Russian poet, artist, and feminist activist Oksana Vasyakina’s WOUND, following a young queer woman on a journey across Russia to Siberia, where she has promised to take her mother’s ashes, woven through with memories of a traumatic and impoverished childhood, experiences of the sublime, her sexual and artistic awakening, and the pains and joys of life as a lesbian in Russia, to Katharina Bielenberg at MacLehose Press, in a nice deal, at auction, by Rachel Clements at Abner Stein on behalf of Marleen Seegers at 2 Seas Agency, for Catapult.
Victoria Lee’s A SHOT IN THE DARK, a contemporary queer romance featuring Elisheva Cohen, a now-sober young artist who returns to New York to study photography after nearly a decade in Los Angeles and has an unforgettable one-night stand with a gorgeous trans man who turns out to be her teacher, the legendary Wyatt Cole, to Shauna Summers at Dell, at auction, in a two-book deal, by Holly Root and Taylor Haggerty at Root Literary.
Sophie Burnham’s SARGASSA, a queer speculative novel set in contemporary North America in a world where the Roman Empire never fell, following the high-and low-born children of a murdered politician as they are swept up in a revolution and race to find a powerful artifact, to Joshua Demarest at CatStone, by Maria Napolitano at Bookcase Literary Agency (world English).
ACLU-NJ honoree and LGBTQ activist Robyn Gigl’s next two books in her Erin McCabe legal thriller series, featuring a transgender attorney, to John Scognamiglio at Kensington, in a two-book deal, for publication in 2023 and 2024, by Carrie Pestritto at Laura Dail Literary Agency (world).
Author of NYTBR Editors’ Choice THE RECENT EAST Thomas Grattan’s IN TONGUES, a coming-of-age novel set in New York City and Europe in fall 2001, following a gay 24-year-old Midwesterner as he gets swept up in the charm and desires of a powerful older couple, examining issues of social class and queer desire, the pursuit of religious and physical ecstasy, and the complicated relationships between fathers and sons, both biological and chosen, again to Jackson Howard at MCD/FSG, for publication in fall 2023, by Jody Kahn at Brandt & Hochman (world).
Argentinian author Marina Yuszczuk’s THIRST, a queer Gothic vampire novel set in Buenos Aires, following two women in different time periods who confront desire, fear, violence, loneliness, and mortality, pitched as having echoes of Mary Shelley’s FRANKENSTEIN and for readers of Samanta Schweblin, Carmen Maria Machado, and Samantha Hunt, to Pilar Garcia-Brown in her first acquisition for Dutton, by Elianna Kan at Regal Hoffmann & Associates (world English).
Hell’s Library series author A.J. Hackwith’s HOLLOW ROAD HOME and its sequel, pitched as a queer, millennial AMERICAN GODS, about a fae working at a truck stop in Kansas to hide from her past, until she’s blackmailed by a self-taught magician to guide him and his sister—a girl born with a changing map on her skin—across the strange backroads and forgotten spaces of the gothic American Midwest in search of a powerful treasure, to Miranda Hill at Ace, in a two-book deal, for publication in spring 2023, by Caitlin McDonald at Donald Maass Literary Agency (world).
Provincetown Fine Arts Work Center Fellow and UMass Amherst MFA/PhD Shastri Akella’s THE SEA ELEPHANTS, a queer bildungsroman set in 1990s India, following a young gay man who, after the sudden death of his sisters, flees his father’s threats to send him to a conversion center by joining a street theater troupe; pitched as reminiscent of THE GOD OF SMALL THINGS in the way it blends the personal and the political to tell an epic story of forbidden love, to Caroline Bleeke at Flatiron Books, in a pre-empt, by Chris Clemans at Janklow & Nesbit (NA).
Author of A TIP FOR THE HANGMAN Allison Epstein’s LET THE DEAD BURY THE DEAD, a historical novel in which the arrival of a mysterious woman at the 19th-century Russian court divides the second son of the tsar and his lover, a captain in the imperial army, when one of them believes her to be a creature out of myth, setting all three on a collision course with revolution, again to Carolyn Williams at Doubleday, in a very nice deal, by Bridget Smith at JABberwocky Literary Agency (NA).
