Tag Archives: The Bridesmaid

December 2020 Deal Announcements

Adult Fiction

Rachel Lacey‘s READ BETWEEN THE LINES, pitched as an #OwnVoices sapphic retelling of You’ve Got Mail, featuring a bisexual bookstore owner and a property developing corporate executive with more than one secret, to Lauren Plude at Montlake, in an exclusive submission, in a two-book deal, by Sarah Younger at Nancy Yost Literary Agency (world).

Katharine Schellman‘s LAST CALL AT THE NIGHTINGALE, an #OwnVoices queer murder mystery set in 1920s New York, where a seamstress escapes drudgery at a speakeasy, but when she discovers a body behind the club, she finds herself caught between the dangers of New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable—including her own, to Nettie Finn at Minotaur, in a two-book deal, for publication in summer 2022, by Whitney Ross at Irene Goodman Agency (NA).

2020 National Book Foundation 5 under 35 honoree and author of BESTIARY K-Ming Chang‘s RESIDENT ALIENS, a short story collection that evokes the splendor and peculiar nature of families, the grotesque and wondrous parts of the body, and the wild and poignant battles of queer love, to Nicole Counts at One World, by Julia Kardon at HG Literary.

Ally Wilkes‘s ALL THE WHITE SPACES, set in the Heroic Age of Antarctic exploration, in which a trans man narrates the fate of an expedition as something unnamed and terrible picks off his shipmates one by one, against the backdrop of the pitch-black polar night, to Lara Jones at Emily Bestler Books, in a good deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Oliver Munson at A.M. Heath (NA).

Helena Greer‘s MY FIRST NOELLE, pitched as a queer and Jewish Hallmark-style holiday rom-com about a free-spirited bisexual artist who’s forced to return home when she inherits her family’s Christmas tree farm, and has an unexpected romance with the farm’s grumpy butch manager, to Amy Pierpont and Sam Brody at Forever, in a two-book deal, for publication in winter 2022, by Rebecca Podos at Rees Literary Agency (world).

Winner of the 60th Gunzo New Writer’s Award for Excellence in 2017 Li Kotomi‘s SOLO DANCE, depicting the painful coming-of-age of a gay woman in Taiwan and the salaryman’s world in Japan; an account of a person’s search for hope after trauma and depression, to Judith Uyterlinde at World Editions (Netherlands), in a nice deal, in a pre-empt, for publication in fall 2022, by Li Kangqin at New River Literary (world English).

Three-time Pushcart prize winner and Stegner fellow Lydia Conklin’s RAINBOW RAINBOW, a collection of stories exploring the complex inner lives of queer, trans, and nonbinary characters, pitched as appealing to fans of Garth Greenwell, Jenny Zhang, and Katherine Dunn, to Leigh Newman at Catapult, for publication in June 2022, by Samantha Shea at Georges Borchardt.

Center for Fiction First Novel Prize nominee Celia Laskey’s THE BRIDESMAID, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex; and UNDER THE RAINBOW, her debut novel, to Cicely Aspinall at HQ, at auction, in a two-book deal, by Jennifer Helinek at Trident Media Group, on behalf of Alexa Stark.

Children’s Fiction

Hazel Newlevant‘s QUEER AND HOW WE GOT HERE, in which the author blends their personal story of coming out with explorations of important moments from queer history to draw a parallel between the growth of a community and the growth of the author’s personal identity, to Andrea Colvin at Little, Brown Children’s, in an exclusive submission, for publication in early 2024, by Tanya McKinnon at McKinnon Literary (world).

Will Taylor‘s THE LANGUAGE OF SEABIRDS, in which a 12-year-old boy confined to two weeks at a beach house with his freshly divorced father meets a local boy and his world is flipped as he struggles find some way to share the truths flooding his heart—things he’s never spoken to anyone, not even himself, to David Levithan at Scholastic, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world).

