Sunday Times-bestselling author of A MARVELLOUS LIGHT ‘s SWORDCROSSED, pitched as Ellen Kushner’s SWORDSPOINT meets LEGENDS & LATTES; a second novel pitched as Grey’s Anatomy meets A DEADLY EDUCATION; an untitled novel; and an untitled novella, to Ruoxi Chen at Tor, in a six-figure deal, in a four-book deal, for publication in fall 2024, by Diana Fox at Fox Literary (US).
Today on the site, I’m delighted to be revealing the cover of Darkhearts author James L. Sutter’s The Ghost of Us, a YA romance billed as Ten Things I Hate About You meets Ghost that releases from Wednesday Books on June 11, 2024! Here’s the story:
Eighteen-year-old ghost hunter Cara is determined to escape life as a high school outcast by finding proof of the supernatural. Yet when she stumbles upon the spirit of Aiden, a popular upperclassman who died the previous year, she learns that ghosts have goals of their own. In the wake of his death, Aiden’s little sister, Meredith, has become a depressed recluse, and Aiden can’t pass on into the afterlife until he knows she’ll be okay. Believing that nothing pulls someone out of a slump like romance, he makes Cara a deal: seduce Meredith out of her shell and take her to prom, and Aiden will give Cara all the evidence she needs for fame. If not, well—no dates, no ghost.
Wooing the standoffish Meredith isn’t going to be easy, however. With Aiden’s coaching, Cara slowly manages to win Meredith over—but finds herself accidentally falling for her in the process. Worse yet: as Meredith gets happier and Aiden’s mission nears completion, his ghost begins to fade. Can Cara continue to date Meredith under false pretenses, especially if it means Aiden will vanish forever? Or should she tell Meredith the truth, and risk both of them hating her? And either way, will she lose her only shot at proving ghosts are real?
And here’s the hauntingly romantic cover, designed by Kerri Resnick with art by Sivan Karim!
James L. Sutter is a co-creator of the best-selling Pathfinder and Starfinder roleplaying games. He’s the author of the young adult romance novel Darkhearts, as well as the fantasy novels Death’s Heretic and The Redemption Engine. His short stories have appeared in Nightmare, The Magazine of Fantasy & Science Fiction, the #1 Amazon best-seller Machine of Death, and more. James lives in Seattle, where he’s performed with musical acts ranging from metalcore to musical theater.
Today on the site we’re doing a dive into Night of the Living Queers, an all-queer Horror anthology edited by Alex Brown and Shelly Page and releasing August 29th from Wednesday Books! Not only is this collection super queer, but the lineup is entirely comprised of authors of color, providing fresh perspectives for an anthology that is not to be missed! Here’s the official description:
Night of the Living Queers is a YA horror anthology that explores a night when anything is possible, exclusively featuring queer authors of color putting fresh spins on classic horror tropes and tales.
No matter its name or occasion, Halloween is more than a Hallmark holiday, it’s a symbol of transformation. NIGHT OF THE LIVING QUEERS is a YA horror anthology that explores how Halloween can be more than just candies and frights, but a night where anything is possible. Each short story is told through the lens of a different BIPOC teen and the Halloween night that changes their lives forever. Creative, creepy, and queer, this collection brings fresh terror, heart, and humor to young adult literature.
Contributors include editors Alex Brown and Shelly Page, Kalynn Bayron, Ryan Douglass, Sara Farizan, Maya Gittelman, Kosoko Jackson, Em Liu, Vanessa Montalban, Ayida Shonibar, Tara Sim, Trang Thanh Tran, and Rebecca Kim Wells.
And here’s a little more on some of the stories, from the authors themselves!
Sara Farizan, A Brief Intermission
A Brief Intermission is about two cinephile employees at a drive-in movie theater who have to work overtime on Halloween and play a movie for some ghostly guests. I’ve long been interested in the history of drive-ins in the U.S. as well as Chevy Bel-Air cars and thought this would be a good vehicle for those interests. Get it? Vehicle? Anyway, if you like cinema, jokes, ghouls, and fear conformity, you might get a kick out of this story.
Rebecca Wells, Guested
I’m a big scaredy-cat, so I began my short story by brainstorming all the horror tropes that frighten me. The answer of course is all of them, but one I found myself circling back to was the idea that someone in my life (possibly myself!) could be possessed. Mindswaps, multiverses where people come back “wrong,” possession by demons or parasites or even other people – it’s all scary. Add on to that the idea that I might know what’s wrong but not be able to convince anyone of the truth? Downright horrifying. But the scariest part (to my main character, anyway) is that most of the characters in my story want to be possessed. Just not in the wrong way…
Kosoko Jackson, Rocky Road with Caramel Drizzle
My story, Rocky Road with Caramel Drizzle, was inspired by the idea of killing your gays. So many stories only focus on queer pain and how queers need to ‘rise above’ their attackers, to become a better person and grow from it. While that may be a valid route for some, people, all people, deserve to use their rage and process their pain how they see fit. And sometimes, that’s through punishment. I wanted to write something with magic, darkness, validity and romance, to show queer kids sad events don’t mean sad lives, and that whatever path you take, when hurt, is okay and valid. I also love crossroad demons and wanted to write a queer twist on that.
Ayida Shonibar, Save Me from Myself
Save Me from Myself is about a teen’s dread made manifest—the character’s, and my own. It’s a tragedy. And a love story. Horror as a genre resonates for me in how it justifies a current of fear permeating the narrative. Existing alongside frequent intrusive worries, especially ones rooted in environments that raised you, means some are bound to come true. An inner fear materialising into reality can feel like “proof” that you should continue carrying all the fears with you and can send you into bone-chilling panic over missed opportunities to prevent it. It feels like your worst thoughts, intangible yet large and powerful, control your world more than you do—a sort of cosmic horror. This is why stories like Kafka’s “Die Verwandlung / The Metamorphosis” really spoke to me growing up. You might think you’re impossible to love—that if, miraculously, somebody does make the mistake of loving you, it can’t be real, or it’ll be lost, or you’re not worth the sacrifice it takes. That loving you is the missed opportunity. I tried to encompass this cold terror in the ending—the abject, abrupt devastation I struggled to make sense of as a teenager in the face of misfortune. But deeply uncomfortable fears and worthiness of love can coexist. They’re not mutually exclusive. When things go horribly wrong, you can, and should, still be loved. I hope the ending leaves the reader with a belief in love that remains unshakeably true and deserved, even despite the ugliest of outcomes that can’t always be controlled.
