems), the two girls rekindle a friendship they thought they’d lost and discover there may be other, sweeter feelings springing up between them.
The reality of Alden…
Arrogant. Aloof. Argumentative. Antagonistic. Angry. Alden Kaufman is many things, and none of them are nice. Trauma has left him deeply scarred and incapable of easy friendships. He doesn’t know how to let anyone past his walls, and he doesn’t think it’s worth the trouble.
The reality of Kit…
Everybody’s best friend, nobody’s boyfriend. In spite of a lifestyle that doesn’t invite attachments, Kit Taylor gets along with everyone he meets—except Alden. He can’t entice his prickly co-worker out of his shell, and has given up on trying.
The Reality of Us…
Two men at odds with themselves and each other embark on what should be a simple team-building exercise, but nothing goes as planned. Unexpected intimacy and a freak accident leave Kit and Alden dependent on each other long after they leave the mountain behind. Now they have a choice—to continue as they’ve been, or trust a shaky new reality together.
The eclectic stories in this collection are bound by the threads of desire in its many forms, above all, the desire for love and a place of safety in a world where being Black and gay can thwart the fulfillment of that longing. The characters are complex, driven, difficult, and even, at times, unsympathetic, but always compelling. In other words: fully rounded human beings living complicated lives.
A proud Black woman who escaped her rural, impoverished town returns after the collapse of her marriage and faces the scorn of those she left behind. A middle-aged gay man finds his loneliness temporarily relieved by the arrival of a stray cat. An unhappily married woman becomes enmeshed in her bisexual husband’s attempt to create a ménage à trois with a much younger man. A 16-year-old boy discovers the power of his sexuality when he embarks upon a dangerous seduction. Two Black men, one mature and rich, the other young and struggling, are drawn into a contentious affair by their shared love of opera. The legendary blues singer Glady Bentley crashes up against the barriers of race and gender when she gets caught up in a police raid.
Kiss the Scars on the Back of My Neck is a masterful collection of stories by a gifted writer who has fully hit his stride.
Sixteen-year-old shy, socially awkward trans teen Bass reluctantly skips school and goes on a boat trip with his adventure-seeking girlfriend, Rosie. When a sudden storm smashes their boat on a rocky shore off a deserted island, Bass and Rosie struggle to make it to safety. Bruised and battling hypothermia, the pair have to seek shelter and work together to survive until they can be rescued. After a horrible night, Rosie, an experienced climber, decides to scale a steep cliff to find help. She falls and injures herself badly. Now Bass has to find the strength and courage to swim around a dangerous headland and make his way back to civilization before it’s too late.
Simply the Best… Giselle Otero needs a win in her life, and being personal assistant to Helene Jolie, the socialite founder of SimplytheBest.com, is finally it. The hours are long, and keeping Helene happy is more than a full-time job. That Helene seems to find Giselle’s company pleasing in ways beyond work is dizzying.
Simply the Worst… An unfortunate lapse in judgment has bumped New York reporter Alice Cabot from Science to Style. Even worse, she’s exiled to New Mexico to complete a series of in-depth and upbeat features on Helene Jolie and her company’s meteoric success. She knows she’s going to hate every last thing about this assignment, starting with the assistant who’ll be her corporate babysitter.
Simply Irresistible… Tasked with keeping the inquisitive reporter in check, Giselle is eager to prove her worth to the demanding, charismatic Helene. Even if that means spending every day arguing with a big mouth, big city know-it-all whose probing questions lead to sleepless nights―and awakened desires.
Dragons were fire and terror to the Western world, but in the East they brought life-giving rain…
Now, no longer hailed as gods and struggling in the overheated pollution of Beijing, only the Eastern dragons survive. As drought plagues the aquatic creatures, a mysterious disease—shaolong, or “burnt lung”—afflicts the city’s human inhabitants.
Jaded college student Xiang Kaifei scours Beijing streets for abandoned dragons, distracting himself from his diagnosis. Elijah Ahmed, a biracial American medical researcher, is drawn to Beijing by the memory of his grandmother and her death by shaolong. Interest in Beijing’s dragons leads Kai and Eli into an unlikely partnership. With the resources of Kai’s dragon rescue and Eli’s immunology research, can the pair find a cure for shaolong and safety for the dragons? Eli and Kai must confront old ghosts and hard truths if there is any hope for themselves or the dragons they love.
