Russian poet, artist, and feminist activist Oksana Vasyakina’s WOUND, following a young queer woman on a journey across Russia to Siberia, where she has promised to take her mother’s ashes, woven through with memories of a traumatic and impoverished childhood, experiences of the sublime, her sexual and artistic awakening, and the pains and joys of life as a lesbian in Russia, to Katharina Bielenberg at MacLehose Press, in a nice deal, at auction, by Rachel Clements at Abner Stein on behalf of Marleen Seegers at 2 Seas Agency, for Catapult.
Victoria Lee’s A SHOT IN THE DARK, a contemporary queer romance featuring Elisheva Cohen, a now-sober young artist who returns to New York to study photography after nearly a decade in Los Angeles and has an unforgettable one-night stand with a gorgeous trans man who turns out to be her teacher, the legendary Wyatt Cole, to Shauna Summers at Dell, at auction, in a two-book deal, by Holly Root and Taylor Haggerty at Root Literary.
Sophie Burnham’s SARGASSA, a queer speculative novel set in contemporary North America in a world where the Roman Empire never fell, following the high-and low-born children of a murdered politician as they are swept up in a revolution and race to find a powerful artifact, to Joshua Demarest at CatStone, by Maria Napolitano at Bookcase Literary Agency (world English).
ACLU-NJ honoree and LGBTQ activist Robyn Gigl’s next two books in her Erin McCabe legal thriller series, featuring a transgender attorney, to John Scognamiglio at Kensington, in a two-book deal, for publication in 2023 and 2024, by Carrie Pestritto at Laura Dail Literary Agency (world).
Author of NYTBR Editors’ Choice THE RECENT EAST Thomas Grattan’s IN TONGUES, a coming-of-age novel set in New York City and Europe in fall 2001, following a gay 24-year-old Midwesterner as he gets swept up in the charm and desires of a powerful older couple, examining issues of social class and queer desire, the pursuit of religious and physical ecstasy, and the complicated relationships between fathers and sons, both biological and chosen, again to Jackson Howard at MCD/FSG, for publication in fall 2023, by Jody Kahn at Brandt & Hochman (world).
Argentinian author Marina Yuszczuk’s THIRST, a queer Gothic vampire novel set in Buenos Aires, following two women in different time periods who confront desire, fear, violence, loneliness, and mortality, pitched as having echoes of Mary Shelley’s FRANKENSTEIN and for readers of Samanta Schweblin, Carmen Maria Machado, and Samantha Hunt, to Pilar Garcia-Brown in her first acquisition for Dutton, by Elianna Kan at Regal Hoffmann & Associates (world English).
Hell’s Library series author A.J. Hackwith’s HOLLOW ROAD HOME and its sequel, pitched as a queer, millennial AMERICAN GODS, about a fae working at a truck stop in Kansas to hide from her past, until she’s blackmailed by a self-taught magician to guide him and his sister—a girl born with a changing map on her skin—across the strange backroads and forgotten spaces of the gothic American Midwest in search of a powerful treasure, to Miranda Hill at Ace, in a two-book deal, for publication in spring 2023, by Caitlin McDonald at Donald Maass Literary Agency (world).
Provincetown Fine Arts Work Center Fellow and UMass Amherst MFA/PhD Shastri Akella’s THE SEA ELEPHANTS, a queer bildungsroman set in 1990s India, following a young gay man who, after the sudden death of his sisters, flees his father’s threats to send him to a conversion center by joining a street theater troupe; pitched as reminiscent of THE GOD OF SMALL THINGS in the way it blends the personal and the political to tell an epic story of forbidden love, to Caroline Bleeke at Flatiron Books, in a pre-empt, by Chris Clemans at Janklow & Nesbit (NA).
Author of A TIP FOR THE HANGMAN Allison Epstein’s LET THE DEAD BURY THE DEAD, a historical novel in which the arrival of a mysterious woman at the 19th-century Russian court divides the second son of the tsar and his lover, a captain in the imperial army, when one of them believes her to be a creature out of myth, setting all three on a collision course with revolution, again to Carolyn Williams at Doubleday, in a very nice deal, by Bridget Smith at JABberwocky Literary Agency (NA).