Shelly Page, Anna
My story, Anna, is about a teen who must save the kids she’s babysitting from a ghost. I knew I wanted to write something along the lines of Halloween and Ouijia, but with a twist. My story explores themes of abandonment, loneliness, and, of course, fear. I wanted to show readers that the past doesn’t have to dictate your future, and that giving into fear ensures you stay trapped. I hope my story connects with teen readers who feel afraid to take a chance or make a change. If you can find the courage to overcome your fear, even if it takes a helping hand, it can mean true happiness.
Maya Gittelman, Leyla Mendoza and the Last House on the Lane
The texture of my story is written with deep love for the Philippines, and the communities of Philippine diaspora Leyla and I belong to. Fraught love tangled in tension and grief, but love at the core of it, love as the force of it, love learning how best to grow. Love inextricable, woven tight into the dissonance.
The plot of Leyla Mendoza emerged out of two concepts. First, the Western fear of aging and the elderly—I wanted to respond to the fairytale and horror trope of “there’s someone old and alone, and that means we as a community deserve to judge them.” And secondly, I wanted to use that response as a vessel to explore other experiences of non-belonging. The core of this story came together as: what does it mean to imagine a possible trans future for yourself when you have no real-life examples of it? What might it mean to imagine a transmasc future when you don’t have a role model for the kind of man you want to be, a future in which your femininity belongs to you without needing to align with anyone else’s? I wanted to breathe magic into the fact that for many trans people, even though we might have to build that future for ourselves, it’s possible and it’s necessary and it’s more beautiful that you can imagine. And—you are not alone.
Alex Brown, The Three Phases of Ghost-Hunting
The Three Phases of Ghost Hunting is about two best friends (who want to be more than just friends) who are spending their Halloween night in a mall food court as they search for the truth behind an infamous local legend: Terrifying Bob, the (alleged) pizza-stealing ghost of a pirate who died a few centuries ago. What starts out as a light-hearted investigation turns into an adventure that brings them face-to-face with an entity that’s way more powerful than a ghost.
This story is my ode to every paranormal believer and skeptic pairing out there! I wanted to pay homage to one of my favorite trope-y pairs in a fun (and vaguely existentially terrifying way). Daisy and Iris are both queer Asian Americans, like me, and I was delighted and honored to bring them to life (and get them together at the end)!
Jonny Garza Villa’s Fifteen Hundred Miles from the Sun is one of my all-time favorite gay YA romances, so I’m extra thrilled to be revealing the cover of their gorgeous new book on the site today! Ander and Santi Were Here is about a a nonbinary Mexican-American teen muralist who falls in love with an undocumented Mexican waiter at their family’s taqueria, and it releases April 11, 2023 from Wednesday Books! Here’s the official blurb:
Finding home. Falling in love. Fighting to belong.
The Santos Vista neighborhood of San Antonio, Texas, is all Ander Lopez has ever known. The smell of pan dulce. The mixture of Spanish and English filling the streets. And, especially their job at their family’s taquería. It’s the place that has inspired Ander as a muralist, and, as they get ready to leave for art school, it’s all of these things that give them hesitancy. That give them the thought, are they ready to leave it all behind?
To keep Ander from becoming complacent during their gap year, their family “fires” them so they can transition from restaurant life to focusing on their murals and prepare for college. That is, until they meet Santiago Garcia, the hot new waiter. Falling for each other becomes as natural as breathing. Through Santi’s eyes, Ander starts to understand who they are and want to be as an artist, and Ander becomes Santi’s first steps toward making Santos Vista and the United States feel like home.
Until ICE agents come for Santi, and Ander realizes how fragile that sense of home is. How love can only hold on so long when the whole world is against them. And when, eventually, the world starts to win.
And here’s the stunning cover, designed by Kerri Resnick and illustrated by Max Reed!
Buy it: Bookshop | Amazon | IndieBound
Jonny Garza Villa (they/them) is an author of contemporary young adult literature with characters and settings inspired by their own Tejane, Chicane, and queer identities. Whatever the storyline, Jonny ultimately hopes Latines, and, more specifically, queer Mexican American young people will feel seen in their writing. Their debut YA novel Fifteen Hundred Miles from the Sun was a Pura Belpré Honor Book and a Kirkus Best YA Fiction of 2021 selection. When not writing, Jonny enjoys reading, playing Dungeons and Dragons, visiting taquerías, listening to Selena, and caring for their many cacti children. They live in San Antonio.
Cait Corrain’s CROWN OF STARLIGHT, an irreverent, snarky, sexy and queer reimagining of the myth of Ariadne and Dionysus in a galaxy full of monstrous men, bloodthirsty gods, and love fierce enough to shatter the stars, to Del Rey, in a joint venture with Random House Canada, in a pre-empt.
Author of READ BETWEEN THE LINES ‘s STARS COLLIDE, a sapphic rockstar romance featuring a grumpy sunshine pairing of two female pop stars, one the reigning Queen of Pop who is exhausted and lonely after years of performing, and a new to the scene rising star—after the two are paired together for a one-off performance, it sparks something much much more, again to Lauren Plude at Montlake, by Sarah Younger at Nancy Yost Literary Agency (world).
Scholar of modernism and avant-garde practices at the University of Southern Mississippi ‘s SPRING ON THE PENINSULA, following a sexually fluid protagonist as he mourns a failed relationship over the course of two harsh winters, and a poignant exploration of queer life in Seoul in the shadow of tensions with North Korea, pitched in the vein of Constance De Jong’s MODERN LOVE, to Deborah Ghim at Astra House, for publication in spring 2024, by Mark Falkin at Falkin Literary (world).
