This post is sponsored by OrangeSky Audio in honor of the publication of God’s Children Are Little Broken Things by Arinze Ifeakandu, narrated by Mirron Willis! The audiobook edition includes an exclusive introduction voiced by the author.
These nine stories of queer male intimacy brim with simmering secrecy, ecstasy, loneliness, and love in their depictions of what it means to be gay in contemporary Nigeria. Generations collide, families break and are remade, languages and cultures intertwine, and lovers find their ways to futures. From childhood through adulthood, on university campuses, city centers, and neighborhoods where church bells mingle with the morning call to prayer, love is consistent even in the presence of loss.
Sam is very in touch with their own queer identity. They’re nonbinary, and their best friend, TJ, is nonbinary as well. Sam’s family is very cool with it… as long as Sam remembers that nonbinary kids are also required to clean their rooms, do their homework, and try not to antagonize their teachers too much.
The teacher-respect thing is hard when it comes to Sam’s history class, because their teacher seems to believe that only Dead Straight Cis White Men are responsible for history. When Sam’s home borough of Staten Island opens up a contest for a new statue, Sam finds the perfect non-DSCWM subject: photographer Alice Austen, whose house has been turned into a museum, and who lived with a female partner for decades.
Soon, Sam’s project isn’t just about winning the contest. It’s about discovering a rich queer history that Sam’s a part of — a queer history that no longer needs to be quiet, as long as there are kids like Sam and TJ to stand up for it.
Amos Abernathy lives for history. Literally. He’s been a historical reenactor nearly all his life. But when a cute new volunteer arrives at his Living History Park, Amos finds himself wondering if there’s something missing from history: someone like the two of them.
Amos is sure there must have been LGBTQ+ people in nineteenth-century Illinois. His search turns up Albert D. J. Cashier, a Civil War soldier who might have identified as a trans man if he’d lived today. Soon Amos starts confiding in his newfound friend by writing letters in his journal—and hatches a plan to share Albert’s story with his divided twenty-first century town. It may be an uphill battle, but it’s one that Amos is ready to fight.
Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed in a car accident. For both the team and the squad, watching Robbie get replaced by newcomer Jack Walsh is brutal. And when it turns out Jack is actually short for Jaclyn, all hell breaks loose.
The players refuse to be led by a girl, the cheerleaders are mad about the changes to their traditions, and the fact that Robbie’s been not only replaced but outshined by a QB who wears a sports bra has more than a few Atherton Alligators in a rage. Amber tries for some semblance of unity, but it quickly becomes clear that she’s only got a future on the squad and with her friends if she helps them take Jack down.
Just one problem: Amber and Jack are falling for each other, and if Amber can’t stand up for Jack and figure out how to get everyone to fall in line, her dream may come at the cost of her heart.
Emmett Maguire has big dreams. He wants to be country music’s biggest gay superstar—a far reach when you’re 17 and living in suburban Illinois. Thankfully, his parents are letting him do the next best thing for the summer: stay with his aunt in Jackson Hollow, Tennessee, and perform at Wanda World—the amusement park owned by his idol, country music legend Wanda Jean Stubbs.
Luke Barnes, a 17-year-old Jackson Hollow resident, has no interest in country music. As the grandson of Verna Rose, the disgraced country singer who had a famous falling out with Wanda Jean, the world of country music has only brought his family pain. But as medical bills pile up at home, he’s forced to accept a job in the last place he’d ever want to work: a restaurant at Wanda World.
With Emmett focused on his career, and Luke blossoming in the kitchen, neither boy is expecting to find romance. But sparks fly when they meet and soon the two are inseparable. However, when a long-lost secret about Luke’s grandma and superstar Wanda Jean comes to light, it threatens to unravel everything. Unless the boys can uncover the truth of what really happened, their dreams could be over before they start, leaving their new relationship to go down in history as just another Sad Country Love Song.
To conclude the trio of anthologies that started with critically acclaimed All Out and Out Now, Out There features seventeen original short stories set in the future from fantastic queer YA authors.
Explore new and familiar worlds where the human consciousness can be uploaded into a body on Mars…an alien helps a girl decide if she should tell her best friend how she feels…two teens get stuck in a time loop at a space station…people are forced to travel to the past or the future to escape the dying planet…only a nonbinary person can translate the binary code of a machine that predicts the future…everyone in the world vanishes except for two teen girls who are in love.