Young Adult Fiction
Author of SWEET & BITTER MAGIC Adrienne Tooley’s THE THIRD DAUGHTER and THE SECOND SON, pitched in the tradition of Three Dark Crowns and Girl, Serpent, Thorn, a dual PoV series featuring a crown under siege, an enchanted well of sadness, a ruthless antiheroine, and a slow-burning romance, to Jessica Anderson at Christy Ottaviano Books, in a good deal, at auction, in a two-book deal, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Jenna Miller’s OUT OF CHARACTER, a queer, fat-positive contemporary romance that follows a girl who escapes the stressors of the real world by roleplaying online in secret—but after falling for her roleplay bestie, she must decide if she can be honest about her double life, to Alyssa Miele at Quill Tree, in a two-book deal, for publication in winter 2023, by Michaela Whatnall at Dystel, Goderich & Bourret (world).
Author of THE MYTHIC KODA ROSE Jennifer Nissley’s THE RULES OF US, pitched as the intersection between Becky Albertalli and Nina LaCour in a queer YA love story about longtime couple and best friends, who have dated throughout high school only to come out to each other on prom night, challenging their meticulously planned future as they try to disentangle their lives and identities, explore their sexualities, and learn not only a new way to be together, but how to be alone, to Liesa Abrams at Labyrinth Road, for publication in summer 2023, by Danielle Burby at Mad Woman Literary Agency (NA).
University of Cambridge student Sarah Underwood’s LIES WE SING TO THE SEA, pitched as a sapphic, feminist reclamation of the story of the hanged maids in THE ODYSSEY in a YA CIRCE, in which a failed oracle and a vengeful immortal must break the curse on their kingdom by killing its prince, to Stephanie Stein at Harper Teen, in a major deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Catherine Cho at Paper Literary (NA).
Dan Clay’s BECOMING A QUEEN, about a teenage boy who turns to drag performance to overcome his grief when tragedy strikes, to Mekisha Telfer at Roaring Brook Press, in a very nice deal, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).
LGBTQ+ romance and fantasy author Lauri Starling’s POISON FOREST, pitched as HOUSE OF SALT AND SORROWS meets Holly Black, featuring a mage who joins two teens with powerful abilities to track down the magic-stealing sorcerer who kidnapped her royal ex-girlfriend, braving a cursed forest and a betrayal that leaves them at the sorcerer’s nonexistent mercy, to MaryBeth Dalto-McCarthy at Sword and Silk, for publication in October 2022.
Screenwriter and NYT-bestselling coauthor of FIVE FEET APART and ALL THIS TIME Mikki Daughtry’s untitled lesbian love story, unfolding over two sets of lives, 100 years apart, to Stephanie Pitts at Putnam Children’s, in a pre-empt, for publication in fall 2023, by Liz Parker at Verve Talent & Literary (NA).
Non-Fiction
Men’s Health sex and relationship columnist Zachary Zane’s BOYSLUT: A MEMOIR-MANIFESTO, a series of essays told through a bisexual lens, exploring the author’s coming-of-age in a world riddled with harmful messages about sex and sexuality, moving toward a place of embrace and celebration unencumbered by shame, to Zachary Knoll at Abrams Image, at auction, by Katherine Latshaw at Folio Literary Management (world).
Prince Shakur’s WHEN THEY TELL YOU TO BE GOOD, a memoir that mines the author’s many eras of radicalization and self-realization through examinations of place, childhood, queer identity, and a history of uprisings, to Hanif Abdurraqib at Tin House Books, for publication in October 2022 (NA).
Author of A NIGHT AT THE SWEET GUM HEAD Martin Padgett’s PRIVATE MATTERS, an exploration of the 1986 Supreme Court case Bowers v. Hardwick, which Laurence Tribe lost in the Court’s ruling that allowed Georgia to prosecute private homosexual acts (and which was not overturned until 2003), showing how the case ignited the gay rights movement of the 1980s while upending the life of Michael Hardwick, to Amy Cherry at Norton, in an exclusive submission, for publication in summer 2023, by Beth Marshea at Ladderbird Literary Agency (world English).
This is an annual feature that runs a little differently from the rest on LGBTQReads, as the post builds on itself each year and new titles/sections are added with asterisks. These books are all queer titles by Black authors, the vast majority of which star Black main characters. (Obviously this isn’t remotely exhaustive.)
Sites
Sistahs on the Shelf – SotS is run by Rena, a Black lesbian who reviews Black lesbian books. You can also follow on Twitter at @SotS!