‘s FRONTIER, a queer space Western in which a stranded spaceship captain must traverse a climate-ravaged planet Earth to find her way back to the woman she loves, to Kwaku Osei-Afrifa at Hodder & Stoughton, with Molly Powell editing, at auction, in a two-book deal, for publication in spring 2023, by Zoe Plant at The Bent Agency.
Paris Review contributor and Iowa MFA grad James Frankie Thomas’s IDLEWILD, telling the story of an intense friendship between two queer Manhattan theater kids post-9/11 at a quirky Quaker high school as they become entangled with two mysterious boys whose friendship mirrors their own, tracing a year filled with backstage intrigue, antiwar demonstrations, smutty fanfic written over AIM—and mistakes, some small and some enormous, that they will regret for the rest of their lives, pitched as a darkly humorous THE SECRET HISTORY meets PREP, to Abby Muller at Algonquin, in a pre-empt, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world English).
Author of THE GROVES J.V. Lyon PhD’s LUSH LIVES, a queer upmarket romance in which an introverted artist inherits a brownstone containing mysterious manuscripts from the Harlem Renaissance, and finds both love and answers with her alluring appraiser, to Roxane Gay at Roxane Gay Books, for publication in August 2023, by Jessica Alvarez at BookEnds (world).
Charlotte Mendelson’s THE EXHIBITIONIST, a portrait of a marriage between two artists, taking place over a momentous weekend as her career and personal life take a dramatic new turn, in an exploration of art, sacrifice, toxic family politics, queer desire, and personal freedom, to Anna deVries at St. Martin’s, by Peter Straus at Rogers, Coleridge & White (NA).
Author of THE VERIFIERS and two-time Best American Short Stories contributor Jane Pek’s THE RIVALS, in which an online-dating detective finds herself simultaneously trying to solve another murder, uncover tech companies’s dirty secrets, and keep her disintegrating family together, to Anna Kaufman at Vintage, in a two-book deal, by Julie Barer at The Book Group (NA).
M. J. Kuhn’s THICK AS THIEVES, the follow-up to AMONG THIEVES, in which the protagonist and her band of misfit criminals come up against a ruthless, familiar foe in an attempt to contain the fallout from their first major heist, to Amara Hoshijo at Saga Press, for publication in summer 2023, by Abby Schulman at Rebecca Friedman Literary (world).
Author of the forthcoming QUEERLY BELOVED Susie Dumond’s LOOKING FOR A SIGN, set in New Orleans, about a newly single queer woman who sets off on a mission to find her most compatible match by going on a date with someone of each astrological sign, again to Katy Nishimoto at Dial Press, in a two-book deal, by Jamie Carr at The Book Group (world).
Coeditor of MoonPark Review and mathematics professor Mary Lynn Reed’s PHANTOM ADVANCES, a short story collection following queer protagonists along America’s back roads, to Kristine Langley Mahler at Split/Lip Press, for publication in spring 2023 (world English).
Author whose work has appeared in Strange Horizons, PodCastle, and Solarpunk Magazine, among others Marisca Pichette’s RIVERS IN YOUR SKIN, SIRENS IN YOUR HAIR, a collection of poems exploring the nature of wilderness, queer folklore, and transgressive bodies, to Justine Norton-Kertson at Android, with J.D. Harlock editing, in a nice deal, for publication in spring 2023 (world English).
Author of THE JASMINE PROJECT and the forthcoming EVERYONE HATES KELSIE MILLER Meredith Ireland’s EMMA & THE LOVE SPELL, pitched as a queer witchy Parent Trap, about a 12-year-old adoptee who tries to use her fickle magical powers to keep the parents of her best friend (and long-time crush) together so she won’t have to move away, to Camille Kellogg at Bloomsbury Children’s, in a two-book deal, for publication in winter 2024, by Stephanie Kim at New Leaf Literary & Media (world).
Author of the forthcoming HAZEL HILL IS GONNA WIN THIS ONE Maggie Horne’s NOAH FRYE GETS CRUSHED, a queer coming-of-age story about a tween girl who tries to teach herself how to have a crush on a boy in order to fit in with her friends—only to realize she might be looking in the wrong places, to Lily Kessinger at Clarion, for publication in winter 2024, by Claire Friedman at Inkwell Management (NA).
Author of MY FATE ACCORDING TO THE BUTTERFLY Gail Villanueva’s LULU SINAGTALA AND THE TAGALOG GODS, in which an 11-year-old bisexual and epileptic discovers that the Philippines she thought she knew is actually full of magical creatures and meddling gods; when she and her sister set out to rescue their kidnapped mother, the girls find themselves fighting a powerful enemy—a vengeful evil spirit whose centuries-old grudge could end the world, to Megan Ilnitzki at Harper Children’s, in a very nice deal, in a two-book deal, for publication beginning in fall 2023, by Alyssa Eisner Henkin at Birch Path Literary (NA).
Coauthor of IF THIS GETS OUT Cale Dietrich’s THE RULES OF ROYALTY, in which the reluctant “spare” prince of a small country agrees to show the royal ropes to the American-raised prince of a neighboring nation, becoming friends as they navigate the press, a royal wedding, and finding out what they each want, all while falling in love, to Lisa Bonvissuto at Wednesday Books, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2024, by Moe Ferrara at BookEnds (world).
Author of MAN O’ WAR Cory McCarthy’s THE GOSPEL ACCORDING TO GABRIEL, pitched as a contemporary YA retelling of humanity’s favorite crucifixion, in which an affirmed trans teen has a sexual awakening at church camp and dismantles the retro purity worship by starting his own religion, to Andrew Karre at Dutton Children’s, for publication in spring 2024, by Jim McCarthy at Dystel, Goderich & Bourret (world English).
Madeline Dyer, ed.’s BEING ACE, an anthology of short stories and poetry in multiple genres from contemporary to fantasy to science fiction that celebrate and explore the sub-identities of the asexual spectrum from a mixture of established and emerging YA writers, including Akemi Dawn Bowman, Lara Ameen, Rosiee Thor, Moniza Hossain, Linsey Miller, Ayida Shonibar, and Kat Yuen, among others, to Tamara Grasty at Page Street, for publication in fall 2023, by Erin Clyburn at Jennifer De Chiara Literary Agency (world).