This essential and beautifully written collection immerses and surprises with each turn of the page.
In River City, where magic used to thrive and is now fading, the witches who once ruled the city along with their powerful King have become all but obsolete. The city’s crumbling government is now controlled primarily by the new university and teaching hospital, which has grown to take over half of the city.
Moving between the decaying Old City and the ruthless New, four young queer people struggle with the daily hazards of life―work, school, dodging ruthless cops and unscrupulous scientists―not realizing that they have been selected to play in an age-old drama that revives the flow of magic through their world. When a mysterious death rocks their fragile peace, the four are brought into each other’s orbits as they uncover a deeper magical conspiracy.
Lewis has a few things to say to his younger teen self. He knows she hates her body. He knows she’s confused about who to snog. He knows she’s really a he and will ultimately realize this… but she’s going to go through a whole lot of mess (some of it funny, some of it not funny at all) to get to that point. Lewis is trying to tell her this… but she’s refusing to listen.
In Welcome to St. Hell, author-illustrator Lewis Hancox takes readers on the hilarious, heartbreaking, and healing path he took to make it past trauma, confusion, hurt, and dubious fashion choices in order to become the man he was meant to be. It’s a remarkable, groundbreaking graphic memoir from an unmistakably bold new voice in comics.
Flight 133 disappeared over the ocean. No wreckage. No distress signal. Just gone.
Suddenly, everyone on the news and social media is talking about whether the pilot intentionally crashed it—everyone but me. Because I know her. The pilot was my mom, and there’s no way she would hurt anyone. No one else knows that before she left, she wrote me a note. Trust me, it said.
Now it feels like someone split my world—and me—in two, and the only person who believes me is Landon. I want to trust him, to let him see who I really am, but I can’t. I have my secrets, the same way Mom has hers. All I know is falling for him will only make things more complicated.
Just as I start to open up, the answer to what really happened to Flight 133 could rip my world apart all over again—for good this time.
Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with.
But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all.
Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own.
Sav Bergman has a lot on her plate. She’s just getting her life together after having a baby, falling into a postpartum depression after having that baby, and then getting dramatically dumped by her girlfriend, while in the psych ward, following that postpartum depression. Now that she’s back at school, it’s time to dive back into Speech and Debate, a kind of competitive acting Sav takes more seriously than just about anything besides her daughter. And let’s not forget Malcolm: best friend, bandmate, and father of her baby, who she has…very complicated feelings for.
So what she really didn’t need was for Malcom to break the news that he’s now dating the very same girl who broke Sav’s heart in the hospital three months ago. Sav spills that little fact to her new Speech partner–who’s unapologetically straightforward, argumentative, and gay, and so far hasn’t liked a single play Sav’s suggested–who immediately has an idea: Sav should write her own play explaining what the hell happened over the past year, and they’ll re-enact that for a panel of judges expecting some nice Vonnegut. But what starts out as a play about flaky girlfriends, disloyal boyfriends, and Sav’s role as the innocent victim starts to unravel the more she writes. And as the competition draws closer, Sav is forced to question everything she’d assumed about the people she thought she knew and the future she’d always imagined.
Right before Jade is about to leave for a summer art intensive, her best friend, Phoebe, attempts suicide. How is Jade supposed to focus on herself right now?
But at the Art Farm, Jade has artistic opportunities she’s been waiting for her whole life. And as she gets to know her classmates, she begins to fall for whimsical, upbeat, comfortable-in-her-own-skin Mary. Jade pours herself into making ceramic monsters that vent her stress and insecurities, but when she puts her creatures in the kiln, something unreal happens: they come to life. And they’re taking a stand: if Jade won’t confront her problems, her problems are going to confront her, including the scariest of them all—if Jade grows, prospers, and even falls in love this summer, is she leaving Phoebe behind?
Welcome to Happily Ever Island, the most pixie-dusted vacation a Disney fan could ever imagine.
