Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she’s there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace.
In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace’s old friend. She can’t bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can’t bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace’s death, Gilda may have to finally reveal the truth of her mortifying existence.
Ava Simon designs storage boxes for STÄDA, a slick Brooklyn-based furniture company. She’s hard-working, obsessive, and heartbroken from a tragedy that killed her girlfriend and upended her life. It’s been years since she’s let anyone in.
But when Ava’s new boss—the young and magnetic Mat Putnam—offers Ava a ride home one afternoon, an unlikely relationship blossoms. Ava remembers how rewarding it can be to open up—and, despite her instincts, she becomes enamored. But Mat isn’t who he claims to be, and the romance takes a sharp turn.
With every trip he makes to the dentist, Wade’s pain only gets worse. His smile has faded. He’s clenching his jaw and grinding his teeth more, not because of bad oral hygiene or any mishaps in orthodontics. Wade’s teeth don’t need straightening out, but the rest of his life could use that kind of adjustment. Wade has fallen in love with handsome Dr. Emmett, and their office visits in the afternoon have become decidedly more personal than professional. And poor Wade is sure his girlfriend Jessa would punch him in the mouth if she found out.
After all, Jessa did just abandon her church and her family to be with him. And she did just have Wade’s baby. So their relationship has already caused enough gossip in the small Georgia town of Waverly.
When Wade tries to end the affair, the breakup takes a brutal turn, leaving Wade in a state of panic. His life is under threat. His secrets could be exposed, and his family may fall apart before he realizes what kind of person he wants to be.
Bolla by Pajtim Statovsi, trans. by David Hackston (July 6th)
April 1995. Arsim is a twenty-four-year-old, recently married student at the University of Pristina, in Kosovo, keeping his head down to gain a university degree in a time and place deeply hostile to Albanians. In a café he meets a young man named Miloš, a Serb. Before the day is out, everything has changed for both of them, and within a week two milestones erupt in Arsim’s married life: his wife announces her first pregnancy and he begins a life in secret.
After these fevered beginnings, Arsim and Miloš’s unlikely affair is derailed by the outbreak of war, which sends Arsim’s fledgling family abroad and timid Miloš spiraling down a dark path, as depicted through chaotic journal entries. Years later, deported back to Pristina after a spell in prison and now alone and hopeless, Arsim finds himself in a broken reality that makes him completely question his past. What happened to him, to them, exactly? How much can you endure, and forgive?
Entwined with their story is a re-created legend of a demonic serpent, Bolla; it’s an unearthly tale that gives Arsim and Miloš a language through which to reflect on what they once had. With luminous prose and a delicate eye, Pajtim Statovci delivers a relentless novel of desire, destruction, intimacy, and the different fronts of war.
Milo Lionetti is not a gamer. Not even close. But when a stupid bet costs him his brother’s prized cards, he’ll do anything to replace them before anyone notices they’re gone. To do that, he’ll need a little help from the best gamer he knows…who also happens to hate him.
Jasper Quigley is known for moonlighting on a popular gaming blog, but he’s eager to stop playing the sidekick. The last thing he wants is to help out Milo and dredge up feelings he’d rather forget. But helping Milo comes with some perks, including getting his help running a cosplay event at the local children’s hospital. All that forced proximity was not supposed to come with kissing, and definitely not falling in love…
Violetta Benedetti knows how to hide things. She spent years concealing herself behind the persona her father expected of her. Now she hides in the dark corners of Vermagna’s underworld, lying low to keep her father from using her magic in his unending quest for power.
But her biggest secret is her love for her best friend, who only knew her as Mercurio Benedetti, not the woman she is today. Now he’s dead, and she’ll never be able to tell him the truth.
Tibario Gianbellicci was dead. And then…he wasn’t. Reborn as an immortal, he has powers he never imagined. Powers his crime boss mother wants to tap into to destroy their longtime rivals: House Benedetti.
But Tibario is hiding something, too: his best friend is a Benedetti—and the love of his life. With a second chance at life, he’ll have to risk revealing his heart.
It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered.
But the answer to that question depends on who you ask, and how.
They’re going to need to ask it a lot.
Becky Chambers’s new series asks: in a world where people have what they want, does having more matter?
Sebastien has heard only stories about his father, a mysterious sailor who abandoned his pregnant mother thirty years ago. But when his mother dies after a lifetime of struggle, he becomes obsessed with finding an explanation—perhaps even revenge.
The father he’s never met is Kostas, the commanding officer of a luxury liner sailing the Mediterranean. Posing as a member of the ship’s crew, Sebastien stalks his unwitting father in search of answers to why he disappeared so many years ago.
After a public assault triggers outrage among the ship’s crew, Sebastien finds himself entangled in a revolt against the oppressive ruling class of officers. As the clash escalates between the powerful and the powerless, Sebastien uncovers something his father has hidden deep within the belly of the ship—a disturbing secret that will force him to confront everything he’s always wondered and feared about his own identity.