Adam Sass’s YOUR LONELY NIGHTS ARE OVER, pitched as Scream meets Clueless, in which two gay teen BFFs find their friendship tested when one of them is accused of being the mysterious killer who has been stalking their school’s queer club, to Kelsey Murphy at Viking Children’s, for publication in fall 2023, by Eric Smith at P.S. Literary Agency (NA).
Author of NEVER BEEN KISSED and the forthcoming YOU’RE A MEAN ONE, MATTHEW PRINCE Timothy Janovsky’s NEW ADULT, a queer time travel rom-com about a struggling stand-up comedian who wakes up seven years from now and has to regain his best friend’s trust, and maybe, ultimately his heart, to Mary Altman at Sourcebooks Casablanca, in an exclusive submission, for publication in fall 2023, by Kevin O’Connor at O’Connor Literary Agency (world).
Sami Ellis’s DEAD GIRLS WALKING, pitched as a fresh take on camp horror, about a serial killer’s daughter determined to absolve him of her mother’s murder; the only things keeping her from searching for clues in the woods where he used to hunt are her counselor duties at the queer all-girls sleepaway camp that’s leasing the land—and the copycat killer stalking the girls, to Emily Daluga at Amulet, in a nice deal, for publication in spring 2024, by Maeve MacLysaght at Copps Literary Services (world English).
Chloe Spencer’s MONSTERSONA, in which a freak explosion forces two bisexual teenage girls to flee their hometown and embark on a road trip across the American Northeast, all the while pursued by armed men, mad scientists, and one monstrous secret, pitched as Thelma & Louise meets Godzilla for teens, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in February 2023 (world English).
David Ferraro’s THE ALCHEMY OF MOONLIGHT, a mystery pitched as a queer retelling of the seminal Gothic novel THE MYSTERIES OF UDOLPHO, in which a young man on the run from his overbearing aunt is embroiled in the mystery and intrigue of a wealthy family and caught between the affection of the young lord and the apprentice to the local doctor, complete with roiling fog, secret passages, and literal monsters, to Tamara Grasty at Page Street Kids, in a nice deal, for publication in spring 2023, by Eva Scalzo at Speilburg Literary Agency (world English).
Gigi Griffis’s THE WICKED UNSEEN, in 1996, a sixteen-year-old is having trouble fitting into her new town, where everyone seems to believe there’s a secret, Satanic cult doing rituals in the woods; but when the pastor’s daughter—and her crush—goes missing, she starts to wonder if the town’s obsession with evil isn’t covering up something far worse, to Alison Romig at Underlined, for publication in summer 2023, by Paige Terlip at Andrea Brown Literary Agency (world).
Brittany Williams’s debut THAT SELF-SAME METAL, in the FORGE & FRACTURE SAGA, an historical fantasy trilogy pitched for fans of Holly Black and Justina Ireland that follows a Black girl who uses her secret ability to control metal to create swords for Shakespeare’s company, The Kings’ Men; but when malicious Fae invade mortal London and she slights one of their most powerful, she finds herself at the center of a war that only her family’s legacy can prevent, even as she falls for a boy in the company and a girl wrapped up in the fight, to Maggie Lehrman at Abrams Children’s, in a significant deal, in a pre-empt, in a three-book deal, for publication in spring 2023, by Alexandra Levick at Writers House (world English).
Audio drama writer Jessica Best’s STARS, HIDE YOUR FIRES, in which a thief is framed for the emperor’s murder in a sci-fi murder mystery pitched as queer Knives Out in space, to Jessica Yang at Quirk Books, for publication in spring 2023 (world).
2021 Lambda Literary Award finalist ‘s DINNER ON MONSTER ISLAND, a collection of personal essays braided with elements of history, pop culture, horror films, and current events that explores growing up a queer, brown, fat girl in Singapore, pitched in the vein of TRICK MIRROR and MINOR FEELINGS, to Sarah Ried at Harper Perennial, at auction, by Amanda Orozco at Transatlantic Literary Agency (world English).
Food writer, recipe developer, and pastry chef ‘s untitled collection of highly achievable, ready-to-share potluck desserts celebrating the history and significance of potluck in the LGBTQ+ community, to Isabel McCarthy at Countryman Press, by Sally Ekus at Lisa Ekus Group.
Chair of the Department of African American studies at the University of Wisconsin-Madison and former Librarian-in-Residence at Yale University Dr. Ethelene Whitmire PhD’s THE REMARKABLE LIFE OF REED PEGGRAM, pitched for readers of A WOMAN OF NO IMPORTANCE and HIDDEN FIGURES, following the life of a queer Black man of humble origins who graduated from Harvard at the top of his class and continued his studies in Europe on the brink of World War II, where he fell in love, was captured by the Nazis, and miraculously escaped; offering a lens on the pursuit of dignity and beauty against the backdrop of Black Americans’s struggle for basic rights in a nation entering war, to Emily Wunderlich at Viking, at auction, by Jennifer Herrera at David Black Literary Agency (world).
Hillary Clinton’s former communications director, founder of Iowa’s largest LGBTQ+ equality organization, and foster care advocate Mark Daley’s PROTECTION, highlighting the impossible choices all parents in the foster system face, revealing the challenges of becoming a parent at the intersection of complex and intergenerational trauma, inadequate social support, and systemic issues of race, bias, and anti-LGBTQ+ sentiment, and inspiring each of us to show up for the most vulnerable among us, to Michelle Herrera Mulligan at Atria, at auction, by Lara Love Hardin at Idea Architects (NA).
Author of LET ME EXPLAIN YOU Annie Liontas’s SEX WITH A BRAIN INJURY, weaving criticism, history, philosophy, and interrogating and expanding representations of ability and disability, particularly in relation to women and the LGBTQ+ communities, to Kara Watson at Scribner, by David McCormick at McCormick Literary (NA).
Illustrator Roza Nozari’s ALL THE PARTS WE EXILE, an exploration of womanhood, culture, family, faith and queerness—both in writing and illustration—through personal stories from a queer Muslim woman, to Amanda Betts at Knopf Canada, at auction, for publication in spring 2024, by Stephanie Sinclair at CookeMcDermid (NA).