Head-in-the-clouds romantic Madison and driven pragmatist Lanie are unlikely best friends, but the two would do anything for each other. So when Madison’s life starts to fall apart, Lanie agrees to join Madison for the test run of Disney’s newest resort experience during their first college spring break: Happily Ever Island—an immersive vacation destination, where guests can become their favorite Disney character for a week. Madison decides to go as the iconic princess herself, Cinderella, with Lanie as bow-wielding Merida. It’s not Lanie’s idea of fun, but she knows Madison needs her, and besides, she could use the break from her strenuous courseload anyway. Plus, maybe she’ll get to shoot things.
But once on the island, Lanie and Madison begin to drift apart. Madison finds herself either missing out or messing up all the enchanting moments she has dreamt her whole life about, and is forever running into their annoyingly perfect (and distractingly cute) vacation’s coordinator, Val. Meanwhile, Lanie unexpectedly finds herself swept up in the magic of it all. She strikes up a secret romance with Prince Charming—but there’s no telling whether he’s just playing a part.
Discover what it means to be a young transgender or non-binary person in the twenty-first century in this frank and funny guide for 14+ teens, from the author of This Book Is Gay. What’s the T?, Stonewall ambassador, bestselling trans author and former PSHE teacher Juno Dawson defines a myriad of labels and identities and offers uncensored advice on coming out, sex and relationships with her trademark humour and lightness of touch. Juno has also invited her trans and non-binary friends to make contributions, ensuring this inclusive book reflects as many experiences as possible, and features the likes of Travis Alabanza and Jay Hulme.
The companion title to the groundbreaking This Book Is Gay, What’s the T? tackles the complex realities of growing up trans with honesty and humour, and is joyfully illustrated by gender non-conforming artist Soofiya.
This is the final book in the Battalion of the Dead trilogy
Robespierre is dead. The Reign of Terror is over.
As Royalist strength grows, the Duc de L’Aubespine plots a coup that will consign the revolution to history. With Olympe in his clutches, he believes nothing can stop him. But he’s reckoned without the intrepid Battalion of the Dead!
Reunited in Paris, Ada is poised for action – but if she plays her hand too soon, everything she’s sacrificed to gain his trust will be lost. Meanwhile, an unlikely alliance with an old enemy might be Camille’s only option to save Olympe and stop the duc in his tracks.
Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they’ve never met in real life and Ada lives an ocean away. But Elsie has decided it’s now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.
In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn’t nearly as alone as she thought. But now she has a choice to make…
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
The Kingdom of Sand features a nameless narrator who has survived the death of his friends to AIDS and the loss of his parents to old age and tragedy. Now he must witness the slow demise of a friend just a shade older than he is. Semi-anonymous sexual encounters, gallows humor, and classic films are his tools for staving off the dying of the light. In prose that’s in turn mordantly funny and hauntingly elegiac, Andrew Holleran takes the reader from a video porn shop off Route 301 to the memory of parties in Washington, DC, filled with handsome young men, to the lonely facades of rural Florida.
Robin and Ellie have been best friends since childhood. When Robin came out, Ellie was there for her. When Ellie’s father died, Robin had her back. But when Ellie asks Robin to be her maid of honor, she is reluctant. A queer academic, Robin is dubious of the elaborate wedding rituals now sweeping the nation, which go far beyond champagne toasts and a bouquet toss. But loyalty wins out, and Robin accepts.
Yet, as the wedding weekend approaches, a series of ominous occurrences lead Robin to second-guess her decision. It seems that everyone in the bridal party is out to get her. Perhaps even Ellie herself.
In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
New York, 1924. Vivian Kelly’s days are filled with drudgery, from the tenement lodging she shares with her sister to the dress shop where she sews for hours every day.
But at night, she escapes to The Nightingale, an underground dance hall where illegal liquor flows and the band plays the Charleston with reckless excitement. With a bartender willing to slip her a free glass of champagne and friends who know the owner, Vivian can lose herself in the music. No one asks where she came from or how much money she has. No one bats an eye if she flirts with men or women as long as she can keep up on the dance floor. At The Nightingale, Vivian forgets the dangers of Prohibition-era New York and finds a place that feels like home.
But then she discovers a body behind the club, and those dangers come knocking.
Caught in a police raid at the Nightingale, Vivian discovers that the dead man wasn’t the nameless bootlegger he first appeared. With too many people assuming she knows more about the crime than she does, Vivian finds herself caught between the dangers of the New York’s underground and the world of the city’s wealthy and careless, where money can hide any sin and the lives of the poor are considered disposable…including Vivian’s own.