Young Adult Fiction
Author of SWEET & BITTER MAGIC Adrienne Tooley’s THE THIRD DAUGHTER and THE SECOND SON, pitched in the tradition of Three Dark Crowns and Girl, Serpent, Thorn, a dual PoV series featuring a crown under siege, an enchanted well of sadness, a ruthless antiheroine, and a slow-burning romance, to Jessica Anderson at Christy Ottaviano Books, in a good deal, at auction, in a two-book deal, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Jenna Miller’s OUT OF CHARACTER, a queer, fat-positive contemporary romance that follows a girl who escapes the stressors of the real world by roleplaying online in secret—but after falling for her roleplay bestie, she must decide if she can be honest about her double life, to Alyssa Miele at Quill Tree, in a two-book deal, for publication in winter 2023, by Michaela Whatnall at Dystel, Goderich & Bourret (world).
Author of THE MYTHIC KODA ROSE Jennifer Nissley’s THE RULES OF US, pitched as the intersection between Becky Albertalli and Nina LaCour in a queer YA love story about longtime couple and best friends, who have dated throughout high school only to come out to each other on prom night, challenging their meticulously planned future as they try to disentangle their lives and identities, explore their sexualities, and learn not only a new way to be together, but how to be alone, to Liesa Abrams at Labyrinth Road, for publication in summer 2023, by Danielle Burby at Mad Woman Literary Agency (NA).
University of Cambridge student Sarah Underwood’s LIES WE SING TO THE SEA, pitched as a sapphic, feminist reclamation of the story of the hanged maids in THE ODYSSEY in a YA CIRCE, in which a failed oracle and a vengeful immortal must break the curse on their kingdom by killing its prince, to Stephanie Stein at Harper Teen, in a major deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Catherine Cho at Paper Literary (NA).
Dan Clay’s BECOMING A QUEEN, about a teenage boy who turns to drag performance to overcome his grief when tragedy strikes, to Mekisha Telfer at Roaring Brook Press, in a very nice deal, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).
LGBTQ+ romance and fantasy author Lauri Starling’s POISON FOREST, pitched as HOUSE OF SALT AND SORROWS meets Holly Black, featuring a mage who joins two teens with powerful abilities to track down the magic-stealing sorcerer who kidnapped her royal ex-girlfriend, braving a cursed forest and a betrayal that leaves them at the sorcerer’s nonexistent mercy, to MaryBeth Dalto-McCarthy at Sword and Silk, for publication in October 2022.
Screenwriter and NYT-bestselling coauthor of FIVE FEET APART and ALL THIS TIME Mikki Daughtry’s untitled lesbian love story, unfolding over two sets of lives, 100 years apart, to Stephanie Pitts at Putnam Children’s, in a pre-empt, for publication in fall 2023, by Liz Parker at Verve Talent & Literary (NA).
Men’s Health sex and relationship columnist Zachary Zane’s BOYSLUT: A MEMOIR-MANIFESTO, a series of essays told through a bisexual lens, exploring the author’s coming-of-age in a world riddled with harmful messages about sex and sexuality, moving toward a place of embrace and celebration unencumbered by shame, to Zachary Knoll at Abrams Image, at auction, by Katherine Latshaw at Folio Literary Management (world).
Prince Shakur’s WHEN THEY TELL YOU TO BE GOOD, a memoir that mines the author’s many eras of radicalization and self-realization through examinations of place, childhood, queer identity, and a history of uprisings, to Hanif Abdurraqib at Tin House Books, for publication in October 2022 (NA).
Author of A NIGHT AT THE SWEET GUM HEAD Martin Padgett’s PRIVATE MATTERS, an exploration of the 1986 Supreme Court case Bowers v. Hardwick, which Laurence Tribe lost in the Court’s ruling that allowed Georgia to prosecute private homosexual acts (and which was not overturned until 2003), showing how the case ignited the gay rights movement of the 1980s while upending the life of Michael Hardwick, to Amy Cherry at Norton, in an exclusive submission, for publication in summer 2023, by Beth Marshea at Ladderbird Literary Agency (world English).
Precious Brady-Davis remembers the sense of being singular and grappling with “otherness.” Born into traumatic circumstances, Davis was brought up in the Omaha foster care system and the Pentecostal faith. As a biracial, gender-nonconforming kid, she felt displaced. Yet she realized by coming into her identity that she had a purpose all along.
In I Have Always Been Me, Brady-Davis reflects on a childhood of neglect, instability, and abandonment. She reveals her determination to dream through it and shares her profound journey as a trans woman now fully actualized, absolutely confident, and precious. She speaks to anyone who has ever tried to find their place in this world and imparts the wisdom that comes with surmounting odds and celebrating on the other side.