In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness…
In 1345, China lies under harsh Mongol rule. For the starving peasants of the Central Plains, greatness is something found only in stories. When the Zhu family’s eighth-born son, Zhu Chongba, is given a fate of greatness, everyone is mystified as to how it will come to pass. The fate of nothingness received by the family’s clever and capable second daughter, on the other hand, is only as expected.
When a bandit attack orphans the two children, though, it is Zhu Chongba who succumbs to despair and dies. Desperate to escape her own fated death, the girl uses her brother’s identity to enter a monastery as a young male novice. There, propelled by her burning desire to survive, Zhu learns she is capable of doing whatever it takes, no matter how callous, to stay hidden from her fate.
After her sanctuary is destroyed for supporting the rebellion against Mongol rule, Zhu takes the chance to claim another future altogether: her brother’s abandoned greatness.
Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?
Gala writes letters to B—- that she light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.
Tiny McAllister never thought she’d get married. Not because she didn’t want to, but because she didn’t think girls from Connecticut married other girls. Yet here she is with Caroline, the love of her life, at their destination wedding on the Bermuda coast. In attendance―their respective families and a few choice friends. The conflict-phobic Tiny hopes for a beautiful weekend with her bride-to-be. But as the weekend unfolds, it starts to feel like there’s a skeleton in every closet of the resort.
From Tiny’s family members, who find the world is changing at an uncomfortable speed, to Caroline’s parents, who are engaged in conspiratorial whispers, to their friends, who packed secrets of their own―nobody seems entirely forthcoming. Not to mention the conspicuous no-show and a tempting visit from the past. What the celebration really needs now is a monsoon to help stir up all the long-held secrets, simmering discontent, and hidden agendas.
All Tiny wanted was to get married, but if she can make it through this squall of a wedding, she might just leave with more than a wife.
Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.
A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.
With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.
Noa Birnbaum has just gotten a job as a makeup assistant on a movie, thanks to her roommate. She’s thrilled when she learns that Lilah Silver will be the star—she’s had a crush on the leading lady for a while. But when she meets Lilah at the studio, Noa is unimpressed – Lilah is distant and shallow, and Noa isn’t in any hurry to get to know her.
Lilah Silver is tired of being in B-rate movies and has finally landed a leading role—in a sci-fi creature feature. Worried that no one will take her seriously, she’s hidden herself behind her pageant queen persona. Lilah is awed by Noa’s self-confidence and style, but how can she convince Noa she’s not a snobby scream queen when she can’t find the right words without a script in her hands?
Clementine is a seventy-two year-old reformed con artist with a penchant for impeccably tailored suits. Her life of crime has led her from the uber-wealthy perfume junkies of belle epoque Manhattan, to the scented butterflies of Costa Rica, to the spice markets of Marrakech, and finally the bordellos of Paris, where she settles down in 1930 and opens a shop bottling her favorite extracts for the ladies of the cabarets.
Now it’s 1941 and Clem’s favorite haunt, Madame Boulette’s, is crawling with Nazis, while Clem’s people–the outsiders, the artists, and the hustlers who used to call it home–are disappearing. Clem’s first instinct is to go to ground–it’s a frigid Paris winter and she’s too old to put up a fight. But when the cabaret’s prize songbird, Zoe St. Angel, recruits Clem to steal the recipe book of a now-missing famous Parisian perfumer, she can’t say no. Her mark is Oskar Voss, a Francophile Nazi bureaucrat, who wants the book and Clem’s expertise to himself. Hoping to buy the time and trust she needs to pull off her scheme, Clem decides to tell Voss the real story of the life and loves she came to Paris to escape. But Clem doesn’t have much practice telling the truth and it turns out to be more dangerous than she could have imagined.
Dragons were fire and terror to the Western world, but in the East they brought life-giving rain…
Now, no longer hailed as gods and struggling in the overheated pollution of Beijing, only the Eastern dragons survive. As drought plagues the aquatic creatures, a mysterious disease—shaolong, or “burnt lung”—afflicts the city’s human inhabitants.
Jaded college student Xiang Kaifei scours Beijing streets for abandoned dragons, distracting himself from his diagnosis. Elijah Ahmed, a biracial American medical researcher, is drawn to Beijing by the memory of his grandmother and her death by shaolong. Interest in Beijing’s dragons leads Kai and Eli into an unlikely partnership. With the resources of Kai’s dragon rescue and Eli’s immunology research, can the pair find a cure for shaolong and safety for the dragons? Eli and Kai must confront old ghosts and hard truths if there is any hope for themselves or the dragons they love.
Seventeen-year-old Joshua Gaines is the orphaned foster son of a failed doctor on the run from his father’s debt. In 1849, he travels to Independence, Missouri and falls in with the mysterious, four-fingered Renard, and his companion, formerly-enslaved Free Ray. Joshua offers his medical expertise to their party, and together they embark on the fifteen-hundred mile overland journey to Gold Rush California.
Following the hardship, disease, and death on the trail, the company abandons panning the river in favor of robbery and murder. Engulfed by violence, the young doctor-turned-marauder must reckon with his own morality, his growing desire for the men around him, and the brutality that has haunted him all his life.
