Eleven-year-old Matteo has never felt like one of the other boys. He’s sure that will change when he joins the Blue Whales, the baseball team his dad once played for. This is his chance to grow into a son his father can be proud of.
And grow Matteo does, but not the way he expected. Instead, he starts sprouting leaves and finding bark all over his skin. Alarmed, Matteo starts digging for the truth about what’s happening to him—and finds that all clues lead back to the oak tree at the center of town, which Creeksiders have always believed is a little bit magic. As his parents start noticing something is wrong, the truth gets harder to hide—and Matteo makes some surprising discoveries about himself, his hometown, and his entire family tree.
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
On the worst day of her life, Madison is dumped by her girlfriend, then fired as said (ex)girlfriend’s campaign manager… plus she accidentally rear-ends the student government advisor—the one person whose good word might help her win a spot at a prestigious youth politics summer camp.
But Madison is nothing if not a girl with a plan, and she isn’t going to let a little thing like heartbreak (or a slightly dented bumper) get in her way. Soon, she has a new junior class president candidate to back—although the two of them might be getting a little too close on the campaign trail. Between navigating her growing crush and corralling a less than enthusiastic election team, Madison has had it with unexpected changes to her carefully laid plans. But when she and a group of queer classmates discover a pattern of harassment within the student government, Madison’s forced to shift gears once again.
In this queer graphic novel that’s equal parts romance, softball, and magical girl drama, Mickey Monsoon and Astra Maxima are best friends . . . and maybe more. That is, until Astra unceremoniously dumps Mickey to become a softball wunderkind at a private girl’s school in Switzerland. Years later, Mickey is the hotshot pitcher for the Belle City Broads, and their team is poised to sweep the league this season. But Micky is thrown off their game when Astra shows up to catch for the Gaiety Gals, the Broads’ fiercest rival. Astra is flirty, arrogant, and reckless on the field—everything the rule-abiding Mickey hates.
Astra thinks Mickey’s cute and wants to fool around, even despite their rocky history and the trail of jilted softballers that Astra leaves in her wake. Too bad the only thing Mickey wants is vengeance for their broken heart and wounded pride! But even they have to admit—Astra is a certified babe. And that’s not all: Astra isn’t just a softball superstar, she’s a full-fledged magical girl.
The only way for Mickey to defeat Astra is to betray the Broads and join the Danger Dames, a secret elite team, and start dating Astra’s ex! OK, that last bit wasn’t part of the plan . . . Mickey’s rapidly getting in too deep, but is she just in trouble or is she actually in love?
Femme, gay teen podcaster Riley Weaver has made it to junior year, which means he can finally apply for membership into the Gaybutante Society, the LGBTQ+ organization that has launched dozens of queer teens’ careers in pop culture, arts, and activism. The process to get into the Society is a marathon of charity events, parties, and general gay chaos, culminating in the annual Gaybutante Ball. The one requirement for the ball? A date.
Then Riley overhears a cis gay classmate, Skylar, say that gay guys just aren’t interested in femme guys or else they wouldn’t be gay. Riley confronts Skylar and makes a bet to prove him wrong: Riley must find a masc date by the time of the ball, or he’ll drop out of the Society entirely. Riley decides to document the trials and tribulations of dating when you’re gay and femme in a brand new podcast. Can Riley find a fella to fall for in time? Or will this be one massive—and publicly broadcast—femme failure?
For the most hated crew on Requiem, the only way out is up.
It’s been four months since runaway heiress Asa crash-landed on matriarchal outlaw colony Requiem, bringing a nasty AI and host of deadly secrets with her. Now, she runs with almost-girlfriend Riven’s smuggler crew, stealing kisses between gunfights and heists. But when a mysterious hacker sabotages their latest job, other gangs turn against them, blaming them for the destruction the rogue AI caused. Nowhere in the city is safe.
The only way to protect their crew is a series of trials for control of an underworld faction–and vying for a matriarch’s throne is a dream Riven can’t let go. But as the trials intensify, the saboteur hounds Asa and Riven’s every step, determined to kill Asa and right her father’s wrongs. When the saboteur reveals a horrific conspiracy threatening all of Requiem–one involving the crew member they thought they’d lost–the girls must decide whether to risk their own skins for a city that loathes them.
Ariana Ruiz wants to be noticed. But as an autistic girl who never talks, she goes largely ignored by her peers despite her bold fashion choices. So when cute, popular Luis starts to pay attention to her, Ari finally feels seen.
Luis’s attention soon turns to something more and they have sex at a party—while Ari didn’t say no, she definitely didn’t say yes. Before she has a chance to process what happened and decide if she even has the right to be mad at Luis, the rumor mill begins churning—thanks, she’s sure, to Luis’s ex-girlfriend, Shawni. Boys at school now see Ari as an easy target, someone who won’t say no.
Then Ari finds a mysterious note in her locker which eventually leads her to an unlikely group of students determined to expose Luis for the predator he is. To her surprise, she finds genuine friendship among the group, including her growing feelings for the very last girl she expected to fall for. But in order to take Luis down, she’ll have to come to terms with the truth of what he did to her that night—and risk everything to see justice done.
This summer, Elsie is finally going to confess her feelings to her longtime—and long-distance—crush. Ada’s fanfics are to die for, and she just gets Elsie like no one else. That is, until Joan, Elsie’s childhood best friend, literally walks back into her life and slots in like she had never moved away to Hong Kong and never ignored Elsie’s dozens of emails and letters.
Then Ada mentions her grandmother’s own long-lost pen pal (and maybe love?), a woman who once lived only a train ride away from Elsie’s Oxford home, and Elsie gets the idea for the perfect grand gesture. But as her plan to reunite the two older women ignites a summer of repairing broken bonds, Elsie starts to wonder if she, too, can recover the things she’s lost…
Anoor is the first blue-blooded ruler of the Wardens’ Empire. But when she is accused of a murder she didn’t commit, her reign is thrown into turmoil. She must solve the mystery and clear her name without the support of her beloved, Sylah.
Sylah braves new lands to find a solution for the hurricane that threatens to destroy her home. But in finding answers, she must make a decision, does she sacrifice her old life in order to raise up her sword once more?
Hassa’s web of secrets grows ever thicker as she finds herself on a trail of crimes in the city. Her searching uncovers the extent of the atrocities of the empire’s past and present. Now, she must guard both her heart and her land.
The three women find their answers, but they’re not the answers they wanted. The drumbeat of change thrums throughout the world.
And it sings a song of war.
Ready we will be, when the Ending Fire comes, When the Child of fire brings the Battle Drum, The Battle Drum, The Battle Drum. Ready we will be, for war will come.
The gym is Lizzie’s life—it’s her passion, her job, and the only place that’s ever felt like home. Unfortunately, her bosses consider her a glorified check-in girl at best, and the gym punching bag at worst.
When their son, Lizzie’s best friend James, begs her to be his plus one at his perfect sister Cara’s wedding, things go wrong immediately, culminating in Lizzie giving a drunken pep talk to a hot stranger in the women’s bathroom—except that stranger is actually the bride-to-be, and Lizzie has accidentally convinced her to ditch her groom.
Now, newly directionless Cara is on a quest to find herself, and Lizzie—desperate to make sure her bosses never find out her role in this disaster—gets strong-armed by James into “entertaining” her. Cara doesn’t have to know it’s a setup; it’ll just be a quick fling before she sobers up and goes back to her real life. After all, how could someone like Cara fall for someone like Lizzie, with no career and no future?
But the more Lizzie gets to know Cara, the more she likes her, and the more is on the line if any of her rapidly multiplying secrets get out. Because now it’s not just Lizzie’s job and entire future on the line, but also the girl of her dreams.
Eighteen-year-old Natalie has just arrived at her first year of university in Toronto, leaving her remote, forested hometown for the big, impersonal city. Everyone she encounters seems to know exactly who they are. She reads advice listicles and watches videos online and thinks about how to fit in, how to really become someone, whoever that might be.
And then she meets Nora, an older woman who takes an unexpected interest in her, and is drawn unstoppably into Nora’s orbit. She begins spending more and more of her time at Nora’s perfect, tidy home in her beautiful, quiet world. Natalie lies to her floormates about her absence, inventing a fake off-campus boyfriend, and carefully protects this sacred, adult relationship. This only deepens her obsession, even as she comes to suspect Nora is hiding something. As the secrets multiply and the intensity of the romance threatens to overwhelm her, Natalie realizes that the new, adult identity she had imagined for herself is far from the one she’s actually coming to know.
As it turns out, you can go home again. But sometimes, you really, really don’t want to . . .
Home, for Noah York, is Oakland, New Hampshire, the sleepy little town where Noah’s mother, Virginia, had a psychotic
breakdown and Noah got beaten to a pulp as a teenager. Then there were the good times—and Noah’s not sure which ones are
more painful to recall.
Now thirty-seven and eking out a living as an artist in Providence, Rhode Island, Noah looks much the same—and swears just as
colorfully—as he did in high school. Virginia has become a wildly successful poet who made him the subject of her most famous
poem, “The Lost Soul,” a label Noah will never live down. And J.D., the one who got away—because Noah stupidly drove him
away—is in a loving marriage with a successful, attractive man whom Noah despises wholeheartedly.
Is it any surprise that Noah wishes he could ignore his mother’s summons to come visit?
But Virginia has shattering news to deliver, and a request he can’t refuse. Soon, Noah will track down the sister and extended
family he never knew existed, try to keep his kleptomaniac cousin out of jail, feud with a belligerent neighbor, confront J.D.’s
jealous husband—and face J.D. himself, the ache from Noah’s past that never fades. . . . All the while, contending with his
brilliant, unpredictable mother.
At an otherwise forgettable party in Los Angeles, a young Korean American painter spots a woman who instantly controls the room: gorgeous and distant and utterly white, the center of everyone’s attention. Haunted into adulthood by her Korean father’s abandonment of his family, as well as the specter of her beguiling, abusive white mother, the painter finds herself caught in a perfect trap. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she’s an artist, she will use art to get closer to Hanne, beginning a series of paintings with her new muse as model. As for Hanne, what does she want? Her whiteness seems sometimes as cruel as a new sheet of paper: is there any there there?
When the paintings of Hanne become a hit, resulting in the artist’s first sold-out show, she resolves to bring her new muse with her to Berlin, to continue their work, and her seduction. But, just when the painter is on the verge of her long sought-after breakthrough, a petition started by a Black performance artist begins making the rounds in the art community, calling for the boycott of major museums and art galleries for their imperialist and racist practices.
Torn between her desire to support the petition, to be a success, and to “have” Hanne in her life, the painter begins acting more and more unstable and erratic, unwilling to cut loose any one of her warring ambitions, yet unable to accommodate all. Is it any wonder so many artists self-destruct so spectacularly? Is it perhaps just a bit exciting to think she could too?
El is in a rut. She’s been hiding in the photocopier room at the same dead-end job for longer than she cares to remember, she’s sharing a flat with a girl who leaves passive-aggressive smiley face notes on the fridge about milk consumption and, worst of all, she’s been in unrequited love with her best friend, effortlessly cool lesbian Ray, for years. So when a plan is hatched for El, Ray, and their two other closest friends–newly heartbroken Will and karaoke-and-Twilight-superfan Jamie–to ditch the big city and move out to a ramshackle house on the edge of an English country village, it feels like just the escape she needs.
Despite being the DIY challenge of a lifetime, the newly named Lavender House has all the makings of becoming the queer commune of the friends’ dreams. (Will has been given a pass as the gang’s Token Straight.) But as they start plotting their bright new future and making preparations for a grand housewarming party to thank the surprisingly but wonderfully welcoming community, El is forced to confront her feelings for Ray–the feelings that she’s been desperately trying to keep buried. Is it worth ruining a perfectly good friendship for a chance at love?
This is the third book in the Erin McCabe Legal Thriller series
Erin McCabe’s years as a criminal defense attorney have prepared her for almost anything, except being on the opposite side of the interrogation table. A new client—a successful financial adviser—was found stabbed to death on the beach near his palatial Jersey Shore home. The time of death is estimated to be during Erin’s one and only consultation with him, during which he revealed that he was secretly transgender. As the last person to see him alive, Erin’s now the prime suspect.
If the evidence were simply circumstantial, Erin is sure she and her law partner, Duane Swisher, could prevail. But there are entanglements that can’t be easily explained, and connections to powerful unscrupulous politicians who hold a lot of grudges. While the investigation unfolds, Erin and Duane are called on to represent a mother charged with abducting her child—a hot-button case that has both private and public implications for Erin.
As she battles one prosecutor who wants to see her charged with murder, and another determined to send her to jail for refusing to divulge her client’s location, Erin also faces a devastating family tragedy. With her career and her relationship on the line, and her life being targeted by a desperate nemesis, there has never been more at stake—or fewer places to turn . . .
From flamboyant relatives on Bewitched to closely-guarded secrets on All in the Family, from network-censor fights over Soap to behind-the-scenes activism on the set of The Golden Girls, from Ellen’s culture clash to Modern Family’s primetime power-couple, Hi Honey, I’m Homo! is the story not only of how subversive queer comedy transformed the American sitcom from its inception through today, but how our favorite sitcoms transformed, and continue to transform, America.
As a boy, William Lee Adams spent his days taking care of his quadriplegic brother, worrying about his undiagnosed bipolar Vietnamese mother, and steering clear of his openly racist and homophobic father. Too shy and anxious to even speak until he was six years old, it seemed unlikely William would ever leave small-town Georgia. He passed the time alone in his room, studying maps and reading encyclopedias, dreaming of distant places where he might one day feel free.
In time, William discovered that learning was both a refuge and a ticket out. So even as he struggled to understand and to get others to accept both his sexuality and his biracial identity, William focused on his schoolwork, his extracurriculars, and building community with the students and teachers who embraced him for who he truly was. Though his scholarship to Harvard parachuted him into a whole new world, he still carried a lifetime of secrets and unanswered questions that would haunt him no matter how far he traveled.
Years later, as a journalist in London, William discovered the Eurovision Song Contest—an annual competition known for its extravagant performers and cutthroat politics. Initially just a fan, he started blogging about the contest, ultimately becoming the most sought-after expert on the subject. From Albania, Finland, and Ukraine, to Israel, Sweden, and Russia, William was soon jetting across the Continent to meet divas, drag queens, and aspiring singers, who welcomed him to their beautiful, if dysfunctional, family of choice.
Happy Black History Month! Like the other eleven months, it’s an excellent time to buy queer books by Black authors! (Want even more recs? Check out previous posts!)
Please note that this post contains titles published by HarperCollins. Please note that the HarperCollins Union has been on strike since 11/10/22 to get a fair contract for their workers, and this site very much supports that effort. Visit the HarperCollins Union linktree to learn how you can support their fight for a fair contract: linktr.ee/hcpunion.
Bradley Graeme is pretty much perfect. He’s a star football player, manages his OCD well (enough), and comes out on top in all his classes . . . except the ones he shares with his ex-best friend, Celine.
Celine Bangura is conspiracy-theory-obsessed. Social media followers eat up her takes on everything from UFOs to holiday overconsumption–yet, she’s still not cool enough for the popular kids’ table. Which is why Brad abandoned her for the in-crowd years ago. (At least, that’s how Celine sees it.)
These days, there’s nothing between them other than petty insults and academic rivalry. So when Celine signs up for a survival course in the woods, she’s surprised to find Brad right beside her.
Forced to work as a team for the chance to win a grand prize, these two teens must trudge through not just mud and dirt but their messy past. And as this adventure brings them closer together, they begin to remember the good bits of their history. But has too much time passed . . . or just enough to spark a whole new kind of relationship?
This is the sequel to Cameron Battle and the Hidden Kingdoms
After his first adventure as the Descendant, Cameron can’t sit through seventh grade classes. Especially when his mother is still trapped in Chidani and his father is still missing. But he encounters a particularly nasty bully in his new school, and it doesn’t take long for Cameron and his trusty friends Zion and Aliyah to realize that the troubles of Chidani won’t stay away for long.
With the Book to guide them, Cameron and his crew end up transported to Chidani sooner than anticipated–and the gods and goddesses they encounter don’t intend to make Cameron’s journey easy. Can he finally outwit and outlast the villainous god set on destroying their worlds?
Give in to this irresistible paranormal romance anthology filled with tales of the mortal and the monstrous. In Eternally Yours, fifteen of today’s bestselling writers explore love in its many forms . . .
Contributors include Kalynn Bayron, Kendare Blake, Kat Cho, Melissa de la Cruz, Hafsah Faizal, Sarah Gailey, Chloe Gong, Alexis Henderson, Adib Khorram, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Akshaya Raman, Marie Rutkoski, and Julian Winters.
Vampires and merpeople, angels and demons—the stories in this anthology imagine worlds where the only thing more powerful than the supernatural, is love.
A girl in a graveyard goes on an unexpected date, a shipwrecked sailor makes a connection on a forbidden island, a piano melody summons a soul mate. Creatures of folktales and legend, of land and sea, of centuries past and life after life, all wrapped into one spellbinding compendium. Once you sink into its pages, it’ll never let you go.
She wants a big Sweet Sixteen like her best friend, Naomi.
She wants the super-cute new girl Siobhan to like her back.
She wants a break from worrying—about money, snide remarks from white classmates, pitying looks from church ladies . . . all of it.
Then inspiration strikes: It’s too late for a Sweet Sixteen, but what if she had a coming-out party? A singing, dancing, rainbow-cake-eating celebration of queerness on her own terms.
The idea lights a fire beneath her, and soon Mahalia is scrimping and saving, taking on extra hours at her afterschool job, trying on dresses, and awkwardly flirting with Siobhan, all in preparation for the coming out of her dreams. But it’s not long before she’s buried in a mountain of bills, unfinished schoolwork, and enough drama to make her English lit teacher blush. With all the responsibility on her shoulders, will Mahalia’s party be over before it’s even begun?
A novel about finding yourself, falling in love, and celebrating what makes you you.
Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
Real or imaginary, geekdom is where it’s at in this multi-genre YA anthology that celebrates “the geek,” with stories by some of today’s top bestselling, critically acclaimed Black authors.
Contributors include Amerie, Kalynn Bayron, Terry J. Benton-Walker, Roseanne A. Brown, Elise Bryant, Tracy Deonn, Desiree S. Evans, Isaac Fitzsimons, Lamar Giles, Jordan Ifueko, Leah Johnson, Amanda Joy, Kwame Mbalia, Tochi Onyebuchi, Shari B. Pennant, K. Arsenault Rivera, Julian Winters, and Ibi Zoboi.
A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school’s production of The Sound of Music; a misunderstood magician of sorts with a power she doesn’t quite understand.
These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters. From contemporary to historical, fantasy to sci-fi, magical to realistic, and with contributions from a powerhouse list of self-proclaimed geeks and bestselling, award-winning authors, this life-affirming anthology celebrates and redefines the many facets of Blackness and geekiness—both in the real world and those imagined.
Seventeen-year-old Theo Wright has it all figured out. His plan (well, more like his dad’s plan) is a foolproof strategy that involves exceling at his magnet school, getting scouted by college recruiters, and going to Duke on athletic scholarship. But for now, all Theo wants is a perfect prom night. After his best friend Jay dares Theo to prompose to his crush at Chloe Campbell’s party, Theo’s ready to throw caution to the wind and take his chances.
But when the promposal goes epically wrong, Theo seeks refuge in an empty bedroom while the party rages on downstairs. Having an existential crisis about who he really is with and without his so-called best friend wasn’t on tonight’s agenda. Though, as the night goes on, Theo finds he’s not as alone as he thinks when, one by one, new classmates join him to avoid who they’re supposed be outside the bedroom door. Among them, a familiar acquaintance, a quiet outsider, an old friend, and a new flame . . .
Fifteen-year-old Kermit Sanders knows grief and its all-encompassing shadows. After losing his beloved older sister in a tragic car accident, nothing quite punctures through the feelings of loss. Everywhere Kermit goes, he is reminded of her.
But then Kermit finds a mysterious invitation in his locker, signed anonymously with “-1.” He has no idea what he’s in for, but he shows up to find out. Dubbed the “Minus-One Club,” a group of his schoolmates has banded together as a form of moral support. The members have just one thing in common—they have all suffered the tragic loss of someone they loved.
The usual dividing lines between high school classes and cliques don’t apply inside the Minus-One Club, and Kermit’s secret crush, the handsome and happy-go-lucky Matt (and only out gay student at school), is also a part of the group. Slowly, Matt’s positive headstrong approach to life helps relieve Kermit of his constant despair.
But as Kermit grows closer to Matt, the light of his new life begins to show the cracks beneath the surface. When Matt puts himself in danger by avoiding his feelings, Kermit must find the strength to not only lift himself back up but to help the rest of the group from falling apart.
Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating.
Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition.
No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t fact the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk.
Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her.
But Tinsley has an agenda, too.
Everyone loved Nova. And sometimes, love is exactly what gets you killed.
For most of her life, Aaliyah’s home situation hasn’t been great, but she’s at least had her childhood best friend and role as a cross-country star to balance it out. But once she got outed by a church elder last spring, everything came undone — including Aaliyah.
Now, senior year is about to start and she is determined to come back faster and wiser. No more letting other people define her. No more losing herself to their expectations.
Except… well, with new friends, old flames, nosy school counselors, and teammates who don’t trust her yet, the route already feels rough. And what’s with the new girl, Tessa, who gives Aaliyah butterflies every time she looks at her? Regardless, she’ll be fine. Because this is the year to prove to everyone―and most of all, herself―that she’s more than her mistakes. After all, even Aaliyah can’t outrun everything.