A memoir, a love story, and an outreach for the marginalized, Precious’s sojourn is a song of self-reliance and pride and an invitation to join in the chorus.
Ava Simon designs storage boxes for STÄDA, a slick Brooklyn-based furniture company. She’s hard-working, obsessive, and heartbroken from a tragedy that killed her girlfriend and upended her life. It’s been years since she’s let anyone in.
But when Ava’s new boss—the young and magnetic Mat Putnam—offers Ava a ride home one afternoon, an unlikely relationship blossoms. Ava remembers how rewarding it can be to open up—and, despite her instincts, she becomes enamored. But Mat isn’t who he claims to be, and the romance takes a sharp turn.
In a world of devastating power and a bloodthirsty monarch, it’s time for the wealthy to be devoured.
Lorena Adler has a secret―she holds the power of the banished gods, the Noble and the Vile, inside her. But she has spent her entire life hiding from the world and her past. Lorena’s content to spend her days as an undertaker in a small town, marry her best friend, Julian, and live an unfulfilling life so long as no one uncovers her true nature.
But when the notoriously bloodthirsty and equally Vile crown prince comes to arrest Julian’s father, he immediately recognizes Lorena for what she is. So, she makes a deal―a fair trial for her betrothed’s father in exchange for her service to the crown.
The prince is desperate for her help. He’s spent years trying to repair the weakening Door that holds back the Vile…and he’s losing the battle. As Lorena learns more about the Door and the horrifying price it takes to keep it closed, she’ll have to embrace both parts of herself to survive.
Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.
In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.
With every trip he makes to the dentist, Wade’s pain only gets worse. His smile has faded. He’s clenching his jaw and grinding his teeth more, not because of bad oral hygiene or any mishaps in orthodontics. Wade’s teeth don’t need straightening out, but the rest of his life could use that kind of adjustment. Wade has fallen in love with handsome Dr. Emmett, and their office visits in the afternoon have become decidedly more personal than professional. And poor Wade is sure his girlfriend Jessa would punch him in the mouth if she found out.
After all, Jessa did just abandon her church and her family to be with him. And she did just have Wade’s baby. So their relationship has already caused enough gossip in the small Georgia town of Waverly.
When Wade tries to end the affair, the breakup takes a brutal turn, leaving Wade in a state of panic. His life is under threat. His secrets could be exposed, and his family may fall apart before he realizes what kind of person he wants to be.
Three days. Two girls. One life-changing music festival.
Toni is grieving the loss of her roadie father and needing to figure out where her life will go from here — and she’s desperate to get back to loving music. Olivia is a hopeless romantic whose heart has just taken a beating (again) and is beginning to feel like she’ll always be a square peg in a round hole — but the Farmland Music and Arts Festival is a chance to find a place where she fits.
The two collide and it feels like something like kismet when a bond begins to form. But when something goes wrong and the festival is sent into a panic, Olivia and Toni will find that they need each other (and music) more than they ever imagined.
From the Grammy nominated folk singer and songwriter, an inspiring exploration of creativity and the redemptive power of song
Mary Gauthier was twelve years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day.
Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination.
In Saved by a Song, Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together.
Alka Chelrazi is on a mission:
1. Infiltrate Blackwater Academy
2. Win the Great Game
3. Burn Wizard society to the ground. As a child, Alka witnessed her parents’ brutal murder at the hands of Wizards before she was taken in by an underground rebel group.
Now, Alka is deep under cover at the most prestigious school of magic in the Republic: Blackwater Academy, a place where status is everything, where decadent galas end in blood-splattered duels, where every student has their own agenda.
To survive, Alka will have to lie, cheat and kill, to use every trick in her spy’s toolkit. And for the first time in her life, the fiercely independent Alka will have to make friends, to recruit the misfits and the outcasts into her motley rebellion.
But even as she draws closer to victory – to vengeance – she sinks deeper into danger as suspicious professors and murderous rivals seek the traitor in their midst, as dark revelations unravel her resolve. Can Alka destroy the twisted game… without becoming a part of it?
A diehard city girl, 16-year-old Lydia Barnes is reluctant to spend a week in her grandma’s small town. But hidden beneath Fairbrooke’s exterior of shoddy diners and empty farms, there’s a forest that calls to her. In it, she meets Eden: blunt, focused, and fascinating. She claims to be hunting fae treasure, and while Lydia laughs it off at first, it quickly becomes obvious that Eden’s not joking—magic is real.