April French doesn’t do relationships and she never asks for more.
A long-standing regular at kink club Frankie’s, she’s kind of seen it all. As a trans woman, she’s used to being the scenic rest stop for others on their way to a happily-ever-after. She knows how desire works, and she keeps hers carefully boxed up to take out on weekends only.
After all, you can’t be let down if you never ask.
Then Dennis Martin walks into Frankie’s, fresh from Seattle and looking a little lost. April just meant to be friendly, but one flirtatious drink turns into one hot night.
When Dennis asks for her number, she gives it to him.
When he asks for her trust, well…that’s a little harder.
And when the desire she thought she had such a firm grip on comes alive with Dennis, April finds herself wanting passion, purpose and commitment.
But when their relationship moves from complicated to impossible, April will have to decide how much she’s willing to want.
Anima is an extrasensory human tasked with surveilling and protecting Ora’s citizens via a complex living network called the Gleaming. Although ær world is restricted to what æ can see and experience through the Gleaming, Anima takes pride and comfort in keeping Ora safe from harm.
When a mysterious outsider enters the city carrying a cabinet of curiosities from around with the world with a story attached to each item, Anima’s world expands beyond the borders of Ora to places—and possibilities—æ never before imagined to exist. But such knowledge leaves Anima with a question that throws into doubt ær entire purpose: What good is a city if it can’t protect its people?
In just over a year’s time, Ryia Cautella has already earned herself a reputation as the quickest, deadliest blade in the dockside city of Carrowwick—not to mention the sharpest tongue. But Ryia Cautella is not her real name.
For the past six years, a deadly secret has kept her in hiding, running from town to town, doing whatever it takes to stay one step ahead of the formidable Guildmaster—the sovereign ruler of the five kingdoms of Thamorr. No matter how far or fast she travels, his servants never fail to track her down…but even the most powerful men can be defeated.
Ryia’s path now leads directly into the heart of the Guildmaster’s stronghold, and against every instinct she has, it’s not a path she can walk alone. Forced to team up with a crew of assorted miscreants, smugglers, and thieves, Ryia must plan her next moves very carefully. If she succeeds, her freedom is won once and for all…but unfortunately for Ryia, her new allies are nearly as selfish as she is, and they all have plans of their own.
Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star.
Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off.
As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.
Erin and her brother Alex were the last children abducted by ‘the Father’, a serial killer who only ever took pairs of siblings. She escaped, but her brother was never seen again. Traumatised, Erin couldn’t remember anything about her ordeal, and the Father was never caught.
Eighteen years later, Erin has done her best to put the past behind her. But then she meets Harriet. Harriet’s young cousins were the Father’s first victims and, haunted by their deaths, she is writing a book about the disappearances and is desperate for an interview. At first, Erin wants nothing to do with her. But then she starts receiving sinister gifts, her house is broken into, and she can’t shake the feeling that she’s being watched. After all these years, Erin believed that the Father was gone, but now she begins to wonder if he was only waiting…
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.
Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop’s owner to locals and the ferryman to souls who need to cross over.
But Wallace isn’t ready to abandon the life he barely lived. With Hugo’s help he finally starts to learn about all the things he missed in life.
When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.
MENAFTER10 is a geosocial online dating application for gay “urban men looking for urban men.” Among its users is Chauncey Lee, who is always online, always looking. What exactly he’s looking for is a mystery even to him, but he does his best trying to find it by dating in bedrooms across an unnamed city. Brontae Williams is just the opposite. He’s lonely and desperately wants to settle down into a long-term relationship. His biggest problem is that the only thing anyone wants these days is quick and casual sex. LeMilion Meeks, however, is used to the fast life. With his big personality, he might come off as content with snorting coke in club bathrooms, but he’s learning that knowing his HIV status is entirely different than knowing what to do with it.
Lee Mandelo’s debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by hungry ghost.
Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.
As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble, letting in the phantom that hungers to possess him.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka’s ear with her wild talent, Shizuka can almost feel the curse lifting. She’s found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn’t have time for crushes or coffee dates, what with her very soul on the line, but Lan’s kind smile and eyes like stars might just redefine a soul’s worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
Emmy Harlow is a witch but not a very powerful one—in part because she hasn’t been home to the magical town of Thistle Grove in years. Her self-imposed exile has a lot to do with a complicated family history and a desire to forge her own way in the world, and only the very tiniest bit to do with Gareth Blackmoore, heir to the most powerful magical family in town and casual breaker of hearts and destroyer of dreams.
But when a spellcasting tournament that her family serves as arbiters for approaches, it turns out the pull of tradition (or the truly impressive parental guilt trip that comes with it) is strong enough to bring Emmy back. She’s determined to do her familial duty; spend some quality time with her best friend, Linden Thorn; and get back to her real life in Chicago.
On her first night home, Emmy runs into Talia Avramov—an all-around badass adept in the darker magical arts—who is fresh off a bad breakup . . . with Gareth Blackmoore. Talia had let herself be charmed, only to discover that Gareth was also seeing Linden—unbeknownst to either of them. And now she and Linden want revenge. Only one question stands: Is Emmy in?