Detroit-based illustrator and designer Oli Franey’s MONSTER CRUSH, pitched as BEETLE AND THE HOLLOWBONES meets Teen Wolf, in which a 16-year-old closes herself off from the world after her parents split, until she meets a girl; as the two of them fight off school bullies, the girl accidentally reveals her ability to transform into a monstrous beast, and reveals the world of monsters, to Brett Israel at Dark Horse, for publication in 2023, by Claire Draper at The Bent Agency (world English).

Young Adult Fiction

Epic Reads founder Margot Wood‘s FRESH, a queer coming-of-age story that follows a freshman at Emerson College as she navigates the highs and lows of her first year away from home, to Maggie Lehrman at Abrams Children’s, at auction, for publication in fall 2021, by Joanna Volpe at New Leaf Literary & Media (world English).

Author of THE DEAD AND THE DARK Courtney Gould’s ECHO SUNSET, following two sisters who, after their mother dies, learn about her mysterious ties to an isolated Arizona town; when they decide to investigate, nothing and no one is who they seem, including the daughter of the town’s enigmatic leader, to Jennie Conway at Wednesday Books, for publication in 2022, by Claire Friedman and Jessica Mileo at Inkwell Management (NA).

Illustrator and comic artist on Tapas The Kao’s MAGICAL BOY, in which a trans man just trying to get through high school as his true self has his life turned upside down when he discovers that he is descended from a long line of magical girls tasked with defending humanity from a dark, ancient evil; with a sassy feline sidekick and loyal group of friends by his side, he must take on his destiny, save the world, and become the first magical boy, to Michael Moccio at Scholastic, for publication in fall 2021, by Liz Parker at Verve Talent & Literary (world).

Author of the #murdertrending series and GET EVEN Gretchen McNeil‘s DIG TWO GRAVES, pitched as a YA Strangers on a Train with a queer twist in which a school pariah meets her new best friend at summer camp where they jokingly fantasize about killing each other’s bullies, until those fantasies become disturbing realities and she finds herself blackmailed into committing murder, to Kieran Viola at Disney-Hyperion, in a two-book deal, by Ginger Clark at Curtis Brown (world).

Author of ACE OF SHADES Amanda Foody and author of THE DEVOURING GRAY Christine Lynn Herman‘s ALL OF US VILLAINS, set in a blood-soaked city, where seven families compete every generation in a tournament to the death for control of high magic; one powerful, villainous family has won nearly every tournament, but this year, thanks to a salacious tell-all book, each of the other families has the means to win, to Melissa Frain at Tor Teen, with Ali Fisher editing, in a major deal, at auction, in a two-book deal, for publication in fall 2021 and 2022, by Whitney Ross at Irene Goodman Agency for Foody, and by Kelly Sonnack at Andrea Brown Literary Agency for Herman (world English).

Naz Kutub‘s THE LOOPHOLE, pitched as a speculative SIMON VS. THE HOMO SAPIENS AGENDA with a focus on identity, found family, and friendship, following a queer Indian Muslim boy traveling the world for a second chance at love after a possibly magical heiress grants him three wishes, to Claire Stetzer at Bloomsbury Children’s, in a very nice deal, in a pre-empt, in a two-book deal, for publication in spring 2022, by Natalie Lakosil at Bradford Literary Agency (world).

Cayla Keenan’s RAVENSONG, the first in a contemporary fantasy duology with Northeastern Gothic vibes, in which a 17-year-old girl is one third of a war goddess triad, sworn to slay demons with her sisters and guard the gate to hell in their coastal town, yet is stuck in high school, counting down the days until her 18th birthday, when her powers fully unlock—until she meets a girl with secrets of her own who’ll force her to choose between duty and love, to Amanda Ramirez at Simon & Schuster Children’s, in a pre-empt, in a two-book deal, for publication in spring 2023, by Patrice Caldwell at New Leaf Literary & Media (NA).