Lydia joins the treasure hunt, thrilled by all the things it offers her. Things like endless places in the forest to explore and a friendship with Eden that threatens to blossom into something more. But even as she throws herself into her new adventure, some questions linger. Why did her mom keep magic a secret? Why do most of the townspeople act like the forest is evil? It seems that, as much as Lydia would like to pretend otherwise, not everything in Fairbrooke is as bright and easy as a new crush…
Milo Lionetti is not a gamer. Not even close. But when a stupid bet costs him his brother’s prized cards, he’ll do anything to replace them before anyone notices they’re gone. To do that, he’ll need a little help from the best gamer he knows…who also happens to hate him.
Jasper Quigley is known for moonlighting on a popular gaming blog, but he’s eager to stop playing the sidekick. The last thing he wants is to help out Milo and dredge up feelings he’d rather forget. But helping Milo comes with some perks, including getting his help running a cosplay event at the local children’s hospital. All that forced proximity was not supposed to come with kissing, and definitely not falling in love…
Inspired by the Greek myth of Iphigenia and the Grimm fairy tale “Brother and Sister,” Michelle Ruiz Keil’s second novel follows two siblings torn apart and struggling to find each other in early ’90s Portland.
All her life, seventeen-year-old Iph has protected her sensitive younger brother, Orr. But this summer, with their mother gone at an artist residency, their father decides it’s time for fifteen-year-old Orr to toughen up at a wilderness boot camp. When he brings Iph to a work gala in downtown Portland and breaks the news, Orr has already been sent away. Furious at his betrayal, Iph storms off and gets lost in the maze of Old Town. Enter George, a queer Robin Hood who swoops in on a bicycle, bow and arrow at the ready, offering Iph a place to hide out while she figures out how to track down Orr.
Orr, in the meantime, has escaped the camp and fallen in with The Furies, an all-girl punk band, and moves into the coat closet of their ramshackle pink house. In their first summer apart, Iph and Orr must learn to navigate their respective new spaces of music, romance, and sex work activism—and find each other to try to stop a transformation that could fracture their family forever.
Bolla by Pajtim Statovsi, trans. by David Hackston (6th)
April 1995. Arsim is a twenty-four-year-old, recently married student at the University of Pristina, in Kosovo, keeping his head down to gain a university degree in a time and place deeply hostile to Albanians. In a café he meets a young man named Miloš, a Serb. Before the day is out, everything has changed for both of them, and within a week two milestones erupt in Arsim’s married life: his wife announces her first pregnancy and he begins a life in secret.
After these fevered beginnings, Arsim and Miloš’s unlikely affair is derailed by the outbreak of war, which sends Arsim’s fledgling family abroad and timid Miloš spiraling down a dark path, as depicted through chaotic journal entries. Years later, deported back to Pristina after a spell in prison and now alone and hopeless, Arsim finds himself in a broken reality that makes him completely question his past. What happened to him, to them, exactly? How much can you endure, and forgive?
Entwined with their story is a re-created legend of a demonic serpent, Bolla; it’s an unearthly tale that gives Arsim and Miloš a language through which to reflect on what they once had. With luminous prose and a delicate eye, Pajtim Statovci delivers a relentless novel of desire, destruction, intimacy, and the different fronts of war.
The plan was simple: Play the Game. Get the glory. Stay in the closet.
But the plan didn’t include my childhood crush walking back into my life. First, he wrecked my concentration. Then my body.
For college jock Cliff, crushing it on the court is all that matters. Yet his tightly maintained status quo begins to unravel when he discovers Brennan, his brother’s smooth-talking best friend, is also on campus.
Brennan’s last minute transfer to Browerton was an escape from a relationship that left his heart in shambles. When he offers to help Cliff with a class project, lessons in sketching give way to sizzling sexual tension – and some fun with neckties.
But as Cliff’s star rises on campus, their relationship becomes less of a release and more of a liability to his NBA aspirations. Brennan fears his heart is bound to be broken again, while Cliff grapples with a decision that’ll come down to the buzzer: the game or the guy?
Sixteen-year-old Jake Livingston sees dead people everywhere. But he can’t decide what’s worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student—the handsome Allister—and for the first time, romance is on the horizon for Jake.