First published after the author’s death in 2008, this provocative novel charts the late-in-life sexual awakening of a retired army officer who embarks on a dangerous affair with a male servant.
Captain Ni’mat, a reservist from the Egyptian army defeated by the Israelis in 1967, finds himself aging and idle, spending his days at a luxurious private club in Cairo with former comrades. One night, Captain Ni’mat has an exquisite, chilling dream: he sees pure beauty in the form of his Nubian valet. Awakened by these searing images,
he slips into the cabin where the young man sleeps. The vision of his naked body so deeply disturbs Captain Ni’mat that his monotonous existence is suddenly turned upside down.
Unbeknownst to his wife, he comes to know physical love with his valet. In a country where religious fundamentalism grows increasingly prevalent every day, this forbidden passion will lead him to the height of happiness, at least for a time.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the law or the right side of anybody’s bed. He never meant to fall for the woman whose secrets he promised to keep for the low price of five hundred pounds, but how could he resist someone who led him on a merry chase all over London, left him tied up in a seedy inn, and then arrived covered in her husband’s blood and in desperate need of his help?
As they flee across the country—stopping to pick pockets, drink to excess, and rescue invalid cats—they discover more true joy and peace than either has felt in ages. But when the truth of Rob’s past catches up to him, they must decide if they are willing to reshape their lives in order to forge a future together.
In stories that beckon and haunt, Fruiting Bodies ranges confidently from the fantastical to the gothic to the uncanny as it follows characters—mostly queer, mostly women—on the precipice of change. Echoes of timeless myth and folklore reverberate through urgent narratives of discovery, appetite, and coming-of-age in a time of crisis.
In “The Changeling,” two young cousins wait in dread for a new family member to arrive, convinced that he may be a dangerous supernatural creature. In “Endangered Animals,” Jane prepares to say goodbye to her almost-love while they road-trip across a country irrevocably altered by climate change. In “Take Only What Belongs to You,” a queer woman struggles with the personal history of an author she idolized, while in “Fiddler, Fool, Pair,” an anthropologist is drawn into a magical—and dangerous—gamble. In the title story, partners Agnes and Geb feast peacefully on the mushrooms that sprout from Agnes’s body—until an unwanted male guest disturbs their cloistered home.
God’s Children are Little Broken Things by Arinze Ifeakandu
In nine exhilarating stories of queer love in contemporary Nigeria, God’s Children Are Little Broken Things announces the arrival of a daring new voice in fiction.
A man revisits the university campus where he lost his first love, aware now of what he couldn’t understand then. A young musician rises to fame at the price of pieces of himself, and the man who loves him. Arinze Ifeakandu explores with tenderness and grace the fundamental question of the heart: can deep love and hope be sustained in spite of the dominant expectations of society, and great adversity.
Gina is about to marry her boyfriend. George is about to join a lesbian pop band. Gina and George are the same person. No wonder Georgina is DOUBLE BOOKED.
Georgina has a strict routine:
1) teach piano to bored children
2) schedule dates with long-term boyfriend
3) repeat until dead
But then, one wild night, she auditions for a famous lesbian pop band and realises:
1) she longs to play her own music
2) she wants to be just like them
3) their drummer is really hot…
Realising she might be bisexual, Georgina – and her schedule – are in chaos. Torn between the safety of her old life, and the freedom of a new one, she does what any rational person would do. She splits herself in two. After all, two lives are twice the fun… right?
Rubem of No-Man’s Land was content keeping to his wine, his pets, and his extensive collection of fishnets.
But since a sentient, fuel-producing parasite bonded to his brainstem, every morally-depraved scientist and hardcore rebel for a hundred miles wants to ruthlessly dissect him. The parasite itself is no better, influencing his emotions and sassing him with his own memories as it slowly takes over his body.
The only person offering Rubem help is Tavish K. Findlay, a dashing and manipulative philanthropist whose mother’s fuel company monopolizes their corrupt underwater city with an iron claw. She desperately wants to tear Rubem apart for the parasite before those who oppose her can do the same. Her son is irresistibly charismatic though, and after a lifetime of being kicked out and disavowed, Rubem is desperate to believe in the friendship Tavish offers.