Dahlia Adler ed.’s AT THE STROKE OF MIDNIGHT, a collection of classic fairy tales reimagined by authors Melissa Albert, Tracy Deonn, Hafsah Faizal, Brigid Kemmerer, Stacey Lee, Darcie Little Badger, Malinda Lo, Alex London, Anna-Marie McLemore, Rebecca Podos, Rory Power, Meredith Russo, Justin Reynolds, and Randy Ribay, to Sarah Barley at Flatiron Books, for publication in fall 2022, by Patricia Nelson at Marsal Lyon Literary Agency (world).

Andrea Mosqueda’s debut JUST YOUR LOCAL BISEXUAL DISASTER, following a self-described romantic disaster, a bisexual Chicana living in the Rio Grande Valley, as she tries to figure out whom she wants to ask to be her escort at her little sister’s upcoming quinceanera: her charming ex-boyfriend twice over, her first crush and gorgeous best friend, or the mysterious new girl with the romantic baggage?, to Kat Brzozowski at Feiwel and Friends, for publication in 2022, by Lauren Macleod at The Strothman Agency (world English).

Saundra Mitchell’s OUT THERE, the future-set third and final anthology in a series that began with the historical ALL OUT and contemporary OUT NOW; its contributors include Kayla Ancrum, Kalynn Bayron, Z Brewer, Mason Deaver, Alechia Dow, ZR Ellor, Leah Johnson, Naomi Kanakia, Claire Kann, Alex London, Jim McCarthy, Abdi Nazemian, Emma K. Ohland, AJ Sass, Nita Tyndall, and two slots to be filled through an open call, to Natashya Wilson at Inkyard Press, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Non-Fiction

Sunday Times Young Writer of the Year finalist for his poetry collection TONGUES OF FIRE Sean Hewitt‘s ALL DOWN DARKNESS WIDE, an excavation of the year following his partner’s suicide attempt, a confrontation with the specters of shame, and a love letter to queer literature that illuminates a path ahead, to Caroline Sydney at Penguin Press, in a pre-empt, by Adam Eaglin at The Cheney Agency on behalf of Matthew Marland at Rogers, Coleridge & White (NA).

Cultural historian, performer, Leverhulme Early Career Fellow in English at the University of Cambridge, and BBC New Generation Thinker Diarmuid Hester’s NOTHING EVER JUST DISAPPEARS: A NEW HISTORY OF QUEER CULTURE THROUGH ITS SPACES, a history of queer identity from the late 1800s to the present, following seven artists and writers whose lives and work are inextricable from a sense of place, including E.M. Forster, Josephine Baker, Claude Cahun, James Baldwin, and Derek Jarman; interweaving their stories with the author’s own experiences as a queer person, arguing for the centrality of place in the formation of identity, culture, and politics, while showing all that is lost when queer spaces are forgotten, to Maria Bedford at Allen Lane, at auction, for publication in November 2022, by Matthew Marland at Rogers, Coleridge & White (world English).

Sibling duo, journalist, and archivist Alison Nastasi and PJ Nastasi’s QUEER ICONS AND THEIR CATS, a celebration of LGBTQ+ icons past and present, and their furry feline friends, to Bridget Watson Payne at Chronicle, with Natalie Butterfield editing, for publication in May 2021 (world).

September 2020 Book Deal Announcements

Adult Fiction

Iowa Writers’ Workshop graduate and Caine Prize finalist Arinze Ifeakandu‘s GOD’S CHILDREN ARE LITTLE BROKEN THINGS, a debut story collection set in Nigeria united by the theme of queer male intimacy, to Brigid Hughes at A Public Space Books, by Jin Auh and Austin Mueller at The Wylie Agency (world English).