Unfortunately, life as a medium is getting worse. Though most ghosts are harmless and Jake is always happy to help them move on to the next place, Sawyer Doon wants much more from Jake. In life, Sawyer was a troubled teen who shot and killed six kids at a local high school before taking his own life. Now he’s a powerful, vengeful ghost and he has plans for Jake. Suddenly, everything Jake knows about dead world goes out the window as Sawyer begins to haunt him. High school soon becomes a different kind of survival game—one Jake is not sure he can win.
Violetta Benedetti knows how to hide things. She spent years concealing herself behind the persona her father expected of her. Now she hides in the dark corners of Vermagna’s underworld, lying low to keep her father from using her magic in his unending quest for power.
But her biggest secret is her love for her best friend, who only knew her as Mercurio Benedetti, not the woman she is today. Now he’s dead, and she’ll never be able to tell him the truth.
Tibario Gianbellicci was dead. And then…he wasn’t. Reborn as an immortal, he has powers he never imagined. Powers his crime boss mother wants to tap into to destroy their longtime rivals: House Benedetti.
But Tibario is hiding something, too: his best friend is a Benedetti—and the love of his life. With a second chance at life, he’ll have to risk revealing his heart.
It’s fall break in the supernatural town of North Haven, and young witch Abby’s plans include pitching in at her mom’s magical coffee shop, practicing her potion making, and playing board games with her best friends—a pumpkinhead, a wolf-girl, and a ghost. But when Abby finds her younger sister being picked on by some speed demons, she lets out a burst of magic so strong, it opens a portal to a realm of chaos bunnies. And while these bunnies may look cute, they’re about to bring the a-hop-ocalypse (and get Abby in a cauldronful of trouble) unless she figures out a way to reverse the powerful magic she unwittingly released. What’s a witch to do?
In this deliciously humorous, cozy, and bewitching graphic novel, sometimes the most of powerful magic comes from our connections to family and friends (but kicking bunny butt is great, too)
Nick landed himself the superhero boyfriend of his dreams, but with new heroes arriving in Nova City it’s up to Nick and his friends to determine who is virtuous and who is villainous. Which is a lot to handle for a guy who just wants to finish his self-insert bakery AU fanfic.
It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered.
But the answer to that question depends on who you ask, and how.
They’re going to need to ask it a lot.
Becky Chambers’s new series asks: in a world where people have what they want, does having more matter?
Sebastien has heard only stories about his father, a mysterious sailor who abandoned his pregnant mother thirty years ago. But when his mother dies after a lifetime of struggle, he becomes obsessed with finding an explanation—perhaps even revenge.
The father he’s never met is Kostas, the commanding officer of a luxury liner sailing the Mediterranean. Posing as a member of the ship’s crew, Sebastien stalks his unwitting father in search of answers to why he disappeared so many years ago.
After a public assault triggers outrage among the ship’s crew, Sebastien finds himself entangled in a revolt against the oppressive ruling class of officers. As the clash escalates between the powerful and the powerless, Sebastien uncovers something his father has hidden deep within the belly of the ship—a disturbing secret that will force him to confront everything he’s always wondered and feared about his own identity.
Will Meadows is a seemingly average fifteen-year-old Westie, who lives and works in Zone F, the run-down outermost ring of the Corporation. In the future state of the Corp, a person’s value comes down to productivity: the right actions win Units, the wrong ones lose them. If Will is unlucky and goes into Unit debt, there’s only one place to go: the Rator. But for Zone F Breeders, things are much worse — they’re born into debt and can only accrue Units through reproduction.
Every day in Zone F is a struggle, especially for Will who is fighting against time for access to an illegal medical drug, Crystal 8. Under the cover of night, Will travels to the Gray Zone, where life is less regulated and drugs — and people — are exchanged for gold. There, Will meets Rob, a corrupt member of the Corporation running a Breeder smuggling operation. Will also meets Alex, another teen whom he quickly recognizes as a Breeder in disguise.
Suddenly, Will has an illicit job and money, access to Crystal, and a real friend. As the pair grows closer, Alex shares her secret: she is part of the Response, an uprising to overthrow the Corporation. Caught up in the new friendship, Will and Alex become careless as the two covertly travel into Zone B for a day of adventure. Nothing goes as planned and Will’s greatest fear is realized. Will his true identity be revealed?
Everything Koda Rose knows about her father she’s learned from other people. Moving to New York City with her mom won’t change that, even if New York was Mack Grady’s city—where he became famous, where he wrote his music, and also where he died.