But most concerning of all: Why can’t she stop thinking about the terrifyingly competent, devastatingly gorgeous, wickedly charming Talia Avramov?
Heir to his father’s Mumbai business empire, Ved Mehra has money, looks, and status. He is also living as a closeted gay man. Thirty-eight, lonely, still reeling from a breakup, and under pressure from his exasperated mother, Ved agrees to an arranged marriage. He regrettably now faces a doomed future with the perfectly lovely Disha Kapoor.
Then Ved’s world is turned upside down when he meets Carlos Silva, an American on a business trip in India.
As preparations for his wedding get into full swing, Ved finds himself drawn into a relationship he could never have imagined―and ready to take a bold step. Ved is ready to embrace who he is and declare his true feelings regardless of family expectations and staunch traditions. But with his engagement party just days away, and with so much at risk, Ved will have to fight for what he wants―if it’s not too late to get it.
Liselle Belmont is having a dinner party. It seems a strange occasion—her husband, Winn, has lost his bid for the state legislature and they’re having the key supporters over to thank them for their work. Liselle was never sure about Winn becoming a politician, never sure about the limelight, about the life of fundraising and stump speeches. Now that it’s over she is facing new questions: Who are they to each other, after all this? How much of herself has she lost on the way—and was it worth it? Just before the night begins, she hears from an FBI agent, who claims that Winn is corrupt. Is it possible? How will she make it through this dinner party?
Across town, Selena is making her way through the same day, the same way she always does—one foot in front of the other, keeping quiet and focused, trying not to see the terrors all around her. Homelessness, starving children, the very living horrors of history that made America possible: these and other thoughts have made it difficult for her to live a normal life. The only time she was ever really happy was with Liselle back in college. But they’ve lost touch, so much so that when they run into each other at a drugstore just after Obama is elected president, they barely speak. But as the day wears on, Selena’s memories of Liselle begin to shift her path.
Charlotte Hilaire has a love-hate relationship with her work as a museum courier. On the one hand, it takes her around the world. On the other, her plan to become a professor is veering dangerously off track.
Yet once in a while, maybe every third trip or so, the job goes delightfully sideways…
When a blizzard strands Charlotte in Spain for a few extra days and she’s left with glorious free time on her hands, the only question is: Dare she invite her grad school crush for an after-dinner drink on a snowy night?
Accomplished, take-no-prisoners art historian Adrianna Coates has built an enviable career since Charlotte saw her last. She’s brilliant. Sophisticated. Impressive as hell and strikingly beautiful.
Hospitable, too, as she absolutely insists Charlotte spend the night on her pullout sofa as the storm rages on.
One night becomes three and three nights become a hot and adventurous long-distance relationship when Charlotte returns to the States. But when Adrianna plots her next career move just as Charlotte finally opens a door in academia, distance may not be the only thing that keeps them apart.
Red White & Royal Blue meets Jonathan Strange and Mr. Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies.
Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known.
Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it—not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else.
Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles—and a secret that more than one person has already died to keep.
Oscar Tamai and Elvio Miranda, the patriarchs of two families of brickmakers, have for years nursed a mutual hatred, but their teenage sons, Pájaro and Ángelito, somehow fell in love. Brickmakers begins as Pájaro and Marciano, Ángelito’s older brother, lie dying in the mud at the base of a Ferris wheel. Inhabiting a dreamlike state between life and death, they recall the events that forced them to pay the price of their fathers’ petty feud.
The Tamai and Miranda families are caught, like the Capulets and the Montagues, in an almost mythic conflict, one that emerges from stubborn pride and intractable machismo. Like her heralded debut, The Wind That Lays Waste, Selva Almada’s fierce and tender second novel is an unforgettable portrayal of characters who initially seem to stand in opposition, but are ultimately revealed to be bound by their similarities.
Love in the Big City is the English-language debut of Sang Young Park, one of Korea’s most exciting young writers. A runaway bestseller, the novel hit the top five lists of all the major bookstores and went into nine printings. Both award-winning for its unique literary voice and perspective, and particularly resonant with young readers, it has been a phenomenon in Korea and is poised to capture a worldwide readership.
Told in four parts that recall the structure of Han Kang’s The Vegetarian, Love in the Big City is an energetic, joyful, and moving novel that depicts both the glittering nighttime world of Seoul and the bleary-eyed morning-after. Young is a cynical yet fun-loving Korean student who pinballs from home to class to the beds of recent Tinder matches. He and Jaehee, his female best friend and roommate, frequent nearby bars where they push away their anxieties about their love lives, families, and money with rounds of soju and ice-cold Marlboro Reds that they keep in their freezer. Yet over time, even Jaehee leaves Young to settle down, leaving him alone to care for his ailing mother and to find companionship in his relationships with a series of men, including one whose handsomeness is matched by his coldness, and another who might end up being the great love of his life.