WoC in Romance – this is a site highlighting all Romance written by WoC, but there’s a page just for LGBTQ Romances. It’s run by Rebekah Weatherspoon, whose name you may recognize as being a prolific author of LGBTQ lit herself! You can follow on Twitter at @WOCInRomance, and make sure you check out their Patreon; link is in the pinned tweet!
Black Lesbian Literary Collective – To nab from their site, “The Black Lesbian Literary Collective creates a nurturing and sustainable environment for Black lesbian and queer women of color writers.” Looking for more reviews of Black lesbian fic? Ta da! The site is new, so it’s not packed with posts just yet, but there is already an active radio show linked to it. Find them on Twitter at @LezWriters.
The Brown Bookshelf – this is a site dedicated to Black kidlit; here are the posts that come up if you search LGBT.
This is an annual feature that runs a little differently from the rest on LGBTQReads, as the post builds on itself each year and new titles/sections are added with asterisks. These books are all queer titles by Black authors, the vast majority of which star Black main characters. (Obviously this isn’t remotely exhaustive.)
Sites
Sistahs on the Shelf – SotS is run by Rena, a Black lesbian who reviews Black lesbian books. You can also follow on Twitter at @SotS!
WoC in Romance – this is a site highlighting all Romance written by WoC, but there’s a page just for LGBTQ Romances. It’s run by Rebekah Weatherspoon, whose name you may recognize as being a prolific author of LGBTQ lit herself! You can follow on Twitter at @WOCInRomance, and make sure you check out their Patreon; link is in the pinned tweet!
Black Lesbian Literary Collective – To nab from their site, “The Black Lesbian Literary Collective creates a nurturing and sustainable environment for Black lesbian and queer women of color writers.” Looking for more reviews of Black lesbian fic? Ta da! The site is new, so it’s not packed with posts just yet, but there is already an active radio show linked to it. Find them on Twitter at @LezWriters.
The Brown Bookshelf – this is a site dedicated to Black kidlit; here are the posts that come up if you search LGBT.
You may have already heard me hype Candice Montgomery a million times, but honestly, it’ll never be enough. Their voice in YA is like nothing else out there, and if you haven’t yet read their work, I hope this’ll convince you to dive in! (If not, just read the acknowledgements of By Any Means Necessary, which just released on October 8 and is basically a master class in voice all on its own.) Especially if you’ve been looking for more queer and/or nonbinary Black voices and/or Muslim voices, have I got some wonderful news for you. So please welcome the utterly fabulous Candice Montgomery!
New book! New book! It’s well documented that I’m obsessed with Torrey and By Any Means Necessary, but could you please share a little about your sophomore novel and how it came to be for those who didn’t get an early read?
HAAA! It is absolutely well documented that you run my literary (and personal) life better than I do.
So, By Any Means Necessary is a story about a newly minted college freshman. He’s hyped and ready to take on his new town up in San Francisco, and nervousness—though present!—takes a backseat. That is, until he gets news that the apiary he owns back home, by way of his late uncle, is being seized.
So he’s torn between taking on this new thing that’s only about Torrey himself (and also maybe a little about a certain dancer boy named Gabriel) and going home to a place that’s chewed him up raw, all to save his uncle’s legacy.
The idea for BAMN came to me when a friend and I were on the phone talking about gentrification and how it was affecting us directly, as individuals. And then, common to our conversational flow, we segued into talking about weird hobbies for main characters. She talked about her characters operating a vineyard and I suddenly had the idea for a character to run a bee farm where his struggle (getting stung constantly) and his desire to be free (flying away from the hive he knows) would mirror his hobby. In Torrey’s case, his passion.
Queerness (and specifically queer characters of color) also feature in your debut Home and Away, which has a kickass female football-playing protag and a wonderful male love interest who happens to be bi. What would you say draws Tasia and Kai together, and in your mind, where are they now?
I think Taze and Kai are opposite sides of the same very big coin. And that’s what works for them. Kai brings out Tasia’s looser side and she not only lets Kai just be who he is, but she actively enjoys it. It’s basically just two teens who don’t feel they fit in finding out that they actually DO. With each other.
In my mind, Taze and Kai are still very much together but also attending separate colleges about an hour from one another. Taze is playing ball for Cal and studying Pan African Studies and Kai is over at the San Francisco Art Institute taking the art world by storm. And making Taze laugh while he does it.
For readers looking for even more of your published work, you’ve got a fabulous story in Habibi, the all-Muslim anthology edited by Hadeel Al-Massari and Nyala Ali, starring a Muslim girl who’s managing both depression and her feelings for her best friend, a trans guy named Aaron. What made this the story you wanted to tell in this collection in particular?