Koda has more important things on her mind. Like how she’s in love with her best friend, Lindsay, and doesn’t have the courage to tell her. Agonizing over how to confess her feelings leads Koda to explore Mack’s enigmatic history in search of answers. She tracks down her dad’s band mate and ex-girlfriend, Sadie Pasquale, and finds herself becoming rapidly obsessed with the mercurial musician.
As Koda and Sadie’s complicated bond deepens, they are both forced to grapple with the black hole Mack left behind, or get sucked in themselves.
With her home still in jeopardy, she doesn’t have much choice. What she does have is Ahnschen, an endearing prince of the dangerous empire that is disrupting the sãoni migration route. If she can convince Hei to trust him long enough to safely return him to his people, Sohmeng might just have a chance of restoring balance to Eiji. That is, until an unexpected piece of her past emerges from the jungle and challenges everything she is trying to achieve.
Now, the future of Eiji rests in Ahn’s hands—but does he have the courage to face the harm inflicted by his people? Determined to do right by the beloved friend who died on his sword, it will take a lot of unlearning to prove to Eiji—and to Hei—that he can, in fact, be good.
In the second chapter of the Sãoni Cycle, Sohmeng, Hei, and Ahn must reconcile their places in the human and natural worlds, all while navigating their complicated feelings about one another.
Based on the research that race, gender, consent, and body positivity should be discussed with toddlers on up, this read-aloud board book series offers adults the opportunity to begin important conversations with young children in an informed, safe, and supported way.
Developed by experts in the fields of early childhood and activism against injustice, this topic-driven board book offers clear, concrete language and beautiful imagery that young children can grasp and adults can leverage for further discussion.
While young children are avid observers and questioners of their world, adults often shut down or postpone conversations on complicated topics because it’s hard to know where to begin. Research shows that talking about issues like race and gender from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice.
This second book in the series begins the conversation on gender, with a supportive approach that considers both the child and the adult. Stunning art accompanies the simple and interactive text, and the backmatter offers additional resources and ideas for extending this discussion.
Leontyne Price remains one of the twentieth century’s most revered opera singers and, notably, the first African American to achieve such international acclaim. In movements encompassing poetry and prose, writer and musician Kevin Simmonds explores Price as an icon, a diva, a woman, and a patriot—and himself as a fan, a budding singer, and a gay man—through passages that move polyphonically through the contested spaces of Black identity, Black sound, Black sensibility, and Black history.
Structured operatically into overture, acts, and postlude, The Monster I Am Today guides the reader through associative shifts from arias like “weather events” and Price’s forty-two-minute final ovation to memories of Simmonds’s coming of age in New Orleans. As he melds lyric forms with the biography of one of classical music’s greatest virtuosos, Simmonds composes a duet that spotlights Price’s profound influence on him as a person and an artist: “That’s how I hear: Her.”
In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness…
In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.
When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother’s identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.
After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother’s abandoned greatness.
Eve Mann arrives in Ideal, Georgia, in 1972 looking for answers about the mother who died giving her life. A mother named Mercy. A mother who for all of Eve’s twenty-two years has been a mystery and a quest. Eve’s search for her mother, and the father she never knew, is a mission to discover her identity, her name, her people, and her home.
Eve’s questions and longing launch a multigenerational story that sprawls back to the turn of the twentieth century, settles into the soil of the South, the blood and souls of Black folk making love and life and fleeing in a Great Migration into the savage embrace of the North.
Eve is a young woman coming of age in Chicago against the backdrop of the twin fires and fury of the civil rights and Black Power movements–a time when everything and everyone, it seems, longs to be made anew.
At the core of this story are the various meanings of love–how we love and, most of all, whom we love. everyman is peopled by rebellious Black women straining against the yoke of convention and designated identities, explorers announcing their determination to be and to be free. There is Nelle, Eve’s best friend and heart, who claims her right both to love women and to always love Eve as a sister and friend.
Brother Lee Roy, professor and mentor, gives Eve the tools for her genealogical search while turning away from his own bitter harvest of family secrets. Mama Ann, the aunt who has raised Eve and knows everything about Mercy, offers Eve a silence that she defines as protection and care. But it is James and Geneva, two strangers whom Eve meets in Ideal, who plumb the depths of their own hurt and reconciliations to finally give Eve the gift of her past, a reimagined present, and finally, her name.
Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?
Gala writes letters to B—- that she light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.