A brilliantly written novel filled with powerful sensory descriptions and both humor and emotion, Love in the Big City is an exploration of millennial loneliness as well as the joys of queer life, that should appeal to readers of Sayaka Murata, Tao Lin, and Cho Nam-Joo.
(Blogger’s Note: This is an essay collection, not a work of fiction.)
Dark tourism—visiting sites of war, violence, and other traumas experienced by others—takes different forms in Hasanthika Sirisena’s stunning excavation of the unexpected places (and ways) in which personal identity and the riptides of history meet. The 1961 plane crash that left a nuclear warhead buried near her North Carolina hometown, juxtaposed with reflections on her father’s stroke. A visit to Jaffna in Sri Lanka—the country of her birth, yet where she is unmistakably a foreigner—to view sites from the recent civil war, already layered over with the narratives of the victors. A fraught memory of her time as a young art student in Chicago that is uneasily foundational to her bisexual, queer identity today. The ways that life-changing impairments following a severe eye injury have shaped her thinking about disability and self-worth.
Deftly blending reportage, cultural criticism, and memoir, Sirisena pieces together facets of her own sometimes-fractured self to find wider resonances with the human universals of love, sex, family, and art—and with language’s ability to both fail and save us. Dark Tourist becomes then about finding a home, if not in the world, at least within the limitless expanse of the page.
Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband’s death approaches, Renu is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five years ago, she chose the wrong life. In Los Angeles, her son, Akash, has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories he fled a decade ago. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally say goodbye and move on.
Together, Renu and Akash pack up the house, retreating further into the secrets that stand between them. Renu sends an innocent Facebook message to the man she almost married, sparking an emotional affair that calls into question everything she thought she knew about herself. Akash slips back into bad habits as he confronts his darkest secrets―including what really happened between him and the first boy who broke his heart. When their pasts catch up to them, Renu and Akash must decide between the lives they left behind and the ones they’ve since created, between making each other happy and setting themselves free.
By turns irreverent and tender, filled with the beats of ’90s R&B, Tell Me How to Be is about our earliest betrayals and the cost of reconciliation. But most of all, it is the love story of a mother and son each trying to figure out how to be in the world.
Books are Rosie Taft’s life. And ever since she took over her mother’s beloved Manhattan bookstore, they’ve become her home too. The only thing missing is her own real-life romance like the ones she loves to read about, and Rosie has an idea of who she might like to sweep her off her feet. She’s struck up a flirty online friendship with lesbian romance author Brie, and what could be more romantic than falling in love with her favorite author?
Jane Breslin works hard to keep her professional and personal lives neatly separated. By day, she works for the family property development business. By night, she puts her steamier side on paper under her pen name: Brie. Jane hasn’t had much luck with her own love life, but her online connection with a loyal reader makes Jane wonder if she could be the one.
When Rosie learns that her bookstore’s lease has been terminated by Jane’s company, romance moves to the back burner. Even though they’re at odds, there’s no denying the sparks that fly every time they’re together. When their online identities are revealed, will Jane be able to write her way to a happy ending, or is Rosie’s heart a closed book?
As executive chef at one of the hottest restaurants in DC, DeShawn Franklin has almost everything he’s ever wanted. He’s well-known, his restaurant is Michelin starred and he can write his own ticket anywhere he wants. Until his grandmother calls him home and drops two bombshells:
1) She has cancer and she’s not seeking treatment.
2) She’s willing half her estate to DeShawn’s ex-husband, Malik.
Make that three bombshells.
3) That whole divorce thing? It didn’t quite go through. DeShawn and Malik are still married.
And when DeShawn’s shady uncle contests Grandma’s will, there’s only one path back to justice: play it like he and Malik have reconciled. They need to act like a married couple just long enough to dispense with the lawsuit.
Once DeShawn is back in Malik’s orbit, it’s not hard to remember why they parted. All the reasons he walked away remain—but so do all the reasons he fell in love in the first place.
Rachel Lacey‘s READ BETWEEN THE LINES, pitched as an #OwnVoices sapphic retelling of You’ve Got Mail, featuring a bisexual bookstore owner and a property developing corporate executive with more than one secret, to Lauren Plude at Montlake, in an exclusive submission, in a two-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).
Katharine Schellman‘s LAST CALL AT THE NIGHTINGALE, an #OwnVoices queer murder mystery set in 1920s New York, where a seamstress escapes drudgery at a speakeasy, but when she discovers a body behind the club, she finds herself caught between the dangers of New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable—including her own, to Nettie Finn at Minotaur, in a two-book deal, for publication in summer 2022, by Whitney Ross at Irene Goodman Agency (NA).
2020 National Book Foundation 5 under 35 honoree and author of BESTIARY K-Ming Chang‘s RESIDENT ALIENS, a short story collection that evokes the splendor and peculiar nature of families, the grotesque and wondrous parts of the body, and the wild and poignant battles of queer love, to Nicole Counts at One World, by Julia Kardon at HG Literary.
Ally Wilkes‘s ALL THE WHITE SPACES, set in the Heroic Age of Antarctic exploration, in which a trans man narrates the fate of an expedition as something unnamed and terrible picks off his shipmates one by one, against the backdrop of the pitch-black polar night, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Oliver Munson at A.M. Heath (NA).