Tony Award-nominated playwright, drag actor, director, screenwriter, and LGBT trailblazer Charles Busch’s LEADING LADY, sharing stories of the author’s early success Off-Broadway with Vampire Lesbians of Sodom, moving to Broadway with The Tale of the Allergist’s Wife and Hollywood with several motion pictures and a role in OZ; telling tales of his close friendship with Joan Rivers and interactions with leading ladies Angela Lansbury, Debbie Reynolds, Elaine Stritch, Linda Lavin, Carol Channing, Rosie O’Donnell, Claudette Colbert, Valerie Harper, Kim Novak, Bea Arthur, Greta Garbo, and others, to Robb Pearlman at Smart Pop, at auction, for publication in fall 2023, by Tom Miller at Liza Dawson Associates (world English).
I am so excited to reveal the cover of Always the Almost by Edward Underhill today, a contemporary YA “romdram” that I truly loved and I know you will too when it releases from Wednesday Books on February 14, 2023! Here’s the story:
Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his slimy arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means.
Then Miles meets the new boy in town, Eric Mendez, a proudly queer cartoonist from Seattle who asks his pronouns, cares about art as much as he does—and makes his stomach flutter. Not what he needs to be focusing on right now. But after Eric and Miles pretend to date so they can score an invite to a couples-only Valentine’s party, the ruse turns real with a kiss…which is also definitely not in the plan. Why does Eric like him so much, anyway? It’s not like he’s cool or confident or comfortable in his own skin. He’s not even good enough at piano to get his fellow competitors to respect him…especially now, as Miles. Nothing’s ever been as easy for him as for other people—other boys. He’s only ever been almost enough.
So why, when he’s with Eric, does it feel like the only person he’s ever really not been enough for…is himself?
And here’s the gorgeous cover, illustrated by Myriam Strasbourg (aka @
Buy it: Amazon | B&N | IndieBound
Edward Underhill grew up in the suburbs of Wisconsin, where he could not walk to anything, which meant he had to make up his own adventures. He began writing (very bad) stories as a kid and wrote his first (also very bad) novel in his teens. He studied music composition in college at the Oberlin Conservatory, and got a masters in film scoring from NYU. After a few years of living in very tiny apartments in New York City, he moved to California, where by day he writes music (most frequently for cartoons) and by night he writes stories, which aren’t as bad as they used to be. He lives with his partner and a talkative black cat.
As a queer trans man, Edward is passionate about books where queer and trans teens can find themselves in the pages. His debut novel, Always the Almost, will release from Wednesday Books/Macmillan on February 14, 2023. Find him on Twitter and Instagram @edwardunderhill.
Author of THE UNBROKEN C.L. Clark’s WARMONGERS, in an epic fantasy set in a kingdom in a cycle of eternal war, two women—once lovers and warriors at arms—are set on a collision course when years after their separation, one is crowned king and the other vows to kill her, to Brit Hvide at Orbit, by Mary C. Moore at Kimberley Cameron & Associates (world).
Author of UNEXPECTED GOALS Kelly Farmer’s IT’S A FABULOUS LIFE, pitched as a sapphic retelling of the classic holiday movie as a second chance romance, in which a realtor puts her plans on hold again to help with her small town’s winter festival and, with the aid of angelic drag queens, reconnects with her high school crush, to Stacey Donovan at Hallmark, in a nice deal, for publication in fall 2023 (world English).
Arden Joy’s KEEP THIS OFF THE RECORD, pitched as a romantic comedy remix of Shakespeare’s Much Ado About Nothing that transforms ye olde damsels in distress into queer women, women of color, and women overcoming trauma, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in January 2024 (world English).
Andie Burke’s COME FLY WITH ME, an opposites-attract romantic comedy about a female pilot and a woman who’s afraid of flying, who start fake dating after the woman saves a passenger’s life mid-flight and then goes viral, to Lisa Bonvissuto at St. Martin’s, in a very nice deal, in a two-book deal, for publication in fall 2023, by Mariah Nichols at D4EO Literary Agency (world).
‘s BELLIES, a queer coming-of-age story about two students who fall in love during their final year at university, only to find their relationship dramatically upended when one of them decides to transition, spanning London, Malaysia, and New York in the years after they graduate, pitched as Torrey Peters meets NORMAL PEOPLE, to Grace Towery at Hanover Square Press, in a pre-empt, by Monica MacSwan at Aitken Alexander (NA).
Author of A STAR IS BORED ‘s BIG GAY WEDDING, a comedy of (mis)manners in which a young man returns home from Los Angeles to to his widowed mother’s farm in Louisiana with news of his upcoming nuptials—to a man—and the bigger surprise that the wedding will take place on the farm, pitched as The Birdcage meets Father of the Bride, to James Melia at Holt, for publication in summer 2023, by Deborah Schneider at Gelfman Schneider/ICM (NA).
Author, folklorist, and photographer Piper CJ’s THE NIGHT AND ITS MOON, originally self-published, about orphans who are sold to the highest bidder—in this case, the madame of a notorious brothel; along with THE SUN AND ITS SHADE, THE GLOOM BETWEEN STARS and THE DAWN AND ITS LIGHT, in a sapphic/bi romantic epic fantasy series, to Christa Desir at Bloom Books, in a very nice deal, in a four-book deal, for publication starting in September 2022 (world English).
Alexandrine Ogundimu’s THE LONGEST SUMMER, in which a half-Nigerian party boy navigates a bisexual love triangle and is the primary suspect of a $10,000 cash theft in a decaying Indiana city, to Christoph Paul at Clash, in a nice deal, for publication in June 2023 (world English).
BURN IT ALL DOWN author Nicolas DiDomizio’s THE GAY BEST FRIEND, a summer comedy set on a beach following a gay millennial as he code-switches between the hyper-masculine and ultra-feminine worlds of his two soon-to-be-wed best friends, to Mary Altman at Sourcebooks, in a two-book deal, for publication in spring 2023 (world).