Author of WILLA & HESPER Amy Feltman‘s ALL THE THINGS WE DON’T TALK ABOUT, a queer family drama, following a diverse cast of characters whose lives are upended by the sudden reappearance of their self-destructive mother; grappling with betrayal and addiction alongside queer love and joy, to Maddie Caldwell at Grand Central, in an exclusive submission, by Stephanie Delman at Sanford J. Greenburger Associates (world English)

Center for Fiction First Novel Prize nominee Celia Laskey‘s THE BRIDESMAID, about two women, one gay and one straight, whose longstanding friendship spirals violently out of control over the course of one’s wedding weekend, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex, to John Glynn at Hanover Square Press, at auction, by Alexa Stark at Trident Media Group (NA).

A BIG SHIP AT THE EDGE OF THE UNIVERSE and ALIEN: THE COLD FORGE author Alex White‘s STAR TREK: REVENANT, a new adventure set during the fourth season of Star Trek: Deep Space Nine, about a terrible secret at the heart of the Trill Symbiosis Commission that forces Jadzia Dax to reckon further with the past lives of the Dax symbiont, particularly her immediate predecessor Curzon and the psychopathic murderer Joran, in the first treatment of Star Trek’s groundbreaking genderfluid Trill species by a nonbinary or genderqueer writer, to Ed Schlesinger at Pocket, by Connor Goldsmith at Fuse Literary (world English).

PEN/Robert W Bingham Finalist and physician-writer Chaya Bhuvaneswar‘s WHITE DANCING ELEPHANTS, debut collection of short stories of the #MeToo and survival of queer women of color, to Blackstone Audio, by Lane Zachary at Aevitas Inc.

Author of THE EARTHQUAKE ROOM Davey Davis’s X, a queer noir set in a near-future New York that follows a down-and-out sadomasochist drawn from their post-breakup desolation into the pursuit of pure pleasure after a chance encounter, to Alicia Kroell at Catapult, by Julia Kardon at HG Literary (world English).

Printz Award-winning author of WE ARE OKAY and the forthcoming WATCH OVER ME Nina LaCour’s YERBA BUENA, following two women on a star-crossed journey toward one another, across the expanse of California—from a drug-soaked town in the redwoods to an elegant Los Angeles restaurant—as one finds refuge in her family’s past and the other struggles against the dark secrets she’d rather leave behind; also, an untitled multigenerational family saga inspired by the author’s grandparents, following their journey from New Orleans to Los Angeles, and what they gained and left behind, to Caroline Bleeke at Flatiron Books, in a major deal, at auction, in a two-book deal, for publication in Winter 2022, by Sara Crowe at Pippin Properties (NA).

Anita Kelly’s debut RECIPES FOR A DELICIOUS DISASTER, a romantic comedy in which the first openly nonbinary contestant on America’s favorite cooking show becomes distracted by their beautiful, clumsy competitor, but when the couple starts exploring their chemistry, they’re tested by heat outside of the kitchen, to Junessa Viloria at Forever, in a three-book deal, by Kim Lionetti at BookEnds.

Alison Cochrun‘s debut THE CHARM OFFENSIVE, a queer rom-com about a reality dating show producer tasked with helping the show’s tech wunderkind star find his true love among 30 women, but when their off-screen chemistry overshadows what happens in front of the cameras, they may have to rewrite happily ever after, pitched in the vein of RED, WHITE & ROYAL BLUE and ONE TO WATCH, to Kaitlin Olson at Atria, in a nice deal, for publication in fall 2021, by Bibi Lewis at Ethan Ellenberg Agency (world).

Columbia MFA graduate Khashayar Joshua Khabushani’s‘s OUR NEW NAMES, about the powerful bonds that make and break an Iranian American family, and the journey a son must make in order to find his place in the world, from San Fernando Valley to Iran and eventually to New York, examining boyhood and brotherhood, violence and tenderness, and queer identity and belonging in America, to Parisa Ebrahimi at Hogarth, at auction, by Bill Clegg at The Clegg Agency (NA).