Xavier Reynolds is doing less than stellar. He just got dumped, was passed over for a prestigious fellowship, and to top it all off he’s right back home in Harper’s Cove, Maine (population: 9,000). The last thing he wants to do is to work as a prep chef in the kitchen of the hip new restaurant in town, The Wharf. Especially since the hot, single-father chef who owns it can’t delegate to save his life.
Logan O’Hare doesn’t understand Xavier or why every word out of his mouth is dipped in sarcasm. Unfortunately, he has no choice but to hire him—he needs more help in the kitchen and his tween daughter, Anne, can only mince so many onions. It might be a recipe for disaster, but Logan doesn’t have many options besides Xavier.
Stuck between a stove and a hot place, Logan and Xavier discover an unexpected connection. But when the heat between them threatens to top the Scoville scale, they’ll have to decide if they can make their relationship work or if life has seasoned them too differently.
In Feels Right, Kemi Adeyemi presents an ethnography of how black queer women in Chicago use dance to assert their physical and affective rights to the city. Adeyemi stages the book in queer dance parties in gentrifying neighborhoods, where good feelings are good business. But feeling good is elusive for black queer women whose nightlives are undercut by white people, heterosexuality, neoliberal capitalism, burnout, and other buzzkills. Adeyemi documents how black queer women respond to these conditions: how they destroy DJ booths, argue with one another, dance slowly, and stop partying altogether. Their practices complicate our expectations that life at night, on the queer dance floor, or among black queer community simply feels good. Adeyemi’s framework of “feeling right” instead offers a closer, kinesthetic look at how black queer women adroitly manage feeling itself as a complex right they should be afforded in cities that violently structure their movements and energies. What emerges in Feels Right is a sensorial portrait of the critical, black queer geographies and collectivities that emerge in social dance settings and in the broader neoliberal city.
London, 1885. Gabriel Utterson, a 17-year-old law clerk, has returned to London for the first time since his life― and that of his dearest friend, Henry Jekyll―was derailed by a scandal that led to his and Henry’s expulsion from the London Medical School. Whispers about the true nature of Gabriel and Henry’s relationship have followed the boys for two years, and now Gabriel has a chance to start again.
But Gabriel doesn’t want to move on, not without Henry. His friend has become distant and cold since the disastrous events of the prior spring, and now his letters have stopped altogether. Desperate to discover what’s become of him, Gabriel takes to watching the Jekyll house.
In doing so, Gabriel meets Hyde, a a strangely familiar young man with white hair and a magnetic charisma. He claims to be friends with Henry, and Gabriel can’t help but begin to grow jealous at their apparent closeness, especially as Henry continues to act like Gabriel means nothing to him.
But the secret behind Henry’s apathy is only the first part of a deeper mystery that has begun to coalesce. Monsters of all kinds prowl within the London fog―and not all of them are out for blood…
Janie believes there’s a best way to do everything. When she sticks to a schedule, she and her mom can tackle anything. But Janie’s perfect schedule—and her life—are getting shaken up this year. Her new stepmom, Keisha, is moving in, along with her daughter, Makayla.
Worst of all? Makayla brings a cat with her. And Janie hates cats.
Even though it’s hard, Janie tries to welcome Makayla to her new school. And honestly, she maybe does too good a job. Soon, Makayla is volunteering with Janie’s beloved Sunshine Club, and Janie’s friends all love her. The only one who pays any attention to her anymore is Makayla’s nosy cat. It feels like her new sister is taking over! What’s a gal to do with a copycat in her life?
Blood Debts by Terry J. Benton-Walker (April 4, 2023)
Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen.
On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.
Cristina, once a talented and dedicated practitioner of Generational magic, has given up magic for good. An ancient spell is what killed their father and she was the one who cast it. For Clement, magic is his lifeline. A distraction from his anger and pain. Even better than the random guys he hooks up with.
Cristina and Clement used to be each other’s most trusted confidant and friend, now they barely speak. But if they have any hope of discovering who is coming after their family, they’ll have to find a way to trust each other and their family’s magic, all while solving the decades-old murder that sparked the still-rising tensions between the city’s magical and non-magical communities. And if they don’t succeed, New Orleans may see another massacre. Or worse.
She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. With three years of sobriety, she is determined to stay clean and regain custody of her two children.
My name is Ranita, and I’m an addict, she has said again and again at recovery meetings. But who else is she? Who might she choose to become? As she claims the story housed within her pomegranate-like heart, she is determined to confront the weight of the past and discover what might lie beyond mere survival.
Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently. Now she must steer clear of the temptations that have pulled her down, while atoning for her missteps and facing old wounds. With a fierce, smart, and sometimes funny voice, Ranita reveals how rocky and winding the path to wellness is for a Black woman, even as she draws on family, memory, faith, and love in order to choose life.
Could I one day inspire happiness in others, the same way he seemed to do in me?
It’s 2005 and Harley has dropped out of college to move home, back to rural England where he works a dead-end job at a movie theater. Estranged from his father and finding every attempt at happiness futile, he is on the verge of making a devastating final decision. Fortunately for him, things don’t go according to plan, and his attempt on his own life is interrupted by his new roommate, Muddy.
Muddy is everything Harley is not: white, ostensibly heterosexual, freewheeling, confident in his masculinity. Despite their differences, a deep friendship blossoms between them when Muddy takes Harley under his wing and shows him everything that, in his eyes, makes life worth living: birdwatching, karaoke, rugby, and the band Oasis.
But this newfound friendship is complicated. It has enormous repercussions for the pair’s romantically entangled friend group—with Chelsea, an overbearing striver whose generosity they begrudgingly rely on; with Finlay, her raffish and uncouth boyfriend; and with Noria, who despite her simmering confidence is smarting from a series of unreturned affections. And then there’s the violent affair with an older man that Harley finds himself slipping back into…
Elsie is a sexy, funny, and fiercely independent woman in south London. But, at just 28, she is also tired. Though she spends her days writing tender poetry in her journal, her nights are spent working long hours for minimum wage at a neighborhood dive bar. Not even sleeping with her alluring coworker, Bea, can quell her existential dread. The difficulty of being estranged from her family, struggle of being continually rejected from jobs, and fear of never making money doing what she loves is too great. But Elsie is determined to keep the faith, for a little longer at least. Things will surely turn around. They have to.
But when Elsie is suddenly evicted from her social housing, her fragile foundations threaten to collapse entirely. With nowhere left to go, Elsie turns to her childhood friend, Juliet, for help.
Among Juliet’s mismatched cushions and shelves lined with trinkets, Elsie is able to breathe for the first time in years. But between their reruns of Drag Race and nights smoking on the balcony, something else soon begins to glimmer in Elsie’s heart . . . Sometimes what you’ve been searching for has been there all along. Can Elsie see it in time?
Ellie Engle doesn’t stand out. Not at home, where she’s alone with her pet fish since her dad moved away and her mom has to work around the clock . Not at the bakery, where she helps out old Mr. Walker on the weekends. And definitely not at school, where her best friend Abby—the coolest, boldest, most talented girl in the world—drags Ellie along on her never-ending quest to “make her mark.” To someone else, a life in the shadows might seem boring, or lonely. But not to Ellie. As long as she has Abby by her side and a comic book in her hand, she’s quite content.
Too bad life didn’t bother checking in with Ellie. Because when a freak earthquake hits her small town, Ellie wakes up with the power to bring anything back to life with just her touch. And when a video of her using her powers suddenly goes viral, Ellie’s life goes somewhere she never imagined—or wanted: straight into the spotlight.
Surviving middle school is hard enough. Surviving middle school when paparazzi are camped out on your front lawn and an international pop singer wants you to use your powers on live tv and you might be in love with your best friend but she doesn’t know it? Absolutely impossible.
Mickey Hayward dreams of writing stories that matter. She has a flashy media job that makes her feel successful and a devoted girlfriend who takes care of her when she comes home exhausted and demoralized. It’s not all A-list parties and steamy romance, but Mickey’s on her way, and it’s far from the messy life she left behind in Maryland. Despite being overlooked and mistreated at work, it seems like she might finally get the chance to prove herself–until she finds out she’s being replaced.
Distraught and enraged, Mickey fires back with a detailed letter outlining the racism and sexism she’s endured as a Black woman in media, certain it will change the world for the better. But when her letter is met with overwhelming silence, Mickey is sent into a tailspin of self-doubt. Forced to reckon with just how fragile her life is–including the uncertainty of her relationship–she flees to the last place she ever dreamed she would run to, her hometown, desperate for a break from her troubles.
Back home, Mickey is seduced by the simplicity of her old life–and the flirtation of a former flame–but her life in New York refuses to be forgotten. When a media scandal catapults Mickey’s forgotten letter into the public zeitgeist, suddenly everyone wants to hear what Mickey has to say. It’s what she’s always wanted–isn’t it?
1. Blueberries
2. Art show in ShoeHorn
3. Lizzo concert
4. Thrift shop pop-up
5. Skinny Dipping at the lake house
6. Amusement Park Day!
7. Drew Barrymarathon
8. Paintball day
Oh, and ….
9. Fall out of love with Hailee
Andrea Williams has got this. The Best Summer Ever. Two summers ago, she spent all her time in bed, recovering from the latest surgery for her cerebral palsy. She’s waited too long for adventure and thrills to enter her life. Together with her crew of ride-or-die friends, and the best parents anyone could ask for (just don’t tell them that), she’s going to live it up.
There’s just one thing that could ruin it: Her best friend, Hailee, finding out Andrea’s true feelings. So Andrea WILL fall out of love with Hailee – even if it means dating the cute boy George who keeps showing up everywhere with a smile.
Do we want Andrea to succeed? No! Does she? We’re not telling!
In 2019, R.K. Russell broke the mold when he came out as bisexual in an essay for ESPN that ignited the sports world. Now, in his powerful memoir, The Yards Between Us, he shares his story and explores his love of football, men and women, walking the devastating tightrope of keeping his sexuality secret, the tension between his private and public lives, and the importance of crashing through barriers.
Told through the people and moments that have shaped him, Russell traces the highs and lows of his life in and out of football, from his early life as a shy kid struggling with the expectations on a Black boy and the pull between his quiet nature and his athletic ability, to being drafted by his hometown team the Dallas Cowboys, and then on to seasons with the Tampa Bay Buccaneers and Buffalo Bills. And as his time in the sport comes into full bloom, Russell realizes that keeping his secret in the NFL is easier than in college when life and football are so much more connected to social worlds.
Through being cut, injured, and frustrating setbacks, Russell’s confidence lags as the secret of his sexuality weighs heavier and heavier. And when that frustration is combined with the devastating loss of his best friend and sole confidant, the darkness that follows also brings a deep understanding that perhaps it’s time to make a change. In Los Angeles, against the backdrop of the swaying palm trees and warm sands of Malibu, Russell falls in love and it’s the final push he needs to stand up for every part of himself—a professional athlete, a writer, a son, a friend, a lover, a bisexual Black man. In The Yards Between Us, R.K. Russell shows us the life-changing power of embracing who you are and fighting to make space so others can do the same.
Transness is as varied and colorful as magic can be. In Transmogrify!, you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration.
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. At the group’s center are Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicates her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” These three are buffeted by a cast of poets, artists, landlords, meat-packing workers, and mathematicians who populate the cafes, classrooms, and food-service kitchens of Iowa City, sometimes to violent and electrifying consequence. Finally, as each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives—a moment of reckoning that leaves each of them irrevocably altered.
Unlike her private school classmates, 17-year-old and Yale-bound Kennedy Devon wasn’t born into a life of privilege. In fact, Kennedy and her mother are homeless. Kennedy refuses to be pitied, so she hides her secret from her friends and her girlfriend, Gwen Clark.
Kennedy’s secret is discovered when Senator Clark, her girlfriend’s father, finds out she’s homeless. Kennedy blackmails him into giving her a home and then some because she wants power and opportunity, to be a future President. He agrees that if she becomes his summer intern and excels, he’ll mentor her through the world of politics.
Only, at her internship, she discovers that Senator Clark is hiding a scandal so explosive it could tarnish his legacy.
Now Kennedy is caught between being loyal to the girl she loves, the senator who can wreck her life, and the country she hopes to serve. Because somebody’s life is going to implode, and she needs to make sure it’s not her own.
Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business.
But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after. Is there is more to the story of Mirror Lake and its dangerous past than Charity ever suspected?
Peaches Monroe and Jamie Hunt are core members of their Texas friend squad and have so much in common. They’re successful at their careers in personal care. They take Austin’s “Keep It Weird” vibe to heart, each leaning into their own unique talents and sense of style. And they’re both ready to go on to even bigger things. Is pushing past the boundaries of friendship into something deeper one of them? The red-hot fantasy is there…but so is real life.
Jamie’s college dreams will take her far from her hometown. She’s already road-tripping to possibilities from San Antonio to Houston. And Peaches has obligations of her own. Not only is she planning to expand her business, but she’s taking care of her family after her mother’s passing, leaving her overwhelmed and under pressure.
No matter how perfect Jamie and Peaches are for each other, is this the right time for romance? Finding their true selves comes first. Only then can they hope to pursue a future of lasting love—together.
Heavy is the crown James has been born to wear, especially as the first Black heir to the British throne. But with his father’s recent passing, and with a new boyfriend to hide, James is woefully unprepared for the sudden shine of public scrutiny.
When his secrets come spilling forth across tabloid pages and the man he thought he loved has suddenly disappeared, James finds himself on the precipice of ruin. As every detail of his life becomes public knowledge, his sense of safety is shattered and the people he trusts the most become the likeliest suspects.
What dangers lurk behind the palace walls—and will the new king find out before it’s too late?
Don’t go outside past dark. Come straight home after church. And above all—never, ever, go into Red Wood.
These are the rules Latavia’s aunt tells her as soon as she arrives in Sanctum, Alabama for the summer. Weird, but Latavia isn’t here to solve any scary small town mysteries; she’s here for six weeks and six weeks only, and then she’s off to college and won’t look back. Still, Sanctum has its perks—mainly, the cute girl who works at the local ice cream shop.
But Latavia can’t ignore how strange her aunt’s tiny town is. The residents are suspicious of her and at times hostile, and it’s clear she’s some kind of outsider. That’s proven when Latavia is dragged out of her house in the dead of night, into the forbidden Red Wood, and presented as a human sacrifice to an ancient monster.
Latavia won’t be eaten without a fight. She’ll do whatever she has to do to survive—even if that includes making a deal with the monster, endangering her crush and family, and even risk turning into a monster herself.
This is the third and final book in the Nightmare-verse
Alice and her crew are doing their best to recover from the last boss battle, but some of them keep having these. . . dreams: visions of a dark past―and an even darker future. Sadly, the evil in Wonderland may not be as defeated as they’d hoped.
Attacked by Nightmares unlike any they’ve ever seen, Alice will have to step between the coming darkness and the mortal world once more. But this time is different. This time, the monsters aren’t waiting for her on the other side of the Veil.
Alex Wise feels like his world is ending. His best friend, Loren, is leaving town for the summer, his former friend and maybe sort of crush Sky hasn’t spoken to him since he ditched Alex on first day of sixth grade, and now his mom is sending him and his annoying younger sister, Mags, on a cruise with the dad who abandoned them. And, as if things couldn’t get worse, a creepy shadow monster may or may not be stalking him.
But none of this could prepare Alex for the actual end of the world. Too bad that is exactly what’s coming, after the definitely-real Shadow Man kidnaps Mags and she is possessed by the ancient spirit of Death—one of the Four Horsemen of the Apocalypse. Luckily (depending on who you ask), Alex is possessed as well by a powerful god who imbues Alex with their powers in an effort to stop the Horsemen…if he can figure out how to use them. So begins an epic battle between good and evil: Alex, Loren, a grumpy demi-god, and Alex’s fourth grade teacher vs. Death, Pestilence, Famine, War, and the waves of chaos and destruction they bring to LA and soon the rest of the globe. Just your average summer vacation.
Alex is more used to being left behind than leading the way, but now he’s the only one who can save his sister—and the world. That is, if he can unlock his new powers and and see himself as the hero he is.
Regent Academy has a long and storied history in the small, sleepy town of Winslow, Vermont. But so does the vast, dense forest that surrounds its campus. While the prestigious school is known for molding teens into world leaders, its history is far more nefarious—and far more entangled with the forest—than anyone could begin to suspect.
Seventeen-year-old Douglas Jones wants nothing to do with Regent’s king-making; he’s just trying to forget his past and survive his present. But then a student is killed and, by the next day, no one remembers him ever exiting, except for Douglas and the groundskeeper’s son, Everett Everley. As Douglas begins to research what he finds to be a centuries-long curse in the town, he and Everett awaken a horror hidden within the forest. And to save the town, and the school, the forest wants more blood as payment. The question is, will Douglas and Everett be able to pay the debt?
Delphine’s life is made up of secrets. About her job, her sexual identity, and even her past.
She coasts along on a tide of half-truths until a familiar “straight” woman splashes deeper into her world, threatening her tenuous peace of mind.
This woman wants to be everything Delphine has never had before – a confidant, a seductress, a trusted lover. By giving in to this siren, is Delphine setting herself up for heartbreak?
It’s like I keep stumbling into a dark room, searching for the switch to make things bright again. To make me remember. But the switch isn’t there. Was it there before?
Sade Hussein is starting her third year of high school, this time at the prestigious Alfred Nobel Academy boarding school. After being home-schooled all her life and feeling like a magnet for misfortune, she’s not sure what will happen. What she doesn’t expect though is for her roommate Elizabeth to disappear after Sade’s first night. Or for people to think she had something to do with it.
With rumors swirling around her, Sade catches the attention of the most popular girls in school – collectively known as the ‘Unholy Trinity’ – and they bring her into their fold. Between learning more about them – especially Persephone, who Sade finds herself drawn to – playing catch-up in class, and trying to figure out what happened to Elizabeth, Sade has a lot on her plate. It doesn’t help that she’s already dealing with grief from the many tragedies in her family.
And then a student is found dead.
The more Sade investigates, the more she realizes there’s more to Alfred Nobel Academy and its students than she realized. Secrets lurk around every corner and beneath every surface…secrets that rival even her own.
Maori author Rebecca K Reilly’s GRETA AND VALDIN, a humorous slice-of-life family saga that follows the titular siblings as they navigate queerness, multiracial identity, and their eccentric Maori-Russian-Catalonian family, all while flailing their way to love in contemporary Auckland, to Amy Guay in her first acquisition for Avid Reader Press, for publication in spring 2024, by Jenny Bent at The Bent Agency on behalf of Martha Perotto-Wills (NA).
Author of FERAL CITY and VANISHING NEW YORK under the pen name Jeremiah Moss Griffin Hansbury‘s SOME STRANGE MUSIC DRAWS ME IN, exploring the 1980s friendship between a young trans woman and a teen who will grow into a trans man, as he looks back on his youth from 2019, where he grapples with middle-age, the death of his mother, and the troubles of his right-wing sister amidst his own gender-related scandal, to Tom Mayer at Norton, by Douglas Stewart at Sterling Lord Literistic (NA).
Kate Young‘s EXPERIENCED, about a 30-year-old woman whose blissful happiness is shattered when her first girlfriend insists she go explore the queer dating scene she missed out on before recently coming out, leading her to awkward dating mishaps, a few memorable nights, a found family, and unexpected love along the way, to Marie Michels at Pamela Dorman Books, in a pre-empt, in a two-book deal, by Zoe Ross at United Agents (NA).
Author duo Kit Rocha‘s THE HIGH COURT OF DREAMERS, the first book in an epic fantasy romance series, in which a princess and her assassin handmaid are sent to kill an ancient dragon god, plunging all three into a darkly sensual world of secrets, power, and love, to Lauren Plude at Montlake, in a two-book deal, for publication in fall 2023, by Sarah Younger at Nancy Yost Literary Agency (world English).
Karmen Lee‘s THE 7-10 SPLIT, pitched as a Black sapphic, second chance romance between two high school teachers forced together to coach the school’s bowling team to victory amidst their long-standing rivalry, a group of meddling kids rooting for their HEA, and memories of that searing-hot kiss they shared as teens, to Errin Toma at an unnamed new imprint at Harlequin, in a three-book deal, for publication in February 2024, by Taj McCoy at Rees Literary Agency.
Courtney Smyth’s THE UNDETECTABLES, a queer fantasy murder mystery in which three witches and a ghost form a supernatural detective agency to track down the magical serial killer who is stalking their town, to George Sandison at Titan Books, in a two-book deal, for publication in fall 2023, by Zoe Plant at The Bent Agency (world English).
Winner of the 2021 Sewanee Review Fiction Prize Allen Bratton‘s HENRY HENRY, pitched as a queer, contemporary reimagining of Shakespeare’s Henriad that transposes the legend of Henry V’s wayward youth into 21st-century Britain, following the troubled relationship between 22-year-old English Catholic aristocrat Hal Lancaster and the father whose dukedom he will inherit, to Brandon Taylor in his first acquisition at Unnamed Press, by Martha Wydysh at Trident Media Group (NA).
Oisin McKenna‘s EVENINGS AND WEEKENDS, set over the course of one transformative weekend during a heatwave in London when a whale is beached on the banks of the Thames, following a group of friends coming to terms with the sexual, political, and economic challenges they must endure to exist in a 21st-century city, exploring issues of community, polyamory, environmental ruin, and housing instability, pitched for readers of Sally Rooney, Raven Leilani, and Torrey Peters, to Jessica Vestuto at Mariner, at auction, in a two-book deal, by Olivia Maidment at Madeleine Milburn Literary Agency (NA).