Audiobook narrator and self-published author Travis Baldree’s LEGENDS & LATTES, in which an orc barbarian decides to hang up her sword and open a fantasy coffee shop, to Georgia Summers at Tor, in a good deal, in a pre-empt, in a two-book deal, by Stevie Finegan at Zeno Agency (world).
Deputy director of the gender equality division of the Bill & Melinda Gates Foundation Iris Mwanza’s THE GOOD BOY, about the disappearance of a queer boy in Lusaka, Zambia, possibly at the hands of the police, and the young, inexperienced lawyer who fights a corrupt system to get justice for him, set against the backdrop of the Zambia’s political upheaval in the 1990s, to Graydon House, at auction.
‘s SHOOT THE MOON, pitched as THE ATOMIC CITY GIRLS meets THE TIME TRAVELER’S WIFE, about a queer female engineer at NASA working on the 1969 space race and her unusual discovery linked to her childhood in the 1940s, which explores the high human cost of scientific progress and the driving need for both intellectual fullfilment and romantic love, no matter the time and place, to Kate Dresser at Putnam, for publication in fall 2023, by Chris Bucci at Aevitas Creative Management (world).
Author of the Norman the Goldfish series and the upcoming THE HOUSE THAT BABE RUTH BUILT Kelly Bennett’s RAINBOW KITE, stories of love, community, and family, about a nonbinary child following a kite on adventures to find community and acceptance; MONSTROUS MOE, in which a grumpy monster decides if a hug can help him be less grumpy; and MIA TAKES MANHATTAN, in which a cobra escapes the Bronx Zoo and travels the city before realizing she misses home, to Chrissy Willis at Young Dragons Press, in a nice deal, in a three-book deal, by Amy Brewer at Metamorphosis Literary Agency (US).
‘s YOUNG ENGINEERS, in which an autistic seventh grader, with a love of all things space, finds herself paired on an engineering project with her biggest crush, and both girls confront their messy family dynamics, feelings for one another, and high expectations, to Jonah Heller at Peachtree, in an exclusive submission, for publication in spring 2024, by Emily Forney at BookEnds (world).
Author of COOL FOR THE SUMMER and the forthcoming HOME FIELD ADVANTAGE ‘s GOING BICOASTAL, pitched as a bi Sliding Doors, following a Jewish teen through two versions of the summer before senior year, one in NYC (with a cute girl) and one in L.A. (with a cute boy); and MY NAME IS EVERETT, a sunshine-meets-grump boarding school romance pitched as BEACH READ meets FOOLISH HEARTS, to Vicki Lame at Wednesday Books, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2023 and summer 2024, by Patricia Nelson at Marsal Lyon Literary Agency (NA).
Benjamin Dean’s THE KING IS DEAD, a gay romantic thriller set against the backdrop of a reimagined royal family, about a newly crowned young Black king facing media scrutiny and blackmail, pitched as ACE OF SPADES meets RED, WHITE & ROYAL BLUE, to Erika Turner at Little, Brown Children’s, in a pre-empt, in a two-book deal, for publication in summer 2023, by Chloe Seager at Madeleine Milburn Literary Agency (NA).
Author of the forthcoming YOU, ME, AND OUR HEARTSTRINGS Melissa See’s LOVE LETTERS TO JOY CORVI, pitched as a contemporary retelling of Cyrano de Bergerac, in which a panromantic asexual girl with cerebral palsy who is determined to be valedictorian seeks love advice from an anonymous student at her academy; but she’s unknowingly writing to—and falling for—the last person she ever expected, to Tiffany Colon at Scholastic, for publication in summer 2023, by Emily Forney at BookEnds (world English).
Keezy Young’s graphic novel HELLO SUNSHINE, in which a boy returns from church camp to discover that his (secret) boyfriend has gone missing and now he must enlist an unlikely team of worried friends and family to find him; a teen drama that uses the atmosphere of a demon haunting to tell a story of mental health, healing, and romance, to Andrea Colvin at Little, Brown Children’s, for publication in 2025, by Kurestin Armada at Root Literary (world).
Rex Ogle writing as Rey Terciero’s DAN OF GREEN GABLES, pitched as a twist on ANNE OF GREEN GABLES, the story of a queer, half-Mexican teenager who is forced to live with his grandparents in rural Tennessee when his mother abandons him; with the help of his mawmaw and his new friends, he makes an unlikely home for himself at 1600 Green Gables, illustrated by Claudia Aguirre, to Elizabeth Lee at Penguin Workshop, for publication in summer 2025, by Brent Taylor at TriadaUS Literary Agency for the author, and by Kate McKean at Howard Morhaim Literary Agency for the illustrator (world).
‘s THE UNDERS, a queer epic fantasy in which a group of teens band together to stop a war between the human and the magical world, to Emily Settle at Feiwel and Friends, in a major deal, at auction, in a two-book deal, for publication in spring 2024, by Jessica Felleman at Jennifer Lyons Literary Agency (NA).
Author of the forthcoming THE MANY HALF-LIVED LIVES OF SAM SYLVESTER Maya MacGregor’s THE EVOLVING TRUTH OF EVER-STRONGER WILL, about a nonbinary teen who, after watching their abusive mother die in front of them, seeks out a former foster mother who once was ready to adopt them, in a mystery about family, grief, and surviving an abusive parent even as their mother’s ghost seems to dog their every step, to Suzy Krogulski at Astra House, for publication in 2024, by Sara Megibow at kt literary (world English).
Edgar Award winner and Stonewall Honor author James Klise’s I’LL TAKE EVERYTHING YOU HAVE, a noir set in Chicago in the summer of 1934, in which a queer teen’s naive get-rich-quick scheme leads to deadly criminal consequences, to Elise Howard at Algonquin Young Readers, for publication in 2023, by Jennifer Laughran at Andrea Brown Literary Agency (world).
Victoria Wlosok’s debut HOW TO FIND A MISSING GIRL, about a 17-year-old amateur sleuth and her sapphic detective agency that investigates when her ex-girlfriend—notorious for creating a polarizing true-crime podcast about the sleuth’s missing sister—disappears too, to Alexandra Hightower at Little, Brown Children’s, for publication in fall 2023, by Jessica Errera at Jane Rotrosen Agency (world). Film: Becca Rodriguez at Gotham.