From New York Times bestselling author Mariko Tamaki (Laura Dean Keeps Breaking Up with Me, Harley Quinn: Breaking Glass) and artist Yoshi Yoshitani (Zatanna and the House of Secrets) comes a story about Mandy, the daughter of super-famous superhero Starfire, and her desperate attempts to get out from under her shadow.
Seventeen-year-old Mandy Koriand’r is not her mother. Daughter of Starfire and high school outcast, Mandy is constantly trying to get out from under the shadow of her bright, bubbly, scantily clad, and famous mother. Dyeing her bright orange hair black and sticking close to her best friend, Lincoln, Mandy spends her days at school avoiding Teen Titans superfans and trying to hide her feelings for the gorgeous, popular, and perfect Claire. And while Mandy usually avoids spending too much time with her alien mother, she’s been particularly quiet as she’s keeping one major secret from her: Mandy walked out of her S.A.T.
While Mandy continues to tell Lincoln her plans of moving to France to escape the family spotlight and not go to college, she secretly hides a fear of not knowing her identity outside of just being the daughter of a superhero and who she will become. But when she is partnered with Claire to work on a school project, their friendship develops into something more and a self-confidence unknown to Mandy begins to bloom. Claire seems to like Mandy for being Mandy, not the daughter of Starfire.
But when someone from Starfire’s past comes to disrupt Mandy’s future, Mandy must finally make a choice: give up before the battle has even begun, or step into the unknown and risk everything. I Am Not Starfire is a story about mother-daughter relationships, embracing where you come from while finding your own identity, and learning to be unafraid of failing, if it was even failing in the first place.
Seventeen-year-old bisexual boy Asher remembers nothing from the night in 1968 that the police found him covered in his girlfriend’s blood. He knows he’d never hurt anyone, least of all her. But the only person who believes him is his twin sister. He’s sentenced to five years at the Dozier Reform School. And like Asher’s memory, Dozier hides violent secrets of its own.
Juvenile boys serving time for everything from truancy to murder are hidden away in the sinister School for Boys. Those who manage to escape its bounds with broken bones and scars are the lucky ones. Asher’s afraid he may end up like many of the other students buried beneath unmarked graves. Worse, his fellow inmates may become his next victims.
In hopes of recovering the events from the night of the murder, Asher visits the school’s psychiatrist. But when the memories return, he finds many aren’t his own. Thoughts, feelings, and visions from another life, and another time, slip into his mind. And each new memory brings consequences. First days disappear, then weeks. As the weeks slip away, students follow. He starts seeing his murdered girlfriend Olivia in the woods around the school. One morning, after following her ghost into the forest the night before, he wakes up outside covered in blood with no memory, and fears he’s killed someone else. On top of that, he learns that his sister—who had feared she was being stalked by a boy from their school—has disappeared. Could Asher himself somehow be responsible?
As Asher’s possible body count grows, he knows the answers he needs are trapped within his own mind, and in ghosts from the past. He needs to find out who he is and prove the murders aren’t connected to him or risk losing his sanity and freedom forever.
AFTER YOU DIED is a paranormal thriller loosely based on true events.
Emma Copley Eisenberg‘s debut BERNIE AND LEAH, told from the perspectives of two queer artists who leave Philadelphia for a life-changing ten day road trip, exploring artistic purpose, intimacy, and identity in a time of profound societal change, and FAT SWIM, a collection of stories new and previously published, to Alexis Washam at Hogarth, in a two-book deal, by Jin Auh at The Wylie Agency (NA).
Laura Blackett and Brooklyn College MFA graduate Eve Gleichman’s THE VERY NICE BOX, following a hardworking, heartbroken product engineer who works for a fashionable furniture company where corporate change lands her under the purview of a young, charismatic boss who seems determined to get close to her at all costs, pitched as for fans of ELEANOR OLIPHANT IS COMPLETELY FINE and SEVERANCE, to Pilar Garcia-Brown at Houghton Mifflin Harcourt, at auction, for publication in spring 2021, by Faye Bender at The Book Group (NA).
Neil Cochrane’s I WILL GO TO THE BANK BY THE WOOD, centering queer and trans characters; pitched as a loose retelling of Beauty and the Beast, to Laura Stanfill at Forest Avenue Press, in a nice deal, for publication in spring 2022 (world).