Adib Khorram‘s Wine Pairing series, pitched as a modern, BIPOC-and queer-centered Sex and the City, following the fierce friendships and many bottles of wine that sustain three gay, Iranian American millennial men as they navigate misguided meet-cutes and steamy second-chance romances, career-altering crushes, serious choices about commitment, and high-heat hookups gone terribly wrong…and occasionally exactly right, to Sam Brody at Forever, in a significant deal, at auction, in a three-book deal, for publication in fall 2024, fall 2025, and 2026, by Molly O’Neill at Root Literary (NA).
Children’s Fiction
A.J. Sass‘s JUST SHY OF ORDINARY, in which a 13-year-old nonbinary homeschooler attempts to find a “new normal” post-pandemic as they start public school, struggle to control their anxiety, meet new friends, and learn about their Jewish identity, to Lisa Yoskowitz at Little, Brown Children’s, with Caitlyn Averett editing, for publication in winter 2024, by Jordan Hamessley at New Leaf Literary & Media (world English).
James Laughlin Award-winning poet and lecturer at Stanford University Sam Sax‘s YR DEAD, a queer Jewish diasporic bildungsroman told through the eyes of a young person as their life flashes in lyric fragments across time and geography during their final act of protest, exploring how historical memory shapes our political and emotional present, to Amanda Uhle at McSweeney’s, with Rita Bullwinkel editing, for publication in spring of 2024, by Rob McQuilkin at Massie & McQuilkin (NA).
Meka James‘s LOVE AND SPORTSBALL, a Black sapphic romance in which an athletic trainer who doesn’t like sports has an accidental one-night stand with the point guard of the women’s basketball team she’s about to work for, to John Jacobson at an unnamed new imprint at Harlequin, in a two-book deal.
Young Adult Fiction
Auburn Marrow’s debut 30 DAY TRIAL PERIOD, an LGBTQIA+ YA romance about two polar opposites who are challenged to date for 30 days to fix their bad dating habits, to Rebecca Sands at Wattpad, for publication in summer 2024 (world).
Matthew Hubbard‘s debut LAST BOYFRIENDS, a coming-of-age novel pitched as Heartstopper meets THE FIRST WIVES CLUB, featuring three queer teenage boys in small-town Alabama who set out to get revenge on their ex-boyfriends and end up fighting their school’s anti-LGBTQ+ initiatives, to Alison Romig at Delacorte, in a pre-empt, in a two-book deal, for publication in summer 2024 and summer 2025, by Katie Shea Boutillier at Donald Maass Literary Agency (world English).
Bessie Flores Zaldivar‘s LIBERTAD, set in Honduras, where the protagonist must come into her queerness and to terms with her country’s history of violence, heading into an unprecedented presidential election, to Rosie Ahmed at Dial, in a good deal, at auction, in a two-book deal, for publication in summer 2024, by Beth Phelan at Gallt and Zacker Literary Agency (NA).
Non-Fiction
Author of WHAT ARE YOUR WORDS: A BOOK ABOUT PRONOUNS Katherine Locke’s GENDER REBELS, an illustrated history of important trans/nonbinary/gender nonconforming trailblazers for a Middle Grade audience, illustrated by Shanee Benjamin, to Julie Matysik at Running Press Kids, in an exclusive submission, for publication in 2023, by Lara Perkins at Andrea Brown Literary Agency for the author (world).
Cultural worker and stem cell transplant survivor Walela Nehanda‘s BLESS THE BLOOD, a poetry collection exploring what it means to be a young, queer, Black nonbinary medical patient facing racism and abuse within and outside of the hospital, meditating on traumas both physical and unseen, and celebrating the courage to grieve and the strength it takes to go on, to Sydnee Monday at Kokila, in a good deal, in a pre-empt, for publication in spring 2024, by Katherine Latshaw at Folio Literary Management (world).
Happy Black History Month! Like the other eleven months, it’s always an excellent time to buy queer books by Black authors! (Note: since I felt like the old posts weren’t highlighting individual books enough, I’ve switched to the standard Happy Holigays style, but you can always find more titles in the previous post.)
Please note that only one book per author was included here, but most have others, and I encourage you to check out their catalogs!
Avery Williams can sing, but that doesn’t mean she can sing in front of people. She likes to stay backstage at her new school, which is where, to her surprise, she finds a cat tucked away into a nook. Avery names the stray Phantom and visits any time she’s feeling stressed (which is a lot these days).
As she sings to Phantom one day, her crush, Nic, overhears her and ropes Avery into auditioning for the school’s musical. Despite her nerves, Avery lands the lead role!
She knows she should be excited, but mostly Avery is terrified. Can Phantom help her through her stage fright? And what will happen if anyone finds out about her secret pet?
Cameron Battle grew up reading The Book of Chidani, cherishing stories about the fabled kingdom that cut itself off from the world to save the Igbo people from danger. Passed down over generations, the Book is Cameron’s only connection to his parents who disappeared one fateful night, two years ago.
Ever since, his grandmother has kept the Book locked away, but it calls to Cameron. When he and his best friends Zion and Aliyah decide to open it again, they are magically transported to Chidani. Instead of a land of beauty and wonder, they find a kingdom in extreme danger, as the Queen’s sister seeks to destroy the barrier between worlds. The people of Chidani have been waiting for the last Descendant to return and save them . . . is Cameron ready to be the hero they need?
The Kindred by Alechia Dow (YA M/F Sci-Fi Romance)
To save a galactic kingdom from revolution, Kindred mind-pairings were created to ensure each and every person would be seen and heard, no matter how rich or poor…
Joy Abara knows her place. A commoner from the lowly planet Hali, she lives a simple life—apart from the notoriety that being Kindred to the nobility’s most infamous playboy brings.
Duke Felix Hamdi has a plan. He will exasperate his noble family to the point that they agree to let him choose his own future and finally meet his Kindred face-to-face.
Then the royal family is assassinated, putting Felix next in line for the throne…and accused of the murders. Someone will stop at nothing until he’s dead, which means they’ll target Joy, too. Meeting in person for the first time as they steal a spacecraft and flee amid chaos might not be ideal…and neither is crash-landing on the strange backward planet called Earth. But hiding might just be the perfect way to discover the true strength of the Kindred bond and expose a scandal—and a love—that may decide the future of a galaxy.
Briseis has a gift: she can grow plants from tiny seeds to rich blooms with a single touch.
When Briseis’s aunt dies and wills her a dilapidated estate in rural New York, Bri and her parents decide to leave Brooklyn behind for the summer. Hopefully there, surrounded by plants and flowers, Bri will finally learn to control her gift. But their new home is sinister in ways they could never have imagined–it comes with a specific set of instructions, an old-school apothecary, and a walled garden filled with the deadliest botanicals in the world that can only be entered by those who share Bri’s unique family lineage.
When strangers begin to arrive on their doorstep, asking for tinctures and elixirs, Bri learns she has a surprising talent for creating them. One of the visitors is Marie, a mysterious young woman who Bri befriends, only to find that Marie is keeping dark secrets about the history of the estate and its surrounding community. There is more to Bri’s sudden inheritance than she could have imagined, and she is determined to uncover it . . . until a nefarious group comes after her in search of a rare and dangerous immortality elixir. Up against a centuries-old curse and the deadliest plant on earth, Bri must harness her gift to protect herself and her family.
Trinidad. Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.
Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner.
Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.
Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.
Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.
One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.
Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .
In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.
Sixteen-year-old Jake Livingston sees dead people everywhere. But he can’t decide what’s worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student—the handsome Allister—and for the first time, romance is on the horizon for Jake.
Unfortunately, life as a medium is getting worse. Though most ghosts are harmless and Jake is always happy to help them move on to the next place, Sawyer Doon wants much more from Jake. In life, Sawyer was a troubled teen who shot and killed six kids at a local high school before taking his own life. Now he’s a powerful, vengeful ghost and he has plans for Jake. Suddenly, everything Jake knows about dead world goes out the window as Sawyer begins to haunt him. High school soon becomes a different kind of survival game—one Jake is not sure he can win.
There’s always been a hole in Gio’s life. Not because he’s into both guys and girls. Not because his father has some drinking issues. Not because his friends are always bringing him their drama. No, the hole in Gio’s life takes the shape of his birth mom, who left Gio, his brother, and his father when Gio was nine years old. For eight years, he never heard a word from her … and now, just as he’s started to get his life together, she’s back.
It’s hard for Gio to know what to do. Can he forgive her like she wants to be forgiven? Or should he tell her she lost her chance to be in his life? Complicating things further, Gio’s started to hang out with David, a new guy on the basketball team. Are they friends? More than friends? At first, Gio’s not sure … especially because he’s not sure what he wants from anyone right now.
There are no easy answers to love – whether it’s family love or friend love or romantic love. In Things We Couldn’t Say, Jay Coles shows us a guy trying to navigate love in all its ambiguity — hoping at the other end he’ll be able to figure out who is and who he should be.
Fifteen-year-old Spencer Harris is a proud nerd, an awesome big brother, and a David Beckham in training. He’s also transgender. After transitioning at his old school leads to a year of isolation and bullying, Spencer gets a fresh start at Oakley, the most liberal private school in Ohio.
At Oakley, Spencer seems to have it all: more accepting classmates, a decent shot at a starting position on the boy’s soccer team, great new friends, and maybe even something more than friendship with one of his teammates. The problem is, no one at Oakley knows Spencer is trans–he’s passing. So when a discriminatory law forces Spencer’s coach to bench him after he discovers the “F” on Spencer’s birth certificate, Spencer has to make a choice: cheer his team on from the sidelines or publicly fight for his right to play, even though it would mean coming out to everyone– including the guy he’s falling for.
Ace of Spades by Faridah Àbíké-Íyímídé (YA Thriller)
When two Niveus Private Academy students, Devon Richards and Chiamaka Adebayo, are selected to be part of the elite school’s senior class prefects, it looks like their year is off to an amazing start. After all, not only does it look great on college applications, but it officially puts each of them in the running for valedictorian, too.
Shortly after the announcement is made, though, someone who goes by Aces begins using anonymous text messages to reveal secrets about the two of them that turn their lives upside down and threaten every aspect of their carefully planned futures.
As Aces shows no sign of stopping, what seemed like a sick prank quickly turns into a dangerous game, with all the cards stacked against them. Can Devon and Chiamaka stop Aces before things become incredibly deadly?
Three days. Two girls. One life-changing music festival.
Toni is grieving the loss of her roadie father and needing to figure out where her life will go from here — and she’s desperate to get back to loving music. Olivia is a hopeless romantic whose heart has just taken a beating (again) and is beginning to feel like she’ll always be a square peg in a round hole — but the Farmland Music and Arts Festival is a chance to find a place where she fits.
The two collide and it feels like something like kismet when a bond begins to form. But when something goes wrong and the festival is sent into a panic, Olivia and Toni will find that they need each other (and music) more than they ever imagined.
Odd One Out by Nic Stone (YA Contemporary Romance)
Courtney “Coop” Cooper
Dumped. Again. And normally I wouldn’t mind. But right now, my best friend and source of solace, Jupiter Sanchez, is ignoring me to text some girl.
Rae Evelyn Chin
I assumed “new girl” would be synonymous with “pariah,” but Jupiter and Courtney make me feel like I’m right where I belong. I also want to kiss him. And her. Which is . . . perplexing.
Jupiter Charity-Sanchez
The only thing worse than losing the girl you love to a boy is losing her to your boy. That means losing him, too. I have to make a move. . .
Sixteen tales by bestselling and award-winning authors that explore the Black experience through fantasy, science fiction, and magic.
Evoking Beyoncé’s Lemonade for a teen audience, these authors who are truly Octavia Butler’s heirs, have woven worlds to create a stunning narrative that centers Black women and gender nonconforming individuals. A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters in which you cannot help but see yourself reflected. Witches and scientists, sisters and lovers, priestesses and rebels: the heroines of A Phoenix First Must Burn shine brightly. You will never forget them.
Authors include Elizabeth Acevedo, Amerie, Dhonielle Clayton, Jalissa Corrie, Somaiya Daud, Charlotte Davis, Alaya Dawn Johnson, Justina Ireland, Danny Lore, L.L. McKinney, Danielle Paige, Rebecca Roanhorse, Karen Strong, Ashley Woodfolk, and Ibi Zoboi.
Ever since seventeen-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she’s equal parts excited and scared, but also ready. She’s got this.
Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. She even finds herself catching feelings for the subject of her profile, dazzling young newcomer Marius Canet. Josie’s world is expanding so rapidly, she doesn’t know whether she’s flying or falling. But when a young actress lets her in on a terrible secret, the answer is clear: she’s in over her head.
One woman’s account leads to another and another. Josie wants to expose the man responsible, but she’s reluctant to speak up, unsure if this is her story to tell. What if she lets down the women who have entrusted her with their stories? What if this ends her writing career before it even begins? There are so many reasons not to go ahead, but if Josie doesn’t step up, who will?
Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.
When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.
The Sweet Sweet Fruit by David W. Johns (YA Fantasy)
Several light-years from Earth, Kelley spins his great granddaughter a fanciful story about how a summer job at a theme park changed his life forever. A story about discovery, friendship, and sacrifice. Like, literal human sacrifice. But let’s not get ahead of ourselves.
In a classic coming of age story, young Kelley arrives at Paradise Parks and Resort seeking a paradise of his own, only to have his hopes and dreams terminated along with his contract. Now, every proper theme park has a princess or two, and at Paradise Parks, Princess Hilola and her gang of feral socialites reign supreme. When they rescue Kelley and show him the finer sides of the island; yacht parties, VIP lounges, and high profile clientele, he thought he’d found his happily ever after…that is, until an ancient island curse turns the park into a very dark and heavy place. Theme rides mysteriously malfunction, people begin disappearing in the jungle, and a string of shark attacks has everyone on high alert. Princess Hilola reveals that in order to set things right, there must be a sacrifice to the massive volcano that looms over the island.
Through Kelley’s story, his great granddaughter learns a valuable lesson: in order to find yourself, you must get a little lost. Also, if a Princess invites you to a party, don’t drink the punch.
Every Body Looking is a heavily autobiographical novel of a young woman’s struggle to carve a place for herself–for her black female body–in a world of deeply conflicting messages.
Told entirely in verse, Ada’s story encompasses her earliest memories as a child, including her abuse at the hands of a young cousin, her mother’s rejection and descent into addiction, and her father’s attempts to create a home for his American daughter more like the one he knew in Nigeria.
The present-tense of the book is Ada’s first year at Howard University in Washington D.C., where she must finally confront the fundamental conflict between who her family says she should be and what her body tells her she must be.
In a world where magic thrives in secret city corners, a group of magicians embark on a road trip—and it’s the “no-love-interest”, found family adventure you’ve been searching for.
Sixteen-year-old Blythe is one of seven Guardians: magicians powerful enough to cause worldwide panic with a snap of their fingers. But Blythe spends her days pouring latte art at her family’s coffee shop, so why should she care about having apocalyptic abilities?
She’s given a reason when magician anarchists crash into said coffee shop and kidnap her family.
Heartbroken but determined, Blythe knows she can’t save them alone. A war is brewing between two magician governments and tensions are too high. So, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.
In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.
Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren’t Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson’s emotionally frank style of writing will appeal directly to young adults.
Her sister’s bachelorette party is the highlight of a miserable year for Alexis Chambers, but once her bridesmaid’s dress is packed away, she’s back to coping with her life as a once popular athlete and violinist turned loner and the focus of her parents’ disappointment. She isn’t expecting much from her freshman year of college until she finds herself sharing a class with Treasure, the gorgeous stripper from her sister’s party.
Trisha Hamilton has finally gotten the credits and the money together to transfer to a four-year university. Between classes, studying, and her job as a stripper, she has little time for a social life, until she runs into the adorably shy baby butch from the club. Trisha can’t seem to hide her feelings for Alexis, even when Trisha discovers what she has been through, but will Alexis have the strength to be just as fearless about their new love?
Liselle Belmont is having a dinner party. It seems a strange occasion—her husband, Winn, has lost his bid for the state legislature and they’re having the key supporters over to thank them for their work. Liselle was never sure about Winn becoming a politician, never sure about the limelight, about the life of fundraising and stump speeches. Now that it’s over she is facing new questions: Who are they to each other, after all this? How much of herself has she lost on the way—and was it worth it? Just before the night begins, she hears from an FBI agent, who claims that Winn is corrupt. Is it possible? How will she make it through this dinner party?
Across town, Selena is making her way through the same day, the same way she always does—one foot in front of the other, keeping quiet and focused, trying not to see the terrors all around her. Homelessness, starving children, the very living horrors of history that made America possible: these and other thoughts have made it difficult for her to live a normal life. The only time she was ever really happy was with Liselle back in college. But they’ve lost touch, so much so that when they run into each other at a drugstore just after Obama is elected president, they barely speak. But as the day wears on, Selena’s memories of Liselle begin to shift her path.
It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
Instant I Do could be Kris Zavala’s big break. She’s right on the cusp of really making it as an influencer, so a stint on reality TV is the perfect chance to elevate her brand. And $100,000 wouldn’t hurt, either.
D’Vaughn Miller is just trying to break out of her shell. She’s sort of neglected to come out to her mom for years, so a big splashy fake wedding is just the excuse she needs.
All they have to do is convince their friends and family they’re getting married in six weeks. If anyone guesses they’re not for real, they’re out. Selling their chemistry on camera is surprisingly easy, and it’s still there when no one else is watching, which is an unexpected bonus. Winning this competition is going to be a piece of wedding cake.
But each week of the competition brings new challenges, and soon the prize money’s not the only thing at stake. A reality show isn’t the best place to create a solid foundation, and their fake wedding might just derail their relationship before it even starts.
A novel of rare emotional power that excavates the social intricacies of a late-summer weekend–and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends–some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community.
Vern—seven months pregnant and desperate to escape the strict religious compound where she was raised—flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.
But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.
To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future—outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it.
As executive chef at one of the hottest restaurants in DC, DeShawn Franklin has almost everything he’s ever wanted. He’s well-known, his restaurant is Michelin starred and he can write his own ticket anywhere he wants. Until his grandmother calls him home and drops two bombshells:
1) She has cancer and she’s not seeking treatment.
2) She’s willing half her estate to DeShawn’s ex-husband, Malik.
Make that three bombshells.
3) That whole divorce thing? It didn’t quite go through. DeShawn and Malik are still married.
And when DeShawn’s shady uncle contests Grandma’s will, there’s only one path back to justice: play it like he and Malik have reconciled. They need to act like a married couple just long enough to dispense with the lawsuit.
Once DeShawn is back in Malik’s orbit, it’s not hard to remember why they parted. All the reasons he walked away remain—but so do all the reasons he fell in love in the first place.
Isaiah was Samuel’s and Samuel was Isaiah’s. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.
With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.
With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She’s a straight A, work-through-the-summer certified high achiever. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.
This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.
In New York, she’s able to ignore all the annoying questions about her future plans and falls hard for her creative and beautiful wife, Yuki Yamamoto. But when reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.
Harlem, 1926. Young black girls like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She”s succeeding, too. She spends her days working at Maggie”s Café and her nights at the Zodiac, Manhattan”s hottest speakeasy. Louise”s friends might say she”s running from her past and the notoriety that still stalks her, but don”t tell her that.
When a girl turns up dead in front of the café, Louise is forced to confront something she”s been trying to ignore–several local black girls have been murdered over the past few weeks. After an altercation with a local police officer gets her arrested, Louise is given an ultimatum: She can either help solve the case or let a judge make an example of her.
Louise has no choice but to take the case and soon finds herself toe-to-toe with a murderous mastermind. She’ll have to tackle her own fears and the prejudices of New York City society if she wants to catch a killer and save her own life in the process.
After a public meltdown over her breakup from her cheating musician boyfriend, Cherisse swore off guys in the music industry, and dating in general for a while, preferring to focus on growing her pastry chef business.
When Cherisse’s younger sister reveals she’s getting married in a few months, Cherisse hopes that will distract her mother enough to quit harassing her about finding a guy, settling down and having kids. But her mother’s matchmaking keeps intensifying.
Cherisse tries to humour her mother, hoping if she feigns interest in the eligible bachelors she keeps tossing her way, she’ll be off the hook, but things don’t quite go as planned. Turns out for the first time in ages, she and Keiran King, the most annoying man ever, are on the island at the same time. Avoiding him is impossible, especially when Keiran’s close friend is the one marrying her sister, and he’s the best man to her maid of honour.
Keiran doesn’t know what to make of Cherisse now. They’ve always butted heads. To him she’s always been a stuck-up brat who seeks attention, even while he secretly harbored a crush on her. Now with Cherisse’s sister marrying one of his good friends he can’t escape her as the wedding activities keep throwing them together.
When things turn heated after a rainy night of bedroom fun, they both have to figure out if they can survive the countdown to wedding day, without this turning into a recipe for disaster.
When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.
Then a twelve-year-old girl tracks Skye down during one of her brief visits to her hometown of Philadelphia and informs Skye that she’s “her egg.” Skye’s life is thrown into sharp relief and she decides that it might be time to actually try to have a meaningful relationship with another human being. Spoiler alert: It’s not easy.
Things get even more complicated when Skye realizes that the woman she tried and failed to pick up the other day is the girl’s aunt, and now it’s awkward. All the while, her brother is trying to get in touch, her mother is being bewilderingly kind, and the West Philly pool halls and hoagie shops of her youth have been replaced by hipster cafés.