Oof! Thank you! I love that story and that anthology so much. Don’t forget about that one by the way. It’s got big plans for the future.
But my story in Habibi is called “Love God Herself.” And it’s a story I wanted to tell because a muslimah (now) friend of mine tweeted on a trending about wanting to see hijabis who are questioning their faith, who are bucking back against traditional Islamic partnerships, who are depressed and not instantly healed, all—MASHALLAH!!!
I reached out to her. Asked her if she’d write it. And then she turned around and asked ME if I would.
And speaking of anthologies, we’ll get even more Cam goodness in 2020 when you feature in the upcoming all-queer anthology Out Now: Queer We Go Again!, the contemporary followup to All Out, once again edited by Saundra Mitchell. What can you tell us about your story for that collection?
My story for Out Now was honestly one of the most difficult things I’ve ever written. I’m so in love with it. I struggled for months with it and then one night it all just poured out of me, start to finish. I didn’t even read it through before I sent it off to Saundra; I was already so past deadline. Twice. And from there, I didn’t get asked to make any structural changes to the story, either. Just a few grammatical things. It’s a raw story and probably the best thing I’ll ever write. It’s about a skateboarding enby who has a crush on a girl whom they think will NEVER notice them. Maybe she will, maybe she won’t. But the main character will take you all the way through it.
Cam Anthology Goodness of 2020 Part II has you breaking into MG in Once Upon an Eid! What was it like to write for a younger audience, and is it something you could see yourself doing in longer form?
First—CAM ANTHOLOGY GOODNESS OF 2020! YESSSS. ONCE has been such a fun process. It was just happy-making anytime I worked on it. This was my first time writing ANYTHING MG. And immediately after my story was submitted, I started drafting an MG novel of my own. It’s on hold for a moment, but I’m 12K words deep and still sooo excited about it.
You’re such a great advocate for more midlist authors and especially for other queer/trans Black authors, and QTAoC in general. What books and authors would you love to see get more attention, and what queer books have meant a lot to you as a both an author and a reader?
Oooh! I love this question. There are a few key QTAoC that I’d undoubtedly return to religiously, one of whom being Rivers Solomon (they), author of An Unkindness of Ghosts. It is the queer Afro-futurist fic of my marshmallow heart. And I wish I’d written it myself. Also entirely jealous of this human’s 12-ton talent: Freshwater by Akwaeke Emezi (they). I should say that these are some pretty heavy novels, though. But I think anybody who reads them will be made better for them. My heart needed ’em.
And if we’re talking books that formed me as both an author and a reader—it’s not fiction, it’s a memoir. But my favorite book in the world, the reason I was able to tell my family I’m queer, the path through which I found my label as a Pansexual person—it’s Paul Monette’s Borrowed Time: An AIDS Memoir. Yes, it’s a memoir. Yes, it’s horrifically heartbreaking. Yes, it ends in a way that will ruin your entire week (lololo). But also… it’s romantic in ways I’ve never seen expressed on the page before.
What’s your first memory of LGBTQIAP+ representation in the media, for better or for worse?
Glee. It was, unfortunately, when Glee introduced Kurt and… the kid with the chin and the hair? Blaine? My mom and my little sister and I would watch it together every week and I remember sitting in strained, awkward silence with them, while such an explicit and open GAY display moved across the television. We never talked about it. I just wanted it to be over, not for my discomfort, but for theirs. My mom and sister’s. I wanted to tone down my relationship to queerness in order to make others more comfortable.
And as far as I knew, out of the 3 of us, I was the only one who connected to it. (spoiler: my little sister is out and openly panromantic polyamorous).
As someone contributing to a couple of great collections next year, what would be a dream project for you specifically to helm?
I absolutely have an answer to this… but that’s all I can say for now. Stay tuned! 😉
What can you share about what you’re working on right now?
Right now, I’m pulling my own teeth out trying to draft a new YA romance about two Black teens who explore their ancestry through Hoodoo and Voodoo. It’s difficult. And it’s unlike anything I’ve written before.
***
Candice “Cam” Montgomery is an LA transplant now living in the woods of Seattle, where they write Young Adult novels. Their debut novel, featured on the 2018 Kirkus Best list, HOME AND AWAY can be found online and in stores now, and their sophomore novel, BY ANY MEANS NECESSARY was released earlier this October. By day, Cam writes about Black teens across all their intersections. By night, they bartend at a tiny place nestled inside one of Washington’s greenest trees. They’re an avid Studio Ghibli fan and will make you watch at least one episode of Sailor Moon and listen to one Beyoncé record before they’ll call you “friend.”