Seventeen-year-old Joshua Gaines is the orphaned foster son of a failed doctor on the run from his father’s debt. In 1849, he travels to Independence, Missouri and falls in with the mysterious, four-fingered Renard, and his companion, formerly-enslaved Free Ray. Joshua offers his medical expertise to their party, and together they embark on the fifteen-hundred mile overland journey to Gold Rush California.
Following the hardship, disease, and death on the trail, the company abandons panning the river in favor of robbery and murder. Engulfed by violence, the young doctor-turned-marauder must reckon with his own morality, his growing desire for the men around him, and the brutality that has haunted him all his life.
There’s only one thing standing between Finch Kelly and a full-blown case of high school senioritis: the National Speech & Debate Tournament. Taking home the gold would not only be the pinnacle of Finch’s debating career, but the perfect way to launch himself into his next chapter: college in Washington, DC, and a history-making career as the first trans congressman. What could possibly go wrong?
Well, for starters, Finch could develop a teeny tiny crush on his very attractive, very taken, and very gay debate partner, Jonah. Never mind that Finch has never considered whether he’s interested in more than just girls.
And that dream of college in DC? Finch hasn’t exactly been accepted anywhere yet, let alone received the full-ride scholarship he’ll need to make this dream a reality.
Worst of all, though, is this year’s topic for Nationals: transgender rights. If he wants to cinch the gold, and get into college, Finch might have to argue against his own humanity.
People say there are two sides to every argument. But, as Finch is about to discover, some things—like who you are and who you love—are not up for debate.
This is the second book in the First Sister trilogy
Astrid has reclaimed her name and her voice, and now seeks to bring down the Sisterhood from within. Throwing herself into the lioness’ den, Astrid must confront and challenge the Aunts who run the Gean religious institution, but she quickly discovers that the business of politics is far deadlier than she ever expected.
Meanwhile, on an outlaw colony station deep in space, Hiro val Akira seeks to bring a dangerous ally into the rebellion. Whispers of a digital woman fuel Hiro’s search, but they are not the only person looking for this link to the mysterious race of Synthetics.
Lito sol Lucious continues to grow into his role as a lead revolutionary and is tasked with rescuing an Aster operative from deep within an Icarii prison. With danger around every corner, Lito, his partner Ofiera, and the newly freed operative must flee in order to keep dangerous secrets out of enemy hands.
Back on Venus, Lito’s sister Lucinia must carry on after her brother’s disappearance and accusation of treason by Icarii authorities. Despite being under the thumb of Souji val Akira, Lucinia manages to keep her nose clean…that is until an Aster revolutionary shows up with news about her brother’s fate, and an opportunity to join the fight.
It’s been one year since Edie’s mother died. But her ghost has never left.
According to her GG, it’s tradition that the dead of the Mitchell family linger with the living. It’s just as much a part of a Mitchell’s life as brewing cordials or talking to plants. But Edie, whose pain over losing her mother is still fresh, has no interest in her family’s legacy as local “witches.”
When her mother’s teenage journal tumbles into her life, her family’s mystical inheritance becomes once and for all too hard to ignore. It takes Edie on a scavenger hunt to find objects that once belonged to her mother, each one imbued with a different memory. Every time she touches one of these talismans, it whisks her to another entry inside the journal—where she watches her teenage mom mourn, love, and hope just as Edie herself is now doing. Maybe, just maybe, Edie hopes, if she finds every one of these objects, she can finally make peace with her loss and put the past to rest for good. But this journey to stake her independence from her family may actually show Edie who she truly is…and the beautiful gifts that come with being just a little different.
When tragedy strikes, Cassidy, a cam girl living in Southern California, must return to the small West Virginia town she left behind. Cassidy likes her job getting naked for men on camera, though she prefers sex with women. She never came out to her family or friends back in her home state―not about her sexuality and certainly not about her sex work. Now, she must figure out how to hold on to the life she’s built for herself while picking up the pieces of her fractured family.
As Cassidy’s story unfolds, we glimpse into the lives of the strong, complicated women who came before her: Jane, the sheltered daughter of farmers, escapes West Virginia for Washington, DC to work as a Government Girl for the FBI during World War II, until a fateful mistake threatens her future. Paloma, a Fulbright Scholar, journeys to newly Westernized Prague―only to fall for an idealistic but safe man from West Virginia.
Though worlds and generations apart, all three search for meaning as they face impending motherhood and the pull to return home to rural Appalachia.
Julie Kim’s life was supposed to be simple. Falling for the gorgeous barista with the enigmatic smile was not part of the plan.
Cameran Davis loves love and her coffee shop, Love & Lattes, reflects that. But, she’s starting to wonder if maybe happily ever after isn’t in the cards.