With its endearingly prickly narrator and a cast of characters willing to both challenge her and catch her when she falls, this novel is a clever, moving portrait of a woman and the relationships she thought she could live without.
Makeda Hicks has lost her job and her girlfriend in one fell swoop. The last thing she’s in the mood for is to rehash the story of her grandmother’s infamous summer fling with a runaway prince from Ibarania, or the investigator from the World Federation of Monarchies tasked with searching for Ibarania’s missing heir.
Yet when Beznaria Chetchevaliere crashes into her life, the sleek and sexy investigator exudes exactly the kind of chaos that organized and efficient Makeda finds irresistible, even if Bez is determined to drag her into a world of royal duty Makeda wants nothing to do with.
When a threat to her grandmother’s livelihood pushes Makeda to agree to return to Ibarania, Bez takes her on a transatlantic adventure with a crew of lovable weirdos, a fake marriage, and one-bed hijinks on the high seas. When they finally make it to Ibarania, they realize there’s more at stake than just cash and crown, and Makeda must learn what it means to fight for what she desires and not what she feels bound to by duty.
What he needs is for his favorite author to release another one of her sexy supernatural novels and more people to sign up for the romance book club that he fears is slowly and steadily losing its steam. He also needs for the new employee at his local bookstore to stop making fun of him for reading things meant for “grandmas.”
The very last thing he needs is for that same employee, Rex Bailey, to waltz into his living room and ask to join Meet Cute Club. Despite his immediate thoughts—like laughing in his face and telling him to kick rocks—Jordan decides that if he wants this club to continue thriving, he can’t turn away any new members. Not even ones like Rex, who somehow manage to be both frustratingly obnoxious and breathtakingly handsome.
As Jordan and Rex team up to bring the club back from the ashes, Jordan soon discovers that Rex might not be the arrogant troll he made himself out to be, and that, like with all things in life, maybe he was wrong to judge a book by its cover.
In Stone and Steel, when General Aaliyah returns triumphant to the city of Titus, she expects to find the people prospering under the rule of her Queen, the stone mage Odessa. Instead, she finds a troubling imbalance in both the citizens’ wellbeing and Odessa’s rule. Aaliyah must rely on all of her allies, old and new, to do right by the city that made her.
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
Sea Port is a tiny southern town on the verge of collapse looking to entice people to move to the middle of nowhere and start life anew.
Mary Woods, stinging from her life as a failed academic, takes the opportunity by the reins and resettles in Sea Port to try her hand as a small town baker. A few days before the opening of her shop, Confections by Mary, she runs into small town cop, Miguel Santos, and small town fire chief, Billy Knox and there’s a whole lot of chemistry to go around.
Welcome to Sea Port, where the town baker, cop and fire chief fall heavily in lust.
Imari Haines has had it with the gossip. The whole town is acting like she’s their very own Runaway Bride. A plus-size, black version of Julia Roberts that left a perfectly nice boy at the altar.
Her family is no exception. Her mother won’t stop making passive-aggressive comments.
Exhausted by this charged atmosphere, a boss that doesn’t appreciate her, and the never-ending town rumors, Imari makes a bold decision. Come autumn, she moves to Appeley (a small town in Hill Country) and never looks back.
In Appeley, for the first time ever, Imari feels welcome, happy, and unapologetically herself. She tries new things, makes brand-new friends and, while attending the fall apple festival, she accidentally bumps into a very familiar face…
Cassidy Martinez was her childhood best friend and partner in crime. Now, she has grown into a stunning, confident woman, and Imari can’t help noticing.
Should she take a risk?
Can the two of them pick up where they left off, or is being friends not going to be enough this time around?
Punch Me Up to the Gods introduces a powerful new talent in Brian Broome, whose early years growing up in Ohio as a dark-skinned Black boy harboring crushes on other boys propel forward this gorgeous, aching, and unforgettable debut. Brian’s recounting of his experiences—in all their cringe-worthy, hilarious, and heartbreaking glory—reveal a perpetual outsider awkwardly squirming to find his way in. Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit’s origin story. But it is Brian’s voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams.
Cleverly framed around Gwendolyn Brooks’s poem “We Real Cool,” the iconic and loving ode to Black boyhood, Punch Me Up to the Gods is at once playful, poignant, and wholly original. Broome’s writing brims with swagger and sensitivity, bringing an exquisite and fresh voice to ongoing cultural conversations about Blackness in America.
After Philly teenager Alexis Duncan is injured in a gang shooting, her dreams of a college scholarship and pro basketball career vanish in an instant. To avoid becoming another Black teen trapped in her poverty-stricken neighborhood, she shifts her focus to the school’s STEM team, a group of nerds seeking their own college scholarships. Academics have never been her thing, but Alexis is freshly motivated by Aamani Chakrabarti, the new Indian student who becomes her mentor (and crush?). Alexis begins to see herself as so much more than an athlete. But just as her future starts to reform, Alexis’s own doubts and old loyalties pull her back into harm’s way.
School’s out, senior year is over, and Isaac Martin is ready to kick off summer. His last before heading off to college in the fall where he won’t have his best friend, Diego. Where—despite his social anxiety—he’ll be left to make friends on his own. Knowing his time with Diego is limited, Isaac enacts a foolproof plan: snatch up a pair of badges for the epic comic convention, Legends Con, and attend his first ever Teen Pride. Just him and Diego. The way it should be. But when an unexpected run-in with Davi—Isaac’s old crush—distracts him the day tickets go on sale, suddenly he’s two badges short of a perfect summer. Even worse, now he’s left making it up to Diego by hanging with him and his gamer buddies. Decidedly NOT part of the original plan. It’s not all bad, though. Some of Diego’s friends turn out to be pretty cool, and when things with Davi start heating up, Isaac is almost able to forget about his Legends Con blunder. Almost. Because then Diego finds out what really happened that day with Davi, and their friendship lands on thin ice. Isaac assumes he’s upset about missing the convention, but could Diego have other reasons for avoiding Isaac?
Two girls.
One wild and reckless day.
Years of a tumultuous history unspooling
like thin, fraying string in the hours after they set a fire.
They were best friends. Until they became more.
Their affections grew. Until the blurry lines became dangerous.
Over the course of a single day, the depth of their past, the confusion of their present, and the unpredictability of their future is revealed.
And the girls will learn that hearts, like flames, aren’t so easily tamed.
New to Liberty by DeMisty D. Bellinger (Historical, April 5th)
In 1966, Sissily travels across Kansas with an older man, the father of one of her schoolfriends. On their way to California to begin a life together, he insists on stopping at his family ranch to see his mother. This family reunion is a painful reminder for Sissily about the truth about her own heritage, but she also sees a woman who, decades later, is still scarred by the great depression.
In 1947, Nella’s family relocates to Kansas from Milwaukee, and during the summer before her senior year, begins an interracial relationship with a white man called Lucky. They can only meet in secret, or as Lucky is in a wheelchair sometimes Nella pretends to be his nurse. When three white men stumble upon “Nurse Nella” one catastrophic afternoon, the violence of a racist society forces Nella to face the reality of their situation.
In 1933, at the height of the dust bowl and brutal jackrabbit roundups, surrounded by violence and starvation, Greta finds love with another farm woman. Their clandestine encounters will be unsustainable for obvious reasons but will have consequences for generations. A novel told in three parts, New to Liberty showcases the growth and strength of three unforgettable women as they evolve in a society that refuses to. In lustrous prose, DeMisty Bellinger brings the quiet, but treacherous landscape to life, offering a snapshot of mid-century America and keeping readers guessing until the end as to how these three women are connected.
Thirty, flirty, and asexual Joy is secretly in love with her best friend Malcolm, but she’s never been brave enough to say so. When he unexpectedly announces that he’s met the love of his life—and no, it’s not Joy—she’s heartbroken. Malcolm invites her on a weekend getaway, and Joy decides it’s her last chance to show him exactly what he’s overlooking. But maybe Joy is the one missing something…or someone…and his name is Fox.
Fox sees a kindred spirit in Joy—and decides to help her. He proposes they pretend to fall for each other on the weekend trip to make Malcolm jealous. But spending time with Fox shows Joy what it’s like to not be the third wheel, and there’s no mistaking the way he makes her feel. Could Fox be the romantic partner she’s always deserved?
Thirteen-year-old Andi feels stranded after the loss of her mother, the artist, who swept color onto Andi’s blank canvas. When she is accepted to a music camp, Andi finds herself struggling to play her trumpet like used to before her whole world changed. Meanwhile, Zora, a returning camper, is exhausted trying to please her parents, who are determined to make her a flute prodigy even though she secretly has a dancer’s heart.
At Harmony Music Camp, Zora and Andi are the only two Black girls in a sea of mostly white faces. In kayaks and creaky cabins, the two begin to connect, unraveling their loss, insecurities, and hope for the future.
And as they struggle to figure out who they really are, they may just come to realize who they really need: each other. From the author of the critically-acclaimed novel, For Black Girls Like Me, comes a lyrical story about the rush of first love and the power of one life-changing summer.
Fifteen-year-old Mack is a hopeless romantic – he blames the films he’s grown up watching. He has liked Karim for as long as he can remember, and is ecstatic when Karim becomes his boyfriend – it feels like love.
But when Mack’s dad gets a job on a film in Scotland, Mack has to move, and soon hediscovers how painful love can be. It’s horrible being so far away from Karim, but the worst part is that Karim doesn’t make the effort to visit. Love shouldn’t be only on the weekends.
Then, when Mack meets actor Finlay on a film set, he experiences something powerful, a feeling like love at first sight. How long until he tells Karim – and when will his old life and new life collide?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
With junior year starting in the fall, Harrison feels like he’s on the precipice of, well, everything. Standardized testing, college, and the terrifying unknowns and looming pressures of adulthood after that—it’s like the future wants to eat him alive. Which is why Harrison is grateful that he and his best friend, Linus, will face these things together. But at the end of a shift at their summer job, Linus invites Harrison to their special spot overlooking the city to deliver devastating news: He’s moving out of state at the end of the week.
To keep from completely losing it—and partially inspired by a cheesy movie-night pick by his Dad—Harrison plans a send-off à la Ferris Bueller’s Day Off that’s worthy of his favorite person. If they won’t be having all the life-expanding experiences they thought they would, Harrison will squeeze them all into their last day together. They end up on a mini road trip, their first Pride, and a rooftop dance party, all while keeping their respective parents, who track them on a family location app, off their trail. Harrison and Linus make a pact to do all the things—big and small—they’ve been too scared to do. But nothing feels scarier than saying goodbye to someone you love.
Boys Come First by Aaron Foley (Romantic Contemporary, May 31st)
Suddenly jobless and single after a devastating layoff followed by a breakup with his cheating ex, advertising copywriter Dominick Gibson flees Hell’s Kitchen and finds himself trying get his life back on track in his hometown of Detroit, where he’s got one objective in mind: To exit the shallow gay dating pool ASAP and be married by 35—and he’s only got two years left.
Dom’s best friend Troy Clements, an idealistic teacher who never left the Motor City, finds himself at odds with all the men in his life: A troubled boyfriend he’s desperate to hold onto, a perpetually dissatisfied father, and his other best friend, Remy. Remy Patton is a rags-to-riches real estate agent in town with his own problems—namely choosing between making it work with a long-distance paramour or settling with a local Mr. Right Now that’s not quite Mr. Right—but his friendship with Troy may be compromised over his latest high-stakes deal.
Follow these three men as they confront their evolving friendship, but also individual hiccups—workplace microaggressions, bad Tinder dates, situationships, frenemies, learning the Tamia hustle—while attempting to navigate the new and changing Detroit.
All Signs Point to Yes ed. by g. haron-davis, Cam Montgomery, and Adrianne White (YA Anthology, May 31st)
A haunted Aquarius finds love behind the veil. An ambitious Aries will do anything to stay in the spotlight. A foodie Taurus discovers the best eats in town (with a side of romance). A witchy Cancer stumbles into a curious meet-cute.
Whether it’s romantic, platonic, familial, or something else you can’t quite define, love is the thing that connects us. All Signs Point to Yes will take you on a journey from your own backyard to the world beyond the living as it settles us among the stars for thirteen stories of love and life.
These stories will touch your heart, speak to your soul, and have you reaching for your horoscope forevermore.
Greenland by David Santos Donaldson (Litfic, June 7th)
In 1919, Mohammed el Adl, the young Egyptian lover of British author E. M. Forster, spent six months in a jail cell. A century later, Kip Starling has locked himself in his Brooklyn basement study with a pistol and twenty-one gallons of Poland Spring to write Mohammed’s story.
Kip has only three weeks until his publisher’s deadline to immerse himself in the mind of Mohammed who, like Kip, is Black, queer, an Other. The similarities don’t end there. Both of their lives have been deeply affected by their confrontations with Whiteness, homophobia, their upper crust education, and their white romantic partners. As Kip immerses himself in his writing, Mohammed’s story – and then Mohammed himself – begins to speak to him, and his life becomes a Proustian portal into Kip’s own memories and psyche. Greenland seamlessly conjures two distinct yet overlapping worlds where the past mirrors the present, and the artist’s journey transforms into a quest for truth that offers a world of possibility.
In the first book of a visionary African- and Arabian-inspired fantasy trilogy, three womenband together against a cruel empire that divides people by blood.
Red is the blood of the elite, of magic, of control. Blue is the blood of the poor, of workers, of the resistance. Clear is the blood of the slaves, of the crushed, of the invisible.
Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes.
Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But dust always rises in a storm.
Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: It can hide the most dangerous of secrets, secrets that can reignite a revolution.
As the empire begins a set of trials of combat and skill designed to find its new leaders, the stage is set for blood to flow, power to shift, and cities to burn.
Luca Laine Thomas lives on a cursed island. To the outside world, Parris is an exclusive, idyllic escape accessible only to the one percent. There’s nothing idyllic about its history, though, scattered with the unsolved deaths of young women—deaths Parris society happily ignores to maintain its polished veneer. But Luca can’t ignore them. Not when the curse that took them killed her best friend, Polly, three years ago. Not when she feels the curse lingering nearby, ready to take her next.
When Luca comes home to police cars outside her house, she knows the curse has visited once again. Except this time, it came for Whitney, her sister. Luca decides to take the investigation of Whitney’s death into her own hands. But as a shocking betrayal rocks Luca’s world, the identity Whitney’s killer isn’t the only truth Luca seeks. And by the time she finds what she’s looking for, Luca will come face to face with the curse she’s been running from her whole life.
Moon has been plunged into a swill of uncertainty and confusion. They travel to the spirit realms every night, hoping never to return to the world of the living.
But when the realm is threatened, it’s up to Moon to save the spirit world, which sparks their own healing journey through the powerful, baffling, landscape that depression can cause.
From this novel’s very first utterance, author Kacen Callender puts us behind Moon’s eyes so that we, too, are engulfed by Moon’s troubling exploration through mental illness.
Moon’s mom is trying her best, but is clueless about what to do to reach the ugly roiling of her child’s inner struggles. At the same time, though, there are those who see Moon for who they are – Blue, the Keeper, the Magician, Wolf. These creature-guides help Moon find a way out of darkness. The ethereal aspects of the story are brilliantly blended with real-world glimmers of light. Slowly, Moon grows toward hope and wholeness, showing all children that each and every one of us has a tree growing inside. That our souls emerge when we discover, and fully accept, ourselves.
After years away from home, Summer Graves is back in Austin, Texas, to accept a new teaching position. Of all the changes to the old neighborhood, the most dispiriting one is the slated demolition of the high school her grandmother founded. There’s no way she can let developers destroy her memories and her family legacy. But the challenge stirs memories of another kind.
On the architectural team revitalizing the neighborhood, hometown girl Aiko Holt is all about progress. Then she sees Summer again. Some things never change.
Neither can forget the kiss they shared at their senior-year dance. Neither can back down from her unwavering beliefs about what’s right for the neighborhood.
For now, the only thing Summer and Aiko are willing to give in to is a heat that still burns. But can two women with so much passion―for what once was and what could be―agree to disagree long enough to fall in love?
Sylvie de Rosiers, the biracial daughter of a rich planter in 1791 Saint-Domingue, is both a lady born to privilege and a damning reminder of her father’s infidelity with an enslaved woman. After a violent slave uprising begins the Haitian Revolution, Sylvie and her brother leave their parents and old lives behind to flee unwittingly into another uprising—austere and radical Paris. Sylvie quickly becomes enamored with the aims of the Revolution, as well as with the revolutionaries themselves—most notably Maximilien Robespierre and his mistress, Cornélie Duplay.
As a rising leader and abolitionist, Robespierre sees an opportunity to exploit Sylvie’s race and abandonment of her aristocratic roots as an example of his ideals, while the strong-willed Cornélie offers Sylvie guidance in free thought and a safe harbor. Sylvie battles with her past complicity in a slave society and her future within this new world order as she finds herself increasingly tugged between Robespierre’s ideology and Cornélie’s love.
When the Reign of Terror descends, she must decide whether to become an accomplice while another kingdom rises on the bones of innocents…or risk losing her head.
An edgy, bitingly funny debut about a queer, half-Nigerian college sophomore who, enraged and exhausted by the racism at her elite college, sets out to find truth about The Unfortunates—the unlucky subset of Black undergrads who have been mysteriously dying
Sahara is Not Okay. Entering her sophomore year at Elite University, she feels like a failure: her body is too curvy, her love life is nonexistent, her family is disappointed in her, her grades are terrible, and, well, the few Black classmates she has just keep dying. Sahara is close to giving up, herself: her depression is, as she says, her only “Life Partner.” And this narrative—taking the form of an irreverent, piercing “thesis” to the university committee that will judge her—is meant to be a final unfurling of her singular, unforgettable voice before her own inevitable disappearance and death. But over the course of this wild sophomore year, and supported by her eccentric community of BIPOC women, Sahara will eventually find hope, answers, and an unexpected redemption.
What’s more important? Knowing the truth or keeping the peace?
The summer of her senior year, seventeen-year-old Avery Anderson finds herself uprooted from her life in DC and moved into the hostile home of her terminally ill grandmother, Mama Letty. The tension between her mom and Mama Letty makes for an unwelcoming arrival and unearths some family drama they refuse to talk about. Everytime Avery tries to look deeper, they turn her away, leaving her desperate to learn the secrets that split her family in two.
Where Mama Letty is cantankerous and closed off, Avery finds friendship in some unexpected places: in Simone, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family— whose mother’s murder remains unsolved.
But as the three girls grow closer—Avery and Simone’s friendship blossoming into something more—the sharp-edged opinions of their small southern town start to hint at something more insidious underneath. Turning to Mama Letty for answers only result in more questions, uncovering decades-old secrets that have been brewing for generations, exposing the towns racist history and threatening to topple the new life Avery’s built in Bardell County, Georgia.
For the past two years, Lee has been laser-focused on two things: her job as a sound tech at a local coffee shop and her podcast “Artists in Love,” which she cohosts with her boyfriend Vincent.
Until he breaks up with her on the air right after graduation.
When their unexpected split, the loss of her job, and her parent’s announcement that they’re separating coincide, Lee’s plans, her art, and her life are thrown into turmoil. Searching for a new purpose, Lee recruits her old friend Max and new friend Risa to produce a podcast called “Objects of Destruction,” where they investigate whether love actually exists at all.
But the deeper they get into the love stories around them, the more Lee realizes that she’s the one who’s been holding love at arm’s length. And when she starts to fall for Risa, she finds she’ll have to be more honest with herself and the people in her life to create a new love story of her own.
Sophie Roseingrave hates nothing more than a swindler. After her family lost their piano shop to a con man in London, they’re trying to start fresh in a new town. Her father is convinced Carrisford is an upright and honest place, but Sophie is not so sure. She has grave suspicions about silk-weaver Madeline Crewe, whose stunning beauty doesn’t hide the fact that she’s up to something.
All Maddie Crewe needs is one big score, one grand heist to properly fund the weavers’ union forever. She has found her mark in Mr. Giles, a greedy draper, and the entire association of weavers and tailors and clothing merchants has agreed to help her. The very last thing she needs is a small but determined piano-teacher and composer sticking her nose in other people’s business. If Sophie won’t be put off, the only thing to do is to seduce her to the cause.
Will Sophie’s scruples force her to confess the plot before Maddie gets her money? Or will Maddie lose her nerve along with her heart?
As a nonbinary, transmasculine parent, Krys Malcolm Belc has thought a lot about the interplay between parenthood and gender. Giving birth to his son Samson clarified his gender identity and allowed him to project a more masculine self. And yet, when his partner Anna adopted Samson, the legal documents listed Belc as “the natural mother of the child.”
By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. The Natural Mother of the Child is a visual memoir-in-lyric-essays, an archive of Belc’s queerness. By engaging directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—Belc creates a new kind of life record, one that addresses his own ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own.
The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.
A young gay man in a perfect marriage will do anything to keep a dangerous indiscretion from his loving husband.
Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they’ve made a perfect life together. With everything to lose, Oliver shouldn’t be visiting Haus, a gay bathhouse. But through the entrance he goes, and it’s a line crossed. Inside, he follows a man into a private room, and it’s the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life.
He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.
What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon’s Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.
Part historical fiction, part magical realism, and 100 percent adventure. Thirteen-year-old Mei reimagines the myths of Paul Bunyan as starring a Chinese heroine while she works in a Sierra Nevada logging camp in 1885.
Aware of the racial tumult in the years after the passage of the Chinese Exclusion Act, Mei tries to remain blissfully focused on her job, her close friendship with the camp foreman’s daughter, and telling stories about Paul Bunyan–reinvented as Po Pan Yin (Auntie Po), an elderly Chinese matriarch.