When Zora Novak is framed for a crime she didn’t commit, she must track down the true culprit and clear her name before it’s too late. But in a small town obsessed with ghosts, getting people to believe the truth might prove to be impossible. Fans of Riverdale and Maureen Johnson’s Truly Devious will devour this eerie murder mystery. Features spot art and a map by the author.
Zora Novak has been framed.
When someone burns down the home of the school janitor and he dies in the blaze, everyone in Addamsville, Indiana, points a finger at Zora. Never mind that Zora has been on the straight and narrow since her father was thrown in jail. With everyone looking for evidence against her, her only choice is to uncover the identity of the real killer. There’s one big problem—Zora has no leads. No one does. Addamsville has a history of tragedy, and thirty years ago a similar string of fires left several townspeople dead. The arsonist was never caught.
Now, Zora must team up with her cousin Artemis—an annoying self-proclaimed Addamsville historian—to clear her name. But with a popular ghost-hunting television show riling up the townspeople, almost no support from her family and friends, and rumors spinning out of control, things aren’t looking good. Zora will have to read between the lines of Addamsville’s ghost stories before she becomes one herself.
The Larkin family isn’t just lucky—they persevere. At least that’s what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
But wrecks seem to run in the family: Tall, funny, musical Violet can’t stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family’s missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.
She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.
Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will.
Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death…by killing the sovereign’s daughter, Lady Crier.
Crier was Made to be beautiful, flawless, and to carry on her father’s legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn’t the benevolent king she once admired, and most importantly, before she met Ayla.
Now, with growing human unrest across the land, pressures from a foreign queen, and an evil new leader on the rise, Crier and Ayla find there may be only one path to love: war.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Many years ago, Claire was named Head Librarian of the Unwritten Wing—a neutral space in Hell where all the stories unfinished by their authors reside. Her job consists mainly of repairing and organizing books, but also of keeping an eye on restless stories that risk materializing as characters and escaping the library. When a Hero escapes from his book and goes in search of his author, Claire must track and capture him with the help of former muse and current assistant Brevity and nervous demon courier Leto.
But what should have been a simple retrieval goes horrifyingly wrong when the terrifyingly angelic Ramiel attacks them, convinced that they hold the Devil’s Bible. The text of the Devil’s Bible is a powerful weapon in the power struggle between Heaven and Hell, so it falls to the librarians to find a book with the power to reshape the boundaries between Heaven, Hell….and Earth.
When her father leaves and her mother passes away soon afterward, Finch can’t help feeling abandoned. Now she’s stuck living with her stepfather and his new wife. They’re mostly nice, but they don’t believe the one true thing Finch knows about herself: that she’s a girl, even though she was born in a boy’s body.
Thankfully, she has Maddy, a neighbor and animal rescuer who accepts her for who she is. Finch helps Maddy care for a menagerie of lost and lonely creatures, including a scared, stray dog who needs a family and home as much as she does. As she earns the dog’s trust, Finch realizes she must also learn to trust the people in her life–even if they are the last people she expected to love her and help her to be true to herself.
It’s the fall of 2016. Cate, a set designer in her early forties, lives and works in Chicago’s theater community. She has stayed too long at the fair and knows it’s time to get past her prolonged adolescence and stop taking handouts from her parents. She has a firm plan to get solvent and settled in a serious relationship. She has tentatively started something new even as she’s haunted by an old, going-nowhere affair. Her ex-husband, recently booted from his most recent marriage, is currently camped out in Cate’s spare bedroom, in thrall to online conspiracy theories, and she’s not sure how to help him. Her best friend Neale, a yoga instructor, lives nearby with her son and is Cate’s model for what serious adulthood looks like.
Only a few blocks away, but in a parallel universe we find Nathan and Irene—casual sociopaths, drug addicts, and small-time criminals. Their world and Cate’s intersect the day she comes into Neale’s kitchen to find these strangers assaulting her friend. Forced to take fast, spontaneous action, Cate does something she’s never even considered. She now also knows the violence she is capable of, as does everyone else in her life, and overnight, their world has changed. Anshaw’s flawed, sympathetic, and uncannily familiar characters grapple with their altered relationships and identities against the backdrop of the new Trump presidency and a country waking to a different understanding of itself. Eloquent, moving, and beautifully observed, Right after the Weather is the work of a master of exquisite prose and a wry and compassionate student of the human condition writing at the height of her considerable powers.