A surprise run-in culminates in a ruse leading to acknowledging feelings and steamy nights. When things get real, will they fight for a chance at happiness or go their separate ways?
Anima is an extrasensory human tasked with surveilling and protecting Ora’s citizens via a complex living network called the Gleaming. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from harm.
When a mysterious outsider enters the city carrying a cabinet of curiosities from around with the world with a story attached to each item, Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist. But such knowledge leaves Anima with a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?
April French doesn’t do relationships and she never asks for more.
A long-standing regular at kink club Frankie’s, she’s kind of seen it all. As a trans woman, she’s used to being the scenic rest stop for others on their way to a happily-ever-after. She knows how desire works, and she keeps hers carefully boxed up to take out on weekends only.
After all, you can’t be let down if you never ask.
Then Dennis Martin walks into Frankie’s, fresh from Seattle and looking a little lost. April just meant to be friendly, but one flirtatious drink turns into one hot night.
When Dennis asks for her number, she gives it to him.
When he asks for her trust, well…that’s a little harder.
And when the desire she thought she had such a firm grip on comes alive with Dennis, April finds herself wanting passion, purpose and commitment.
But when their relationship moves from complicated to impossible, April will have to decide how much she’s willing to want.
Men are disappearing from Toronto’s gay village. They’re the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled, frightened friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible.
Woven into their stories is David Demchuk’s own personal history, a life lived in fear and in thrall to horror, a passion that boils over into obsession. As he tries to make sense of the relationship between queerness and horror, what it means for gay men to disappear, and how the isolation of the LGBTQ+ community has left them profoundly exposed to monsters that move easily among them, fact and fiction collide and reality begins to unravel.
On what should be the biggest night of her life, everything suddenly goes horribly wrong. First, her king denies her the promotion she rightfully earned, as well as the knighthood that goes along with it. And then, when Scratch is wallowing somewhere near the fetid rock bottom, she and her best friend, the flamboyant and carefree Sergeant James Ursus, are arrested for orchestrating the abduction of Princess Frances and sentenced to death. On the whole, things could be better.
Luckily, help comes in the form of the mysterious Shae siblings―Vel and Umbrella―who inform the doomed pair that the issue of the missing Princess is far more complicated than it appears. After a daring escape, the four embark on an ill-advised rescue mission through a forest filled with beasts, bandits, and mysterious fair folk, bringing nothing with them but a kitchen knife and the vague outline of a plan. Their destination is the Between, a sacred and shadowy fae-guarded place that promises to deliver Scratch and James to the princess―if they manage to survive.
But Scratch didn’t rise above her humble childhood in the Royal City slums by accepting things at face value. It’s clear that the enigmatic Shaes are hiding something, but what do they know? Who are they working with? And why, in the name of all the divine constellations in the scrambled sky, can’t Scratch stop staring at Brella?
Rachel Lacey‘s READ BETWEEN THE LINES, pitched as an #OwnVoices sapphic retelling of You’ve Got Mail, featuring a bisexual bookstore owner and a property developing corporate executive with more than one secret, to Lauren Plude at Montlake, in an exclusive submission, in a two-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).
Katharine Schellman‘s LAST CALL AT THE NIGHTINGALE, an #OwnVoices queer murder mystery set in 1920s New York, where a seamstress escapes drudgery at a speakeasy, but when she discovers a body behind the club, she finds herself caught between the dangers of New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable—including her own, to Nettie Finn at Minotaur, in a two-book deal, for publication in summer 2022, by Whitney Ross at Irene Goodman Agency (NA).
2020 National Book Foundation 5 under 35 honoree and author of BESTIARY K-Ming Chang‘s RESIDENT ALIENS, a short story collection that evokes the splendor and peculiar nature of families, the grotesque and wondrous parts of the body, and the wild and poignant battles of queer love, to Nicole Counts at One World, by Julia Kardon at HG Literary.
Ally Wilkes‘s ALL THE WHITE SPACES, set in the Heroic Age of Antarctic exploration, in which a trans man narrates the fate of an expedition as something unnamed and terrible picks off his shipmates one by one, against the backdrop of the pitch-black polar night, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Oliver Munson at A.M. Heath (NA).
Helena Greer‘s MY FIRST NOELLE, pitched as a queer and Jewish Hallmark-style holiday rom-com about a free-spirited bisexual artist who’s forced to return home when she inherits her family’s Christmas tree farm, and has an unexpected romance with the farm’s grumpy butch manager, to Amy Pierpont and Sam Brody at Forever, in a two-book deal, for publication in winter 2022, by Rebecca Podos at Rees Literary Agency (world).