Anchoring herself with stories of Auntie Po, Mei navigates the difficulty and politics of lumber camp work and her growing romantic feelings for her friend Bee. The Legend of Auntie Po is about who gets to own a myth, and about immigrant families and communities holding on to rituals and traditions while staking out their own place in America.
In the waning days of the Civil War, brothers Prentiss and Landry—freed by the Emancipation Proclamation—seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys.
Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox.
A lesbian romance filled with intrigue and sizzling sexual tension as enemies discover that the other side of hatred…is desire.
Agnes Noble is private, mysterious, and untouchable. She rules House of Agnes, the most exclusive escort agency on the East Coast, with a diamond fist. Crossing her is a mistake no one makes twice.
Investigative reporter Lola Osbourne is not afraid. She’s gunning for the House and its so-called queen. She’ll make sure no other innocent gets dragged into Agnes’s alluring web, to be used and discarded the way Lola’s sister was.
But her plan to get close to the elusive madam shatters the moment her eyes meet the Queen’s. One look and everything’s different. More complicated. Dangerous.
Now, Lola’s not just fighting to topple a queen from her throne, she’s also scrambling to escape their explosive collision with her suddenly vulnerable heart intact.
When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.
Then a twelve-year-old girl tracks Skye down during one of her brief visits to her hometown of Philadelphia and informs Skye that she’s “her egg.” Skye’s life is thrown into sharp relief and she decides that it might be time to actually try to have a meaningful relationship with another human being. Spoiler alert: It’s not easy.
Things get even more complicated when Skye realizes that the woman she tried and failed to pick up the other day is the girl’s aunt, and now it’s awkward. All the while, her brother is trying to get in touch, her mother is being bewilderingly kind, and the West Philly pool halls and hoagie shops of her youth have been replaced by hipster cafés.
With its endearingly prickly narrator and a cast of characters willing to both challenge her and catch her when she falls, this novel is a clever, moving portrait of a woman and the relationships she thought she could live without.
Dani’s best friend, Sarah, is a ghost. But maybe that’s normal when you’ve spent your childhood running from an abusive parent.
Dani and Sarah might be more than friends, though Dani dares not say so. Dani is afraid that if he tells Sarah he’s trans, she won’t bother haunting him anymore. Sarah’s got good reason to distrust boys, having been strangled by one.
After Sarah and Dani come across another ghost haunted by her own brutal murder, they set out to bring peace and safety to spirits like her. But when an old rival reenters Dani’s life, their unexpected friendship gives Dani a strange new feeling of belonging. As Dani starts to find his place in the living world, he’ll need to let go of his ghosts.
In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.
One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.
Growing up a Guyanese Indian immigrant in Central Florida, Rajiv Mohabir is fascinated by his family’s abandoned Hindu history and the legacy of his ancestors, who were indentured laborers on British sugarcane plantations. In Toronto he sits at the feet of Aji, his grandmother, listening to her stories and songs in her Caribbean Bhojpuri. By now Aji’s eleven children have immigrated to North America and busied themselves with ascension, Christianity, and the erasure of their heritage andCaribbean accents. But Rajiv wants to know more: where did he come from, and why does he feel so out of place?
Embarking on a journey of discovery, he lives for a year in Varanasi, on the banks of the Ganges, perfecting his Hindi and Bhojpuri and tracing the lineage of his Aji’s music. Returning to Florida, the cognitive dissonance of confederate flags, Islamophobia, and his father’s disapproval sends him to New York, where finds community among like-minded brown activists, work as an ESL teacher, and intoxication in the queer nightlife scene. But even in the South Asian paradise of Jackson Heights, Rajiv feels like an outsider: “Coolie” rather than Desi. And then the final hammer of estrangement falls when his cousin outs him as an “antiman”—a Caribbean slur for men who love men—and his father and aunts disown him.
But Aji has taught Rajiv resilience. Emerging from the chrysalis of his ancestral poetics into a new life, he embraces his identity as a poet and reclaims his status as an antiman—forging a new way of being entirely his own. Rapturous, inventive, and devastating in its critique of our own failures of inclusion, Antiman is a hybrid memoir that helps us see ourselves and relationships anew, and announces an exciting new talent in Rajiv Mohabir.
Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost.
So when a shadowy faction approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed.
The shadow of Godolia’s tyrannical rule is spreading, aided by their giant mechanized weapons known as Windups. War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords.
Eris Shindanai is a Gearbreaker, a brash young rebel who specializes in taking down Windups from the inside. When one of her missions goes awry and she finds herself in a Godolia prison, Eris meets Sona Steelcrest, a cybernetically enhanced Windup pilot. At first Eris sees Sona as her mortal enemy, but Sona has a secret: She has intentionally infiltrated the Windup program to destroy Godolia from within.
As the clock ticks down to their deadliest mission yet, a direct attack to end Godolia’s reign once and for all, Eris and Sona grow closer―as comrades, friends, and perhaps something more…
Briseis has a gift: she can grow plants from tiny seeds to rich blooms with a single touch.
When Briseis’s aunt dies and wills her a dilapidated estate in rural New York, Bri and her parents decide to leave Brooklyn behind for the summer. Hopefully there, surrounded by plants and flowers, Bri will finally learn to control her gift. But their new home is sinister in ways they could never have imagined–it comes with a specific set of instructions, an old-school apothecary, and a walled garden filled with the deadliest botanicals in the world that can only be entered by those who share Bri’s unique family lineage.
When strangers begin to arrive on their doorstep, asking for tinctures and elixirs, Bri learns she has a surprising talent for creating them. One of the visitors is Marie, a mysterious young woman who Bri befriends, only to find that Marie is keeping dark secrets about the history of the estate and its surrounding community. There is more to Bri’s sudden inheritance than she could have imagined, and she is determined to uncover it . . . until a nefarious group comes after her in search of a rare and dangerous immortality elixir. Up against a centuries-old curse and the deadliest plant on earth, Bri must harness her gift to protect herself and her family.
High school is a monster, and it’s eating everyone Robin knows. As sophomore year starts, Robin’s Odd Squad friends have decided to try to be just like everyone else. Her best friends couple up and expect her to come along for the ride. They can’t stop talking about school and college and careers. But Robin has bigger problems–she’s been hiding out with the band kids since middle school, hoping nobody would notice that she’s something even stranger than a French horn player who can speak four languages: she’s gay.
She’s convinced the only way she can learn to be herself is by fleeing to Europe for a summer to experience real life. But she has no money, no permission, and no one to share the adventure with. How is she supposed to be her true self in Hawkins, Indiana? The weirdest girl in Hawkins has spent her whole life trying to fit in. Now, she’s going to break out.
Sprinkled with Easter eggs that reference our favorite Stranger Things characters, this contemporary coming-of-age story set in the ’80s is about one girl’s realization that the only person she needs to be accepted by is herself.
Author of the Booker Prize-shortlisted REAL LIFE Brandon Taylor‘s THE LATE AMERICANS, exploring the tension between inner lives and projected selves within a creative community in Iowa City; and GROUP SHOW, about five striving assistants navigating the straits of desire, complicity, and belief behind the scenes at a regional art museum, to Cal Morgan at Riverhead, in a significant deal, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world).
Author of SOCIAL CREATURE and STRANGE RITES: NEW RELIGIONS FOR A GODLESS WORLD Tara Isabella Burton‘s THE WORLD CANNOT GIVE, a coming-of-age novel about queer desire, religious zealotry, and the hunger for transcendence among the devoted members of a cultic chapel choir in a prestigious Maine boarding school, and the obsessively ambitious, terrifyingly charismatic girl that rules over them, to Carina Guiterman at Simon & Schuster, in an exclusive submission, in a two-book deal, by Emma Parry at Janklow & Nesbit (world).
Chencia C. Higgins‘s READY, SET, WED!, in which two women thrown together on a reality show that’s never produced a permanent couple fight with everything they’ve got to get to the altar—before the quest for TV ratings keeps them from turning something fake into forever, to Kerri Buckley at Carina Press Adores, for publication in early 2022.
Timothy Janovsky‘s debut OVER THE RIVER AND THROUGH THE WOODS, pitched as a LGBTQ+ romantic comedy that blends the riches-to-rags humor of Schitt’s Creek with the feel-good romance of a Hallmark Christmas movie, to Mary Altman at Sourcebooks Casablanca, in an exclusive submission, in a two-book deal, for publication in fall 2023, by Kevin O’Connor at O’Connor Literary Agency (world).
Iowa Writers Workshop Rona Jaffe Fellow, Best American Short Stories 2020 contributor, and mutual aid organizer Sarah Thankam Mathews‘s ALL THIS COULD BE DIFFERENT, following a young woman fresh out of college as she tries to forge a new life in Milwaukee during Obama’s second term—navigating precarious employment, queerness, immigration, a dizzying romance with a ballet dancer, and the pulls of blood and chosen family—and unfolding a story that circles the question of how a better world might be, to Lindsey Schwoeri at Viking, at auction, by Bill Clegg at The Clegg Agency (NA).
Author of WHO IS VERA KELLY and VERA KELLY IS NOT A MYSTERY Rosalie Knecht’s third installment in the Vera Kelly series, exploring issues of gender, sexuality, and class, set in the early 1970s, in which a private investigator travels to meet her girlfriend’s family at their extravagant Los Angeles estate, and in the process finds herself with a new high-stakes case: the search for her missing girlfriend, to Masie Cochran at Tin House Books, for publication in summer 2022, by Soumeya Bendimerad Roberts at HG Literary (NA).
Roan Parrish and Timmi Meskers‘s STRANGE COMPANY, a collection of queer horror short stories and original music, to Steve Feldberg at Audible Originals, in an exclusive submission, by Courtney Miller-Callihan at Handspun Literary (world).
Children’s/Young Adult Fiction
Anna-Marie McLemore‘s retelling of THE GREAT GATSBY, featuring Gatsby as a transgender young man, amid all the glamour and sparkle of the 1920s; part of the upcoming Remixed Classics series, to Emily Settle at Feiwel and Friends, for publication in fall 2022, by Taylor Martindale Kean at Full Circle Literary (world).
THE FELL OF DARK author Caleb Roehrig‘s untitled book, pitched as bringing a queer perspective to ROMEO AND JULIET, to Emily Settle at Feiwel and Friends, for publication in winter 2023, by Rosemary Stimola at Stimola Literary Studio (world).
Sacha Lamb‘s WHEN THE ANGELS LEFT THE OLD COUNTRY, pitched as having a voice reminiscent of a (queer) Isaac Bashevis Singer story, about an angel and a demon, centuries-long study partners in their small shtetl, who decide to travel to America (a place that turns out to be more complicated than they expect) with two young women who are deeply connected, to Arthur Levine at Levine Querido, in a pre-empt, for publication in fall 2022, by Rena Rossner at Deborah Harris Agency (world).
Michael Gray Bulla‘s debut A TYPE OF BLEEDING, about a trans teenager who joins his town’s LGBTQ+ support group where he meets a cute boy, sparking a friendship that upends his life and challenges his ideas of love, family, and friendship, to Karen Chaplin at Quill Tree, in a good deal, in a two-book deal, for publication in summer 2022, by Pete Knapp at Park & Fine Literary and Media (world English).
Maggie Horne‘s debut HAZEL HAYES IS GONNA WIN THIS ONE, a humorous friendship story that follows a feisty 12-year-old girl who, after one of her classmates is harassed online, devises a plan to take down the school’s golden boy and hopefully win her beloved public speaking competition, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, at auction, for publication in fall 2022, by Claire Friedman at Inkwell Management (NA).
Lambda Literary and MacDowell Fellow Jas Hammonds‘s WE DESERVE MONUMENTS, following a queer, Black, biracial teen who moves to small-town Georgia to live with her estranged grandmother and becomes entangled in a web of family secrets, the town’s racist history, and her growing feelings for the girl next door, to Mekisha Telfer at Roaring Brook Press, in a pre-empt, in a two-book deal, for publication in summer 2022, by Suzie Townsend at New Leaf Literary & Media (world English).
NYT-bestselling author Gayle Forman‘s debut FRANKIE & BUG, about the friendship between a feisty 10-year-old girl who feels abandoned when her older brother decides he’d rather hang out with his friends than with her, and an 11-year-old trans boy who is spending the summer with his gay uncle and only wants to have the chance to be who he is, to Kristin Gilson at Aladdin, for publication in fall 2021, by Michael Bourret at Dystel, Goderich & Bourret (world English).
Ashley Woodfolk‘s NOTHING BURNS AS BRIGHT AS YOU, a novel-in-verse that tells the story of a tumultuous romance between two girls in nonlinear chapters, anchored by a single day where they set a fire and their relationship spirals out of control, to Margaret Raymo at Versify, in a significant deal, in a pre-empt, for publication in spring 2022, by Beth Phelan at Gallt and Zacker Literary Agency (world).
Michael Leali‘s debut THE CIVIL WAR OF AMOS ABERNATHY, in which a 12-year-old openly gay historical reenactor sets out to prove to himself and his closeted crush that queer people always have and always will exist in American history; the story is told partly in letters to Albert D.J. Cashier, the Union soldier his research uncovers, who becomes his confidant and historical queer icon, to Stephanie Stein at Harper Children’s, in a pre-empt, in a two-book deal, for publication in summer 2022, by Sara Crowe at Pippin Properties (NA).
Non-Fiction
Author of DAMAGED GOODS and PROBLEMATIC Dianna Anderson‘s THEY/THEM, part memoir, part gender theory, examining the emergence and history of nonbinary gender, including interviews with gender nonconforming individuals and experts on gender affirming care, along with the author’s own story, to Lisa Kloskin at Broadleaf, in a nice deal, for publication in fall 2022, by Hannah Bowman at Liza Dawson Associates (world).
Author of the NYT Editor’s Choice CONFESSIONS OF THE FOX Jordy Rosenberg‘s THE DAY UNRAVELS WHAT THE NIGHT HAS WOVEN, an exploration of transgender sexuality, Jewish assimilation, and the author’s difficult relationship with his mother—an accomplished bargain-hunter, committed homophobe, and dazzling old world yenta—weaved throughout with fictional vignettes of the author’s mother’s life, as well as her imagined retellings of landmarks of leftist philosophy, to Nicole Counts at One World, by Rob McQuilkin at Massie & McQuilkin (world).
Comedian, TV writer, and The Lesbian Agenda host Sophie Santos‘s THE ONE YOU WANT TO MARRY (AND OTHER IDENTITIES I’VE HAD), a memoir of growing up an army brat and the daughter of a Filipino and Spanish lieutenant colonel and strong Southern nurse, about the author’s search—through pee-wee football, puberty, pageant life, and University of Alabama sorority sisterhood—to embrace her identity as a proud lesbian comedian, to Hafizah Geter at Topple Books, with Laura Van der Veer editing, by Jack Greenbaum at The Arlook Group (world).
Isaiah was Samuel’s and Samuel was Isaiah’s. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.
With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.
Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn’t hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.
Ames isn’t happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese–and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames’s boss and lover, Katrina, reveals that she’s pregnant with his baby–and that she’s not sure whether she wants to keep it–Ames wonders if this is the chance he’s been waiting for. Could the three of them form some kind of unconventional family–and raise the baby together?
Dellaria Wells, petty con artist, occasional thief, and partly educated fire witch, is behind on her rent in the city of Leiscourt—again. Then she sees the “wanted” sign, seeking Female Persons, of Martial or Magical ability, to guard a Lady of some Importance, prior to the celebration of her Marriage. Delly fast-talks her way into the job and joins a team of highly peculiar women tasked with protecting their wealthy charge from unknown assassins.
Delly quickly sets her sights on one of her companions, the confident and well-bred Winn Cynallum. The job looks like nothing but romance and easy money until things take a deadly (and undead) turn. With the help of a bird-loving necromancer, a shapeshifting schoolgirl, and an ill-tempered reanimated mouse named Buttons, Delly and Winn are determined to get the best of an adversary who wields a twisted magic and has friends in the highest of places.
Nineteen-year-old Tara Muvvala didn’t mean to lead a double life. But her bone-deep aversion to math + a soul-deep desire to please her mother = her failing math grade + exploding food vlog ‘this masala life’.
Enter her mother’s research intern and resident math genius Farah Ahmed. Tara makes a deal with Farah – help her pass the math course and she’ll welcome Farah into the local Bollywood Drama & Dance Society.
Grumpy girl gets life lessons…
After losing her mom to a heart attack, dumping her small-minded boyfriend (she’s bisexual, not confused) and reluctantly moving to the US to be near her dad – all in the span of eighteen months, twenty-three-year-old Farah has hit the full quota on LIFE. Two things keep her going – her internship with a brilliant statistics professor and the possibility of meeting her dancing idol through the Bollywood Drama & Dance Society. That is, if her new hot-mess housemate will let her.
Soon Tara and Farah are bonding over chicken biryani, dancing to Bollywood Beats at midnight and kissing… against all the odds. And maybe beginning to realize that while life’s even more complicated than math, love is the one variable that changes everything!
Moving to eclectic New Hope, Pennsylvania, and running The Beautiful Things Shoppe is a dream come true for elegant and reserved fine arts dealer Prescott J. Henderson. He never agreed to share the space with Danny Roman, an easygoing extrovert who collects retro toys and colorful knickknacks.
And yet here they are, trapped together in the quaint shop as they scramble to open in time for New Hope’s charming Winter Festival.
Danny has spent years leading with his heart instead of his head. The Beautiful Things Shoppe is his chance to ground himself and build something permanent and joyful. The last thing he needs is an uptight snob who doesn’t appreciate his whimsy occupying half his shop.
It’s only when two of New Hope’s historic landmarks—each as different as Danny and Prescott—are threatened that a tentative alliance forms. And with it, the first blush of romance. Suddenly, running The Beautiful Things Shoppe together doesn’t seem so bad…until Danny’s secret threatens to ruin it all.
When Jenn Berney and her wife decided they wanted to have children, they took the next logical step: they went to a fertility clinic. Intrauterine insemination is a simple medical procedure that has been available since the 1950s, but doctors were baffled by Jenn’s situation. With no man factoring into her relationship, she was disparaged by doctors, given an inaccurate diagnosis, and her medical needs were overlooked.
Berney decided to step outside of the system, and, looking into the history of fertility and her own community, she realized queer women have a long history of being disregarded by a patriarchal medical community, and have worked around it to build families on their own terms. In The Other Mothers, Berney reflects on the odds that were stacked against her because of her sexual orientation and envisions a bright future worth fighting for. Writing with clarity, determination, and hope, Berney gives us a wonderful glimpse of what America can be.
For Veronica Clayton, the sudden death of her mother has turned her naturally bright and happy-go-lucky view of the world bleak. As the Police Protection Officer for the Queen’s children, she has purpose, but for the next six months, the Queen’s family is the focus of a documentary on royal life. The last thing Clay wants is a camera pointed in her face.
Katya Kovach, a refugee to Britain, knows all about death and grief. She saw her family shot in front of her and has never recovered from those dark memories. Now trained at London’s most prestigious childcare school, she’s happy as the nanny to Queen Georgina and Queen Bea’s children.
Clay is usually good-natured, but the rule-oriented Katya is not only a pain, but annoyingly beautiful, and they find themselves facing the awkward reality that everyone else is a couple except them while their every move is being filmed. Loss has defined both their lives, but guarding their hearts may prove to be the biggest heartbreak of all.
Lone Stars follows the arc of four generations of a Texan family in a changing America. Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they’re gone? Finding the answers takes Julian back in time to Eisenhower’s immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama’s second term. And in these answers lies a hope: that by uncloseting ourselves–as immigrants, smart women, gay people–we find power in empathy.
Transgressive, foulmouthed, and devastatingly funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting—and often losing—the urge to self-sabotage. His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker’s husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.
Armed with a deadpan wit that finds humor in even the lowest of nadirs, Brontez Purnell—a widely acclaimed underground writer, filmmaker, musician, and performance artist—writes with the peerless zeal, insight, and horniness of a gay punk messiah. From dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama, Purnell indexes desire, desperation, race, and loneliness with a startling blend of levity and vulnerability. Together, the slice-of-life tales that writhe within 100 Boyfriends are a singular and uncompromising vision of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.
While the Iskat Empire has long dominated the system through treaties and political alliances, several planets, including Thea, have begun to chafe under Iskat’s rule. When tragedy befalls Imperial Prince Taam, his Thean widower, Jainan, is rushed into an arranged marriage with Taam’s cousin, the disreputable Kiem, in a bid to keep the rising hostilities between the two worlds under control.
But when it comes to light that Prince Taam’s death may not have been an accident, and that Jainan himself may be a suspect, the unlikely pair must overcome their misgivings and learn to trust one another as they navigate the perils of the Iskat court, try to solve a murder, and prevent an interplanetary war… all while dealing with their growing feelings for each other.
Rachel is twenty-four, a lapsed Jew who has made calorie restriction her religion. By day, she maintains an illusion of existential control, by way of obsessive food rituals, while working as an underling at a Los Angeles talent management agency. At night, she pedals nowhere on the elliptical machine. Rachel is content to carry on subsisting—until her therapist encourages her to take a ninety-day communication detox from her mother, who raised her in the tradition of calorie counting.
Early in the detox, Rachel meets Miriam, a zaftig young Orthodox Jewish woman who works at her favorite frozen yogurt shop and is intent upon feeding her. Rachel is suddenly and powerfully entranced by Miriam—by her sundaes and her body, her faith and her family—and as the two grow closer, Rachel embarks on a journey marked by mirrors, mysticism, mothers, milk, and honey.