Helena Greer‘s MY FIRST NOELLE, pitched as a queer and Jewish Hallmark-style holiday rom-com about a free-spirited bisexual artist who’s forced to return home when she inherits her family’s Christmas tree farm, and has an unexpected romance with the farm’s grumpy butch manager, to Amy Pierpont and Sam Brody at Forever, in a two-book deal, for publication in winter 2022, by Rebecca Podos at Rees Literary Agency (world).
Winner of the 60th Gunzo New Writer’s Award for Excellence in 2017 Li Kotomi‘s SOLO DANCE, depicting the painful coming-of-age of a gay woman in Taiwan and the salaryman’s world in Japan; an account of a person’s search for hope after trauma and depression, to Judith Uyterlinde at World Editions (Netherlands), in a nice deal, in a pre-empt, for publication in fall 2022, by Li Kangqin at New River Literary (world English).
Three-time Pushcart prize winner and Stegner fellow Lydia Conklin’s RAINBOW RAINBOW, a collection of stories exploring the complex inner lives of queer, trans, and nonbinary characters, pitched as appealing to fans of Garth Greenwell, Jenny Zhang, and Katherine Dunn, to Leigh Newman at Catapult, for publication in June 2022, by Samantha Shea at Georges Borchardt.
Center for Fiction First Novel Prize nominee Celia Laskey’s THE BRIDESMAID, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex; and UNDER THE RAINBOW, her debut novel, to Cicely Aspinall at HQ, at auction, in a two-book deal, by Jennifer Helinek at Trident Media Group, on behalf of Alexa Stark.
Hazel Newlevant‘s QUEER AND HOW WE GOT HERE, in which the author blends their personal story of coming out with explorations of important moments from queer history to draw a parallel between the growth of a community and the growth of the author’s personal identity, to Andrea Colvin at Little, Brown Children’s, in an exclusive submission, for publication in early 2024, by Tanya McKinnon at McKinnon Literary (world).
Will Taylor‘s THE LANGUAGE OF SEABIRDS, in which a 12-year-old boy confined to two weeks at a beach house with his freshly divorced father meets a local boy and his world is flipped as he struggles find some way to share the truths flooding his heart—things he’s never spoken to anyone, not even himself, to David Levithan at Scholastic, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world).
Detroit-based illustrator and designer Oli Franey’s MONSTER CRUSH, pitched as BEETLE AND THE HOLLOWBONES meets Teen Wolf, in which a 16-year-old closes herself off from the world after her parents split, until she meets a girl; as the two of them fight off school bullies, the girl accidentally reveals her ability to transform into a monstrous beast, and reveals the world of monsters, to Brett Israel at Dark Horse, for publication in 2023, by Claire Draper at The Bent Agency (world English).
Young Adult Fiction
Epic Reads founder Margot Wood‘s FRESH, a queer coming-of-age story that follows a freshman at Emerson College as she navigates the highs and lows of her first year away from home, to Maggie Lehrman at Abrams Children’s, at auction, for publication in fall 2021, by Joanna Volpe at New Leaf Literary & Media (world English).
Author of THE DEAD AND THE DARK Courtney Gould’s ECHO SUNSET, following two sisters who, after their mother dies, learn about her mysterious ties to an isolated Arizona town; when they decide to investigate, nothing and no one is who they seem, including the daughter of the town’s enigmatic leader, to Jennie Conway at Wednesday Books, for publication in 2022, by Claire Friedman and Jessica Mileo at Inkwell Management (NA).
Illustrator and comic artist on Tapas The Kao’s MAGICAL BOY, in which a trans man just trying to get through high school as his true self has his life turned upside down when he discovers that he is descended from a long line of magical girls tasked with defending humanity from a dark, ancient evil; with a sassy feline sidekick and loyal group of friends by his side, he must take on his destiny, save the world, and become the first magical boy, to Michael Moccio at Scholastic, for publication in fall 2021, by Liz Parker at Verve Talent & Literary (world).
Author of the #murdertrending series and GET EVEN Gretchen McNeil‘s DIG TWO GRAVES, pitched as a YA Strangers on a Train with a queer twist in which a school pariah meets her new best friend at summer camp where they jokingly fantasize about killing each other’s bullies, until those fantasies become disturbing realities and she finds herself blackmailed into committing murder, to Kieran Viola at Disney-Hyperion, in a two-book deal, by Ginger Clark at Curtis Brown (world).
Author of ACE OF SHADES Amanda Foody and author of THE DEVOURING GRAY Christine Lynn Herman‘s ALL OF US VILLAINS, set in a blood-soaked city, where seven families compete every generation in a tournament to the death for control of high magic; one powerful, villainous family has won nearly every tournament, but this year, thanks to a salacious tell-all book, each of the other families has the means to win, to Melissa Frain at Tor Teen, with Ali Fisher editing, in a major deal, at auction, in a two-book deal, for publication in fall 2021 and 2022, by Whitney Ross at Irene Goodman Agency for Foody, and by Kelly Sonnack at Andrea Brown Literary Agency for Herman (world English).