Winner of the 60th Gunzo New Writer’s Award for Excellence in 2017 Li Kotomi‘s SOLO DANCE, depicting the painful coming-of-age of a gay woman in Taiwan and the salaryman’s world in Japan; an account of a person’s search for hope after trauma and depression, to Judith Uyterlinde at World Editions (Netherlands), in a nice deal, in a pre-empt, for publication in fall 2022, by Li Kangqin at New River Literary (world English).
Three-time Pushcart prize winner and Stegner fellow Lydia Conklin’s RAINBOW RAINBOW, a collection of stories exploring the complex inner lives of queer, trans, and nonbinary characters, pitched as appealing to fans of Garth Greenwell, Jenny Zhang, and Katherine Dunn, to Leigh Newman at Catapult, for publication in June 2022, by Samantha Shea at Georges Borchardt.
Center for Fiction First Novel Prize nominee Celia Laskey’s THE BRIDESMAID, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex; and UNDER THE RAINBOW, her debut novel, to Cicely Aspinall at HQ, at auction, in a two-book deal, by Jennifer Helinek at Trident Media Group, on behalf of Alexa Stark.
Children’s Fiction
Hazel Newlevant‘s QUEER AND HOW WE GOT HERE, in which the author blends their personal story of coming out with explorations of important moments from queer history to draw a parallel between the growth of a community and the growth of the author’s personal identity, to Andrea Colvin at Little, Brown Children’s, in an exclusive submission, for publication in early 2024, by Tanya McKinnon at McKinnon Literary (world).
Will Taylor‘s THE LANGUAGE OF SEABIRDS, in which a 12-year-old boy confined to two weeks at a beach house with his freshly divorced father meets a local boy and his world is flipped as he struggles find some way to share the truths flooding his heart—things he’s never spoken to anyone, not even himself, to David Levithan at Scholastic, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world).
Detroit-based illustrator and designer Oli Franey’s MONSTER CRUSH, pitched as BEETLE AND THE HOLLOWBONES meets Teen Wolf, in which a 16-year-old closes herself off from the world after her parents split, until she meets a girl; as the two of them fight off school bullies, the girl accidentally reveals her ability to transform into a monstrous beast, and reveals the world of monsters, to Brett Israel at Dark Horse, for publication in 2023, by Claire Draper at The Bent Agency (world English).
Young Adult Fiction
Epic Reads founder Margot Wood‘s FRESH, a queer coming-of-age story that follows a freshman at Emerson College as she navigates the highs and lows of her first year away from home, to Maggie Lehrman at Abrams Children’s, at auction, for publication in fall 2021, by Joanna Volpe at New Leaf Literary & Media (world English).
Author of THE DEAD AND THE DARK Courtney Gould’s ECHO SUNSET, following two sisters who, after their mother dies, learn about her mysterious ties to an isolated Arizona town; when they decide to investigate, nothing and no one is who they seem, including the daughter of the town’s enigmatic leader, to Jennie Conway at Wednesday Books, for publication in 2022, by Claire Friedman and Jessica Mileo at Inkwell Management (NA).
Illustrator and comic artist on Tapas The Kao’s MAGICAL BOY, in which a trans man just trying to get through high school as his true self has his life turned upside down when he discovers that he is descended from a long line of magical girls tasked with defending humanity from a dark, ancient evil; with a sassy feline sidekick and loyal group of friends by his side, he must take on his destiny, save the world, and become the first magical boy, to Michael Moccio at Scholastic, for publication in fall 2021, by Liz Parker at Verve Talent & Literary (world).
Author of the #murdertrending series and GET EVEN Gretchen McNeil‘s DIG TWO GRAVES, pitched as a YA Strangers on a Train with a queer twist in which a school pariah meets her new best friend at summer camp where they jokingly fantasize about killing each other’s bullies, until those fantasies become disturbing realities and she finds herself blackmailed into committing murder, to Kieran Viola at Disney-Hyperion, in a two-book deal, by Ginger Clark at Curtis Brown (world).
Author of ACE OF SHADES Amanda Foody and author of THE DEVOURING GRAY Christine Lynn Herman‘s ALL OF US VILLAINS, set in a blood-soaked city, where seven families compete every generation in a tournament to the death for control of high magic; one powerful, villainous family has won nearly every tournament, but this year, thanks to a salacious tell-all book, each of the other families has the means to win, to Melissa Frain at Tor Teen, with Ali Fisher editing, in a major deal, at auction, in a two-book deal, for publication in fall 2021 and 2022, by Whitney Ross at Irene Goodman Agency for Foody, and by Kelly Sonnack at Andrea Brown Literary Agency for Herman (world English).