Randa Jarrar is a fearless voice of dissent who has been called “politically incorrect” (Michelle Goldberg, The New York Times). As an American raised for a time in Egypt, and finding herself captivated by the story of a celebrated Egyptian belly dancer’s journey across the United States in the 1940s, she sets off from her home in California to her parents’ in Connecticut.
Coloring this road trip are journeys abroad and recollections of a life lived with daring. Reclaiming her autonomy after a life of survival—domestic assault as a child, and later, as a wife; threats and doxxing after her viral tweet about Barbara Bush—Jarrar offers a bold look at domestic violence, single motherhood, and sexuality through the lens of the punished-yet-triumphant body. On the way, she schools a rest-stop racist, destroys Confederate flags in the desert, and visits the Chicago neighborhood where her immigrant parents first lived.
Quiet, thoughtful princess Thanh was sent away as a hostage to the powerful faraway country of Ephteria as a child. Now she’s returned to her mother’s imperial court, haunted not only by memories of her first romance, but by worrying magical echoes of a fire that devastated Ephteria’s royal palace.
Thanh’s new role as a diplomat places her once again in the path of her first love, the powerful and magnetic Eldris of Ephteria, who knows exactly what she wants: romance from Thanh and much more from Thanh’s home. Eldris won’t take no for an answer, on either front. But the fire that burned down one palace is tempting Thanh with the possibility of making her own dangerous decisions.
Can Thanh find the freedom to shape her country’s fate—and her own?
Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors.
The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists’ offices, underground sex clubs, and even a Victorian-era sex theater. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today’s most exciting writers.
Natalie Chan gained her corporate citizenship, but barely survived the battle for Tribulation.
Now corporate has big plans for Natalie. Horrible plans.
Locked away in Natalie’s missing memory is salvation for the last of an alien civilization and the humans they tried to exterminate. The corporation wants total control of both—or their deletion.
This is the final book in the Magic in Manhattan series
New York, 1925
Arthur Kenzie is on a mission: to destroy the powerful supernatural relic that threatens Manhattan—and all the nonmagical minds in the world. So far his search has been fruitless. All it has done is keep him from the man he loves. But he’ll do anything to keep Rory safe and free, even if that means leaving him behind.
Psychometric Rory Brodigan knows his uncontrolled magic is a liability, but he’s determined to gain power over it. He can take care of himself—and maybe even Arthur, too, if Arthur will let him. An auction at the Paris world’s fair offers the perfect opportunity to destroy the relic, if a group of power-hungry supernaturals don’t destroy Rory and Arthur first.
As the magical world converges on Paris, Arthur and Rory have to decide who they can trust. Guessing wrong could spell destruction for their bond—and for the world as they know it.
Set in the year between the 2015 Supreme Court marriage equality ruling and the 2016 Pulse nightclub massacre, Let’s Get Back to the Party explores the intertwined lives of two gay men named Sebastian Mote and Oscar Burnham: estranged childhood friends who reconnect as adults in Washington, DC.
Thirty-somethings who came of age after the AIDS crisis but before the current era where they might have had the comfort of an out adolescence, the two have grown into very different men. Sebastian, a straitlaced suburban high school teacher mourning the end of a long-term relationship, finds his orderly lifestyle threatened by the appearance of Arthur Ayer, a gay student so comfortable in his own skin that Sebastian finds himself dangerously obsessed with the teenager. Oscar, furious and defiant in the face of what he sees as the death of queer culture, begins a confusing relationship—is it friendship or something more?—with once-eminent novelist Sean Stokes, known for graphic stories of pre-AIDS hedonism. Alternating chapters from Sebastian and Oscar’s points of view, Let’s Get Back to the Party recounts their mirrored struggles with generational envy, cultural identity, the traumas of history, and, ultimately, each other.
With no water, no air, and no native life, the planet Gora is unremarkable. The only thing it has going for it is a chance proximity to more popular worlds, making it a decent stopover for ships traveling between the wormholes that keep the Galactic Commons connected. If deep space is a highway, Gora is just your average truck stop.
At the Five-Hop One-Stop, long-haul spacers can stretch their legs (if they have legs, that is), and get fuel, transit permits, and assorted supplies. The Five-Hop is run by an enterprising alien and her sometimes helpful child, who work hard to provide a little piece of home to everyone passing through.
When a freak technological failure halts all traffic to and from Gora, three strangers—all different species with different aims—are thrown together at the Five-Hop. Grounded, with nothing to do but wait, the trio—an exiled artist with an appointment to keep, a cargo runner at a personal crossroads, and a mysterious individual doing her best to help those on the fringes—are compelled to confront where they’ve been, where they might go, and what they are, or could be, to each other.
For years, Robin Thorpe has kept her head down, staying among her people in the Riverside neighborhood and hiding the magic that would have her imprisoned by the state. But when Grace Hensley comes knocking on Clan Thorpe’s door, Robin’s days of hiding are at an end. As freed witches flood the streets of Kingston, scrambling to reintegrate with a kingdom that destroyed their lives, Robin begins to plot a course that will ensure a freer, juster Aeland. At the same time, she has to face her long-bottled feelings for the childhood love that vanished into an asylum twenty years ago.
Can Robin find happiness among the rising tides of revolution? Can Kingston survive the blizzards that threaten, the desperate monarchy, and the birth throes of democracy? Find out as the Kingston Cycle comes to an end.
With her newly completed PhD in astronomy in hand, twenty-eight-year-old Grace Porter goes on a girls’ trip to Vegas to celebrate. She’s a straight A, work-through-the-summer certified high achiever. She is not the kind of person who goes to Vegas and gets drunkenly married to a woman whose name she doesn’t know…until she does exactly that.
This one moment of departure from her stern ex-military father’s plans for her life has Grace wondering why she doesn’t feel more fulfilled from completing her degree. Staggering under the weight of her father’s expectations, a struggling job market and feelings of burnout, Grace flees her home in Portland for a summer in New York with the wife she barely knows.
In New York, she’s able to ignore all the annoying questions about her future plans and falls hard for her creative and beautiful wife, Yuki Yamamoto. But when reality comes crashing in, Grace must face what she’s been running from all along—the fears that make us human, the family scars that need to heal and the longing for connection, especially when navigating the messiness of adulthood.
An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.
In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity.
Whether they succeed or fail could change the fate of Teixcalaan forever.
This is the second book in the Higher Education companion series
Carlton Monroe is finally getting his groove back. After a year playing dad to his nephew and sending him safely off to college, it’s back to his bachelor ways. But when his teenaged niece shows up on his doorstep looking for a permanent home, his plan comes to a screeching halt. Family is everything, and in the eyes of social services, a couple makes a better adoptive family than an overworked bachelor father. A fake relationship with his closest friend is the best way to keep his family together.
If things between him and Deion are complicated, well, it only needs to last until the end of the semester.
Living with Carlton is a heartbreak waiting to happen, and once the adoption goes through, Deion’s out. He’s waited two decades for Carlton to realize they’re meant for each other, and he’s done. It’s time to make a clean break. But it’s hard to think of moving away when keeping up the act includes some very real perks like kissing, cuddling and sharing a bed.
Even the best charades must come to an end, though. As the holidays and Deion’s departure date loom, the two men must decide whether playing house is enough for them—or if there’s any chance they could be a family for real.
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape — and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semi-documentary movie, which follows the girls’ violent fight club, a real-life feminist re-purposing of the classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes increasingly troubled by how deeply Caroline is manipulating the teens in the name of art. When a girl goes missing, Cass must reckon with her own ambitions and ask herself: in the pursuit of fame, how do you know when you’ve gone too far?
As winemaker at Tangle Valley Vineyard, Madison LeGrange relies on science and logic to make the best vintage possible. It’s also how she manages her life. But with her career in its prime, her accountant thinks it’s time she diversifies her income. Not a problem because her favorite caf , the Bacon and Biscuit, is up for sale. What she didn’t plan on was the time she’d spend with Clementine, who has her feeling anything but logical.
Clementine Monroe loves her job managing the Bacon and Biscuit Caf. In fact, after escaping a difficult past, it’s all she has. When Clementine is offered the opportunity to step out from behind the counter and buy the place, her longtime dream is about to come true. That is until it’s snatched out from under her by the very same girl she crushed on in high school. Old habits are hard to break, but Clementine has no plans to forgive Madison anytime soon.
After a public meltdown over her breakup from her cheating musician boyfriend, Cherisse swore off guys in the music industry, and dating in general for a while, preferring to focus on growing her pastry chef business.
When Cherisse’s younger sister reveals she’s getting married in a few months, Cherisse hopes that will distract her mother enough to quit harassing her about finding a guy, settling down and having kids. But her mother’s matchmaking keeps intensifying.
Cherisse tries to humour her mother, hoping if she feigns interest in the eligible bachelors she keeps tossing her way, she’ll be off the hook, but things don’t quite go as planned. Turns out for the first time in ages, she and Keiran King, the most annoying man ever, are on the island at the same time. Avoiding him is impossible, especially when Keiran’s close friend is the one marrying her sister, and he’s the best man to her maid of honour.
Keiran doesn’t know what to make of Cherisse now. They’ve always butted heads. To him she’s always been a stuck-up brat who seeks attention, even while he secretly harbored a crush on her. Now with Cherisse’s sister marrying one of his good friends he can’t escape her as the wedding activities keep throwing them together.
When things turn heated after a rainy night of bedroom fun, they both have to figure out if they can survive the countdown to wedding day, without this turning into a recipe for disaster.
Lark spent the first twenty-four years, nine months, and three days of his life training for a righteous quest: to rid the world of monsters. Alongside his partner Kane, he wore the cage and endured the scourge in order to develop his innate magic. He never thought that when Kane left, he’d next see him in the company of FBI agents and a SWAT team. He never dreamed that the leader of the Fellowship of the Anointed would be brought up on charges of abuse and assault.
He never expected the government would tell him that the monsters aren’t real–that there is no magic, and all the pain was for nothing.
Lark isn’t ready to give up. He is determined to fulfill his quest, to defeat the monsters he was promised. Along the way he will grapple with the past, confront love, and discover his long-buried truth.
Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.
You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after.
Utter nonsense.
Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.
Until I met her.
Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse.
But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world.
Nonsense again.
Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—
Derek is LitenVärld’s most loyal employee. He lives and breathes the job, from the moment he wakes up in a converted shipping container at the edge of the parking lot to the second he clocks out of work 18 hours later. But after taking his first ever sick day, his manager calls that loyalty into question. An excellent employee like Derek, an employee made to work at LitenVärld, shouldn’t need time off.
To test his commitment to the job, Derek is assigned to a special inventory shift, hunting through the store to find defective products. Toy chests with pincers and eye stalks, ambulatory sleeper sofas, killer mutant toilets, that kind of thing. Helping him is the inventory team—four strangers who look and sound almost exactly like him. Are five Dereks better than one?
Val and Julie just want what’s best for their kids, David and Sophie. So when teenage son David comes home one day asking for a Pilot, a new brain implant to help with school, they reluctantly agree. This is the future, after all.
Soon, Julie feels mounting pressure at work to get a Pilot to keep pace with her colleagues, leaving Val and Sophie part of the shrinking minority of people without the device.
Before long, the implications are clear, for the family and society: get a Pilot or get left behind. With government subsidies and no downside, why would anyone refuse? And how do you stop a technology once it’s everywhere? Those are the questions Sophie and her anti-Pilot movement rise up to answer, even if it puts them up against the Pilot’s powerful manufacturer and pits Sophie against the people she loves most.
Arcadia by Emmanuelle Bayamack-Tam, trans. by Ruth Diver (May 11th)
Farah moves into Liberty House—an arcadia, a community in harmony with nature—at the tender age of six, with her family. The commune’s spiritual leader, Arcady, preaches equality, non-violence, anti-speciesism, free love, and uninhibited desire for all, regardless of gender, age, looks, or ability. On her fifteenth birthday, Farah learns she is intersex, and begins to question the confines of gender, and the hypocritical principles those within and outside the confraternity live by. What, Farah asks, is a man or a woman? What is it to be part of a community? What is the endgame for a utopia that exists alongside refugees seeking shelter by the millions and in a society moving ever farther away from nature and its protections. As Liberty House devolves into a dystopia amidst charges of sexual abuse, it starts to look a lot like the larger world, confused in its fears and selfish hedonism.
Following the recipe is the key to a successful bake. Rosaline Palmer has always lived by those rules—well, except for when she dropped out of college to raise her daughter, Amelie. Now, with a paycheck as useful as greaseproof paper and a house crumbling faster than biscuits in tea, she’s teetering on the edge of financial disaster. But where there’s a whisk there’s a way . . . and Rosaline has just landed a spot on the nation’s most beloved baking show.
Winning the prize money would give her daughter the life she deserves—and Rosaline is determined to stick to the instructions. However, more than collapsing trifles stand between Rosaline and sweet, sweet victory. Suave, well-educated, and parent-approved Alain Pope knows all the right moves to sweep her off her feet, but it’s shy electrician Harry Dobson who makes Rosaline question her long-held beliefs—about herself, her family, and her desires.
Rosaline fears falling for Harry is a guaranteed recipe for disaster. Yet as the competition—and the ovens—heat up, Rosaline starts to realize the most delicious bakes come from the heart.
In the quiet streets of Prague all manner of otherworldly creatures lurk in the shadows. Unbeknownst to its citizens, their only hope against the tide of predators are the dauntless lamplighters – a secret elite of monster hunters whose light staves off the darkness each night. Domek Myska leads a life teeming with fraught encounters with the worst kind of evil: pijavica, bloodthirsty and soulless vampiric creatures. Despite this, Domek find solace in his moments spent in the company of his friend, the clever and beautiful Lady Ora Fischer – a widow with secrets of her own.
When Domek finds himself stalked by the spirit of the White Lady – a ghost who haunts the baroque halls of Prague castle – he stumbles across the sentient essence of a will-o’-the-wisp, a mischievous spirit known to lead lost travellers to their death, but who, once captured, are bound to serve the desires of their owners.
After discovering a conspiracy amongst the pijavica that could see them unleash terror on the daylight world, Domek finds himself in a race against those who aim to twist alchemical science for their own dangerous gain.
Nora Riendeau is a hard-charging attorney on the cusp of achieving the capstone of her career. When she collapses during a high-profile case, her doctor orders her to take time off. Reluctantly, Nora realizes that this rare opportunity will allow her to reconnect with her aunt Midge, who has turned to beekeeping to save her farm in Maine. While she’s there, Nora becomes friends with a mysterious beekeeper name Avril and reconnects with her old girlfriend, Johanna.
When a powerful storm ravages the community, the four women join forces to help the town rebuild. Despite this newfound energy and sense of belonging, Nora is soon compelled to return to her legal career in Boston. But, it doesn’t take long for her to begin questioning the decision because she can’t seem to shake herself free the bees and their passion for home and life.
Nora knows she needs to make some hard choices―about her career in Boston, about her feelings for Midge, Johanna, and Avril, and about her desire to care for the bees. For Nora, critical thinking is second nature, and so it becomes abundantly clear that the only question that matters is whether her truest passion lies in an adrenaline-filled Boston courtroom, or with the amazing women at Aunt Midge’s apiary.
Eighteen-year-old aspiring comic Joey Rossi just found out his boyfriend has been cheating on him for the past ten months. But what did he expect? Joey was born with an addiction to toxic jerks—something he inherited from his lovably messy, wisecracking, Italian-American spitfire of a mom (and best friend): 34-year-old Gia Rossi.
When Gia’s latest non-relationship goes up in flames only a day later, the pair’s Bayonne, New Jersey apartment can barely contain their rage. In a misguided attempt at revenge, Joey and Gia inadvertently commit a series of crimes and flee the state, running to the only good man either of them has ever known—Gia’s ex, Marco. As they hide out from the law at Marco’s secluded lake house, Joey and Gia must confront all the bad habits and mistakes they’ve made that have led them to this moment—and find a way to take responsibility for what they’ve done.
Makeda Hicks has lost her job and her girlfriend in one fell swoop. The last thing she’s in the mood for is to rehash the story of her grandmother’s infamous summer fling with a runaway prince from Ibarania, or the investigator from the World Federation of Monarchies tasked with searching for Ibarania’s missing heir.
Yet when Beznaria Chetchevaliere crashes into her life, the sleek and sexy investigator exudes exactly the kind of chaos that organized and efficient Makeda finds irresistible, even if Bez is determined to drag her into a world of royal duty Makeda wants nothing to do with.
When a threat to her grandmother’s livelihood pushes Makeda to agree to return to Ibarania, Bez takes her on a transatlantic adventure with a crew of lovable weirdos, a fake marriage, and one-bed hijinks on the high seas. When they finally make it to Ibarania, they realize there’s more at stake than just cash and crown, and Makeda must learn what it means to fight for what she desires and not what she feels bound to by duty.
Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is honestly a bit out of his league.
So when tragedy strikes and Maisie and Grant lose their mother and Patrick’s brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of “Guncle Rules” ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting—even if temporary—isn’t solved with treats and jokes, Patrick’s eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you’re unfailingly human.
Harlem, 1926. Young black girls like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She”s succeeding, too. She spends her days working at Maggie”s Café and her nights at the Zodiac, Manhattan”s hottest speakeasy. Louise”s friends might say she”s running from her past and the notoriety that still stalks her, but don”t tell her that.
When a girl turns up dead in front of the café, Louise is forced to confront something she”s been trying to ignore–several local black girls have been murdered over the past few weeks. After an altercation with a local police officer gets her arrested, Louise is given an ultimatum: She can either help solve the case or let a judge make an example of her.
Louise has no choice but to take the case and soon finds herself toe-to-toe with a murderous mastermind. She’ll have to tackle her own fears and the prejudices of New York City society if she wants to catch a killer and save her own life in the process.
Cynical twenty-three-year old August doesn’t believe in much. She doesn’t believe in psychics, or easily forged friendships, or finding the kind of love they make movies about. And she certainly doesn’t believe her ragtag band of new roommates, her night shifts at a 24-hour pancake diner, or her daily subway commute full of electrical outages are going to change that.
But then, there’s Jane. Beautiful, impossible Jane.
All hard edges with a soft smile and swoopy hair and saving August’s day when she needed it most. The person August looks forward to seeing on the train every day. The one who makes her forget about the cities she lived in that never seemed to fit, and her fear of what happens when she finally graduates, and even her cold-case obsessed mother who won’t quite let her go. And when August realizes her subway crush is impossible in more ways than one―namely, displaced in time from the 1970s―she thinks maybe it’s time to start believing.
Jordan Baker grows up in the most rarefied circles of 1920s American society—she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer, Asian, adopted, and treated as an exotic attraction by her peers, while the most important doors remain closed to her.
But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.
The year is 20__, and Penfield R. Henderson is in a rut. When he’s not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he’s holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden’s social media account and post a picture of Pen’s aloe plant, Alice, tied to a curse:
Whosoever beholds the aloe will be pushed into the Shadowlands.
When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants’ collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn’t just the people who birthed you.
If she’s being honest, Sammie Lucas is scared of her son. Working from home in the close quarters of their Florida house, she lives with one wary eye peeled on Samson, a sullen, unknowable boy who resists her every attempt to bond with him. Uncertain in her own feelings about motherhood, she tries her best—driving, cleaning, cooking, prodding him to finish projects for school—while growing increasingly resentful of Monika, her confident but absent wife. As Samson grows from feral toddler to surly teenager, Sammie’s life begins to deteriorate into a mess of unruly behavior, and her struggle to create a picture-perfect queer family unravels. When her son’s hostility finally spills over into physical aggression, Sammie must confront her role in the mess—and the possibility that it will never be clean again.
Imprisoned by her dictator brother, Malini spends her days in isolation in the Hirana: an ancient temple that was once the source of the powerful, magical deathless waters — but is now little more than a decaying ruin.
Priya is a maidservant, one among several who make the treacherous journey to the top of the Hirana every night to clean Malini’s chambers. She is happy to be an anonymous drudge, so long as it keeps anyone from guessing the dangerous secret she hides.
But when Malini accidentally bears witness to Priya’s true nature, their destinies become irrevocably tangled. One is a vengeful princess seeking to depose her brother from his throne. The other is a priestess seeking to find her family. Together, they will change the fate of an empire.
Oliver Park, a young recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they’ve made a perfect life together. With everything to lose, Oliver shouldn’t be visiting Haus, a gay bathhouse. But through the entrance he goes, and it’s a line crossed. Inside, he follows a man into a private room, and it’s the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life.
He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.
In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.
Simply the Best… Giselle Otero needs a win in her life, and being personal assistant to Helene Jolie, the socialite founder of SimplytheBest.com, is finally it. The hours are long, and keeping Helene happy is more than a full-time job. That Helene seems to find Giselle’s company pleasing in ways beyond work is dizzying.
Simply the Worst… An unfortunate lapse in judgment has bumped New York reporter Alice Cabot from Science to Style. Even worse, she’s exiled to New Mexico to complete a series of in-depth and upbeat features on Helene Jolie and her company’s meteoric success. She knows she’s going to hate every last thing about this assignment, starting with the assistant who’ll be her corporate babysitter.
Simply Irresistible… Tasked with keeping the inquisitive reporter in check, Giselle is eager to prove her worth to the demanding, charismatic Helene. Even if that means spending every day arguing with a big mouth, big city know-it-all whose probing questions lead to sleepless nights―and awakened desires.