With revolutionary plots and political schemes tangling his every choice, Rubem must soon decide whether or not to trust Tavish in his fight against the parasite’s growing control.
Iowa Writers’ Workshop graduate and Caine Prize finalist Arinze Ifeakandu‘s GOD’S CHILDREN ARE LITTLE BROKEN THINGS, a debut story collection set in Nigeria united by the theme of queer male intimacy, to Brigid Hughes at A Public Space Books, by Jin Auh and Austin Mueller at The Wylie Agency (world English).
Author of WILLA & HESPER Amy Feltman‘s ALL THE THINGS WE DON’T TALK ABOUT, a queer family drama, following a diverse cast of characters whose lives are upended by the sudden reappearance of their self-destructive mother; grappling with betrayal and addiction alongside queer love and joy, to Maddie Caldwell at Grand Central, in an exclusive submission, by Stephanie Delman at Sanford J. Greenburger Associates (world English)
Center for Fiction First Novel Prize nominee Celia Laskey‘s THE BRIDESMAID, about two women, one gay and one straight, whose longstanding friendship spirals violently out of control over the course of one’s wedding weekend, exploring contemporary female friendship, platonic queer-straight dynamics, and the absurdity of the wedding industrial complex, to John Glynn at Hanover Square Press, at auction, by Alexa Stark at Trident Media Group (NA).
A BIG SHIP AT THE EDGE OF THE UNIVERSE and ALIEN: THE COLD FORGE author Alex White‘s STAR TREK: REVENANT, a new adventure set during the fourth season of Star Trek: Deep Space Nine, about a terrible secret at the heart of the Trill Symbiosis Commission that forces Jadzia Dax to reckon further with the past lives of the Dax symbiont, particularly her immediate predecessor Curzon and the psychopathic murderer Joran, in the first treatment of Star Trek’s groundbreaking genderfluid Trill species by a nonbinary or genderqueer writer, to Ed Schlesinger at Pocket, by Connor Goldsmith at Fuse Literary (world English).
PEN/Robert W Bingham Finalist and physician-writer Chaya Bhuvaneswar‘s WHITE DANCING ELEPHANTS, debut collection of short stories of the #MeToo and survival of queer women of color, to Blackstone Audio, by Lane Zachary at Aevitas Inc.
Author of THE EARTHQUAKE ROOM Davey Davis’s X, a queer noir set in a near-future New York that follows a down-and-out sadomasochist drawn from their post-breakup desolation into the pursuit of pure pleasure after a chance encounter, to Alicia Kroell at Catapult, by Julia Kardon at HG Literary (world English).
Printz Award-winning author of WE ARE OKAY and the forthcoming WATCH OVER ME Nina LaCour’s YERBA BUENA, following two women on a star-crossed journey toward one another, across the expanse of California—from a drug-soaked town in the redwoods to an elegant Los Angeles restaurant—as one finds refuge in her family’s past and the other struggles against the dark secrets she’d rather leave behind; also, an untitled multigenerational family saga inspired by the author’s grandparents, following their journey from New Orleans to Los Angeles, and what they gained and left behind, to Caroline Bleeke at Flatiron Books, in a major deal, at auction, in a two-book deal, for publication in Winter 2022, by Sara Crowe at Pippin Properties (NA).
Anita Kelly’s debut RECIPES FOR A DELICIOUS DISASTER, a romantic comedy in which the first openly nonbinary contestant on America’s favorite cooking show becomes distracted by their beautiful, clumsy competitor, but when the couple starts exploring their chemistry, they’re tested by heat outside of the kitchen, to Junessa Viloria at Forever, in a three-book deal, by Kim Lionetti at BookEnds.
Alison Cochrun‘s debut THE CHARM OFFENSIVE, a queer rom-com about a reality dating show producer tasked with helping the show’s tech wunderkind star find his true love among 30 women, but when their off-screen chemistry overshadows what happens in front of the cameras, they may have to rewrite happily ever after, pitched in the vein of RED, WHITE & ROYAL BLUE and ONE TO WATCH, to Kaitlin Olson at Atria, in a nice deal, for publication in fall 2021, by Bibi Lewis at Ethan Ellenberg Agency (world).