Naz Kutub‘s THE LOOPHOLE, pitched as a speculative SIMON VS. THE HOMO SAPIENS AGENDA with a focus on identity, found family, and friendship, following a queer Indian Muslim boy traveling the world for a second chance at love after a possibly magical heiress grants him three wishes, to Claire Stetzer at Bloomsbury Children’s, in a very nice deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Natalie Lakosil at Bradford Literary Agency (world).
Cayla Keenan’s RAVENSONG, the first in a contemporary fantasy duology with Northeastern Gothic vibes, in which a 17-year-old girl is one third of a war goddess triad, sworn to slay demons with her sisters and guard the gate to hell in their coastal town, yet is stuck in high school, counting down the days until her 18th birthday, when her powers fully unlock—until she meets a girl with secrets of her own who’ll force her to choose between duty and love, to Amanda Ramirez at Simon & Schuster Children’s, in a pre-empt, in a two-book deal, for publication in spring 2023, by Patrice Caldwell at New Leaf Literary & Media (NA).
Dahlia Adler ed.’s AT THE STROKE OF MIDNIGHT, a collection of classic fairy tales reimagined by authors Melissa Albert, Tracy Deonn, Hafsah Faizal, Brigid Kemmerer, Stacey Lee, Darcie Little Badger, Malinda Lo, Alex London, Anna-Marie McLemore, Rebecca Podos, Rory Power, Meredith Russo, Justin Reynolds, and Randy Ribay, to Sarah Barley at Flatiron Books, for publication in fall 2022, by Patricia Nelson at Marsal Lyon Literary Agency (world).
Andrea Mosqueda’s debut JUST YOUR LOCAL BISEXUAL DISASTER, following a self-described romantic disaster, a bisexual Chicana living in the Rio Grande Valley, as she tries to figure out whom she wants to ask to be her escort at her little sister’s upcoming quinceanera: her charming ex-boyfriend twice over, her first crush and gorgeous best friend, or the mysterious new girl with the romantic baggage?, to Kat Brzozowski at Feiwel and Friends, for publication in 2022, by Lauren Macleod at The Strothman Agency (world English).
Saundra Mitchell’s OUT THERE, the future-set third and final anthology in a series that began with the historical ALL OUT and contemporary OUT NOW; its contributors include Kayla Ancrum, Kalynn Bayron, Z Brewer, Mason Deaver, Alechia Dow, ZR Ellor, Leah Johnson, Naomi Kanakia, Claire Kann, Alex London, Jim McCarthy, Abdi Nazemian, Emma K. Ohland, AJ Sass, Nita Tyndall, and two slots to be filled through an open call, to Natashya Wilson at Inkyard Press, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Non-Fiction
Sunday Times Young Writer of the Year finalist for his poetry collection TONGUES OF FIRE Sean Hewitt‘s ALL DOWN DARKNESS WIDE, an excavation of the year following his partner’s suicide attempt, a confrontation with the specters of shame, and a love letter to queer literature that illuminates a path ahead, to Caroline Sydney at Penguin Press, in a pre-empt, by Adam Eaglin at The Cheney Agency on behalf of Matthew Marland at Rogers, Coleridge & White (NA).
Cultural historian, performer, Leverhulme Early Career Fellow in English at the University of Cambridge, and BBC New Generation Thinker Diarmuid Hester’s NOTHING EVER JUST DISAPPEARS: A NEW HISTORY OF QUEER CULTURE THROUGH ITS SPACES, a history of queer identity from the late 1800s to the present, following seven artists and writers whose lives and work are inextricable from a sense of place, including E.M. Forster, Josephine Baker, Claude Cahun, James Baldwin, and Derek Jarman; interweaving their stories with the author’s own experiences as a queer person, arguing for the centrality of place in the formation of identity, culture, and politics, while showing all that is lost when queer spaces are forgotten, to Maria Bedford at Allen Lane, at auction, for publication in November 2022, by Matthew Marland at Rogers, Coleridge & White (world English).
Sibling duo, journalist, and archivist Alison Nastasi and PJ Nastasi’s QUEER ICONS AND THEIR CATS, a celebration of LGBTQ+ icons past and present, and their furry feline friends, to Bridget Watson Payne at Chronicle, with Natalie Butterfield editing, for publication in May 2021 (world).