Naz Kutub‘s THE LOOPHOLE, pitched as a speculative SIMON VS. THE HOMO SAPIENS AGENDA with a focus on identity, found family, and friendship, following a queer Indian Muslim boy traveling the world for a second chance at love after a possibly magical heiress grants him three wishes, to Claire Stetzer at Bloomsbury Children’s, in a very nice deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Natalie Lakosil at Bradford Literary Agency (world).
Cayla Keenan’s RAVENSONG, the first in a contemporary fantasy duology with Northeastern Gothic vibes, in which a 17-year-old girl is one third of a war goddess triad, sworn to slay demons with her sisters and guard the gate to hell in their coastal town, yet is stuck in high school, counting down the days until her 18th birthday, when her powers fully unlock—until she meets a girl with secrets of her own who’ll force her to choose between duty and love, to Amanda Ramirez at Simon & Schuster Children’s, in a pre-empt, in a two-book deal, for publication in spring 2023, by Patrice Caldwell at New Leaf Literary & Media (NA).
Dahlia Adler ed.’s AT THE STROKE OF MIDNIGHT, a collection of classic fairy tales reimagined by authors Melissa Albert, Tracy Deonn, Hafsah Faizal, Brigid Kemmerer, Stacey Lee, Darcie Little Badger, Malinda Lo, Alex London, Anna-Marie McLemore, Rebecca Podos, Rory Power, Meredith Russo, Justin Reynolds, and Randy Ribay, to Sarah Barley at Flatiron Books, for publication in fall 2022, by Patricia Nelson at Marsal Lyon Literary Agency (world).
Andrea Mosqueda’s debut JUST YOUR LOCAL BISEXUAL DISASTER, following a self-described romantic disaster, a bisexual Chicana living in the Rio Grande Valley, as she tries to figure out whom she wants to ask to be her escort at her little sister’s upcoming quinceanera: her charming ex-boyfriend twice over, her first crush and gorgeous best friend, or the mysterious new girl with the romantic baggage?, to Kat Brzozowski at Feiwel and Friends, for publication in 2022, by Lauren Macleod at The Strothman Agency (world English).
Saundra Mitchell’s OUT THERE, the future-set third and final anthology in a series that began with the historical ALL OUT and contemporary OUT NOW; its contributors include Kayla Ancrum, Kalynn Bayron, Z Brewer, Mason Deaver, Alechia Dow, ZR Ellor, Leah Johnson, Naomi Kanakia, Claire Kann, Alex London, Jim McCarthy, Abdi Nazemian, Emma K. Ohland, AJ Sass, Nita Tyndall, and two slots to be filled through an open call, to Natashya Wilson at Inkyard Press, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Sunday Times Young Writer of the Year finalist for his poetry collection TONGUES OF FIRE Sean Hewitt‘s ALL DOWN DARKNESS WIDE, an excavation of the year following his partner’s suicide attempt, a confrontation with the specters of shame, and a love letter to queer literature that illuminates a path ahead, to Caroline Sydney at Penguin Press, in a pre-empt, by Adam Eaglin at The Cheney Agency on behalf of Matthew Marland at Rogers, Coleridge & White (NA).
Cultural historian, performer, Leverhulme Early Career Fellow in English at the University of Cambridge, and BBC New Generation Thinker Diarmuid Hester’s NOTHING EVER JUST DISAPPEARS: A NEW HISTORY OF QUEER CULTURE THROUGH ITS SPACES, a history of queer identity from the late 1800s to the present, following seven artists and writers whose lives and work are inextricable from a sense of place, including E.M. Forster, Josephine Baker, Claude Cahun, James Baldwin, and Derek Jarman; interweaving their stories with the author’s own experiences as a queer person, arguing for the centrality of place in the formation of identity, culture, and politics, while showing all that is lost when queer spaces are forgotten, to Maria Bedford at Allen Lane, at auction, for publication in November 2022, by Matthew Marland at Rogers, Coleridge & White (world English).
Sibling duo, journalist, and archivist Alison Nastasi and PJ Nastasi’s QUEER ICONS AND THEIR CATS, a celebration of LGBTQ+ icons past and present, and their furry feline friends, to Bridget Watson Payne at Chronicle, with Natalie Butterfield editing, for publication in May 2021 (world).
Emma Copley Eisenberg‘s debut BERNIE AND LEAH, told from the perspectives of two queer artists who leave Philadelphia for a life-changing ten day road trip, exploring artistic purpose, intimacy, and identity in a time of profound societal change, and FAT SWIM, a collection of stories new and previously published, to Alexis Washam at Hogarth, in a two-book deal, by Jin Auh at The Wylie Agency (NA).
Laura Blackett and Brooklyn College MFA graduate Eve Gleichman’s THE VERY NICE BOX, following a hardworking, heartbroken product engineer who works for a fashionable furniture company where corporate change lands her under the purview of a young, charismatic boss who seems determined to get close to her at all costs, pitched as for fans of ELEANOR OLIPHANT IS COMPLETELY FINE and SEVERANCE, to Pilar Garcia-Brown at Houghton Mifflin Harcourt, at auction, for publication in spring 2021, by Faye Bender at The Book Group (NA).