Children’s/Middle Grade Fiction

Katherine Locke’s WHAT ARE YOUR WORDS?, introducing and celebrating gender-inclusive pronouns as a child explores both their neighborhood and which “words” fit them and their neighbors best today, illustrated by Anne Passchier, to Regan Winter at Little, Brown Children’s, for publication in summer 2021, by Lara Perkins at Andrea Brown Literary Agency for the author, and by Anne Moore Armstrong at The Bright Group for the illustrator (world).

Actor, activist, and author Nico Tortorella‘s picture book OLIVETTE IS YOU, an inclusive message about celebrating different gender identities, to Emily Easton at Crown Children’s, by Sarah Passick at Park & Fine Literary and Media.

Transgender Korean American author, athlete, and activist Schuyler Bailar‘s Middle Grade debut OBIE IS MAN ENOUGH, about a transgender tween who looks to prove he’s one of the fastest boys in the pool as he contends with new teammates, bullies, and his biggest competition: himself, to Phoebe Yeh at Crown Children’s, for publication in fall 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (world English).

Young Adult Fiction

Philline Harms’s debut NEVER KISS YOUR ROOMMATE, in which a girl arrives at a boarding school, and a mysterious and alluring girl is assigned to be her roommate, but as their relationship goes from cold to red hot, the roommate’s dangerous past resurfaces and tests the strength of their budding romance, to Deanna McFadden at Wattpad, for publication in spring 2021.

NYT-bestselling author of WILDER GIRLS Rory Power‘s THE WORLD ENDS HERE, a speculative thriller following ex-girlfriends raised at a remote, icy research institute, and what happens when they uncover the nightmarish discovery their families are protecting there, to Krista Marino at Delacorte, in a six-figure deal, in a two-book deal, for publication in fall 2021, by Kim Witherspoon and Jessica Mileo at Inkwell Management (NA).

Molly Horan‘s EPICALLY EARNEST, pitched as a queer contemporary wink to Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST, in which a high school senior must decide who she wants to be and where she fits in as graduation approaches, all the while finding the time to fall in love with the girl of her dreams, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, for publication in spring 2022, by Elle Thompson and Uwe Stender at TriadaUS Literary Agency (world).

Author of the forthcoming ALMOST FLYING Jake Maia Arlow’s WINTER BREAK, a contemporary rom-com about two Jewish girls falling in love reluctantly at Christmastime, a hate-to-love romance pitched as “like a Hallmark Christmas movie—if a Hallmark Christmas movie ever starred sexually frustrated lesbian Jews,” to Stephanie Guerdan at Harper Teen, in a good deal, in a pre-empt, in a two-book deal, for publication in fall 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Eric Geron’s debut A TALE OF TWO PRINCES, about a closeted crown prince newly established in Canada and an out-and-proud Montana cowboy who meet by chance and turn out to be long-lost twin brothers, forced to navigate coming out, coronations, and high school together, to Rebecca Kuss at Inkyard Press, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world English).

Maggie Tokuda-Hall‘s untitled sequel to THE MERMAID, THE WITCH, AND THE SEA, in which a number of characters from the first book reunite to destroy the Nipran Empire; with a siren, a dragon, and some familiar mermaids, this motley group may finally have what they need to end imperialism in their world once and for all, to Karen Lotz at Candlewick, in an exclusive submission, by Jennifer Laughran at Andrea Brown Literary Agency (world).

Peyton Thomas‘s debut BOTH SIDES NOW, featuring a trans protagonist taking his competitive high school debate circuit by storm, pitched as for fans of SIMON VS. THE HOMO SAPIENS AGENDA and RED, WHITE & ROYAL BLUE, to Ellen Cormier at Dial, at auction, for publication in fall 2021, by Brooks Sherman at Janklow & Nesbit (US).

Tobias Madden’s ANYTHING BUT FINE, about a teenage ballet dancer who breaks his foot and begins to question everything he once took for granted, including his relationship with the dreamy, perfect-in-every-way, and seemingly straight captain of the rowing team, to Zoe Walton at Penguin Random House Australia, at auction, for publication in 2021, by Claire Friedman at Inkwell Management (Australia and New Zealand).