The City of a Thousand Feelings doesn’t let certain people inside its walls. It’s a place where emotions can become visible, but it flees the approach of a makeshift army who want to enter. Two of the trans women in this army forge a deep, complicated, and at times contentious friendship spanning thirty years. They must come to terms with not only the City’s literal and figurative gatekeeping, but also other, even more sinister forces that use necromancy against them. As the narrator and her friend’s lives are sundered apart, they must come to terms with what it means to not have a home, and what it means to be queer and aching for such a home. A sword and sorcery tale with emotional resonance, City of a Thousand Feelings brims with both the visceral and the allegorical, allowing the two trans women at the center of the story to claim their own space.
For just one moonlit, memorable night, Thornfell College of Magic has flung open its doors, inviting guests from around the nation to an outdoor ball intended to introduce the first-ever class of women magicians to society…but one magician and one invited guest have far more pressing goals of their own for the night.
Quietly brilliant Juliana Banks is determined to win back the affections of her secret fiancée, rising politician Caroline Fennell, who has become inexplicably distant. If Juliana needs to use magic to get her stubborn fiancée to pay her attention…well, then, as the top student in her class, she is more than ready to take on that challenge!
Unbeknownst to Juliana, though, Caroline plans to nobly sacrifice their betrothal for Juliana’s own sake – and no one has ever accused iron-willed Caroline Fennell of being easy to deter from any goal.
Their path to mutual happiness may seem tangled beyond repair…but when they enter the fey-ruled woods that border Thornfell College, these two determined women will find all of their plans upended in a night of unexpected and magical possibilities.
As a successful social media journalist with half a million followers, seventeen-year-old Cal is used to sharing his life online. But when his pilot father is selected for a highly publicized NASA mission to Mars, Cal and his family relocate from Brooklyn to Houston and are thrust into a media circus.
Amidst the chaos, Cal meets sensitive and mysterious Leon, another “Astrokid,” and finds himself falling head over heels—fast. As the frenzy around the mission grows, so does their connection. But when secrets about the program are uncovered, Cal must find a way to reveal the truth without hurting the people who have become most important to him.
Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live down by the bayou in their small Louisiana town. Khalid still visits in dreams, and King must keep these secrets to himself as he watches grief transform his family.
It would be easier if King could talk with his best friend, Sandy Sanders. But just days before he died, Khalid told King to end their friendship, after overhearing a secret about Sandy-that he thinks he might be gay. “You don’t want anyone to think you’re gay too, do you?”
But when Sandy goes missing, sparking a town-wide search, and King finds his former best friend hiding in a tent in his backyard, he agrees to help Sandy escape from his abusive father, and the two begin an adventure as they build their own private paradise down by the bayou and among the dragonflies. As King’s friendship with Sandy is reignited, he’s forced to confront questions about himself and the reality of his brother’s death.
Emilie des Marais is more at home holding scalpels than embroidery needles and is desperate to escape her noble roots to serve her country as a physician. But society dictates a noble lady cannot perform such gruesome work.
Annette Boucher, overlooked and overworked by her family, wants more from life than her humble beginnings and is desperate to be trained in magic. So when a strange noble girl offers Annette the chance of a lifetime, she accepts.
Emilie and Annette swap lives—Annette attends finishing school as a noble lady to be trained in the ways of divination, while Emilie enrolls to be a physician’s assistant, using her natural magical talent to save lives.
But when their nation instigates a frivolous war, Emilie and Annette must work together to help the rebellion end a war that is based on lies.
“That girl’s got more wrong notions than a barn owl’s got mean looks.”
Esther is a stowaway. She’s hidden herself away in the Librarian’s book wagon in an attempt to escape the marriage her father has arranged for her—a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda. The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.
At least, that’s how the rumor goes. But in reality, Jacks is just a crocks-wearing, internet-savvy old lady who sells roadkill skeletons online—after doing a little ritual to put their spirits to rest. It’s creepy, sure, but Snap thinks it’s kind of cool, too.
They make a deal: Jacks will teach Snap how to take care of the baby opossums that Snap rescued, and Snap will help Jacks with her work. But as Snap starts to get to know Jacks, she realizes that Jacks may in fact have real magic—and a connection with Snap’s family’s past.
The sequel to the New York Times bestselling epic Dread Nation is an unforgettable journey of revenge and salvation across a divided America.
After the fall of Summerland, Jane McKeene hoped her life would get simpler: Get out of town, stay alive, and head west to California to find her mother.
But nothing is easy when you’re a girl trained in putting down the restless dead, and a
devastating loss on the road to a protected village called Nicodemus has Jane questioning everything she thought she knew about surviving in 1880s America.
What’s more, this safe haven is not what it appears—as Jane discovers when she sees familiar faces from Summerland amid this new society. Caught between mysteries and lies, the undead, and her own inner demons, Jane soon finds herself on a dark path of blood and violence that threatens to consume her.
But she won’t be in it alone.
Katherine Deveraux never expected to be allied with Jane McKeene. But after the hell she has endured, she knows friends are hard to come by—and that Jane needs her too, whether Jane wants to admit it or not.
Watching Jane’s back, however, is more than she bargained for, and when they both reach a breaking point, it’s up to Katherine to keep hope alive—even as she begins to fear that there is no happily-ever-after for girls like her.
Ever since the witch cursed Babs, she turns invisible sometimes. She has her mum and her dog, but teachers and classmates barely notice her. Then, one day, Iris can see her. And Iris likes what they see. Babs is made of fire.
Iris grew from a seed in the ground. They have friends, but not human ones. Not until they meet Babs. The two of them have a lot in common: they speak to dryads and faeries, and they’re connected to the magic that’s all around them.
There’s a new boy at school, a boy who’s like them and who hasn’t found his real name. Soon the three of them are hanging out and trying spellwork together. Magic can be dangerous, though. Witches and fae can be cruel. Something is happening in the other realm, and despite being warned to stay away, the three friends have to figure out how to deal with it on their own terms.
Winter was the only season every Lake-Lander feared…
In a post-apocalyptic America, a community survives in a national park, surrounded by water that keeps the Dead at bay. But when winter comes, there’s nothing to stop them from crossing the ice.
Then homebody Peter puts the camp in danger by naively allowing a stranger to come ashore and he’s forced to leave the community of Wranglestone. Now he must help rancher Cooper, the boy he’s always watched from afar, herd the Dead from their shores before the lake freezes over.
But as love blossoms, a dark discovery reveals the sanctuary’s secret past. One that forces the pair to question everything they’ve ever known.
In this volume we’ll see the Heartstopper gang go on a school trip to Paris! Not only are Nick and Charlie navigating a new city, but also telling more people about their relationship AND learning more about the challenges each other are facing in private…
Meanwhile Tao and Elle will face their feelings for each other, Tara and Darcy share more about their relationship origin story, and the teachers supervising the trip seem… rather close…?
Finnmark, Norway, 1617. Twenty-year-old Maren Magnusdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Arctic town of Vardø must fend for themselves.
Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband’s authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God, and flooded with a mighty evil.
As Maren and Ursa are drawn to one another in ways that surprise them both, the island begins to close in on them, with Absalom’s iron rule threatening Vardø’s very existence.
Inspired by the real events of the Vardø storm and the 1621 witch trials, The Mercies is a story of love, evil, and obsession, set at the edge of civilization.
Dame Grace Hensley helped her brother Miles undo the atrocity that stained her nation, but now she has to deal with the consequences. With the power out in the dead of winter and an uncontrollable sequence of winter storms on the horizon, Aeland faces disaster. Grace has the vision to guide her parents to safety, but a hostile queen and a ring of rogue mages stand in the way of her plans. There’s revolution in the air, and any spark could light the powder. What’s worse, upstart photojournalist Avia Jessup draws ever closer to secrets that could topple the nation, and closer to Grace’s heart.
Can Aeland be saved without bloodshed? Or will Kingston die in flames, and Grace along with it?
Throughout this striking debut collection we meet characters who have lied, who have sometimes created elaborate falsehoods, and who now must cope with the way that those deceptions eat at the very fabric of their lives and relationships. In the title story, the narrator, desperate to save a love affair on the rocks, hires an actor to play a friend he invented in order to seem less lonely, after his boyfriend catches on to his compulsion for lying and demands to know this friend is real; in “Aim for the Heart”, a man’s lies about a hunting habit leave him with an unexpected deer carcass and the need to parse unsettling high school memories; in “Rorschach”, a theater producer runs a show in which death row inmates are crucified in an on-stage rendering of the New Testament, while being haunted daily by an unrequited love and nightly by ghosts of his own creation.
In I Know You Know Who I Am, Kispert deftly explores deception and performance, the uneasiness of reconciling a queer identity with the wider world, and creates a sympathetic, often darkly humorous, portrait of characters searching for paths to intimacy, desperate for connection.
Celia Sand and her best friend, Anya Burtoni, are inklings for the esteemed religion of Profeta. Using magic, they tattoo followers with beautiful images that represent the Divine’s will and guide the actions of the recipients. It’s considered a noble calling, but ten years into their servitude Celia and Anya know the truth: Profeta is built on lies, the tattooed orders strip away freedom, and the revered temple is actually a brutal, torturous prison.
Their opportunity to escape arrives with the Rabble Mob, a traveling theater troupe. Using their inkling abilities for performance instead of propaganda, Celia and Anya are content for the first time . . . until they realize who followed them. The Divine they never believed in is very real, very angry, and determined to use Celia, Anya, and the Rabble Mob’s now-infamous stage to spread her deceitful influence even further.
To protect their new family from the wrath of a malicious deity and the zealots who work in her name, Celia and Anya must unmask the biggest lie of all—Profeta itself.
Sometimes you just have to yell. New York Times bestselling author of Texts from Jane Eyre Daniel Mallory Ortberg has mastered the art of “poetic yelling,” a genre surely familiar to fans of his cult-favorite website The Toast.
In this irreverent essay collection, Ortberg expands on this concept with in-depth and hilarious studies of all things pop culture, from the high to low brow. From a thoughtful analysis on the beauty of William Shatner to a sinister reimagining of HGTV’s House Hunters, Something That May Shock and Discredit You is a laugh-out-loud funny and whip-smart collection for those who don’t take anything—including themselves—much too seriously.
Csorwe does—she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.
But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard’s loyal sword. Topple an empire, and help him reclaim his seat of power.
But Csorwe will soon learn—gods remember, and if you live long enough, all debts come due.
R. Eric Thomas didn’t know he was different until the world told him so. Everywhere he went—whether it was his rich, mostly white, suburban high school, his conservative black church, or his Ivy League college in a big city—he found himself on the outside looking in.
In essays by turns hysterical and heartfelt, Eric redefines what it means to be an “other” through the lens of his own life experience. He explores the two worlds of his childhood: the barren urban landscape where his parents’ house was an anomalous bright spot, and the verdant school they sent him to in white suburbia. He writes about struggling to reconcile his Christian identity with his sexuality, about the exhaustion of code-switching in college, accidentally getting famous on the internet (for the wrong reason), and the surreal experience of covering the 2016 election as well as the seismic change that came thereafter. Ultimately, Eric seeks the answer to the ever more relevant question: Is the future worth it? Why do we bother when everything seems to be getting worse? As the world continues to shift in unpredictable ways, Eric finds the answers to these questions by re-envisioning what “normal” means, and in the powerful alchemy that occurs when you at last place yourself at the center of your own story.
For fans of Samantha Irby, Michael Arceneaux, and David Sedaris, Here for It will resonate deeply and joyfully with everyone who has ever felt pushed to the margins, struggled with self-acceptance, or wished to shine more brightly in a dark world. Stay here for it—the future may surprise you.
In his fourth collection, 13th Balloon, Mark Bibbins turns his candid eye to the American AIDS crisis. With quiet consideration and dark wit, Bibbins addresses the majority of his poems to Mark Crast, his friend and lover who died from AIDS at the early age of 25. Every broken line and startling linguistic turn grapples with the genre of elegy: what does it mean to experience personal loss, Bibbins seems to ask, amidst a greater societal tragedy? The answer is blurred― amongst unforeseen disease, intolerance, and the intimate consequences of mismanaged power. Perhaps the most unanswerable question arrives when Bibbins writes, “For me elegy/ is like a Ouija planchette/ something I can barely touch/ as I try to make it/ say what I want it to say.” And while we are still searching for the words that might begin an answer, Bibbins helps us understand that there is endless value in continuing―through both joy and grief―to wonder.
A Queer anthology featuring stories inspired by magic and the cosmos, a vast and beautiful place where planets, stars, comets, entire galaxies even, live without borders, specifications or binaries. Stories will span science fiction, science fantasy, contemporary, fabulism and magical realism.
When she arrives for a working vacation, shy photographer Trisha Ivy doesn’t expect much from Cherrywood Grove. Then she runs into beautiful, confident Gabi Gonzalez, a caterer working all the same weddings… and also the daughter of Trisha’s favorite childhood TV star. Trisha can’t resist getting to know her. After all, she’s only in town for the summer, and Gabi is straight. What harm could it do?
But as it turns out, Gabi’s easy charm is a facade. Since the sudden death of her father, Gabi has been pulling away from her family and what she really wants, weighed down by secrets she can’t express. Trisha might be the perfect person to help her, but is getting so involved in Gabi’s life really the right choice?
A novel of rare emotional power that excavates the social intricacies of a late-summer weekend–and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends–some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community.
Adda Karpe and Iridian Nassir are on the run—both from the authorities who want to imprison them and the artificial intelligence that want to control their minds. Trapped on a desolate black-market space station on the edge of Jupiter, they’re nearly out of allies—and out of luck.
Now, they have one last shot to find a safe haven where they can live together in peace—across the interstellar bridge to another galaxy. Getting onto that mission will take everything they’ve got and more. But on the other side of that bridge lies the life they’ve always dreamed of…if they can survive long enough to reach it.
Eis has lived on a solar powered outpost in a tundra covered land all zir life.
After zir parents passing, Eis is left to maintain the outpost alone, struggling to do so between chronic pain flare ups, waiting for the day a traveler might come in need of a warm bed and a meal. A day Eis thinks might never come, until a mysterious craft crashes into one of the solar panels.
Eis never expected a traveler to come out of the craft, or for him to be so captivating and beautiful. Everything Eis knows could change with the coming of this traveler, and yet the greatest travesty would be never knowing what else is out there, beyond the tundra, beyond the skies.
A comic style children’s book that tells the story of Stephie, a 7-year-old transgender girl, whose Dad is still struggling to recognize and accept her gender. It portrays a powerful message for children aged 6-9, that no one else other than ourselves gets to decide who we are.
‘My Dad thinks I’m a boy named Stephen who likes wrestling and fishing. But that’s what my Dad likes.’
Stephie is 7 years old. She likes bugs, books and spaghetti. Also, she’s a girl… which should be pretty easy to understand, right? Well, not for her Dad! He’s been mistaking her for a boy since she was born and struggles to see her for who she is.
This powerful and uplifting comic book for primary age children and their families humorously portrays a situation that is often too common, where a trans child is forced to negotiate between their true self and their parents’ love.
With amusing illustrations, and a useful guide for adults, it’s the perfect book to help show children that no one else than ourselves gets to decide who we are.
In this nail-biting sequel to Tehlor Kay Mejia’s critically acclaimed fantasy novel We Set the Dark on Fire, La Voz operative Carmen is forced to choose between the girl she loves and the success of the rebellion she’s devoted her life to. Perfect for fans of The Handmaid’s Tale and Anna-Marie McLemore.
Being a part of the resistance group La Voz is an act of devotion and desperation. On the other side of Medio’s border wall, the oppressed class fights for freedom and liberty, sacrificing what little they have to become defenders of the cause.
Carmen Santos is one of La Voz’s best soldiers. She spent years undercover, but now, with her identity exposed and the island on the brink of a civil war, Carmen returns to the only real home she’s ever known: La Voz’s headquarters.
There she must reckon with her beloved leader, who is under the influence of an aggressive new recruit, and with the devastating news that her true love might be the target of an assassination plot. Will Carmen break with her community and save the girl who stole her heart—or fully embrace the ruthless rebel she was always meant to be?
When an elderly customer at a big box furniture store slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional swashbuckling would be hard enough, but our two unfortunate souls broke up a week ago.
Can friendship blossom from the ashes of a relationship? In infinite dimensions, all things are possible.
When sixth grader Silas Wade does a school presentation on former Major Leaguer Glenn Burke, it’s more than just a report about the irrepressible inventor of the high five. Burke was a gay baseball player in the 1970s–and for Silas, the presentation is his own first baby step toward revealing a truth about himself he’s tired of hiding. Soon he tells his best friend, Zoey, but the longer he keeps his secret from his baseball teammates, the more he suspects they know something’s up–especially when he stages one big cover-up with terrible consequences..
There may not be much cohesion in the way of genre in the below titles, which include fantasy, romance, literary, coming-of-age, and more, but there is one tie that binds: these books are pretty freakin’ gay. And since that’s what we celebrate here, hopefully there’s at least something for everyone in the below titles that release in the next six months!
As always, preorder links for Amazon and IndieBound are affiliate links, so please use them liberally as a percentage of those purchases helps support the site!
Hal was once a knight, carefree and joyous, sworn to protect her future queen Banna Mora. But after a rebellion led by her own mother, Caleda, Hal is now the prince of Lionis, heir to the throne. The pressure of her crown and bloody memories of war plague her, as well as a need to shape her own destiny, no matter the cost.
Lady Hotspur, known as the Wolf of Aremoria for her temper and warcraft, never expected to be more than a weapon. She certainly never expected to fall in love with the fiery Hal or be blindsided by an angry Queen’s promise to remake the whole world in her own image—a plan Hotspur knows will lead to tragedy.
Banna Mora kept her life, but not her throne. Fleeing to Innis Lear to heal her heart and plot revenge, the stars and roots of Innis Lear will teach her that the only way to survive a burning world is to learn to breathe fire.
These three women, together or apart, are the ones who have the power to bring the once-powerful Aremoria back to life—or destroy it forever.
Sofia, Bulgaria, a landlocked city in southern Europe, stirs with hope and impending upheaval. Soviet buildings crumble, wind scatters sand from the far south, and political protesters flood the streets with song.
In this atmosphere of disquiet, an American teacher navigates a life transformed by the discovery and loss of love. As he prepares to leave the place he’s come to call home, he grapples with the intimate encounters that have marked his years abroad, each bearing uncanny reminders of his past. A queer student’s confession recalls his own first love, a stranger’s seduction devolves into paternal sadism, and a romance with another foreigner opens, and heals, old wounds. Each echo reveals startling insights about what it means to seek connection: with those we love, with the places we inhabit, and with our own fugitive selves.
Trina Goldberg-Oneka is a trans woman whose life is irreversibly altered in the wake of a gentle—but nonetheless world-changing—invasion by an alien entity calling itself The Seep. Through The Seep, everything is connected. Capitalism falls, hierarchies and barriers are broken down; if something can be imagined, it is possible.
Trina and her wife, Deeba, live blissfully under The Seep’s utopian influence—until Deeba begins to imagine what it might be like to be reborn as a baby, which will give her the chance at an even better life. Using Seep-tech to make this dream a reality, Deeba moves on to a new existence, leaving Trina devastated.
Heartbroken and deep into an alcoholic binge, Trina chases after a young boy she encounters, embarking on an unexpected quest. In her attempt to save him from The Seep, she will confront not only one of its most avid devotees, but the terrifying void that Deeba has left behind.
Robyn Hood didn’t set out to rob the rich, but in Nottingham, nothing ever goes according to plan….
After a fateful hunting accident sends her on the run from the law, Robyn finds herself deep in the heart of Sherwood Forest. All she really wants to do is provide for her family and stay out of trouble, but when the Sheriff of Nottingham levies the largest tax in the history of England, she’s forced to take matters into her own hands. Relying on the help of her band of merry women and the Sheriff’s intriguing—and off limits—daughter, Marian, Robyn must find a way to pull off the biggest heist Sherwood has ever seen.
With both heart and freedom at stake, just how much will she risk to ensure the safety of the ones she loves?
When Nick Brink and his boyfriend Clay Guillory meet up on the Grand Canal in Venice, they have a plan in mind—and it doesn’t involve a vacation. Nick and Clay are running away from their turbulent lives in New York City, each desperate for a happier, freer future someplace else. Their method of escape? Selling a collection of counterfeit antiques to a brash, unsuspecting American living out his retirement years in a grand palazzo. With Clay’s smarts and Nick’s charm, their scheme is sure to succeed.
As it turns out, tricking a millionaire out of money isn’t as easy as it seems, especially when Clay and Nick let greed get the best of them. As Nick falls under the spell of the city’s decrepit magic, Clay comes to terms with personal loss and the price of letting go of the past. Their future awaits, but it is built on disastrous deceits, and more than one life stands in the way of their dreams.
“That girl’s got more wrong notions than a barn owl’s got mean looks.”
Esther is a stowaway. She’s hidden herself away in the Librarian’s book wagon in an attempt to escape the marriage her father has arranged for her—a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda. The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.
Late night talk show host Rian Goodwin will do anything to get a laugh and increase his ratings. He’ll eat spaghetti on top of a rollercoaster, challenge nursing home residents to pudding wrestling, and let his mom shame him on television. Nothing is too out there for fame-hungry Rian, but things get awkward when he meets an incredibly hot public high school teacher while sporting spandex and a fake mullet.
Darrell Stanley teaches English literature, reads manga, wears sweaters, and dedicates his weekends to charity. He’s everything Rian wants, but he doesn’t seem to want anything to do with the comedian, his show, or the paparazzi cameras. The only kind of guy Darrell wants is a good role model for the students. Rian doesn’t quite understand what it means to be a good role model, but he’s willing to learn.