Inclusion advocate, educator, and the first openly transgender D1 men’s athlete ‘s HE/SHE/THEY: HOW WE TALK ABOUT GENDER AND WHY IT MATTERS, an inquiry into today’s gender landscape, laying the groundwork for productive conversations about gender on an individual and national level, pitched as in the vein of SO YOU WANT TO TALK ABOUT RACE, to Renee Sedliar at Hachette Go, at auction, by Susan Canavan at Waxman Literary Agency (NA).
Founder of the Ali Forney Center Carl Siciliano’s STRONG AS DEATH, SWEET AS LOVE, about the author’s work with homeless LGBTQ+ youths in New York City and his friendship with Ali Forney, a nonbinary youth whose compassionate life and tragic death on New York City’s streets inspired him to establish the Center and live a life of service and resistance, to Derek Reed at Convergent, at auction, for publication in summer 2023, by Jesseca Salky at Salky Literary Management, in association with Charlotte Sheedy Literary Agency (NA).
Shilletha Curtis’s MOUNTAIN OF THE MOON, pitched as a Black lesbian WILD crossed with GIRL INTERRUPTED, tracing the author’s 2,193-mile thru-hike of the Appalachian Trail and intersectional quest to change the narrative of “hiking while Black” while confronting the roots of her lifelong depression, anxiety, PTSD and ADHD, to Jennifer Levesque at Andscape, in a good deal, in a pre-empt, by Lynn Johnston at Lynn Johnston Literary (world English).
‘s OLD ENOUGH, a coming-of-age novel about a bisexual college sophomore who is reveling in the joy of discovering and being embraced by a queer community—and nursing a face-burning crush on someone in her gender and sexuality class—while grappling with the tumultuous history between her and her childhood best friend and the promises they made to each other long before they realized how hard it would be to keep them, pitched as for fans of ONE LAST STOP and QUEENIE, to Pilar Garcia-Brown at Dutton, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world).
‘s THE DEATH I GAVE HIM, a queer, locked-room sci-fi mystery pitched as inspired by Shakespeare’s Hamlet, to David Thomas Moore at Solaris, in a two-book deal, for publication in September 2023, by Penelope Burns at Gelfman Schneider/ICM (world).
‘s THE LIBRARIAN OF BURNED BOOKS, pitched for fans of Kate Quinn and Julia Kelly, about three women who believe in the power of books to triumph over the very darkest moments of war, based on the true story of the Council of Books in Wartime, the World War II organization founded by booksellers, publishers, librarians, and authors to use books as “weapons in the war of ideas,” to Tessa Woodward at William Morrow, in a significant deal, at auction, in a two-book deal, by Abby Saul at The Lark Group (world).
Author of the forthcoming A BRUSH WITH LOVE ‘s PINING, a queer holiday rom-com featuring a down-on-her-luck 20-something who wins the lottery and impulsively buys a tree farm to escape her ex, but instead of solitude she finds a grumpy woman claiming she inherited the property, causing sparks to fly as they fight for the disastrously romantic farm, to Eileen Rothschild at St. Martin’s, by Wendy Sherman Associates.
Founder of gal-dem magazine ‘s ROSEWATER, a coming-of-age story of a young, queer, Black working-class poet in south London, narrating her journey to find a place in the world and discover love where it has always been, to Caolinn Douglas at Get Lifted Books, in a nice deal, for publication in spring 2023, by Kate Hibbert at Little, Brown UK (US).
Bloomsbury Children’s editor ‘s JUST AS YOU ARE, pitched as PRIDE AND PREJUDICE meets The L Word: Generation Q, an enemies-to-lovers rom-com celebrating queer friendship, identity, coming-of-age, and the unpredictable nature of love, to Katy Nishimoto at Dial Press, in a pre-empt, by Jessica Alvarez at BookEnds (world).
Cohost of the long-running Babylon Salon series ‘s untitled book, pitched as RED, WHITE & ROYAL BLUE meets Glee, draped in CRAZY RICH ASIANS, in which a nerdy piano prodigy meets his high school crush 20 years later, only now the crush is a famous action movie star and he is still a nerdy pianist; and a second untitled book, pitched as Kinky Boots meets Tootsie, to Alex Logan at Forever, in a very nice deal, in a pre-empt, in a two-book deal, for publication in June 2023, by Gina Panettieri at Talcott Notch Literary Services (world).
Lambda Literary Award Finalist ‘s AFTER SAPPHO, a queer collective biography and poetic reimagining of intertwined circles of feminists, sapphists, writers, and artists at the turn of the 20th century as they fight for liberation and forge new identities, to Gina Iaquinta at Liveright, in a pre-empt, by Sam Jordison at Galley Beggar Press (NA).
Lambda Literary Award-winning author of WRITTEN IN THE STARS Alexandria Bellefleur’s THE FIANCEE FARCE, a queer marriage of convenience rom-com in which a shy bookstore owner claims to be dating the beautiful cover model from her favorite romance novel, but when their paths unexpectedly cross, an awkward situation becomes mutually beneficial—because her fake girlfriend is actually in need of a real wife, to Nicole Fischer at Avon, in a good deal, in a three-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).
Swedish writer and critic Hanna Johansson’s ANTIQUITY, pitched as a queer contemporary LOLITA story, centered on a lonely woman whose feelings for a glamorous older artist are transferred to her 15-year-old daughter when she joins them on holiday in the Greek city of Ermoupoli, and the illicit sexual relationship that follows; a story of desire, power, lust, obsession, observation, and taboo, to Kendall Storey at Catapult, at auction, for publication in 2024, by Linda Altrov Berg at Norstedts (world English).
Iowa Writers’ Workshop graduate and Lambda Emerging LGBTQ Voices Fellow Santiago Jose Sanchez’s HOMBRECITO, about a young gay man—an immigrant from Colombia to Miami—grappling with his turbulent sexual coming of age, and his fierce, complicated relationship with his mother and their homeland, to Laura Perciasepe at Riverhead, by Jin Auh at The Wylie Agency.