Columbia MFA graduate Khashayar Joshua Khabushani’s‘s OUR NEW NAMES, about the powerful bonds that make and break an Iranian American family, and the journey a son must make in order to find his place in the world, from San Fernando Valley to Iran and eventually to New York, examining boyhood and brotherhood, violence and tenderness, and queer identity and belonging in America, to Parisa Ebrahimi at Hogarth, at auction, by Bill Clegg at The Clegg Agency (NA).
Children’s/Middle Grade Fiction
Katherine Locke’s WHAT ARE YOUR WORDS?, introducing and celebrating gender-inclusive pronouns as a child explores both their neighborhood and which “words” fit them and their neighbors best today, illustrated by Anne Passchier, to Regan Winter at Little, Brown Children’s, for publication in summer 2021, by Lara Perkins at Andrea Brown Literary Agency for the author, and by Anne Moore Armstrong at The Bright Group for the illustrator (world).
Actor, activist, and author Nico Tortorella‘s picture book OLIVETTE IS YOU, an inclusive message about celebrating different gender identities, to Emily Easton at Crown Children’s, by Sarah Passick at Park & Fine Literary and Media.
Transgender Korean American author, athlete, and activist Schuyler Bailar‘s Middle Grade debut OBIE IS MAN ENOUGH, about a transgender tween who looks to prove he’s one of the fastest boys in the pool as he contends with new teammates, bullies, and his biggest competition: himself, to Phoebe Yeh at Crown Children’s, for publication in fall 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (world English).
Young Adult Fiction
Philline Harms’s debut NEVER KISS YOUR ROOMMATE, in which a girl arrives at a boarding school, and a mysterious and alluring girl is assigned to be her roommate, but as their relationship goes from cold to red hot, the roommate’s dangerous past resurfaces and tests the strength of their budding romance, to Deanna McFadden at Wattpad, for publication in spring 2021.
NYT-bestselling author of WILDER GIRLS Rory Power‘s THE WORLD ENDS HERE, a speculative thriller following ex-girlfriends raised at a remote, icy research institute, and what happens when they uncover the nightmarish discovery their families are protecting there, to Krista Marino at Delacorte, in a six-figure deal, in a two-book deal, for publication in fall 2021, by Kim Witherspoon and Jessica Mileo at Inkwell Management (NA).
Molly Horan‘s EPICALLY EARNEST, pitched as a queer contemporary wink to Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST, in which a high school senior must decide who she wants to be and where she fits in as graduation approaches, all the while finding the time to fall in love with the girl of her dreams, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, for publication in spring 2022, by Elle Thompson and Uwe Stender at TriadaUS Literary Agency (world).
Author of the forthcoming ALMOST FLYING Jake Maia Arlow’s WINTER BREAK, a contemporary rom-com about two Jewish girls falling in love reluctantly at Christmastime, a hate-to-love romance pitched as “like a Hallmark Christmas movie—if a Hallmark Christmas movie ever starred sexually frustrated lesbian Jews,” to Stephanie Guerdan at Harper Teen, in a good deal, in a pre-empt, in a two-book deal, for publication in fall 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Eric Geron’s debut A TALE OF TWO PRINCES, about a closeted crown prince newly established in Canada and an out-and-proud Montana cowboy who meet by chance and turn out to be long-lost twin brothers, forced to navigate coming out, coronations, and high school together, to Rebecca Kuss at Inkyard Press, in a good deal, in a pre-empt, in a two-book deal, for publication in summer 2022, by Brent Taylor at TriadaUS Literary Agency (world English).
Maggie Tokuda-Hall‘s untitled sequel to THE MERMAID, THE WITCH, AND THE SEA, in which a number of characters from the first book reunite to destroy the Nipran Empire; with a siren, a dragon, and some familiar mermaids, this motley group may finally have what they need to end imperialism in their world once and for all, to Karen Lotz at Candlewick, in an exclusive submission, by Jennifer Laughran at Andrea Brown Literary Agency (world).
Peyton Thomas‘s debut BOTH SIDES NOW, featuring a trans protagonist taking his competitive high school debate circuit by storm, pitched as for fans of SIMON VS. THE HOMO SAPIENS AGENDA and RED, WHITE & ROYAL BLUE, to Ellen Cormier at Dial, at auction, for publication in fall 2021, by Brooks Sherman at Janklow & Nesbit (US).