However, the fast-paced world of entertainment demands all of Rian’s time–time that he needs to prove to Darrell he’s more than a work-obsessed celebrity. When a network offer that could secure his legacy arrives, Rian has to decide if this chance to become the king of entertainment is worth throwing away a chance at love with the king of role models.
The Mercies by Kiran Millwood Hargrave (February 6th)
Finnmark, Norway, 1617. Twenty-year-old Maren Magnusdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Arctic town of Vardø must fend for themselves.
Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband’s authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God, and flooded with a mighty evil.
As Maren and Ursa are drawn to one another in ways that surprise them both, the island begins to close in on them, with Absalom’s iron rule threatening Vardø’s very existence.
Inspired by the real events of the Vardø storm and the 1621 witch trials, The Mercies is a story of love, evil, and obsession, set at the edge of civilization.
Dame Grace Hensley helped her brother Miles undo the atrocity that stained her nation, but now she has to deal with the consequences. With the power out in the dead of winter and an uncontrollable sequence of winter storms on the horizon, Aeland faces disaster. Grace has the vision to guide her parents to safety, but a hostile queen and a ring of rogue mages stand in the way of her plans. There’s revolution in the air, and any spark could light the powder. What’s worse, upstart photojournalist Avia Jessup draws ever closer to secrets that could topple the nation, and closer to Grace’s heart.
Can Aeland be saved without bloodshed? Or will Kingston die in flames, and Grace along with it?
Throughout this striking debut collection we meet characters who have lied, who have sometimes created elaborate falsehoods, and who now must cope with the way that those deceptions eat at the very fabric of their lives and relationships. In the title story, the narrator, desperate to save a love affair on the rocks, hires an actor to play a friend he invented in order to seem less lonely, after his boyfriend catches on to his compulsion for lying and demands to know this friend is real; in “Aim for the Heart”, a man’s lies about a hunting habit leave him with an unexpected deer carcass and the need to parse unsettling high school memories; in “Rorschach”, a theater producer runs a show in which death row inmates are crucified in an on-stage rendering of the New Testament, while being haunted daily by an unrequited love and nightly by ghosts of his own creation.
Csorwe does—she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice.
But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard’s loyal sword. Topple an empire, and help him reclaim his seat of power.
But Csorwe will soon learn—gods remember, and if you live long enough, all debts come due.
A novel of rare emotional power that excavates the social intricacies of a late-summer weekend–and a lifetime of buried pain. Almost everything about Wallace, an introverted African-American transplant from Alabama, is at odds with the lakeside Midwestern university town where he is working toward a biochem degree. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends–some dating each other, some dating women, some feigning straightness. But a series of confrontations with colleagues, and an unexpected encounter with a young straight man, conspire to fracture his defenses, while revealing hidden currents of resentment and desire that threaten the equilibrium of their community.
When an elderly customer at a big box furniture store slips through a portal to another dimension, it’s up to two minimum-wage employees to track her across the multiverse and protect their company’s bottom line. Multi-dimensional swashbuckling would be hard enough, but our two unfortunate souls broke up a week ago.
Can friendship blossom from the ashes of a relationship? In infinite dimensions, all things are possible.
On an Ojibwe reservation called Languille Lake, within the small town of Geshig at the hub of the rez, two men enter into a secret romance. Marion Lafournier, a midtwenties gay Ojibwe man, begins a relationship with his former classmate Shannon, a heavily closeted white man obsessed with his image as a northern Minnesotan. While Marion is far more open about his sexuality, neither is immune to the realities of the lives of gay men in small towns and closed societies.
One night, while roaming the dark streets of Geshig, Marion unknowingly brings to life a dog from beneath the elementary school playground. The mysterious revenant leads him to the grave of Kayden Kelliher, an Ojibwe basketball star who was murdered at the young age of seventeen and whose presence still lingers in the memories of the townsfolk. While investigating the fallen hero’s death, Marion discovers family connections and an old Ojibwe legend that may be the secret to unraveling the mystery he has found himself in.
Meanwhile, Marion’s mother, Hazel, must come to terms not only with her role in her son’s haunting but also with a mummified jawbone she uncovers at her grandmother’s burial site and the possible curse it has cast on the Lafournier family.
Set on a reservation in far northern Minnesota, This Town Sleeps explores the many ways history, culture, landscape, and lineage shape our lives, our understanding of the world we inhabit, and the stories we tell ourselves to make sense of it all.
Docile is a science fiction parable about love and sex, wealth and debt, abuse and power, a challenging tour de force that at turns seduces and startles.
To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents’ debts and buy your children’s future.
Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him. Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.
Big Burr, Kansas, is the kind of place where everyone seems to know everyone, and everyone shares the same values-or keeps their opinions to themselves. But when a national nonprofit labels Big Burr “the most homophobic town in the US” and sends in a task force of queer volunteers as an experiment-they’ll live and work in the community for two years in an attempt to broaden hearts and minds-no one is truly prepared for what will ensue.
Furious at being uprooted from her life in Los Angeles and desperate to fit in at her new high school, Avery fears that it’s only a matter of time before her “gay crusader” mom outs her. Still grieving the death of her son, Linda welcomes the arrivals, who know mercifully little about her past. And for Christine, the newcomers are not only a threat to the comforting rhythms of Big Burr life, but a call to action. As tensions roil the town, cratering relationships and forcing closely guarded secrets into the light, everyone must consider what it really means to belong.
Thirty-year-old Hetty Cartwright is tasked with the evacuation and safekeeping of the natural history museum’s collection of mammals. Once she and her exhibits arrive at Lockwood Manor, however, where they are to stay for the duration of the war, Hetty soon realizes that she’s taken on more than she’d bargained for.
Protecting her charges from the irascible Lord Lockwood and resentful servants is work enough, but when some of the animals go missing, and worse, Hetty begins to suspect someone – or something – is stalking her through the darkened corridors of the house.
As the disasters mount, Hetty finds herself falling under the spell of Lucy, Lord Lockwood’s beautiful but clearly haunted daughter. But why is Lucy so traumatized? Does she know something she’s not telling? And is there any truth to local rumours of ghosts and curses?
This is a sequel to The Watchmaker of Filligree Street
1888. Five years after they met in The Watchmaker of Filigree Street, Thaniel Steepleton, an unassuming translator, and Keita Mori, the watchmaker who remembers the future, are traveling to Japan. Thaniel has received an unexpected posting to the British legation in Tokyo, and Mori has business that is taking him to Yokohama.
Thaniel’s brief is odd: the legation staff have been seeing ghosts, and Thaniel’s first task is to find out what’s really going on. But while staying with Mori, he starts to experience ghostly happenings himself. For reasons Mori won’t–or can’t–share, he is frightened. Then he vanishes.
Meanwhile, something strange is happening in a frozen labor camp in Northern Japan. Takiko Pepperharrow, an old friend of Mori’s, must investigate.
As the weather turns bizarrely electrical and ghosts haunt the country from Tokyo to Aokigahara forest, Thaniel grows convinced that it all has something to do with Mori’s disappearance–and that Mori may be in serious danger.
Lauren Prescott had dreamed of being an actress since she was cast as Wendy in her junior high production of Peter Pan. Yes, her nightgown snagged and brought the set tumbling down, but she was hooked. After years of unsuccessful auditions, performing just wasn’t in the cards. Instead, Lauren established herself as a successful stage manager at the esteemed McAllister Theatre. Unfortunately, the resident director has cast celebrity, Carly Daniel: headstrong, entitled, and always late. So, why is their chemistry turning her the hell on?
After partying her way through her twenties and ruining a successful film career, Carly Daniel has to take whatever she can get. If schlepping it onstage will raise her star again, she’ll listen to her pesky agent. Added bonus: the uptight stage manager is a sexy distraction.
When Carly’s costar is sidelined, Lauren must decide whether renewing a long-forgotten dream will jeopardize what she has percolating with Carly. Is the limelight big enough for two?
The last place Angelina Moltisanti ever wants to go is home. She barely escaped life under the roof, and the thumb, of her violent but charismatic father, Jack. Yet home is exactly where she ends up after an SUV plows into her car just weeks after she graduates from college, fracturing her wrist and her hopes to start a career as an artist.
Angelina finds herself smothered in a plaster cast, in Jack’s obsessive urge to get her a giant accident settlement, in her mother Marie’s desperation to have a second chance, and in her own stifled creativity – until she meets Janet, another young artist who inspires her to push herself into making the dynamic, unsettling work that tells the story of her scars, inside and out. But excavating this damage, as relations with her father become increasingly tense, will push Angelina into making a hard choice: will she embrace her father’s all-consuming and empowering rage, or find another kind of strength?
At forty, Linus Baker lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of gifted children in government-sanctioned orphanages. When Linus is unexpectedly summoned by Extremely Upper Management, he’s given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children and their elusive but charming caretaker, Arthur, live. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
Early one morning on a hot day in August, millennial Congress-bro Alexander Paine Wilson (R) is planning his reelection campaign when a mysterious FedEx delivery arrives at his townhouse. Inside is a gigantic taxidermied aardvark.
What does it mean?
To find out, this outrageous, edge-of-your-seat novel hurtles between present day Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England, where we meet the aardvark’s taxidermist and the naturalist who hunted her, and learn the secret that binds them all.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor’s lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She’s a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.
A young pilot risks everything to save his best friend–the man he trusts most and might even love–only to learn that he’s secretly the heir to a brutal galactic empire.
Ettian Nassun’s life was shattered when the merciless Umber Empire invaded. He’s spent seven years putting himself back together under its rule, joining an Umber military academy and becoming the best pilot in his class. Even better, he’s met Gal Veres–his exasperating and infuriatingly enticing roommate who’s made the Academy feel like a new home.
But when dozens of classmates spring an assassination plot on Gal, a devastating secret comes to light: Gal is the heir to the Umber Empire. Ettian barely manages to save his best friend and flee the compromised Academy unscathed, rattled both that Gal stands to inherit the empire that broke him and that there are still people willing to fight back against Umber rule. As they piece together a way to deliver Gal safely to his throne, Ettian finds himself torn in half by an impossible choice. Does he save the man who’s won his heart and trust that Gal’s goodness could transform the empire? Or does he throw his lot in with the brewing rebellion and fight to take back what’s rightfully theirs?
Raised on a small island in North Carolina’s Outer Banks, Willa has a picture-perfect nautical life: hanging out at the beach with her friends, living in a cozy seaside cottage, working at a sailing store, and running a hugely popular sailing Instagram. It’s so convincing that her overzealous online followers register her to compete in the High Seas, a televised national sailing championship.
Too bad Willa doesn’t actually know how to sail.
Desperate to protect her carefully curated life, Willa tracks down four-time High Seas champion Lane Cordova, and begs her for a crash course in sailing before the race begins. But Lane’s mastery of the water is matched only by Willa’s ineptitude—and her growing crush on Lane isn’t helping matters. When the competition threatens to go awry and take her idealized life with it, Willa has to figure out if she can save her reputation from sinking while taking a chance on love.
Small-town Appalachia doesn’t have a lot going for it, but it’s where Brian is from, where his family is, and where he’s chosen to return to die.
At eighteen, Brian, like so many other promising young gay men, arrived in New York City without much more than a love for the freedom and release from his past that it promised. But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.
Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, The Prettiest Star is part Dog Years by Mark Doty and part Tell the Wolves I’m Home by Carol Rifka Brunt. But it is also an urgent story now: it a novel about the politics and fragility of the body; it is a novel about sex and shame. And it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.
When university student Ludwik meets Janusz at a summer agricultural camp, he is fascinated yet wary of this handsome, carefree stranger. But a chance meeting by the river soon becomes an intense, exhilarating, and all-consuming affair. After their camp duties are fulfilled, the pair spend a dreamlike few weeks camping in the countryside, bonding over an illicit copy of James Baldwin’s Giovanni’s Room. Inhabiting a beautiful natural world removed from society and its constraints, Ludwik and Janusz fall deeply in love. But in their repressive communist and Catholic society, the passion they share is utterly unthinkable.
Once they return to Warsaw, the charismatic Janusz quickly rises in the political ranks of the party and is rewarded with a highly-coveted position in the ministry. Ludwik is drawn toward impulsive acts of protest, unable to ignore rising food prices and the stark economic disparity around them. Their secret love and personal and political differences slowly begin to tear them apart as both men struggle to survive in a regime on the brink of collapse.
Bunny Lampert is the princess of North Shore—beautiful, tall, blond, with a rich real-estate-developer father and a swimming pool in her backyard. Michael—with a ponytail down his back and a septum piercing—lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father’s escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny’s futures—and of their friendship.
Have you ever met someone and felt like you’ve known them in a thousand different lifetimes?
Lindsay Hall was a high school senior when she and her friend Patty discovered peach schnapps, listened to a past-life hypnosis CD, and got an up-close look at who she once was. And who she used to love. The knowledge of her past life has always haunted Lindsay. As her ex-husband is happy to point out, it’s made her a pretty crappy partner, too. Even her teenage daughter has politely suggested that she “get the eff over it.” Except she didn’t say eff.
Ren Christopher just wants a quick break before she starts a new job in London. She’s just extracted herself from a not-brief-enough, drama-filled relationship. A few weeks relaxing, drinking too much wine, and hanging with her old college friend Patty is just what the doctor ordered. No pressure, no expectations, and absolutely no drama.
Everything is perfect until Lindsay faints at the sight of Ren.
It’s the late 1960s in McKinney, Texas. At the downtown theater and the local drive-in, movies—James Bond, My Fair Lady, Alfie, and Dr. Zhivago—feed the dreams and obsessions of a ten-year-old Clarke who loves Audrey, Elvis, his family, and the handsome boy in the projector booth. Then Clarke loses his beloved mother, and no one will tell him how she died. No one will tell her either. She is floating above the trees and movie screens of McKinney, trapped between life and death, searching for a glimpse of her final moments on this earth. Clarke must find the shattering truth, which haunts this darkly humorous and incredibly moving novel.
Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria.
One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare.
As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along.
In this bewitching first novel, a sensitive teen, newly arrived in Alabama, falls in love, questions his faith, and navigates a strange power. While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by rowdy football players, he learns how to catch a spiraling ball, point a gun, and hide his innermost secrets. When Max meets fishnet-wearing Pan in physics class, they embark on an all-consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of a local church. The boys, however, aren’t sure what is more frightening—embracing their true selves, or masking their true selves. Evoking Dorothy Allison, Lambda Award finalist Genevieve Hudson offers a nuanced portrait of masculinity, immigration, and the adolescent pressures that require total conformity—in short, a twenty-first-century South that would have been unimaginable to the late Harper Lee.
Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn’t come at a worse time—threatening Emma’s promotion and Jo’s new movie.
As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment”.
With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all…but is acting on the spark between them worth fanning the gossip flames?
Intimacy has always eluded twenty-seven-year-old Maggie Krause—despite being brought up by married parents, models of domestic bliss—until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris’s will, five sealed envelopes, each addressed to a mysterious man she’s never heard of.
In an effort to run from her own grief and discover the truth about Iris—who made no secret of her discomfort with her daughter’s sexuality—Maggie embarks on a road trip, determined to hand-deliver the letters and find out what these men meant to her mother. Maggie quickly discovers Iris’s second, hidden life, which shatters everything Maggie thought she knew about her parents’ perfect relationship. What is she supposed to tell her father and brother? And how can she deal with her own relationship when her whole world is in freefall?
Told over the course of a funeral and shiva, and written with enormous wit and warmth, All My Mother’s Lovers is the exciting debut novel from fiction writer and book critic Ilana Masad. A unique meditation on the universality and particularity of family ties and grief, and a tender and biting portrait of sex, gender, and identity, All My Mother’s Lovers challenges us to question the nature of fulfilling relationships.
Charming, charismatic, and effortlessly popular, Conrad Stewart seems to have it all…but in reality, he’s scrambling to keep his life from tumbling out of control.
Brilliant, guarded, and endlessly driven, Alden Roth may as well be the poster boy for perfection…but even he can’t help but feel a little broken inside.
When these mortal enemies are stuck together on a cross-country road trip to the biggest fan convention of their lives, their infamous rivalry takes a backseat as an unexpected connection is forged. Yet each has a reason why they have to win the upcoming Odyssey gaming tournament and neither is willing to let emotion get in the way―even if it means giving up their one chance at something truly magical.
She arrived with her arts, her wits, and her only friend.
In victory, her world has turned to ash.
After rocking the cosmos with her deathly debut, Tamsyn Muir continues the story of the penumbral Ninth House in Harrow the Ninth, a mind-twisting puzzle box of mystery, murder, magic, and mayhem. Nothing is as it seems in the halls of the Emperor, and the fate of the galaxy rests on one woman’s shoulders.
Harrowhark Nonagesimus, last necromancer of the Ninth House, has been drafted by her Emperor to fight an unwinnable war. Side-by-side with a detested rival, Harrow must perfect her skills and become an angel of undeath — but her health is failing, her sword makes her nauseous, and even her mind is threatening to betray her.
Sealed in the gothic gloom of the Emperor’s Mithraeum with three unfriendly teachers, hunted by the mad ghost of a murdered planet, Harrow must confront two unwelcome questions: is somebody trying to kill her? And if they succeeded, would the universe be better off?
“He fixes everything that’s wrong with you in three days.”
This is what hooks Sam when he first overhears it at a fancy dinner party in the Hollywood hills: the story of a globe-trotting shaman who claims to perform “open-soul surgery” on emotionally damaged people. For neurotic, depressed Sam, new to Los Angeles after his life in New York imploded, the possibility of total transformation is utterly tantalizing. He’s desperate for something to believe in, and the shaman—who promises ancient rituals, plant medicine and encounters with the divine—seems convincing, enough for Sam to sign up for a weekend under his care.
But are the great spirits the shaman says he’s summoning real at all? Or are the ghosts in Sam’s memory more powerful than any magic?
On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother’s response only intensifies a sense of shame: “You exist too much,” she tells her daughter.
Told in vignettes that flash between the U.S. and the Middle East―from New York to Jordan, Lebanon, and Palestine―Zaina Arafat’s debut novel traces her protagonist’s progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as “love addiction.” In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her.
The hunt is over. After fifteen years of lies and sacrifice, Baru Cormorant has the power to destroy the Imperial Republic of Falcrest that she pretends to serve. The secret society called the Cancrioth is real, and Baru is among them.
But the Cancrioth’s weapon cannot distinguish the guilty from the innocent. If it escapes quarantine, the ancient hemorrhagic plague called the Kettling will kill hundreds of millions…not just in Falcrest, but all across the world. History will end in a black bloodstain.
Is that justice? Is this really what Tain Hu hoped for when she sacrificed herself?
Baru’s enemies close in from all sides. Baru’s own mind teeters on the edge of madness or shattering revelation. Now she must choose between genocidal revenge and a far more difficult path — a conspiracy of judges, kings, spies and immortals, puppeteering the world’s riches and two great wars in a gambit for the ultimate prize.
If Baru had absolute power over the Imperial Republic, she could force Falcrest to abandon its colonies and make right its crimes.
When ex-CIA agent Vera Kelly loses her job and her girlfriend in a single day, she reluctantly goes into business as a private detective. Heartbroken and cash-strapped, she takes a case that dredges up dark memories and attracts dangerous characters from across the Cold War landscape. Before it’s over, she’ll chase a lost child through foster care and follow a trail of Dominican exiles to the Caribbean. Forever looking over her shoulder, she nearly misses what’s right in front of her: her own desire for home, connection, and a new romance at the local bar.
Seven years have passed since the Siege — a time when the hungry dead had risen — but the memories still haunt Illi Basbowen. Though she was trained to be an elite assassin, now the Basbowen clan act as Ghadid’s militia force protecting the resurrected city against a growing tide of monstrous guul that travel across the dunes.
Illi’s worst fears are confirmed when General Barca arrives, bearing news that her fledgling nation, Hathage, also faces this mounting danger. In her search for the source of the guul, the general exposes a catastophic secret hidden on the outskirts of Ghadid.
To protect her city and the realm, Illi must travel to Hathage and confront her inner demons in order to defeat a greater one — but how much can she sacrifice to protect everything she knows from devastation?
When Lady Eleanor “Nell” St. George arrives in Wales after serving as a veterinarian in the Great War, she doesn’t come alone. With her is her former captain’s beloved warhorse, which she promised to return to him—and a series of recurring nightmares that torment both her heart and her soul. She wants only to complete her task, then find refuge with her family, but when Nell meets the captain’s eldest daughter, all that changes.
Beatrice Hughes is resigned to life as the dutiful daughter. Her mother grieves for the sons she lost to war; the care of the household and remaining siblings falls to Beatrice, and she manages it with a practical efficiency. But when a beautiful stranger shows up with her father’s horse, practicality is the last thing on her mind.
Despite the differences in their social standing, Beatrice and Nell give in to their unlikely attraction, finding love where they least expect it. But not everything in the captain’s house is as it seems. When Beatrice’s mother disappears under mysterious circumstances, Nell must overcome her preconceptions to help Beatrice, however she’s able. Together they must find out what really happened that stormy night in the village, before everything Beatrice loves is lost—including Nell.
Queer lit by great authors for zero dollars in easily devourable slices? Totally accessible whether you’ve got funds and/or a credit card or not? Helllll yes. Please enjoy the authors providing the goods for free, and consider checking out what else they’ve got where applicable!
Alison Evans, author of Long Macchiatos and Monsters, Ida, and more (scroll down for links and brief descriptions)
Brandon Taylor, Assistant Editor at Electric Lit, as posted on Catapult