Neil Cochrane’s I WILL GO TO THE BANK BY THE WOOD, centering queer and trans characters; pitched as a loose retelling of Beauty and the Beast, to Laura Stanfill at Forest Avenue Press, in a nice deal, for publication in spring 2022 (world).
*Ruoxi Chen has acquired Nghi Vo’s THE CHOSEN AND THE BEAUTIFUL, a magical reimagining of THE GREAT GATSBY told through the eyes of a queer, Asian-American Jordan Baker as the American immigrant narrative that GATSBY always should have been. The two-book deal, for North American rights, was brokered by Diana Fox at Fox Literary.
Winner of Publishing Triangle’s Edmund White Award for Debut Fiction Joe Okonkwo’s KISS THE SCARS ON THE BACK OF MY NECK, a debut short story collection populated by complicated characters, male and female, who find themselves at the intersection of Black and gay identities, illustrating the challenges they face, and the price they pay, to live authentic lives, to Michael Nava at Amble, in an exclusive submission, for publication in spring 2021, by Malaga Baldi at Malaga Baldi (world English).
Next Generation Indie Book Award-winning journalist and editor Artem Mozgovoy’s SPRING IN SIBERIA, pitched as similar to AMERICANAH, WHAT BELONGS TO YOU, and ON EARTH WE’RE BRIEFLY GORGEOUS, in which a gay Russian journalist struggles to escape Putin’s post-communist order to persecute gay people—only to end up facing the great American wall, to Kate Gale at Red Hen Press, by Mark Gottlieb at Trident Media Group (world).
Northwestern MFA graduate Allison Epstein‘s A TIP FOR THE HANGMAN, about the life and death of Christopher Marlowe, in which the young poet is approached by the Queen’s spymaster with an offer that will catapult him to both glory and doom, pitched as Shakespeare in Love meets Sarah Waters, to Carolyn Williams at Doubleday, in a very nice deal, for publication in spring 2021, by Bridget Smith at JABberwocky Literary Agency (NA).
Nina Varela’s JUNIPER HARVEY AND THE VANISHING KINGDOM, a contemporary fantasy about a 12-year-girl whose magical artistic abilities set off a chase through parallel worlds, all while juggling new friendships and her first queer crush, to Alexandra Hightower at Little, Brown Children’s, in a good deal, at auction, in a two-book deal, for publication in summer 2022, by Patrice Caldwell at Howard Morhaim Literary Agency (NA).
Katie Fricas’s CHECKED OUT, in which a queer cartoonist and library worker launches forth into a search for love on Craigslist, artistic validation in New York City, and the perfect book, to Tracy Hurren at Drawn & Quarterly, by Mackenzie Brady Watson at Stuart Krichevsky Agency (world English).
Claire Winn’s CITY OF SHATTERED LIGHT, a high-stakes adventure pitched as a queer, female-led Guardians of the Galaxy meets Escape from New York, in which an heiress flees her controlling father to prevent her sister’s mind from being wiped, but must ally with a gunslinging smuggler to outwit a monstrous AI and save the heiress’s sister and their city, to Mari Kesselring and Kelsy Thompson at Flux, in a nice deal, for publication in fall 2021, by Cortney Radocaj at Belcastro Agency (world).
Debut novelist Jennifer Nissley‘s THE MYTHIC KODA ROSE, pitched for fans of Nina LaCour and Jandy Nelson, featuring a queer teen exploring the enigmatic legacy left behind by her rock star father and suddenly navigating an emotionally charged bond with his mercurial ex-girlfriend, to Liesa Abrams at Simon & Schuster Children’s, for publication in summer 2021, by Danielle Burby at Nelson Literary Agency (NA).
Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan‘s SOME GIRLS DO, about an openly gay track star who falls for a closeted, bisexual local beauty queen with a penchant for fixing up old cars, to Stephanie Pitts at Putnam Children’s, in an exclusive submission, for publication in summer 2021, by Brooks Sherman at Janklow & Nesbit (world English).
Brian Zepka’s THE TEMPERATURE OF ME AND YOU, a humorous love story with a sci-fi bent, about a 16-year-old hopeless romantic and the undeniably cute boy who walks into the Dairy Queen where the hero works and changes everything, showing how first love is truly out of this world, to Brittany Rubiano at Disney, with Augusta Harris editing, for publication in 2021, by Liz Parker at Verve Talent & Literary (world).
Phil Stamper’s THE VALEDICTORIANS, the first entry in a rom-com duology following four queer teens during an unforgettable summer; as senior year approaches—with the real world looming just beyond—these lifelong friends try to stay close when their futures seem to be forcing them apart, to Mary Kate Castellani at Bloomsbury Children’s, in a two-book deal, for publication in winter 2022, by Brent Taylor at TriadaUS Literary Agency (world English).