Tobias Madden’s ANYTHING BUT FINE, about a teenage ballet dancer who breaks his foot and begins to question everything he once took for granted, including his relationship with the dreamy, perfect-in-every-way, and seemingly straight captain of the rowing team, to Zoe Walton at Penguin Random House Australia, at auction, for publication in 2021, by Claire Friedman at Inkwell Management (Australia and New Zealand).
Faridah Abike-Iyimide‘s ACE OF SPADES, pitched as Gossip Girl meets Get Out, in which a mysterious source spreads rumors about a prestigious private school’s only two Black students, who must fight for their reputations—and for their lives, to Foyinsi Adegbonmire at Feiwel and Friends, in a major deal, in a seven-figure deal, in a pre-empt, in a two-book deal, for publication in summer 2021, by Molly Ker Hawn at The Bent Agency, on behalf of Zoe Plant at The Bent Agency (NA).
Cartoonist Alex Combs‘s TRANS HISTORY: A GRAPHIC NOVEL, presenting an introduction to transgender identity and history in the U.S. and beyond, to Andrea Tompa at Candlewick, at auction, for publication in 2023, by Zabe Ellor at Jennifer De Chiara Literary Agency (world English).
Professor of Victorian literature at Berkeley and intellectual Grace Lavery’s PLEASE MISS, a speculative memoir of gender transition and recovery from addiction, refracted through pop culture, queer theory, film, TV, literature, and (what feels like) stand-up comedy, pitched as THE ARGONAUTS caught in a hall of mirrors, with a lot more sex and humor, to Claire Potter at Seal Press, in a six-figure deal, at auction, by Alison Lewis at Zoe Pagnamenta Agency.
Podcast host, and creator of the LGBTQ+ blog TheShitneySpears David Olshanetsky’s COMING OUT ALIVE, a guide to coming out of the closet, combining personal anecdotes with how-to guides; queer history lessons you won’t get in school; and conversations with LGBTQ+ celebrities, including international pop music sensation Pabllo Vittar, activist and Broadway trailblazer Peppermint, and writer and performer Stephen Fry about their own journeys, to Sylvan Creekmore at Wednesday Books, in a good deal, for publication in June 2022, by Connor Goldsmith at Fuse Literary (world English).
Supergirl actress, transgender rights activist, and subject of the book BECOMING NICOLE Nicole Maines’s coming-of-age memoir, about learning how to be OK with not always being OK, aiming to correct some of the most insidious messaging absorbed by queer kids and all young women—from the idea that any one thing can (or should) ever really “fix” you to wondering what’s wrong with you when things don’t always feel better—by providing an intimate look at the author’s life and all the lessons she’s learned along the way, to Caitlin McKenna at Dial, in an exclusive submission, by Lauren MacLeod and Wendy Strothman at The Strothman Agency.
Writing professor and former professional dominatrix Chris Belcher’s PRETTY BABY, an examination of gender, power, violence, and intimacy, following the author’s coming-of-age as a queer woman in rural Appalachia, to adulthood in Los Angeles as a female academic and sex worker, to Carolyn Kelly at Avid Reader Press, by Jade Wong-Baxter at Massie & McQuilkin (NA).
Author of the Lambda Literary Award- and Prix JDD France Inter-winning THE FACT OF A BODY: A MURDER AND A MEMOIR Alex Marzano-Lesnevich’s BOTH AND NEITHER, a genre- and gender-bending work of memoir, history, cultural analysis, trans reimaginings, and international road trip about life beyond the binary, to Margo Shickmanter at Doubleday, at auction, by PJ Mark at Janklow & Nesbit.
Longtime birder and social activist Christian Cooper‘s BETTER LIVING THROUGH BIRDING, reflecting on a life lived at the intersections of race and queerness; equal parts memoir, travelogue, and call to action, exploring the lifetime of experience that prepared the author for his now-infamous encounter with racist white aggression in Central Park, on the very day that the police killing of George Floyd in Minneapolis sent the country over the edge, spurring protests in the streets and inspiring calls for change, to Chayenne Skeete at Random House, with Mark Warren editing, at auction, by Gail Ross at Ross Yoon Agency (world).