*Ruoxi Chen has acquired Nghi Vo’s THE CHOSEN AND THE BEAUTIFUL, a magical reimagining of THE GREAT GATSBY told through the eyes of a queer, Asian-American Jordan Baker as the American immigrant narrative that GATSBY always should have been. The two-book deal, for North American rights, was brokered by Diana Fox at Fox Literary.
Winner of Publishing Triangle’s Edmund White Award for Debut Fiction Joe Okonkwo’s KISS THE SCARS ON THE BACK OF MY NECK, a debut short story collection populated by complicated characters, male and female, who find themselves at the intersection of Black and gay identities, illustrating the challenges they face, and the price they pay, to live authentic lives, to Michael Nava at Amble, in an exclusive submission, for publication in spring 2021, by Malaga Baldi at Malaga Baldi (world English).
Next Generation Indie Book Award-winning journalist and editor Artem Mozgovoy’s SPRING IN SIBERIA, pitched as similar to AMERICANAH, WHAT BELONGS TO YOU, and ON EARTH WE’RE BRIEFLY GORGEOUS, in which a gay Russian journalist struggles to escape Putin’s post-communist order to persecute gay people—only to end up facing the great American wall, to Kate Gale at Red Hen Press, by Mark Gottlieb at Trident Media Group (world).
Northwestern MFA graduate Allison Epstein‘s A TIP FOR THE HANGMAN, about the life and death of Christopher Marlowe, in which the young poet is approached by the Queen’s spymaster with an offer that will catapult him to both glory and doom, pitched as Shakespeare in Love meets Sarah Waters, to Carolyn Williams at Doubleday, in a very nice deal, for publication in spring 2021, by Bridget Smith at JABberwocky Literary Agency (NA).
Nina Varela’s JUNIPER HARVEY AND THE VANISHING KINGDOM, a contemporary fantasy about a 12-year-girl whose magical artistic abilities set off a chase through parallel worlds, all while juggling new friendships and her first queer crush, to Alexandra Hightower at Little, Brown Children’s, in a good deal, at auction, in a two-book deal, for publication in summer 2022, by Patrice Caldwell at Howard Morhaim Literary Agency (NA).
Katie Fricas’s CHECKED OUT, in which a queer cartoonist and library worker launches forth into a search for love on Craigslist, artistic validation in New York City, and the perfect book, to Tracy Hurren at Drawn & Quarterly, by Mackenzie Brady Watson at Stuart Krichevsky Agency (world English).
Claire Winn’s CITY OF SHATTERED LIGHT, a high-stakes adventure pitched as a queer, female-led Guardians of the Galaxy meets Escape from New York, in which an heiress flees her controlling father to prevent her sister’s mind from being wiped, but must ally with a gunslinging smuggler to outwit a monstrous AI and save the heiress’s sister and their city, to Mari Kesselring and Kelsy Thompson at Flux, in a nice deal, for publication in fall 2021, by Cortney Radocaj at Belcastro Agency (world).
Debut novelist Jennifer Nissley‘s THE MYTHIC KODA ROSE, pitched for fans of Nina LaCour and Jandy Nelson, featuring a queer teen exploring the enigmatic legacy left behind by her rock star father and suddenly navigating an emotionally charged bond with his mercurial ex-girlfriend, to Liesa Abrams at Simon & Schuster Children’s, for publication in summer 2021, by Danielle Burby at Nelson Literary Agency (NA).
Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan‘s SOME GIRLS DO, about an openly gay track star who falls for a closeted, bisexual local beauty queen with a penchant for fixing up old cars, to Stephanie Pitts at Putnam Children’s, in an exclusive submission, for publication in summer 2021, by Brooks Sherman at Janklow & Nesbit (world English).
Brian Zepka’s THE TEMPERATURE OF ME AND YOU, a humorous love story with a sci-fi bent, about a 16-year-old hopeless romantic and the undeniably cute boy who walks into the Dairy Queen where the hero works and changes everything, showing how first love is truly out of this world, to Brittany Rubiano at Disney, with Augusta Harris editing, for publication in 2021, by Liz Parker at Verve Talent & Literary (world).
Phil Stamper’s THE VALEDICTORIANS, the first entry in a rom-com duology following four queer teens during an unforgettable summer; as senior year approaches—with the real world looming just beyond—these lifelong friends try to stay close when their futures seem to be forcing them apart, to Mary Kate Castellani at Bloomsbury Children’s, in a two-book deal, for publication in winter 2022, by Brent Taylor at TriadaUS Literary Agency (world English).