‘s DARKHEARTS, a debut contemporary romance pitched as appealing to readers of MORE HAPPY THAN NOT and THE PERKS OF BEING A WALLFLOWER, in which an ordinary Seattle high schooler, having dropped out of a band that then went on to become the hottest teen pop act in America, is thrown back into contact with his former bandmate after the other bandmate dies by suicide, and the newly connected boys soon trade their frenemy status for a confusing, tentative romance, to Sara Goodman at Wednesday Books, in a two-book deal, for publication in spring/summer 2023, by Josh Adams at Adams Literary (NA).
Gen Z essayist and feminist advocate Malavika Kannan’s ALL THE YELLOW SUNS, pitched for fans of ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE, telling the story of a 16-year-old Indian American artist living in a conservative Florida suburb who falls for her white, wealthy, complicated female classmate, when she is asked to join a secret society of vandals and mischief-makers who fight for justice at their school, to Samantha Gentry at Little, Brown Children’s, in a pre-empt, for publication in summer 2023, by Stephanie Kip Rostan at Levine Greenberg Rostan (world). Rights: Janelle DeLuise
Stonewall Honor-winning author ‘s OTHER EVER AFTERS, asking what if the monsters, mermaids, and witchy old women in fairy tales all found the happily ever afters they deserve?, to Gina Gagliano at Random House Graphic, for publication in fall 2022, by Jen Linnan at Linnan Literary Management (world).
Erica Hollis’s debut HEARTS FORGED IN DRAGON FIRE, a f/f high fantasy, in which a lesbian teen who can speak to dragons must get rid of the dragon that’s terrorizing her missing mother’s hometown, but falls for the girl who’s mysteriously sabotaging her mission, to Jen Bouvier at Entangled Teen, for publication in fall 2022 (world).
Author of REFUSE and Cave Canem poetry fellow ‘s THE DEAD DON’T NEED REMINDING, an essay collection that intertwines pop culture, from BoJack Horseman and T-Pain to the Dallas Cowboys, with the author’s struggle with depression and the search for his great-grandfather’s grave in small-town Mississippi, to tell a story of Black queer life and what it takes to come back from the edge, to Hillary Brenhouse at Bold Type Books, by Abigail Donoghue and Patrice Caldwell at New Leaf Literary & Media (world).
UC Berkeley professor, author of GENDER TROUBLE, and pioneering scholar of queer theory ‘s WHO’S AFRAID OF GENDER?, a defense of the study of gender that spans philosophy, history, law, and reportage to analyze the social fantasy of “gender” as a destructive force that has incited new forms of fascism across the world, and argues that to oppose these reactionary tides, we must to come to a radically new understanding and affirmation of gendered lives in their complexity and diversity, to Eric Chinski and Jackson Howard at Farrar, Straus, by Sarah Chalfant at The Wylie Agency (NA).
Stonewall Honoree ‘s QUEER HISTORY A–Z, covering key people, places, and events that have shaped queer history in North America over the past century, with a focus on the theme of activism, illustrated by , to Katie Scott at Kids Can Press, for publication in spring 2024, by Maria Vicente at P.S. Literary Agency for the author (world).
Editor in chief of British Vogue ‘s A VISIBLE MAN, a memoir of the author’s journey through one of the world’s most exclusive industries, and how as a Black, gay, working-class refugee, he found in fashion not only a home, but the freedom to share with people the world as he saw it, to Christopher Richards at Penguin Press, at auction, for publication in September 2022, by Albert Lee and Meredith Miller at UTA (NA).
Author and historian of medicine Brandy Schillace’s THE INTERMEDIARIES: HOW PIONEERS OF SEXOLOGY BUILT THE FIRST TRANS CLINIC IN THE SHADOW OF THE THIRD REICH, chronicling the stories of the pioneers who founded The Institute for Sexual Science in interwar Berlin, a base of operations for the first LGBTQ rights movement of the 20th century as well as women’s rights, sex education and birth control, offering a history as well as a cautionary tale in the face of today’s oppressive anti-trans legislation, to Jill Bialosky at Norton, at auction, by Jessica Papin at Dystel, Goderich & Bourret (world).
Editor-in-chief of frieze magazine and author of the novels SKYLAND and MACARTHUR PARK ‘s SPEED OF LIFE, an exploration of three foundational, transgressive, and intimately connected gay artists—Paul Thek, Peter Hujar, and David Wojnarowicz—who defined New York’s storied downtown scene and later the international art world, and who ultimately changed contemporary art forever; a book about friendship and death, queerness and community, and the complicated meanings of “legacy,” to Jackson Howard at Farrar, Straus, in an exclusive submission, by Anna Stein at ICM (NA).
I’m thrilled to welcome myself to the site today to reveal the cover of my next contemporary f/f YA romance, Home Field Advantage, which releases June 7, 2022 from Wednesday Books! It’s the story of an aspiring cheer captain, her school’s very unwelcome first female quarterback, and all the forces that stand between them, and I’m so excited to share it with you! Here’s the official copy:
Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose.
The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she’s only got a future on the squad and with her friends if she helps them take Jack down.
Just one problem: Amber and Jack are falling for each other, and if Amber can’t stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.
Dahlia Adler’s Home Field Advantage is a sparkling romance about fighting for what – or who – you truly want.
And here’s the gorgeous cover, with art by Alex Cabal and design by Kerri Resnick!
Preorder: Amazon | B&N | IndieBound | Book Depository
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Dahlia Adler is an Editor of mathematics by day, LGBTQReads overlord and Buzzfeed book blogger by night, and an author of Young Adult and Romance at every spare moment in between. Her novels include the Radleigh University trilogy, Indie Next pick Cool for the Summer, and Home Field Advantage (Wednesday Books, 2022), and she is the editor of the anthologies His Hideous Heart (a Junior Library Guild selection), That Way Madness Lies, At Midnight (Flatiron Books, 2022), and, with Jennifer Iacopelli, Out of Our League (Feiwel & Friends, 2023). Dahlia lives in New York with her family and an obscene number of books, and can be found on Twitter and Instagram as @MissDahlELama.