Lethe Press is excited to be releasing the debut short story collection by Bogi Takács. Takács may be known more for their recent editorial efforts, winning a Lambda Literary Award for Transcendent 2: The Year’s Best Transgender Themed Speculative Fiction. But Takács is a talented storyteller and poet. An uplifted octopus finds a strange capsule in the water and wonders if one of the long-vanished humans might be found inside; a team of scientists perform some reverse-engineering on a space station and shapeshifting becomes political; and other tales of AI, hybrids, and the far future.
Haitian-born professor and activist Patrice Denis is not here for anything that will veer him off the path he’s worked so hard for. One particularly dangerous distraction: Easton Archer, the assistant district attorney who last summer gave Patrice some of the most intense nights of his life, and still makes him all but forget they’re from two completely different worlds.
All-around golden boy Easton forged his own path to success, choosing public service over the comforts of his family’s wealth. With local law enforcement unfairly targeting young men of color, and his career—and conscience—on the line, now is hardly the time to be thirsting after Patrice again. Even if their nights together have turned into so much more.
For the first time, Patrice is tempted to open up and embrace the happiness he’s always denied himself. But as tensions between the community and the sheriff’s office grow by the day, Easton’s personal and professional lives collide. And when the issue at hand hits closer to home than either could imagine, they’ll have to work to forge a path forward…together.
Freshly graduated Master Physician Narsi Lif-Tahm has left his home in Anacleto and journeyed to the imposing royal capitol of Cieloalta intent upon keeping the youthful oath he made to a troubled writer. But in the decade since Narsi gave his pledge, Atreau Vediya, has grown from an anonymous delinquent to a man renowned for penning bawdy operas and engaging in scandalous affairs.</p>
What Narsi―and most of the larger world―cannot know is the secret role Atreau plays as spymaster for the Duke of Rauma.
After the Cadeleonian royal bishop launches an unprovoked attack against the witches in neighboring Labara, Atreau will require every resource he can lay his hands upon to avert a war. A physician is exactly what he needs. But with a relentless assassin hunting the city and ancient magic waking, Atreau fears that his actions could cost more than his own honor. The price of peace could be his friends’ lives.
Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
What will happen when homo sapiens is no longer the smartest being on the planet? In fiercely intelligent prose, Jeanette Winterson shows us how much closer we are to that future than we realize. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
A lively, intimate memoir from an icon of the gay rights movement, describing gay life in 1950s and 60s New York City and her longtime activism which opened the door for marriage equality.
Edie Windsor became internationally famous when she sued the US government, seeking federal recognition for her marriage to Thea Spyer, her partner of more than four decades. The Supreme Court ruled in Edie’s favor, a landmark victory that set the stage for full marriage equality in the US. Beloved by the LGBTQ community, Edie embraced her new role as an icon; she had already been living an extraordinary and groundbreaking life for decades.
In this memoir, which she began before passing away in 2017 and completed by her co-writer, Edie recounts her childhood in Philadelphia, her realization that she was a lesbian, and her active social life in Greenwich Village’s electrifying underground gay scene during the 1950s. Edie was also one of a select group of trailblazing women in computing, working her way up the ladder at IBM and achieving their highest technical ranking while developing software. In the early 1960s Edie met Thea, an expat from a Dutch Jewish family that fled the Nazis, and a widely respected clinical psychologist. Their partnership lasted forty-four years, until Thea died in 2009. Edie found love again, marrying Judith Kasen-Windsor in 2016.
On the day Torrey officially becomes a college freshman, he gets a call that might force him to drop out before he’s even made it through orientation: the bee farm his beloved uncle Miles left him after his tragic death is being foreclosed on.
Torrey would love nothing more than to leave behind the family and neighborhood that’s bleeding him dry. But he still feels compelled to care for the project of his uncle’s heart. As the farm heads for auction, Torrey precariously balances choosing a major and texting Gabriel—the first boy he ever kissed—with the fight to stop his uncle’s legacy from being demolished. But as notice letters pile up and lawyers appear at his dorm, dividing himself between family and future becomes impossible unless he sacrifices a part of himself.
From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power.
“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”
Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.
Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
Twenty-one-year-old Madison T. Jackson is already the star of the Emerson College student newspaper when she nabs a coveted night internship at Boston’s premiere newspaper, The Boston Lede. The job’s simple: do whatever the senior reporters tell you to do, from fetching coffee to getting a quote from a grieving parent. It’s grueling work, so when the murder of a prominent Boston businessman comes up on the police scanner, Madison races to the scene of the grisly crime. There, Madison meets the woman who will change her life forever: prominent socialite Dahlia Kennedy, who is covered in gore and being arrested for the murder of her family. The newspapers put everyone they can in front of her with no results until, with nothing to lose, Madison gets a chance—and unexpectedly barrels headfirst into danger she never anticipated.
Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world.
Athena operatives are never supposed to shoot to kill—so when Jessie can’t stop herself from pulling the trigger, she gets kicked out of the organization, right before a huge mission to take down a human trafficker in Belgrade.
Jessie needs to right her wrong and prove herself, so she starts her own investigation into the trafficking. But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive.
The Lunar Chronicles meets Rook in this queer #OwnVoices science-fantasy novel, perfect for fans of Marissa Meyer and Sharon Cameron.
A secret beats inside Anna Thatcher’s chest: an illegal clockwork heart. Anna works cog by cog—donning the moniker Technician—to supply black market medical technology to the sick and injured, against the Commissioner’s tyrannical laws.
Nathaniel Fremont, the Commissioner’s son, has never had to fear the law. Determined to earn his father’s respect, Nathaniel sets out to capture the Technician. But the more he learns about the outlaw, the more he questions whether his father’s elusive affection is worth chasing at all.
Their game of cat and mouse takes an abrupt turn when Eliza, a skilled assassin and spy, arrives. Her mission is to learn the Commissioner’s secrets at any cost—even if it means betraying her own heart.
When these uneasy allies discover the most dangerous secret of all, they must work together despite their differences and put an end to a deadly epidemic—before the Commissioner ends them first.
Frozen meets Mad Max in this epic teen fantasy duology bursting with star-crossed romance, immortal heroines, and elemental magic, perfect for fans of Furyborn.
Generations of twin goddesses have long ruled Aeon. But seventeen years ago, one sister’s betrayal defied an ancient prophecy and split their world in two. The planet ceased to spin, and a Great Abyss now divides two realms: one cloaked in perpetual night, the other scorched by an unrelenting sun.
While one sister rules Aranth—a frozen city surrounded by a storm-wracked sea —her twin inhabits the sand-locked Golden City. Each goddess has raised a daughter, and each keeps her own secrets about her sister’s betrayal.
But when shadowy forces begin to call their daughters, Odessa and Haidee, back to the site of the Breaking, the two young goddesses—along with a powerful healer from Aranth, and a mouthy desert scavenger—set out on separate journeys across treacherous wastelands, desperate to heal their broken world. No matter the sacrifice it demands.
Nova Huang knows more about magic than your average teen witch. She works at her grandmothers’ bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.
One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home.
Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels.
In the spirit of Laura van den Berg, Emily Geminder, Chaya Bhuvaneswar, and other winners of the Dzanc Short Story Collection Prize, Nino Cipri’s debut collection announces the arrival of a brilliant and wonderfully unpredictable writer with a gift for turning the short story on its ear.
Call Me Max by Kyle Lukoff, ill. by Luciano Lozano (15th)
When Max starts school, the teacher hesitates to call out the name on the attendance sheet. Something doesn’t seem to fit. Max lets her know the name he wants to be called by–a boy’s name. This begins Max’s journey as he makes new friends and reveals his feelings about his identity to his parents.
Veronica Welch has made it. She’s about to be named a partner at one of the most prestigious law firms in New York C ity. She’s on top of the world, except for one tiny ridiculous thing: she promised herself she’d be married by thirty-five. After a drink too many, she accidentally lets her “life plan” slip to Bea, her steadfast, ever meddling assistant, and now Bea won’t let the idea go.
Rachel Monaghan doesn’t do serious relationships. As a busy wedding photographer, she’s jaded about lasting love, has a thriving repeat business, and hasn’t had much luck with love herself. While bartending at her cousin’s bar, Rachel learns of Bea’s plan to get her boss married off by scheduling thirty dates in thirty days.
In this sophisticated contemporary romance, Veronica Welch tries to find love in the most efficient way possible, while Rachel Monaghan avoids love at all costs. What could possibly go wrong?