Faridah Abike-Iyimide‘s ACE OF SPADES, pitched as Gossip Girl meets Get Out, in which a mysterious source spreads rumors about a prestigious private school’s only two Black students, who must fight for their reputations—and for their lives, to Foyinsi Adegbonmire at Feiwel and Friends, in a major deal, in a seven-figure deal, in a pre-empt, in a two-book deal, for publication in summer 2021, by Molly Ker Hawn at The Bent Agency, on behalf of Zoe Plant at The Bent Agency (NA).

Graphic Novels

Cartoonist Alex Combs‘s TRANS HISTORY: A GRAPHIC NOVEL, presenting an introduction to transgender identity and history in the U.S. and beyond, to Andrea Tompa at Candlewick, at auction, for publication in 2023, by Zabe Ellor at Jennifer De Chiara Literary Agency (world English).

Non-Fiction

Professor of Victorian literature at Berkeley and intellectual Grace Lavery’s PLEASE MISS, a speculative memoir of gender transition and recovery from addiction, refracted through pop culture, queer theory, film, TV, literature, and (what feels like) stand-up comedy, pitched as THE ARGONAUTS caught in a hall of mirrors, with a lot more sex and humor, to Claire Potter at Seal Press, in a six-figure deal, at auction, by Alison Lewis at Zoe Pagnamenta Agency.

Podcast host, and creator of the LGBTQ+ blog TheShitneySpears David Olshanetsky’s COMING OUT ALIVE, a guide to coming out of the closet, combining personal anecdotes with how-to guides; queer history lessons you won’t get in school; and conversations with LGBTQ+ celebrities, including international pop music sensation Pabllo Vittar, activist and Broadway trailblazer Peppermint, and writer and performer Stephen Fry about their own journeys, to Sylvan Creekmore at Wednesday Books, in a good deal, for publication in June 2022, by Connor Goldsmith at Fuse Literary (world English).

Supergirl actress, transgender rights activist, and subject of the book BECOMING NICOLE Nicole Maines’s coming-of-age memoir, about learning how to be OK with not always being OK, aiming to correct some of the most insidious messaging absorbed by queer kids and all young women—from the idea that any one thing can (or should) ever really “fix” you to wondering what’s wrong with you when things don’t always feel better—by providing an intimate look at the author’s life and all the lessons she’s learned along the way, to Caitlin McKenna at Dial, in an exclusive submission, by Lauren MacLeod and Wendy Strothman at The Strothman Agency.

Writing professor and former professional dominatrix Chris Belcher’s PRETTY BABY, an examination of gender, power, violence, and intimacy, following the author’s coming-of-age as a queer woman in rural Appalachia, to adulthood in Los Angeles as a female academic and sex worker, to Carolyn Kelly at Avid Reader Press, by Jade Wong-Baxter at Massie & McQuilkin (NA).

Author of the Lambda Literary Award- and Prix JDD France Inter-winning THE FACT OF A BODY: A MURDER AND A MEMOIR Alex Marzano-Lesnevich’s BOTH AND NEITHER, a genre- and gender-bending work of memoir, history, cultural analysis, trans reimaginings, and international road trip about life beyond the binary, to Margo Shickmanter at Doubleday, at auction, by PJ Mark at Janklow & Nesbit.

Longtime birder and social activist Christian Cooper‘s BETTER LIVING THROUGH BIRDING, reflecting on a life lived at the intersections of race and queerness; equal parts memoir, travelogue, and call to action, exploring the lifetime of experience that prepared the author for his now-infamous encounter with racist white aggression in Central Park, on the very day that the police killing of George Floyd in Minneapolis sent the country over the edge, spurring protests in the streets and inspiring calls for change, to Chayenne Skeete at Random House, with Mark Warren editing, at auction, by Gail Ross at Ross Yoon Agency (world).

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Announcements are cribbed from Publishers Marketplace.